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THE LATE RENAISSANCE and MANNERISM in SIXTEENTH-CENTURY ITALY 591 17 CH17 P590-623.Qxp 4/12/09 15:24 Page 592
17_CH17_P590-623.qxp 12/10/09 09:24 Page 590 17_CH17_P590-623.qxp 12/10/09 09:25 Page 591 CHAPTER 17 CHAPTER The Late Renaissance and Mannerism in Sixteenth- Century Italy ROMTHEMOMENTTHATMARTINLUTHERPOSTEDHISCHALLENGE to the Roman Catholic Church in Wittenberg in 1517, the political and cultural landscape of Europe began to change. Europe s ostensible religious F unity was fractured as entire regions left the Catholic fold. The great powers of France, Spain, and Germany warred with each other on the Italian peninsula, even as the Turkish expansion into Europe threatened Habsburgs; three years later, Charles V was crowned Holy all. The spiritual challenge of the Reformation and the rise of Roman emperor in Bologna. His presence in Italy had important powerful courts affected Italian artists in this period by changing repercussions: In 1530, he overthrew the reestablished Republic the climate in which they worked and the nature of their patron- of Florence and restored the Medici to power. Cosimo I de age. No single style dominated the sixteenth century in Italy, Medici became duke of Florence in 1537 and grand duke of though all the artists working in what is conventionally called the Tuscany in 1569. Charles also promoted the rule of the Gonzaga Late Renaissance were profoundly affected by the achievements of Mantua and awarded a knighthood to Titian. He and his suc- of the High Renaissance. cessors became avid patrons of Titian, spreading the influence and The authority of the generation of the High Renaissance prestige of Italian Renaissance style throughout Europe. would both challenge and nourish later generations of artists. -
Notes of Michael J. Zeps, SJ
Marquette University e-Publications@Marquette History Faculty Research and Publications History Department 1-1-2011 Documents of Baudirektion Wien 1919-1941: Notes of Michael J. Zeps, S.J. Michael J. Zeps S.J. Marquette University, [email protected] Preface While doing research in Vienna for my dissertation on relations between Church and State in Austria between the wars I became intrigued by the outward appearance of the public housing projects put up by Red Vienna at the same time. They seemed to have a martial cast to them not at all restricted to the famous Karl-Marx-Hof so, against advice that I would find nothing, I decided to see what could be found in the archives of the Stadtbauamt to tie the architecture of the program to the civil war of 1934 when the structures became the principal focus of conflict. I found no direct tie anywhere in the documents but uncovered some circumstantial evidence that might be explored in the future. One reason for publishing these notes is to save researchers from the same dead end I ran into. This is not to say no evidence was ever present because there are many missing documents in the sequence which might turn up in the future—there is more than one complaint to be found about staff members taking documents and not returning them—and the socialists who controlled the records had an interest in denying any connection both before and after the civil war. Certain kinds of records are simply not there including assessments of personnel which are in the files of the Magistratsdirektion not accessible to the public and minutes of most meetings within the various Magistrats Abteilungen connected with the program. -
Herbert Haupt, Der Heldenplatz (2000)
Demokratiezentrum Wien Onlinequelle: www.demokratiezentrum.org Printquelle: in: Douer, Alisa (Hg.): Wien Heldenplatz. Mythen und Massen. 1848 bis 1998. Verlag Mandelbaum, Wien 2000, S. 13-22 Herbert Haupt Der Heldenplatz Ein Stück europäischer Geschichte im Herzen von Wien Was Wien für die Monarchie ist, das ist die Hofburg für Wien: Der eigentliche Mittelpunkt der Stadt« Richard von Eitelberger, 1859 Zunächst mußte Raum geschaffen werden, damit überhaupt ein Platz entstehen konnte. Am Beginn der Geschichte des Heldenplatzes steht die Sprengung der Burgbastei durch die abziehenden französischen Truppen im Dezember des Jahres 1809. Napoleon hatte mit der Eroberung Wiens (13. Mai 1809) und dem Frieden von Schönbrunn (14. Oktober 1809) den Höhepunkt seiner Macht erreicht. Es war ein blutiger, hart umkämpfter Sieg gewesen, der am Nimbus der Unbesiegbarkeit des Kaisers der Franzosen erste Flecken hinterließ. In der Schlacht bei Aspern und Eßling hatte sich Napoleon zum erstenmal einer einzelnen Macht geschlagen geben müssen. Erzherzog Carl (1771–1847) sollte 50 Jahre später am äußeren Burgplatz ein Denkmal zur Erinnerung an den Sieg errichtet werden. Als bleibende Erinnerung an seine halbjährige Regentschaft in Wien ließ Napoleon vor seinem Abzug die zum Schutze der Hofburg errichtete Bastei sprengen. Doch was als demütigendes Zeichen gedacht war, nahm in Wirklichkeit nur eine Arbeit vorweg, die Kaiser Franz I. (1768–1835) von Österreich früher oder später selbst vorzunehmen gezwungen gewesen wäre. Die neue Waffentechnik verlangte nach einem neuen Befestigungssystem. Die Zeit für Bastionen war abgelaufen. Mit dem Abtragen des Schutts und mit der Beseitigung der an der Außenseite der Basteimauer gelegenen Wachthäuser ließ man sich Zeit. Erst 1816 wurde mit der Planierung des den größeren Teil des heutigen Heldenplatzes umfassenden Areals der Burgbastei begonnen. -
Technological Studies Kunsthistorisches Museum Vienna
Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Translated from the German volume: Content Technologische Studien Kunsthistorisches Museum. Konservierung – Restaurierung – Forschung – Technologie, Sonderband Depot, Band 9/10, Wien 2012/13 PREFACE Sabine Haag and Paul Frey 6 Editor: Kunsthistorisches Museum Vienna INTRODUCTION Martina Griesser, Alfons Huber and Elke Oberthaler 7 Sabine Haag Editorial Office: ACKNOWLEDGEMENTS 9 Martina Griesser, Alfons Huber, Elke Oberthaler Assistant, Editorial Office: ESSAYS Stefan Fleck Building a Cost-Effective Art Storage Facility that 13 Tanja Kimmel maintains State-of-the-Art Requirements Joachim Huber Creating a Quantity Structure for Planning Storage 21 Translations: Equipment in Museum Storage Areas Aimée Ducey-Gessner, Emily Schwedersky, Matthew Hayes (Summaries) Christina Schaaf-Fundneider and Tanja Kimmel Relocation of the 29 Collections of the Kunsthistorisches Museum Vienna to the New Art Direction: Central Storage Facility: Preparation, Planning, and Implementation Stefan Zeisler Pascal Querner, Tanja Kimmel, Stefan Fleck, Eva Götz, Michaela 63 Photography: Morelli and Katja Sterflinger Integrated Pest Management (IPM) Christian Mendez, Thomas Ritter, Alexander Rosoli, -
Nazi-Confiscated Art Issues
Nazi-Confiscated Art Issues Dr. Jonathan Petropoulos PROFESSOR, DEPARTMENT OF HISTORY, LOYOLA COLLEGE, MD UNITED STATES Art Looting during the Third Reich: An Overview with Recommendations for Further Research Plenary Session on Nazi-Confiscated Art Issues It is an honor to be here to speak to you today. In many respects it is the highpoint of the over fifteen years I have spent working on this issue of artworks looted by the Nazis. This is a vast topic, too much for any one book, or even any one person to cover. Put simply, the Nazis plundered so many objects over such a large geographical area that it requires a collaborative effort to reconstruct this history. The project of determining what was plundered and what subsequently happened to these objects must be a team effort. And in fact, this is the way the work has proceeded. Many scholars have added pieces to the puzzle, and we are just now starting to assemble a complete picture. In my work I have focused on the Nazi plundering agencies1; Lynn Nicholas and Michael Kurtz have worked on the restitution process2; Hector Feliciano concentrated on specific collections in Western Europe which were 1 Jonathan Petropoulos, Art as Politics in the Third Reich (Chapel Hill: The University of North Carolina Press). Also, The Faustian Bargain: The Art World in Nazi Germany (New York/Oxford: Oxford University Press, forthcoming, 1999). 2 Lynn Nicholas, The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War (New York: Alfred Knopf, 1994); and Michael Kurtz, Nazi Contraband: American Policy on the Return of European Cultural Treasures (New York: Garland, 1985). -
Kulturbericht 2009FXFX:Kulturbericht04.06.201012:35Uhrseite1
Kulturbericht 2009FXFX:Kulturbericht04.06.201012:35U hr Seite1 Kulturbericht 2009 Kulturbericht 2009 Kulturbericht 2009 Überblick Kulturangelegenheiten Bundesmuseen Österreichische Nationalbibliothek Bundestheater Denkmalschutz Museumsquartier Stiftungen Weitere Kulturangelegenheiten Restitution Impressum Herausgeber Bundesministerium für Unterricht, Kunst und Kultur, Kultursektion Minoritenplatz 5, 1014 Wien Redaktion Michael P. Franz, Ruth-Veronika Pröckl, Martin Ure Cover Christina Brandauer, Wien Grafische Gestaltung, Satz, Herstellung Peter Sachartschenko, Wien Herstellung Druckerei Berger, 3580 Horn Inhalt Überblick Kulturangelegenheiten Seite 7 Kulturbudget 2009 Seite 8 Museale Aufgaben / Museen Seite 8 Bundestheater Seite 12 Bundesmuseen Seite 15 Albertina Seite 16 Österreichische Galerie Belvedere Seite 25 Kunsthistorisches Museum, Museum für Völkerkunde, Seite 33 Österreichisches Theatermuseum MAK – Österreichisches Museum für angewandte Seite 52 Kunst/Gegenwartskunst Museum Moderner Kunst Stiftung Ludwig – MUMOK Seite 61 Naturhistorisches Museum Seite 69 Technisches Museum mit Österreichischer Mediathek Seite 77 Pathologisch Anatomisches Bundesmuseum Seite 88 Österreichische Nationalbibliothek Seite 93 Bundestheater Seite 103 Bundestheater-Holding GmbH Seite 104 Burgtheater GmbH Seite 108 Wiener Staatsoper GmbH Seite 112 Volksoper Wien GmbH Seite 120 Das Ballett der Wiener Staatsoper und Volksoper Wien Seite 126 ART for ART Theater Service Seite 130 Denkmalschutz Seite 133 Bedeutung von Denkmalschutz Seite 134 Abteilung Denkmalschutz -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
Price List Hofburg New Year's Eve Ball on 31 December 2019
PRICE LIST HOFBURG NEW YEAR’S EVE BALL ON 31 DECEMBER 2019 GRAND TICKET WITH GALA DINNER Admission entrance Heldenplatz at 6.30 pm The ticket price includes the entrance and a seat reservation at a table as well as a glass of sparkling wine for the welcome (at the Hofburg Foyer until 7.00 pm), a four-course dinner with white / red wine, mineral water and a glass of champagne at midnight at your table. Musical entertainment by live-orchestras and dance floor. Festsaal EUR 780.- per person Zeremoniensaal Center EUR 730.- per person Zeremoniensaal Wing EUR 700.- per person Geheime Ratstube EUR 520.- per person STAR TICKET WITH SEAT RESERVATION Admission entrance Heldenplatz at 9.15 pm The ticket price includes the entrance ticket and the seat reservation at a table, a glass of sparkling wine for the welcome (at the Hofburg Foyer until 10.00 pm). Festsaal Seat reservation in a centrally located state hall musical entertainment by live-orchestras, dance floor EUR 440.- per person Wintergarten or Marmorsaal Seat reservation in a centrally located state hall or in a room with a view over the Heldenplatz EUR 350.- per person Seitengalerie or Vorsaal seat reservation in a centrally located state hall EUR 300.- per person Künstlerzimmer or Radetzky Appartment seat reservation in a smaller, historical state hall EUR 250.- per person CIRCLE TICKET Admission entrance Heldenplatz at 9.15 pm The ticket price comprises access to all ballrooms and a glass of sparkling wine for the welcome (at the Hofburg Foyer until 10.00 pm). A seat reservation is not included. -
Tips for Bicyclists: Discover Vienna by Bicycle
Tips for Bicyclists: Discover Vienna by Bicycle Table of Contents From the Danube bicycle path to the center of Vienna 2 Bicyclist-friendly hotels & pensions 3 Guided tours through Vienna 3 For Specialists: Mountain Biking in the Vienna Woods 5 Bicycle and electric bike rentals 6 Electric bike rentals 7 Electric bike charging points 8 Public air pumps 8 Around the Old City on the sightseeing bicycle path “Ringstrasse” 9 Other thematic bicycle paths 9 Citybike Vienna 10 Bicycle and public transportation 11 Bicycles on trains 11 Event tips for cyclists 12 Bicycling according to a plan, literature, maps, apps 13 Transportation Clubs - additional information 14 Shops for all things bike 14 1/14 Publisher: Vienna Tourist Board, 1030 Vienna, Invalidenstraße 6, tel. +43-1-24 555, [email protected], www.wien.info. Last revision: March 2018, subject to change without notice. Note: Ride along these routes at your own risk Tips for Bicyclists: Discover Vienna by Bicycle You can travel fast with a bicycle, but still slowly enough to enjoy Vienna's sights on the way. Vienna offers more than 1,300 kilometers of bicycle paths, some of them in areas with hardly any traffic. Explore Vienna by bicycle: whether you bring your own or rent one, the city has a lot to offer to bicyclists. We have collected a few tips for your bicycling tour through the metropolis on the Danube, such as where you can rent a bicycle or get one repaired, at what times you are allowed to take it on Vienna's public transportation system, and when guided city tours are offered for bicyclists. -
CCS 2016 Venue Guide
ACM CCS 2016 - Venue Guide Contents Venue Overview ............................................................................................................................................ 2 Directions (to CCS 2016 Conference Venue) ................................................................................................ 3 Conference Venue................................................................................................................................................ 3 How to get to the Conference Venue ................................................................................................................... 4 Directions (airport – city center) ................................................................................................................. 8 Vienna Sightseeing Map .................................................................................................................................... 13 Welcome to Vienna! .......................................................................................................................................... 14 About Vienna ..................................................................................................................................................... 16 The Culinary Side of Vienna .............................................................................................................................. 18 Tips from a Local .............................................................................................................................................. -
Visitor Attractions
Visitor Attractions As a former imperial city, Vienna has a vast cultural imperial apartments and over two dozen collections heritage spanning medieval times to the present day. – the legacy of the collecting passion of the Habsburg Top attractions include the Gothic St. Stephen’s Cathe- dynasty. Viennese art nouveau (Jugendstil) has also dral, baroque imperial palaces and mansions and brought forth unique places of interest such as the Se- the magnificent Ring Boulevard with the State Opera, cession with its gilded leaf cupola. Contemporary archi- Burgtheater (National Theater), Votive Church, City Hall, tecture is to be found in the shape of the Haas-Haus, Parliament and the Museums of Fine Arts and Natural whose glass front reflects St. Stephen’s Cathedral, and History. The former imperial residences Hofburg and the Gasometers, former gas storage facilities which Schönbrunn also offer the opportunity to follow in have been converted into a residential and commercial imperial footsteps. Schönbrunn zoo and park shine complex. This mix of old and new, tradition and moder- in baroque splendor, while Hofburg Palace boasts nity, is what gives Vienna its extra special flair. © WienTourismus/Karl Thomas Thomas WienTourismus/Karl © Osmark WienTourismus/Robert © Osmark WienTourismus/Robert © Anker Clock TIP This gilded masterpiece of art nouveau was created in 1911 by the Danube Tower painter and sculptor Franz von Matsch. Every day at noon, twelve An unforgettable panorama of Vienna’s Danube scenery, the old historical Viennese figures parade across the clock to musical ac- city and the Vienna Woods is afforded at 170m in the Danube Tow- companiment. Christmas carols can be heard at 17:00 and 18:00 er. -
Broschüre Denk Mal Wien
Thematische Rundgänge in der Wiener Innenstadt Inhaltsverzeichnis Seiten Was ist „denk mal wien“? 2—3 Rundgänge „denk mal wien“ 4—5 Äußeres Burgtor und Krypta 6 Bundeskanzleramt 7 Demel 8 Demonstrationsverbot für den 1. Mai 1933 9 Denkmal der Exekutive 10 Denkmal der Republik 11 Deserteursdenkmal 12 Feuerwehr am Hof 13 Heldenplatz 14 Justizpalast 15 Landesgericht 16 Mahnmal am Morzinplatz 17 Mahnmal gegen Krieg und Faschismus 18 Mahnmal für die österreichischen jüdischen Opfer der Schoah 19 Kartenübersicht über die 4 Rundgänge 20—21 Meissl & Schadn 22 Michaelerplatz und Michaelerkirche 23 Minoritenplatz 24 Parlament 25 Pestsäule 26 Polizeigefangenenhaus „Liesl“ 27 Reiterdenkmäler auf dem Heldenplatz 28 Stadttempel — Israelitische Kultusgemeinde Wien 29 Stephansdom 30 Votivkirche und Vorplatz 31 Wehrmann in Eisen 32 Wiener Hauptgesundheitsamt 33 Wiener Staatsoper 34 Dank 35 Quellen 36 Was ist „denk mal wien“? Auf Einladung der Österreichischen Bundesregierung und der Stadt Wien konzipierte das Mauthausen Komitee Österreich (MKÖ) das Vermittlungsprojekt „denk mal wien“. Denkmäler und Gedenkstätten spiegeln den Umgang mit der Geschichte Österreichs der letzten hundert Jahre und länger wider: Die Zeit vor 1914 und der Erste Weltkrieg (1914—1918), das damit einhergehende Ende der Monarchie, die Zeit der Ersten Republik und des Austrofaschismus (1918—1938), der Fall der Ersten Republik, der Anschluss an Nazi- Deutschland, die Zeit des Nationalsozialismus, den Zweiten Weltkrieg (1939–1945) bis hin zur Befreiung durch die alliierten Mächte und der bis heute bestehenden Zweiten Republik. Anhand vier thematischer Fragestellungen entwickelte das Mauthausen Komitee Rundgänge, die die österreichische Zeitgeschichte und Gegenwart mit inhaltlichen Anknüpfungspunkten zu den Orten und Denkmälern/Gedenkstätten in und um die Innere Stadt in Wien vermitteln.