CCS 2016 Venue Guide
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History Society Trip to Prague and Vienna, 2018
History Society trip to Prague and Vienna, 2018 As one of the Trip Officers for the Edinburgh University History Society, Student Ambassador Carmen was responsible for organising a trip to Budapest and Vienna for 40 society members during Innovative Learning Week. While we were only away for 5 days, it felt like ages because we did so much in both cities! – Carmen Day 1: Monday, 19th of February Our flight to Budapest was extremely early – but this meant we got there really early too, giving us plenty of time to get our bearings! While the sky was blue, it was freezing cold as we walked around streets on the Pest side of the city, taking in the amazing views of Liberty Square & Parliament Square. After giving everyone a few hours to have dinner (and a nap after a long day of travelling!), we met up again to see the iconic Hungarian Parliament building light up at night. Here, we were able to get a big group photo, before running off to take some night shots of the stunning view over the River Danube! Day 2: Tuesday, 20th of February On our second day, we walked along the Széchenyi Chain Bridge (covered in snow!) to go across the Danube to Buda Castle. Using our trusty Budapest Cards, we were able to get a free Castle bus that took us outside the building – a lifesaver considering it was a very uphill walk! Some of our group were lucky enough to see the changing of the guard at the Sándor Palace, the residence of the Hungarian President. -
Utgaard on Klambauer, 'Österreichische Gedenkkultur Zu Widerstand Und Krieg: Denkmäler Und Gedächtnisorte in Wien 1945 Bis 1986'
Habsburg Utgaard on Klambauer, 'Österreichische Gedenkkultur zu Widerstand und Krieg: Denkmäler und Gedächtnisorte in Wien 1945 bis 1986' Review published on Thursday, January 20, 2011 Karl Klambauer. Österreichische Gedenkkultur zu Widerstand und Krieg: Denkmäler und Gedächtnisorte in Wien 1945 bis 1986. Der Nationalsozialismus und seine Folgen. Innsbruck: StudienVerlag, 2006. 333 pp. EUR 37.80 (paper), ISBN 978-3-7065-4076-6. Reviewed by Peter Utgaard (Cuyamaca College)Published on HABSBURG (January, 2011) Commissioned by Jonathan Kwan Remembrance in Vienna In the early 1980s, historian Robert Knight discovered the 1948 cabinet papers where the Austrian leaders discussed the question of restitution for Jewish victims of the Nazi regime in Austria. Knight’s revealing of the words of Interior Minister Oskar Helmer--“I am in favor of dragging this matter out”-- spelled out exactly how Austrian policy would function. After publication of Knight’s book (resisted by the government), Helmer’s phrase became part of Austria’s political lexicon.[1] Knight’s find was concrete evidence of a postwar political culture that was dominated by what historians would later call the victim myth, victim thesis, and other names. In postwar Austria, the political system and the government was characterized by Proporz, the power sharing and divvying of patronage spoils by the two main political parties, the Socialist Party of Austria (SPÖ) and the conservative Austrian People’s Party (ÖVP). The rebirth of an independent Austria, reversing the Nazi annexation of 1938, came courtesy of the Four Powers who had defeated Nazi Germany. The political leadership in Austria seized this opportunity and immediately adopted a doctrine that Austria and most Austrians were unequivocal victims of Nazi Germany. -
Fourth Consultation for Points of Contact for the Purpose of Accident Notification and Mutual Assistance Designated Within the UNECE 25-26 March 2010, Zagreb
Fourth Consultation for Points of Contact for the Purpose of Accident Notification and Mutual Assistance designated within the UNECE 25-26 March 2010, Zagreb Problems in notifications – obligations for use of several notification systems in an event of emergency situation Mr. Christian Krol Official Counsellor, Department for Civil Protection, Crisis- and Disaster Protection Management in the MoI BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 Content General remarks and basic principles Origin, tasks and structure of National Crisis and Disaster Protection Management in Austria The Federal Alarm Centre as Initial Point of Contact Systems operated/monitored by Duty Officers in the Federal Alarm Centre Recommendations/Conclusions BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 General remarks and basic principles BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 83,858 km² 8.09 million inhabitants 9 Provinces/“Länder“ Czech Republic Slovakia Germany Switzer- land Hun- gary Liechtenstein Italy Slovenia BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 13 Federal Ministries BKA BMeiA BMUKK BMF BMI BMJ BMLVS BMLFUW BMASK BMG BMVIT BMWFJ BMWF Subordinated authorities 9 provincial governments W B NÖ OÖ ST K S T V 99 administrative districts 2359 local authorities BUNDESMINISTERIUM FÜR INNERES, 1014 WIEN, HERRENGASSE 7, TEL.: +43 - (0)1 - 531 26 - 0 Basic Principles: Precautionary measures -
Notes of Michael J. Zeps, SJ
Marquette University e-Publications@Marquette History Faculty Research and Publications History Department 1-1-2011 Documents of Baudirektion Wien 1919-1941: Notes of Michael J. Zeps, S.J. Michael J. Zeps S.J. Marquette University, [email protected] Preface While doing research in Vienna for my dissertation on relations between Church and State in Austria between the wars I became intrigued by the outward appearance of the public housing projects put up by Red Vienna at the same time. They seemed to have a martial cast to them not at all restricted to the famous Karl-Marx-Hof so, against advice that I would find nothing, I decided to see what could be found in the archives of the Stadtbauamt to tie the architecture of the program to the civil war of 1934 when the structures became the principal focus of conflict. I found no direct tie anywhere in the documents but uncovered some circumstantial evidence that might be explored in the future. One reason for publishing these notes is to save researchers from the same dead end I ran into. This is not to say no evidence was ever present because there are many missing documents in the sequence which might turn up in the future—there is more than one complaint to be found about staff members taking documents and not returning them—and the socialists who controlled the records had an interest in denying any connection both before and after the civil war. Certain kinds of records are simply not there including assessments of personnel which are in the files of the Magistratsdirektion not accessible to the public and minutes of most meetings within the various Magistrats Abteilungen connected with the program. -
Herbert Haupt, Der Heldenplatz (2000)
Demokratiezentrum Wien Onlinequelle: www.demokratiezentrum.org Printquelle: in: Douer, Alisa (Hg.): Wien Heldenplatz. Mythen und Massen. 1848 bis 1998. Verlag Mandelbaum, Wien 2000, S. 13-22 Herbert Haupt Der Heldenplatz Ein Stück europäischer Geschichte im Herzen von Wien Was Wien für die Monarchie ist, das ist die Hofburg für Wien: Der eigentliche Mittelpunkt der Stadt« Richard von Eitelberger, 1859 Zunächst mußte Raum geschaffen werden, damit überhaupt ein Platz entstehen konnte. Am Beginn der Geschichte des Heldenplatzes steht die Sprengung der Burgbastei durch die abziehenden französischen Truppen im Dezember des Jahres 1809. Napoleon hatte mit der Eroberung Wiens (13. Mai 1809) und dem Frieden von Schönbrunn (14. Oktober 1809) den Höhepunkt seiner Macht erreicht. Es war ein blutiger, hart umkämpfter Sieg gewesen, der am Nimbus der Unbesiegbarkeit des Kaisers der Franzosen erste Flecken hinterließ. In der Schlacht bei Aspern und Eßling hatte sich Napoleon zum erstenmal einer einzelnen Macht geschlagen geben müssen. Erzherzog Carl (1771–1847) sollte 50 Jahre später am äußeren Burgplatz ein Denkmal zur Erinnerung an den Sieg errichtet werden. Als bleibende Erinnerung an seine halbjährige Regentschaft in Wien ließ Napoleon vor seinem Abzug die zum Schutze der Hofburg errichtete Bastei sprengen. Doch was als demütigendes Zeichen gedacht war, nahm in Wirklichkeit nur eine Arbeit vorweg, die Kaiser Franz I. (1768–1835) von Österreich früher oder später selbst vorzunehmen gezwungen gewesen wäre. Die neue Waffentechnik verlangte nach einem neuen Befestigungssystem. Die Zeit für Bastionen war abgelaufen. Mit dem Abtragen des Schutts und mit der Beseitigung der an der Außenseite der Basteimauer gelegenen Wachthäuser ließ man sich Zeit. Erst 1816 wurde mit der Planierung des den größeren Teil des heutigen Heldenplatzes umfassenden Areals der Burgbastei begonnen. -
Technological Studies Kunsthistorisches Museum Vienna
Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Translated from the German volume: Content Technologische Studien Kunsthistorisches Museum. Konservierung – Restaurierung – Forschung – Technologie, Sonderband Depot, Band 9/10, Wien 2012/13 PREFACE Sabine Haag and Paul Frey 6 Editor: Kunsthistorisches Museum Vienna INTRODUCTION Martina Griesser, Alfons Huber and Elke Oberthaler 7 Sabine Haag Editorial Office: ACKNOWLEDGEMENTS 9 Martina Griesser, Alfons Huber, Elke Oberthaler Assistant, Editorial Office: ESSAYS Stefan Fleck Building a Cost-Effective Art Storage Facility that 13 Tanja Kimmel maintains State-of-the-Art Requirements Joachim Huber Creating a Quantity Structure for Planning Storage 21 Translations: Equipment in Museum Storage Areas Aimée Ducey-Gessner, Emily Schwedersky, Matthew Hayes (Summaries) Christina Schaaf-Fundneider and Tanja Kimmel Relocation of the 29 Collections of the Kunsthistorisches Museum Vienna to the New Art Direction: Central Storage Facility: Preparation, Planning, and Implementation Stefan Zeisler Pascal Querner, Tanja Kimmel, Stefan Fleck, Eva Götz, Michaela 63 Photography: Morelli and Katja Sterflinger Integrated Pest Management (IPM) Christian Mendez, Thomas Ritter, Alexander Rosoli, -
Fillegorical Truth-Telling Via the Ferninine Baroque: Rubensg Material Reality
Fillegorical Truth-telling via the Ferninine Baroque: RubensgMaterial Reality bY Maria Lydia Brendel fi Thesls submitted to the Faculty of Graduate Studies and Research in partial folfiilment of the requirements of the degree of Doctor of Philosophy Department of flrt History McGIll Uniuerslty Montréal, Canada 1999 O Marfa lgdlo Brendel, 1999 National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K 1A ON4 Ottawa ON K1A ON4 Canada Canada Your hls Votre roferenw Our fib Notre réMrencs The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothêque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in rnicrofonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantiaî extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Table of Contents Bcknowledgements .............................................................................................................. -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
Price List Hofburg New Year's Eve Ball on 31 December 2019
PRICE LIST HOFBURG NEW YEAR’S EVE BALL ON 31 DECEMBER 2019 GRAND TICKET WITH GALA DINNER Admission entrance Heldenplatz at 6.30 pm The ticket price includes the entrance and a seat reservation at a table as well as a glass of sparkling wine for the welcome (at the Hofburg Foyer until 7.00 pm), a four-course dinner with white / red wine, mineral water and a glass of champagne at midnight at your table. Musical entertainment by live-orchestras and dance floor. Festsaal EUR 780.- per person Zeremoniensaal Center EUR 730.- per person Zeremoniensaal Wing EUR 700.- per person Geheime Ratstube EUR 520.- per person STAR TICKET WITH SEAT RESERVATION Admission entrance Heldenplatz at 9.15 pm The ticket price includes the entrance ticket and the seat reservation at a table, a glass of sparkling wine for the welcome (at the Hofburg Foyer until 10.00 pm). Festsaal Seat reservation in a centrally located state hall musical entertainment by live-orchestras, dance floor EUR 440.- per person Wintergarten or Marmorsaal Seat reservation in a centrally located state hall or in a room with a view over the Heldenplatz EUR 350.- per person Seitengalerie or Vorsaal seat reservation in a centrally located state hall EUR 300.- per person Künstlerzimmer or Radetzky Appartment seat reservation in a smaller, historical state hall EUR 250.- per person CIRCLE TICKET Admission entrance Heldenplatz at 9.15 pm The ticket price comprises access to all ballrooms and a glass of sparkling wine for the welcome (at the Hofburg Foyer until 10.00 pm). A seat reservation is not included. -
Coffee and the Comfort of Strangers by Duncan J
Coffee and the Comfort of Strangers By Duncan J. D. Smith Since 2011 Vienna’s world famous coffee house culture has been designated and protected as “Intangible Cultural Heritage” by UNESCO making it every bit as important as the Argentine Tango, the Mediterranean diet, and the Panama hat. According to the listing the Viennese coffee house is a place “where time and space are consumed, but only the coffee is found on the bill.” Armenian Traders The Vienna coffee house tradition goes back to the late 17th century when Armenian traders were allowed to roast and sell coffee beans by royal decree. The new beverage was well received and coffee houses sprang up rapidly throughout the city. In the early days, however, the various varieties of coffee had no official names and customers would make their selection using a colour chart! These days popular varieties include Schwarzer Brauner (espresso), Mélange (espresso with milk and foam), Verlängerter (espresso diluted with water), and Einspänner (black coffee served in a glass with whipped cream). The latter was traditionally popular with Vienna’s fiacre drivers as they waiting for clients outside coffee houses and named after the one-horse cabs common when fodder was short after the First World War. Bentwood Chairs The traditional Viennese coffee house has a distinctive atmosphere and a specific protocol dating back to its fin de siècle heyday. Against a backdrop of dark wood, cream coloured walls, and golden lights coffee is served by waiters dressed in black suits and bow ties (it always arrives on a silver tray accompanied by a glass of water). -
Tips for Bicyclists: Discover Vienna by Bicycle
Tips for Bicyclists: Discover Vienna by Bicycle Table of Contents From the Danube bicycle path to the center of Vienna 2 Bicyclist-friendly hotels & pensions 3 Guided tours through Vienna 3 For Specialists: Mountain Biking in the Vienna Woods 5 Bicycle and electric bike rentals 6 Electric bike rentals 7 Electric bike charging points 8 Public air pumps 8 Around the Old City on the sightseeing bicycle path “Ringstrasse” 9 Other thematic bicycle paths 9 Citybike Vienna 10 Bicycle and public transportation 11 Bicycles on trains 11 Event tips for cyclists 12 Bicycling according to a plan, literature, maps, apps 13 Transportation Clubs - additional information 14 Shops for all things bike 14 1/14 Publisher: Vienna Tourist Board, 1030 Vienna, Invalidenstraße 6, tel. +43-1-24 555, [email protected], www.wien.info. Last revision: March 2018, subject to change without notice. Note: Ride along these routes at your own risk Tips for Bicyclists: Discover Vienna by Bicycle You can travel fast with a bicycle, but still slowly enough to enjoy Vienna's sights on the way. Vienna offers more than 1,300 kilometers of bicycle paths, some of them in areas with hardly any traffic. Explore Vienna by bicycle: whether you bring your own or rent one, the city has a lot to offer to bicyclists. We have collected a few tips for your bicycling tour through the metropolis on the Danube, such as where you can rent a bicycle or get one repaired, at what times you are allowed to take it on Vienna's public transportation system, and when guided city tours are offered for bicyclists. -
EXHIBITION: the Temptations of James Ensor Works from 1888 to 1940
EXHIBITION: The temptations of James Ensor Works from 1888 to 1940 Samuel Vanhoegaerden Gallery is pleased to show at Brafa 2020 an extraordinary collection of works by James Ensor gathered for the first time James Ensor, Ballerines muées en marguerites, huile sur toile, 1936 James ENSOR, genius and founder of modern art James Ensor is one of Belgium's most important artists, belonging in the same list as Van Eyck, Rubens, Bruegel and Magritte. His works are of great rarity (he painted only around 850 works) and a large portion of them have already found a place in the world's largest museums. Ensor's importance cannot be overestimated. His name appears in all works on modern art and he was groundbreaking in his manner of painting. James Ensor paved the way for the emergence of Expressionism, Dada ism and Surrealism, among others, and even today, artists like Pierre Alechinsky and Luc Tuymans are indebted to his work. Over the years, the art market has increasingly realized just how decisive Ensor was for art history, and he is increasingly appreciated internationally. Already during his lifetime, and to this day, exhibitions of his works continue to be held in the worl d's most important museums (the latest including the MOMA, the Getty Museum and the Musée d'Orsay) and research into his work continues to expand. The market for his paintings and drawings is slowly drying up as these works find their way to museum collections, and with the few available paintings remaining family-owned. James Ensor's work is timeless and continues to amaze and delight every generation.