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Los Angeles Master Chorale Receives Major Grant from the James Irvine Foundation
PRESS RELEASE Los Angeles Master Chorale Receives Major Grant from The James Irvine Foundation $450,000 two-year grant will support the Big Sing California project through 2018 Los Angeles, CA (Sep. 1, 2016) - The Los Angeles Master Chorale announced today that The James Irvine Foundation has awarded a $450,000 Exploring Engagement Fund grant to support the Chorale’s launch of Big Sing California that will culminate in June 2018. This two-year grant will support the Chorale’s ongoing efforts to utilize state-of-the-art live- streaming technology to enable thousands of Californians to connect with others throughout the state for a shared singing experience, led by its Swan Family Artist-in- Residence and Grammy award-winning composer/conductor Eric Whitacre. “We are honored and delighted and extremely thankful to The James Irvine Foundation,” said Grant Gershon, Los Angeles Master Chorale’s Artistic Director. “Our goal for the Big Sing California is simply to inspire people to tap into a gift each person is born with, namely, the ability to sing. As one of the nation’s most prominent choruses, the Master Chorale is taking a leadership role in creating the fertile environment in which the love of singing and the choral arts can grow and thrive.” The Los Angeles Master Chorale’s grant was highlighted in yesterday’s announcement by The James Irvine Foundation which approved $7.73 million in grants. These grants reflect the Foundation’s continued commitments to current grantees, as well as new investments related to the foundation’s new focus: increasing economic and political opportunity for California families and young adults who are working but struggling with poverty. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Accomplishment Book 2010-2011
The Yale Information Society Project Technology and Law at Yale Law School 2010-2011 Accomplishments 1 Table of Contents CONFERENCES ................................................................................... 2 MAD MEN TO MAD BOTS: ADVERTISING IN THE DIGITAL AGE ................ 3 PRIVACY AND INNOVATION SYMPOSIUM ..................................................... 8 OPEN VIDEO CONFERENCE ......................................................................... 12 ACCESS TO KNOWLEDGE GLOBAL ACADEMY .......................................... 15 INNOVATE ACTIVATE: AN UNCONFERENCE ON INTELLECTUAL PROPERTY AND ACTIVISM ............................................................................. 19 YALE MEDIA THEORY & HISTORY GRADUATE CONFERENCE .............. 23 ACTIVITIES AND SPECIAL EVENTS ..................................................... 27 LIBERTY TREE SPEAKER SERIES ................................................................... 28 YALE INFORMATION SOCIETY SPEAKER SERIES ....................................... 29 LUNCH SPEAKER SERIES ................................................................................ 36 IDEAS LUNCH SERIES ..................................................................................... 39 YALE VISUAL LAW PROJECT .......................................................................... 49 HARVARD-MIT-YALE CYBERSCHOLAR WORKING GROUP .................... 57 CLINICAL ACTIVITIES ....................................................................... 70 MEDIA FREEDOM AND INFORMATION ACCESS -
Guilty Plea for Having Child Porn
IN SPORTS: Lakewood baseball looks to get healthy, compete for region title B1 THE CLARENDON SUN County to borrow more money for human services building A6 THURSDAY, MARCH 16, 2017 | Serving South Carolina since October 15, 1894 75 cents Guilty plea for having child porn He pleaded guilty to know- taining illegal not exclusively. ducting sexual acts but said Court-martial ingly possessing pornograph- images. He said Jones said he knew there he could tell the images were ic images of minors between he would delete would be a high potential for of a sexual nature because of July 2015 and February 2016 folders when it illegal content to be included the poses and where the cam- for Jones set to after requesting a trial by mil- became apparent in the downloaded series but eras were focused. itary judge, meaning no jury that the images there was no way to separate Jones said he could not re- continue today will be present. JONES were not what he the illegal and legal contents. call the details of the videos During the court-martial, wanted. He also He told the military judge he saw but said the females BY ADRIENNE SARVIS Jones, who has served 24 ac- admitted that he that he was intoxicated on may have done suggestive ges- [email protected] tive-duty years with the U.S. did not delete the entire series most of the occasions when tures and poses. He said he Air Force, told Military Judge of photos in most cases and he was searching for pornog- also could not recall how long Col. -
An Analysis of Honegger's Cello Concerto
AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S -
Spotlight on Erie
From the Editors The local voice for news, Contents: March 2, 2016 arts, and culture. Different ways of being human Editors-in-Chief: Brian Graham & Adam Welsh Managing Editor: Erie At Large 4 We have held the peculiar notion that a person or Katie Chriest society that is a little different from us, whoever we Contributing Editors: The educational costs of children in pov- Ben Speggen erty are, is somehow strange or bizarre, to be distrusted or Jim Wertz loathed. Think of the negative connotations of words Contributors: like alien or outlandish. And yet the monuments and Lisa Austin, Civitas cultures of each of our civilizations merely represent Mary Birdsong Just a Thought 7 different ways of being human. An extraterrestrial Rick Filippi Gregory Greenleaf-Knepp The upside of riding downtown visitor, looking at the differences among human beings John Lindvay and their societies, would find those differences trivial Brianna Lyle Bob Protzman compared to the similarities. – Carl Sagan, Cosmos Dan Schank William G. Sesler Harrisburg Happenings 7 Tommy Shannon n a presidential election year, what separates us Ryan Smith Only unity can save us from the ominous gets far more airtime than what connects us. The Ti Summer storm cloud of inaction hanging over this neighbors you chatted amicably with over the Matt Swanseger I Sara Toth Commonwealth. drone of lawnmowers put out a yard sign supporting Bryan Toy the candidate you loathe, and suddenly they’re the en- Nick Warren Senator Sean Wiley emy. You’re tempted to un-friend folks with opposing Cover Photo and Design: The Cold Realities of a Warming World 8 allegiances right and left on Facebook. -
Los Angeles Master Chorale Celebrates the 20Th Anniversary Of
PRESS RELEASE Media Contact: Jennifer Scott [email protected] | 213-972-3142 LOS ANGELES MASTER CHORALE CELEBRATES 20TH ANNIVERSARY OF LUX AETERNA BY MORTEN LAURIDSEN & SHOWCASES LOS ANGELES COMPOSERS WITH CONCERTS & GALA JUNE 17-22 Clockwise, l-r: Composers Eric Whitacre, Morten Lauridsen, Shawn Kirchner, Moira Smiley, Billy Childs, & Esa-Pekka Salonen. Concerts include world premieres by Billy Childs and Moira Smiley, a West Coast premiere by Eric Whitacre, and works by Shawn Kirchner and Esa-Pekka Salonen 1 3 5 N O R T H G R A N D AV E N U E , LO S A N G E L E S , C A L I F O R N I A 9 0 0 1 2 - -- 3 0 1 3 2 1 3 - 9 7 2 - 3 1 2 2 | L A M A ST E R C H O R A L E . O R G LUX AETERNA 20TH ANNIVERSARY, PAGE 2 First performances of Lux Aeterna with full orchestra in Walt Disney Concert Hall, conducted by Grant Gershon Gala to honor Morten Lauridsen on Sunday, June 18 Saturday, June 17 – 2 PM Matinee Concert Sunday, June 18 – 6 PM Concert, Gala, & Lux Onstage Party Thursday, June 22 – 8 PM “Choir Night” Concert & Group Sing CONCERT TICKETS START AT $29 LAMASTERCHORALE.ORG | 213-972-7282 (Los Angeles, CA) May 31, 2017 – The Los Angeles Master Chorale brings works by six Los Angeles composers together on a concert program celebrating the 20th anniversary of Morten Lauridsen’s choral masterwork Lux Aeterna June 17-22 in Walt Disney Concert Hall. -
Georgia's International Representatives
AWARD-WINNING TRADE SERVICES 2015 GEORGIA’S INTERNATIONAL REPRESENTATIVES CONNECTING GEORGIA TO THE WORLD’S KEY MARKETS A MESSAGE FROM THE COMMISSIONER GLOBE AWARD As you know, Georgia is a leader in the global marketplace. A critical component hing O nc p u po to maintaining this status is our international footprint. Our international a r L t a u Georgia’s second annual GLOBE (Georgia Launching Opportunities By i representatives not only market Georgia as the No. 1 state in the nation to do n g i Exporting) Award recognizes 44 companies who entered into a new r business, but as a leader in international trade, innovation, workforce, tourism, t o i e e international market in 2014. The 2015 winners from 17 different Georgia arts, music and film. By having such a significant international presence, we can G s G .L counties collectively expanded into 214 new markets, representing 104 continue to create jobs and investment opportunities in communities across .O.B.E. different countries and territories. Among the winners, a few of the most Georgia. b y d popular new markets included Colombia, Korea and the United Kingdom. r ex a p w This past year, state representatives traveled to all of our strategic markets orting a for activities ranging from gubernatorial and trade missions to trade shows, conventions and high-level business meetings. Last summer, Governor Nathan Deal led a delegation of government, philanthropic and business leaders to Israel, and I led an education and agriculture-focused mission to China. In addition to numerous other countries, GDEcD’s International 2015 GLOBE Award Winners Trade division exhibited at tradeshows in Brazil, Canada, Chile, Colombia, Germany and Mexico while our International Investment team called on companies in Canada, China, Europe, Japan, Korea and the United Kingdom. -
NEA-Annual-Report-1992.Pdf
N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992. -
The Choral Cycle
THE CHORAL CYCLE: A CONDUCTOR‟S GUIDE TO FOUR REPRESENTATIVE WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY RUSSELL THORNGATE DISSERTATION ADVISORS: DR. LINDA POHLY AND DR. ANDREW CROW BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 Contents Permissions ……………………………………………………………………… v Introduction What Is a Choral Cycle? .............................................................................1 Statement of Purpose and Need for the Study ............................................4 Definition of Terms and Methodology .......................................................6 Chapter 1: Choral Cycles in Historical Context The Emergence of the Choral Cycle .......................................................... 8 Early Predecessors of the Choral Cycle ....................................................11 Romantic-Era Song Cycles ..................................................................... 15 Choral-like Genres: Vocal Chamber Music ..............................................17 Sacred Cyclical Choral Works of the Romantic Era ................................20 Secular Cyclical Choral Works of the Romantic Era .............................. 22 The Choral Cycle in the Twentieth Century ............................................ 25 Early Twentieth-Century American Cycles ............................................. 25 Twentieth-Century European Cycles ....................................................... 27 Later Twentieth-Century American -
Emily Dickinson in Song
1 Emily Dickinson in Song A Discography, 1925-2019 Compiled by Georgiana Strickland 2 Copyright © 2019 by Georgiana W. Strickland All rights reserved 3 What would the Dower be Had I the Art to stun myself With Bolts of Melody! Emily Dickinson 4 Contents Preface 5 Introduction 7 I. Recordings with Vocal Works by a Single Composer 9 Alphabetical by composer II. Compilations: Recordings with Vocal Works by Multiple Composers 54 Alphabetical by record title III. Recordings with Non-Vocal Works 72 Alphabetical by composer or record title IV: Recordings with Works in Miscellaneous Formats 76 Alphabetical by composer or record title Sources 81 Acknowledgments 83 5 Preface The American poet Emily Dickinson (1830-1886), unknown in her lifetime, is today revered by poets and poetry lovers throughout the world, and her revolutionary poetic style has been widely influential. Yet her equally wide influence on the world of music was largely unrecognized until 1992, when the late Carlton Lowenberg published his groundbreaking study Musicians Wrestle Everywhere: Emily Dickinson and Music (Fallen Leaf Press), an examination of Dickinson's involvement in the music of her time, and a "detailed inventory" of 1,615 musical settings of her poems. The result is a survey of an important segment of twentieth-century music. In the years since Lowenberg's inventory appeared, the number of Dickinson settings is estimated to have more than doubled, and a large number of them have been performed and recorded. One critic has described Dickinson as "the darling of modern composers."1 The intriguing question of why this should be so has been answered in many ways by composers and others. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985