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Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
James Brown - Get on the Good Foot: a Dance Celebration October 25 10:29 2013 by Jermaine Rowe
BWW Reviews : James Brown - Get on the Good Foot: A Dance Celebration October 25 10:29 2013 by Jermaine Rowe "Give the people what they came for" James Brown said in reference to his shows, and it seemed that the Apollo set out to do just that on the opening night of "James Brown - Ge t on the Good Foot" dance celebration concert in Harlem. It was fitting that the concert opened with a welcome speech by Rev. Al Sharpton , given the historic relationship between the Apollo Theatre and James Brown . Sharpton reflected on his connection with Brown on the very stage that we were about to experience the evening's performance. The hour-long performance that followed showcased a variety of choreographers exploring the music of James Brown , danced by the Philadelphia Dance Company (PHILADANCO) and three (3) non-affiliated featured soloists. The show opened with a dynamic and exciting sound play with music and voice -overs of Brown that was effective in setting up the scene for the legacy that was being honored. The fault of the program, however, was that you ended up watching the first three choreographers before you realized that the show was not going to have breaks between each work. This made the flow seem unorganized and unclear. Despite this, "Too Funky," choreographed by Otis Sallid , saw a vibrant, young, and talented group of dancers let loose to the funky sounds of a well- arranged set of songs. The team did such a great job of setting up the excitement of the evening that I found myself a little disappointed by the lack of structure in Sallid's work. -
AN EXAMINATION of EMILY DICKINSON THESIS Presented To
310071 EMILY AND THE CHILD: AN EXAMINATION OF THE CHILD IMAGE IN THE WORK OF EMILY DICKINSON THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Nancy Eubanks McClaran, B. A. Denton, Texas May, 1974 ABSTRACT mcClaran, Nancy Eubanks, Emily and the Child.: An Examination of the Child Image in the Work of Emily Dickinson. Master of Arts (English), May, 1974, 155 pp., 6 chapters, bibliography 115 titles. The primary sources for this study are Dickinson's poems and letters. The purpose is to examine child imagery in Dickinson's work, and the investigation is based on the chronological age of children in the images. Dickinson's small child exists in mystical communion with nature and deity. Inevitably the child is wrenched from this divine state by one of three estranging forces: adult society, death, or love. After the estrangement the state of childhood may be regained only after death, at which time the soul enters immortality as a small child. The study moreover contends that one aspect of Dickinson's seclusion was an endeavor to remain a child. TABLE OF CONTENTS Page Chapter I. INTRODUCTION . 1 II. INFANCY - .-- -. * . 21 III. EARLY CHILDHOOD: EARTH'S CONFIDING TIME * " 0 27 IV. THE PROCESSOF ESTRANGEMET . ... 64 V. THE ESTRANGED CHILD ...--...... " 0 0 123 VI. CHILDHOOD IN MORTALITY . 134 BIBLIOGRAPHY 0 0-- 0 -- 40.. .. .. " 0 0 156 iii CHAPTER I INTRODUCTION The poetry of Emily Dickinson has great significance in a study of imagery. Although that significance seemed apparent to critics almost from the moment the first volume of her poems was posthumously published in 1890, very little has been written on Dickinson's imagery. -
Persistence Like a Mother: Nursing the Narrative Toward Doctoral Completion in English Education—A Poetic Autoethnography
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2021 Persistence Like a Mother: Nursing the Narrative toward Doctoral Completion in English Education—A Poetic Autoethnography Krista S. Mallo University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Other Education Commons, and the Teacher Education and Professional Development Commons Scholar Commons Citation Mallo, Krista S., "Persistence Like a Mother: Nursing the Narrative toward Doctoral Completion in English Education—A Poetic Autoethnography" (2021). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8560 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Persistence Like a Mother: Nursing the Narrative toward Doctoral Completion in English Education—A Poetic Autoethnography by Krista S. Mallo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Curriculum and Instruction with a concentration in English Education Department of Teaching and Learning College of Education University of South Florida Major Professor: Patricia Daniel Jones, Ph.D. Mandie Dunn, Ph.D. Michael Sherry, Ph.D. Jennifer Wolgemuth, Ph.D. Date of Approval: November 4, 2020 Keywords: EE DocMama, Motherscholar, Pragmatist Feminism, Autonomous Learner Copyright © 2021, Krista S. Mallo DEDICATION This project is wholly dedicated to my incredible children, the fantastic five, without whom I would have no concept of what it means to have persistence like a mother. -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been -
Escapist Tendencies As Evidenced in the Poetry of the Romantic Poets: Wordsworth, Coleridge, Shelley, Keats and Byron
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1941 Escapist Tendencies as Evidenced in the Poetry of the Romantic Poets: Wordsworth, Coleridge, Shelley, Keats and Byron Anita Marie Jochem Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Jochem, Anita Marie, "Escapist Tendencies as Evidenced in the Poetry of the Romantic Poets: Wordsworth, Coleridge, Shelley, Keats and Byron" (1941). Master's Theses. 229. https://ecommons.luc.edu/luc_theses/229 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1941 Anita Marie Jochem ~scapist tendencies as evidenced in the poetry of the Romantic poets: Wordsworth, Coleridge, Shelley, Keats, and Byron. Sister Anita Marie Jochem, O.S.F. A Thesis Submitted in Partial Fulfillment for the Degree of Master of Arts at Loyola University. Me.y 1, 1941. Preface "The world is too !!Dlch with. us." This is the keynote or escapism in the English Romantic Movement as evidenced by Wordsworth, Coleridge, Shelley, Keats and Byron. The world had closed too tightly about man in the previous age. Therefore, there breaks forth around 1800 the reaction to the eon- ventionality, the formalism in lite, thought and feeling. It is under that aspect that approach to this thesis must be made. -
501 Grammar & Writing Questions 3Rd Edition
501 GRAMMAR AND WRITING QUESTIONS 501 GRAMMAR AND WRITING QUESTIONS 3rd Edition ® NEW YORK Copyright © 2006 LearningExpress, LLC. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by LearningExpress, LLC, New York. Library of Congress Cataloging-in-Publication Data 501 grammar & writing questions.—3rd ed. p. cm. ISBN 1-57685-539-2 1. English language—Grammar—Examinations, questions, etc. 2. English language— Rhetoric—Examinations, questions, etc. 3. Report writing—Examinations, questions, etc. I. Title: 501 grammar and writing questions. II. Title: Five hundred one grammar and writing questions. III. Title: Five hundred and one grammar and writing questions. PE1112.A15 2006 428.2'076—dc22 2005035266 Printed in the United States of America 9 8 7 6 5 4 3 2 1 Third Edition ISBN 1-57685-539-2 For more information or to place an order, contact LearningExpress at: 55 Broadway 8th Floor New York, NY 10006 Or visit us at: www.learnatest.com Contents INTRODUCTION vii SECTION 1 Mechanics: Capitalization and Punctuation 1 SECTION 2 Sentence Structure 11 SECTION 3 Agreement 29 SECTION 4 Modifiers 43 SECTION 5 Paragraph Development 49 SECTION 6 Essay Questions 95 ANSWERS 103 v Introduction his book—which can be used alone, along with another writing-skills text of your choice, or in com- bination with the LearningExpress publication, Writing Skills Success in 20 Minutes a Day—will give Tyou practice dealing with capitalization, punctuation, basic grammar, sentence structure, organiza- tion, paragraph development, and essay writing. It is designed to be used by individuals working on their own and for teachers or tutors helping students learn or review basic writing skills. -
Discord and Factionalism in New Caledonia
CULTURAL POLITICS: DISCORD AND FACTIONALISM IN NEW CALEDONIA, 1991 TO 1993 Margaret Alison Taylor A thesis submitted for the degree of Doctor of Philosophy of the University of London 1997 LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE 1 UMI Number: U109404 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U109404 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I w£S£S> F 74^7 ABSTRACT This thesis focusses on the activities of a group of young French people staying in a hostel in Noumea from 1991 to 1993. It draws on my fieldwork in Noumea and Mare in the Loyalty Islands of New Caledonia. The main part of the thesis looks at the interactions of this group of young people with other ethnic and social groups living in New Caledonia. These include the Kanaks, the “Caldoches” (native-born Caledonians of French origin), the “Metros” (immigrants from metropolitan France), Pacific islanders, Vietnamese and Indonesians. The thesis also includes a short section describing Mare itself and my fieldwork there. Particular attention is paid to the Kanaks and to the Caldoches, whose rural and urban lifestyles are compared and contrasted to those of the young people being studied. -
The Trouble with Wilderness: Or, Getting Back to the Wrong Nature Author(S): William Cronon Source: Environmental History, Vol
The Trouble with Wilderness: Or, Getting Back to the Wrong Nature Author(s): William Cronon Source: Environmental History, Vol. 1, No. 1 (Jan., 1996), pp. 7-28 Published by: Forest History Society and American Society for Environmental History Stable URL: http://www.jstor.org/stable/3985059 . Accessed: 20/06/2013 13:19 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Forest History Society and American Society for Environmental History are collaborating with JSTOR to digitize, preserve and extend access to Environmental History. http://www.jstor.org This content downloaded from 140.142.113.138 on Thu, 20 Jun 2013 13:19:45 PM All use subject to JSTOR Terms and Conditions TheTrouble with Wilderness or, GettingBack to the Wrong Nature WilliamCronon THE TIME HAS COME TO RETHINK WILDERNESS. This will seem a heretical claim to many environmentalists,since the idea of wil- derness has for decades been a fundamental tenet-indeed, a passion-of the envi- ronmental movement, especially in the United States. For many Americans wilder- ness stands as the last remaining place where civilization, that all too human disease, has not fully infected the earth. It is an island in the polluted sea of urban-industrial modernity,the one place we can turn for escape from our own too-muchness. -
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON -
CONFESSION: OLD TESTAMENT INSIGHTS1 by Clifford Rapp, Jr
Confession 1 CONFESSION: OLD TESTAMENT INSIGHTS1 by Clifford Rapp, Jr. The New Testament promises that if we confess our sins [God] is faithful and righteous to forgive us our sins and to cleanse us from all unrighteousness (1 John 1:9).2 This essay ad- dresses the nature of confession. The paucity of New Testament material on confession makes this question difficult. A few confessions exist: the prodi- gal son (Luke 15), the tax collector’s confession (Luke 18), and Simon’s plea for mercy (Acts 8). Probably the longest and most detailed confessions of sin are Paul’s public testimonies in which he acknowledged his sin. The New Testament uses the homologeó, “confess,” word group (οϑµολογεϖω, οϑµολογιϖα, εϕξοµολογεϖω) only forty times. Furthermore, 1 John 1:9 is the only time where the direct object of homologeó is sins, iniquities, trans- gressions, debts, etc. Four times the related term exomologeó, is used of confessing sin, faults or evil practices (Matthew 3:6; Mark 1:5; Acts 19:18; and James 5:16). 1 [Editor’s note—Some long-term readers may remember that the CTS Journal 2 (Spring/ Summer 1996) contained an article by Clifford Rapp, Jr., defending one view of Ephesians 5:18, while Thomas Ice presented an alternative. Read- ers may examine both articles at the CTS Website: www.chafer.edu. Ephesians 5:18 and 1 John 1:9 are related, so CTS Journal invites inquiries and responses to this (and any other) article. Considering such issues allows iron to sharpen iron.] 2 Unless otherwise noted, all Scripture citations are taken from the New Ameri- can Standard Bible (NASB) copyright 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1994 by the Lockman Foundation. -
Division of the Self: Life After Death and the Binary Soul Doctrine
Division of the Self: Life After Death and the Binary Soul Doctrine Peter Novak LaPorte, IN ABSTRACT: Ancient Egyptians believed that each individual had two souls, a ba and a ka, which separated at death unless steps were taken to prevent this division. Egyptian descriptions of the ba and ka are strikingly similar to modern scientists' descriptions of the conscious and unconscious halves of the human psyche. Many other cultures all over the globe believed in two souls, one like the conscious, the other like the unconscious, which separated at death. Many cultures held that one soul would go on to reincarnate, while the other would become trapped in a dreamlike netherworld. Some believed that this division could be prevented or reversed, while others saw the division as being inevitable. The two stages of near-death experiences, a detached, objective, and dispassionate "black void" followed by a subjective, relationship-oriented, and emotionally intense "realm of light," reflect the distinctions between the conscious mind and the unconscious mind. The "darkness" stage seems to be experienced exclusively through the conscious half of the psyche, while the "light" stage seems to be experienced exclusively through the unconscious, as if the two were operating independently during these episodes. A similarly polarized dichotomy can be found in the accounts of reincarnation, of the Realm of Bewildered Souls, of the void between lives, of the behavior of ghosts and apparitions, and in statements about the afterlife by parapsychologists. The "Binary Soul Doctrine" hypothesis, that the two halves of the psyche separate after death, offers a consistent explanation for these afterlife phenomena.