Alumni Giving Lags by Shirley Singer Give to Drexel Has Risen Over the Could Influence the Percentages

Total Page:16

File Type:pdf, Size:1020Kb

Alumni Giving Lags by Shirley Singer Give to Drexel Has Risen Over the Could Influence the Percentages VOLUME Lll, NUMBER 25 DREX£L UNIVERSITY, PHILADELPHIA, PA. FRIDAY, MAY 14, 1976 Election Results Alumni Giving Lags by Shirley Singer give to Drexel has risen over the could influence the percentages. M iller Wins Only ten percent of Drexel's last two years. There still exists a However, one senior interviewed alumni gave to the annual alumni “big potential for improvement,” said that he would not give to by Dennis Myers fund last year. Of approximately according to William Davis, Vice Drexel as an alumnus because 17,000 graduates (50% of total President of University Relations. ‘‘We’ve paid for what we’ve gotten. Don Miller defeated his opponent alumni) solicited for funds. 3772 Davis hopes to invite alumni back We’re not getting any bargains as Jill Beinstein for student body responded with gifts. The year to the campus to show them the students. Everything they do they president in a heavier than usual before, only 2975 alumni con­ improvements and pr(^ess Drexel attempt to make profit. I>ook at the voter turnout, the TRIANGLE tributed to Drexel. has made over the years in both parking garage and cafeteria. 1 am learned Wednesday night. Also, the Drexel’s percentage of alumni buildings and educational methods. contributing to the class en­ new student government con­ who give to the university falls He feels that by giving alumni a dowment fund because the class stitution was ratified by a 272 to 59 below national averages. Lehigh sense of pride in the University, says what happens to the money. I vote. University, which President they will be more likely to con­ won’t contribute directly to the Miller,, the current junior class William Hagerty frequently cites as tribute. university.” Davis also noted that the alumni president, receive 291 votes to one of Drexel’s prime competitors, Another senior stated that he organizations are expanding and Beinstein’s 199. The TRIANGLE receive contributions to their an­ wouldn’t give to the fund because he becoming more active. Recently, and the Intrafraternity Council had nual alumni fund from 45% of their was not ‘‘pleased with the treat­ the Astro Club alumni who are endorsed the victor last week. In its alumni. This past year has been an ment received from both the faculty ‘‘prominent businessmen who have editorial supporting Miller the exception for Lehigh due to a and the administration. Drexel is made a mark in the world,” invited TRIANGLE also pledged to Capital Fund Drive. Thirty-eight too research-oriented and not new members to their group. scrutinize his administration with per cent of their alumni gave to the student-oriented. Until they change Several regional alumni clubs are more intensity than past ad­ alumni fund because many con­ their stand, they’ll get no money ministrations. Don Miller tributed to the Capital Fund Drive forming in the Washington and from me.” The heavier turnout may have He also re-emphasized his pledge to instead. St. Joseph’s College Baltimore area. Hopefully, one of aided Miller’s victory. According tc keep the students informed. “I want estimates 19-20% of their alumni the effects of these clubs will be to Most students (from all classes) Kevin Cunnion, election com­ a better working relationship with donate each year. This figure falls give alumni a greater feeling of who said they would not contribute mission chairperson, voting was up the media and student within the national average of 20% participation in the university. to Drexel as alumni felt they had 25% over last year. He also men­ organizations. I didn’t say it last for four-year liberal arts colleges. Davis also believes that besides already paid for their educations or tioned a larger segment of the IF week just to get votes, I really want They are presently working on a increasing contributions to the that the education Drexel offered annual funds, these programs may community seem to participate in to work to keep the students in­ three-year program to build the wasn’t worth contributing further also lead to more co-op job con­ the election than in previous years. formed.” alumni giving percentage up to to. Students who indicated an in­ tracts, grad placement op­ terest in giving to Drexel generally Miller believes support from the In other student contests, the 40%. Ivy League schools generally portunities and increased un­ wanted to earmark their con­ TRIANGLE, IF, and the dor­ election for Senior Class President average over 50% of alumni who dergraduate admissions through tributions. They wished to have mitories played a significant part in was extremely close. Mark give. Haverford, Princeton and alumni participation. more control over the allocation of his win. Gumbert edged Rick Serafin by a 70 Dartmouth presently lead the Davis could cite no specific the funds than a general fund gives. In a brief interview Wednesday to 66 count. The election com­ country in obtaining gifts from reasons for the low alumni giving These students also felt that Drexel night, Miller stated, “ I do intend to mission will do a recount before alumni. figure. He feels that Drexel’s provided them with more than an be a representative of the student either candidate is declared a The percentage of alumni who position as a commuting school education. body before the administration.” winner. ★ ★★★★★★★★★★★★★★★★★★★★★★★ N esbitt Presents m ♦ > ♦ S t u d c n tm L O n O t B S S ♦ Exttavamza Bdnorduuire by Dennis Myers ♦ sophomores through graduates, to appearance, and fa.shion ability will ♦ The Drexel Bicentennial Fashion display their creations and compete be the basic criteria used by the Election Results Show, presented by Nesbitt College, for awards. Only the best will be judges. this coming Tuesday, will be the presented. A series of preselections The fashions will be presented ♦ in winter term, and then at the following lines of design. Small — biggest effort of its kind in the 4^ college’s history. beginning of Spring Term and on scale, childrens’ clothing, will be President Junior Class - President ‘‘This is the first time anything on May 11th, narrowed the field of featured first, followed by linear Don Miller 291 Thomas Butler 51 this scale has been attempted and competitors for the six awards. wrap, shapes, geometric, soft, and 41 Jill Beinstein 199 James Feeney nobody can expect the same thing The awards are: The Best of the white and bright. next year,” stated Audrey Jarcho, Show, Best Senior Collection of Six Some non-Drexel people are ^.P. for Academic Affairs Vice President Garments, the Golden Thimble ^ A the show’s student director. To donating time and materials for the 229 Steve Paolucci 38 Award, given by the Drexel Student Edie Hataway L - demonstrate the importance at­ production. Thomas Deil Carter, Mark Minnick 202 Joe Ryan 50 tached to the presentation, Fashion Group to the best junior Vice President and Fashion collection of two dresses, The Cone 4 professional models are being Cotton Awards, given to the best V.P. for Financial Affairs Pre-Junior Class- President M employed for the first time. This is expected to raise the prestige of child and adult fashions, and the Bob Elias 295 Bruce Stegman 39 4 M Drexel fashion designers. Zubrow Award. To achieve Geraldine Pleasant 103 ) f Jarcho and assistant student recognition by Zubrow’s, seniors Vice President director. Steward Netsky, citing and junior submitted sketches to V.P. of Community Relations Dale Simmons 9 one of the performance’s ob­ the Design faculty. The fabric store Dave Colpitts 337 jectives, asserted, ‘‘We hope other donates $25 worth of materials to w^ A Sophomore Class-President students and people in the city will six finalists. Using this fabric, the V.P. for Student Affairs Jeffrey Bookman 107 come. We have confidence in the Student creates a garment from ^ A their design. The award is given to John Budroe 197 Design Department that has not been recognized by those outside the best creation. Karen Fry 141 Vice-President the college. The show will be a A panel of judges will evaluate Meg Aufiero 119 Tony Noce 69 ¥ forum to display this confidence. the designs at session, closed to the Fred Baker 47 ♦ Also it’s to prove to the school, that public, prior to the show. The award V.P. for University Relations Drexel fashion majors are not just will be announced as the garments 254 Student Deans are being modeled during the 4 Cheryl Fleming ¥ homemakers who sew and cook, but Pete Kuzma 196 College of Business rather that they have professional Tuesday presentation. The formal Dave Midgley 138 objectives in the fashion world.” award ceremony will be conducted jiL during the Nesbitt Honors Day Secretary Nesbitt College Jarco is a winter term graduate festivities. Doug Krammer 367 Gloria LaNoce 42 in fashion Design. Netsky is a W College of Engineering sophomore Design and Mer­ The panel will consist of - A chandising major. Both have help­ distinguished fashion experts. They A preview of what's to come. 4 Congressmen-at- Large Stephen Rocci 78 ed coordinate the performance ac­ are: Jane Harris, Fashion Coor­ 269 Robert Nerz 37 Mark Seal! tivities since early last fall. Their dinator at Bonwit Teller; Carol Coordinator for Wanamaker’s will 29 i f Tom Smedlie 222 Debbie Shapiro work will earn them credit for a Greeney of John Wanamaker’s; serve as commentator for the 24 ♦ 4 Joe Zaroff 203 Charlie Kuhn fashion show production course. Up Elaine Tait, Inquirer Fashion event. Bonwit Teller is providing make-up assistance. The depart­ i f College of Humanities and ¥ to six credits can be earned as the Editor; Phyllis Feldkamp, Bulletin Chief Justice Social Sciences ♦ course if offered in a three term Fashion Editor; Nancy Giddens, ment store even sent out a flyer promoting the show to its charge Mark Frink 329 Marion Michaelson 7 ¥ sequence.
Recommended publications
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • With Honors at Ceremony Mrs
    M'lark College hP VOL. XXXVH NO. 5 ANTHER®CLARK COLLEGE FEBRUARY 1974 Henderson 'Roasted' With Honors At Ceremony Mrs. Vivian Henderson, individual,” Brantley said. gretted it and sometimes the president’s wife, was “He is a man deeply and I’ve been thankful.” present for the ceremony profoundly interested in the There was a surprise vi­ also. individual, ’ ’ Brantley said. sit by Henderson’s eldest Dr. Albert Manley, presi­ brother, J. J. Henderson, “1 thought the program dent of Spelman College, was who reminisced over some was nice and very well also on hand for the cere­ of their past experiences. done,” Mrs. Henderson said. monies. There was also a letter of “He looks like the big tough “Dr. Henderson has al­ congratulations from Mayor guy, but he’s really a sof­ ways excelled in what he Maynard Jackson presented ty,” she said speaking on tried to do,” Manly said. by the mayor’s press secre­ Henderson’s tears at theend Manly was Dean of Aca­ tary, Pearl Lomax. of the p^ogr0*’* demic Affairs at North Caro­ After the “roast,” Hen­ “I tnink for the first time lina College when Hender­ derson was presented with the student body is aware son was a student there. a gift and two plaques. of the many qualities of the “Vivian was not the ea­ Henderson was overcome president and there was a siest student to get along by tears as he stood be­ sincere exchange of appre­ with at North Carolina Col­ fore the audience to give him ciation between the student lege,” Manly said.
    [Show full text]
  • Script Copy for Pmf 4Th Annual Hall of Fame Awards December 4, 1990. Room Opens As Orchestra Plays Overture. Lights Have Been Pr
    '., 1. SCRIPT COPY FOR PMF 4TH ANNUAL HALL OF FAME AWARDS DECEMBER 4, 1990. ROOM OPENS AS ORCHESTRA PLAYS OVERTURE. LIGHTS HAVE BEEN PRESET, HOUSE LIGHTS OUT LIGHTS UP-SINGERS ON_:DRESSED IN· ·I!OID-FJ".FfiD,· . ; :·1 ONE SHOULDER DRESSES·WITH CHIFFON SKIRTS, MEN ARE IN TUXEDOS. 11 PHILLY'S BEAT" EVERYBODY LISTEN TO THAT DRIVING BEAT THE ONE THAT MAKES YOU SHAKE AND TAP YOUR FEET. PEOPLE FROM EVERY NATION HAVE BEEN ROCKING TO THE BEAT SINCE TIME'S CREATION. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN MOVING YOU OUTTA YOUR SEAT. SO WHENEVER YOU'RE DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOWN AND SHAKE .•. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. CAUSE WE STARTED OUT WITH THE MISIC FROM THE GOSPEL LAND THEN WE SUNG IT ACCAPELLA CAUSE WE COULDN'T FIND ABAND. DOO WOP •.• DOO WOP •.• WOP .•• DOO WOP. THE BEAT WAS GETTING STRONGER SO WE COULDN'T WAIT ANY LONGER WE HAD TO BUST LOOSE, BREAK LOOSE GET OUT AND DANCE TO THE PHILADELPHIA GROOVE. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN ROCKING YOU OUTTA YOUR SEAT. SO WHENEVER YOUR DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOvlN AND SHAKE ••. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. t 2. * THERE WAS PEP'S THE SHOWBOAT AND THE MET THE CHECKER CLUB AND THE WALTON ROOF THE LATIN CASINO, THE POSTAL CARD, AND THE RENDEZVOUS SPIDER KELLY'S WAS THE SPOT THE EMBASSY, AND THE CLICK WERE HOT THE CELEBRITY ROOM, BLUE NOTE, BIJOU AND THE PARTY WOULD NEVER STOP.
    [Show full text]
  • A Winning Season at Last by PAUL I .I.Ovu
    Hunger AUJareness Week the • . 1 The Richard Trevor Memorial Ad Issue, in whichanovanTrev will finally payoff his beloved bucket of bolts - The Van VILLANOVA UNIVERSITY. VILLANOVA PA November 17, 1976 A Winning Season at Last By PAUL i .i.ovu After four years of losing play, eighty yard drive that records, two years after Chip Ben­ cu lminated when Ken Diminick der res igner! over his failure to get took an outside pitchout and ram­ Ohio State put on the schedule, bled twenty yards for six points. and just about two years after The drive was one that would be 'savior' coach Jim Weaver was repeated all too often this af­ found to have one too many job ternoon as far as Holy Cros s was titles, the Villanova football team concern ed. Gross redeemed him­ has regained much lost respect. self quickly, carrying three times for nineteen yards, including a In jousting the Holy Cross fourteen yard pickup on a crucial Crusaders, they sent the 5782 third and six play. Vince Thomp­ frenzied onlookers home won­ son ran three times for thirty six dering if it were Woody Hayes, yards. perhaps, who did not want to enter Following that it was all the Villanova coliseum. The Cats Villanova, except for fumbles slashed their way to five team which stopped drives at the one records, along with two individual and the fifteen yard lines. At the marks in running up Fifty-six half it was 28 to 7 and all seemed points, their most since they fine on the home front.
    [Show full text]
  • Dissertation Final Submission Andy Hillhouse
    TOURING AS SOCIAL PRACTICE: TRANSNATIONAL FESTIVALS, PERSONALIZED NETWORKS, AND NEW FOLK MUSIC SENSIBILITIES by Andrew Neil Hillhouse A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Andrew Neil Hillhouse (2013) ABSTRACT Touring as Social Practice: Transnational Festivals, Personalized Networks, and New Folk Music Sensibilities Andrew Neil Hillhouse Doctor of Philosophy Graduate Department of Music University of Toronto 2013 The aim of this dissertation is to contribute to an understanding of the changing relationship between collectivist ideals and individualism within dispersed, transnational, and heterogeneous cultural spaces. I focus on musicians working in professional folk music, a field that has strong, historic associations with collectivism. This field consists of folk festivals, music camps, and other venues at which musicians from a range of countries, affiliated with broad labels such as ‘Celtic,’ ‘Nordic,’ ‘bluegrass,’ or ‘fiddle music,’ interact. Various collaborative connections emerge from such encounters, creating socio-musical networks that cross boundaries of genre, region, and nation. These interactions create a social space that has received little attention in ethnomusicology. While there is an emerging body of literature devoted to specific folk festivals in the context of globalization, few studies have examined the relationship between the transnational character of this circuit and the changing sensibilities, music, and social networks of particular musicians who make a living on it. To this end, I examine the career trajectories of three interrelated musicians who have worked in folk music: the late Canadian fiddler Oliver Schroer (1956-2008), the ii Irish flute player Nuala Kennedy, and the Italian organetto player Filippo Gambetta.
    [Show full text]
  • João Gilberto
    SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Impact at Franklin Music
    Boston Gets Platinum Copyright Renewal Date A&M ‘Nadia’s Theme’ Makes NEW YORK — "Boston,” the first album by Looms As Crucial Issue the group of the same name, has been cer- by Rebecca Moore tified platinum by the RIAA. The album, on WASHINGTON, D.C. — The Copyright Of- Impact At Franklin Music Epic Records, attained the million unit sales fice is seeking comments on a proposed by Ken Terry manager, declared, “it was at least 80 or 90 plateau in eleven weeks. date current copyright holders may first (units) over anything else we sold lastweek. give notice of their intentions to renew or ATLANTA, GA. — “Only once in a blue It’s a monster down here.” terminate contracts with publishers. Com- moon does an album come along that you Special Sale ments are due by December 15. can really blow out like this,” remarked Lee FRONT COVER I All three managers agreed that a con- The new copyright law gives an extra 19 Durham, manager of Franklin Music’s tributing factor to the current sales spurt on years to copyrights in their second 28-year Perimeter Mall store, in a recent phone “Nadia’s Theme” a special sale term. When a copyright has expired, the interview. was 10-day which began on Nov. 17. As of that date, owner has five years to give a two-year He wasn’t talking about the new album by Franklin Music lowered its selling price on notice of his or her intention to reclaim ex- Stevie Wonder. Nor was he referring to the $5.98 list LP from $3.99 to $2.79/$3.79 ploitation rights, but the new law also says Elton John’s “Blue Moves” or to Led Zeppe- tape.
    [Show full text]
  • We Offer Thanks to the Artists Who've Played the Nighttown Stage
    www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts.
    [Show full text]
  • [Title of the Collection]
    Archives of Irish America, Tamiment Library, New York University Mick Moloney Collection of Irish American Music and Popular Culture AIA31.2 Series A: Interviews & Private Performances (including practice & recording sessions) Folder Date Baker, Duck (guitar). Recording session and interview in Philadelphia, PA for the Jul 23, 1978 1979 Kicking Mule release, ―Irish Reels, Jigs, Hornpipes and Airs.‖ (Two CDs – Total length: 00:13:57) Brittingham, Frank (pub owner). Interview recorded in Brittingham’s Irish Pub and May 15, 1991 Restaurant, Lafayette Hill, PA. Brittingham discusses his personal history and his pub, a venue for Irish music in the Philadelphia area. (Two CDs – Total length: 01:04:17) Britton, Tim (uilleann pipes). Recording session at Mick Moloney’s home, 5321 Jan 29, 1977 Germantown Ave., Philadelphia, PA. for the 1979 Rounder release, ―Light Through the Leaves‖. (One CD – Length: 00:18:36) Britton, Tim (uilleann pipes). Recording session and interview in Philadelphia, PA. Jan 3, 1980 (Four CDs – Total length: 00:42:28) Burke, Joe ―Banjo‖ (banjo and voice, b. 1946, Johnstown, Co. Kilkenny, d. Dec, Feb 18, 1977 2003, Albany, New York). Interview at the Bunratty Pub, Bronx, NY. Burke provides biographical and musical information for the sleeve notes of his 1977 Shanachie recording with fiddler Johnny Cronin. (One CD – Length: 00:19:53) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo). Interview in Cleveland, OH. Byrne Apr 27, 1980 discusses his personal and musical experiences in Ireland and Cleveland. (One CD – Length: 00:52:10) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo), McCaffrey, Tom (fiddle, b.
    [Show full text]
  • Kinetic Mesh Brings Wireless Access to Philadelphia Folk Festival
    Kinetic Mesh Brings Wireless Access to Philadelphia Folk Festival The Philadelphia Folk Festival is the longest-running and one of the most culturally significant music festivals in the United States, having begun in 1962. Co-founded, MC’ed by legendary folk music DJ and “The Grandfather of Philadelphia Folk Music,” Gene Shay, the four-day festival is staffed almost entirely by volunteers. Each summer, on the third weekend in August, thousands of music lovers and campers flock to Old Poole Farm in Schwenksville, PA Challenge to hear contemporary and traditional folk artists play on six stages Staff and thousands of attendees faced weak cellular coverage, in genres ranging from World/Fusion, Celtic and Singer/Songwriter inhibiting their connections to home, work and each other to Folk Rock, Country, Klezmer and Dance. Over the years, the through a multi-day festival. festival has featured the biggest names in – from David Bromberg, Koko Taylor, Richard Thompson and John Hartford to Arlo Guthrie, Solution Taj Mahal, Elizabeth Cotton, and countless others. Leveraging Rajant Kinetic Mesh Networking, a self-establishing high-bandwidth wireless network of 14 BreadCrumb nodes was deployed to cover the festival’s 80 acres. + Provided 10,000 High-Bandwidth Results Festival staff was freed to manage ticketing and security and Event Attendees Wi-Fi- access to maintain communications from anywhere on the event site – while 10,000+ attendees were empowered to stay connected via high-speed Wi-Fi service. Work at the festival site begins weeks in advance – with parking areas, ticketing stations, food and concession stands, toilets, trash, health and emergency stations, performance sites and recreation areas all carefully planned and managed.
    [Show full text]
  • Eisteddfod Weekend Flyer
    Folk Music Society of New York, Inc. July/August 2009 vol 44, No.7 July 1 Wed Folk Open Sing 7 pm in Brooklyn 10 Fri Beppe Gambetta; 8pm at the West Side Arts Coalition 13 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 18 Sat Chantey Sing at Seamen’s Church Institute, 8pm. August 5 Wed Folk Open Sing 7 pm in Brooklyn 8 Sat Sing and Swim Party, 1 pm at the Cohen’s; Queens 15 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 23 Sun Tom Akstens and Neil Rossi, Free House Concert, 2 pm in Sparrowbush, NY 27 Thur Newsletter Mailing, 7pm in Jackson Heights (Queens) September 2 Wed Folk Open Sing 7 pm in Brooklyn 14 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 17 Thur Gwilym Davies, Carol Davies, and Terry Brenchley house concert, Upper West Side 20 Sun Sacred Harp Singing at St.Bartholomew’s in Manhattan 26 Sat Chantey Sing at Seamen’s Church Institute, 8pm. Table of Contents Society Events Details ...........2-4 Repeating Events ................... 11 Folk Music Society Info ........... 4 Calendar Location Info ...........12 Topical Listing of Society Events 5 Festival Listings ....................14 Help Wanted ......................... 5 Folk Music Week ad ..............20 From The Editor ................... 6 Falcon Ridge Festival Ad .........21 Eisteddfod Weekend flyer .......7-8 30 Years Ago ......................22 Weekend Scholarships ............. 9 Woody Guthrie B’day Bash ad ..22 Calendar Listings .................10 Pinewoods Hot Line ...............23 Details on pages 2-3 Eisteddfod; October 16-18 at Nevele Grande, Ellenville, NY --See pages 7-8 The Society’s web page: www.folkmusicny.org - 1 - Beppe Gambetta, Friday, July 10th, 8 pm Beppe Gambetta is one of the true master innovators of the acoustic guitar.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with James Phillips
    Finding Aid to The HistoryMakers ® Video Oral History with James Phillips Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Phillips, James Henry, 1945- Title: The HistoryMakers® Video Oral History Interview with James Phillips, Dates: August 5, 2013 Bulk Dates: 2013 Physical 9 uncompressed MOV digital video files (4:05:11). Description: Abstract: Visual artist James Phillips (1945 - ) a member of the Weusi and AfriCobra artist groups, has participated in over seventy art exhibitions around the world. His work is included in several well-known collections. Phillips was interviewed by The HistoryMakers® on August 5, 2013, in Washington, District of Columbia. This collection is comprised of the original video footage of the interview. Identification: A2013_210 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Visual artist James Phillips was born in 1945 in Brooklyn, New York. Phillips attended the Fleisher Art Memorial School in Philadelphia in the 1960s. He then went on to study at the Philadelphia College of Art (University of the Arts for Philadelphia) from 1964 to 1965, followed by a brief affiliation with the Lee Cultural Center in 1968. Phillips then attended the Printing Trade School in New York City. From there, he became a member of the Harlem-founded Weusi Artist Collective, a group of young artists who made African iconic imagery and symbols a central part of their work, from 1969 to 1973. In 1970, Phillips met the founding members of AfriCobra (African Commune of Bad Relevant Artists), a group that was committed to incorporating African aesthetics, iconography and positive political imagery into African American art.
    [Show full text]