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James Thomson CV
James Thomson Sound Recordist / mixer e-mail: [email protected] mobile: + 44 (0)7711 031 615 Nationality: Canadian and British passports ( no I Visa required for working in the USA ) Bases: West Hampstead, London & Clifton, Bristol Languages: English / conversational French Diary service: Jane Murch at Films at 59 + 44 ( 0)117 906 4334 Credits - Documentary Fred and Rose West the Untold Story - Blink Films for ITV Studios, directed by Adam Kaleta Drive to Survive F1 - Box to Box Productions for Netflix TV, directed by James Gay-Rees Push the Global Housing Crisis - WG Films / Malmo Inc for Netflix TV, directed by Fredrik Gertten The English Surgeon - Storyville for BBC TV, directed by Geoffrey Smith with music by Nick Cave Keith Richards X-Pensive Winos - Main Offender Tour, directed by the late Roger Pomphrey The Musicals - with Neil Brand, 3 X 1hrs for BBC 4, directed by Sebastian Barfield Sachin A Billion Dreams - docudrama Indian cricketer Sachin Tendulkar, directed by James Erskine The Murder Detectives - Films of Record Productions for Channel 4, directed by Bart Corpe Britain and the Sea - with David Dimbleby BBC TV, directed by John Hodgson Nazi Mega Stuctures - Darlow-Smithson for Nat Geo, directed by Simon Breen All Change at Longleat - Shine Productions, BBC 1, directed by Lynn Alleyway Origins of Us - with Dr. Alice Roberts, BBC TV, directed by David Stewart A Picture of Britain – with David Dimbleby BBC TV, directed by Jonty Claypool Magritte - The life of surrealist painter Rene Magritte for Channel 4, directed by Michael Burke Omnibus - Bernardo Bertolucci & ‘The Dreamers’, BBC TV, directed by David Thompson Race Across America with James Cracknell for Discovery USA, directed by Andrew Barron The Great British Paraorchestra for Channel 4, directed by Cesca Eaton The Vanishing Family - Channel 4, directed by Richard Bond D-Day - Dangerous Productions for BBC TV, directed by Richard Dale James May’s 20th Century, BBC TV, directed by Helen Thomas Churchill’s Forgotten Years – BBC TV, directed by Russell Barnes Ultimate Swarms with Dr. -
'Opposition-Craft': an Evaluative Framework for Official Opposition Parties in the United Kingdom Edward Henry Lack Submitte
‘Opposition-Craft’: An Evaluative Framework for Official Opposition Parties in the United Kingdom Edward Henry Lack Submitted in accordance with the requirements for the degree of PhD The University of Leeds, School of Politics and International Studies May, 2020 1 Intellectual Property and Publications Statements The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ©2020 The University of Leeds and Edward Henry Lack The right of Edward Henry Lack to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 2 Acknowledgements Page I would like to thank Dr Victoria Honeyman and Dr Timothy Heppell of the School of Politics and International Studies, The University of Leeds, for their support and guidance in the production of this work. I would also like to thank my partner, Dr Ben Ramm and my parents, David and Linden Lack, for their encouragement and belief in my efforts to undertake this project. Finally, I would like to acknowledge those who took part in the research for this PhD thesis: Lord David Steel, Lord David Owen, Lord Chris Smith, Lord Andrew Adonis, Lord David Blunkett and Dame Caroline Spelman. 3 Abstract This thesis offers a distinctive and innovative framework for the study of effective official opposition politics in the United Kingdom. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Combined E-Mails Sent Between PRYCE and OAKESHOTT
Exhibit: LJN/12a Combined E-mails sent between PRYCE and OAKESHOTT -----Original Message---- From: isabel oakeshott < Date: Tue, I Mar~201120:08:15 To: <viclcypryce Subject: my gran plan I've spent most of the afternoon thinking about your situation from every angle and have come to some conclusions, which I hope you'll have a think about First of all, i think your reputation would be really damaged by a 'tell all' book with Angela Levin/ the Mail on Sunday. The Mail on Sunday is -at the end of the day- a fairly downmarket publication and a lot of people would think it a bit tawdry for you to be co-operating with them. I know it's got a big readership, but so has the News of the World! Ifyou are seen to be helping the Mail on Sunday, it will look bad- no two ways about it. There will also be an assumption that you've made money from it, - because everyone rightly assumes that papers like that use their cheque books to get their stories. That would be bad for your reputation. At the moment it sounds like you have a really good chance ofjoining the MPC in the nearish future, and in the longer term, perhaps even the House of Lords. It is not worth jeapardising that if it can be avoided. Given that you clearly want to tell your story, (and at the same time see that Chris gets what he deserves) that leaves two options: 1) do the book, but give serialisation rights to a more respectable paper, ie, the Sunday Times. -
Guardian and Observer Editorial
Monday 01.01.07 Monday The year that changed our lives Swinging with Tony and Cherie Are you a malingerer? Television and radio 12A Shortcuts G2 01.01.07 The world may be coming to an end, but it’s not all bad news . The question First Person Are you really special he news just before Army has opened prospects of a too sick to work? The events that made Christmas that the settlement of a war that has 2006 unforgettable for . end of the world is caused more than 2 million people nigh was not, on the in the north of the country to fl ee. Or — and try to be honest here 4 Carl Carter, who met a surface, an edify- — have you just got “party fl u”? ing way to conclude the year. • Exploitative forms of labour are According to the Institute of Pay- wonderful woman, just Admittedly, we’ve got 5bn years under attack: former camel jockeys roll Professionals, whose mem- before she flew to the before the sun fi rst explodes in the United Arab Emirates are to bers have to calculate employees’ Are the Gibbs watching? . other side of the world and then implodes, sucking the be compensated to the tune of sick pay, December 27 — the fi rst a new year’s kiss for Cherie earth into oblivion, but new year $9m, and Calcutta has banned day back at work after Christmas 7 Karina Kelly, 5,000,002,007 promises to be rickshaw pullers. That just leaves — and January 2 are the top days 16 and pregnant bleak. -
October 2019 50P Are You Ready? Brexit Looms
Issue 421 October 2019 50p Are you ready? Brexit looms ... & Chippy looks to the future Parliament is in turmoil and Chipping Norton, with the nation, awaits its fate, as the Mop Magic! Government plans to leave the EU on 31 October – Deal or No Deal. So where next? Is Chippy ready? It’s all now becoming real. Will supplies to Chippy’s shops and health services be disrupted? Will our townsfolk, used to being cut off in the snow, stock up just in case? Will our businesses be affected? Will our EU workers stay and feel secure? The News reports from around Chippy on uncertainty, contingency plans, but also some signs of optimism. Looking to the future – Brexit or not, a positive vision for Chippy awaits if everyone can work together on big growth at Tank Farm – but with the right balance of jobs, housing mix, and environmental sustainability for a 21st century Market town – and of course a solution to those HGV and traffic issues. Chipping Norton Town Council held a lively Town Hall meeting in September, urging the County Council leader, Ian Hudspeth into action to work with them. Lots more on Brexit, HGVs, and all this on pages 2-3. News & Features in this Issue • GCSE Results – Top School celebrates great results • Health update – GPs’ new urgent care & appoint- ment system • Cameron book launch – ‘For the Record’ • Chipping Norton Arts Festival – 5 October The Mop Fair hit town in • Oxfordshire 2050 – how will Chippy fit in? September – with everyone • Climate emergency – local action out having fun, while the traffic Plus all the Arts, Sports, Clubs, Schools and Letters went elsewhere. -
Piers Morgan Outrage Over Brandpool Celebrity Trust Survey Submitted By: Friday's Media Group Monday, 19 April 2010
Piers Morgan outrage over Brandpool celebrity trust survey Submitted by: Friday's Media Group Monday, 19 April 2010 Piers Morgan has expressed outrage at being voted the sixth least trusted celebrity brand ambassador in a survey by ad agency and creative content providers Brandpool. Writing in his Mail On Sunday column, the Britain’s Got Talent judge questioned the logic of the poll, which named the celebrities the public would most and least trust as the faces of an ad campaign. But Brandpool has hit back at Morgan for failing to recognise the purpose of its research. Morgan, who also neglected to credit Brandpool as the source of the study, said: “No real surprises on the Most Trusted list, which is led by ‘national treasures’ such as David Attenborough, Stephen Fry, Richard Branson and Michael Parkinson. “As for the Least Trusted list, I find the logic of this one quite odd. Katie Price, for example, comes top, yet I would argue that she’s one of the most trustworthy people I know… Then I suddenly pop up at No 6, an outrage which perhaps only I feel incensed about. Particularly as that smiley little rodent Russell Brand slithers in at No 7. Making me supposedly less trustworthy than a former heroin junkie and sex addict.” Morgan was also surprised to see Simon Cowell, Cheryl Cole, Sharon Osbourne, Tom Cruise and Jonathan Ross in the Least Trusted list. However, he agreed with the inclusion of John Terry, Ashley Cole, Tiger Woods and Tony Blair, all of whom, he said, were “united by a common forked tongue”. -
Whatsonbristol January 2011 .Co.Uk
whatsonbristol January 2011 .co.uk www.whatsonbristol.co.uk Fashion Motoring Nightlife Events Shopping Attractions New Year New You Food and Drink Health and Beauty Home Improvements FREE PEOPLE OUT AND ABOUT 26-27 COMPETITIONS 58 Welcome to the January 2011 issue Welcome one and all to the January issue of What’s On and though the weather may be cold and frightful, there’s one place to escape the winter blues this month so why not curl up by the fireside and devour a copy of Bristol’s number one enter- tainment guide? With the festivities of Christmas a dim and distant memory, time to look forward to a brand new year and opportunities, possibilities and everything to play for as they say. This month we explore health in its various forms, whether it’s the traditional post Christmas detox or perhaps a more rigorous approach by taking the plunge and joining a gym. With many roads leading to Rome we look at ways to improve your general fitness from a holistic ap- proach to more conventional methods. You’d be forgiven for thinking that not a lot happens in January but leaf through this issue and I think Contents you’ll be pleasantly surprised. With some cracking features that include ‘New Year, New You’, stunning Shopping 4 winter breaks and an interview with the winner of Conference Venue 5 ‘the face of What’s On’, add to the mix the usual Chinese Whispers 6 recipes, competitions and puzzles and once again Karaoke Bar 7 What’s On comes up trumps! Map 8-9 If you want your New Year to get off to a whiz Events 10-16 bang and fancy a little bit of sparkle in your life look no further than our jumping January issue Good Food Pubs 17-21 and remember, if you want to know what’s on, Attractions 22-25 when it’s on, why it’s on and where it’s on it’s got Out and About 26-27 to be What’s On Bristol – the undisputed people’s choice. -
Report of the Auditors
UTV Media plc Report & Accounts 2013 Contents Summary of Results 2 Chairman’s Statement 3 Who We Are 5 Radio GB 6 Radio Ireland 8 Television 10 Strategic Report 12 Board of Directors 27 Corporate Governance 30 Corporate Social Responsibility 43 Report of the Board on Directors’ Remuneration 48 Report of the Directors 63 Statement of Directors’ Responsibilities in relation to the Group Financial Statements 67 Directors’ Statement of Responsibility under the Disclosure and Transparency Rules 67 Report of the Auditors on the Group Financial Statements 68 Group Income Statement 71 Group Statement of Comprehensive Income 72 Group Balance Sheet 73 Group Cash Flow Statement 74 Group Statement of Changes in Equity 75 Notes to the Group Financial Statements 76 Statement of Directors’ Responsibilities in relation to the Parent Company Financial Statements 120 Report of the Auditors on the Parent Company Financial Statements 121 Company Balance Sheet 122 Notes to the Company Financial Statements 123 Registered Office and Advisers 126 1 UTV Media plc Report & Accounts 2013 Summary of Results Financial highlights on continuing operations* • Group revenue of £107.8m (2012: £112.3m) - down 11% in the first half of the year and up 3% in the second half • Pre-tax profits of £16.9m (2012: £20.1m) • Group operating profit of £20.1m (2012: £23.4m) - down 36% in the first half of the year and up 10% in the second half • Net debt £49.1m (2012: £49.4m) • Diluted adjusted earnings per share from continuing operations of 14.27p (2012: 16.63p) • Proposed final dividend of 5.25p maintaining full year dividend of 7.00p (2012: 7.00p) * As appropriate, references to profit include associate income but exclude discontinued operations. -
Dramatis Personae
Dramatis Personae Chris McCabe and Tom Jenks Argotist Ebooks 2 Cover image by Chris McCabe and Tom Jenks Copyright © Chris McCabe and Tom Jenks 2014 A rights reserved Argotist Ebooks 3 This is a se ection from the five co aborations written by Chris McCabe and Tom Jenks for the Camarade pro$ect between 2011 and 2013. Thanks to SJ Fow er, the curator of the pro$ect, for initiating and supporting the co aborations. Thanks a so to Mark Cob ey whose Red Cei ings Press pub ished the first co aboration as Gnomes in 2011, and to Sophie ,er-heimer for costumery and other visua input into the performances of this piece. 4 Dramatis Personae 5 The fo owing is a se ection from co aboration 1, written in August 2011 Avai ab e at http.//cmt$maintenant.wordpress.com This se0uence was pub ished by Red Cei ings Press with the tit e Gnomes. 6 THE LONDON FINGER 1hy did you put your finger in your mouth in 2ondon3 I didn’t put my finger in my mouth in London. 1hose finger did you put in your mouth in 2ondon3 I didn’t put anyone’s finger in my mouth in London. 1hose finger was it then3 4Chris McCabe5 7 RADIO PLAY ,op-scotching dog shits on the pavement. Knots of bronze. 7ou know about the white ones3 The white ones? 1hite dog shits. What? 8utcher9s bones : turns to ca cium in the intestines. How do strays get the butcher’s bones is it a Beano chase? It9s not the strays, they eat out the back of the baker9s. -
December 2019 at 10.30Am Gate House, 1 Farringdon Street, London EC4M 7LG
Paper No. 1861 CONFIDENTIAL MINUTES of the COMPLAINTS COMMITTEE MEETING Wednesday 18 December 2019 at 10.30am Gate House, 1 Farringdon Street, London EC4M 7LG Present Sir Alan Moses (Chairman) Richard Best Nazir Afzal Andrew Brennan Lara Fielden Janette Harkess David Hutton Helyn Mensah Mark Payton Andrew Pettie Miranda Winram Peter Wright (Items 11-16) In attendance: Charlotte Dewar, Director of Operations Michelle Kuhler, PA and minute taker Matt Tee, Chief Executive Lauren Sloan, Joint Head of Complaints Also present: Members of the Executive: Katrina Bell Rosemary Douce Hanno Fenech Darryl Garvey Alice Gould Sophie Malleson Thomas Moseley Sean Sutherland Observers: Lord Edward Faulks QC Jonathan Grun, Editors’ Code Committee Item 3 1. Apologies for Absence There were no apologies. 2. Declarations of Interest Peter Wright declared an interest in items 6 to 10 and did not attend the meeting until after these items where dealt with. 3. Minutes of the Previous Meeting The Committee approved the minutes of the meeting held on 13 November. 4. Update by the Chairman – oral The Chairman informed the Committee that Charlotte Urwin, Head of Standards, will be leaving IPSO in February 2020. He updated the Committee on the recent events he had attended: in conversation with Alison Phillips at the Law Society, the Newcastle Roadshow, his interviews with The Times and the Financial Times, and the Editors’ Code Committee Meeting. 5. Matters arising There were no matters arising. 6. Complaint 01506-19/05531-19 Sultan bin Muhammad Al Qasimi and the Al Qasimi family v thesun.co.uk/The Sun The Committee discussed the complaints and ruled that they should not be upheld. -
2008 Programme Review
CHANNEL 4 REVIEW OF 2008 Major Themes in 2008 2008 was a year of dramatic creative renewal for Channel 4. In March, the organisation published Next on 4, a policy document laying out its public service vision for the future. Creative renewal in the schedule was evident even before then, with a raft of new programming in January occupying the space occupied in previous years by Celebrity Big Brother, which was rested. Over the course of the year, a range of authored series and campaigning programmes exemplified Channel 4’s renewed commitment to high-impact programming capable of engaging mass-market audiences, stimulating debate and generating interest in important social, political and cultural issues. However, Channel 4’s ability to fulfil its public service ambitions were curtailed by the downturn in the advertising market towards the end of the year, leading to significant reductions in the programming budget for both 2008 and 2009. In an increasingly competitive environment, Channel 4’s portfolio of channels and services maintained its viewing share at 11.9 per cent. The core channel share fell from 8.7 per cent in 2007 to 8.2 per cent in 2008. Next on 4 Dramatic changes are reshaping the UK broadcasting ecology, as it moves towards a fully digital world. Viewers will have access to dozens, if not hundreds of channels, as well as the rapidly growing variety of video services delivered online. In this context, Channel 4 reaffirmed its commitment in Next on 4 to remain a publicly-owned public service broadcaster whose primary purpose is the fulfilment of its legislative remit.