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Sir Gawain and the Green Knight As a Loathly Lady Tale by Lauren Chochinov a Thesis Submitted to the Facult
Distressing Damsels: Sir Gawain and the Green Knight as a Loathly Lady Tale By Lauren Chochinov A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba In partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of English University of Manitoba Winnipeg, Manitoba Copyright © 2010 by Lauren Chochinov Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-70110-2 Our file Notre référence ISBN: 978-0-494-70110-2 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Religion and Religious Symbolism in the Tale of the Grail by Three Authors
Faculty of Arts English and German Philology and Translation & Interpretation COMPARATIVE LITERATURE: RELIGION AND RELIGIOUS SYMBOLISM IN THE TALE OF THE GRAIL BY THREE AUTHORS by ASIER LANCHO DIEGO DEGREE IN ENGLISH STUDIES TUTOR: CRISTINA JARILLOT RODAL JUNE 2017 ABSTRACT: The myth of the Grail has long been recognised as the cornerstone of Arthurian literature. Many studies have been conducted on the subject of Christian symbolism in the major Grail romances. However, the aim of the present paper is to prove that the 15th-century “Tale of the Sangrail”, found in Le Morte d’Arthur, by Thomas Malory, presents a greater degree of Christian coloration than 12th-century Chrétien de Troyes’ Perceval and Wolfram von Eschenbach’s Parzival. In order to evaluate this claim, the origin and function of the main elements at the Grail Ceremony were compared in the first place. Secondly, the main characters’ roles were examined to determine variations concerning religious beliefs and overall character development. The findings demonstrated that the main elements at the Grail Ceremony in Thomas Malory’s “The Tale of the Sangrail” are more closely linked to Christian motifs and that Perceval’s psychological development in the same work conflicts with that of a stereotypical Bildungsroman, in contrast with the previous 12th-century versions of the tale. Keywords: The Tale of the Grail, Grail Ceremony, Holy Grail, Christian symbolism INDEX 1. Introduction ....................................................................................................................................... -
Journey Planet 57—January 2021 ~Table of Contents~ 2
Arthur, King of the Britons Editors Chris Garcia, Chuck Serface, James Bacon Journey Planet 57—January 2021 ~Table of Contents~ 2 Page 5 King Arthur Plays Vegas: The Excalibur Editorial by Christopher J. Garcia by Christopher J. Garcia Page 38 Page 7 In Time of Despair and Great Darkness Letters of Comment by Ken Scholes by Lloyd Penney Page 49 Page 12 Camelot Instant Fanzine Article: Arthur and Merlin by Laura Frankos by Christopher J. Garcia and Chuck Serface Page 55 Page 16 A Retro-Review: Monty Python’s Spamalot The Story of Arthur by Steven H Silver Retold by Bob Hole Page 58 Page 19 Arthurs for Our Time: Recent Interpretations Arthur, Alfred, and the Myth of England of the Legend by Julian West by Chuck Serface Page 62 Page 23 Lady Charlotte and King Arthur Two Cups of Blood: Dracula vs. King Arthur by Cardinal Cox by Derek McCaw Page 64 Page 29 From a Certain Point of View: Merlin & Nimue Knights of Pendragon: The Other Arthurian Comic by Steven H Silver by Helena Nash Page 31 Page 75 Interview with Dorsey Armstrong Tristan, Isolde, and Camelot 3000 by Christopher J. Garcia by Christopher J. Garcia Page 35 King Arthur in Fifteen Stamps Page 77 by Bob Hole “It’s Only a CGI Model”: Arthurian Movies of the Twenty-First Century Page 36 by Tony Keen Arthur, King of the Britons 3 ~Table of Contents~ Page 81 Cover by Vanessa Applegate Terry Gilliam's The Fisher King by Neil Rest Page 1—DeepDreamGenerator Combination of Page 84 King Arthur Tapestry of the Nine Worthies and My Barbarian’s “Morgan Le Fey” . -
Concealment and Construction of Knightly Identity in Chretien's Romances and Malory's Le Morte Darthur
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur. Taylor Lee Gathof University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the English Language and Literature Commons, and the European Languages and Societies Commons Recommended Citation Gathof, Taylor Lee, "Concealment and construction of knightly identity in Chretien's romances and Malory's Le morte Darthur." (2014). College of Arts & Sciences Senior Honors Theses. Paper 88. http://doi.org/10.18297/honors/88 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. Concealment and Construction of Knightly Identity in Chretien’s Romances and Malory’s Le Morte Darthur By Taylor Lee Gathof Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville May, 2014 Gathof 2 1. Introduction This paper will discuss the phenomenon of -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
“Celtic” Revival
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-12-2013 The nflueI nce of the “Celtic” Revival: Quest for Paradise in Chwedl Iarlles y Ffynnon, Le Chevalier au Lion, and Frances Hodgson Burnett’s The ecrS et Garden Grace Vasington University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the English Language and Literature Commons, and the Medieval Studies Commons Recommended Citation Vasington, Grace, "The nflueI nce of the “Celtic” Revival: Quest for Paradise in Chwedl Iarlles y Ffynnon, Le Chevalier au Lion, and Frances Hodgson Burnett’s The eS cret Garden" (2013). Honors Scholar Theses. 307. https://opencommons.uconn.edu/srhonors_theses/307 1 Influence of the “Celtic” Revival in The Secret Garden The Influence of the “Celtic” Revival: Quest for Paradise in Chwedl Iarlles y Ffynnon, Le Chevalier au Lion, and Frances Hodgson Burnett’s The Secret Garden UNIVERSITY SCHOLAR PROJECT Spring 2012 – Spring 2013 By Grace Vasington Advising Committee: Thomas Recchio, Anne Berthelot, and Tamarah Kohanski ! 2 Grace Vasington ! Table of Contents 1. Introduction 2. Part I: Laying the Groundwork a. The History and Legacy of the Quest for Paradise b. Historical Context: The Medieval Revival and the Utopian Ideal 3. Part II: Burnett, The Secret Garden, and the Influence of the Celtic Narrative a. Burnett in her Historical Context b. Review of Literature 4. Part III: Reading The Secret Garden a. The Secret Garden and the Veneer of Mythic and Medievalist Influences b. Quest Structure and the Otherworld in Owain, Le Chevalier au Lion, and The Secret Garden c. -
Introduction: to Be a Shapeshifter 1
NOTES Introduction: To Be a Shapeshifter 1 . Sir Thomas Malory, Malory: Works , ed. Eugene Vinaver (Oxford: Oxford University Press, 1978 ), 716. 2 . Carolyne Larrington, for example, points out that “Enchantresses . sometimes . support the aims of Arthurian chivalry, at other times they can be hostile and petty-minded.” See King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition (New York: I. B. Taurus, 2007), 2. While Larrington’s book provides a review of many of Morgan’s literary appearances, my study focuses on close reading, attention to translation issues, and discussion of social concerns. In her review of Larrington’s King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition , Elizabeth Archibald laments that “it would have been interesting to hear more about the ways in which Arthurian enchantresses do or do not resemble their Classical precursors, or indeed Celtic ones, in their use of magic and in their challenges to male heroic norms.” See Elizabeth Archibald, “Magic School,” Times Literary Supplement (February 2, 2007), 9. My study answers this cri- tique by reexamining pivotal scenes in critical texts and by dismantling the archetypal approach that Larrington follows. 3 . Norris J. Lacy, ed., The Fortunes of King Arthur (New York: D. S. Brewer, 2005 ), 94–95. 4 . Helaine Newstead, Bran the Blessed in Arthurian Romance (New York: AMS Press, 1966 ), 149. 5 . Elisa Marie Narin, “‘Þat on . Þat oÞer’: Rhetorical Descriptio and Morgan La Fay in Sir Gawain and the Green Knight ,” Pacific Coast Philology 23 (1988): 60–66. Morgan only partly fits the description of a supernatural ‘enemy’ provided by Hilda Ellis Davidson and Anna Chaudri; see n. -
Adaptation and Translation Between French and English Arthurian Romance" (Under the Direction of Edward Donald Kennedy)
Varieties in Translation: Adaptation and Translation between French and English Arthurian Romance Euan Drew Griffiths A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2013 Approved by: Edward Donald Kennedy Madeline Levine E. Jane Burns Joseph Wittig Patrick O'Neill © 2013 Euan Drew Griffiths ALL RIGHTS RESERVED ii Abstract EUAN DREW GRIFFITHS: "Varieties in Translation: Adaptation and Translation between French and English Arthurian Romance" (Under the direction of Edward Donald Kennedy) The dissertation is a study of the fascinating and variable approaches to translation and adaptation during the Middle Ages. I analyze four anonymous Middle English texts and two tales from Sir Thomas Malory’s Le Morte Darthur that are translations and adaptations of Old French Arthurian romances. Through the comparison of the French and English romances, I demonstrate how English translators employed a variety of techniques including what we might define as close translation and loose adaptation. Malory, in particular, epitomizes the medieval translator. The two tales that receive attention in this project illustrate his use of translation and adaptation. Furthermore, the study is breaking new ground in the field of medieval studies since the work draws on translation theory in conjunction with textual analysis. Translation theory has forged a re-evaluation of translation as a literary medium. Using this growing field of research and scholarship, we can enhance our understanding of translation as it existed during the Middle Ages. -
Failures of Chivalry and Love in Chretien De Troyes
Colby College Digital Commons @ Colby Honors Theses Student Research 2014 Failures of Chivalry and Love in Chretien de Troyes Adele Priestley Colby College Follow this and additional works at: https://digitalcommons.colby.edu/honorstheses Part of the Other English Language and Literature Commons Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Priestley, Adele, "Failures of Chivalry and Love in Chretien de Troyes" (2014). Honors Theses. Paper 717. https://digitalcommons.colby.edu/honorstheses/717 This Honors Thesis (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Colby. Failures of Chivalry and Love in Chrétien de Troyes Adele Priestley Honors Thesis Fall 2013 Advisor: Megan Cook Second Reader: James Kriesel Table of Contents Introduction ………………………………………………………………… 1-18 Erec and Enide …………………………………………………………….. 19-25 Cliges ……………………………………………………………………….. 26-34 The Knight of the Cart …………………………………………………….. 35-45 The Knight with the Lion ……………………………………………….…. 46-54 The Story of the Grail …………………………………………………….. 55-63 Conclusion …………………………………………………………………. 64-67 Works Cited ……………………………………………………………….. 68-70 1 Introduction: Chrétien’s Chivalry and Courtly Love Although there are many authors to consider in the eleventh and twelfth centuries, Chrétien de Troyes stands out as a forerunner in early romances. It is commonly accepted that he wrote his stories between 1160 and 1191, which was a time period marked by a new movement of romantic literature. -
Early Arthurian Tradition and the Origins of the Legend
Arthuriana Arthuriana Early Arthurian Tradition and the Origins of the Legend Thomas Green THE LINDES PRESS As with everything, so with this: For Frances and Evie. First published 2009 The Lindes Press Louth, Lincolnshire www.arthuriana.co.uk © Thomas Green, 2009 The right of Thomas Green to be identified as the Author of this work has been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without the permission in writing of the Author. A catalogue record for this book is available from the British Library. ISBN 978 1 4452 2110 6 Contents Preface vii 1 The Historicity and Historicisation of Arthur 1 2 A Bibliographic Guide to the Welsh Arthurian Literature 47 3 A Gazetteer of Arthurian Onomastic and Topographic Folklore 89 4 Lincolnshire and the Arthurian Legend 117 5 Arthur and Jack the Giant-Killer 141 a. Jack & Arthur: An Introduction to Jack the Giant-Killer 143 b. The History of Jack and the Giants (1787) 148 c. The 1711 Text of The History of Jack and the Giants 166 d. Jack the Giant Killer: a c. 1820 Penny Book 177 e. Some Arthurian Giant-Killings 183 6 Miscellaneous Arthuriana 191 a. An Arthurian FAQ: Some Frequently Asked Questions 193 b. The Monstrous Regiment of Arthurs: A Critical Guide 199 c. An Arthurian Reference in Marwnad Gwên? The Manuscript 217 Evidence Examined d. -
Sklar Wayne State University
1 Le Morte d’Arthur: The Legend of the King, Films for the Humanities and Sciences, P.O. Box 2053, Princeton, NJ 08543-2053 (1-800-257-5126), 50 minutes, $89.95. Despite some serious reservations about this classroom video, my first reaction to it was something akin to wonder as I flashed back to the truly deadly documentaries to which I was subjected as a schoolchild: black-and-white films with dreary, ideology- laden scripts sadistically intoned by an inflectionless male voice, on topics of no conceivable interest to most adults, much less to a classroom full of captive youngsters. Set against these blessedly bygone ‘educational’ films, this video is a class act. It’s loaded with visual interest, featuring a lively succession of images and some stunning photography. The script, mellifluously narrated by Donald Sutherland, is unusually literate, even in comparison with the best contemporary documentaries; although it teeters on the brink of hyperbole, the narration is rhetorically effective and on occasion even rises to eloquence. The producers have assembled a bevy of Arthurian Big Guns: Geoffrey Ashe, Derek Brewer, Norris Lacy, and Peter Field, all of whom bespeak themselves admirably. Collectively, this quartet of authorities establishes a judicious stance towards the matter of Arthur in general, and Arthur’s historicity in particular, that appears to have permeated the script proper, which, rather than trying to ‘sell’ King Arthur as an historical figure, instead emphasizes the legendary nature of the matter of Arthur. Conceived -
“Strange Woman Lying in a Pond”: the Lady of the Lake's A
The Honors College at the University of Missouri-Kansas City A “Strange Woman Lying in a Pond”: The Lady of the Lake’s Authority over the Male Arthurian World in the Prose Lancelot Annie Spencer May 19, 2020 Written under the direction of Dr. Virginia Blanton Department of English, College of Arts and Sciences A thesis submitted in partial fulfillment of the requirements to graduate as an Honors Scholar from the University of Missouri-Kansas City. 1 Abstract: This study examines the character of the Lady of the Lake in the Old French Prose Lancelot and argues that the Lady of the Lake gains power and authority through the use of her knowledge (both traditional learning and the knowledge of enchantments) to exert influence that directly affects the male Arthurian world. Her occupation of a liminal space—the lake outside of Camelot—allows the Lady of the Lake to perceive the challenges and shortcomings of the male chivalric world. Significantly, she establishes herself as an authorial voice; a voice that uses her foreknowledge in order to rewrite social codes to establish a better framework for the men who occupy this martial space. Her dissemination of knowledge and the effective use of her powers not only teach knights proper conduct, but they also encourage knights to rely on her authority. In this liminal position, therefore, the Lady of the Lake exerts considerable influence that benefits others but her efforts are not entirely altruistic, for they benefit the Lady as well giving her status and unquestioned authority. She becomes an archetype of the Wise (Wo)Man, seizing the mantle from Merlin after she figuratively and literally disposes of him at the beginning of the Prose Lancelot.