DOCSLIB.ORG

15 Years of Ragtag • Sing Out! 3 the JERSEY BOUNCE (V.46#1)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
15 Years of Ragtag • Sing Out! 3 the JERSEY BOUNCE (V.46#1) “Roger! … Thanks for your column – every issue I turn to it first. Please keep on thru the decades.” — Pete Seeger Copyright 2016 Roger Deitz Records Previously published material © 1995-2010, 2012 Sing Out Corporation and Roger Deitz Used by Permission. All rights reserved. No portion of this publication may be reproduced in any fashion without the express written permission of the Publishers, Sing Out Corporation or Roger Deitz, except for brief passages for the purpose of review. A Sing Out Publication Reissued by: Roger Deitz Records 127 Old Short Hills Road, #159 West Orange • New Jersey 07052 Web: <www.rogerdeitz.com> Orders and inquiries should be directed to Roger Deitz Records (above) or: Sing Out Corporation P.O. Box 5460 • Bethlehem • Pennsylvania 18015-0460 Web: <www.singout.org> TABLE OF CONTENTS This Table of Contents is hyperlinked so that clicking on a heading or RagTag column title will take you right to that page in this electronic publication. (To return to the Table of Contents, just click on the folio at the bottom of each page.) The websites in this publication are also hyperlinked so that clicking on a web address will take you to that website. FOREWORD ......................................................................................................................................................................... 5 ACKNOWLEDGMENTS ........................................................................................................................................................ 6 ONE MORE RIVER (from Sing Out! v.39#4) ..................................................................................................................... 7 FOLKONOMICS AND FOLKETIQUETTE (v.40#1).............................................................................................................. 8 I n MY GUITAR (v.40#2) ................................................................................................................................................. 9 BANJO HUMILITY (v.40#3) ............................................................................................................................................. 10 NAKED PLAYED I … (v.40#4) ......................................................................................................................................... 11 EXCUSE ME, DOES THAT HURT? (v.41#1) ................................................................................................................. 12 STRANGE FED BELLOWS (v.41#2) ................................................................................................................................. 13 THAT’S ENTERTAINMENT (v.41#3) ................................................................................................................................14 DR. FRANKENFOLK (v.41#4) ........................................................................................................................................... 15 THE ADULTLY CHALLENGED (v.42#1) .......................................................................................................................... 16 THE JERSEY JUMPER (v.42#2 ) ...................................................................................................................................... 17 TWO ROADS (v.42#3) ....................................................................................................................................................... 18 RADIO DAZE (v.42#4) ...................................................................................................................................................... 19 WE THE JURY (v.43#1) .................................................................................................................................................... 20 BE PREPARED (v.43#2) .................................................................................................................................................... 21 FREE WILLIE (v.43#3) ..................................................................................................................................................... 22 DA BURD! (v.43#4) ........................................................................................................................................................... 23 MUSICALLY SPEAKING (v.44#1) ..................................................................................................................................... 24 DEAR EDITOR (v.44#2) .................................................................................................................................................... 25 THE MAIL ORDER FOLK FESTIVAL (v.44#3) .............................................................................................................. 26 IT’S A LESSON (v.45#1) .................................................................................................................................................... 27 HELLO DOLLY (v.45#2) ................................................................................................................................................... 28 EXCELSIOR, YOU FATHEAD (v.45#3) ............................................................................................................................ 29 DUST & ASHES (v.45#4) .................................................................................................................................................. 30 15 Years of RagTag • Sing Out! 3 THE JERSEY BOUNCE (v.46#1)....................................................................................................................................... 31 RUNAWAY TWAIN (v.46#2)............................................................................................................................................... 32 FOR ART’S SAKE (v.46#3) .............................................................................................................................................. 33 OUT TO LAUNCH (v.46#4) ............................................................................................................................................... 34 SOUND JUDGEMENT (v.47#1) .......................................................................................................................................... 35 THE SOUNDS OF SILENCE (v.47#2) ................................................................................................................................ 36 BANG, WHOOSH, ZAP … (v.47#3)................................................................................................................................. 37 HAIR TODAY, GROAN TOMORROW (v.47#4) ............................................................................................................... 38 LIFE COPIES STEVE (v.48#1) ......................................................................................................................................... 39 RESOLVING THE BOTTOM LINE (v.48#2) .................................................................................................................... 40 CONVENTIONAL WISDOM (v.48#3) ................................................................................................................................ 41 BLANK AND FILE (v.48#4) ............................................................................................................................................... 42 WOULD HE? (v.49#1) ...................................................................................................................................................... 43 SOUND REASONING (v.49#2) ........................................................................................................................................... 44 ALTERNATIVE EGO (v.49#3) ........................................................................................................................................... 45 RING DINGS (v.49#4) ....................................................................................................................................................... 46 BETWEEN THE COVERS (v.50#1) ................................................................................................................................... 47 GAG ORDER (v.50#2) ....................................................................................................................................................... 48 RADIOACTIVE VOWEL MOVEMENTS (v.50#3) ............................................................................................................. 49 SCREAMS OF CONSCIOUSNESS (v.50#4) ........................................................................................................................ 50 DOT COMEDY (v.51#1) .................................................................................................................................................... 51 BACKSTAGE PASSAGE (v.51#2)....................................................................................................................................... 52 TALES FROM THE CRYPTIC (v.51#3) ............................................................................................................................. 53 LIP SINKING (v.51#4) ....................................................................................................................................................... 54 PRICE TAG (v.52#1) ........................................................................................................................................................
Load more

Recommended publications
  • School May Become Home to Dozens of Families by Cheryl Nowak Port Transformation of the Former County Administrator Steve Um, Locker Rooms and Cafeteria
    Circulation 13,000 December 10, 2010 Free Accomack Superintendent To Step Down By Cheryl Nowak Accomack County Superinten- dent of Schools W. Richard Bull Jr. announced to the School Board Tuesday that he will be retiring in June at the end of his third four- year contract. Now 63, Bull said he he decid- ed to step down now, in part, be- cause the commonwealth is look- ing to begin tying teacher evalua- tions to student assessments. “It’s a lot of change ready to occur,” said Bull. He explained that he doesn’t want to leave in the mid- dle of such a transition and he knows he doesn’t want to contin- ue as superintendent for another four-year term. A 42-year veteran of the county school system, Bull has served as Photo by Linda Cicoira superintendent for the past 12 years. “I’ve enjoyed my career,” ‘His Cheeks Were Like Roses, His Nose Like a Cherry!’ Bull commented Wednesday, Taylor Fluhart, daughter of Stephanie Colona and James Fluhart of Bloxom, spends some quality adding that he has no specific time with Santa last weekend at Four Corner Plaza. plans for his retirement. School May Become Home to Dozens of Families By Cheryl Nowak port transformation of the former County Administrator Steve um, locker rooms and cafeteria. At a special meeting Monday, Accomac school into apartments Miner noted that representatives of “If this is worked out with the Accomack County supervisors until he hears from the Mary N. the alumni association have been alumni, it could be a win/win for unanimously agreed to hold a pub- Smith Alumni Association with re- involved in preliminary discussions everyone,” Supervisor Wanda lic hearing to receive comments on spect to its wishes.
    [Show full text]
  • The Twenty Greatest Music Concerts I've Ever Seen
    THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
    [Show full text]
  • Ellis Paul Eighty
    BeanSoup Information & Entertainment Serving TM & Vanilla Bean Café Calendar Northeastern Connecticut #94 Issue 24 Number 1 January - March 2020 Free* Fenton River Grill - Celebrating 2 Years in April his April 3rd, Fenton River Grill officially and comfortable environment with lively bar scene. begins their third year in business. That is an They specialize in shareable plates, creative specials, T important milestone for any business. Open- craft cocktails and craft beer with a 20-line state of ing a new business is not always easy, we have had the art tap system. They feature high quality draft our share of difficulties, but we have entered 2020 as beers drawing primarily from Connecticut and New a stronger restaurant than when we started. England with a few from other parts of the US. Consistency in quality and service have been The daily specials allow our chefs to showcase improved and we have created many happy their talents with seasonally influenced ingredi- customers. ents. In the warmer months you can dine on the There is a saying in the restaurant industry; patio for true al fresco dining. Fenton River ‘The restaurant you open is not the same Grill is committed to excellent service and restaurant you have 5 years later.’ This has held true warm hospitality for all our guests 7 days a week. for all our restaurants. We listen to the customer and From drinks with friends after work to milestone make changes based on their recommendations. We anniversaries, every customer will enjoy a different also have made changes in operations and staff to cre- experience while visiting our establishment.
    [Show full text]
  • The "Stars for Freedom" Rally
    National Park Service U.S. Department of the Interior Selma-to-Montgomery National Historic Trail The "Stars for Freedom" Rally March 24,1965 The "March to Montgomery" held the promise of fulfilling the hopes of many Americans who desired to witness the reality of freedom and liberty for all citizens. It was a movement which drew many luminaries of American society, including internationally-known performers and artists. In a drenching rain, on the fourth day, March 24th, carloads and busloads of participants joined the march as U.S. Highway 80 widened to four lanes, thus allowing a greater volume of participants than the court- imposed 300-person limitation when the roadway was narrower. There were many well-known celebrities among the more than 25,000 persons camped on the 36-acre grounds of the City of St. Jude, a Catholic social services complex which included a school, hospital, and other service facilities, located within the Washington Park neighborhood. This fourth campsite, situated on a rain-soaked playing field, held a flatbed trailer that served as a stage and a host of famous participants that provided the scene for an inspirational performance enjoyed by thousands on the dampened grounds. The event was organized and coordinated by the internationally acclaimed activist and screen star Harry Belafonte, on the evening of March 24, 1965. The night "the Stars" came out in Alabama Mr. Belafonte had been an acquaintance of Dr. Martin Luther King, Jr. since 1956. He later raised thousands of dollars in funding support for the Freedom Riders and to bailout many protesters incarcerated during the era, including Dr.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • HUI COX [email protected]
    HUI COX [email protected] EDUCATIONAL EXPERIENCE Classical guitar studies, Peabody Conservatory Extended studies, Composition, Towson State University Extended studies, Computer Science, Long Island University Private Guitar: Chuck Wayne, Pat Martino, Herb Ellis, Kenny Burrell, John Abercrombie, Bill Connors, Howard Morgan United States Army Musician/ Guitarist, Non-commissioned officer TEACHING EXPERIENCE Manhattan School of Music, New York, NY Guest instructor for jazz lab ensemble. Ziff Davis Technologies, New York, NY Assisted in training outside corporate clients and staff on PC software, coordinated computer training and instruction centers, scheduled classes and instructors, developed course materials. Lawrence Rockefeller and Staff, New York, NY Personal Macintosh trainer, support and consulting. School of Visual Arts/CUNY Designed and taught computer audio recording and editing curriculum for multimedia. The New School, New York, NY Taught music theory, designed and taught advanced guitar techniques curriculum. Computer Factory, New York, NY Managed computer training facility in midtown Manhattan, scheduled classes and instructors, developed course materials, insured all hardware and software was up to date and working properly. Columbia City Junior High School, Howard County, MD Teaching assistant in the Special Education department. AWARDS & HONORS Awarded artist residency at Ucross Foundation Grammy nomination, World Music, Baba Olatunji "Love Drum Talk" N.E.A. Grant, New Dramatists, Composer Librettist Workshop, New Music
    [Show full text]
  • Script Copy for Pmf 4Th Annual Hall of Fame Awards December 4, 1990. Room Opens As Orchestra Plays Overture. Lights Have Been Pr
    '., 1. SCRIPT COPY FOR PMF 4TH ANNUAL HALL OF FAME AWARDS DECEMBER 4, 1990. ROOM OPENS AS ORCHESTRA PLAYS OVERTURE. LIGHTS HAVE BEEN PRESET, HOUSE LIGHTS OUT LIGHTS UP-SINGERS ON_:DRESSED IN· ·I!OID-FJ".FfiD,· . ; :·1 ONE SHOULDER DRESSES·WITH CHIFFON SKIRTS, MEN ARE IN TUXEDOS. 11 PHILLY'S BEAT" EVERYBODY LISTEN TO THAT DRIVING BEAT THE ONE THAT MAKES YOU SHAKE AND TAP YOUR FEET. PEOPLE FROM EVERY NATION HAVE BEEN ROCKING TO THE BEAT SINCE TIME'S CREATION. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN MOVING YOU OUTTA YOUR SEAT. SO WHENEVER YOU'RE DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOWN AND SHAKE .•. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. CAUSE WE STARTED OUT WITH THE MISIC FROM THE GOSPEL LAND THEN WE SUNG IT ACCAPELLA CAUSE WE COULDN'T FIND ABAND. DOO WOP •.• DOO WOP •.• WOP .•• DOO WOP. THE BEAT WAS GETTING STRONGER SO WE COULDN'T WAIT ANY LONGER WE HAD TO BUST LOOSE, BREAK LOOSE GET OUT AND DANCE TO THE PHILADELPHIA GROOVE. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN ROCKING YOU OUTTA YOUR SEAT. SO WHENEVER YOUR DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOvlN AND SHAKE ••. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. t 2. * THERE WAS PEP'S THE SHOWBOAT AND THE MET THE CHECKER CLUB AND THE WALTON ROOF THE LATIN CASINO, THE POSTAL CARD, AND THE RENDEZVOUS SPIDER KELLY'S WAS THE SPOT THE EMBASSY, AND THE CLICK WERE HOT THE CELEBRITY ROOM, BLUE NOTE, BIJOU AND THE PARTY WOULD NEVER STOP.
    [Show full text]
  • To Elektra EKL-264 Mono / EKS-7264 Stereo "The BLUES Project"
    DAVE RAY: Dave "Snaker" Ray, whose ambition is to be a doctor, started playing guitar while a sophomore in high school. He origin ally began with blues (Leadbelly) to keep his fingers nimble fo r what he thought would be a classical-flamenco guitarist career. "After an adagio by Sor and a hacked-up Farruca, I began playing Led­ better's stuff exclusively, " Dave reports. He began playing the 12-string guitar when a senior in high school, and lists as early influences, Elvis' Sun label recordings, Bo Diddley, Muddy Waters, early Chicago, and, of course, Leadbelly. " I sing the blues because it's a medium not as demanding as literatu re or serious music, and free enough to permit a total statement of personality and. self, " Dave states. "I play blues because 1 feel it's important to me to express myself and because I feel it's a significant form of music which hasn't had enough dispersement. As far as white men playing blues, that's all who do play blues. the new Negroes are too busy (doing other things). " Discography: Blues, Rags and Hollers (Elektra EKL 240). Dave Ray may soon be heard, with John Koerner and Tony Glover, on Elektra EKL 267. ERIC VON SCHMIDT: E ric w rites: "B orn 1931; began singing in 1948; first influences were Leadbelly, Josh White and Jelly Roll Morton — then Library of Congress material and field recordings. Worked as magazine illustrator, then painter until 1952... two years in the army, and then to Florida, where I worked as a frame-maker and built a 27-foot ketch which was almost called the 'John Hurt'.
    [Show full text]
  • A Winning Season at Last by PAUL I .I.Ovu
    Hunger AUJareness Week the • . 1 The Richard Trevor Memorial Ad Issue, in whichanovanTrev will finally payoff his beloved bucket of bolts - The Van VILLANOVA UNIVERSITY. VILLANOVA PA November 17, 1976 A Winning Season at Last By PAUL i .i.ovu After four years of losing play, eighty yard drive that records, two years after Chip Ben­ cu lminated when Ken Diminick der res igner! over his failure to get took an outside pitchout and ram­ Ohio State put on the schedule, bled twenty yards for six points. and just about two years after The drive was one that would be 'savior' coach Jim Weaver was repeated all too often this af­ found to have one too many job ternoon as far as Holy Cros s was titles, the Villanova football team concern ed. Gross redeemed him­ has regained much lost respect. self quickly, carrying three times for nineteen yards, including a In jousting the Holy Cross fourteen yard pickup on a crucial Crusaders, they sent the 5782 third and six play. Vince Thomp­ frenzied onlookers home won­ son ran three times for thirty six dering if it were Woody Hayes, yards. perhaps, who did not want to enter Following that it was all the Villanova coliseum. The Cats Villanova, except for fumbles slashed their way to five team which stopped drives at the one records, along with two individual and the fifteen yard lines. At the marks in running up Fifty-six half it was 28 to 7 and all seemed points, their most since they fine on the home front.
    [Show full text]
  • King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
    KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev.
    [Show full text]
  • San Pedro Sing
    THE SOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING JULY - AUGUST &2007 OTHER RELATED FOLK ARTSFolkWorks IN THE GREATER LOS ANGELES AREA Page FREE BI-MONTHLY Volume 7 Number 4 July-August 2007 New World Flamenco Festival La Flor de la Vida, August 10-19 See page 3 INSIDE THIS ISSUE FREE SUMMER CONCERT LISTINGS HAWAIIAN FESTIVALS SEA SHANTIES PLUS... KEYS TO THE HIGHWAY ..that reminds me... ...and More!... cover photo: PHOTO OF JUAN OGALLA BY MIGUEL ANDY MOGG Page 2 FolkWorks JULY - AUGUST 2007 EDITORIAL his July/August issue in your musician teaching listings, etc. Be hands lists a plethora of sum- sure to look at the website and Yahoo PUBLISHERS & EDITORS Tmer concerts. Look at page 3 Group for announcements. We plan to Leda & Steve Shapiro for this summer’s offerings at the Skir- continue our ongoing columns about LAYOUT & PRODUCTION ball, Culver City, Japan American Mu- Music Theory, Old Time Music, Events Alan Stone Creative Services seum, Grand Performances, the Santa Around Town and all the other regular FEATURED WRITERS Monica Pier and the Levitt Pavillion. columnists you love. In fact now you Ross Altman, How Can I Keep From Talking At this time each year, we search will be able to read them online and David Bragger, Old-Time Oracle through the listings and mark in our not have to worry about finding that Valerie Cooley, ...that reminds me... calendar all the wonderful concerts old newspaper article. There is a good Linda Dewar, Grace Notes Roger Goodman, Keys to the Highway we plan on attending. We want here search engine on the site and you can David King, Dirt to thank all the producers who spend find what you want.
    [Show full text]
  • Remastered Virtual Revival Music Festival to Be Restreamed October 4Th
    Hudson River Sloop Clearwater 724 Wolcott Avenue, Beacon, NY 12508 (845) 265-8080 www​ .​Clearwater.org Media Contacts: Erin Macchiaroli, Communications x 7100 [email protected], (845)265-8080 ​ FOR IMMEDIATE RELEASE September 23, 2020 Remastered Virtual Revival Music Festival to be Restreamed October 4th BEACON, NY - The Great Hudson River Revival (AKA Clearwater Festival), the world’s oldest and largest music & environmental festival, went virtual this year on June 20th due to the ongoing COVID 19 pandemic. Due to popular demand, Clearwater will stream a remastered version of the all-day event on Sunday, October 4th from 11AM-11PM at ClearwaterFestival.org. The remastered Revival will include a day full of music and activism, as well as a beautiful American Sign Language interpretation throughout. This is a free virtual event however, donations are greatly appreciated at ClearwaterFestival.org. The event will feature musical performers, storytellers, and activists, including: Tom ​ Chapin, David Amram, John McCutcheon, Jay Ungar and Molly Mason, Peter Yarrow, John McEuen, Noel Paul Stookey, Tom Paxton, Emma’s Revolution, Guy Davis, Tommy Sands, Reggie Harris, The Mammals, The Chapin Sisters, Lyn Hardy, Arm of the Sea Theater, Abbie Gardner, Breakneck Ridge Revue, R.J. Storm, Magpie, The Rix, The Vanaver Caravan, Betty and the Baby Boomers, Kyle Tigges, Mel and Vinnie and more. Bringing Revival into the virtual world has allowed Clearwater to reach new audiences globally, and also include folks who’ve not been able to attend the festival in person due to health, geographic, or financial restrictions. The online fundraising event raised over $50,000 for Clearwater when it originally streamed in June earlier this year.
    [Show full text]