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CHAPTER 2 the Period of the Weimar Republic Is Divided Into Three
CHAPTER 2 BERLIN DURING THE WEIMAR REPUBLIC The period of the Weimar Republic is divided into three periods, 1918 to 1923, 1924 to 1929, and 1930 to 1933, but we usually associate Weimar culture with the middle period when the post WWI revolutionary chaos had settled down and before the Nazis made their aggressive claim for power. This second period of the Weimar Republic after 1924 is considered Berlin’s most prosperous period, and is often referred to as the “Golden Twenties”. They were exciting and extremely vibrant years in the history of Berlin, as a sophisticated and innovative culture developed including architecture and design, literature, film, painting, music, criticism, philosophy, psychology, and fashion. For a short time Berlin seemed to be the center of European creativity where cinema was making huge technical and artistic strides. Like a firework display, Berlin was burning off all its energy in those five short years. A literary walk through Berlin during the Weimar period begins at the Kurfürstendamm, Berlin’s new part that came into its prime during the Weimar period. Large new movie theaters were built across from the Kaiser Wilhelm Memorial church, the Capitol und Ufa-Palast, and many new cafés made the Kurfürstendamm into Berlin’s avant-garde boulevard. Max Reinhardt’s theater became a major attraction along with bars, nightclubs, wine restaurants, Russian tearooms and dance halls, providing a hangout for Weimar’s young writers. But Berlin’s Kurfürstendamm is mostly famous for its revered literary cafés, Kranzler, Schwanecke and the most renowned, the Romanische Café in the impressive looking Romanische Haus across from the Memorial church. -
Sanierungsmaßnahmen Der BVG Am Und Um Den U-Bahnhof Nollendorfplatz Und Antwort Vom 03
Drucksache 18 / 25 536 Schriftliche Anfrage 18. Wahlperiode Schriftliche Anfrage des Abgeordneten Sebastian Walter (GRÜNE) vom 11. November 2020 (Eingang beim Abgeordnetenhaus am 12. November 2020) zum Thema: Sanierungsmaßnahmen der BVG am und um den U-Bahnhof Nollendorfplatz und Antwort vom 03. Dezember 2020 (Eingang beim Abgeordnetenhaus am 04. Dez. 2020) Die Drucksachen des Abgeordnetenhauses sind bei der Kulturbuch-Verlag GmbH zu beziehen. Hausanschrift: Sprosserweg 3, 12351 Berlin-Buckow · Postanschrift: Postfach 47 04 49, 12313 Berlin, Telefon: 6 61 84 84; Telefax: 6 61 78 28. Senatsverwaltung für Umwelt, Verkehr und Klimaschutz Herrn Abgeordneter Sebastian Walter (Grüne) über den Präsidenten des Abgeordnetenhauses von Berlin über Senatskanzlei - G Sen - A n t w o r t auf die Schriftliche Anfrage Nr. 18-25536 vom 11. November 2020 über Sanierungsmaßnahmen der BVG am und um den U-Bahnhof Nollendorfplatz Im Namen des Senats von Berlin beantworte ich Ihre Schriftliche Anfrage wie folgt: Vorbemerkung der Verwaltung: Die Schriftliche Anfrage betrifft Sachverhalte, die der Senat nicht aus eigener Zuständigkeit und Kenntnis beantworten kann. Er ist gleichwohl bemüht, Ihnen eine Antwort auf Ihre Anfrage zukommen zu lassen und hat daher die Berliner Verkehrsbetriebe (BVG) um Stellungnahme gebeten, die von dort in eigener Verantwortung erstellt und dem Senat übermittelt wurde. Sie wird in der Antwort an den entsprechend gekennzeichneten Stellen wiedergegeben. Frage 1: Welche Bau- und/oder Sanierungsmaßnahmen sind von der BVG an der U-Bahnanlage Nollendorfplatz und an den U-Bahnbauten zwischen den Stationen Nollendorfplatz und Viktoria-Luise-Platz, Nollendorfplatz und Wittenbergplatz, Nollendorfplatz und Bülowstraße sowie Nollendorfplatz und Kurfürstenstraße vorgesehen, insbesondere in Form von Tunnel- und Tunneldeckensanierungen sowie Sanierung des Viadukts? Bitte alle Maßnahmen einzeln und im Detail darstellen unter Angabe von Planungsstand, bereits eingetretenen Verzögerungen, Umfang der Maßnahme, Zeitplan, Maßnahmenbeginn und voraussichtlicher Maßnahmenabschluss. -
19. STADTFEST 3 Radio Queerlive 28 SPD / Schwusos 4 Sonntags-Club E.V
19. Gleiche RechteSTADTFEST für Ungleiche! Nollendorfplatz 18./19. Juni 2011 »Gleiche Rechte für Ungleiche!« Unter diesem Motto veranstaltet der Regenbogenfonds e.V. zum 19. Mal Europas größtes Lesbisch-schwules Stadtfest. Schirmherr und Schirmfrau sind auch in diesem Jahr wieder der Regierende Bürgermeister von Berlin Klaus Wowereit und die ehemalige Bezirksbürgermeisterinvon SchönebergElisabeth Ziemer. Weit über 400.000 BesucherInnen werden auf einer Fläche von 20.000 Quadratmetern erwartet. In der Motz-, Eisenacher-, Fugger- und Kalckreuthstraße präsentieren sich die Stadtfest-Welten: »Sportwelt«, »Radiowelt«, »Filmwelt«, »Aidswelt« und »Politikwelt« sowie das breite Spektrum lesbischer, schwuler, bisexueller und transidentischer Projekte, Vereineund Organisationen. Ferner gibt es ein umfangreiches Angebot an Info- und Verkaufsständen, eine Vielzahl gastronomischer Szenebetriebe mit gemütlichen Biergärten, Cocktail- und Sektbars sowie einem abwechslungsreichen kulinarischen Angebot. An beiden Wochenendtagen wird täglich ab 11 Uhr bis spät in die Nacht die Gegend rund um den Nollendorfplatz wieder einmalBerlins beliebtestePartymeile! Das Stadtfest ist ein Fest der Liebe. Deshalb haben Diskriminierung und Rassismus bei uns keinenPlatz. Der Regenbogenfonds e.V. begrüßt alle BesucherInnen aus dem In- und Ausland und wünscht vielSpaß beim19. Lesbisch-schwulen Stadtfest Berlin. 1 Grußwort des Regierenden Bürgermeisters von Berlin, 1 Klaus Wowereit, zum 19. Lesbisch-Schwulen Stadtfest am 18./19. Juni 2011 Herzlich willkommen im Kiez rund um den Ein solches Großereignis wie das Lesbisch- Nollendorfplatz und die Motzstraße zum Schwule Stadtfest gäbe es nicht ohne die 19.Lesbisch-Schwulen StadtfestBerlin! vielen Projekte und Aktiven, die sich mit einem Stand an dem Fest beteiligen. Als das Fest 1993 zum ersten Mal organisiert Besondere Verdienste kommen dem Team wurde, konnte niemand ahnen, dass ihm zu, das dieses weit über die Szene hinaus eine so beeindruckende Erfolgsgeschichte beliebte Fest alljährlich auf die Beine stellt. -
Guía De Berlín La Berlinesa © Sborisov GAYS Y LESBIANAS
188 Guía de Berlín La Berlinesa © sborisov GAYS Y LESBIANAS Aunque Federico II el Grande, de la RFA legalizó las relaciones escena gay. Ofrecen una agenda siendo rey prusiano de 1740 homosexuales en 1969 y así atrajo a de visa nocturna y cultural gay e hasta 1786 era gay, la carrera la comunidad homosexual. informaciones.. La revista es gratis, homosexual de su capital Berlín se la puede leer online o impresa. empezó más o menos 100 años Curiosamente se estrenó la www.siegessaeule.de más tarde. Ya en los años película “Coming Out”, producida en la RDA en 1989 coincidiendo Una revista de interés para lesbianas 20, antes de la Gran Recesión, así con la caída del Muro. Desde en Berlín es www.l-mag.de Berlín se convirtió en el centro esta fecha el público gay de Berlín europeo de la comunidad gay. ha ido creciendo año tras año. La gay más importante es la del Con el ascenso de Hitler al poder, Una prueba de la gran tolerancia Orgullo Gay Christopher Street Day se acabó la vida gay en toda berlinesa fue la elección y relección Parade que se suele celebrar en Alemania. Después de la Segunda de un alcalde gay, Klaus Wowereit, julio(photo22) Guerra Mundial, Berlín volvió a que estuvo desde 2001 hasta el convertirse en punto de referencia 2014 en el cargo. La mayoría del público gay vive en para los homosexuales. En la RDA el barrio Schöneberg. Otros barrios los gays y lesbianas emigraban a En la revista alemana “Siegessäule conocidos en la comunidad Berlín porque era el sitio donde – schwul in Berlin” se publican podían estar tranquilamente. -
Architecture in Berlin. a Walk Through History Instructor
Course title: Architecture in Berlin. A Walk through History Instructor: Dr. Gernot Weckherlin Email address: [email protected] Track: A-Track Language of instruction: English Contact hours: 48 (6 per day) ECTS-Credits: 5 Prerequisites: Students should be able to speak and read English at the upper intermediate level (B2) or higher. Course description This course gives a wide overview of the development of public and private architecture in Berlin during the 19th, 20th and 21st centuries. Following an introduction to the urban development and architectural history of the Modern era, the Neo-Classical period will be surveyed with special reference to the works of Schinkel. This will be followed by classes on architecture of the German Reich after 1871, which was characterized by both modern and conservative tendencies and the manifold activities during the time of the Weimar Republic in the 1920s such as the Housing Revolution. The architecture of the Nazi period will be examined, followed by the developments in East and West Berlin after the Second World War. The course concludes with a detailed review of the city’s more recent and current architectural profiles, including an analysis of the conflicts concerning the re-design of Berlin after the Cold War and the German reunification. Seven walking tours to historically significant buildings and sites are included (Unter den Linden, Gendarmenmarkt, New Housing Estates, Chancellory, Potsdamer Platz, Holocaust Memorial etc.). The course aims to offer a deeper understanding of the interdependence of Berlin’s architecture and the city’s social and political structures. It considers Berlin as a model for the highways and by-ways of a European capital in modern times. -
Travel Guide Berlin
The U2tour.de Travel Guide Berlin English Version Version Januar 2020 © U2tour.de The U2Tour.de – Travel Guide Berlin The U2Tour.de Travel Guide Berlin You're looking for traces of U2? Finally in Berlin and don't know where to go? Or are you travelling in Berlin and haven't found Kant Kino? This has now come to an end, because now there is the U2Tour.de- Travel Guide, which should help you with your search. At the moment there are 20 U2 sights in our database, which will be constantly extended and updated with your help. Original photos and pictures from different years tell the story of every single place. You will also receive the exact addresses, a spot on the map and directions. So it should be possible for every U2 fan to find these points with ease. Credits Texts: Dietmar Reicht, Björn Lampe, Florian Zerweck, Torsten Schlimbach, Carola Schmidt, Hans ' Hasn' Becker, Shane O'Connell, Anne Viefhues, Oliver Zimmer. Pictures und Updates: Dietmar Reicht, Shane O'Connell, Thomas Angermeier, Mathew Kiwala (Bodie Ghost Town), Irv Dierdorff (Joshua Tree), Brad Biringer (Joshua Tree), Björn Lampe, S. Hübner (RDS), D. Bach (Slane), Joe St. Leger (Slane), Jan Année , Sven Humburg, Laura Innocenti, Michael Sauter, bono '61, AirMJ, Christian Kurek, Alwin Beck, Günther R., Stefan Harms, acktung, Kraft Gerald, Silvia Kruse, Nicole Mayer, Kay Mootz, Carola Schmidt, Oliver Zimmer and of course Anton Corbijn and Paul Slattery. Maps from : Google Maps, Mapquest.com, Yahoo!, Loose Verlag, Bay City Guide, Down- townla.com, ViaMichelin.com, Dorling Kindersley, Pharus Plan Media, Falk Routenplaner Screencaps : Rattle & Hum (Paramount Pictures), The Unforgettable Fire / U2 Go Home DVD (Uni- versal/Island), Pride Video, October Cover, Best Of 1990-2000 Booklet, The Unforgettable Fire Cover, Beautiful Day Video, u.v.m. -
Trude Hesterberg She Opened Her Own Cabaret, the Wilde Bühne, in 1921
Hesterberg, Trude Trude Hesterberg she opened her own cabaret, the Wilde Bühne, in 1921. She was also involved in a number of film productions in * 2 May 1892 in Berlin, Deutschland Berlin. She performed in longer guest engagements in Co- † 31 August 1967 in München, Deutschland logne (Metropol-Theater 1913), alongside Massary at the Künstlertheater in Munich and in Switzerland in 1923. Actress, cabaret director, soubrette, diseuse, operetta After the Second World War she worked in Munich as singer, chanson singer theater and film actress, including as Mrs. Peachum in the production of The Threepenny Opera in the Munich „Kleinkunst ist subtile Miniaturarbeit. Da wirkt entwe- chamber plays. der alles oder nichts. Und dennoch ist sie die unberechen- Biography barste und schwerste aller Künste. Die genaue Wirkung eines Chansons ist nicht und unter gar keinen Umstän- Trude Hesterberg was born on 2 May, 1892 in Berlin den vorauszusagen, sie hängt ganz und gar vom Publi- “way out in the sticks” in Oranienburg (Hesterberg. p. 5). kum ab.“ (Hesterberg. Was ich noch sagen wollte…, S. That same year, two events occurred in Berlin that would 113) prove of decisive significance for the life of Getrude Joh- anna Dorothea Helen Hesterberg, as she was christened. „Cabaret is subtle work in miniature. Either everything Firstly, on on 20 August, Max Skladonowsky filmed his works or nothing does. And it is nonetheless the most un- brother Emil doing gymnastics on the roof of Schönhau- predictable and difficult of the arts. The precise effect of ser Allee 148 using a Bioscop camera, his first film record- a chanson is not foreseeable under any circumstances; it ing. -
Kit Kat Club Berlin
Kit kat club berlin Fetish- & Techno-Club aus Berlin, informiert über seine Veranstaltungen. Außerdem: Community, Presselinks Cosmopolitan NightClub · Kunst & Kuenstler im Club · Dresscode · Gästebuch. CarneBall Bizarre - KitKatClubnacht. Dresscode: Fetish, Lack & Leder, Sack & Asche, Uniforms, TV, Goth, Kostüme, elegante Abendgarderobe, Glitzer & Glamour, Extravagantes jeder Art! Apart from a few exceptions along the year, there's always a dresscode on a Friday or Saturday. The KitKatClub is a nightclub in Berlin, opened in March by Austrian pornographic film maker Simon Thaur and his life partner Kirsten : March Located just around the corner from Tresor, KitKatClub is a popular co-ed fetish spot. Sex is allowed (or encouraged), and on most nights you'll have to strip to Sat, Oct In Berlin, Europe's most decadent party city, techno and sex go hand–in-hand. THUMP's John Lucas penetrated the depths of Kit Kat Club, the. Few Berlin clubs have a dress code; just about anything goes. But this . We came from a far country to enjoy nightlife in Berlin a specially to see KitKatClub. 63 reviews of KitKatClub "We went on Saturday night around half past midnight. We had been Photo of KitKatClub - Berlin, Germany. a night in kiKat. Lucie D. Phone, +49 30 · Address. Köpenicker Straße 76; Berlin, Germany Wed PM UTC+02 · Kit Kat Club - Berlin · Berlin, Germany. Heute rede ich über denn Kitkat Club in Berlin und was ich dort erlebt habe. The Kit Kat Club in Berlin is one of those rare clubs that has achieved legendary status before it's even been closed. It can chart it's history back to when a. -
US Army, Berlin, 1961-1994
COLD WARRIORS, GOOD NEIGHBORS, SMART POWER: U.S. ARMY, BERLIN, 1961-1994 Rex A. Childers A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2015 Committee: Beth A. Griech-Polelle, Advisor Marc V. Simon Graduate Faculty Representative Bill Allison Michael E. Brooks © 2015 Rex Childers All Rights Reserved iii ABSTRACT Beth Griech-Polelle, Advisor The end of the Cold War and the manner in which it was “won” by the Allied nations ignited debate over the utility of military power as a source of American leadership in the new unipolar world. A popular theme arose, that a new form of state power, soft power, had the capacity to achieve America’s interests as it prepared to enter the 21st century. The idea that expensive and dangerous technologies could be replaced by investments in peaceful means of influence, wielded by America’s foreign policy professionals to foster a new cooperative spirit in the world, was naturally attractive. The United States could be relieved of much of its global military presence and reduce its military’s intrusions upon foreign people and their cultures. This dissertation challenges the assumption that the impact of military stationing in the Cold War was limited to hard power. In the case of the U.S. Army in Berlin, the unit and its members practiced civic, social, cultural, and political behaviors that meet the criteria of the post-Cold War branded term, soft power. In their daily interactions with Berliners, they exercised the full spectrum of foreign policy smart power tools, as Cold Warrior defenders of West Berlin and in compliance with U.S. -
1 SYLLABUS for HIS 2721 Cities at War: Berlin Summer, 2018 Instructor
1 SYLLABUS for HIS 2721 Cities at War: Berlin Summer, 2018 Instructor: Brian M. Cohen; Program Director: Christie Herbert; Support Specialist: Andy Donahue Course Description This 3-credit course explores the experiences and memories of the people and culture of urban centers during times of war. Students will directly engage with the physical, social, cultural, and historical artifacts of the city under exploration, and thus, social and cultural, as well as military, histories will be studied. Students begin their examination of a city at war with an overview of the key historical and cultural features of the city under review, including the rise to power of the wartime government and the methods the political leadership utilizes to expand and consolidate power. Students continue their urban exploration by identifying the different groups of city inhabitants and exploring their experiences during wartime. Students conclude their study of cities at war with a critical examination of the process of reconstruction, historical memory/memorializing, and the inherent controversy of historical memory as the city rebuilds in a post-war era. Students are assessed throughout the course on their ability to actively engage and participate in the daily class activities as well as at the end of each of the three modules through a primary source analysis, critical analysis paper, and visual presentation. Upper division students will also lead a class discussion, critically respond to a reading, and complete additional historical thinking components for each assessment that demonstrate appropriate depth and analysis. Specifically, the Berlin at War study abroad course centers on that capital city’s history during WWII, from both German and Allied perspectives, though emphasis is placed on the “everyday” experiences of the diverse groups of Berlin citizens under Nazi rule and during wartime. -
Homosexuality, Class, Politics and the Lure of Germany in 1930S Writing Author(S): RAINER EMIG Source: Critical Survey, Vol
Berghahn Books Transgressive Travels: Homosexuality, Class, Politics and the Lure of Germany in 1930s Writing Author(s): RAINER EMIG Source: Critical Survey, Vol. 10, No. 3, Literature of the 1930s (1998), pp. 48-55 Published by: Berghahn Books Stable URL: https://www.jstor.org/stable/41556795 Accessed: 22-09-2018 13:38 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Berghahn Books is collaborating with JSTOR to digitize, preserve and extend access to Critical Survey This content downloaded from 137.205.19.23 on Sat, 22 Sep 2018 13:38:39 UTC All use subject to https://about.jstor.org/terms Transgressée Travels: Homosexuality/ Class, Politics and the Lure of Germany in 1930s Writing RAINER EMIG 'Berlin meant Boys.'1 Christopher Isherwood's retrospective sum- mary of the appeal of Germany for some of the writers of the 1930s set the tone for the rather limited critical evaluation of a very inter- esting feature of 1930s writing that was to follow. Almost every critical study of Auden, Isherwood and Spender feels obliged to make at least cursory reference to the fact that Germany represented some kind of libidinous homosexual nirvana. A telling example is Valentine Cunningham's British Writers of the Thirties. -
The Sodomitic Reputation of Weimar Berlin Gregory Woods
9 The Sodomitic Reputation of Weimar Berlin Gregory Woods Resumo A Berlim da Republica de Weimar tornou-se a cidade europeia, por exceli!ncia, dos sonhos eroticos e dos pesadelos morais. Berlim tornou Sf 0 simbolo tanto das coisas maravilhosas que poderiam ser alcanr;adas se se lutasse por eias, quanta das coisas terriveis que poderiam aeonteeer se nao se lutasse contra elas. A proliferar;ao e a visibilidade da vida homossexual berlinense era tanto uma promessa quanto uma amear;a. 0 legado de Weimar nao foi tanto 0 moralismo vingativo do Nazismo, quanto 0 fervor eficaz com 0 qual a BerUm queer conseguiu se reestabelecer e prosperar depois da guerra, apesar de estar no iwsW epicentro da Guerra Fria. Palavras-chave: Berlim. Homossexualismo. Nazismo. Gragoata Niter6i, n. 14, p. 9- 27,1. sem. 2003 10 Visiting Berlin in 1919 in the aftermath of Germany's defeat in the Great War, Kurt von Stutterheim fOlmd that "all kinds of dubious resorts had sprung up like mushrooms". Censorship had been relaxed, with the result that "Notorious magazines, which no chief of police of former times would have permitted, were sold openly on the Potzdamer Platz". Having already deplored the open display of these lmnamed publications on the streets, Shltterheim could not resist going into the "dubious resorts" to see if they were any less shocking: "An acquaintance took me into a dance-hall where painted men were dancing dressed in women's clothes. I was refused admission to another resort because it was only open to women, half of whom were dressed as men" (STUTIERHEIM, 1939, p.