DOCSLIB.ORG

UC Berkeley UC Berkeley Electronic Theses and Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UC Berkeley UC Berkeley Electronic Theses and Dissertations UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Else Lasker-Schüler's Collaborative Avant Garde: Text & Image in Berlin c.1910 Permalink https://escholarship.org/uc/item/4ds5k68z Author Ingalls, Jennifer Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Else Lasker-Schüler’s Collaborative Avant Garde: Text & Image in Berlin c. 1910 By Jennifer Cashman Ingalls A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Elaine Tennant (chair) Professor Chenxi Tang Professor John Efron Spring 2017 Else Lasker-Schüler’s Collaborative Avant Garde: Text & Image in Berlin c.1910 ©2017 Jennifer Cashman Ingalls Abstract Else Lasker-Schüler’s Collaborative Avant Garde: Text & Image in Berlin c. 1910 by Jennifer Cashman Ingalls Doctor of Philosophy in German University of California, Berkeley Professor Elaine Tennant, Chair Between 1910-1914, the German poet Else Lasker-Schüler formed her infamous alter ego, Prinz Jussuf von Theben, in her frequent publications in the expressionist periodicals Der Sturm and Die Aktion. The publishing opportunities in these periodicals allowed Lasker- Schüler the space to explore genre conventions and to begin including her own graphic art. Central to Lasker-Schüler’s creation of Prinz Jussuf and her increasing incorporation of visual art, were her unsuccessful and successful collaborations with Oskar Kokoschka and Franz Marc. The texts published in the two periodicals ranged from short theater, book, and art gallery reviews to her poetry and two epistolary novels. In Der Sturm, Lasker-Schüler serially published Briefe nach Norwegen, a series of letters written to her husband and Der Sturm editor Herwarth Walden on his two-week trip to Scandinavia. The letters were published over nine months and chronicle life in bohemian circles in Berlin, merging Lasker-Schüler’s emerging fantasy world into her artistic practice. Later published as Mein Herz, the letters have previously only been analyzed within the context of this later novelization and never within their original context of a weekly periodical. By analyzing the texts within their original context, check by jowl with other texts, illustrations, and advertisements, Lasker- Schüler’s idiosyncratic engagement with contemporary life in Berlin is brought into high relief. Lasker-Schüler’s second epistolary novel was published in Der Sturm’s competitor, Die Aktion, after Lasker-Schüler’s divorce from Walden. Briefe und Bilder was addressed to Franz and Maria Marc, and corresponds to a rich private correspondence between Lasker-Schüler and the Marcs. In Briefe und Bilder, Lasker-Schüler incorporates her emerging Kingdom of Thebes, and regularly references her simultaneous private correspondence with Marc, confusing and blending the boundaries between public and private, as well as the real and the fantastic. Later published after Franz Marc’s 1916 death at Verdun in an expanded form as Der Malik, Lasker-Schüler’s text in its Briefe und Bilder form has been ignored in existing scholarship. Utilizing biography and historiography to responsibly read these texts, this dissertation approaches Lasker-Schüler’s frequent publications in weekly periodicals to understand how her identity as Prinz Jussuf von Theben was formed in the public sphere and how her multimedia practice emerged. 1 To Gma & Gpa i TABLE OF CONTENTS Acknowledgements……………………………………………………………...iii Introduction...……………………………………………………………………..1 Chapter One: Else Lasker-Schüler & Der Sturm……….....……….……………7 Introduction…………………………………………………….……………….7 Lasker-Schüler & Portraiture in Der Sturm………………….……………………9 Der Sturm Nummer 1…………………………………………………………...10 Peter Baum…………………………………………………………………….13 Karl Kraus……………………………………………………………………..17 Oskar Kokoschka ……………………………………………………………...27 Conclusion……………………………………………………………………..36 Chapter Two: Briefe nach Norwegen …………………………………………...37 Introduction…………………………………………………………………...37 Briefe nach Norwegen Debuts……………………………………………………..39 Critics & Future Plans………………………………………………………….41 November 4, 1911: Zeppelins & Event Calendars……………………………...43 December 2, 1911: Experiments with Form & Breaking the Fourth Wall ……...52 December 9, 1911: Criticism & Hearts on a String……………………………..60 January 27, 1912: An End? …………………………………………………….67 Conclusion: Looking for a Interlocutor.….…………………………………….72 Chapter Three: Changing Gears, Der Sturm to Die Aktion ………………...74 Introduction…………………………………………………………………...74 Versöhnung……………………………………………………………………75 Marc’s Versöhnung…………………………………………………………….78 The Beginning of a Friendship in Letters………………………………………79 From Der Sturm to Die Aktion ………………………………………………….84 Parallel Correspondences………………………………………………………97 Conclusion …………………………………………………………………...103 Conclusion ……………………………………………………………………. 106 Bibliography ………………………………………………………………….. 109 ii ACKNOWLEDGEMENTS This dissertation would not have been possible without one of those magical library experiences special to the American open stack system. When I was 19 and a sophomore at UC Berkeley, wandering the main stacks of the library, I stumbled across a collection of German poems from the 20th century, Hundert Gedichte des Jahrhunderts [One Hundred Poems of the Century], edited by the then literary pope, the late Marcel Reich-Ranicki. When I opened the volume, it opened to a poem by Else Lasker-Schüler, “Ein Liebeslied” [A Love Song], and it was love at first sight. My German was perhaps not good enough to understand everything, but the sounds and rhythms of Lasker-Schüler’s poetic voice took my breath away. I still read that poem and find myself transported by the languid language and possibility present in a mere eleven lines. As my love affair with the poetry of Lasker-Schüler expanded, I began to take on her prose and plays and visual artwork and found myself more and more fascinated with her entire oeuvre, and this dissertation is my exploration of a part of her art, written and visual, that I could never find a satisfying answer to. First, I am astonishingly thankful and grateful to my advisor, Elaine Tennant. This dissertation would not have happened had she not encouraged me to continue (and finish) working on what I love, and her sound advice and example have been my lodestar since I took Middle High German with her all those years ago (2007!). She has given me the encouragement and space I needed to write this dissertation and all too often provided the pep talk I needed when I stumbled. I know no finer speaker of the English language, am ever amazed by your turn of phrase, and constantly encouraged by your vitality and spirit. Thank you, Elaine. iii Many professors at Berkeley have contributed to and shaped this project. Thank you, John Efron, for your wonderful ability to traverse history and literature, German and Yiddish, and your unending support of this project and me. Thank you Chenxi Tang for always disagreeing with me in the kindest way possible, and for preparing me for the reading opposite to my own. Thank you Yael Chaver, my constant support, Yiddish colleague, and friend. Thank you Niklaus Largier for your generous intellectual spirit, Chana Kronfeld, for your skill, teaching, and feeling for translation, and David Frick, for your genuine intellectual curiosity and kindness. I am ever grateful to Maureen Miller for teaching me how to read like a historian, and to Frank Bezner for his wonderfully active and engaged mind and our conversations about modern German literature over too few beers. Thank you Niko Euba for teaching me to teach, and for your friendship and support; the beers are on me next time. To these and all my teachers, your teaching, support, and conversation have made Berkeley a warm and convivial academic environment, thank you. The staff in the German Department made the process of my graduate career all the more enjoyable. Thank you Cathy Jones, Myriam Cotton, Nadia Samadi, Elisabeth Lameroux, Veronica Lopez, and Andrea Rapport. My graduate student colleagues, in our conversations and collaborations, brought this project a great deal of intellectual rigor and spirit, it would never have happened without their support and encouragement. Robin Ellis, you were the first person to treat me like an Else Lasker-Schüler expert! Thank you for your empowerment and friendship over many years. Nick Baer, thank you for your wonderful kindness, genuine thoughtfulness, and shared enthusiasm for German Jewish culture. Tara Hottman, it was such a pleasure to be on this journey with you, thank you for your friendship and the many Prince dance parties. Rachel Friedman, this dissertation would be very different if not for our weekly lunches and conversations, thank you. Mandy Cohen, it is such a delight to have a friend and colleague as in love with Lasker-Schüler as I am, thank you for your encouragement and friendship. My dissertation sister, Melissa Winters, thank you for your companionship as we wrote many mornings away together. Erik Born—thank you for your enthusiasm, glee for knowledge, and unfailing encouragement. Ken Fockele—I couldn’t ask for a better colleague and friend, especially one who shares my undying love of literature for literature’s sake. Thank you for your countless hours proofreading and encouraging my progress. Beyond facilitating my initial stumble into Lasker-Schüler’s poetry, I am grateful
Load more

Recommended publications
  • Between Worlds Contents
    BETWEEN WORLDS CONTENTS 14 Acknowledgments 16 Introduction Timothy 0. Benson and Eva Forgacs SECTION 1: STYLE AS THE CRUCIBLE OF PAST AND FUTURE Chapter 1: National Traditions Germany Carl Vinnen. "Quousque Tandem," from A Protest of German Artists [1911I Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) Czech-Speaking Lands Milos Jiranek, "The Czechness of our Art," Radikatni iisty (1900I Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled ii9ii) Poland Juliusz Kaden-Bandrowski, "Wyspiariski as a Painter-Poet (Personal Impressions]," Przeglqd Poranny I1907] Stanistaw Witkiewicz, Excerpts from Jon Matejko (1908) Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" I1912I Wtodzirnierz Zu-tawski, "Wyspiariski's Stained Glass Windows at the Wawel Cathedral," Maski (1918] Hungary Lajos Fulep, Excerpt from Hungarian Art I1916I Yugoslavia Exhibition Committee of University Youth (Belgrade], Invitation Letter (1904) Chapter 2: New Alternatives Prague Emil Filla, "Honore Daumier: A Few Notes on His Work," Volne smery (1910] Pavel Janak, "The Prism and the Pyramid" Umeiecky mesicnik (1911] Otto Gutfreund, "Surface and Space," Umeiecky mesicnik (1912) Emil Filla, "On the Virtue of Neo-Primitivism," Volne smery (1912) Vaclav Vilem Stech, Introduction to the second Skupina exhibition catalogue (1912) Bohumil Kubista, "The Intellectual Basis of Modern Time," Ceska kutturo I1912-13] Josef Capek, Fragments of correspondence I1913] Josef Capek, "The Beauty of Modern Visual Form," Printed [1913-14I Vlastislav Hofman, "The Spirit of Change in Visual Art," Almanoch no rok [1914) Budapest Gyb'rgy Lukacs, "Forms and the Soul," Excerpt from Richard Beer-Hoffmann 11910) Karoly Kernstok, "Investigative Art," Nyugat (1910) Gyorgy Lukacs, "The Ways Have Parted," Nyugat [1910) Karoly Kernstok, The Role of the Artist in Society," Huszadik szazad (1912) Bucharest Ion Minulescu, Fragment from "Light the Torches," Revisto celorlaiti (1908) N.
    [Show full text]
  • Das Nibelungenlied Als Projektionsfläche Für Die Gegenwart
    Das Nibelungenlied als Projektionsfläche für die Gegenwart Das Beispiel von Moritz RinkesDie Nibelungen und János TéreysA Nibelung-lakópark Dissertation Wissenschaftlicher Betreuer: Prof. Dr. Árpád Bemáth Vorgelegt von: Enikő Dácz Universität Szeged 2009 I Vorwort Dass die Arbeit in vorliegender Form entstehen konnte, ist der vielfachen Unterstützung, die der Verfasserin erhielt, zu verdanken. An erster Stelle danke ich Herrn Prof. Dr. Franz-Josef Holznagel vom Institut für Germanistik der Universität Rostock, der mir von Anfang an zur Seite stand und mit seinen wertvollen Anregungen und stetiger Unterstützung wesentlich zum Gelingen der Arbeit beitrug. Für den institutionellen Rahmen danke ich dem Germanistiklehrstuhl in Szeged und Prof. Dr. Árpád Bernáth, sie gaben mir die Möglichkeit, durch Diskussionen Erfahrungen für meine Arbeit zu sammeln. Für die mehrfache und zeitaufwendige Korrektur möchte ich besonders Dr. Helen Oplatka und Margit Dirnberger danken. Dr. Helen Oplatka und Prof. Dr. Andreas Oplatka danke ich auch für ihre Unterstützung und die stets ermunternden Gespräche. Ebenso fühle ich mich vielen Fachleuten verpflichtet, die mich während meinen Aufenthalten in Deutschland und Österreich mit fachlichem Rat unterstützt haben. Dank geht an Prof. Dr. Manfred Kern, Prof. Dr. Ulrich Müller, Prof. Dr. Claudia Brinker- von der Heyde und Dr. Siegrid Schmidt. Ein weiterer Dank geht an Dr. László Jónácsik, dessen Bemerkungen zur Dissertation bei den Korrekturen wichtig waren. Dass ich das Promotionsstudium anfangen konnte, verdanke ich u.a. Dr. habil. Stefan Trappen und Dr. Tünde Katona, die mich unterstützt haben. Ohne das Ungarische Staatliche Stipendium bzw. die Stipendien vom ÖAD, DAAD, vom Land Baden-Württemberg und der schweizerisch-ungarischen Stipendienstiftung an der Andrássy Gyula Deutschsprachige Universität Budapest hätte die Arbeit ebenso nicht entstehen können.
    [Show full text]
  • Alfred Adlers Wiener Kreise in Politik, Literatur Und Psychoanalyse
    Almuth Bruder-Bezzel Alfred Adlers Wiener Kreise in Politik, Literatur und Psychoanalyse Beiträge zur Geschichte der Individualpsychologie Titel Autor © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525406359 — ISBN E-Book: 9783647406350 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525406359 — ISBN E-Book: 9783647406350 Almuth Bruder-Bezzel Alfred Adlers Wiener Kreise in Politik, Literatur und Psychoanalyse Beiträge zur Geschichte der Individualpsychologie Mit 15 Abbildungen Vandenhoeck & Ruprecht © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525406359 — ISBN E-Book: 9783647406350 Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.de abrufbar. © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Theaterstraße 13, D-37073 Göttingen Alle Rechte vorbehalten. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Umschlagabbildung: Café Central, Wien/INTERFOTO/JTB PHOTO Satz: SchwabScantechnik, Göttingen Vandenhoeck & Ruprecht Verlage | www.vandenhoeck-ruprecht-verlage.com ISBN 978-3-647-40635-0 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525406359 — ISBN E-Book: 9783647406350 Inhalt Einleitung .........................................
    [Show full text]
  • OER STURM Oo PQ Os <Rh IRH ZEMIT A
    De Styl 2x2 <rH IRH & Weimar Biflxelles OER STURM L'ESPRIT Berlin £ Wlan NOUVEAU 3 o CO a LA o .6 VIE o s £ D E Paris PQ S IU LETTRES DIE AKTION ET DES ARTS Paris ZEMIT Berlin Berlin InternaclonAIlt akllvlsta mQv^ssetl foly61rat • Sserkeutl: KattAk Uijof m Fe- leldssievkesxtO: Josef Kalmer • Sxerkesxtds^g £• klad6hlvafal: Wlen, XIIL Bei* Amallenstrasse 26. L 11 • Megjelen^s dAtuma 1922 oktdber 19 m EUfflrctM Ar: EOT £VRE: 3S.OOO osztr&k kor^ 70 ssokol, lOO dlnAr, 200 lei, SOO mArka m EQTE8 SZXM XltA: 3000 ositrAk korona, 7 siokol, lO dlnAr, 20 lei, SO mArka MA •b VIE 6vfolyam, 1. tx6m • A lapban megJelenO clkkek6rt a weriO felel. Drackerei .Elbemflfcl", Wien, IX., Berggtue 31. a sourcebook of central european avant-gardes, 1910-1930 CONTENTS 14 Acknowledgments 16 | Introduction Timothy 0. Benson and Eva Forgacs 49 Germany 50 Carl Vinnen, "Quousque Tandem," from A Protest of German Artists (1911) 52 Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) 55 Czech-Speaking Lands 56 Milos Jiranek, "The Czechness of our Art," Radikalni tisty (1900) 57 Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled [1911) 59 Poland 60 ; Juliusz Kaden-Bandrowski, "Wyspianski as a Painter-Poet (Personal Impressions)," Przeglad Poranny (1907) 61 Stanistaw Witkiewicz, Excerpts from Jan Matejko (1908) 64 Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" (1912) 66 Wiodzimierz Zutawski, "Wyspianski's Stained Glass Windows at the Wawel Cathedral," Maski (1918) 70 Hungary 71 ! Lajos Fulep,
    [Show full text]
  • Information Issued by The
    Vol. XV No. 10 October, 1960 INFORMATION ISSUED BY THE. ASSOCIATION OF JEWISH REFUGEES IN GREAT BRITAIN t FAIRFAX MANSIONS, FINCHLEY ROAD (Comer Fairfax Road), Offict and Consulting Hours : LONDON, N.W.3 Monday to Thursday 10 a.m.—I p.m. 3—6 p.m. Talephona: MAIda Vala 9096'7 (General Officel Friday 10 a.m.—I p.m. MAIda Vale 4449 (Employment Agency and Social Services Dept.} 'Rudolf Hirschfeld (Monlevideo) a few others. Apart from them, a list of the creators of all these important German-Jewish organisations in Latin America would hardly con­ tain a name of repute outside the continent. It GERMAN JEWS IN SOUTH AMERICA it without any doubt a good sign that post-1933 German Jewry has been able to produce an entirely new generation of vigorous and success­ I he history of the German-Jewish organisations abroad '"—to assert this would be false—they ful leaders. =8ins in each locality the moment the first ten consider themselves as the sons of the nation In conclusion two further aspects have to be r^Ple from Germany disembark. In the few which has built up the State of Israel, with the mentioned : the relationship with the Jews around thp "if- ^^^^^ Jewish groups were living before consciousness that now at last they are legitimate us, and the future of the community of Jews from ne Hitler period the immigrants were helped by members of the national families of the land they Central Europe. Jewish life in South America ne earlier arrivals. But it is interesting that this inhabit at present.
    [Show full text]
  • Georg Trakl. Dichter Im Jahrzehnt Der Extreme
    Leseprobe aus: Rüdiger Görner Georg Trakl Dichter im Jahrzehnt der Extreme Mehr Informationen zum Buch finden Sie auf www.hanser-literaturverlage.de © Paul Zsolnay Verlag Wien 2014 Rüdiger Görner Georg Trakl Dichter im Jahrzehnt der Extreme Paul Zsolnay Verlag 1 2 3 4 5 18 17 16 15 14 ISBN 978-3-552-05697-8 Alle Rechte vorbehalten © Paul Zsolnay Verlag Wien 2014 Satz: Eva Kaltenbrunner-Dorfinger, Wien Druck und Bindung: GGP Media GmbH, Pößneck Printed in Germany für Oliver Kohler Puis j’expliquai mes sophismes magiques avec l’hallucination des mots! (Dann erklärte ich mir meine magischen Sophismen mit der Halluzination der Worte!) Arthur Rimbaud, Délires (1872/73) Die Gegenwart oktroyiert Formen. Diesen Bannkreis zu überschreiten und andere Formen zu gewinnen, ist das Schöpferische. Hugo von Hofmannsthal, Buch der Freunde (1922) Das Wort des Dichters macht die Dinge schwebend […] Das ist der wahre Rhythmus des Gedichts: daß es das Ding hinträgt zum Menschen, aber daß es zugleich das Ding wieder zurückschweben läßt zum Schöpfer. Max Picard, Wort und Wortgeräusch (1963) Das Böse und das Schöne sind die beiden Heraus- forderungen, die wir annehmen müssen. François Cheng, Meditationen über die Schönheit (2008) Inhalt Vorworthafter Dreiklang . 11 Tagebucheintrag 11 – Zugänge zu Trakl 14 – … und ein einleitendes de profundis 17 Finale Anfänge: Die Sammlung 1909 . 33 Lyrische Stimmungsumfelder 45 – Die Sammlung 1909 oder Das Unverlorne meiner jungen Jahre 52 »Im Rausch begreifst du alles.« Trakls toxisches Schaffen . 64 Entgrenzungsversuche: Wien – Innsbruck – Venedig – Berlin oder Ist überall Salzburg? . 80 Trakls Salzburg-Gedichte 89 – Ein politischer Trakl? 113 Gedichte, 1913 . .. 121 Vorklärungen 121 – Gedichte oder Romanzen mit Raben und Ratten 127 Poetische Farbwelten oder Schwierigkeiten mit dem (lyrischen) Ich .
    [Show full text]
  • Handout VCV W -P-3-42-4
    Regers op. 71 („100 „VCV(W)“-Vorträge“) 1 Die 100 VCV(W)-Vorträge über „Künste in der & um die Romantik“ - ein Zyklus von Vortragsabenden über vorwiegend (spät)romantische ( - aber auch prä/para/post/…/neo-romantische - ) Künste/…/Kunstwerke für Musik/Malerei/…/Architektur-Freundinnen/Freunde und alle anderen Kunstliebhaber(innen) an jedem 2. Dienstag in jedem Monat (außer August) im „art hotel weimar“ („Freiherr v. Stein“-Allee) ab 20:00 Uhr (Gesamtleitung: Prof. Wolf-G. Leidel, Vorsitzender des VCV(W) [„Vox coelestis“-e.V. Weimar]) - ---------------------------------------------------------------------- Vortrag Nr. 004 ----------------------------------------------------------------------------------------------- Nicht zum öffentlichen Gebrauch: nur für VCV(W)-Mitglieder und Besucher/Gäste des o.g. Vortragzyklus’! -------------------------------------------------------------------------------------- Stand vom 8. Mai 2007 ----------------------------------------------------- Das Thema dieses 4. Abends: „Max Reger: „Gesang der Verklärten“ - und Carl Busse & Zeitgenossen“ ----------------------------------------------------- Carl Busse Gesang Verklärter Glocken der Heimat trugen uns auf, die wir geirrt über steinige Pfade; schauernd und läuternd zieh’n uns hinauf ewig unsagbar Ströme der Gnade. Irdische Leuchten locken uns nicht; was uns auf Erden durchdrang und berührte: hallende Chöre, geh’n wir im Licht, über Verblühendes selig Geführte. Fern der Umschatteten d’runten im Tal, deren sich Jedes in Hoffnung getröste, schweben wir singend
    [Show full text]
  • Compilation of Reported Sapphire Occurrences in Montana
    Report of Investigation 23 Compilation of Reported Sapphire Occurrences in Montana Richard B. Berg 2015 Cover photo by Richard Berg. Sapphires (very pale green and colorless) concentrated by panning. The small red grains are garnets, commonly found with sapphires in western Montana, and the black sand is mainly magnetite. Compilation of Reported Sapphire Occurrences, RI 23 Compilation of Reported Sapphire Occurrences in Montana Richard B. Berg Montana Bureau of Mines and Geology MBMG Report of Investigation 23 2015 i Compilation of Reported Sapphire Occurrences, RI 23 TABLE OF CONTENTS Introduction ............................................................................................................................1 Descriptions of Occurrences ..................................................................................................7 Selected Bibliography of Articles on Montana Sapphires ................................................... 75 General Montana ............................................................................................................75 Yogo ................................................................................................................................ 75 Southwestern Montana Alluvial Deposits........................................................................ 76 Specifi cally Rock Creek sapphire district ........................................................................ 76 Specifi cally Dry Cottonwood Creek deposit and the Butte area ....................................
    [Show full text]
  • “Hagene, Der Vil Ungetriuwe Man”? Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks@UMass Amherst University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses August 2014 “Hagene, der vil ungetriuwe man”? Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied Katherine DeVane Brown University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the German Literature Commons, and the Medieval Studies Commons Recommended Citation DeVane Brown, Katherine, "“Hagene, der vil ungetriuwe man”? Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied" (2014). Masters Theses. 5. https://scholarworks.umass.edu/masters_theses_2/5 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. “Hagene, der vil ungetriuwe man”? Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied A Thesis Presented by KATHERINE ROSE DEVANE BROWN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 German and Scandinavian Studies “Hagene, der vil ungetriuwe man”? Courtly Rivalry, Loyalty Conflict, and the Figure
    [Show full text]
  • A Selective Study of the Writings of Kafka, Kubin, Meyrink, Musil and Schnitzler
    _________________________________________________________________________Swansea University E-Theses The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler. Vrba, Marya How to cite: _________________________________________________________________________ Vrba, Marya (2011) The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42396 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ The Literary Dream in German Central Europe, 1900-1925 A Selective Study of the Writings of Kafka, Kubin, Meyrink, Musil and Schnitzler Mary a Vrba Thesis submitted to Swansea University in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Modern Languages Swansea University 2011 ProQuest Number: 10798104 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • Core Reading List for M.A. in German Period Author Genre Examples
    Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774)
    [Show full text]
  • The Lied of Five German Composers.Pdf
    The Lied of Five German Composers A Senior Project presented to the Faculty of the Music Department of California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts by Whitney Laine Westbrook June 2010 © 2010 Whitney Laine Westbrook The Lied of Five German Composers: List of Repertoire 1. “Fussreise” (2:54)…...………………………………..Hugo Wolf (1860-1903) 2. “Sapphische Ode” (2:30)………………………Johannes Brahms (1833-1897) 3. “Urlicht” (5:13)...…………………………………Gustav Mahler (1860-1911) 4. “Erhebung”(1:13)............................................Arnold Schoenberg (1874-1951) 5. “Morgen” (3:50).………………………………...Richard Strauss (1864-1949) Fussreise Hugo Filipp Jakob Wolf, born on March 13, 1860, in modern day Yugoslavia, experienced an early musical upbringing under the guidance of his father and later on studied with his local school teacher, Sebastian Weixler. Wolf displayed much musical promise, primarily within the realms of violin and piano. Although music exerted an influence over Wolf, school did not. Throughout his life, Wolf exercised a rebellion against many scholastic institutions, including the Conservatory of Vienna; this was his third school from which he withdrew. Having escaped school, Hugo Wolf attempted to make a living in many trades, including teaching piano and accompanying various other artists. Although he became a “Jack of All Trades,” a steady income was not reaching Wolf, and he continued on living in poverty. Wolf did excel as a music critic, a profession that did supply a small income and yet Wolf earned resentment from his musical colleagues. The harsh criticisms that flew from the quick-witted critic alienated certain musicians who in return refused Wolf any help.
    [Show full text]