DOCSLIB.ORG

Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE APRIL 20, 2020 Page 1 of 27 INSIDE The Weeknd Returns to No. 1 on • The Weeknd Makes Billboard Hot 100, Doja Cat Hits It a Month at No. 1 on Billboard 200 Albums Top 5, Post Malone Ties Top 10 Record Chart • UMG First Quarter BY GARY TRUST Revenues Up 13% as COVID-19 So Far Has The Weeknd’s “Blinding Lights” rebounds from No. Music/MRC Data. It returns to No. 1, from No. 4, for a ‘Limited Impact’ on 2 to No. 1 the Billboard Hot 100 songs chart to log a third total week atop Digital Song Sales, despite a 1% Vivendi Earnings third total week in the top spot. drop to 21,000 sold in the week ending April 16, and • Concert The track dethrones Drake’s “Toosie Slide,” which holds at No. 3 on Streaming Songs, down 6% to 25.4 Subscriptions, Care dips to No. 2 following its debut at No. 1 a week ago. million U.S. streams in the same span. Packages & More: Plus, Doja Cat notches her first top five Hot 100 hit, The track concurrently rises 2-1 for a third week atop How Indie Promoters as “Say So” jumps 8-5, and Post Malone’s “Circles,” the Hot R&B/Hip-Hop Songs chart and rules Hot Are Weathering the at No. 7, ties the record for the most weeks (33) ever for an eighth frame. (Both rankings employ Crisis R&B Songs spent in the chart’s top 10. the same multi-metric formula as the Hot 100.) • MSG Entertainment Let’s run down the top 10 of the newest Hot 100, As previously reported, “Lights” parent album After Begins Life as Public which blends all-genre U.S. streaming, radio airplay Hours spends a fourth week at No. 1 on the Bill- Company, Names and sales data. All charts (dated April 25) will update board 200 chart. CFO on Billboard.com tomorrow (April 21). Drake’s “Toosie Slide” slips from No. 1 to No. 2 on • Will Grammys, With a third week at No. 1 on the Hot 100, “Blind- the Hot 100, while leading Streaming Songs for a sec- Oscars & More Go ing Lights,” released on XO/Republic Records, ties ond week, with 37.2 million streams, down 33% from On in the Next Year “Can’t Feel My Face” (in August-September 2015) for its opening week. It ascends 3-2 on Digital Song Sales, Amid Coronavirus? The Weeknd’s second-longest reign of his five leaders. although with a 37% decline to 16,000 sold, and surges Awards Show Organizers Want to He’s led longer only with “The Hills,” for six weeks (in 22-14 on Radio Songs (47.8 million, up 38%), winning Know Too October-November 2015). the Hot 100’s top Airplay Gainer award. It leads the “Lights” leads the Radio Songs chart for a second multi-metric Hot Rap Songs chart for a second week. week, with 108.6 million audience impressions, up Roddy Ricch’s “The Box” holds at No. 3 on the Hot 4%, in the week ending April 19, according to Nielsen (continued) ACCESS THE BEST IN MUSIC. A DIGITAL VERSION OF EVERY ISSUE, FEATURING: COVER STORIES . SPECIAL REPORTS . CHARTS . REVIEWS INTERVIEWS . EVENT COVERAGE & MORE AVAILABLE FREE TO CURRENT BILLBOARD SUBSCRIBERS billboard.com/iPad Page 3 of 27 IN BRIEF 100, which it dominated for 11 weeks, and 32, “Closer,” The Chainsmokers feat. billboardcharts on both Twitter and Insta- Dua Lipa’s “Don’t Start Now” is steady at Halsey, 2016-17 gram. And again, be sure to visit Billboard. No. 4, after reaching No. 2. 32, “How Do I Live,” LeAnn Rimes, 1997- com tomorrow (April 21), when all charts, Doja Cat pounces to her first top five Hot 98 including the Hot 100 in its entirety, will 100 hit, as “Say So” bounds 8-5. It likewise 31, “Uptown Funk!,” Mark Ronson feat. refresh. lifts 8-5 on Radio Songs (78.6 million, up Bruno Mars, 2014-15 14%) and rises 10-8 on Streaming Songs (15.2 30, “Bad Guy,” Billie Eilish, 2019 million, up 4%) and 25-21 Digital Song Sales 30, “Smooth,” Santana feat. Rob Thomas, The Weeknd (6,000, up 1%). 1999-2000 With “Say So” released on RCA Records, Plus, as “Circles” has logged all 33 of its Makes It a Doja Cat is the first woman on the label to weeks on the Hot 100 in the top 10, dating to earn a first career top five Hot 100 hit in a its arrival at No. 7 on the Sept. 14, 2019-dat- Month at No. 1 lead role since Sia, whose “Cheap Thrills” ed chart, it matches Ed Sheeran’s “Shape of (featuring Sean Paul) led for four weeks in You” for the most weeks tallied in the region on Billboard 200 August 2016. Prior to Sia, Kesha reigned for from a song’s debut. nine weeks with her debut hit “TiK ToK” in Rounding out the Hot 100’s top 10, Fu- Albums Chart January-February 2010. ture’s “Life Is Good,” featuring Drake, falls Harry Styles’ “Adore You” revisits its No. 6 5-8, after peaking at No. 2 for eight weeks; BY KEITH CAULFIELD Hot 100 high, climbing from No. 7. Justin Bieber’s “Intentions,” featuring Post Malone’s “Circles” descends 6-7 on Quavo, keeps at No. 9, after reaching No. 8; he Weeknd makes it a full month the Hot 100, after notching three weeks at and Billie Eilish’s “Everything I Wanted” is at No. 1 on the Billboard 200, as No. 1, and ties the record for the most weeks stationary at No. 10, also after hitting No. 8. his After Hours album holds atop spent in the top 10 in the chart’s 61-year his- Just outside the Hot 100’s top 10, Camila the tally for a fourth straight week. tory, a mark that the rapper-singer already Cabello’s “My Oh My,” featuring DaBaby, TIt has refused to budge from the top spot shared: reaches a new best rank (13-12), as does Lil since its debut at No. 1 a month ago. It’s the Most Weeks in Billboard Hot 100’s Top 10 Mosey’s “Blueberry Faygo” (18-16), along first album to notch four consecutive weeks 33, “Circles,” Post Malone, 2019-20 with two country hits: Gabby Barrett’s “I at No. 1 since Drake’s Scorpion spent its first 33, “Sunflower (Spider-Man: Into the Hope” (20-17) and Blake Shelton and Gwen five weeks at No. 1 in 2018 (July 13-Aug. 11). Spider-Verse),” Post Malone & Swae Lee, Stefani’s “Nobody but You” (24-18). After Hours is now one of five albums to 2018-19 Find out more Hot 100 news on Billboard. spend at least four total weeks at No. 1 since 33, “Girls Like You,” Maroon 5 feat. Cardi com this week, and, for all chart news, you 2018. The last album to land four weeks in B, 2018-19 can listen (and subscribe) to Billboard’s Pop total was Roddy Ricch’s Please Excuse Me 33, “Shape of You,” Ed Sheeran, 2017 Shop Podcast and This Week in Billboard for Being Antisocial, which accumulated 32, “Sicko Mode,” Travis Scott, 2018-19 News podcast and follow @billboard and @ four non-consecutive weeks atop the list DECISIVE INTELLIGENCE. DELIVERED DIGITALLY. CLICK HERE FOR FREE DELIVERY DIGITAL NEWSLETTERS BILL WITHERS 1938-2020 Sometimes in our lives we all have pain We all have sorrow But if we are wise We know that there’s always tomorrow Lean on me, when you’re not strong And I’ll be your friend I’ll help you carry on Page 5 of 27 IN BRIEF (Dec. 21, 2019, and then three weeks in chart-topper My Turn is also a non-mover at Madonna’s Hard Candy, which bowed at No. 2020: Jan. 18, Feb. 8 and Feb. 22). No. 4 with 44,000 units (down 7%). 1 on the May 17, 2008 list, and moved 3-8-9 After Hours earned 75,000 equivalent Bad Bunny’s YHLQMDLG rises one spot before departing the top 10. album units in the U.S. in the week ending to No. 5 with 39,000 equivalent album units The last Warner Records album to April 16 (down 18%), according to Nielsen (down 10%), Post Malone’s former No. 1 notch its first four weeks in the top 10 was Music/MRC Media. Hollywood’s Bleeding climbs 9-6 with 36,000 Michael Bublé’s To Be Loved in 2013. It The Billboard 200 chart ranks the most units (down 2%) and Roddy Ricch’s Please debuted at No. 1 on the May 11, 2013 list, popular albums of the week in the U.S. based Excuse Me for Being Antisocial is stationary and then moved 2-4-8 in its second, third on multi-metric consumption as measured at No. 7 with just under 36,000 units (down and fourth weeks, before leaving the top 10. in equivalent album units. Units comprise 6%). The last Warner Records set by a woman to album sales, track equivalent albums (TEA) The Strokes land their fifth top 10 album, spend its first four weeks in the top 10 was and streaming equivalent albums (SEA). The as The New Abnormal opens at No. 8 with Madonna’s Hard Candy, which bowed at No. new April 25-dated chart (where After Hours 35,000 equivalent album units earned.
Load more

Recommended publications
  • Adult Contemporary Radio at the End of the Twentieth Century
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Stanford Live Announces Added Events
    FOR IMMEDIATE RELEASE CONTACT: Robert Cable, Stanford Live 650-736-0091 [email protected] PHOTOS: http://live.stanford.edu/press STANFORD LIVE ANNOUNCES ADDED EVENTS Brandi Carlile joins the lineup as well two new Cabaret Studio shows featuring Israeli singer Victoria Hanna and the Uriel Herman Quartet. Stanford, CA, October 9, 2017—A decade after the 2007 hit, The Story, that launched her career, the Grammy-nominated singer-songwriter Brandi Carlile celebrates that breakthrough with Cover Stories, a release of covers by an eye-popping cast that includes Adele, Pearl Jam, Dolly Parton, the Indigo Girls and, in a forward note to the collection, Barack Obama. Stanford Live audiences can expect a few of her seminal songs as well as some holiday tunes when Carlile performs with longtime bandmates Tim and Phil Hanseroth (aka “the Twins”) as part of their Winter Acoustic tour at Stanford’s Memorial Auditorium on December 15. Also, just added to the season are two more shows in Stanford Live’s Cabaret series, which is presented in Bing Concert Hall’s cozy 160-seat underground Studio. On November 29, the Jerusalem- based singer Victoria Hanna, called “the freshest, edgiest, weirdest artist on the Israeli airwaves,” performs new work she is developing at the Magnes Collection of Jewish Art and Life at UC Berkeley, during her fall residency there. Then on January 20, the Bing Studio will host the U.S. debut tour of Israeli jazz piano virtuoso Uriel Herman and his Quartet, who combine jazz, Middle Eastern influences, and alternative rock for a uniquely captivating sound.
    [Show full text]
  • What Handel Taught the Viennese About the Trombone
    291 What Handel Taught the Viennese about the Trombone David M. Guion Vienna became the musical capital of the world in the late eighteenth century, largely because its composers so successfully adapted and blended the best of the various national styles: German, Italian, French, and, yes, English. Handel’s oratorios were well known to the Viennese and very influential.1 His influence extended even to the way most of the greatest of them wrote trombone parts. It is well known that Viennese composers used the trombone extensively at a time when it was little used elsewhere in the world. While Fux, Caldara, and their contemporaries were using the trombone not only routinely to double the chorus in their liturgical music and sacred dramas, but also frequently as a solo instrument, composers elsewhere used it sparingly if at all. The trombone was virtually unknown in France. It had disappeared from German courts and was no longer automatically used by composers working in German towns. J.S. Bach used the trombone in only fifteen of his more than 200 extant cantatas. Trombonists were on the payroll of San Petronio in Bologna as late as 1729, apparently longer than in most major Italian churches, and in the town band (Concerto Palatino) until 1779. But they were available in England only between about 1738 and 1741. Handel called for them in Saul and Israel in Egypt. It is my contention that the influence of these two oratorios on Gluck and Haydn changed the way Viennese composers wrote trombone parts. Fux, Caldara, and the generations that followed used trombones only in church music and oratorios.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • MAHANI TEAVE Concert Pianist  Educator  Environmental Activist
    MAHANI TEAVE concert pianist educator environmental activist ABOUT MAHANI Award-winning pianist and humanitarian Mahani Teave is a pioneering artist who bridges the creative world with education and environmental activism. The only professional classical musician on her native Easter Island, she is an important cultural ambassador to this legendary, cloistered area of Chile. Her debut album, Rapa Nui Odyssey, launched as number one on the Classical Billboard charts and received raves from critics, including BBC Music Magazine, which noted her “natural pianism” and “magnificent artistry.” Believing in the profound, healing power of music, she has performed globally, from the stages of the world’s foremost concert halls on six continents, to hospitals, schools, jails, and low-income areas. Twice distinguished as one of the 100 Women Leaders of Chile, she has performed for its five past presidents and in its Embassy, along with those in Germany, Indonesia, Mexico, China, Japan, Ecuador, Korea, Mexico, and symbolic places including Berlin’s Brandenburg Gate, Chile’s Palacio de La Moneda, and Chilean Congress. Her passion for classical music, her local culture, and her Island’s environment, along with an intense commitment to high-quality music education for children, inspired Mahani to set aside her burgeoning career at the age of 30 and return to her Island to found the non-profit organization Toki Rapa Nui with Enrique Icka, creating the first School of Music and the Arts of Easter Island. A self-sustaining ecological wonder, the school offers both classical and traditional Polynesian lessons in various instruments to over 100 children. Toki Rapa Nui offers not only musical, but cultural, social and ecological support for its students and the area.
    [Show full text]
  • Additional Karaoke Listings Updated February 2021! 1
    Artist Song Title 1975 Chocolate 1975, The Sincerity is Scary 5 Seconds of Summer Want you back 5 Seconds of Summer Easier ACDC Big Balls Adele All I Ask Adele Cold Shoulder Adele Melt My Heart to Stone Adele Million Years Ago Adele Sweetest Devotion Adele Hello Adele I Can't Make You Love Me Adele Love in The Dark Adele One and Only Adele Send My Love to Your New Lover Adele Take It All Adele When We Were Young Adele Remedy Adele Love Song Afroman Colt 45 AJR Burn the House Down Alabama Angels Among us Alabama Forty Hour Week Alabama Roll on Eighteen Wheeler Alabama Lady down on love Alaina, Lauren Road Less Traveled Alaina, Lauren Wings of an Angel Alaina, Lauren Ladies in the 90s Alaina, Lauren Getting Good Alaina, Lauren Other Side, The Aldean, Jason Tattoos on this town ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 1 Aldean, Jason Just Getting Started Aldean, Jason Lights Come On Aldean, Jason Little More Summertime, A Aldean, Jason This Plane Don't Go There Aldean, Jason Tonight Looks Good On You Aldean, Jason Gettin Warmed up Aldean, Jason Truth, The Aldean, Jason You make it easy Aldean, Jason Girl Like you Aldean, Jason Camouflage Hat Aldean, Jason We Back Aldean, Jason Rearview Town Aldean, Jason & Miranda Lambert Drowns The Whiskey Alice in Chains Man In The Box Alice in Chains No Excuses Alice in Chains Your Decision Alice in Chains Nutshell Alice in Chains Rooster Allan, Gary Every Storm (Runs Out of Rain) Allan, Gary Runaway Allen, Jimmie Best shot Anderson, John Swingin' Andress, Ingrid Lady Like Andress, Ingrid More Hearts Than Mine Angels and Airwaves Kiss & Tell Angston, Jon When it comes to loving you Animals, The Bring It On Home To Me Arctic Monkeys Do I Wanna Know Ariana Grande Breathin Arthur, James Say You Won't Let Go Arthur, James Naked Arthur, James Empty Space ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 2 Arthur, James Falling like the stars Arthur, James & Anne Marie Rewrite the Stars Arthur, James & Anne Marie Rewrite The Stars Ashanti Happy Ashanti Helpless (ft.
    [Show full text]
  • Song Writers & Pr Oducers
    DELETE ME DATA FOR WEEK OF 01.02.2021 HOT 100 SONGWRITERSTM HOT 100 PRODUCERSTM #1 #1 1 8 WKS JOHNNY MARKS 1 4 WKS OWEN BRADLEY 2 MEREDITH WILLSON 2 LEE GILLETTE 3 IRVING BERLIN 3 ROBERT MERSEY 4 JOSE FELICIANO 4 PHIL SPECTOR 5 GEORGE MICHAEL 5 MILT GABLER TIE 6 MARIAH CAREY 6 BING CROSBY TIE 6 WALTER AFANASIEFF 7 RICK JARRARD 8 TAYLOR SWIFT 8 AARON DESSNER TIE 9 JIM BOOTHE 9 GREG WELLS TIE 9 JOE BEAL 10 GEORGE MICHAEL 11 PAUL MCCARTNEY TIE 11 MARIAH CAREY TIE 12 EDWARD POLA TIE 11 WALTER AFANASIEFF TIE 12 GEORGE WYLE 13 GREG KURSTIN 14 KELLY CLARKSON 14 ART SATHERLEY 15 R. ALEX ANDERSON 15 ILYA TIE 16 JULE STYNE 16 FINNEAS TIE 16 SAMMY CAHN 17 JOHN SCOTT TROTTER 18 MARVIN BRODIE 18 D.A. GOT THAT DOPE TIE 19 MEL TORME 19 DAVID FOSTER TIE 19 ROBERT WELLS 20 PAUL MCCARTNEY 21 GREG KURSTIN TIE 21 MR. FRANKS TIE 22 LEROY ANDERSON TIE 21 TBHITS TIE 22 MITCHELL PARISH 23 STEVE SHOLES 24 ARIANA GRANDE 24 LIL JU 25 FINNEAS 25 RYAN METZGER COUNTRY SONGWRITERSTM COUNTRY PRODUCERSTM #1 #1 1 4 WKS MORGAN WALLEN 1 34 WKS JOEY MOI 2 RANDY MONTANA 2 GREG WELLS 3 JOSH OSBORNE 3 DAN SMYERS 4 ERNEST KEITH SMITH 4 ROSS COPPERMAN 5 JON NITE 5 SCOTT MOFFATT TIE 6 GABBY BARRETT 6 ZACH KALE TIE 6 ZACH KALE 7 JON RANDALL 8 LUKE COMBS 8 SCOTT HENDRICKS 9 TAYLOR SWIFT 9 DANN HUFF 10 HILLARY LINDSEY 10 JAY JOYCE R&B/HIP-HOP SONGWRITERSTM R&B/HIP-HOP PRODUCERSTM #1 #1 1 9 WKS LIL BABY 1 1 WK D.A.
    [Show full text]
  • Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2020 Page 1 of 29 INSIDE Sukhinder Singh Cassidy • ‘More Is More’: Exits StubHub Amid Why Hip-Hop Stars Have Adopted The Restructuring, Job Cuts Instant Deluxe Edition BY DAVE BROOKS • Coronavirus Tracing Apps Are Editors note: This story has been updated with new they are either part of the go-forward organization Being Tested Around information about employees who have been previously or that their role has been impacted,” a source at the the World, But furloughed, including news that some will return to the company tells Billboard. “Those who are part of the Will Concerts Get Onboard? organization on June 1. go-forward organization return on Monday, June 1.” Sukhinder Singh Cassidy is exiting StubHub, As for her exit, Singh Cassidy said that she had been • How Spotify telling Billboard she is leaving her post as president planning to step down following the Viagogo acquisi- Is Focused on after two years running the world’s largest ticket tion and conclusion of the interim regulatory period — Playlisting More resale marketplace and overseeing the sale of the even though the sale closed, the two companies must Emerging Acts During the Pandemic EBay-owned company to Viagogo for $4 billion. Jill continue to act independently until U.K. leaders give Krimmel, StubHub GM of North America, will fill the the green light to operate as a single entity. • Guy Oseary role of president on an interim basis until the merger “The company doesn’t need two CEOs at either Stepping Away From is given regulatory approval by the U.K.’s Competition combined company,” she said.
    [Show full text]
  • Script Copy for Pmf 4Th Annual Hall of Fame Awards December 4, 1990. Room Opens As Orchestra Plays Overture. Lights Have Been Pr
    '., 1. SCRIPT COPY FOR PMF 4TH ANNUAL HALL OF FAME AWARDS DECEMBER 4, 1990. ROOM OPENS AS ORCHESTRA PLAYS OVERTURE. LIGHTS HAVE BEEN PRESET, HOUSE LIGHTS OUT LIGHTS UP-SINGERS ON_:DRESSED IN· ·I!OID-FJ".FfiD,· . ; :·1 ONE SHOULDER DRESSES·WITH CHIFFON SKIRTS, MEN ARE IN TUXEDOS. 11 PHILLY'S BEAT" EVERYBODY LISTEN TO THAT DRIVING BEAT THE ONE THAT MAKES YOU SHAKE AND TAP YOUR FEET. PEOPLE FROM EVERY NATION HAVE BEEN ROCKING TO THE BEAT SINCE TIME'S CREATION. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN MOVING YOU OUTTA YOUR SEAT. SO WHENEVER YOU'RE DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOWN AND SHAKE .•. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. CAUSE WE STARTED OUT WITH THE MISIC FROM THE GOSPEL LAND THEN WE SUNG IT ACCAPELLA CAUSE WE COULDN'T FIND ABAND. DOO WOP •.• DOO WOP •.• WOP .•• DOO WOP. THE BEAT WAS GETTING STRONGER SO WE COULDN'T WAIT ANY LONGER WE HAD TO BUST LOOSE, BREAK LOOSE GET OUT AND DANCE TO THE PHILADELPHIA GROOVE. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN ROCKING YOU OUTTA YOUR SEAT. SO WHENEVER YOUR DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOvlN AND SHAKE ••. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. t 2. * THERE WAS PEP'S THE SHOWBOAT AND THE MET THE CHECKER CLUB AND THE WALTON ROOF THE LATIN CASINO, THE POSTAL CARD, AND THE RENDEZVOUS SPIDER KELLY'S WAS THE SPOT THE EMBASSY, AND THE CLICK WERE HOT THE CELEBRITY ROOM, BLUE NOTE, BIJOU AND THE PARTY WOULD NEVER STOP.
    [Show full text]
  • Songwriter Extraordinaire Billy Vera Stops in for a Very Interesting Chat "The Person Who Doesn't Scatter the Morning Dew Will Not Comb Gray Hairs." Hunter S
    For Immediate Release Contact: Andy Goldfinger Grand Poohbah Flying Eye Radio Network ASCAP/BMI (818) 917-5183 Songwriter Extraordinaire Billy Vera Stops In For A Very Interesting Chat "The Person Who Doesn't Scatter The Morning Dew Will Not Comb Gray Hairs." Hunter S. Thompson, Famed American Philosopher Malibu, California, November 29, 2012 - This week’s addition of the Flying Eye Radio Network’s Music Gumbo features musician and songwriter Billy Vera in a candid interview with host Andy Goldfinger. Growing up with both parents in the entertainment industry, Vera began his music career when he was still a teenager with the first song he ever presented to a publisher, “Mean Old World,” becoming a chart hit for Ricky Nelson. Since then Vera has found success in songwriting, writing songs for artists such as Etta James, Bonnie Raitt, Robert Plant, Fats Domino, and his own band Billy & the Beaters. In the mid-80s, Vera received a phone call from the producer of the popular series “Family Ties” that changed his career. They wanted to use the Billy & the Beaters song "At This Moment” in an episode that resulted in great public response and sprang the song to #1 nationally. Billy Vera’s career does not stop there with music. Vera has taken on side-projects including appearing in various cult movies and TV shows such as his recurring role on “Beverly Hills, 90210.” He has also taken up voiceover acting and can be heard singing the theme song to the popular show “King of Queens.” Vera continues to write music with his most recent album, “Big Band Jazz,” released earlier in the month.
    [Show full text]
  • View Playbill
    MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL.
    [Show full text]
  • A Winning Season at Last by PAUL I .I.Ovu
    Hunger AUJareness Week the • . 1 The Richard Trevor Memorial Ad Issue, in whichanovanTrev will finally payoff his beloved bucket of bolts - The Van VILLANOVA UNIVERSITY. VILLANOVA PA November 17, 1976 A Winning Season at Last By PAUL i .i.ovu After four years of losing play, eighty yard drive that records, two years after Chip Ben­ cu lminated when Ken Diminick der res igner! over his failure to get took an outside pitchout and ram­ Ohio State put on the schedule, bled twenty yards for six points. and just about two years after The drive was one that would be 'savior' coach Jim Weaver was repeated all too often this af­ found to have one too many job ternoon as far as Holy Cros s was titles, the Villanova football team concern ed. Gross redeemed him­ has regained much lost respect. self quickly, carrying three times for nineteen yards, including a In jousting the Holy Cross fourteen yard pickup on a crucial Crusaders, they sent the 5782 third and six play. Vince Thomp­ frenzied onlookers home won­ son ran three times for thirty six dering if it were Woody Hayes, yards. perhaps, who did not want to enter Following that it was all the Villanova coliseum. The Cats Villanova, except for fumbles slashed their way to five team which stopped drives at the one records, along with two individual and the fifteen yard lines. At the marks in running up Fifty-six half it was 28 to 7 and all seemed points, their most since they fine on the home front.
    [Show full text]