A Winning Season at Last by PAUL I .I.Ovu

Total Page:16

File Type:pdf, Size:1020Kb

A Winning Season at Last by PAUL I .I.Ovu Hunger AUJareness Week the • . 1 The Richard Trevor Memorial Ad Issue, in whichanovanTrev will finally payoff his beloved bucket of bolts - The Van VILLANOVA UNIVERSITY. VILLANOVA PA November 17, 1976 A Winning Season at Last By PAUL i .i.ovu After four years of losing play, eighty yard drive that records, two years after Chip Ben­ cu lminated when Ken Diminick der res igner! over his failure to get took an outside pitchout and ram­ Ohio State put on the schedule, bled twenty yards for six points. and just about two years after The drive was one that would be 'savior' coach Jim Weaver was repeated all too often this af­ found to have one too many job ternoon as far as Holy Cros s was titles, the Villanova football team concern ed. Gross redeemed him­ has regained much lost respect. self quickly, carrying three times for nineteen yards, including a In jousting the Holy Cross fourteen yard pickup on a crucial Crusaders, they sent the 5782 third and six play. Vince Thomp­ frenzied onlookers home won­ son ran three times for thirty six dering if it were Woody Hayes, yards. perhaps, who did not want to enter Following that it was all the Villanova coliseum. The Cats Villanova, except for fumbles slashed their way to five team which stopped drives at the one records, along with two individual and the fifteen yard lines. At the marks in running up Fifty-six half it was 28 to 7 and all seemed points, their most since they fine on the home front. This, scored fifty·seven against Santa however, was not the case as Clara in 1969. They ran seventy­ Coach Bedesem later stated he seven r ushi ng plays for four hun. was "ve ry upset " with th e sloppy dred and ninety four yards, and play and he considered the Cats passed five times resulting in two fortunate for scoring twice in the John Mastronardo touchdowns. last four minutes of the first half. The game's tempo wa s In thi s victory, which assured established early when Charlie the Cats of their first .500 or bet­ Gross fumbled the opening kickoff ter record in five years, the word and Holy Cross recovered eight was run and run they did...:.... long yards from the endzane. At 1:44 gone seemed t he days when t heir Pnctc by Han...Cull er HC freshman Brian Doherty totals read as though they were Defensemen Da ve G razia no (8 1) a nd Phil DiG iacomo (89) crunch a Crusader. bowled in from the one and the running against the Steel Curtain Cats found themselves in an early of the Steelers. Thompson carried hole. Fears of a Villanova letdown t he ball twenty-two times for 120 were erased immediately, yards, before being hurt with SAC Works Behind the Scenes however. Quarterback Dick about two minutes left - in the By T ONY D1FR A CESCO Bedesem Jr. supervised an eight (Continued on page 2) includes brief outlines of eleven Du.ingthe Student Government that a weekly agenda that may in· Commerce and Finance orga­ ciation election campaign c1ude representatives from Father Byrne's Student Activities office nizations. 1.1111 past March, the Student Ad­ The effectiveness of SAC is best Consider or Father Deegan's Student Life, 'Ii ory Committee (SAC) was exemplified through Matt will discuss t heir particular roles fOllnded to support Malt Christen­ Christenson's involvement with with current non-reaident student IOn, a candidate for one of the two the Dean's Search Committee. leaders and also randomly chosen the Covenant Commerce and f'inance senate Surveys are bei ng conducted con ­ III . Chri tenson emerged as the individuals. cerning the appointment of a dean For the majority of Villanova tep vote·gelter, but more im­ for the College of Commerce and The student oriented phase of the Villanova Covenant students, the organization and tantly, the efforts of the SAC Finance and Matt's labors are Campaign is in full swing as it enters its second week, and purposes of the SGA are nebulous lI'Clnizstion produced a voter lessened by the aid of SAC's concepts. "I had never been in­ only a few added points need be made regarding its turnout of more than 50%; the twenty-five charter members. valved in student government and procedure. laree t in Commerce and Finance They expend personal time to in regard to our system, I was very h, ory. SAC's work is now con­ distribute and tally the question. Act ual payments need not be made before December mixed up as a freshman and fined strictly to t he betterment of naire, which al lows rapid analysis 1st, although donations an d pledge cards are now being ac­ sophomore," commented Chris­ lludent.SGA relations. of t he results. cepted by members of the program's Executive Committee. The current assignment of SAC tenson. To alleviate this campus­ Though the supply of rectang­ Names of those who have made initial pledges have been 11 the development of the Corn­ wide dilemma, SAC produced a ular black and white SAC stickers given only to the accounting clerks, assuring that no one mute. Council. Christenson noted student government handbook and 80 popular during the March earn­ \het hi. organization's prime flaw a synopsis of the rights and paign has been depleted, the corn­ should feel pressured about fulfilling their pledges im­ the inability to contact the freedoms of students early thiS mittee continues to strive for ef­ mediately. non·rCllident students. "For the semester. The two publications ficient correspondence between Those wishing to begin making their payments should ideot tudents it is easy to pop were directed primarily towards the student body and their elected do so at the University Development Office in the Into s dorm room and inform business students as the former leaders. them of what we're doing." He basement of the east side of Austin Ha ll. !I'd. "The cummuters are a more T he major purpose of the stude nt oriented phase of t! . u IVe group. It's not so much RESOLVED: the program is to evidence student concern for the future : t they don't care, but they don't T ha t th e week prior to T ha nks giving, Nove mber 15, of the University. A significant contribution by the student o which way to move. 1976 to November 19, 1976, be decl a red World Hunger populace will aid the program considerably when it tu rns The Commuter Council is still Aware ness Week. We encourage the Villanova Community outside the community for support. In .the planning st ages, yet the to dem onstra te concern for world hu nger by participating Special thanks for the implementation of the student Illmate objective is to set up four in va rious activities throughout this week a nd by fastin~ me ting over a one month period program should go to members of Alpha Phi Omega frater­ to r late senate activities to com­ on T hursday, November 18, 1976, during the noo n day nity and Alpha Xi Delta and Delta Kappa Nu sororities for muting Commerce and Finance meal. their work on the campaign's Executive Committee. tUdents. Chri st en on explained Page 2 • THE VILLANOVAN • November 17, 1976 Odds, Ends, and Opportunities The Department of Biology and The Villanova ll nlled I Fast For Hunger - 2,300 people 'The Chess Club will meet this The Villanova Union Outdoor Recreation Commillee is com­ the Gregor Mendel Biology Club Club won a total of six aw",~ die from hunger every hour, if you Wednesday night at 5:30 in will sponsor a lecture by Dr . their participation in the U Mendel cafeteria. Everyone piling an order for clothing, back­ would like to do something about William Jacobs of Princeton sity of Pennsylvanis'l it, give up your lun ch on Thursday welcomed. packing, camping and s\< i equip­ ment at a 20% discount to University Biology Department. United Nations Conferen 11/18/76. Proceeds will go to ---- The topic will be "Hormonal Con­ November 4-7. The club ~ CARE. On Tuesday, Nov. 16, 1976, at 4 students of Villanova. All makes and major brands (North Face, trol of Cell Differentiation". This sented the countri of the p.rn., Dr. Andre Schuwer of lecture will take place on Thurs­ pie's Republic of Chioa, and Duquesne University will deliver Kelty, Sierra Designs, etc.) are in· 'The Food aDd Clothing Drive cluded in the discount, although day, November 18 at 4:00 p.m. in reviewing an overall BelIt the second in a series of lectures Room 117 - Mendel. All are in­ gation Award for China, for the needy in Philadelphia will sponsored by the philosophy availability might be limited. Or­ continue till November 24th. der s and information may be vited! Refreshments will be serv­ Best Delegate Awarda in department. ed! mittees and two Honorable Please bring nonperishable food or Dr. Schuwer's lecture, " Hei- placed in the Villanova Union Of· old clothing or monetary fice, second floor of Dougherty tions. The Conference WBI I • degger and Metaphysics" will be cessful and enjoyable experi... donations, to Dougherty Hall, The given in Tolentine 215. Hall. Outdoor Recreation Corn ­ Villanovans for Life Office or Bar­ mittee, Time is limited on this of. The Resident ' Siuden i for all who participated. The lecture is open to the Association will be holding a party tley cafeteria. Make it a public.
Recommended publications
  • Script Copy for Pmf 4Th Annual Hall of Fame Awards December 4, 1990. Room Opens As Orchestra Plays Overture. Lights Have Been Pr
    '., 1. SCRIPT COPY FOR PMF 4TH ANNUAL HALL OF FAME AWARDS DECEMBER 4, 1990. ROOM OPENS AS ORCHESTRA PLAYS OVERTURE. LIGHTS HAVE BEEN PRESET, HOUSE LIGHTS OUT LIGHTS UP-SINGERS ON_:DRESSED IN· ·I!OID-FJ".FfiD,· . ; :·1 ONE SHOULDER DRESSES·WITH CHIFFON SKIRTS, MEN ARE IN TUXEDOS. 11 PHILLY'S BEAT" EVERYBODY LISTEN TO THAT DRIVING BEAT THE ONE THAT MAKES YOU SHAKE AND TAP YOUR FEET. PEOPLE FROM EVERY NATION HAVE BEEN ROCKING TO THE BEAT SINCE TIME'S CREATION. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN MOVING YOU OUTTA YOUR SEAT. SO WHENEVER YOU'RE DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOWN AND SHAKE .•. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. CAUSE WE STARTED OUT WITH THE MISIC FROM THE GOSPEL LAND THEN WE SUNG IT ACCAPELLA CAUSE WE COULDN'T FIND ABAND. DOO WOP •.• DOO WOP •.• WOP .•• DOO WOP. THE BEAT WAS GETTING STRONGER SO WE COULDN'T WAIT ANY LONGER WE HAD TO BUST LOOSE, BREAK LOOSE GET OUT AND DANCE TO THE PHILADELPHIA GROOVE. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN ROCKING YOU OUTTA YOUR SEAT. SO WHENEVER YOUR DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOvlN AND SHAKE ••. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. t 2. * THERE WAS PEP'S THE SHOWBOAT AND THE MET THE CHECKER CLUB AND THE WALTON ROOF THE LATIN CASINO, THE POSTAL CARD, AND THE RENDEZVOUS SPIDER KELLY'S WAS THE SPOT THE EMBASSY, AND THE CLICK WERE HOT THE CELEBRITY ROOM, BLUE NOTE, BIJOU AND THE PARTY WOULD NEVER STOP.
    [Show full text]
  • Dissertation Final Submission Andy Hillhouse
    TOURING AS SOCIAL PRACTICE: TRANSNATIONAL FESTIVALS, PERSONALIZED NETWORKS, AND NEW FOLK MUSIC SENSIBILITIES by Andrew Neil Hillhouse A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Andrew Neil Hillhouse (2013) ABSTRACT Touring as Social Practice: Transnational Festivals, Personalized Networks, and New Folk Music Sensibilities Andrew Neil Hillhouse Doctor of Philosophy Graduate Department of Music University of Toronto 2013 The aim of this dissertation is to contribute to an understanding of the changing relationship between collectivist ideals and individualism within dispersed, transnational, and heterogeneous cultural spaces. I focus on musicians working in professional folk music, a field that has strong, historic associations with collectivism. This field consists of folk festivals, music camps, and other venues at which musicians from a range of countries, affiliated with broad labels such as ‘Celtic,’ ‘Nordic,’ ‘bluegrass,’ or ‘fiddle music,’ interact. Various collaborative connections emerge from such encounters, creating socio-musical networks that cross boundaries of genre, region, and nation. These interactions create a social space that has received little attention in ethnomusicology. While there is an emerging body of literature devoted to specific folk festivals in the context of globalization, few studies have examined the relationship between the transnational character of this circuit and the changing sensibilities, music, and social networks of particular musicians who make a living on it. To this end, I examine the career trajectories of three interrelated musicians who have worked in folk music: the late Canadian fiddler Oliver Schroer (1956-2008), the ii Irish flute player Nuala Kennedy, and the Italian organetto player Filippo Gambetta.
    [Show full text]
  • Alumni Giving Lags by Shirley Singer Give to Drexel Has Risen Over the Could Influence the Percentages
    VOLUME Lll, NUMBER 25 DREX£L UNIVERSITY, PHILADELPHIA, PA. FRIDAY, MAY 14, 1976 Election Results Alumni Giving Lags by Shirley Singer give to Drexel has risen over the could influence the percentages. M iller Wins Only ten percent of Drexel's last two years. There still exists a However, one senior interviewed alumni gave to the annual alumni “big potential for improvement,” said that he would not give to by Dennis Myers fund last year. Of approximately according to William Davis, Vice Drexel as an alumnus because 17,000 graduates (50% of total President of University Relations. ‘‘We’ve paid for what we’ve gotten. Don Miller defeated his opponent alumni) solicited for funds. 3772 Davis hopes to invite alumni back We’re not getting any bargains as Jill Beinstein for student body responded with gifts. The year to the campus to show them the students. Everything they do they president in a heavier than usual before, only 2975 alumni con­ improvements and pr(^ess Drexel attempt to make profit. I>ook at the voter turnout, the TRIANGLE tributed to Drexel. has made over the years in both parking garage and cafeteria. 1 am learned Wednesday night. Also, the Drexel’s percentage of alumni buildings and educational methods. contributing to the class en­ new student government con­ who give to the university falls He feels that by giving alumni a dowment fund because the class stitution was ratified by a 272 to 59 below national averages. Lehigh sense of pride in the University, says what happens to the money. I vote.
    [Show full text]
  • [Title of the Collection]
    Archives of Irish America, Tamiment Library, New York University Mick Moloney Collection of Irish American Music and Popular Culture AIA31.2 Series A: Interviews & Private Performances (including practice & recording sessions) Folder Date Baker, Duck (guitar). Recording session and interview in Philadelphia, PA for the Jul 23, 1978 1979 Kicking Mule release, ―Irish Reels, Jigs, Hornpipes and Airs.‖ (Two CDs – Total length: 00:13:57) Brittingham, Frank (pub owner). Interview recorded in Brittingham’s Irish Pub and May 15, 1991 Restaurant, Lafayette Hill, PA. Brittingham discusses his personal history and his pub, a venue for Irish music in the Philadelphia area. (Two CDs – Total length: 01:04:17) Britton, Tim (uilleann pipes). Recording session at Mick Moloney’s home, 5321 Jan 29, 1977 Germantown Ave., Philadelphia, PA. for the 1979 Rounder release, ―Light Through the Leaves‖. (One CD – Length: 00:18:36) Britton, Tim (uilleann pipes). Recording session and interview in Philadelphia, PA. Jan 3, 1980 (Four CDs – Total length: 00:42:28) Burke, Joe ―Banjo‖ (banjo and voice, b. 1946, Johnstown, Co. Kilkenny, d. Dec, Feb 18, 1977 2003, Albany, New York). Interview at the Bunratty Pub, Bronx, NY. Burke provides biographical and musical information for the sleeve notes of his 1977 Shanachie recording with fiddler Johnny Cronin. (One CD – Length: 00:19:53) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo). Interview in Cleveland, OH. Byrne Apr 27, 1980 discusses his personal and musical experiences in Ireland and Cleveland. (One CD – Length: 00:52:10) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo), McCaffrey, Tom (fiddle, b.
    [Show full text]
  • Kinetic Mesh Brings Wireless Access to Philadelphia Folk Festival
    Kinetic Mesh Brings Wireless Access to Philadelphia Folk Festival The Philadelphia Folk Festival is the longest-running and one of the most culturally significant music festivals in the United States, having begun in 1962. Co-founded, MC’ed by legendary folk music DJ and “The Grandfather of Philadelphia Folk Music,” Gene Shay, the four-day festival is staffed almost entirely by volunteers. Each summer, on the third weekend in August, thousands of music lovers and campers flock to Old Poole Farm in Schwenksville, PA Challenge to hear contemporary and traditional folk artists play on six stages Staff and thousands of attendees faced weak cellular coverage, in genres ranging from World/Fusion, Celtic and Singer/Songwriter inhibiting their connections to home, work and each other to Folk Rock, Country, Klezmer and Dance. Over the years, the through a multi-day festival. festival has featured the biggest names in – from David Bromberg, Koko Taylor, Richard Thompson and John Hartford to Arlo Guthrie, Solution Taj Mahal, Elizabeth Cotton, and countless others. Leveraging Rajant Kinetic Mesh Networking, a self-establishing high-bandwidth wireless network of 14 BreadCrumb nodes was deployed to cover the festival’s 80 acres. + Provided 10,000 High-Bandwidth Results Festival staff was freed to manage ticketing and security and Event Attendees Wi-Fi- access to maintain communications from anywhere on the event site – while 10,000+ attendees were empowered to stay connected via high-speed Wi-Fi service. Work at the festival site begins weeks in advance – with parking areas, ticketing stations, food and concession stands, toilets, trash, health and emergency stations, performance sites and recreation areas all carefully planned and managed.
    [Show full text]
  • Eisteddfod Weekend Flyer
    Folk Music Society of New York, Inc. July/August 2009 vol 44, No.7 July 1 Wed Folk Open Sing 7 pm in Brooklyn 10 Fri Beppe Gambetta; 8pm at the West Side Arts Coalition 13 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 18 Sat Chantey Sing at Seamen’s Church Institute, 8pm. August 5 Wed Folk Open Sing 7 pm in Brooklyn 8 Sat Sing and Swim Party, 1 pm at the Cohen’s; Queens 15 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 23 Sun Tom Akstens and Neil Rossi, Free House Concert, 2 pm in Sparrowbush, NY 27 Thur Newsletter Mailing, 7pm in Jackson Heights (Queens) September 2 Wed Folk Open Sing 7 pm in Brooklyn 14 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 17 Thur Gwilym Davies, Carol Davies, and Terry Brenchley house concert, Upper West Side 20 Sun Sacred Harp Singing at St.Bartholomew’s in Manhattan 26 Sat Chantey Sing at Seamen’s Church Institute, 8pm. Table of Contents Society Events Details ...........2-4 Repeating Events ................... 11 Folk Music Society Info ........... 4 Calendar Location Info ...........12 Topical Listing of Society Events 5 Festival Listings ....................14 Help Wanted ......................... 5 Folk Music Week ad ..............20 From The Editor ................... 6 Falcon Ridge Festival Ad .........21 Eisteddfod Weekend flyer .......7-8 30 Years Ago ......................22 Weekend Scholarships ............. 9 Woody Guthrie B’day Bash ad ..22 Calendar Listings .................10 Pinewoods Hot Line ...............23 Details on pages 2-3 Eisteddfod; October 16-18 at Nevele Grande, Ellenville, NY --See pages 7-8 The Society’s web page: www.folkmusicny.org - 1 - Beppe Gambetta, Friday, July 10th, 8 pm Beppe Gambetta is one of the true master innovators of the acoustic guitar.
    [Show full text]
  • Vol. 66 No. 32 April 28, 2020
    Important note: Please share this digital-only edition of Almanac with your colleagues. Read more. UNIVERSITY OF PENNSYLVANIA Tuesday April 28, 2020 Volume 66 Number 32 www.upenn.edu/almanac $1 Million from Philadelphia Eagles Owner Jeffrey Lurie to $1.3 Million from Philadelphia Penn Medicine Research to Fight COVID-19 76ers to Penn Medicine for Critical Philadelphia Eagles owner Jeffrey Lurie re- and recovered COV- Support of Health-Care Workers cently announced a $1 million contribution to ID-19 patients, help- Fighting COVID-19 Penn Medicine to establish the COVID-19 Im- ing scientists to deter- As part of a pledge to coronavirus medical munology Defense Fund, laying the founda- mine if a person has relief efforts, NBA All-Star Joel Embiid of the tion for the world’s foremost experts to fight the antibodies against the Philadelphia 76ers, along with the team’s man- novel coronavirus pandemic. virus, which could aging partner, Josh Harris, and co-managing The funds will support both an emerging help to enhance hos- partner, David Blitzer, announced a combined research program to test frontline health-care pitals’ knowledge contribution of $1.3 million to Penn Medicine, workers for potential immunity to COVID-19, about which staff establishing a funding campaign for COVID-19 as well as provide flexibility for Penn Medi- may be immune to antibody testing of front line health care work- cine’s researchers—who have overseen the the disease. These ers. world’s most seminal advances harnessing the critical projects will “During this pandemic, many doctors and power of the immune system to fight disease— enhance understand- nurses are working like soldiers on the front to develop real-time research protocols to battle ing of how to protect lines of a war and they need to be provided with the disease.
    [Show full text]
  • Joni Mitchell - a Chronology of Appearances V5.1
    Joni Mitchell - A Chronology of Appearances v5.1 This work-in-progress lists all known appearances, drawn from a variety of sources. Researched, Compiled, and Maintained by Simon Montgomery, © 2001 Special thanks to Joel Bernstein for his contributions and assistance. Unless otherwise noted, appearances took place in the U.S. Appearances in Canada are denoted by city and province. Date format is YYYY.MM.DD Unconfirmed information is highlighted. Latest Update: April 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher - March 1968 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1962 1962 Waskesiu Lake Waskesiu, SK According to Joni, “I started making music…in Saskatchewan mostly up at northern lakes, up around Lake Waskesiu … it was just self-entertainment with the gang then.” 1962.10.31 The Louis Riel Saskatoon, SK Joni’s first paid performance 1962.11.05 The Louis Riel Saskatoon, SK 1962.11.14 The Louis Riel Saskatoon, SK _______________________________________________________________________________ 1963 1963 The Louis Riel Saskatoon, SK Joni participated in weekly “Hoot Nights” playing her ukulele. 1963.08 For Men Only–CKBI-TV Prince Albert, SK Nineteen-year-old Joni Anderson was booked as a one-time replacement for a late-night moose-hunting show. During the program Joni was interviewed and performed several songs accompanying herself on baritone ukulele. 1963.09.13 The Depression! Calgary, AB According to Joni, she performed at The Depression! over a period of three and a half months, including the Sept.
    [Show full text]
  • Joni Mitchell - a Chronology of Appearances V4.7
    Joni Mitchell - A Chronology of Appearances v4.7 Compiled by Simon Montgomery, © 2001 Special thanks to Joel Bernstein for his contributions and assistance. This work-in-progress lists all known appearances, drawn from a variety of sources. Unless otherwise noted, appearances took place in the U.S. Appearances in Canada are denoted by city and province. Date format is YYYY.MM.DD Unconfirmed information is highlighted. Latest Update: Feb. 16, 2018 Please send comments, corrections or additions to: [email protected] © Ed Thrasher - March 1968 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1962 1962 Waskesiu Lake Waskesiu, SK According to Joni, “I started making music…in Saskatchewan mostly up at northern lakes, up around Lake Waskesiu … it was just self-entertainment with the gang then.” 1962.10.31 The Louis Riel Saskatoon, SK Joni’s first paid performance 1962.11.05 The Louis Riel Saskatoon, SK 1962.11.14 The Louis Riel Saskatoon, SK _____________________________________________________________________________ 1963 1963 The Louis Riel Saskatoon, SK Joni participated in weekly “Hoot Nights” playing her ukulele. 1963.08 For Men Only–CKBI-TV Prince Albert, SK Nineteen-year-old Joni Anderson was booked as a one-time replacement for a late-night moose-hunting show. During the program Joni was interviewed and performed several songs accompanying herself on baritone ukulele. 1963.09.13 The Depression! Calgary, AB According to Joni, she performed at The Depression! over a period of three and a half months, including the Sept.
    [Show full text]
  • Annual Report Folk Alliance International July 1 2017-June 30 2018
    ANNUAL REPORT FOLK ALLIANCE INTERNATIONAL JULY 1 2017-JUNE 30 2018 ABOUT FOLK ALLIANCE INTERNATIONAL 2018 IN REVIEW This year marked our 30th annual conference and was a Folk Alliance International (FAI) was founded in 1989 to connect folk music leaders aiming to sustain the community and genre. The chance for us to reflect on our incredible journey to date, leading international voice for folk music, FAI’s network now includes more than 3,000 members: a worldwide community of artists, to celebrate the global community that is Folk Alliance record companies, publishers, presenters, agents, managers, and arts administrators. International, and to look ahead to a very bright future. Enhancing folk music networks and creating development opportunities for cultural sector entrepreneurs is the foundation of It was also a momentous year with the launch of several FAI’s work. From its headquarters in Kansas City, Missouri, FAI produces the world’s largest conference for the folk music industry, ambitious new projects, record-setting conference the International Folk Music Awards, the Louis Jay Meyers Music Camp, the Folk in the Schools and Artist in Residence programs, attendance, important outreach with key partners, and Matt Smith community outreach, and the Kansas City Folk Festival. continued membership and donor growth. President, Board of Directors Diversity and inclusion are core values of FAI. Between July 1, 2017, and June 30, 2018, FAI: - Hosted a Best Folk Album GRAMMY® party in New York City MISSION VISION - Live-streamed the International Folk Music Awards - Launched the ExChange program (in Ireland and Sweden) To serve, strengthen, and engage the global folk music community Advocate for the Folk Music Community - Participated in national advocacy and Arts Day on the Hill through preservation, presentation, and promotion.
    [Show full text]
  • A Folk Fest Primer
    digthis AFolk Fest primer By Nicole Pensiero performed at the first Philly Folk Festival and FOR THE INQUIRER enjoyed it so much he donated his fee to ext weekend marks the return of the provide seed money for asecond year. much-loved Philadelphia Folk Festival, In itsthird year,the fest drew 18,000 attend- N the oldest continuously run outdoor mu- ees; it became afavorite of “the beard ’n’ sic fest in the country.Encompassing scores sandal set.” To accommodate the crowd, in of performers that span genres like folk, blue- 1967, the fest moved to the 80-acre Old Pool grass, rock, Celtic, blues, and zydeco music, Farm in Upper Salford Township, near the 58-year-old tradition draws up to 30,000 Schwenksville, about 35 miles outside the city, attendees annually. where it’sstill held today. But the all-day party in Upper Salford Town- ship is more than just aconcert: It’satangle Howhas it changed over time? of campers, hammocks, workshops, craft At varying points, Folk Fest audiences de- tents, food vendors, and activities —wrapped lighted in performances from the likes of together with warm, fuzzy feelings and an Joan Baez, Jim Croce, Joni Mitchell, John endlessly laid-back vibe. Just look at its sunny Denver,Arlo Guthrie (a frequentvisitor), Dav- logo: the face of asmiling banjo. idBromberg, and even asurprise appearance Whether you’re afirst-timer or aseasoned by Bob Dylan, though he didn’tactually per- veteran, here’saguide to all you should know form. Blues and gospel performers like Bess- about the Philadelphia Folk Festival.
    [Show full text]
  • Ralph Rinzler Papers and Audio Recordings, 1950-1994
    Ralph Rinzler papers and audio recordings, 1950-1994 Greg Adams, Rori Smith, Stephanie Smith, Jeff Place, David Walker, Stefana Breitwieser, Jennifer Nehrt, Michelina Pagliuso, Megan Northcote, Abigail Kabaker, Kimberly Stelter, James Fort, Cathy Hardman, Cecilia Peterson, Chad Kamen Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement note............................................................................................................ 2 Scope and Contents........................................................................................................ 2 Shared Stewardship......................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical, 1890-2008..........................................................................
    [Show full text]