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Dream Baby Dream: Suicide: a New York City Story Online
EoeUa [Download] Dream Baby Dream: Suicide: A New York City Story Online [EoeUa.ebook] Dream Baby Dream: Suicide: A New York City Story Pdf Free Kris Needs ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #1025856 in eBooks 2015-10-12 2015-10-18File Name: B0100QGEGW | File size: 55.Mb Kris Needs : Dream Baby Dream: Suicide: A New York City Story before purchasing it in order to gage whether or not it would be worth my time, and all praised Dream Baby Dream: Suicide: A New York City Story: 0 of 0 people found the following review helpful. Nice overview of New York City when it was a ...By John J. PotterNice overview of New York City when it was a dangerous creative cauldron of activity. Furthermore, Harrry Hill supplies insightful writing that adds resonance to Suicide's musical contributions to the period and the history of electronic music. BUY their first album and this tome!0 of 0 people found the following review helpful. A history of New York's musical art world in the 70'sBy Timm DavisonA great read0 of 0 people found the following review helpful. True originals. True story.By CustomerFantastic. ldquo;We were living through the realities of war and bringing the war onto the stage... Everybody hated us, manrdquo; Alan Vega Born out of the city's vibrant artistic underground as a counter-cultural performance art statement, opposing the war by mirroring its turmoil, Suicide became the most terrifyingly iconoclastic band in history, and also one of the most influential. -
October 1983
i NATIONAL MASTERS NEWS16 ^ ^ The only national publication devoted exclusively to track &field and long distance running for men and women over age 30 62nd Issue October, 1983 $1.50 350 Compete Wyatt, Bigelow Set World Marks in :. Western Regfonals by JERRY WOJCIK LOS GATOS, California, August •- "i'-- 20-21. Three hundred and fifty en trants, some of whom had traveled through harsh weather (thunderstorms, fog, heat) found perfect conditions for record perfor mances this weekend at the 9th Annual TAG Western Regional Masters Track & Field Championships. Competition was held in 5-year age groups for men and women from age 30-and-above on the fast Los Gatos High School all-weather track, site of the 1981 National Masters T&F Cham pionships. Herm Wyatt, 51, jumping from the surface he seems to perform best on, upped his world age 50-54 high-jump mark to 6'2", rising to the atmosphere created by probably the best field of high jumpers ever assembled at a masters meet. John DobrotYt, 42, went 6'4"; Otis Burrell, 39, also did 6'4"; Reynaido Brown, 32, jumped 6'10; and Dennis DeLoach, 30, went over the 6'8" bar. Meanwhile, on the track, Vickie The Flying Masters • •allairborne! (I.to r) Ozzie Dawkins, Bob Jordan, Bob Watanabe, Bob Roemer in M55 100m,Western Regionals, Los Gatos, CA., Aug-20-21. Bigelow, 48, broke the 10000-meter (Continued on page lb) Green Gets Half- 120 COMPETE IN ROCKY Qver-The-Hill TC Marathon Record MOUNTAIN GAMES Wins in Cleveland In San Diego A quality field of 120 age-30-and-over athletes took part in the annual Rocky Cleveland's Over The Hill Track The San Diego "America's Finest Mountain Games Labor Day weekend in the Denver suburb of Aurora. -
Hanszen Freshman Hospitalized in Alcohol Incident Freshman Reported Hazy Memory
VOLUME 79, NO. 7 ERIK LEIDAL IN A BOX OCTOBER 4,1991 Events set Hanszen freshman hospitalized in alcohol incident freshman reported hazy memory. guardian's consent to treat the mi- Rice. for music by Rodney Gibbs According to roommates, the fresh- nor. The father was eventually In the past, the University has man returned to the party and con- reached and arrived at the hospital at not intervened in parties held be- A Hanszen College freshman sumed ten additional shots. the same time as Waldman. hind close doors to enforce alcohol school's was taken to Park Plaza hospital As the freshman's condition After approximately two hours in policy regulations. Whether clas- Tuesday, September 24, after worsened, the roommates unsuc- thehospital,thefreshmanwenthome sified as a public or private party, drinking sixteen shots of straight cessfully attempted to induce vomit- with the father. alcohol policy violations are evi- big debut tequila at Hanszen's traditional Te- ing. A party co-host, a trained drunk- dent quila Night' room party. The sitter, and friends subsequently came Reactions to the Party "There's little doubt this is a by Michelle Price freshman, released to family later to the freshman's room after hearing violation in [the alcohol policy]," that night, registered a blood alco- about the intoxication level After de- Waldman and the father both ex- said Stebbings. hol level of 0.25 and a blood-oxygen liberation and at the advice of the pressed disbelief at the occurrence Waldman said that Tequila Rice University President George percentage of 82% Legal intoxica- drunk sitter, the friends and room- of such an event Night' crossed the line from a pri- Rupp, Shepherd School Dean tion is 0.1 blood alcohol level and mates notified the campus police and Waldman stated, "It's pathetic that vate to apublic party at the moment Michael Hammond, and a represen- brain damage may begin at a blood- left for the emergency room. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
John Frusciante (Red Hot Chili Peppers) Californication Tour Rig
www.customtone.com John Frusciante (Red Hot Chili Peppers) Californication Tour Rig Original Guitar Used: Pre-CBS Fender® Strat® Variax Setting: Spank - Various Tuning: Various Brit J ®! Boss®! Electro-! MXR®! Ibanez®! Boss ® DS-2! Harmonix ! Phase 90! WH-10! CE-1 ! Marshall® model 1967! Marshall® model 2555! Big Muff®! Marshall® 412 cab! Marshall® 412 cab! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Fender and Strat are registered trademarks of Fender Musical Instruments Corp. Boss is a registered trademarks of Roland Corp. Electro-Harmonix and Big Muff are registered trademarks of New Sensor Corp. MXR is a registered trademark of Dunlop Manufacturing, Inc. Ibanez is a registered trademark of Hoshino Gakki Co. Ltd. Marshall is a registered trademark of Marshall Amplifica,on Plc. www.customtone.com John Frusciante (Red Hot Chili Peppers) Otherside Original Guitar: Gretsch® White Falcon Variax Setting: R-Billy 1 Tuning: Standard: E-A-D-G-B-E BASS Boss®! Fender® Showman®! DS-1! (2) Marshall® 412 Cabs! This informa,on is provided for educa,onal purposes only and does not imply endorsement or approval from any person or en,ty. All product names used hereon are trademarks of their respec,ve owners, which are in no way associated or affiliated with Line 6. Gretsch is a registered trademark of Fred W. Gretsch Enterprises, Ltd. Boss is a registered trademark of Roland Corp. -
Record-Business-1982
INSIDE Singles chart, 6-7; Album chart, 17; New Singles, 18; New Albums, 19; Airplay guide, 15-15; Quarterly Chart survey, 12; Independent Labels, 12/13. April 12, 1982VOLUME FIVE Number 3 65p Virgin tops RBTV promotions back singles & LPs 75% of CBS LP sales chart survey CBS, WITH the most active roster ofthe industry's national chart was gained, MOR artists, is increasingly resorting toalthough promotion on such an intense television promotion asa means ofscale was not underway anywhere else at for first time securing sufficient volume to ensurethe time. Since then the campaign has chart placings. It has been estimatedbeen efficiently rolled out to give the FOLLOWING A quarter during that about 75 percent of the company'ssinger her highest chart placing to date. which the Human League, Toni albumsalescurrentlyarecoming Television backing for the IglesiasTIGHTFIT, keepfitand Felicity Basil and Orchestral Manoeuvres through TV -boosted repertoire. album has given it a new lease of lifeKendall - the chart -topping group In The Dark were major best- after an earlier chart entry at the time offrom the Zomba stable present actress selling artists, Virgin has emerged Of the seven releases with which it is scoring in the RB Top 60, CBS has givenrelease last year. Felicity Kendall with a gold album for as the leading singles and albums "We are certainly getting volume, butsales of 200,000 -plus copies of her label for the first time in a Record significant smallscreen support to five of them, Love Songs by Barbra Streisand,it is a very expensive way of doing it andShape Up And Dance LP, sold on mail Business survey of chart and sales there is no guarantee that you willorderthroughLifestyleRecords, action during January -March. -
Angelheaded Hipster: the Songs of Marc Bolan & T.Rex (BMG) September 16, 2020
Album Review: Angelheaded Hipster: The Songs of Marc Bolan & T.Rex (BMG) September 16, 2020 A stellar ensemble of artists which include Nick Cave, Lucinda Williams, Todd Rundgren, Joan Jett, two sons of John Lennon amongst others, lay down a worthy and often inspired double album’s worth of classic Marc Bolan songs. Preceding his induction to the Rock’n’Roll Hall of Fame later in November this year. Angelheaded hipsters burning for the ancient heavenly connection. Alan Ginsberg’s Howl and the Beats were one creative well from which the persona of Marc Bolan arose. He regarded himself as a poet foremost, around which he constructed melodies. Variations on twelve bar blues. Published his collected poems The Warlock of Love in 1969. Sold 40,000 but not well received by some critics. Producer Hal Willner regarded him as a serious writer of the calibre of Kurt Weill, Thelonious Monk and Charles Mingus. He passed away in April this year. Grateful for all his past inuences. Played in skife bands. In a trio with Helen Shapiro. Took notice of Phil Spector, Bob Dylan, Dion and the Belmonts. Looked like Dylan for a while. Marc’s father was a Russian Jew. At some point Feld became Bolan. To mirror Chuck Berry, he then became the English Poet of Rock’n’Roll. From 1970 to 1973 he took over from the recently split Beatles in popularity. Appeared in Ringo Starr’s lm Born to Boogie. Started Glam Rock. David Bowie took lessons and came up with Ziggy Stardust. We needed him to give us something to listen to when all that Prog Rock noodling was spilling over. -
Programme Scopitone 2019 11099.33 Ko
Stereolux présente cultures électroniques et arts numériques - scopitone.org SCOPITONE ANCIEN MiN – NANTES Du 12 au 22 Sept. 2019 10 € / 14,60 € / 16 € OUVERTURE JEU. 12 À l’issue de la performance et dans la limite 20:30 de la capacité d’accueil des espaces, les Scopitone détenteurs de billets pourront découvrir la Halle à marée et les expositions. Leonie Bos _NL Pour cette édition 2019, Scopitone a confié la conception de son identité Crédit photo : Patrick Messina : Patrick photo Crédit visuelle à l’illustratrice néerlandaise Leonie Bos. Ses créations digitales, à la frontière entre figuration et abstraction, se nourrissent de sa ÉTIENNE DE CRÉcY _FR formation en sérigraphie pour donner une âme et une dimension tactile à Space Echo [live] chacune de ses œuvres. × Scène Sud - 21:00 Une chose impressionnante dans la carrière d’Étienne de Crécy, c’est le respect qu’il inspire en tant qu’artiste incontournable de la musique électronique française… Et à chaque tranche d’âge sa raison de l’adorer. Celles et ceux qui boivent de l’electro comme du petit lait depuis presque 30 ans gardent encore leur copie AbstRacK cassette du légendaire Superdiscount, les trentenaires ont tous _NANTES dansé au moins une fois sur le tube Am I Wrong, tandis que les millennials visualisent EDC au cœur d’un immense cube lumineux, criblé de projections élaborées par le collectif 1024 (les habitués Dj set de Scopitone s’en souviennent encore). C’est donc l’un des piliers × HALLE À MARÉE du live audiovisuel qui revient à Nantes avec une toute nouvelle proposition : Space Echo renouvelle magnifiquement le genre, Producteur du Residanse l’armada de parois mouvantes qui accompagnent le live 100% Festival, de la webradio DY10 machines du producteur ajoutant leur mouvement à celui du ballet et pilote de soirées electro des projections lumineuses. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
En Ligne Lundi 12 Septembre 2016
Du pionnier Laurent Garnier aux influences métissées de Motorbass, des révolutionnaires Daft Punk, aux électrons libres et pop tels que Air ou Sébastien Tellier en passant par l’electroclash de Vitalic, Touche Française revisite la French Touch à travers une playlist de 12 morceaux emblématiques de la musique électronique française qui font danser et rêver la planète depuis 1995. UNE WEBSÉRIE DOCUMENTAIRE ÉCRITE PAR GUILLAUME FÉDOU ET JEAN-FRANÇOIS TATIN RÉALISÉE PAR JEAN-FRANÇOIS TATIN (2016, 12X6MN) EN LIGNE LUNDI 12 SEPTEMBRE 2016 SUR © AGNES DAHAN TOUCHE FRANÇAISE UNE WEBSÉRIE DOCUMENTAIRE ÉCRITE PAR GUILLAUME FÉDOU ET JEAN-FRANÇOIS TATIN RÉALISÉE PAR JEAN-FRANÇOIS TATIN COPRODUCTION: SILEX FILMS, ARTE FRANCE (2016, 12X6MN) BANDE SON DE CHRISTOPHE CHASSOL - ENREGISTRÉ EN SON BINAURAL EN LIGNE LE LUNDI 12 SEPTEMBRE 2016 SUR ARTE.TV/TOUCHEFRANÇAISE Plongée visuelle et sonore au cœur d’un mouvement qui a su AVEC : replacer la France sur la carte du divertissement international. ALEX GOPHER ARIEL WIZMAN Anecdotes, digressions, archives inédites : les principaux acteurs BERTRAND BURGALAT de l’époque reviennent sur les secrets de cette musique, leurs CHLOÉ influences, et décryptent le phénomène sociétal, générationnel CRACKI RECORDS DEMON et mondial né grâce à l’explosion d’internet. Chaque épisode se DJ HELL conclut par une reprise originale du titre initial par un groupe ou ÉTIENNE DE CRÉCY artiste du moment et la bande son est signée Christophe Chassol. GASPARD AUGÉ (JUSTICE) JACKSON LA FEMME LAURENT GARNIER NICOLAS GODIN (AIR) PEDRO WINTER (ED BANGER) PHILIPPE ZDAR (MOTORBASS) ROB VITALIC © AGNES DAHAN © LAURENT BOCHET LA BANDE SON DE CHRISTOPHE CHASSOL LES AUTEURS Christophe Chassol passe 16 ans au conservatoire Guillaume Fédou est romancier, musicien, journaliste. -
Technician Cancer Victim Receives Degree IA
Wednesday, May 24, 1995 Technician ~...—c...nm-—u —_~—— Raleigh. North Carolina North Carolina State University‘s Newspaper Since 1920 Volume 75. Number 77 College Cancer costs could Victim increase receives I A proposed tuition surcharge has students degree from NCSL' and other schools up in arms. I A graduate student who BY Ros Barrio died weeks before i' .- also» graduation is remembered with a posthumous diploma in recent sears, students liase heeii accused or not caring ahotit and a scholarship fund. what goes on around them Almost as rt a plague ot apathy spread Br Josiiii I) on ST across N.(‘. State and other N. t tllll\L‘l'slllL‘s ill the state like a (hilt a select numher ot people deadly \irus. reccl\e graduate rli‘glct's trom lltc N (‘ State 1 ni\ersit) School ot Design (in \la_\ I‘. one ot its hest ”They are placing students. Rohelt ('hase. was money before the awarded postliuinousl) a inaster ot architecture degree education of young (‘llase was oill} tire weeks short adults,” ot' earning his degree when he died H . r. a/S'nw April 4 He died of lung cancer. New alumnus Betsy McLean gets a gift from her ~——Shaw'na McCaden. although triends said he was a set) grandaughter (left). Some of the cast of thousands .icti\ e. normally health} none gathered to walk their final steps as NC. State president. N. C. Black smoker. students (top). For some, graduation is a Student Government Thomas (hase accepted the regressive. not progressive. event (above). degree till his son at the School ol' Association Design s coininencenient c‘c'l‘c'lllitlh. -
In the Studio: the Role of Recording Techniques in Rock Music (2006)
21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio.