Memory Strategies in Contemporary Georgia
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Measuring Individual Identity: Experimental Evidence
Measuring Individual Identity: Experimental Evidence Alexander Kuo Center for Advanced Study in the Social Sciences Juan March Institute [email protected] Yotam Margalit Department of Political Science Columbia University [email protected] Abstract What determines the identity category people feel they most belong to? What is the political significance of one’s proclaimed identity? Recent research addresses this question using surveys that explicitly ask individuals about their identity. Yet little is known about the nature of the attachments conveyed in responses to identity questions. We conduct a set of studies and experiments that investigate these reported attachments. Our findings suggest that: (1) the purported identity captured in survey responses varies significantly within subjects over time; (2) changes in people’s primary identity can be highly influenced by situational triggers; (3) changes in purported self-identity do not imply a corresponding change in policy preferences. Our results are drawn from three studies that vary in terms of design, country sample, and research instrument. The findings have implications for research on identity choice, as well as on the use of surveys in studying the role of identity in comparative politics. 1 ―We have spoken to many people in this country [X] and they have all described themselves in different ways. Some people describe themselves in terms of their language, religion, race, and others describe themselves in economic terms, such as working class, middle class, or a farmer. Besides being [a citizen of X], which specific group do you feel you belong to first and foremost?‖ [Afrobarometer Surveys, 1999-2002] Introduction What determines the identity category people feel they belong to? What is the political significance of one’s proclaimed identity? The answers to these questions are important for understanding phenomena such as policy preferences, social cleavages, and perhaps even political conflict. -
Thomas De Waal the Caucasus
THE CAUCASUS This page intentionally left blank THE CAUCASUS AN INTRODUCTION Thomas de Waal 1 2010 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2010 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data de Waal, Thomas. The Caucasus : an introduction / Thomas de Waal. p. cm. Includes bibliographical references and index. ISBN 978-0-19-539976-9; 978-0-19-539977-6 (pbk.) 1. Caucasus Region—Politics and government. 2. Caucasus Region—History. 3. Caucasus Region—Relations—Russia. 4. Russia—Relations—Caucasus Region. 5. Caucasus Region—Relations—Soviet Union. 6. Soviet Union—Relations—Caucasus Region. I. Title. DK509.D33 2010 947.5—dc22 2009052376 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper To Zoe This page intentionally left blank Contents Introduction 1 1. -
Laa Cooinaghtyn Illiam Dhone 2020- Roie
Published by Mec Vannin, The Manx Nationalist Party Earroo / Issue 60 Jerrey Geurree / January 2020 Laa Cooinaghtyn Illiam Dhone 2020 - Roie Raa ‘sy Ghaelg liorish Markys y Kermitt Failt erriu ooilley gys Laa Cooinaghtyn er yn R.U., t'eh orrin goaill rish dy vel Manninee faagail er yn oyr nagh vel Illiam Dhone, sy vlein Daa Housane as drogh staid nyn jeer, er y chooid smoo, ee Mannin nish myr t’ad smooinaghtyn Feed. Yn cliaghtey ain rish ymmodee kyndagh rish drogh reiltys 'syn ellan urree. Ta shin lane dy leih ta jeeaghyn bleintyn, shen goaill toshiaght lesh hene. er Mannin myr aght nyn lyst startaghyn roie-raa mychione y vlein chaaie, as as bea y vishaghey as shen ooilley. As eisht oraid Ghaelgagh as oraid elley Ta'n Kiare as Feed bunnys dyn niart ta Sisyphus rolley e chlagh. 'sy Vaarle. erbee. C'raad ta'n niart firrinagh? Vel eh ayns Coonseil ny Shirveishee? Cha Agh cre aght fodmayd cur lhietrymmys Yn vlein shoh, bee daa oraid scanshoil nel eh. Myr smoo as ny smoo, ta'n niart er y laou shoh? Seign da’n reiltys 'sy Vaarle mychione chyndaays ny politickagh 'syn ellan nish ny lhie eddyr aa-hoie keeshyn dy ve kynjagh son h'emshyr as nyn gurrym rish y Oik Coonseil ny Shirveishee as Oik yn ooilley sleih as co-lughtyn ayns chymbyllaght as myr shen, reih shin Turneyr Theayagh as ta'd bunnys dyn Mannin. Seign da’n reiltys goaill rish jannoo yn roie-raa 'sy Ghaelg as y rick politickagh. nagh jean tooilley sleih jannoo veg er Vaarle neesht. -
Myth and Symbols of European Integration – Western and Eastern Perspectives
Myth and Symbols of European Integration – Western and Eastern Perspectives Course Code: MK_016 Language of Instruction: English Course tutor(s) Dr Krzysztof Kowalski works as a Senior Lecturer at the Institute of European Studies at the Jagiellonian University. His interests cover the anthropology of Europe, anthropology of European institutions (institutional anthropology), processes of history, memory and heritage invention at a European, national, regional and local level. Description The aim of the course is to present an anthropological point of view on the integration of Europe with special attention put on a variety of different readings of European, institutional symbolism especially in the context of its Western and Eastern understandings. The category of myth and symbols as well as memory and history will be the crucial element of the course. Special emphasis will be placed on examining strategies of the social invention of these phenomena. The symbolization of time and space of Europe will be discussed in depth so as to present their role in the appearance of local, national and supranational identities. Type of course Additional (elective) course for all specializations and specialty (MA level) Year of Studies: 1 or 2 Number of ECTS points 4.5 Prerequisites (if applicable) There is no prerequisite. Intended Learning Outcomes Students will understand the process of invention of European symbolism, mythology heritage and history as a means providing the citizens of the EU with a conceptual framework owing to which the European (and civilian) identity takes its form. As special emphasis will be given to anthropological perspectives of analysis, students will be familiarized with the process of self and other in contemporary Europe; in other words how social, political and ethnic exclusion and inclusion are symbolically constructed. -
GD No 2020/0062
Tuarastyl Vleinoil ANNUAL REPORT 2019/2020 of the Manx Heritage Foundation Undinys Eiraght Vannin ta dellal trading as Culture Vannin fo’n ennym Culture Vannin Incorporating the report Goaill stiagh tuarystal y Ving of the Gaelic Broadcasting Ymskeaylley Ghaelgagh Committee www.culturevannin.im Our year in numbers Nyn vlein ayns earrooyn EXISTING FILMS: The Secret 1800s Bank Vault in Castletown views OUR MOST POPULAR FILM 1,023,828 ONLINE HAD OVER NEWLY UPLOADED: The Isle of Man’s first 1 million UFO sighting? 3,067 views views during the year ON FACEBOOK: Chibbyr Vreeshey: St. Bridget’s Well at the Nunnery 20,600 views Videos added to YouTube 1,546,477 views videos newly uploaded 200 (making a total of 652 videos now available) 158,827 hours of viewing followers to our main Culture Vannin Twitter account, 3,648 with 1,598,000 impressions new audio files Listens in the past year: have been released Over 10,100 224 on SoundCloud (total of 522 now +3,522 on BandCamp available) =13,600 increase in Likes on our #culturevannin 19% main Facebook page images released 323 on Flickr Across our accounts: Facebook Twitter combined likes of pages and total followers on Twitter 14,444 members of groups on Facebook 7,698 across three accounts 1 CULTURE VANNIN ANNUAL REPORT 2019/2020 Contents Cooishyn sthie 03 SOME WORDS FROM OUR CHAIR 04 GOAN VEIH’N CHAAIRLIAGH AIN 05 WHO WE ARE AND WHAT WE DO 06 QUOI TA SHIN AS CRE TA SHIN JANNOO DEVELOPMENT WORK OBBYR VISHEE 07 SOME HIGHLIGHTS 08 PAART DY HALLEEYN CRONNAL A SUCCESS STORY FOR OUR VA COURYN Y VLEIN -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations. -
Georgian Opposition to Soviet Rule (1956-1989) and the Causes of Resentment
Georgian Opposition to Soviet Rule (1956-1989) and the Causes of Resentment between Georgia and Russia Master‘s Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Lisa Anne Goddard Graduate Program in Slavic and East European Studies The Ohio State University 2011 Master‘s Thesis Committee: Nicholas Breyfogle, Advisor Theodora Dragostinova Irma Murvanishvili Copyright by Lisa Anne Goddard 2011 Abstract This Master‘s thesis seeks to examine the question of strained relations between Georgia and the Russian Federation, paying particular attention to the Georgian revolts of 1956, 1978 and 1989 during the Soviet era. By examining the results of these historical conflicts, one can discern a pattern of three major causes of the tensions between these neighboring peoples: disagreement with Russia over national identity characteristics such as language, disputes over territory, and degradation of symbols of national legacy. It is through conflicts and revolts on the basis of these three factors that Georgian anti- Russian sentiment and Russian anti-Georgian sentiment developed. This thesis is divided into four chapters that will explore the origins and results of each uprising, as well as the evolving conceptions of national identity that served as a backdrop to the conflicts. Following an introduction that lays out the primary questions and findings of the thesis, the second chapter gives a brief history of Georgia and its relationship with Russia, as well as outlines the history and dynamic nature of Georgian national identity. Chapter three, the core chapter, presents the Georgian rebellions during the Soviet era, their causes, and their relevance to this thesis. -
The Scramble Round 4 Finals
The Scramble Round 4 Finals 1. One of these artifacts with arms is known as a tevavor, while Momik, credited with the design of Noravank Monastery, designed many of these. The most extensive collection of these artifacts is at Noratus, while the biggest one in the world is located in Jugha, in modernday Azerbaijan. Listed in 2000 under UNESCO, these objects often have rosettes and botanical motifs, in addition to crosses. For the point, name these Armenian “crossstones” which are ubiquitious in Armenian cemeteries. ANSWER: khachkars 2. The last speaker of one of these languages died in 1992 and had lived in the Balikesir region of Turkey. In one of these languages, referring to wara and bara would suggest that one is speaking directly to a man about his horse and in the second case, a woman. Many speakers of these languages now live in Jordan, Iraq, and Egypt, and Ubykh has no native speakers. Including such languages as Abaza and Kabardian, the eastern group includes the Nakh languages. For the point, name this language group. ANSWER: Northwest Caucasian languages 3.One musical group performing in this language was called Zugasi Berepe, whose founder Kazim Koyuncu (Koyoonjew), sang a popular song called “Didou Nana.” A newspaper in this language, Agani Murutsxi (murutskhi) recalls Iskenderi Tzitasi’s 1929 newspaper, Mch’ita Murutsxi, or “Red Star.” Spoken in towns like Findikli and Hopa, it is written in a Latin alphabet, and most of its speakers are Muslim. For the point, name this Georgian language, spoken in Turkey mostly near Rize (reezay). -
European National Anthems United Kingdom Europe Is One of the Seven Continents of the World
European National Anthems United Kingdom Europe is one of the seven continents of the world. All the different countries in Europe have their own national anthem. A national anthem can be a fanfare, a hymn, a march or a song. The British national anthem, God Save The Queen, is one of the oldest national anthems, having been performed since 1745. God Save The Queen God save our gracious Queen! Long live our noble Queen! God save the Queen! Send her victorious, Happy and glorious, Long to reign over us, God save the Queen. France La Marseillaise La Marseillaise is the French national Arise you children of anthem. The text opposite has been the fatherland translated from the original, which is The day of glory has arrived in French. It was composed in just one night Against us tyranny on April 24, 1792 during the French Has raised its bloodied banner Revolution by Claude-Joseph Rouget Do you hear in the fields de Lisle. The howling of these The words of the anthem are intended to fearsome soldiers? inspire soldiers to defend their country They are coming into your in War. midst Marseille is a place in France where the To slit the throats of your sons soldiers were fighting when the anthem and wives! was written. To arms, citizens, Form your battalions, Let us march, let us march! May impure blood Soak our fields’ furrows! Spain The Marcha Real is the national anthem of Spain. In English, the title means ‘The Royal March’. The anthem has no words. It is a melody played by an orchestra. -
Aleksandar Pavkovič / Christopher Kelen, Anthems and the Making of Nation States
Zitierhinweis Kreuter, Peter Mario: Rezension über: Aleksandar Pavkovič / Christopher Kelen, Anthems and the Making of Nation States. Identity and Nationalism in the Balkans, London: I. B. Tauris, 2016, in: Comparative Southeast European Studies, 65 (2017), 1, S. 184-186, https://www.recensio.net/r/ba3664509c8a4b4d890030e12618836e First published: Comparative Southeast European Studies, 65 (2017), 1 copyright Dieser Beitrag kann vom Nutzer zu eigenen nicht-kommerziellen Zwecken heruntergeladen und/oder ausgedruckt werden. Darüber hinaus gehende Nutzungen sind ohne weitere Genehmigung der Rechteinhaber nur im Rahmen der gesetzlichen Schrankenbestimmungen (§§ 44a-63a UrhG) zulässig. Südosteuropa 65 (2017), no. 1, pp. 184-194 BOOK REVIEWS Aleksandar Pavković / Christopher Kelen: the study. And that statement must always Anthems and the Making of Nation be kept in mind while perusing the book, States. Identity and Nationalism in as the reader will find no detailed analy- the Balkans, London et al.: I. B. Tauris sis of the music. On the one hand that is 2016 (International Library of Twentieth consistent and to advantage, for the aim Century History, vol. 82). 254 pp., ISBN here is not a history of the anthems just 978-1-78453-126-3, £ 15.99 for their own sake, for it is brimming with alternative texts of anthems, contemporary Let me begin with a suggestion to all statements and fancy details. On the other those interested in the topic of national hand, the music is as crucial to a national anthems. This book is well worth reading anthem as are the lyrics, so the authors lose even if its title is rather confusing, for the certain additional elements that might have main focus is on only the—more or less— helped their arguments. -
The National Anthems of the European Countries Where Is 'Europe'?
The national anthems of the European countries Where is ‘Europe’? Jan Berting Professor Emeritus of Sociology, Erasmus Universiteit, Rotterdam. Recent publications: Fundamentalisme en democratie. De open samenleving en haar hedendaagse tegenstrevers, 2004, and Europe: a Heritage, a Challenge, a Promise, 2006. Our European national anthems express in very different ways the attachments of the European populations to their countries. Let us have in the first place a look on the central themes that come to the fore in the European anthems. The major themes of the national anthems themes are almost always connected with one or more other themes that play a secondary role or that have an explanatory function. Moreover, the very central role of the Lord in theme 3 see below) is less outspoken under the other themes or is left out altogether. Reading the texts of the European national anthems, it becomes very quickly apparent that the European background of these nations is never mentioned. Their belongingness to ‘Europe’ is perhaps taken for granted? Anyhow, the diversity of these ‘European’ anthems is very great, as is revealed by my analysis. The analysis of the European national anthems reveals that they are in several respects very different. Looking for the major themes that the national anthems express, I found eight different types of national anthems. 1. The anthems of the tiny states of Europe. The diversity of the national anthems starts here (4 cases). 2. The anthems that place in the forefront the beauty of the landscapes of the country to which their native populations belong (7 cases). -
Of Togetherness TRACES
of Togetherness TRACES TRACES of Togetherness not bEttEr not worsE just diffErEnt ISBNISBN 978-3-943897-44-9978-3-943897-44-9 0 00 9 0 9 9 0 9 0 9 783943 897449 9 783943 897449 The “Traces of Togetherness” project is supported by the Federal Foreign Office within the programme “Expanding Cooperation with Civil Society in the Eastern Partnership Countries and Russia”. citizEn journalism in thE south caucasus and russia TRACES of Togetherness Следы Eдинcтвa Birliyin izləri Միասնության հետքեր The “Traces of Togetherness” project is supported by the Federal Foreign Office within the programme “Expanding Cooperation with Civil Society in the Eastern Partnership Countries and Russia”. თანაარსებობის კვალი “Traces of Togetherness” is a project of Kultur Aktiv e.V. Spuren des Miteinanders Imprint Editors: Kultur Aktiv e.V. Editorial Bautzner Straße 49 | 01099 Dresden | Germany n summer 2018, on the banks of the Volga river in the and diversity of all Soviet republics. Each country could kulturaktiv.org | [email protected] Russian town of Ulyanovsk, something unusual hap- present itself to the others in its “own” territory on the I pened. During a citizen journalism workshop, curious banks of the Volga with sculptures, pavilions and coun- Matthias Schumann people from Armenia and Azerbaijan, with likeminded try- specific flora. As an official but ambivalent symbol individuals from Russia, searched for traces of their own of diversity within unity, and initially part of the greater Editorial Office: René Kaufmann, Christine Müller, Matthias Schumann respective national South Caucasian culture and histories Lenin Memorial Complex, the park became a reflection together. of the internal relationships between the former Soviet Layout/Satz: Mirko Däumler | www.daeumler.com republics.