BUSBEE COLLECTION Finding Aid Prepared by Ron Stafford
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Jugtown Pottery Other Names/Site Number
NPS Form 10 900 OMB No. 1024 0018 (Rev. 10 90) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM =============================================================================== 1. Name of Property =============================================================================== historic name Jugtown Pottery other names/site number =============================================================================== 2. Location =============================================================================== street & number 330 Jugtown Road (West side State Road 1420, 0.2 mi. north of jct. with State Road 1419) not for pUblication N/A city or town Seagrove vicinity X state North Carolina code NC county Moore code 125 zip code 27341 ============================================================================== 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this X nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _X___ meets ____ does not meet the National Register Criteria. I recommend that this property be considered significant ___ nationally __X__ statewide x locally. ( See continuation sheet for additional comments.) Signatu Date I State or Federal agency and -
Ralph Rinzler Papers and Audio Recordings, 1950-1994
Ralph Rinzler papers and audio recordings, 1950-1994 Greg Adams, Rori Smith, Stephanie Smith, Jeff Place, David Walker, Stefana Breitwieser, Jennifer Nehrt, Michelina Pagliuso, Megan Northcote, Abigail Kabaker, Kimberly Stelter, James Fort, Cathy Hardman, Cecilia Peterson, Chad Kamen Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement note............................................................................................................ 2 Scope and Contents........................................................................................................ 2 Shared Stewardship......................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical, 1890-2008.......................................................................... -
Under the Dome, Mckissick Museum Newsletter Mckissick Museum
University of South Carolina Scholar Commons Under the Dome, McKissick Museum Newsletter McKissick Museum 4-1994 Under the Dome - April 1994 McKissick Museum--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/dome Part of the Education Commons Recommended Citation University of South Carolina, "McKissick Museum - Under the Dome, April 1994". http://scholarcommons.sc.edu/dome/44/ This Newsletter is brought to you by the McKissick Museum at Scholar Commons. It has been accepted for inclusion in Under the Dome, McKissick Museum Newsletter by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. MCKISSICK MUSEUM - THE UNIVERSITY OF SOUTH CAROLINA VOLUME 4 APRIL 1994 ISSUE 2 Earthenware vase by Vernon Owens and experimental Albany slip and Clair de Lune glaze by Pamela Owens in 1993 at Jugtown Pottery, Moore County, North Carolina. New Ways for Old Jugs June 26 through October 23,1994 MCKISSICK MUSEUM - THE UNIVERSITY OF SOUTH CAROLINA Francis Coradal-Cugat Until recently very little was known United States where he was active as a de about the artist who designed the haunting signer and artist. Although he spent a num dust jacket for F. Scott Fitzgerald's The Great ber of years in New York, he worked for a Gatsby. In fact, this person, Francis Coradal long time in Hollywood as an art director Cugat, was better known as the brother of for films including Douglas Fairbanks' Don celebrated band leader Xavier Cugat. Quixote. Coradal-Cugat was born in Spain, raised in The recent discovery of over three hun Cuba, and at some point, immigrated to the dred watercolors, drawings and paintings prompted McKissick to organize an exhibi tion of his works. -
No. #7 COLLEGE COLLECTION
The Woman's College of The University of North Carolina LIBRARY no. #7 COLLEGE COLLECTION Gift of Mary Jane Crawford JUGTOWN POTTERY: HISTORY AND DESIGN by Mary Jean Crawford A Thesis Submitted to the Faculty of the Graduate School at The Woman's College of the University of North Carolina in Partial Fulfillment of the Requirements for the Degree Master of Science Greensboro May, 1962 Approved by Director . APPROVAL SHEET This thesis has been approved by the following committee of the Faculty of the Graduate School at the Woman's College of the University of North Carolina, Greensboro, North Carolina. • 1 at* ( J A %) Thesis Director Oral Examination / Committee Members '*m^ . !Q~ ite of Examination 240379 Acknowledgment s From the beginning, compiling the colorful story of Jugtown was a pleasant, absorbing experience. Not only was the subject itself of great interest, but the people with whom I worked were cooperative, helpful, and, above all, enthusiastic about the Jugtown story. To these many people who helped with this study I wish to express my sincere appreciation: To Ben Owen for his time and patience in explaining and demonstrating the processes of pottery-making and in answering questions on Jugtown, and to his family for their generous hospitality; To Boyce Yow who explained the firing processes; To Claud Scott for information on the early history of Jugtown; To the long list of museum personnel, writers, arts and crafts personnel who responded to lettersof inquiry and supplied necessary information; To personnel at the North Carolina Department of Archives and History for having photographs and prints of pictures made; To Ben Williams, Curator, and Gus Martin, photographer, at the North Carolina Museum of Art for their help in collecting information and taking photographs; To Roy Moffitt of the Department of Engineering Research, North Carolina State College, for running firing tests on clay samples; To Stephen G.