December 1946) James Francis Cooke
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The Uncrowned Lion: Rank, Status, and Identity of The
Robert Kurelić THE UNCROWNED LION: RANK, STATUS, AND IDENTITY OF THE LAST CILLI MA Thesis in Medieval Studies Central European University Budapest May 2005 THE UNCROWNED LION: RANK, STATUS, AND IDENTITY OF THE LAST CILLI by Robert Kurelić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner Budapest May 2005 THE UNCROWNED LION: RANK, STATUS, AND IDENTITY OF THE LAST CILLI by Robert Kurelić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ____________________________________________ External Examiner Budapest May 2005 I, the undersigned, Robert Kurelić, candidate for the MA degree in Medieval Studies declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person’s or institution’s copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 27 May 2005 __________________________ Signature TABLE OF CONTENTS INTRODUCTION ____________________________________________________1 ...heind graffen von Cilli und nyemermer... _______________________________ 1 ...dieser Hunadt Janusch aus dem landt Walachey pürtig und eines geringen rittermessigen geschlechts was.. -
Iom'y T/ GIPE-PUNE-000986 , I • :To:
~hi " 4$$ '~----?~-,...,.,..... .......---'" ., - -~ .-. -~ J ) ,I OhananJayarao G d " I111111 11m 1I111111111~lliti;ll!iom'Y t/ GIPE-PUNE-000986 , I • :to: ....... """"" -'-- - --~ ~r 1';\, 1( J"'"~"\.,.t'" ,,' ,\..• J' .. ' i\\.1~1 ¥ L I F E OFTBE A]IIR DOST l\IOHA]I~IED KHAN, OF KA.BUL: WITH HIS POLITICAL PROCEEDINGS TOWARDS THE ENGLISH, RUSSIAN, AND PERSIAN GOVERNMENTS, IBCLI1DIB& THE VICTORY AND DISASTERS OF THE BRITISH ARMY IN AFGHANISTAN. By MOHAN LAL, ESQ., KNIGHT OP THB PSRSIAlf ORDEB OF THE LION A.ND StTN; LATELY ATTACHED TO T MISSION' IN KABUL. IN TWO VOLUMES. VOL. 1'.• LONDON: LONGMAN, BRO~NJ GREEN, AND LONGMANS. PATERNOSTER-ROW. 1846. VL(?JI / I (;7 L]) ~rL( G } rtg6 London :-Prlnted by WiLL ...... OLown aud Solll, Stamford Str... t .. Hm 'kosT G~CJOUS MAJESTY QUEEN VIeT ORIA . DEDicATION TO HER MOST GRACIOUS MAJESTY QUEEN VICTORI~ 80VIIBar8S OP GRE4.T BRITA.IN 4ND OF THE INDIAN EMPIRE, 4.ND TO Hila BOYAL CONsoaT, IDS ROYAL HIGHNESS THE PRINCE ALBERT. SINCE the creation of the world it has been the custom and rule of the devoted Joyal servants of every ancient and modern Government, that either on receiving marks of distinction, or the honour of being presented to their. lawful Sovereign, they submit some present showing their homage and attac.l;1ment to the Throne. This usage of submissive 'devotion has not been limited to human beings, but it has been adopted ever by other species of God's creatures, and has met with the approbation of the greatest in the world. If we trace back as far as three thousand years, we find, from tradition as well as from historical anecdotes, one of the most striking instances in an insignificant creature of God, namely, a small ant having secured a grain of rice in its forceps; crept some distance~ and having gained an access a 2 IV DEDICATION. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Annual Report 2016
McGill Library and Archives Annual Report 2016 Annual Report 2016 1 Table of Contents 1. Dean’s Message ------------------------------------------ 1 2. Research and Publications ------------------------------- 2 3. Teaching and Learning ----------------------------------- 3 4. Involvement in the Community --------------------------- 5 5. Human Resources: Milestones --------------------------- 10 6. Honours, Awards and Prizes ----------------------------- 10 7. Fiat Lux -------------------------------------------------- 11 8. Facilities ------------------------------------------------- 12 9. Budget --------------------------------------------------- 13 10. Fundraising ---------------------------------------------- 15 11. Academic Unit Reviews ---------------------------------- 16 Appendices A. Selected Research & Publications ----------------------- 17 B. Human Resources Report -------------------------------- 19 C. Loaned Items -------------------------------------------- 23 D. Notable Rare & Special Acquisitions --------------------- 24 E. Facts and Figures ---------------------------------------- 26 Annual Report 2016 2 Dean’s Message 2016 was a great year for the McGill Library and Archives. We are at a pivotal point in our history and much of the year was dedicated to promoting and advancing Fiat Lux, our ambitious plan to reimagine the McLennan-Redpath Complex for the 21st century. The project team (myself, Planning and Resources and Communications staff, University Advancement, McGill’s Planning Department, VP University Services, -
Otello Program
GIUSEPPE VERDI otello conductor Opera in four acts Gustavo Dudamel Libretto by Arrigo Boito, based on production Bartlett Sher the play by William Shakespeare set designer Thursday, January 10, 2019 Es Devlin 7:30–10:30 PM costume designer Catherine Zuber Last time this season lighting designer Donald Holder projection designer Luke Halls The production of Otello was made possible by revival stage director Gina Lapinski a generous gift from Jacqueline Desmarais, in memory of Paul G. Desmarais Sr. The revival of this production is made possible by a gift from Rolex general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 345th Metropolitan Opera performance of GIUSEPPE VERDI’S otello conductor Gustavo Dudamel in order of vocal appearance montano a her ald Jeff Mattsey Kidon Choi** cassio lodovico Alexey Dolgov James Morris iago Željko Lučić roderigo Chad Shelton otello Stuart Skelton desdemona Sonya Yoncheva This performance is being broadcast live on Metropolitan emilia Opera Radio on Jennifer Johnson Cano* SiriusXM channel 75 and streamed at metopera.org. Thursday, January 10, 2019, 7:30–10:30PM KEN HOWARD / MET OPERA Stuart Skelton in Chorus Master Donald Palumbo the title role and Fight Director B. H. Barry Sonya Yoncheva Musical Preparation Dennis Giauque, Howard Watkins*, as Desdemona in Verdi’s Otello J. David Jackson, and Carol Isaac Assistant Stage Directors Shawna Lucey and Paula Williams Stage Band Conductor Gregory Buchalter Prompter Carol Isaac Italian Coach Hemdi Kfir Met Titles Sonya Friedman Children’s Chorus Director Anthony Piccolo Assistant Scenic Designer, Properties Scott Laule Assistant Costume Designers Ryan Park and Wilberth Gonzalez Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department; Angels the Costumiers, London; Das Gewand GmbH, Düsseldorf; and Seams Unlimited, Racine, Wisconsin Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This production uses strobe effects. -
Coal Crisis Returns Dimout to Chicago
eas Report® ® USAFE WEATHER FORECAST One Year Ago Today NORTH & WEST: Partly cloudy, Max. Nazis quit by thousands; Baltic 75, Min. 46; SOUTH & EAST Clear to partly cloudy, Max 80. Min. 46; collapse expected. Americans and BERLIN, same as N & W. Max. 70, THE STIRS A Min. 44; VIENNA: Same as S & E. British meet Russians. Allies begin BREMEN: Same as N & W, Max. 72, roundup of Italy foe. Min. 44. Unom«i*l Newspaper of US. Armed Volume 2, Number 122 20 Pfg., 2 fr„ 1 d. Friday, May 3, 1946 Book Gives Put ton Credit For St. Lo Breakthrough Coal Crisis Returns NEW YORK, May 2 (UP) — Gen. it and used not only 1st Army George S. Patton, even though dead, troops but also a number of his own was right back today where he al- 3rd Army units." Wallace does give ways liked to be—in the middle of a Bradley credit for his foresight in hot argument. placing Patton in command of the Dimout to Chicago Col. Benton G. Wallace, a staff! breakthrough itself. officer under "Old Blood and Guts," With his 3rd Army dander really has written a book which is sure to up, the colonel also charges that burn the Army's brass. It is called rolling Thirders — presumably after "Patton and the Third Army." they captured Argentan — were Wallace says that Patton was New York Seen ordered to stop dead in their tracks chiefly responsible both for the pfen- and were not allowed to close the Adriatic Isles Given ning and for the execution of the bloody Falaise gap, a maneuver famous St. -
Notes of Michael J. Zeps, SJ
Marquette University e-Publications@Marquette History Faculty Research and Publications History Department 1-1-2011 Documents of Baudirektion Wien 1919-1941: Notes of Michael J. Zeps, S.J. Michael J. Zeps S.J. Marquette University, [email protected] Preface While doing research in Vienna for my dissertation on relations between Church and State in Austria between the wars I became intrigued by the outward appearance of the public housing projects put up by Red Vienna at the same time. They seemed to have a martial cast to them not at all restricted to the famous Karl-Marx-Hof so, against advice that I would find nothing, I decided to see what could be found in the archives of the Stadtbauamt to tie the architecture of the program to the civil war of 1934 when the structures became the principal focus of conflict. I found no direct tie anywhere in the documents but uncovered some circumstantial evidence that might be explored in the future. One reason for publishing these notes is to save researchers from the same dead end I ran into. This is not to say no evidence was ever present because there are many missing documents in the sequence which might turn up in the future—there is more than one complaint to be found about staff members taking documents and not returning them—and the socialists who controlled the records had an interest in denying any connection both before and after the civil war. Certain kinds of records are simply not there including assessments of personnel which are in the files of the Magistratsdirektion not accessible to the public and minutes of most meetings within the various Magistrats Abteilungen connected with the program. -
CRANFORD (N.J.) CHRONICLE Thursday, April 14,1963 '
Pftge 20 CRANFORD (N.J.) CHRONICLE Thursday, April 14,1963 ' Garwood artist... Kenilworth sign exits-fwm parkway. ,7 gifted students.. .gym Democrats squabble... show...tax rate... tax hike... school 3' dances, .page' computers...page 18 USPS 136 800 Second Class Postage Paid Cranford, N.J. 25 CENTS stacks up. At VOL. 91 N6.16 Published Every Thursday Thursday, April 21,1983 Serving Cranford, Keniluprth and Garwood The beets are sweet. The beans are tender and tasty. The home-fries taste it. Because the low Special prices in our shopping list below and the delicious. The spinach and broccoli have a rich color to match their hearty JJnadyertised Specials at your Kings store will let you stock up on a whole showers precipitate town record flavor. The frozen flounder and sole cook up moist, flakey and flavorful. The pantryful and freezerful of good foocff% tuna does you proud in salads and sandwiches. The juices have the fresh taste of :. And to insure that our White Rose products measure up to, your expectations the best-known brands. The spring water is fresh. and ours, our Consumer Affairs department conducts comparisons with other The name for all this good food—and more—is White Rose. supermarket house and name brands on a weekly basis.. And White R(jse is the brand of canned and frozen foods that we selected Check the color, the cut, the consistency, the look as well as the taste and years ago. to be Kings money-saving alternative td famous-name brands! aroma. And see if you don't find that White Rose, like so many other good If you've ever—or never—tried White Rose brand foods, this is the week to do foods at Kings, is worth every penny—and then some. -
IN FO R M a TIO N to U SERS This Manuscript Has Been Reproduced from the Microfilm Master. UMI Films the Text Directly From
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margin*, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Ben A Howeii Information Company 300 North Zeeb Road Ann Arbor. Ml 48106-1346 USA 313.761-4700 800.521-0600 RENDERING TO CAESAR: SECULAR OBEDIENCE AND CONFESSIONAL LOYALTY IN MORITZ OF SAXONY'S DIPLOMACY ON THE EVE OF THE SCMALKALDIC WAR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James E. -
Catalogo Delle Opere a Stampa E Una Cartolina Con Firma Autografa, Il Primo 24 Pp
Lim Antiqua s.a.s - Studio bibliografico Via della Chiesa IX, 44 Loc. Monte San Quirico 55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Compositori p. 2 Direttori d’orchestra p. 26 Strumentisti e pianisti p. 38 Cantanti d’opera p. 43 5. Pierre Boulez Compositori 1. Franco Alfano (Napoli 1875 – Sanremo 1954) Lettera autografa firmata del compositore napoletano noto per aver completato Turandot di Puccini, indirizzata al giornalista Giorgio Pillon. Dat. 12 gennaio 1946: “Chiarissimo Professore, la notizia della morte di Romualdo Pantini, mio vecchio caro amico, mi è giunta di sorpresa …Io devo a Pantini innumerevoli consigli se non altrettante reali collaborazioni. “Eliana” datosi al Teatro Reale di Roma, dopo l’estero, due anni fa, appartiene a queste ultime. Anche per “Sakuntala” egli mi è stato largo di suggerimenti”. Franco Alfano rivestì prestigiosi incarichi tra i quali ricordiamo l'insegnamento al Liceo di Bologna, nel 1918 la direzione del Conservatorio di Bologna e dal 1923 la direzione del conservatorio "Giuseppe Verdi" di Torino che mantenne sino al 1939. -
Boston Symphony Orchestra Concert Programs, Summer, 1976
I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.