Thesis Cover

Total Page:16

File Type:pdf, Size:1020Kb

Thesis Cover University of Cambridge Faculty of English Romance Motifs and Ethics in Malory’s ‘Book of Sir Tristram’ Suxue Zhang Magdalene College Supervisor: Dr James Wade This dissertation is submitted for the degree of Doctor of Philosophy, June 2017 Dissertation Title: Romance Motifs and Ethics in Malory’s ‘Book of Sir Tristram’ Name: Suxue Zhang Summary Sir Thomas Malory’s ‘Book of Sir Tristram’, a condensation of the Old French Tristan en prose, has not received the attention it deserves. Previous studies notice the two texts’ differences in characterisation, style, moral emphasis, structural arrangements, and so on, but no study has sufficiently demonstrated the overall strategy and the moral purposes behind Malory’s changes. This thesis offers an evaluation of both texts’ approaches to some ethical questions, including identity, violence, justice, and passion, through a close analysis of their presentation of romance motifs. The comparison draws on traditional treatments of these motifs and reveals that the authors of romance can incorporate stratified perspectives to voice ideological interpretations. Malory’s treatment of the moral discourse in the ‘Tristram’ articulates the chivalric ideal in the characters’ expressions of how they understand identity, honour, courtesy, courage, faithfulness, justice, compassion, and love. This analysis shows how Malory renews the meaning of the romance motifs borrowed from his sources by changing the characters’ response to the ethical problems underlying the archetypal actions. Thus, Malory’s narrative generates experiential edification, as it engages the reader in the active moral evaluation of the events. Declaration of Length This dissertation is the result of my own work, produced exclusively for the degree for which it is submitted. It includes nothing which is the outcome of work done in collaboration except as declared in the Acknowledgements and specified in the text. The total word count, including footnotes and references but excluding translations and bibliography, does not exceed the regulated length of 80,000. Suxue Zhang June, 2017 Table of Contents ACKNOWLEDGEMENTS ........................................................................................... 3 INTRODUCTION ......................................................................................................... 5 Knighthood and the Moral Ideal of Chivalry ......................................................... 5 Can there be ‘A Moral’ in Le Morte Darthur? ..................................................... 10 Echoing: A Technique ........................................................................................ 13 The Episodic Structure and Romance Motifs ..................................................... 16 Chapter Summaries ........................................................................................... 23 Chapter One: Identity .............................................................................................. 27 Naming and Heraldry ........................................................................................... 27 Overview ............................................................................................................ 27 Two Views .......................................................................................................... 28 The Problem of Reputation ................................................................................ 36 Heraldry .............................................................................................................. 44 The (?) Fair (Un)Known ....................................................................................... 54 Overview ............................................................................................................ 54 The Reception Topos ......................................................................................... 58 The Chiding Damsel ........................................................................................... 65 The Growth on the Road .................................................................................... 70 Chapter Two: Violence ............................................................................................ 77 The Incognito Combat ......................................................................................... 79 Overview ............................................................................................................ 79 The Purposes of Violence .................................................................................. 80 The Dilemma of Anonymity ................................................................................ 83 Winning and Mercy ............................................................................................ 89 The Importance of Information ........................................................................... 94 The Tournaments ................................................................................................. 97 Overview ............................................................................................................ 97 Spectatorship ..................................................................................................... 99 The Theme of Love .......................................................................................... 102 Moral Education ............................................................................................... 107 The Political Subtext ........................................................................................ 112 Chapter Three: Justice ......................................................................................... 119 The ‘Rash Promise’ ........................................................................................... 121 Overview .......................................................................................................... 121 Why Rash? ....................................................................................................... 124 Positive Motivation and Outcomes ................................................................... 127 Resistance and Restoration ............................................................................. 134 The Judicial Duel ............................................................................................... 140 Overview .......................................................................................................... 140 What is a Judicial Duel? ................................................................................... 142 Oath and Truth ................................................................................................. 144 The Struggle for Justice ................................................................................... 151 1 Chapter IV: Passion .............................................................................................. 160 DAMSEL IN DISTRESS ...................................................................................... 160 Overview .......................................................................................................... 160 Words Ignored .................................................................................................. 162 Passions that Matter ........................................................................................ 166 Incentives and Rewards ................................................................................... 169 Affective Bonds ................................................................................................ 172 Conversations at the Fountain ......................................................................... 175 Overview .......................................................................................................... 175 Allegory and Lyricism ....................................................................................... 178 The Ethics of Love ........................................................................................... 182 The Hart Chase ................................................................................................ 186 The Passions of Palomides .............................................................................. 190 Conclusion ............................................................................................................. 196 Bibliography ........................................................................................................... 198 Manuscripts ...................................................................................................... 198 Le Morte Darthur .............................................................................................. 198 The Tristan Texts ............................................................................................. 198 Other Primary Texts ......................................................................................... 199 Criticism ............................................................................................................ 201 2 ACKNOWLEDGEMENTS This dissertation is the fruit of four years of close study on Le Morte Darthur and other medieval Arthurian narratives as a PhD candidate in the University of Cambridge. I cannot express my gratitude enough for the constant guidance and encouragement from Dr James Wade, my supervisor, and my advisor Prof. Helen
Recommended publications
  • Echoes of Legend: Magic As the Bridge Between a Pagan Past And
    Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2018 Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur Josh Mangle Winthrop University, [email protected] Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Literature in English, British Isles Commons Recommended Citation Mangle, Josh, "Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur" (2018). Graduate Theses. 84. https://digitalcommons.winthrop.edu/graduatetheses/84 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. ECHOES OF LEGEND: MAGIC AS THE BRIDGE BETWEEN A PAGAN PAST AND A CHRISTIAN FUTURE IN SIR THOMAS MALORY’S LE MORTE DARTHUR A Thesis Presented to the Faculty Of the College of Arts and Sciences In Partial Fulfillment Of the Requirements for the Degree Of Master of Arts In English Winthrop University May 2018 By Josh Mangle ii Abstract Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it.
    [Show full text]
  • Lancelot - the Truth Behind the Legend by Rupert Matthews
    Lancelot - The Truth behind the Legend by Rupert Matthews Published by Bretwalda Books at Smashwords Website : Facebook : Twitter This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author. First Published 2013 Copyright © Rupert Matthews 2013 Rupert Matthews asserts his moral rights to be regarded as the author of this book. ISBN 978-1-909698-64-2 CONTENTS Introduction Chapter 1 - Lancelot the Legend Chapter 2 - Lancelot in France Chapter 3 - Lancelot in Britain Conclusion Introduction Of all the Knights of the Round Table, none is so famous as Sir Lancelot. He is both the finest of the Arthurian knights, and the worst. He is the champion of the Round Table, and the reason for its destruction. He is loyal, yet treacherous. Noble, but base. His is a complex character that combines the best and worst of the world of chivalry in one person. It is Sir Lancelot who features in every modern adaptation of the old stories. Be it an historical novel, a Hollywood movie or a British TV series, Lancelot is centre stage. He is usually shown as a romantically flawed hero doomed to eventual disgrace by the same talents and skills that earn him fame in the first place.
    [Show full text]
  • The Adventures of Sir Lancelot Du Lake
    1 The Adventures of Sir Lancelot du Lake There was held a feast of the Round Table at Caerleon, with high splendour; and all the knights thereof held many games and jousts. And therein Sir Lancelot increased in fame and worship above all men, for he overthrew all comers, and never was unhorsed or worsted, save by treason and enchantment. When Queen Guinevere had seen his wondrous feats, she held him in great favour, and smiled more on him than on any other knight. And Lancelot thought on her as fairest of all ladies, and done his best to win her grace. So the queen often sent for him, and bade him tell of his birth and strange adventures: how he was only son of great King Ban of Brittany, and how, one night, his father, with his mother Helen and himself, fled from his burning castle; how his father, groaning deeply, fell to the ground and died of grief and wounds, and how his mother, running to her husband, left himself alone; how, as he thus lay wailing, came the lady of the lake, and took him in her arms and went with him into the midst of the waters, where, with his cousins Lionel and Bors he had been cherished all his childhood until he came to King Arthur’s court; and how this was the reason why men called him Lancelot du Lake. Anon it was ordained by King Arthur, that in every year at Pentecost there should be held a festival of all the knights of the Round Table at Caerleon, or such other place as he should choose.
    [Show full text]
  • The Pen and the Pennon: Political and Social Comment
    THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE A DISSERTATION IN English and History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by LARRY MICHAEL MCCLOUD B.A., Iowa State University, 1997 MLA, Baker University, 1999 Kansas City, Missouri 2016 © 2016 LARRY MICHAEL MCCLOUD ALL RIGHTS RESERVED THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE Larry Michael McCloud, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2016 ABSTRACT Study of the Medieval English romance has burgeoned in recent years, with a focus on the world outside of the texts being central to the resurgence. I offer in this dissertation a reading of four of these works (Athelston, Sir Gawain and the Green Knight, Sir Cleges, and Sir Gowther) that considers each of them in the environment in which they are presented. Utilizing the contexts of manuscript placement, contemporary social and legal issues, and sociological changes affecting the audience, this work explores an analytical reading of each work that establishes possible meanings for each romance and possible motivations for their unnamed authors. Each work is ascribed its own chapter, focusing on a particular issue of English knighthood being interrogated. Chapter three suggests that Sir Gawain and the Green Knight repurposes the character of Gawain to observe the importance of oath taking and the bonds formed by knights from the practice of such. Chapter four focuses on the message of Athelston and argues that the work repositions the power of the crown beneath iii that of a regularized judicial system in which knights function as jurists.
    [Show full text]
  • Masaryk University of Brno
    MASARYK UNIVERSITY OF BRNO FACULTY OF EDUCATION Bachelor thesis Brno 2015 Martina Eklová Masaryk University Faculty of Education Department of English Language and Literature Concept of Love Triangle in Medieval Romance Bachelor thesis Brno 2015 Thesis supervisor: Author: Mgr. Jaroslav Izavčuk Martina Eklová Anotace Příběhy, jejichž hlavním tématem je milostný trojúhelník a nevěra, zažily ve středověké literatuře velký rozvoj. Mezi nejznámější patří příběh Tristana a královny Isoldy, stejně jako vyprávění o královně Guinevře a Lancelotovi. Bakalářská práce analyzuje a porovnává tyto dva milostné trojúhelníky a zároveň zkoumá možný vliv Tristanova příběhu na vznik legendy o Lancelotovi. První část bakalářské práce se týká žánru středověké romance a jejích prvků. Další kapitoly zahrnují analýzu milostných trojúhelníků na pozadí středověké společnosti a tehdejšího pojetí manželství a nevěry. Annotation The stories with a love triangle and adultery as its main theme developed significantly during the Middle Ages. Among the most popular ones belong the story of Tristan and Queen Iseult as well as the tale about Queen Guenever and Launcelot. The bachelor thesis analyses and compares these two love triangles and it examines the possible influence of Tristan‟s story on the legend about Launcelot. The first part of the bachelor thesis comprises the genre of medieval romance and its elements. The next chapters involve the analysis of the love triangles against the background of medieval society and its concept of marriage and adultery. Klíčová slova Středověká romance, milostný trojúhelník, manželství, nevěra, Román o Tristanovi a Isoldě, Artušova smrt, Malory, Bédier Keywords Medieval romance, love triangle, marriage, adultery, The Romance of Tristan and Iseult, Le Morte d‟Arthur, Malory, Bédier 1 Affirmation I hereby declare that I have worked on the bachelor thesis independently, using only the sources which are listed in the Bibliography.
    [Show full text]
  • Sir Gawain and the Green Knight As a Loathly Lady Tale by Lauren Chochinov a Thesis Submitted to the Facult
    Distressing Damsels: Sir Gawain and the Green Knight as a Loathly Lady Tale By Lauren Chochinov A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba In partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of English University of Manitoba Winnipeg, Manitoba Copyright © 2010 by Lauren Chochinov Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-70110-2 Our file Notre référence ISBN: 978-0-494-70110-2 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • © in This Web Service Cambridge University
    Cambridge University Press 978-1-107-04278-0 - Romance And History: Imagining Time from the Medieval to the Early Modern Period Edited by Jon Whitman Index More information Index A note is normally indexed only if the topic for which it is cited is not specified in the corresponding discussion in the body of the text. Abelard, Peter, 64 193–4, 196, 200–2, 204–5, 211, 249, Achilles Tatius, 200 281 (n34), 293 (n11), 294 (n21), Adémar de Chabannes, 143 302 (n18) Aeneas, 9–10, 26, 29–30, 44, 80–1, 130, 140, Aristotle, 165, 171, 176, 181, 195, 198, 201–2, 225 154–5, 188, 199, 202–3, 209, 219, Poetics, 17, 151, 183, 190–4, 204 296 (n27) Armida, 18, 198, 204 see also Eneas; Roman d’Eneas; Virgil artfulness, 9, 26–31, 34–8, 55, 67, 226, 252 Alamanni, Luigi, Girone il Cortese, 291 (n12) see also ingenium/engin/ingenuity Albanactus, 154 Arthur, 10, 13, 56–73, 75–9, 83, 105–33, 141, Alexander the Great, 9–10, 23–7, 32–8, 44, 101, 150, 156, 158, 160, 166, 197, 220, 225, 103, 222–3 247–9 Alfonso I d’Este, 152 see also Arthurian romance; “matters” of Alfred the Great, 107 narrative, Britain allegory, 18, 31, 206–8, 217–18, 221, 225, 234, Arthur, son of Henry VII (Arthur Tudor), 109, 295 (n22) 123 Alliterative Morte Arthure, 13, 105, 107, 110–19, Arthurian romance, 3, 5–6, 11, 14–17, 47, 90–104, 248 145, 149–50, 158–62, 169–78, 181, 188, 197, Amadis de Gaula/Garci Rodríguez de Montalvo, 224, 229, 247–9 16, 124, 169, 175–9, 228–30 see also Arthur; “matters” of narrative, Britain Ami et Amile, 279 (n2) Ascham, Roger, 123 Amyot, Jacques, 191–2 Aspremont,
    [Show full text]
  • ACROSS LANDS FORLORN: the EPIC JOURNEY of the HERO, from HOMER to CHANDLER Volume One Sergio Sergi
    ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER Volume One Sergio Sergi ACROSS LANDS FORLORN: THE EPIC JOURNEY OF THE HERO, FROM HOMER TO CHANDLER. SERGIO SERGI B.A. University of Adelaide M.A. University of Ottawa M.A University of Sydney A thesis submitted for the Degree of Doctor of Philosophy University of Canberra. March 2006 i Certificate of authorship of thesis. Except where clearly acknowledged in footnotes, quotations and the bibliography, I certify that I am the sole author of the thesis submitted today entitled ‘Across lands forlorn: The epic journey of the hero from Homer to Chandler.’ I further certify that to the best of my knowledge the thesis contains no material previously published or written by another person except where due reference is made in the text of the thesis. The material in this thesis has not been the basis of an award of any other degree or diploma except where due reference is made in the text of the thesis. This thesis complies with University requirements for a thesis as set out in http://www.canberra.edu.au/secretariat/goldbook/forms/thesisrqmt. pdf …………………………. Signature of Candidate …………………………. Signature of Chair of the supervisory panel Date: ……………………………. Acknowledgements I acknowledge a number of people who have helped with the realization of this thesis which was begun at the University of New England. Professor Peter Toohey, before he left that University, listened to my ideas about the hero and encouraged me to develop them into this thesis. I am most grateful to him for the confidence he placed in my abilities to conduct a complex study.
    [Show full text]
  • Gay Knights and Gay Rights: Same-Sex Desire in Late Medieval Europe and Its Presence in Arthurian Literature
    Gay Knights and Gay Rights: Same-Sex Desire in Late Medieval Europe and its Presence in Arthurian Literature MA Thesis Philology Student Name: Dorien Zwart Student Number: 1564137 Date: 10 July 2019 First Reader: Dr. K.A. Murchison Second Reader: Dr. M.H. Porck Leiden University, Department of English Language and Culture Image description: Lancelot, Galehaut and Guinevere. Lancelot and Guinevere kiss for the first time while Galehaut watches in the middle. Image from a Prose Lancelot manuscript, Morgan Library, MS M.805, fol. 67r. TABLE OF CONTENTS Introduction 1 Chapter 1 – The Eleventh and Twelfth Centuries: The Development of Queer Europe 6 Chapter 2 – “Des Femmez n’Avez Talent” [You Have No Interest in Women]: Same-Sex Subtext in Marie de France’s Lanval 21 Chapter 3 – The Thirteenth Century: The Increase of Intolerance 28 Chapter 4 – “Se Tout li Mondes Estoit Miens, se Li Oseroie Je Tout Douner” [If All the World Were Mine, I Wouldn’t Hesitate to Give it to Him]: Lancelot and Galehaut: a Same-Sex Romance in a Homophobic Century 41 Chapter 5 – England in the Fourteenth Century: Knights, Kings, and the Power of Accusation 67 Chapter 6 – “He Hent þe Haþel Aboute þe Halse, and Hendely Hym Kysses” [He Catches Him by the Neck and Courteously Kisses Him]: Desire in Sir Gawain and the Green Knight 80 Conclusion 90 Bibliography 93 INTRODUCTION Same-sex desire in medieval literature has been of interest to modern scholars for only several decades. Since the nineties, a popularity for rereading medieval literary works in order to uncover as of yet unfrequently-discussed same-sex elements has been growing steadily.1 This form of rereading, commonly called “queering” historical literature, generally aims to highlight homosocial affection and explore its potentially homoromantic connotations within their historical contexts.
    [Show full text]
  • The Latin Reception of the De Gestis Britonum
    Chapter 7 The Latin Reception of the De gestis Britonum Siân Echard Gerald of Wales famously skewered the veracity of Geoffrey of Monmouth’s his- tory in his story of Meilyr, an illiterate man who could spot falsehood, thanks to devils dancing on the offending tongues or pages. Meilyr’s tormentors could be driven away by the Gospel of John, but when a copy of the De gestis Britonum was placed on his lap, the devils returned in ever greater numbers. Gerald’s anecdote, written in his Itinerary Through Wales in the 1190s, is a witness to the incredible popularity of the DGB less than 50 years after Geoffrey’s death, and that popularity would only grow, as the story was taken up in the vernacular translations discussed in Chapter Eight. Gerald’s skepticism is of a piece with the reactions from other Latin authors dealt with in Chapter Six, but as the present chapter will show, the rise of Arthurian literature as a vernacular phe- nomenon, and the dismissal of Geoffrey’s work (and Arthur’s historicity) by some Anglo-Latin historians, give a potentially misleading impression about the importance that the DGB continued to have in the Latin tradition, well into the early modern period. First, while the centrality of the Arthuriad to the DGB cannot be overstated, Geoffrey is also responsible for promulgating several other highly popular and influential myths, of interest to both Latinate and vernacular readers in the Middle Ages and beyond; that is, Geoffrey’s impor- tance reaches beyond the Arthurian tradition. And second, while some Latin writers may have reacted negatively to Geoffrey’s work, others set about com- menting on it, supplementing it, and even writing their own Latin Arthurian narratives.
    [Show full text]
  • Vault of the Old Guard 2 TABLE of CONTENTS Plateoftheforgiving4 Defenderoftheoldways8
    CREDITS Producer: Realmwarp Media (@RealmwarpM) Author: Sean Shannon Editing: Ryan Langr Layout and Graphic Design: Ryan Langr, Using Fallen Camelot template design by Anne Gregersen (@AnneofManyNames) Cover Art: (c) 2015 Dean Spencer. Used with Permission. All rights reserved. Other Interior Art: Publisher’s Choice Quality Stock Art (c) Rick Hershey/Fat Goblin Games. Sample file Vault of the Old Guard 2 TABLE OF CONTENTS PlateoftheForgiving 4 DefenderoftheOldWays8 CoatoftheAvenger 4 FavoroftheLake8 Mentor’sHelm 4 TheLastStand 9 QuestingSaddle 4 Turncoat’sCoat9 PainofTruth 4 PersistentVestments9 BridgingSpike 5 BladeofPromises9 BladeofLastWill 5 HelmoftheEternalQuest9 UnwaveringCharm 5 ResilientDefender9 WardsProtector 5 Swift to Wrath 10 PendantofGracefulFailing 5 Hunter’sBow 10 HammerofVengeance 5 LoveNeverReached10 Redeemer’sChain 6 CompanionsPendant 10 Fool’sScarf 6 LegalInformation11 PragmaticBlade 6 Aspirant’sBlade 6 WarningRings 6 QuestingBlade 6 CeasingofSwords 6 FeyTouchedSword 7 Challenger’sBlade 7 Rescuer’sBeacon 7 KnightsBane 7 TheReadyingRing 7 TheManualofKnighthood 7 DefendersBoots 8 SampleLoyalBands 8 file BurningSpite 8 GloryPlate 8 Requester’sBand 8 Vault of the Old Guard 3 Plate of the Forgiving Questing Saddle Armor (plate), rare Wondrous item, very rare You have a +1 bonus to AC while wearing While riding a mount that is wearing this this armor. Additionally, you have saddle, your journey becomes much safer. resistance to all damage you take from a As long as you know the exact location of friendly creature. your destination, you are immune to effects of divination magic that would scry This is the armor of Sir Accolon, who was your location or cause you to lose your killed by Arthur when he had been way. Your mount ignores difficult terrain, tricked by the fae to see Accolon as a foe.
    [Show full text]
  • The Book of Quests
    THE BOOK OF QUESTS uests are the driving force in the life of every noble Knight. So it should Qbe no surprise to find Quests at the very heart of Shadows over Camelot. While the content of the Rules Booklet should be familiar to every aspiring Knight, the Book of Quests is primarily a reference, written for inquisitive Knights in search of insight, or the scheming Traitor looking for a lethal edge. In the back of this book you will find two appendices. The first, unearthed from , old manuscripts, offers a glimpse of each Knight s personality. The second is a detailed manifest of each card used in the game. In this booklet, page numbers given in reference point to the corresponding entries in the Rules booklet, unless indicated otherwise. nnnnnnnnnn THE QUESTS nnnnnnnnnn There are several “Standard” Quests in Camelot’s immediate vicinity: N The Tournament against the Black Knight N The Quest for Lancelot N The Dragon’s Quest N The Quest for Excalibur N The Quest for the Holy Grail N The Pict and Saxon Wars each with its own entry in the Book of Quests. For each Quest won or lost, new Swords are laid onto the Round Table. As the game progresses, the Swords show which side currently has the advantage. There are also two “Special” Quests within Camelot proper, where a defeat spells immediate doom for the Loyal Knights: • The Siege of Camelot, which is lost if 12 Siege Engines ever surround Camelot; • and The Quest of the Round Table, where the outcome of the game is decided in favor of whichever color Swords have the majority, once 12 or more have been laid down.
    [Show full text]