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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Guilty Plea for Having Child Porn
IN SPORTS: Lakewood baseball looks to get healthy, compete for region title B1 THE CLARENDON SUN County to borrow more money for human services building A6 THURSDAY, MARCH 16, 2017 | Serving South Carolina since October 15, 1894 75 cents Guilty plea for having child porn He pleaded guilty to know- taining illegal not exclusively. ducting sexual acts but said Court-martial ingly possessing pornograph- images. He said Jones said he knew there he could tell the images were ic images of minors between he would delete would be a high potential for of a sexual nature because of July 2015 and February 2016 folders when it illegal content to be included the poses and where the cam- for Jones set to after requesting a trial by mil- became apparent in the downloaded series but eras were focused. itary judge, meaning no jury that the images there was no way to separate Jones said he could not re- continue today will be present. JONES were not what he the illegal and legal contents. call the details of the videos During the court-martial, wanted. He also He told the military judge he saw but said the females BY ADRIENNE SARVIS Jones, who has served 24 ac- admitted that he that he was intoxicated on may have done suggestive ges- [email protected] tive-duty years with the U.S. did not delete the entire series most of the occasions when tures and poses. He said he Air Force, told Military Judge of photos in most cases and he was searching for pornog- also could not recall how long Col. -
Spotlight on Erie
From the Editors The local voice for news, Contents: March 2, 2016 arts, and culture. Different ways of being human Editors-in-Chief: Brian Graham & Adam Welsh Managing Editor: Erie At Large 4 We have held the peculiar notion that a person or Katie Chriest society that is a little different from us, whoever we Contributing Editors: The educational costs of children in pov- Ben Speggen erty are, is somehow strange or bizarre, to be distrusted or Jim Wertz loathed. Think of the negative connotations of words Contributors: like alien or outlandish. And yet the monuments and Lisa Austin, Civitas cultures of each of our civilizations merely represent Mary Birdsong Just a Thought 7 different ways of being human. An extraterrestrial Rick Filippi Gregory Greenleaf-Knepp The upside of riding downtown visitor, looking at the differences among human beings John Lindvay and their societies, would find those differences trivial Brianna Lyle Bob Protzman compared to the similarities. – Carl Sagan, Cosmos Dan Schank William G. Sesler Harrisburg Happenings 7 Tommy Shannon n a presidential election year, what separates us Ryan Smith Only unity can save us from the ominous gets far more airtime than what connects us. The Ti Summer storm cloud of inaction hanging over this neighbors you chatted amicably with over the Matt Swanseger I Sara Toth Commonwealth. drone of lawnmowers put out a yard sign supporting Bryan Toy the candidate you loathe, and suddenly they’re the en- Nick Warren Senator Sean Wiley emy. You’re tempted to un-friend folks with opposing Cover Photo and Design: The Cold Realities of a Warming World 8 allegiances right and left on Facebook. -
Hansen Gets an Upgrade Holiday Happenings School of Music Events
Football player reflects on Students map out new ways to a season to remember experience IWU SPORTS, P. 15 FEATURES, P. 10 www.iwu.edu/~theargus Volume 118 | Issue 11 December 2, 2011 Hansen gets an upgrade KRISTIN FIELDS come costly. The new system STAFF REPORTER will be cost-efficient and will Holiday happenings When not used as a casual also work toward Illinois Wes- study space, the Hansen Student leyan’s efforts to “go green.” Center is home to a number of The new lighting upgrades shows presented by student-run will largely benefit student or- bring organizations. With presenta- ganizations such as Dance Co- tions and performances to bring hesion and the Musical Theater With finals fast approach- to the student body, many groups Society, both of which hold an- ing, Illinois Wesleyan Uni- rely on lighting and sound nual performances in the build- versity student groups are equipment for their events. ing and rely on lighting technol- ogy for their respective shows. spreading some much-need- The current system is 10 years ed holiday spirit this week. old and in need of an update. “This technology allows us Y to produce somewhere in the On Tuesday, Nov. 29, IWU J Senior physics major Derrick Rohl, who works with light- neighborhood of 16 million student Jewish organization ing in the student center, noted colors with each fixture,” said Hillel held their annual Ha- the current fixtures are minimal Rohl, who has worked on the project alongside sophomore nukkah dinner in the Davis- in terms of technology. He be- don Room of the Memorial lieves an upgraded system is an theater design/technology major important step for the facility. -
WXYC Brings You Gems from the Treasure of UNC's Southern
IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed. -
PRESSEMITTEILUNG 02.03.2017 SWMRS Spielen Am 5. April in Berlin
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 02.03.2017 SWMRS spielen am 5. April in Berlin SWMRS rocken schon eine ganze Weile die Häuser der Bay Area: Seit 2004 spielte Drummer Joey Armstrong mit seinen Schulfreunden, den Brüdern Cole und Max Becker (Gesang, Gitarre und früher Bass) unter dem Namen Emily’s Army zusammen. Zugegeben, der Schlagzeuger war bei der Gründung gerade einmal neun Jahre alt. Aber wenn man einen Vater wie Green Day- Frontmann Billie Joe Armstrong hat, der einen von Anfang an unterstützt, ist auch in diesem Alter schon einiges möglich (immerhin haben die Jungs als Teenager schon zwei Platten aufgenommen). Die eigentliche Karriere von SWMRS begann aber im Jahr 2014, als Bassist Seb Mueller dazu kam und der Sound sich veränderte, verschärfte, deutlich härter und politischer wurde. In seiner Musik kombiniert das Quartett aus Oakland, Kalifornien, die bissigen Breitseiten von The Clash, das Amphetamin-Bubblegum der Ramones und die schneidenden Texte, treibende Energie und raue Ehrlichkeit von Public Enemy, Frank Ocean, A Tribe Called Quest und Kurt Cobain. SWMRS „definieren den Sound des Hier & Jetzt“, pries der Rolling Stone die Band und ernannte sie zu einem der „Best New Artists 2016“. Das Debütalbum „Drive North“ wurde produziert von Zac Carper von Fidlar und ist durchzogen von Coming-of-Age- Stücken, subversiven Hymnen an Myley Cyrus und einem Gefühl der Freiheit, das den Überforderungen des heutigen Lebens abgerungen wurde. Die Gitarren ziehen eine blutige Spur, die Drums detonieren, die Stimme ist einzigartig, der Sound zeitlos. -
The Jazz Musician's Business Handbook
The Jazz Musician’s Business Handbook Highlights from the 2017 JAZZ.FM91/Music Ontario Music Business Seminars 1 Table of Contents Introduction……………………………..2 Jaymz Bee: Introduction to Good Jazz Business…..4 Jae Gold: An Artist’s Guide to Finance…………….7 Ken Druker: 21st Century D.I.Y……………….....10 Robi Botos: A Musician’s Perspective……………12 Erin Kinghorn: Online Strategies……………….13 Panel: Tackling the Conference World…………….15 Panel: Know your funding & revenue sources……..17 2 Welcome to the first ever JAZZ.FM91 Music Business Handbook. For the past three years, JAZZ.FM91 has been presenting music business seminars, specially geared to workers in jazz. These events have been well attended and well received, because they fill a particular void in the realm of business education for artists; that of networking and strategizing around the precarious world of making a living in jazz music. In February and May of 2017, JAZZ.FM91 teamed up with TD Bank Group and Music Ontario to continue this much needed seminar tradition. This document is a compendium of just some of the ideas discussed at the two events. For a deeper look into the concepts touched on below, please visit the music business seminar page on the JAZZ.FM91 website here: http://jazz.fm/index.php/education-mainmenu-111/music-seminar For further information about JAZZ.FM91 in general, please go here: jazz.fm For more about Music Ontario, go here: music-ontario.ca For details on the many generous contributions TD Bank Group makes to Canadian music, go here: https://www.tdmusic.com/ 3 JAYMZ BEE, On-Air Host, Producer & Jazz Safari Tour Guide, JAZZ.FM91 Introduction to Good Jazz Business • Community is important! In our current world, artists need to support each other. -
The Music of Randall Thompson a Documented
THE MUSIC OF RANDALL THOMPSON (1899-1984) A DOCUMENTED CATALOGUE By Carl B. Schmidt Elizabeth K. Schmidt In memory of RANDALL THOMPSON ' for VARNEY THOMPSON ELLIOTT (†) CLINTON ELLIOTT III EDWARD SAMUEL WHITNEY THOMPSON (†) ROSEMARY THOMPSON (†) RANDALL THOMPSON JR. HAROLD C. SCHMIDT (†) and for E. C. SCHIRMER MUSIC COMPANY a division of ECS Publishing Group © 2014 by E. C. Schirmer Music Company, Inc., a division of ECS Publishing 1727 Larkin Williams Road, Fenton, MO 63026-2024 All rights reserved. Published 2014 Printed in the United States of America ISBN 978-0-911318-02-9 Library of Congress Cataloging-in-Publication Data Schmidt, Carl B. The music of Randall Thompson (1899-1984) : a documented catalogue / by Carl B. Schmidt [and] Elizabeth K. Schmidt. pages cm Includes bibliographical references and index. ISBN 978-0-911318-02-9 1. Thompson, Randall, 1899-1984--Bibliography. I. Schmidt, Elizabeth K. II. Title. ML134.T42S36 2015 016.78092--dc23 2014044640 Since I first went to Rome in 1922, Italian culture, the Italian people and the Italian language have been the strongest single influence on my intellectual and artistic development as a person and as a composer. So true is this that I cannot imagine what my life would be without all the bonds that bind me in loyalty and devotion to Italy and to my Italian friends. 13 June 1959 letter from Thompson to Alfredo Trinchieri Thompson always makes you think there is nothing as beautiful, as rich, or as varied as the sounds of the human voice. Alfred Frankenstein, San Francisco Chronicle (24 May 1958) It is one of the lovely pieces our country has produced, that any country, indeed, has produced in our century. -
Fidlar Self Titled Album Download FIDLAR Download (MP3) Fourteen Slices of Insanely Catchy and Aptly Titled Punk Rock Tunes
fidlar self titled album download FIDLAR Download (MP3) Fourteen slices of insanely catchy and aptly titled punk rock tunes. The debut album by FIDLAR, recorded and self-produced at the band’s home studio with mixing duties handled by Rob Schnapf (Elliot Smith, Beck, Guided By Voices) is fourteen slices of insanely catchy and aptly titled punk rock tunes. Track list: 1. Cheap Beer 2. Stoked And Broke 3. White On White 4. No Waves 5. Whore 6. Max Can't Surf 7. Black Out Stout 8. Wake Bake Skate 9. Gimme Something 10. 5 to 9 11, LDA 12. Paycheck 13. Wait For The Man 14. Cocaine 15. Awkward. * Praise for FIDLAR * "an electrifying, intensely fun album" 8/10 - NME. "With its Ramones-via-The Golden State garage punk, it's brilliantly noisy in all the best places ('White On White', 'Wait For The Man') and yet not afraid to tone down on occasion ('Gimme Something')." 9/10 - DIY. "The spirit of drunk adolescence, cramped kitchens and broken valuable endures on their frightfully fun debut." 4/5 - Q. Fidlar struggles to break free. “Almost Free” is the third studio album from Los Angeles punk band Fidlar; it released on Jan. 24. Band members Zac Carper, Elvis Kuehn, Max Kuehn and Brandon Schwartzel take some big risks to break free from their familiar punk identity. The band released its debut album in 2013, the self-titled “Fidlar.” It featured a raw, simplistic punk aesthetic inspired by bands like The Offspring, Black Lips and Dead Kennedys. Despite criticism that the record was lyrically and musically one dimensional, the band’s potential for writing a great punk song was clear, and people started to take notice. -
California Tech
The California Tech Volume CXiX number 3 Pasadena, California [email protected] oCtober 12, 2015 Entrepreneurship Club CTLO puts a spotlight on hosts Getmii founder Max teaching and learning Meyer for guest lecture OFFICE OF STRATEGIC said CTLO Director Cassandra The TeachWeek program runs COMMUNICATIONS PARUL PUBBI assist nearby peers. The product Horii. “We have had some from Monday, Oct. 19, through Contributing Writer was test-piloted with the Red wonderful successes since our Friday, Oct. 23, and includes the Cross Central Donation Center in At Caltech, innovation, office was established. There’s following panels, discussions, Max Meyer, the 25-year- Nepal last month and launched creativity, and risk taking are definitely a growing interest workshops and open classes: old founder the of social media for a global release soon after. not reserved for the laboratory among Caltech faculty and app Getmii, gave a lecture on Students also learned about the only. Caltech faculty are just TAs, who want new ideas about Monday, Oct. 19 Oct. 6 during Caltech’s class on nature of international product as ambitious and driven in the teaching and want to connect 4 p.m.–5 p.m.: Lees-Kubota entrepreneurial development, E development, as the application classroom as they are in their with what others right here Lecture Hall 102b, as part of his North American itself was created in Singapore, and explorations of science and at Caltech are trying in their The Future of Teaching and engineering. classes.” Learning at Caltech: An Innovation As a new academic year gets Altogether, as many as 20 Showcase under way, professors, teaching Caltech faculty members will Panel discussion with faculty; assistants, and graduate be speaking and opening up TeachWeek opening reception students are once again their classes to guests during immediately following; exploring — and implementing the week. -
When Artists Break Ground
when artistS break ground lessons from a Cleveland neighborhood partnership © 2014 When Artists Break Ground 1 Collinwood Photo Project; photo by Ashley Smith Collinwood Photo Project; photo by Regina Nethery Collinwood Photo Project; photo by Liam Kelley Collinwood Photo Project; photo by Regina Nethery 2 When Artists Break Ground what happens when artists break ground? introduction ...................................... 4 acknowledgments ........................... 7 about this handbook ....................... 9 an overview .................................... 11 planning .......................................... 17 management ................................. 30 implementation .............................. 37 communication .............................. 50 research .......................................... 59 what’s next ..................................... 64 lessons learned ............................... 68 When Artists Break Ground 3 Waterloo Roadintroduction under construction If you took a turn onto Waterloo Road today, creative placemaking might not be the first thing that would spring to your mind. You’d probably notice there’s only a single lane of one-way traffic and that the remaining road – and most of the sidewalks are torn up. There are bulldozers and piles of gravel and construction workers. What’s so creative about that? Dig a little deeper and you’ll see a community that more and more every day is thriving, and where artists are playing an important role in that success. That construction you’re seeing? It’s a