Kit Kat Club Berlin

Total Page:16

File Type:pdf, Size:1020Kb

Kit Kat Club Berlin Kit kat club berlin Fetish- & Techno-Club aus Berlin, informiert über seine Veranstaltungen. Außerdem: Community, Presselinks ​Cosmopolitan NightClub · ​Kunst & Kuenstler im Club · ​Dresscode · ​Gästebuch. CarneBall Bizarre - KitKatClubnacht. Dresscode: Fetish, Lack & Leder, Sack & Asche, Uniforms, TV, Goth, Kostüme, elegante Abendgarderobe, Glitzer & Glamour, Extravagantes jeder Art! Apart from a few exceptions along the year, there's always a dresscode on a Friday or Saturday. The KitKatClub is a nightclub in Berlin, opened in March by Austrian pornographic film maker Simon Thaur and his life partner Kirsten ​: ​March Located just around the corner from Tresor, KitKatClub is a popular co-ed fetish spot. Sex is allowed (or encouraged), and on most nights you'll have to strip to Sat, Oct In Berlin, Europe's most decadent party city, techno and sex go hand–in-hand. THUMP's John Lucas penetrated the depths of Kit Kat Club, the. Few Berlin clubs have a dress code; just about anything goes. But this . We came from a far country to enjoy nightlife in Berlin a specially to see KitKatClub. 63 reviews of KitKatClub "We went on Saturday night around half past midnight. We had been Photo of KitKatClub - Berlin, Germany. a night in kiKat. Lucie D. Phone, +49 30 · Address. Köpenicker Straße 76; Berlin, Germany Wed PM UTC+02 · Kit Kat Club - Berlin · Berlin, Germany. Heute rede ich über denn Kitkat Club in Berlin und was ich dort erlebt habe. The Kit Kat Club in Berlin is one of those rare clubs that has achieved legendary status before it's even been closed. It can chart it's history back to when a. Tour of Kit Kat club in Berlin. Ron Hamelin. Loading. I love the kitkat, but You forget to go into the 4th. Every Monday at Kit Kat Club we strive to bring you some of Berlin's legends and upcoming talent, B-City style. A night where traveling DJs and Live Acts simmer. Out of the U-Bahn station, we made our way up to the entrance of the Kit Kat Club, Berlin's most famous sex club. We were a group of two guys. Brückenstrasse 1, Berlin. KitKatClub Berlin. Brückenstrasse 1, Berlin. Brückenstrasse 1, Berlin. 2, views. Unbenannte Ebene. Photo taken at KitKatClub by Cathy V. on 4/1/; Photo taken at by Daniel Eran D. on 1/5/; Photo taken at KitKatClub by Stil in Berlin on 7/1/ TICKET PRICE: 39,50 EURO // 45,00 EURO // presale completely sold out // box office tickets will be available at KitKatClub! KitKat Club Berlin - Hier gibt es Gästelistenplätze, Partybilder, Fotos, Tickets und Informationen zu Öffnungszeiten, Eintrittspreisen und Partys im KitKat Club Oct 21 - Oct Listen to the best Kit Kat Club Berlin shows. Popular Kit Kat Club Berlin shows. Popular. Penny Lane / live @ Kit Kat Club Berlin. #penny lane. See Tweets about #kitkatclub on Twitter. On a placé "gastro" et "#KitKatClub" à la télé hier!!! Berlin Night 2 #kitkatclub #techno #ilovetechno #rave. Stream Jordan live @ KitKat Club - Berlin - NachSpiel Afterhour by DJ Jordan - Berlin from desktop or your mobile device. KitKatKlub, Berlin: consultez avis, articles et 4 photos de KitKatKlub, nuit au kit kat: If you thought the Pussycat Dolls brought the raunch, you'd best head back to Vegas and close your eyes. Berlin's most famous sex club is for everyone; gay, Hours​: ​Fri-Sat from Sun Answer 1 of 4: A thread for adults only The infamous Kit Kat Club in Berlin. Have you been there? What's it like? Is it worth a visit? This 'kitty' is naughty, sexy and decadent, listens to hip-hop and house, and fancies leather and lace, vinyl and whips. Berlin's most (in)famous erotic nightclub. REVOLVER PARTY SITE! •. Berlin's biggest monthly Gay Party, every 2nd Friday of each month PARTY XXL is back Friday November at Kitkat Club. KitKatKlub: Get wild. Go to KitKat Club! - See traveller reviews, 4 candid photos, and great deals for Berlin, Germany, at TripAdvisor. Website: friendliest people you will meet in Berlin, the atmosphere is of come as you are, be yourself, enjoy. Photos and videos taken at 'Kit Kat Club - Berlin' on Instagram. The Berlin Underground Edition of the wildest party on earth! legendary hedonistic playground icon KitKatClub, "WASTELAND Berlin " will truly be a night. Despite its reputation, Berlin's KitKat club is not at all seedy. Admittedly every sexual activity under the sun takes place in dark nooks and crannies, but a sense. In der Berliner Fetisch-Disco KitKat wird so ziemlich jedes sexuelle Bedürfnis So viel Orgie erlebte ich im Fetisch-Club Kitkat in Berlin. I present myself at KitKatClub around 1am, dressed in a long, black plastic jacket. An outfit that was sure to help me gain entry to many Berlin. Since the s, Berlin has been famous around the world for it's buzzing Today, the KitKatClub is one of the most renowned and sought-out. gegenberlin · Against yourself. Around queer narratives. ABOUT US Friday, 1st of September. Kit Kat Club. Köpenicker Str. From Based on tied up deep values to the personal history of every single individual, Vaseline Factory is a project with enthusiasm, design to be a. DOORS OPEN Come on time, as there will be a queue. It¨s a club, bouncers free and safe wardrobe, change there. TANGO. Eintrag zu KitKatClub, Köpenicker Str., Berlin–Mitte. Buy tickets for an upcoming concert at Kit Kat Club. List of all concerts taking place in at Kit Kat Club in Berlin. Buy or sell tickets for events in Kit Kat Club Berlin. Kit Kat Club. Köpenickerstr. 76, Berlin Berlin. More than 1,, happy users from over 20 different. A Berlin on nous a parlé d'un petit club sympa nommé Berghain, puis d'un Tresor à découvrir, mais c'est au Kit Kat qu'on a décidé de traîner. The KKC attracts a diverse group of people from all over Europe, who come to listen and dance to techno and trance, as well as engage in far more explicit. Ich kann die guten Bewertungen nicht nachvollziehen. Ich war am zur CSD Opening Party hier. Es waren viel mehr Leute im Club als hinein passen. I'd been rejected entry into Berlin's KitKatClub twice; both times because I wasn't dressed appropriately. I didn't know about their dress code at. Der Kit Kat Club ist in der Köpenicker Straße, hinter der U-Bahnstation Heinrich-Heine-Straße, sieht außen aus wie eine Bude. Früher war er in. The KitKat Club was founded in at the peak of techno music. The club is famous for its sexual liberalness and cool music. All genders, generations and. Rien à voir avec la barre chocolatée, quoiqu'il y a peut être une relation avec les deux doigts. Le KitKat Club est un club libertin de Berlin fondé. Tag Archives: KitKat Club Cabaret Berlin is pleased to be able to offer 20% discount on tickets for this production of Cabaret. Use the link at. ll▷ ☎ Telefonnummer Öffnungszeiten ✭ Bewertungen zu Kitkat Club in Berlin-Mitte ☎ Das Telefonbuch ✓ Ihre Nr. 1 für Adressen und Telefonnummern. The Köpi are reopening their techno cellar tomorrow for a night of swanky, gritty, noisy, ghetto elektro-punk. As far a we can. Nach einem Besuch im KitKat Club in Berlin Mitte finden Sie hier Ruhe und Erholung! We interupt this broadcast to bring you an important message ☣ APOKALIPSTICK ☣ IS ☣ COMING ☣ The Resistance is here. Following our. KitKatClub. Adresse: Köpenicker Str. 76, Berlin. Antimateria is: the search for the everything and the nothing, the continuous fascination. Remember Kit kat Club Berlin Okt16 (it sounds in 32 Barcelona Estanc Tobacco Shop). By Minerva Collado. 22 songs. Play on Spotify. 1. I Beg You - Day. KitKat Club, Berlin - Berlin can get kinky, so if you're up for that, head to the KitKat Club! This fetish club is a Berlin institution: hedonists from all over are ve. In den angesagtesten Berliner Clubs ist Fotografieren verboten. Felix Scheinberger hat Szenen aus Berghain und KitKatClub gezeichnet. This is REVOLVER PARTY - The Movie part 1 Its filmend at the REVOLVER PARTY in February at Berlin;s famous KitKat club. Thanks. Kit Kat Club in Berlin, reviews by real people. Yelp is a fun and easy way to find, recommend and talk about what's great and not so great in Berlin and beyond. KitKatClub, Berlin - legendary gay fetish club & cruise bar with themed events in Berlin that welcomes all genders. Exclusive reviews, map and information. Explore the Berlin hotel guide to find hotel information and reviews for hotels and places to stay near KitKat Club. KitKatClub BERLIN - Tickets bei Eventim. Erleben Sie einzigartige Veranstaltungen live, jetzt Tickets bei Eventim bestellen. The Kit Kat Club in Berlin is one of those rare clubs that has achieved legendary status before it's even been closed. It can chart it's history back. Es la discoteca porno KitKatClub, uno de los locales más emblemáticos de Berlín. Calentando la capital alemana desde El autobús se. The KitKatClub is a nightclub in Berlin, opened in March by Austrian pornographic film maker Simon Thaur and his life partner Kirsten. Un posto di rilievo è occupato dal KitKat Club, nato nel dall'idea e sulle parete spiccano i dipinti del pittore Berlin based Der Träumer. Im KitKatClub haben sie nichts zu suchen. „Eintritt kostet den Es gibt zahlreiche neue Baustellen in Berlin und Brandenburg. Inhalt teilen. The top 10 clubs in Berlin, with door policy and contact details. Once you step into KitKat, you can be whatever and whomever you want and feel free to look. Kit Kat Club (Berlin) - Veranstaltungen & Events ✓ Termine ✓ Tickets ✓.
Recommended publications
  • People Dancing Without Bodies
    Thesis for Media and Communication Studies Sally von Rosen People dancing without bodies: A qualitative study of virtual raving in a pandemic Masters in Media and Communication Studies One-year master’s thesis VT 2020 Word count: 18895 Advisor: Erin Cory Examiner: Temi Odumosu 1 Thesis for Media and Communication Studies Sally von Rosen 2 Thesis for Media and Communication Studies Sally von Rosen Abstract This thesis revolves around social dance movements in the form of raving and clubbing in Berlin, and how this performative scene is affected by social distancing measures due to the current situation of Covid-19. As an important moment in history, online body performances and virtual spaces aim to complement and substitute social experiences in physical environments. The field of study relating digital technology to club cultures is timely, as virtual raving is changing social bodies’ interactions. Life has gone online for the sake of upholding socialization, as people find themselves in isolation – in a hybrid experience of the digital and material. To assess these changes in social life, this thesis uses an auto ethnographical case study on virtual raving and interviews with rave participants, and deploys Affordance Theory. The affordances accounted for are those of ‘settings’, ‘socialization’, ‘entertainment’, and ‘mobility’. The analysis demonstrates the possibilities and problems of transferring the meditative and social bodily experiences associated with raving, to virtual environments. The resulting discussion addresses issues of global accessibility, virtual raves, and what these mean for a techno raving sub culture, and the people who participate in it. Keywords: virtual raving, social bodies, social distancing, Affordance Theory, digital natives, virality, rave culture, liveness, atmosphere, auto ethnography.
    [Show full text]
  • Leipziger Platz Vom 19.03.1996
    PRESSESPIEGEL SÍe sind stolz auf das ge- meinsame ProjeK miteinem ,,Theater des 21, Jahrhun- de¡tsß: AI- do Rossr, Isolde und i \:ì\S Peter ,,Wir setzen auf gemischtes und iunAes i "-\\ Kollmaír Publikum", erklär{ Handelsplanei Jãns \\ (von Siegfried, Kein lffunder - Teil iles Projekts lînks), ist der ..Tlesor Tower": Ein .Trrsendkauf- Foto: Gudath ði e .q, ä t'e' a n Kap it al a ulug., vËi ãuf t fi',x'å'.i:.aii,îå';l#.tgTå#îf; rverden sollen. um die Uh¡. Darunter bleib-t im Gekl- uv,uu urù,tuuuuËueùuleu. uleKana- ötenill_, in d¡ei Etagent I vom Designer bis zum BIs, I dischelluppe sorgte mi_t ihrer phantasri- M;;ñ iäüúli,ìr".i:^ r schen Ivlischung aus Bewegung, Licht, ve¡binde die al_ Auch Szene_Läden sind wi-llkommen. I 1 Dasalte Pla%-Achteck Itloch liegt das Bau- soll bald wieder erctehen gelãnde ", hrach, Dahin. Se1bst alte Berliner haben Der Leipzi- ter stehen die Schwierigkeiten, den Leip- ger PIaE in J. zíger Platz ar¡J Anhieb Wohnhãuse¡ zu den 20er So zeicñnete zeigen. Dabei schJug hiel Arch¡tekt Aldo Possi das der Wilheln. Jahren, Eck am Leipziger PlaE; Hlnter das Herz Berlins so úhnell den Häu- stnße, Beim Blick ætlrcnten erhebt sích dle Zlrkuskuppel, Foto:lGuhold wie am benachbarten Pots- in die Leip. damer Piatz. Das 1905 eröff- z,ger nete Werthei:n mit d¡eimal Stra8e meh¡' Verkauf sf läche als das sieht man I(aDeWe heute war Europas größtes links das KauÍhaus. Paiást- Kaufhaus Hotel und Fürstenhof Wertheim, gehöúen zu den renommier- testen Herbergen der Stadt, Meter messende Platz- Platz zunächst,,Octogon" Das zerbombte Al'eal auf Achteck neu entstehen.
    [Show full text]
  • Basslines – Space of Involvement
    Basslines – Space Of Involvement Column in zweikommasieben Magazin #18, 2018 (www.zweikommasieben.ch) Annotated version with sound and text references Text: Marius ‚Comfortnoise‘ Neukom (www.comfortnoise.com) As time passed it became inevitable: club culture would enter the museum and become subject of historical research, a development both exciting and terribly sobering. Club cul- ture began in the 60s, entered its heyday in the 90s and began to wither in the 00s. Today its existence is bleak. With ever more distance, it’s becoming increasingly clear what made club culture. The exhibition and catalogue Night Fever. Designing Club Culture 1960 – To- day (2018) at the Vitra Design Museum in Weil am Rhein, as well as the documentary book Der Klang der Familie: Berlin, Techno und die Wende (2014), an oral history project by Fe- lix Denk and Sven von Thülen, consider the nuts and bolts of club culture: the history of its spaces and how German reunification worked decisively in its favor. At the beginning of 1995, I touched the plasma ball in Globus, the top room of Berlin’s Tresor. Naive and boundlessly fascinated as I watched the colorful electric charges pour out from the sphere into my palm, I knew that I was in the right place at the right time 1. What I didn’t know, however, is what was new, what differed. I gave myself over to Tresor with Marcos Lopez, WMF with Kid Paul and E-Werk with Westbam. They laid the founda- tion for the years of clubbing that followed; DJ’ing with different music styles and in different scenes; running a record store; organizing countless parties—to this day with my current involvement with a collective that runs a club and me producing electronic music for the dance floor.
    [Show full text]
  • 0. Pr English
    Sound Circuits are immersive sound walks inspiring reflection on the social dynamics of public spaces in Berlin and around the themes of memory, fear, freedom, rhythm and health. They will be installed in different Berlin neighbourhoods between October 5th and Nov 5th and are organized by the course of Sonic Arts Festival Eufonia. In four sound walks, more than 15 artists present their sound narratives accessible through QR codes inviting the public to explore the city through sound. October 5th - Nov 5th 2020 Berlin Friedrichshain | Mitte | Kreuzberg | Neukölln Website https://www.eufonia-festival.com/sound-circuits-berlin Instagram https://www.instagram.com/sound.circuits/ Facebook https://www.facebook.com/events/1245936705767044/ During the month of October Berlin will sound different. Several creative entities have united their artists to make sound creations that explore freedom, rhythm, fear, health and memory in the public spaces of the neighbourhoods of Friedrichshain, Mitte, Kreuzberg and Neukölln. Through QR codes placed in public places by the artists, you can access original sound creations that connect the urban landscape to your ear. The use of headphones is recommended for a more immersive experience. Available Sound Circuits will be: In Friedrichshain, developed by Catalyst In Mitte, developed by Feral Note In Neukölln, developed by artists from the last Eufonia edition In Kreuzberg, developed by Eufonia This project is aimed at a wide audience and intends to overcome some of the challenges that the pandemic has brought us, requiring no gathering or any human contact or access to culture. The Sound Circuits unite several local cultural organisations and exhibit their work, as well as that of the local artists associated with them, emphasizing their relevance to the development of the cultural fabric of Berlin.
    [Show full text]
  • The Electronic Music Scene's Spatial Milieu
    The electronic music scene’s spatial milieu How space and place influence the formation of electronic music scenes – a comparison of the electronic music industries of Berlin and Amsterdam Research Master Urban Studies Hade Dorst – 5921791 [email protected] Supervisor: prof. Robert Kloosterman Abstract Music industries draw on the identity of their locations, and thrive under certain spatial conditions – or so it is hypothesized in this article. An overview is presented of the spatial conditions most beneficial for a flourishing electronic music industry, followed by a qualitative exploration of the development of two of the industry’s epicentres, Berlin and Amsterdam. It is shown that factors such as affordable spaces for music production, the existence of distinctive locations, affordability of living costs, and the density and type of actors in the scene have a significant impact on the structure of the electronic music scene. In Berlin, due to an abundance of vacant spaces and a lack of (enforcement of) regulation after the fall of the wall, a world-renowned club scene has emerged. A stricter enforcement of regulation and a shortage of inner-city space for creative activity in Amsterdam have resulted in a music scene where festivals and promoters predominate. Keywords economic geography, electronic music industry, music scenes, Berlin, Amsterdam Introduction The origins of many music genres can be related back to particular places, and in turn several cities are known to foster clusters of certain strands of the music industry (Lovering, 1998; Johansson and Bell, 2012). This also holds for electronic music; although the origins of techno and house can be traced back to Detroit and Chicago respectively, these genres matured in Germany and the Netherlands, especially in their capitals Berlin and Amsterdam.
    [Show full text]
  • Allegories of Afrofuturism in Jeff Mills and Janelle Monaé
    Vessels of Transfer: Allegories of Afrofuturism in Jeff Mills and Janelle Monáe Feature Article tobias c. van Veen McGill University Abstract The performances, music, and subjectivities of Detroit techno producer Jeff Mills—radio turntablist The Wizard, space-and-time traveller The Messenger, founding member of Detroit techno outfit Underground Resistance and head of Axis Records—and Janelle Monáe—android #57821, Cindi Mayweather, denizen and “cyber slavegirl” of Metropolis—are infused with the black Atlantic imaginary of Afrofuturism. We might understand Mills and Monáe as disseminating, in the words of Paul Gilroy, an Afrofuturist “cultural broadcast” that feeds “a new metaphysics of blackness” enacted “within the underground, alternative, public spaces constituted around an expressive culture . dominated by music” (Gilroy 1993: 83). Yet what precisely is meant by “blackness”—the black Atlantic of Gilroy’s Afrodiasporic cultural network—in a context that is Afrofuturist? At stake is the role of allegory and its infrastructure: does Afrofuturism, and its incarnates, “represent” blackness? Or does it tend toward an unhinging of allegory, in which the coordinates of blackness, but also those of linear temporality and terrestial subjectivity, are transformed through becoming? Keywords: Afrofuturism, Afrodiaspora, becoming, identity, representation, race, android, alien, Detroit techno, Janelle Monáe tobias c. van Veen is a writer, sound-artist, technology arts curator and turntablist. Since 1993 he has organised interventions, publications, gatherings, exhibitions and broadcasts around technoculture, working with MUTEK, STEIM, Eyebeam, the New Forms Festival, CiTR, Kunstradio and as Concept Engineer and founder of the UpgradeMTL at the Society for Arts and Technology (SAT). His writing has appeared in many publications.
    [Show full text]
  • Tell Carl Craig Techno Isn't About Raw Fucking Attitude and He'll Tell You to Shut up and Listen
    104 TELLdetroit CARLrising carl craig CRAIG TECHNO ISN’T ABOUT RAW FUCKING ATTITUDE AND HE’LL TELL YOU TO SHUT UP AND LISTEN. interview TEMPE NAKISKA The game-changing second generation Detroit producer is one the most influential names in techno and a fierce advocate for his city, from his essential role in founding the Detroit Electronic Music Festival to his latest project, Detroit Love, a touring DJ collective of some of the biggest talents in the field, old school to new. Craig grew up absorbing the odyssey of sounds that formed legendary UK. There he got acquainted with the industrial sonic experiments radio DJ The Electrifying Mojo’s show from 1977 to the mid-80s. of Throbbing Gristle and UK rave music’s singular take on the From Jimi Hendrix to floppy haired soft rocker Peter Frampton, breakbeat – a clinical, on-edge combustion that would heavily Depeche Mode synth pop to Talking Heads new wave, and ruthless influence Craig’s own sound. Returning to the US he started his dancefloor belters from Parliament, Prince and Funkadelic, Mojo own label, Planet E, and unleashed himself on the world. Drawing scratched out notions of genre or ‘black’ and ‘white’ music to serve from jazz, hip hop and world music, he violently shook up what his up pure soul. forebears had started. You want techno? Hear this. Attending his earliest gigs underage, Craig helped his cousin 2016 marks 25 years of Planet E, through which Craig has on lights. It was there, deep in Detroit’s 80s underground, that he cruised to the earth-ends of his influences, via aliases including first-hand witnessed the music of the Belleville Three.
    [Show full text]
  • Techno's Journey from Detroit to Berlin Advisor
    The Day We Lost the Beat: Techno’s Journey From Detroit to Berlin Advisor: Professor Bryan McCann Honors Program Chair: Professor Amy Leonard James Constant Honors Thesis submitted to the Department of History Georgetown University 9 May 2016 2 Table of Contents Acknowledgements 3 Introduction 5 Glossary of terms and individuals 6 The techno sound 8 Listening suggestions for each chapter 11 Chapter One: Proto-Techno in Detroit: They Heard Europe on the Radio 12 The Electrifying Mojo 13 Cultural and economic environment of middle-class young black Detroit 15 Influences on early techno and differences between house and techno 22 The Belleville Three and proto-techno 26 Kraftwerk’s influence 28 Chapter Two: Frankfurt, Berlin, and Rave in the late 1980s 35 Frankfurt 37 Acid House and Rave in Chicago and Europe 43 Berlin, Ufo and the Love Parade 47 Chapter Three: Tresor, Underground Resistance, and the Berlin sound 55 Techno’s departure from the UK 57 A trip to Chicago 58 Underground Resistance 62 The New Geography of Berlin 67 Tresor Club 70 Hard Wax and Basic Channel 73 Chapter Four: Conclusion and techno today 77 Hip-hop and techno 79 Techno today 82 Bibliography 84 3 Acknowledgements Thank you, Mom, Dad, and Mary, for putting up with my incessant music (and me ruining last Christmas with this thesis), and to Professors Leonard and McCann, along with all of those in my thesis cohort. I would have never started this thesis if not for the transformative experiences I had at clubs and afterhours in New York and Washington, so to those at Good Room, Flash, U Street Music Hall, and Midnight Project, keep doing what you’re doing.
    [Show full text]
  • Berlin: Panorama Pops Free
    FREE BERLIN: PANORAMA POPS PDF Sarah McMenemy | 30 pages | 13 Nov 2012 | Walker Books Ltd | 9781406342932 | English | London, United Kingdom Walker Books - Berlin: Panorama Pops Dear partners of Panorama Berlin, dear retailers. Due to the coronavirus pandemic, we are finding ourselves in an unprecedented situation that affects every single one of us and is following the same tragic dynamic across all borders. And now that the German government has also decided to adopt lockdown measures here, the crisis has reached a Berlin: Panorama Pops new dimension. Our thoughts are now with everyone who is particularly affected, whether healthwise, workwise, personally or financially. Over the past few weeks, we have seen a Berlin: Panorama Pops of positive commitment and strong support from the industry and retailers throughout Europe, which gave us the encouragement and motivation to organise another edition of Panorama Berlin this summer. It has shown us that the wish for a realigned industry event is definitely there and we are very grateful for the direct Berlin: Panorama Pops and constructive talks with our exhibitors. However, amid the further escalation of the current situation surrounding COVID, we have also had to acknowledge that it would be impossible to make the necessary organisational plans for such an event over the next eight to ten weeks. Without this certainty in terms of planning, neither we Berlin: Panorama Pops our partners would be in a position to Berlin: Panorama Pops a strong industry event this summer. Unfortunately, the current developments leave us with no choice. Today we have therefore had to make the decision to cancel the next edition of Panorama Berlin planned to take place from 30 June until 2 July at Tempelhof Airport.
    [Show full text]
  • “House and Techno Broke Them Barriers Down”: Exploring Exclusion Through Diversity in Berlin's Electronic Dance Music Nigh
    Gender Studies Department of Thematic Studies Linköping University “House and Techno Broke Them Barriers Down”: Exploring Exclusion through Diversity in Berlin’s Electronic Dance Music Nightclubs Naomi Alice Rodgers Supervisor name: Silje Lundgren Gender Studies, LiU Master’s Programme Gender Studies – Intersectionality and Change Master’s thesis 30 ECTS credits ISRN: LIU-TEMA G/GSIC2-A—15/003—SE 1 ABSTRACT Berlin is heralded worldwide as being a city that is open, innovative and diverse: a true multicultural metropolis. Music plays a central role in the city’s claim to this title. Go to any one of Berlin’s many notorious alternative nightclubs and you will hear techno, house and electronic dance music blasting out to hoards of enthusiastic partygoers. Many of these clubs and their participants claim that these parties represent diversity, acceptance, equality and tolerance: Spaces within which social divisions are suspended, difference is overcome and people are united. This ubiquitous discursive assertion is referred to in this thesis as a “diversity discourse”. This “diversity discourse” will be deconstructed and situated within a wider political context, with a specific focus on perceptions of race, ethnicity, sexuality and gender. Engaging with theories of intersectionality, post-colonial theory (looking specifically at Jasbir Puar’s important work on homonationalism) and employing qualitative methods such as in-depth interviews and autoethnographic inquiry, it will be argued that the “diversity discourse” works as a mask to conceal a reality of social segregation. Far from being sites of equality and diversity, it will be suggested that access to these nightclubs is premised on the possession of societal privilege.
    [Show full text]
  • BACHELORARBEIT Herr Maximilian Gust Wirtschaftsfaktor Clubkultur – Wie Groß War Und Ist Der Einfluss Der Berliner Clubkultur
    BACHELORARBEIT Herr Maximilian Gust Wirtschaftsfaktor Clubkultur – Wie groß war und ist der Einfluss der Berliner Clubkultur auf die Stadt? 2015 Fakultät: Medien BACHELORARBEIT Wirtschaftsfaktor Clubkultur – Wie groß war und ist der Einfluss der Berliner Clubkultur auf die Stadt? Autor: Herr Maximilian Gust Studiengang: Hotel,- Event,- Tourismusmanagement Seminargruppe: BM12wT2-B Erstprüfer: Prof. Dipl.-Kaufm.GüntherGraßau Zweitprüfer: Jeremias Stüer BoA 2 Einreichung: Faculty of Media BACHELOR THESIS Economic factor club culture – How high was and is the influence of the Berlin club culture for the city? author: Mr. Maximilian Gust course of studies: Hotel,- Event,- Tourismusmanagement seminar group: BM12wT2-B firstexaminer: Prof. Dipl.-Kaufm.Günther Graßau second examiner: Jeremias Stüer BoA 3 submission: Inhaltsverzeichnis Inhaltsverzeichnis ..................................................................................................... 4 1. Abkürzungsverzeichnis ........................................................................................ 5 2. Einführung in die Thematik .................................................................................. 6 3. Wirtschaftliche Bedeutung der Clubszene ......................................................... 8 4. Einfluss der Touristen auf Stadt und Umsatz ................................................... 16 5. Wie hoch sind deren Ausgaben und in welchen Bereichen ............................ 20 5.1. Hotel- und Motelbranche ................................................................................
    [Show full text]
  • Gentrification by Genre? the Berlin Rom-Com
    EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Gentrification by genre? The Berlin rom-com Kim Wilkins NECSUS 10 (1), Spring 2021: 27–54 URL: https://necsus-ejms.org/gentrification-by-genre-the-berlin- rom-com/ Abstract Over the past few decades, there has been a significant uptick in the number of people relocating to Berlin. This influx is most often viewed as a response to rebranding the reunified German capital as a creative city – a tactic that foregrounded Berlin’s longstanding repu- tation for cheap rent, liberal attitudes, artistic culture, and vibrant nightlife. The housing market responded as vacancies plummeted while rent prices skyrocketed. Alongside the widely lamented chang- ing face of the reunified capital, the spike in rent prices is one tangible outcome of Berlin’s rapid gentrification. This essay examines the aes- thetics of gentrifying Berlin through an examination of a genre com- monly associated with the imperatives of gentrification: the romantic comedy. Unlike other cinema traditions associated with urban space, the romcom is commonly understood as a genre that frames the city as a site of aspirational affluence and consumerism. This framing has, to date, overwhelmingly referred to romcoms produced in the Amer- ican context. Through analyses of three romcoms set in Berlin – Ger- many’s highest grossing romcom to date Keinohrhasen (‘Rabbit With- out Ears’, Schweiger, 2007); the 2019 installment in Emmanuel Benbihy’s ‘City of Love’ anthology film series, Berlin, I Love You; and Doris Dörrie’s Glück (‘Bliss’, 2012) this essay interrogates whether romcoms set in Berlin can be, as has been claimed of their US coun- terparts, understood as a genre of gentrification.
    [Show full text]