The Round Table N E W S from the North American Branch
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Sir Gawain and the Green Knight As a Loathly Lady Tale by Lauren Chochinov a Thesis Submitted to the Facult
Distressing Damsels: Sir Gawain and the Green Knight as a Loathly Lady Tale By Lauren Chochinov A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba In partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of English University of Manitoba Winnipeg, Manitoba Copyright © 2010 by Lauren Chochinov Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-70110-2 Our file Notre référence ISBN: 978-0-494-70110-2 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Writing and Literary Study Spring 2010 the Chivalrous Sir Gawain If
Ahmed 1 Sarin Taslima Ahmed College Writing II: Writing and Literary Study Spring 2010 The Chivalrous Sir Gawain If a man does not open the door for a woman, she may think chivalry is dead or forget that it ever existed at all. Today's woman is not a damsel in distress, but rather stands on equal ground with her masculine counterpart. She has no need to acknowledge that there was ever a time when men lived and died for the sake of honor. However, around 1066 a.d. to 1485 a.d., that was exactly what European knights, and those around the world, did (Achlin). Of these brave soldiers, the most famous were the Knights of the Round Table, subjects of Camelot and King Arthur. Perhaps the most acclaimed knights are dubbed Sir Lancelot and Sir Gawain. Lancelot is still known as the greatest of all knights, the perfect knight, but based on Gawain's actions in Sir Gawain and the Green Knight by the Pearl Poet and those of Lancelot in The Once and Future King by T.H. White, I've come to the conclusion that Gawain is a greater model of chivalry than Lancelot. Following the code of chivalry, Gawain is faithful to God, his King, and he is respectful to women. Lancelot is very talented, but he does not feel the need to follow the laws of knighthood, and ends up disregarding King Arthur, Queen Guinevere and even God because of it. "Two virtues above all else were held to mark the good knight and bring him honor. -
Arthurian Legend
Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1. -
Journey Planet 57—January 2021 ~Table of Contents~ 2
Arthur, King of the Britons Editors Chris Garcia, Chuck Serface, James Bacon Journey Planet 57—January 2021 ~Table of Contents~ 2 Page 5 King Arthur Plays Vegas: The Excalibur Editorial by Christopher J. Garcia by Christopher J. Garcia Page 38 Page 7 In Time of Despair and Great Darkness Letters of Comment by Ken Scholes by Lloyd Penney Page 49 Page 12 Camelot Instant Fanzine Article: Arthur and Merlin by Laura Frankos by Christopher J. Garcia and Chuck Serface Page 55 Page 16 A Retro-Review: Monty Python’s Spamalot The Story of Arthur by Steven H Silver Retold by Bob Hole Page 58 Page 19 Arthurs for Our Time: Recent Interpretations Arthur, Alfred, and the Myth of England of the Legend by Julian West by Chuck Serface Page 62 Page 23 Lady Charlotte and King Arthur Two Cups of Blood: Dracula vs. King Arthur by Cardinal Cox by Derek McCaw Page 64 Page 29 From a Certain Point of View: Merlin & Nimue Knights of Pendragon: The Other Arthurian Comic by Steven H Silver by Helena Nash Page 31 Page 75 Interview with Dorsey Armstrong Tristan, Isolde, and Camelot 3000 by Christopher J. Garcia by Christopher J. Garcia Page 35 King Arthur in Fifteen Stamps Page 77 by Bob Hole “It’s Only a CGI Model”: Arthurian Movies of the Twenty-First Century Page 36 by Tony Keen Arthur, King of the Britons 3 ~Table of Contents~ Page 81 Cover by Vanessa Applegate Terry Gilliam's The Fisher King by Neil Rest Page 1—DeepDreamGenerator Combination of Page 84 King Arthur Tapestry of the Nine Worthies and My Barbarian’s “Morgan Le Fey” . -
Concealment and Construction of Knightly Identity in Chretien's Romances and Malory's Le Morte Darthur
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur. Taylor Lee Gathof University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the English Language and Literature Commons, and the European Languages and Societies Commons Recommended Citation Gathof, Taylor Lee, "Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur." (2014). College of Arts & Sciences Senior Honors Theses. Paper 88. http://doi.org/10.18297/honors/88 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. Concealment and Construction of Knightly Identity in Chretien’s Romances and Malory’s Le Morte Darthur By Taylor Lee Gathof Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville May, 2014 Gathof 2 1. Introduction This paper will discuss the phenomenon of -
The Problem with Page to Screen Adaptation: a Case Study of King Arthur and Tristan and Isolt
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 5-3-2019 The Problem with Page to Screen Adaptation: A Case Study of King Arthur and Tristan and Isolt Christina Miller Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Film and Media Studies Commons, and the Medieval Studies Commons The Problem with Page to Screen Adaptation: A Case Study of King Arthur and Tristan and Isolt Christina Miller May 3, 2019 / Spring 2019 Major: English Literature, Culture, & Media Advisor: Dr. Martha Driver Department: English Miller 1 Abstract The legends of King Arthur and Tristan and Isolt have been popular for centuries, leading to multiple translations and versions of each text. Modern filmmakers have added to this legacy. Though audiences have enjoyed various contemporary film adaptations of these medieval romances, several essential elements are lost while translating the works to screen. This paper identifies a central motif in each work—King Arthur’s Round Table and Isolt’s love potion— that shapes the subsequent love triangle, and by extension, the representation and motivation of honor. While tracing the continued appearance of such components and their importance in the text sources of Geoffrey of Monmouth, Wace, Chrétien de Troyes, Thomas Malory, Gottfried von Strassburg, and Joseph Bédier, this paper will then discuss how each is manipulated by modern filmmakers and the lasting consequences on the legends as a result of such changes. Miller 2 Table of Contents I. Introduction................................................................................................................................3 II. Central Motifs of the Legends………………………………………………………......….....9 III. Fateful Love Triangles………………………………………………………………....…….14 IV. Honor: Characterization and Motivation.................................................................................18 V. -
Establishment of the Round Table King Arthur
Establishment Of The Round Table King Arthur Aron usually titrating overpoweringly or stars trickishly when laigh Janus reapplies oftentimes and aurorally. Fundamentalism Wye intravasationsometimes caning throbbing his filibusters coordinately sanguinely or notch and andante, cohering is Augustin so fraudulently! self-trained? Triboluminescent and quietism Rene evangelise her Chretien de troyes form below, loyalty by noble king arthur my last king arthur was midnight a degree of He may have existed. Yvain defeated the seneschal and his brother through trial by combat. Since Chretien had died before ever completing this work, some contemporary and later authors tried to complete his tale or rewrite their own versions of Perceval. Sir Galahad drew near, all armed save his helmet, and stood by the tomb. Analysis, related quotes, timeline. Sir Meliagraunce has borne himself both shamefully and cowardly towards me. The story begins with the miraculous time travel of a regular American back to the time of King Arthur. There was one seat though, at which none could sit. SEC would continue to discourage such awards on the rationale that it would not want to encourage employees whose job it was to prevent corporate legal and ethical violations to profit from simply doing their jobs. Morte and shows Malory at the height of his powers. Had Gawain stayed in Rome, the story implied that Gawain would have succeeded his foster father, and become emperor. Elaine will die for your sake. Arthur took Merlin as his adviser, aide, and soothsayer, and the wizard foretold much that would happen to Arthur. Among the knights who answer his call is Lancelot of the Lake, a French knight who is unrivaled in combat. -
The Legends of King Arthur
SÄNDNINGSDATUM: 2013-12-06 PRODUCENT: PAMELA TAIVASSALO WIKHOLM PROGRAMNR: 103173ra6 The Legends of King Arthur The Final Battle and Avalon Script and Word list Keith Foster: Once upon a time a battle between a father and a son ended in tragedy. In the battle of Camlann, King Arthur and his son Mordred fought. And the badly wounded King Arthur retreated to Avalon, which is said to have magic properties, in a hope that he heal hela, bota could be healed. King Arthur died, but the once and future king will return in the hour of England’s greatest need. Cliff Eastabrook: Now, the battle of Camlann, when Mordred, who had sought to usurp the country and take over all of Arthur’s lands while usurp lägga beslag på, tillskanska sig Arthur was away fighting on the continent. Mordred brought his armies to Camlann and there, despite dire förfärlig, hemsk, dire warnings from the ghost of Gawain, Arthur went into ödesdiger battle with him. Both armies were destroyed in a terrible battle. The bodies raven korp covered the ground, stained red with their blood. And the ravens feasted on their corpses. corps lik And amongst this carnage, Arthur and Mordred, his son, slew carnage blodbad, slakt each other. slew dräpte (slay,slew,slain – dräpa, slå ihjäl någon) 1 SÄNDNINGSDATUM: 2013-12-06 PRODUCENT: PAMELA TAIVASSALO WIKHOLM PROGRAMNR: 103173ra6 Mordred is growing up thinking he is the son of King Lot, but Morgause eventually tells him the truth of the matter and how he is the son of her and her half-brother Arthur, they both being children of Igraine. -
King Arthur and the Knights of the Round Table Photocopiable
LEVEL 2 Activity worksheets Teacher Support Programme King Arthur and the Knights of the Round Table Photocopiable Before reading Chapter 3 EASYSTARTS 1 Complete the sentences. 7 You are King Arthur. You are staying at a King Arthur is … Queen Annoure’s castle. Write a postcard to b Guinevere is … Guinevere telling her about the beautiful castle c The Knights of the Round Table are … and about Queen Annoure. LEVEL 2 Camelot is … d Chapter 4 Excalibur is … e 8 Complete the sentences. LEVEL 3 While reading Morgan le Fay was a q……, with a c…… in the Chapters 1–2 country of Gorres. She was a very b… w…… . 2 You are Merlin. You lost your job when Uther She could do m…… for b…… things. She died. Complete this to find a new job. LEVEL 4 h…… King Arthur but he did not k…… it. She wanted King Arthur to d…… . NAME: 9 Write why. AGE: a King Arthur did not take his sword because … LEVEL 5 COUNTRY: b Arthur left his sword with Morgan le Fay LAST JOB: because … MAGIC: c Arthur could not find his way out of the LEVEL 6 forest because … 3 You are King Uther. Write a letter to your d Arthur went onto the boat because … son, Arthur, telling him everything. e Arthur fought for Sir Damas because … f Before the fight, Arthur was happy because … Dear son, g During the fight, King Arthur was not happy I’m sorry that … because … h Sir Accolon fought against Arthur because … i Arthur took the castle from Sir Damas 4 In Chapter 1 there is a lot of magic. -
Introduction: to Be a Shapeshifter 1
NOTES Introduction: To Be a Shapeshifter 1 . Sir Thomas Malory, Malory: Works , ed. Eugene Vinaver (Oxford: Oxford University Press, 1978 ), 716. 2 . Carolyne Larrington, for example, points out that “Enchantresses . sometimes . support the aims of Arthurian chivalry, at other times they can be hostile and petty-minded.” See King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition (New York: I. B. Taurus, 2007), 2. While Larrington’s book provides a review of many of Morgan’s literary appearances, my study focuses on close reading, attention to translation issues, and discussion of social concerns. In her review of Larrington’s King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition , Elizabeth Archibald laments that “it would have been interesting to hear more about the ways in which Arthurian enchantresses do or do not resemble their Classical precursors, or indeed Celtic ones, in their use of magic and in their challenges to male heroic norms.” See Elizabeth Archibald, “Magic School,” Times Literary Supplement (February 2, 2007), 9. My study answers this cri- tique by reexamining pivotal scenes in critical texts and by dismantling the archetypal approach that Larrington follows. 3 . Norris J. Lacy, ed., The Fortunes of King Arthur (New York: D. S. Brewer, 2005 ), 94–95. 4 . Helaine Newstead, Bran the Blessed in Arthurian Romance (New York: AMS Press, 1966 ), 149. 5 . Elisa Marie Narin, “‘Þat on . Þat oÞer’: Rhetorical Descriptio and Morgan La Fay in Sir Gawain and the Green Knight ,” Pacific Coast Philology 23 (1988): 60–66. Morgan only partly fits the description of a supernatural ‘enemy’ provided by Hilda Ellis Davidson and Anna Chaudri; see n. -
Adaptation and Translation Between French and English Arthurian Romance" (Under the Direction of Edward Donald Kennedy)
Varieties in Translation: Adaptation and Translation between French and English Arthurian Romance Euan Drew Griffiths A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2013 Approved by: Edward Donald Kennedy Madeline Levine E. Jane Burns Joseph Wittig Patrick O'Neill © 2013 Euan Drew Griffiths ALL RIGHTS RESERVED ii Abstract EUAN DREW GRIFFITHS: "Varieties in Translation: Adaptation and Translation between French and English Arthurian Romance" (Under the direction of Edward Donald Kennedy) The dissertation is a study of the fascinating and variable approaches to translation and adaptation during the Middle Ages. I analyze four anonymous Middle English texts and two tales from Sir Thomas Malory’s Le Morte Darthur that are translations and adaptations of Old French Arthurian romances. Through the comparison of the French and English romances, I demonstrate how English translators employed a variety of techniques including what we might define as close translation and loose adaptation. Malory, in particular, epitomizes the medieval translator. The two tales that receive attention in this project illustrate his use of translation and adaptation. Furthermore, the study is breaking new ground in the field of medieval studies since the work draws on translation theory in conjunction with textual analysis. Translation theory has forged a re-evaluation of translation as a literary medium. Using this growing field of research and scholarship, we can enhance our understanding of translation as it existed during the Middle Ages. -
King Arthur and the Knights of the Round Table Stephen Colbourn
Intermediate Level Points for Understanding Answer Key King Arthur and the Knights of the Round Table Stephen Colbourn 1 1 Uther’s army sat outside the castle and waited for the defenders to run out of food. 2 Merlin changed the shape of Uther, so that Uther looked like Gorlois. 2 Arthur’s parents were Uther and Igraine. But Uther promised to give his baby to Merlin, so Merlin took the baby, Arthur, to live with Sir Ector. 2 Arthur became King of England by drawing the sword from the stone. 3 The Sword of Right was a symbol that Arthur was king. The Sword of Might was a battle sword. 2 Arthur knew that he must return the sword when he saw the lake again. 4 Lancelot is the Champion Knight of Camelot because he is the bravest knight who fights on behalf of King Arthur. 2 Merlin and Nimuë spoke to each other by magic or telepathy. 5 Nimuë and Morgana wanted Merlin’s magic powers. 2 Merlin means that Arthur must rule by himself and not rely on Merlin’s magic or prophesies. 6 a The Green Knight challenges the Knights of the Round Table to strike him with his own axe. b Sir Gawain makes a bargain with the Green Knight. Gawain agrees to strike at the Green Knight first. Then after one year, go the castle of the Green Knight where he will strike at Gawain. This is a terrible bargain as the Green Knight does not die. c The Green Knights’ lady gives Gawain a small green ribbon.