Elizabeth I's Commonplace Book
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Issn 0017-0615 the Gissing Newsletter
ISSN 0017-0615 THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume XXIV, Number 1 January, 1988 ********************************** -- 1 -- “Joseph”: A Forgotten Gissing Story of the Mid-Nineties edited by Pierre Coustillas. It was in the mid-nineties that Gissing wrote and published the most part of his short stories and, although for years no one could claim to have read all those of which a printed version and/or a manuscript was known to be extant, no unrecorded short story of that period is now likely to be discovered. Neither the author’s private papers nor his correspondence refer to any sum received from a publisher or an editor which cannot be accounted for satisfactorily. The three short stories cryptically listed in his “Account of Books,” have ceased to puzzle biographers and critics. “A Freak of Nature,” written for the unborn London Magazine, *************************************************** Editorial Board Pierre Coustillas, Editor, University of Lille Shigeru Koike, Tokyo Metropolitan University Jacob Korg, University of Washington, Seattle Editorial correspondence should be sent to the Editor: 10, rue Gay-Lussac, 59110-La Madeleine, France, and all other correspondence to: C. C. KOHLER, 12, Horsham Road, Dorking, Surrey, RH4 2JL, England. Subscriptions Private Subscribers: £5.00 per annum Libraries: £8.00 per annum *************************************************** -- 2 -- eventually appeared in Harmsworth’s Magazine under the title “Mr. Brogden, City Clerk,” and its author was paid £13.10s a long time before Harmsworth decided what format to give his magazine. “Their Pretty Way,” printed from the manuscript in George Gissing: Essays and Fiction (1970), was belatedly found to have originally appeared in Lloyd’s Weekly Newspaper on 15 September 1895, while “Joseph” remained undisturbed in the files of the same newspaper for some eighty years, and has never been reprinted. -
Law, Counsel, and Commonwealth: Languages of Power in the Early English Reformation
Law, Counsel, and Commonwealth: Languages of Power in the Early English Reformation Christine M. Knaack Doctor of Philosophy University of York History April 2015 2 Abstract This thesis examines how power was re-articulated in light of the royal supremacy during the early stages of the English Reformation. It argues that key words and concepts, particularly those involving law, counsel, and commonwealth, formed the basis of political participation during this period. These concepts were invoked with the aim of influencing the king or his ministers, of drawing attention to problems the kingdom faced, or of expressing a political ideal. This thesis demonstrates that these languages of power were present in a wide variety of contexts, appearing not only in official documents such as laws and royal proclamations, but also in manuscript texts, printed books, sermons, complaints, and other texts directed at king and counsellors alike. The prose dialogue and the medium of translation were employed in order to express political concerns. This thesis shows that political languages were available to a much wider range of participants than has been previously acknowledged. Part One focuses on the period c. 1528-36, investigating the role of languages of power during the period encompassing the Reformation Parliament. The legislation passed during this Parliament re-articulated notions of the realm’s social order, creating a body politic that encompassed temporal and spiritual members of the realm alike and positioning the king as the head of that body. Writers and theorists examined legal changes by invoking the commonwealth, describing the social hierarchy as an organic body politic, and using the theme of counsel to acknowledge the king’s imperial authority. -
Petrus Ramus Y El Derecho
Petrus Ramus y el Derecho Rafael Ramis Barceló Petrus Ramus y el Derecho The Figuerola Institute Programme: Legal History The Programme “Legal History” of the Figuerola Institute of Social Science History –a part of the Carlos III University of Madrid– is devoted to improve the overall knowledge on the history of law from different points of view –academically, culturally, socially, and institutionally– covering both ancient and modern eras. A number of experts from several countries have participated in the Programme, bringing in their specialized knowledge and dedication to the subject of their expertise. To give a better visibility of its activities, the Programme has published in its Book Series a number of monographs on the different aspects of its academic discipline. Publisher: Carlos III University of Madrid Book Series: Legal History Editorial Committee: Manuel Ángel Bermejo Castrillo, Universidad Carlos III de Madrid Catherine Fillon, Université Jean Moulin Lyon 3 Manuel Martínez Neira, Universidad Carlos III de Madrid Carlos Petit, Universidad de Huelva Cristina Vano, Università degli studi di Napoli Federico II More information at www.uc3m.es/legal_history Petrus Ramus y el Derecho Los juristas ramistas del siglo XVI Rafael Ramis Barceló Historia del derecho, 40 © 2015 Rafael Ramis Barceló Editorial Dykinson c/ Meléndez Valdés, 61 – 28015 Madrid Tlf. (+34) 91 544 28 46 E-mail: [email protected] http://www.dykinson.com Preimpresión: TALLERONCE ISBN: 978-84-9085-683-3 ISSN: 2255-5137 D.L.: M-2486-2016 Versión electrónica disponible en e-Archivo http://hdl.handle.net/10016/22197 Licencia Creative Commons Atribución-NoComercial-SinDerivadas 3.0 España Para Antonio Planas Rosselló ÍNDICE Introducción . -
Creating a Commonplace Book (CPB) (20% of the Final Grade)
Creating a Commonplace Book (CPB) (20% of the Final Grade) This semester, you will keep your own commonplace book (CPB). What is a commonplace book? (Figure 1) (FIGURE 1: DR. KENNEDY’S COMMONPLACE BOOK. (TYPED TRANSCRIPTION CAN BE ACCESSED HERE.)) 1 During the sixteenth and seventeenth centuries, one of the most important tools of a reader or writer was a commonplace book. Peter Beal, leading expert on English manuscript studies, defines a commonplace book as “a manuscript book in which quotations or passages from reading matter, precepts, proverbs and aphorisms, useful rhetorical figures or exemplary phrasing, words and ideas, or other notes and memoranda are entered for ready reference under general subject headings.” For example, here is a short poem copied into a Commonplace Book that we may file under the heading of “Friendship” (Figure 2): * A TRUE FRIEND MUST LIKE A PRIVY BE TO EASE HIS FRIEND AT HIS NECESSITY. A TRUE FRIEND MUST LIKE A CHIMNEY BE HOTTEST IN WINTER OF ADVERSITY. (FIGURE 2: AN (UNATTRIBUTED) EPIGRAM WRITTEN IN THE COMMONPLACE BOOK OF MATTHEW DAY (1574-1661, MAYOR OF WINDSOR) [MANUSCRIPT], CA. 1650. (FOLGER SHAKESPEARE LIBRARY, V.A.160, 4||5). The Renaissance commonplace book allowed readers to actively engage with their texts, choosing and curating passages that spoke to them, and to transcribe those passages into journals under organized headings. Early modern readers marked up their texts, underlining favorite lines, writing marginal notes (such as attribution tags), using asterisks and manicules (these cute little pointing hand signs (☞)) to point out favorite passages, cross-listing page numbers, crossing out text they did not like, writing lists, practicing their signature, drawing obscene images, etc. -
Common Place: Rereading 'Nation' in the Quoting Age, 1776-1860 Anitta
Common Place: Rereading ‘Nation’ in the Quoting Age, 1776-1860 Anitta C. Santiago Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Anitta C. Santiago All rights reserved ABSTRACT Common Place: Rereading ‘Nation’ in the Quoting Age, 1776-1860 Anitta C. Santiago This dissertation examines quotation specifically, and intertextuality more generally, in the development of American/literary culture from the birth of the republic through the Civil War. This period, already known for its preoccupation with national unification and the development of a self-reliant national literature, was also a period of quotation, reprinting and copying. Within the analogy of literature and nation characterizing the rhetoric of the period, I translate the transtextual figure of quotation as a protean form that sheds a critical light on the nationalist project. This project follows both how texts move (transnational migration) and how they settle into place (national naturalization). Combining a theoretical mapping of how texts move and transform intertextually and a book historical mapping of how texts move and transform materially, I trace nineteenth century examples of the culture of quotation and how its literary mutability both disrupts and participates in the period’s national and literary movements. In the first chapter, I engage scholarship on republican print culture and on republican emulation to interrogate the literary roots of American nationalism in its transatlantic context. Looking at commonplace books, autobiographies, morality tales, and histories, I examine how quotation as a practice of memory impression functions in national re-membering. -
Continental Books
CONTINENTAL BOOKS Bernard Quaritch Ltd List 016 / ALBERTI IN SPANISH 1. ALBERTI, Leon Battista. El Momo. La moral e muy graciosa historia del Momo; compuesta en Latin por el docto varon Leon Baptista Alberto Florentin. Trasladada en Castellano por Agustín de Almaçan ... Alcalá de Henares, Joan Mey Flandro, 1553. Small folio, ff. [xiv], 71 + one leaf; gothic letter, title printed in red and black within a composite woodcut border of renaissance ornament, printer’s woodcut device in the centre, woodcut initials, headpieces; last leaf (blank except for printer’s device on recto) in deceptive facsimile, wormhole in lower blank margins of three gatherings carefully filled in, one leaf (I1) remargined on three sides with loss of a few letters, some light browning; otherwise a very sound and large copy with some uncut edges, in recent limp vellum wrappers. £3800 First edition in Spanish of Alberti’s Momus (or De principe) translated by Augustín de Almaçan and with an introductory Exposición by the Toledo ascetic writer and scholar Alejo Venegas (1495?–1554?). An indispensable source for Alberti’s political thought and a supremely interesting example of how the comic spirit of the early Renaissance expressed itself in literature, Alberti’s Momus is a political and social satire set in the form of an allegorical/mythological fable. Its mood is that of a light- hearted humanist jeu d’esprit; its humorous and even farcical manner was intended, as Alberti states in his preface, to make readers laugh while at the same time confronting them with serious political and social issues, in particular, with the question of what makes a good ruler. -
Reading Records of Literary Authors: a Comoatisom.Of Some Publishedfaotebocks
DOCUMENT INSURE j ED41.820. CS 204 003 0 AUTHOR Murray, Robin Mark '. TITLE. Reading Records of Literary Authors: A ComOatisom.of Some Publishedfaotebocks. PUB DATE Dec 77 NOTE 118p.; N.A. thesis, The Ilniversity.of Chicago . I EDRS PRICE f'"' NF-S0.83 HC-$6.01 Plus Postage. DESCRIPTORS *Authors; Bibliographies;_ Rooks; ,ocompcsiticia (Literary); *Creative Writing; *Diariei; Literature* Masters Theses; *Poets; Reading Habits; Reading Materials; *Recrtational Reading; Study Habits IDENTIFIERS Notebooks;.*Note Taking - ABSTRACT The significance ofauthore reading notes may lie not only in their mechanical function as inforna'tion storage devices providing raw materials for writing, but also in their ability to 'concentrate and to mobilize the latent ,emotional and. creative 1 resources of their keepers. This docmlent examines records of 'reading found in the published notebcols'of eight najcr_British.and United States writers of the sixteenth through twentieth. centuries. Through eonparison of their note-taking practices, the following topics are explored: how each author came to make reading notes, the,form.in which notes were' made, and the vriteiso habits of consulting; and using their notes (with special reference to distinctly literary uses). The eight writers whose notebooks ares-exaninea in dtpth are Francis Badonc John Milton, Samuel Coleridge,.Ralph V. Emerson, Henry D. Thoreau, Mark Twain, Thomas 8ardy, and Thomas Violfe.:The trends that emerge from these eight case studiesare discussed, and an extensive bibliograity of published -
“If Luther Will Accept Us with Our Confession …”: the Eucharistic Controversy in Calvin’S Correspondence up to 1546
“If Luther will accept us with our confession …”: The Eucharistic controversy in Calvin’s correspondence up to 1546 Alasdair Heron (University of Erlangen-Nürnberg, Germany)1 Visiting Professor, Department of Dogmatics and Ethics University of Pretoria Abstract The article explores Calvin's attitude to the Eucharistic controversy between Wittenberg and Zurich in the years up till Luther's death in 1546. The main source is Calvin’s letters from that period, which cast a differentiated light on his aims, hopes and disappointments on the question as well as on his relations to other leading Reformers. Account is also taken of several recent publications, which suggest revision of some long-standing views in Calvin scholarship. 1. INTRODUCTION Early in 1536, at the age of only 26, the young John Calvin published the first edition of his Christianae Religionis Institutio2 and thereby made his first prominent entrance on the public stage of protestant theology – the setting among other things of the Eucharistic controversy between Luther and his followers and the adherents of Zwingli in Switzerland and southern Germany. It is not therefore surprising that already in this early work Calvin took up a 1 Prof Dr Alasdair I C Heron, is Chairperson of Reformed Theology (Lehrstuhl für Reformierte Theologie) at the Institut für Systematische Theologie, Friedrich-Alexander Universität, Erlangen-Nürnberg, Germany. He is a member of the International Advisory Board of HTS Theological Studies and a research associate of Dr Johan Buitendag, Professor in Dogmatics and Christian Ethics, Faculty of Theology, University of Pretoria. Prof Heron presented this paper as guest professor at the University of Pretoria in 2006. -
The Commonplace Book Assignment 2020
The commonplace book / verse miscellany assignment So you’re going to college. You’ll leave it behind one day. When you do, do you expect to take anything tangible with you that you will continue to use, maybe something that you make here? Artists will take their portfolios. The good engineers will take the robots they make. In the period of literary history that we’re studying in this course, college students made books full of quotes and notes from their reading, organized under subject headings that identify their topics. Imagine filling a multi-subject notebook, divided by tabs, or a Trapper Keeper with the best passages you’ve ever read, organized according to subject, so that you could easily find and quote them again. They also copied their favorite poems and song lyrics, producing the early- modern equivalent of mixed tapes and iPods. And many of them kept adding to their manuscript books, and making new ones like them, after earning their degrees. This course requires you to make the same sort of book. In addition to reading what early modern English people wrote, it requires you to read, and use what you read, rather like they did. Students should start making their books right away, even if only by folding a small stack of standard copier paper like so. Students who would prefer to make a finer book might start with instructions such as these and a trip to the art supply store. In any case, students will earn their grades based on the contents, not the appearance, of their books. -
Ramism, Rhetoric and Reform an Intellectual Biography of Johan Skytte (1577–1645)
ACTA UNIVERSITATIS UPSALIENSIS Uppsala Studies in History of Ideas 42 Cover: Johan Skytte af Duderhof (1577–1645). Oil painting by Jan Kloppert (1670–1734). Uppsala universitets konstsamling. Jenny Ingemarsdotter Ramism, Rhetoric and Reform An Intellectual Biography of Johan Skytte (1577–1645) Dissertation presented at Uppsala University to be publicly examined in Auditorium Minus, Gustavianum, Akademigatan 3, Uppsala, Saturday, May 28, 2011 at 10:00 for the degree of Doctor of Philosophy. The examination will be conducted in Swedish. Abstract Ingemarsdotter, J. 2011. Ramism, Rhetoric and Reform. An Intellectual Biography of Johan Skytte (1577–1645). Acta Universitatis Upsaliensis. Uppsala Studies in History of Ideas 42. 322 pp. Uppsala. ISBN 978-91-554-8071-4. This thesis is an intellectual biography of the Swedish statesman Johan Skytte (1577–1645), focusing on his educational ideals and his contributions to educational reform in the early Swedish Age of Greatness. Although born a commoner, Skytte rose to be one of the most powerful men in Sweden in the first half of the seventeenth century, serving three generations of regents. As a royal preceptor and subsequently a university chancellor, Skytte appears as an early educational politician at a time when the Swedish Vasa dynasty initiated a number of far-reaching reforms, including the revival of Sweden’s only university at the time (in Uppsala). The contextual approach of the thesis shows how Skytte’s educational reform agenda was shaped by nationally motivated arguments as well as by a Late Renaissance humanist heritage, celebrating education as the foundation of all prosperous civilizations. Utilizing a largely unexplored source material written mostly in Latin, the thesis analyzes how Skytte’s educational arguments were formed already at the University of Marburg in the 1590s, where he learned to embrace the utility-orientated ideals of the French humanist Petrus Ramus (1515–1572). -
ABSTRACT Augustinian Auden: the Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin
ABSTRACT Augustinian Auden: The Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin Russell, Ph.D. It is widely acknowledged that W. H. Auden became a Christian in about 1940, but relatively little critical attention has been paid to Auden‟s theology, much less to the particular theological sources of Auden‟s faith. Auden read widely in theology, and one of his earliest and most important theological influences on his poetry and prose is Saint Augustine of Hippo. This dissertation explains the Augustinian origin of several crucial but often misunderstood features of Auden‟s work. They are, briefly, the nature of evil as privation of good; the affirmation of all existence, and especially the physical world and the human body, as intrinsically good; the difficult aspiration to the fusion of eros and agape in the concept of Christian charity; and the status of poetry as subject to both aesthetic and moral criteria. Auden had already been attracted to similar ideas in Lawrence, Blake, Freud, and Marx, but those thinkers‟ common insistence on the importance of physical existence took on new significance with Auden‟s acceptance of the Incarnation as an historical reality. For both Auden and Augustine, the Incarnation was proof that the physical world is redeemable. Auden recognized that if neither the physical world nor the human body are intrinsically evil, then the physical desires of the body, such as eros, the self-interested survival instinct, cannot in themselves be intrinsically evil. The conflict between eros and agape, or altruistic love, is not a Manichean struggle of darkness against light, but a struggle for appropriate placement in a hierarchy of values, and Auden derived several ideas about Christian charity from Augustine. -
Xerox University Sysicrofilms 300 Norih Zeeb Road Ann Arbor, Michigan 48106 75 - 11,358 HENDEL, Kurt Karl, 1944- JOHANNES BUGENHAGEN's EDUCATIONAL CONTRIBUTIONS
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Pa^(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.