Ralph Rinzler Papers and Audio Recordings, 1950-1994
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1 En Petkovic
Scientific paper Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1967 to 20031 UDC 811.163.41’322 DOI 10.18485/infotheca.2019.19.1.1 Ljudmila Petkovi´c ABSTRACT: The paper analyses the pro- [email protected] cess of creation and processing of the Yu- University of Belgrade goslav rock song lyrics corpus from 1967 to Belgrade, Serbia 2003, from the theoretical and practical per- spective. The data have been obtained and XML-annotated using the Python program- ming language and the libraries lyricsmas- ter/yattag. The corpus has been preprocessed and basic statistical data have been gener- ated by the XSL transformation. The diacritic restoration has been carried out in the Slovo Majstor and LeXimir tools (the latter appli- cation has also been used for generating the frequency analysis). The extraction of socio- cultural topics has been performed using the Unitex software, whereas the prevailing top- ics have been visualised with the TreeCloud software. KEYWORDS: corpus linguistics, Yugoslav rock and roll, web scraping, natural language processing, text mining. PAPER SUBMITTED: 15 April 2019 PAPER ACCEPTED: 19 June 2019 1 This paper originates from the author’s Master’s thesis “Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1945 to 2003”, which was defended at the University of Belgrade on March 18, 2019. The thesis was conducted under the supervision of the Prof. Dr Ranka Stankovi´c,who contributed to the topic’s formulation, with the remark that the year of 1945 was replaced by the year of 1967 in this paper. -
Young Adult Library Services Association
THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION five ye ng ar ti s a o r f b y e a l l e s c young adult c e s l l e a b y r 5 f a t o in rs librarylibrary services services g five yea VOLUME 6 | NUMBER 2 WINTER 2008 ISSN 1541-4302 $12.50 INSIDE: INFORMATION TOOLS MUsiC WEB siTes TOP FIFTY GAMinG CORE COLLECTION TITLES INTERVIEW WITH KIMBERLY NEWTON FUSCO INFORMATION LITERACY AND MUCH MORE! TM ISSUE! TEEN TECH WEEK TM TM TEEN TECH WEEK MARCH 2-8, 2008 ©2007 American Library Association | Produced in partnership with YALSA | Design by Distillery Design Studio | www.alastore.ala.org march 2–8, 2008 for Teen Tech Week™ 2008! Join the celebration! Visit www.ala.org/teentechweek, and you can: ã Get great ideas for activities and events for any library, at any budget ã Download free tech guides and social networking resources to share with your teens ã Buy cool Teen Tech Week merchandise for your library ã Find inspiration or give your own ideas at the Teen Tech Week wiki, http://wikis.ala.org/yalsa/index.php/ Teen_Tech_Week! Teen Tech Week 2008 National Corporate Sponsor www.playdnd.com ttw_fullpage_cmyk.indd 1 1/3/2008 1:32:22 PM THE OFFICIAL JOURNAL OF THE YOUNG ADULT LIBRARY SERVICES ASSOCIATION young adult library services VOLUME 6 | NU MBER 2 WINTER 2008 ISSN 1541-4302 YALSA Perspective 33 Music Web Sites for Teen Tech Week 6 Margaret Edwards Award Turns 20 and Beyond By Betty Carter and Pam Spencer Holley By Kate Pritchard and Jaina Lewis 36 Top Fifty Gaming Core Collection Titles School Library Perspective Compiled by Kelly Czarnecki 14 Do We Still Dewey? By Christine Allen Literature Surveys and Research 39 Information Literacy As a Department Teen Perspective Store 15 Teens’ Top Ten Redux Applications for Public Teen Librarians Readers from New Jersey Talk about the By Dr. -
October 1-3, 2017 Greetings from Delta State President William N
OCTOBER 1-3, 2017 GREETINGS FROM DELTA STATE PRESIDENT WILLIAM N. LAFORGE Welcome to Delta State University, the heart of the Mississippi Delta, and the home of the blues! Delta State provides a wide array of educational, cultural, and athletic activities. Our university plays a key role in the leadership and development of the Mississippi Delta and of the State of Mississippi through a variety of partnerships with businesses, local governments, and community organizations. As a university of champions, we boast talented faculty who focus on student instruction and mentoring; award-winning degree programs in business, arts and sciences, nursing, and education; unique, cutting-edge programs such as aviation, geospatial studies, and the Delta Music Institute; intercollegiate athletics with numerous national and conference championships in many sports; and a full package of extracurricular activities and a college experience that help prepare our students for careers in an ever-changing, global economy. Delta State University’s annual International Conference on the Blues consists of three days of intense academic and scholarly activity, and includes a variety of musical performances to ensure authenticity and a direct connection to the demographics surrounding the “Home of the Delta Blues.” Delta State University’s vision of becoming the academic center for the blues — where scholars, musicians, industry gurus, historians, demographers, and tourists come to the “Blues Mecca” — is becoming a reality, and we are pleased that you have joined us. I hope you will engage in as many of the program events as possible. This is your conference, and it is our hope that you find it meaningful. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Script Copy for Pmf 4Th Annual Hall of Fame Awards December 4, 1990. Room Opens As Orchestra Plays Overture. Lights Have Been Pr
'., 1. SCRIPT COPY FOR PMF 4TH ANNUAL HALL OF FAME AWARDS DECEMBER 4, 1990. ROOM OPENS AS ORCHESTRA PLAYS OVERTURE. LIGHTS HAVE BEEN PRESET, HOUSE LIGHTS OUT LIGHTS UP-SINGERS ON_:DRESSED IN· ·I!OID-FJ".FfiD,· . ; :·1 ONE SHOULDER DRESSES·WITH CHIFFON SKIRTS, MEN ARE IN TUXEDOS. 11 PHILLY'S BEAT" EVERYBODY LISTEN TO THAT DRIVING BEAT THE ONE THAT MAKES YOU SHAKE AND TAP YOUR FEET. PEOPLE FROM EVERY NATION HAVE BEEN ROCKING TO THE BEAT SINCE TIME'S CREATION. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN MOVING YOU OUTTA YOUR SEAT. SO WHENEVER YOU'RE DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOWN AND SHAKE .•. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. CAUSE WE STARTED OUT WITH THE MISIC FROM THE GOSPEL LAND THEN WE SUNG IT ACCAPELLA CAUSE WE COULDN'T FIND ABAND. DOO WOP •.• DOO WOP •.• WOP .•• DOO WOP. THE BEAT WAS GETTING STRONGER SO WE COULDN'T WAIT ANY LONGER WE HAD TO BUST LOOSE, BREAK LOOSE GET OUT AND DANCE TO THE PHILADELPHIA GROOVE. IT'S THE BEAT FROM PHILADELPHIA MAKING YOU MOVE YOUR FEET. FROM THE TIME YOU WERE A BABY IT'S BEEN ROCKING YOU OUTTA YOUR SEAT. SO WHENEVER YOUR DOWN AND THERE'S NO ONE AROUND JUST LISTEN TO THE BEAT FROM PHILLY TOvlN AND SHAKE ••. SHAKE THAT BODY TO THE PHILADELPHIA SOUND. t 2. * THERE WAS PEP'S THE SHOWBOAT AND THE MET THE CHECKER CLUB AND THE WALTON ROOF THE LATIN CASINO, THE POSTAL CARD, AND THE RENDEZVOUS SPIDER KELLY'S WAS THE SPOT THE EMBASSY, AND THE CLICK WERE HOT THE CELEBRITY ROOM, BLUE NOTE, BIJOU AND THE PARTY WOULD NEVER STOP. -
Moses and Frances Asch Collection, 1926-1986
Moses and Frances Asch Collection, 1926-1986 Cecilia Peterson, Greg Adams, Jeff Place, Stephanie Smith, Meghan Mullins, Clara Hines, Bianca Couture 2014 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement note............................................................................................................ 3 Biographical/Historical note.............................................................................................. 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1942-1987 (bulk 1947-1987)........................................ 5 Series 2: Folkways Production, 1946-1987 (bulk 1950-1983).............................. 152 Series 3: Business Records, 1940-1987.............................................................. 477 Series 4: Woody Guthrie -
A Winning Season at Last by PAUL I .I.Ovu
Hunger AUJareness Week the • . 1 The Richard Trevor Memorial Ad Issue, in whichanovanTrev will finally payoff his beloved bucket of bolts - The Van VILLANOVA UNIVERSITY. VILLANOVA PA November 17, 1976 A Winning Season at Last By PAUL i .i.ovu After four years of losing play, eighty yard drive that records, two years after Chip Ben cu lminated when Ken Diminick der res igner! over his failure to get took an outside pitchout and ram Ohio State put on the schedule, bled twenty yards for six points. and just about two years after The drive was one that would be 'savior' coach Jim Weaver was repeated all too often this af found to have one too many job ternoon as far as Holy Cros s was titles, the Villanova football team concern ed. Gross redeemed him has regained much lost respect. self quickly, carrying three times for nineteen yards, including a In jousting the Holy Cross fourteen yard pickup on a crucial Crusaders, they sent the 5782 third and six play. Vince Thomp frenzied onlookers home won son ran three times for thirty six dering if it were Woody Hayes, yards. perhaps, who did not want to enter Following that it was all the Villanova coliseum. The Cats Villanova, except for fumbles slashed their way to five team which stopped drives at the one records, along with two individual and the fifteen yard lines. At the marks in running up Fifty-six half it was 28 to 7 and all seemed points, their most since they fine on the home front. -
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to The
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to the CD-2 “No Direction Home”, Michael Bloomfield plays the guitar intro and a solo later and Dylan plays the opening solo (his one and only recorded electric solo?) 1. “Leopard-skin Pill-box Hat” (6.24) (take 1) slow 2. “Leopard-skin Pill-box Hat” (3.58) Bloomfield solo 3. “Leopard-skin Pill-box Hat” (3.58) Dylan & Bloomfield guitar solo 4. “Leopard-skin Pill-box Hat” (6.23) extra verse On track (2) there is very fine playing from MB and no guitar solo from Uncle Bob, but a harmonica solo. 1966 3 – LP-2 “BLONDE ON BLONDE” COLUMBIA 1966? 3 – EP “BOB DYLAN” CBS EP 6345 (Portugal) 1987? 3 – CD “BLONDE ON BLONDE” CBS CDCBS 66012 (UK) 546 1992? 3 – CD “BOB DYLAN’S GREATEST HITS 2” COLUMBIA 471243 2 (AUT) 109 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 - COLUMBIA C2K 93937 (US) 529 Alternate take 1 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 – COL 520358-2 (UK) 562 Alternate take 1 ***** Febr. 4.-11, 1966 – The Paul Butterfield Blues Band at Whiskey a Go Go, LA, CA Feb. 25, 1966 – Butterfield Blues Band -- Fillmore ***** THE CHICAGO LOOP 1966 Prod. Bob Crewe and Al Kasha 1,3,4 - Al Kasha 2 Judy Novy, vocals, percussion - Bob Slawson, vocals, rhythm guitar - Barry Goldberg, organ, piano - Carmine Riale, bass - John Siomos, drums - Michael Bloomfield, guitar 1 - John Savanno, guitar, 2-4 1. "(When She Wants Good Lovin') She Comes To Me" (2.49) 1a. -
Ratings in Social Music Cataloging Services
TJTV555 Group Assignment 27.3.2008 Ratings in Social Music Cataloging Services Miika Nurminen ([email protected]) Ville Halonen ([email protected]) Abstract A general survey of social software is presented with a focus in social music cataloging services. Two example systems review and rating functionality are compared in detail. We observed a case of distorted product ratings, where overactive fan base promoted a single album at the expense of others. Despite the potential for unfair ratings, social cataloging systems are a promising form of participatory media, challenging and complementing traditional, professional reviews used in print media. Some suggestions are provided to issue the reliability and fairness of individual reviews. 1. Introduction During the last few years, different kinds of social web applications have become increasingly popular. There is nothing essentially new here: various community-driven services, such as message forums, newsgroups and even social networking sites have been available and used for years – even before WWW. However, recently the user-generated content and metadata [6] combined with open application programming interfaces, intuitive user interfaces often powered with Ajax (Asynchronous JavaScript and XML), and explicit social network information have opened new possibilities and expanded user base for innovative web applications. In this assignment, we focus on a specific class of social software, namely music cataloging services. Many studies about the usage patterns of social web applications have focused on earlier communities, such as the bookmarking service del.icio.us1 [8], photo sharing service Flickr2 [14], or news aggregator Digg3 [11], but music (and other) cataloging services have some distinctive characteristics, especially focus on reviews and star-ratings. -
John Cohen on Passing Sep 16, 2019 Noam Chomsky Independence of Journalism Julian Assange + Telling Truth Fixing Reality Xu Yong
SPECIAL EDITION PARIS PHOTO | WEDNESDAY, NOVEMBER 6, 2019 BY GALERIE JULIAN SANDER, COLOGNE, GERMANY BY JULIAN SANDER The more we know, the more we know what we do not know. There is a profound wisdom in this con- tradictory sounding truth. Our desire to know things is the insatiable urge that has and conti- nues to drive our kind to its grea- test heights and its darkest depths. As our knowledge of each other has grown we have also gained a larger understanding of just how large the world is in which we all live. The news, a natural product of our need to prioritize the granular aspects of our existence, has beco- me a common base line of know- ledge. As all things that develop out of a necessity, the news has be- come a tool kit for the movement of mass information be it true or false. Although chances are that it will be somewhere in between more often than at either extre- me, at least for most of us who’s access to information is limited to that which has passed through the filters of national security and poli- tical correctness. These well formulated truths serve to help us make sense of a world so much larger than the numbers any of us can actually digest. 7.7738.603.459 people populate the world as of 23:09 CET on Octo- ber 21,2019. By comparison an 80 Reaper Drone in Temporary Hangar, Holloman AFB, NM, 2012, by Sean Hemmerle year life consists of 2.524.608.000 seconds. -
Ii WOODY GUTHRIE
ii WOODY GUTHRIE THIS COLLECTION PRESENTS FOR THE FIRST TIME the full range of material Woody Guthrie recorded for the United States government, both in song and the spoken word. This publication brings together two significant bodies of work – the songs and stories he recorded for the Library of Congress, and the material he created when hired to write songs for the Bonneville Power Administration. There have been records released in the past of the Library of Congress recordings, but this collection is the first time that the complete and unedited Library of Congress sessions have been released. The songs from those recording dates have been available in the past – notably from Elektra and from Rounder – but we offer here the full body of work, including the hours of Woody Guthrie talking and telling his story. TO THE LIBRARY OF CONGRESS AND BPA RECORDINGS, we have also added material which Woody recorded for governmental or quasi-governmental efforts – some songs and two 15-minute radio dramas for the Office of War Information during the Second World War and another drama offered to public health agencies to fight the spread of venereal disease. WOODY GUTHRIE AMERICA N RADICA L PATRIOT by Bill Nowlin Front cover photo: marjorie mazia and woody guthrie in east st. louis, missouri. july 29, 1945. Inside front and inside back cover photo: woody, “oregon somewhere” on the coast in oregon. this is the only known photograph of woody guthrie during the time he spent touring with the bpa. ℗ 2013 Woody Guthrie Foundation. © 2013 Rounder Records. Under exclusive license to Rounder Records. -
Dissertation Final Submission Andy Hillhouse
TOURING AS SOCIAL PRACTICE: TRANSNATIONAL FESTIVALS, PERSONALIZED NETWORKS, AND NEW FOLK MUSIC SENSIBILITIES by Andrew Neil Hillhouse A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Andrew Neil Hillhouse (2013) ABSTRACT Touring as Social Practice: Transnational Festivals, Personalized Networks, and New Folk Music Sensibilities Andrew Neil Hillhouse Doctor of Philosophy Graduate Department of Music University of Toronto 2013 The aim of this dissertation is to contribute to an understanding of the changing relationship between collectivist ideals and individualism within dispersed, transnational, and heterogeneous cultural spaces. I focus on musicians working in professional folk music, a field that has strong, historic associations with collectivism. This field consists of folk festivals, music camps, and other venues at which musicians from a range of countries, affiliated with broad labels such as ‘Celtic,’ ‘Nordic,’ ‘bluegrass,’ or ‘fiddle music,’ interact. Various collaborative connections emerge from such encounters, creating socio-musical networks that cross boundaries of genre, region, and nation. These interactions create a social space that has received little attention in ethnomusicology. While there is an emerging body of literature devoted to specific folk festivals in the context of globalization, few studies have examined the relationship between the transnational character of this circuit and the changing sensibilities, music, and social networks of particular musicians who make a living on it. To this end, I examine the career trajectories of three interrelated musicians who have worked in folk music: the late Canadian fiddler Oliver Schroer (1956-2008), the ii Irish flute player Nuala Kennedy, and the Italian organetto player Filippo Gambetta.