GD No 2020/0062
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Irish Language in Meals Will Also Be Available on Reservation
ISSN 0257-7860 Nr. 57 SPRING 1987 80p Sterling D eatp o f S gum äs Mac a’ QpobpaiNN PGRRaNpORtb CONfGRGNCC Baase Doolisl) y KaRRaqpeR Welsb LaNquaqc Bills PlaNNiNQ CONtROl Q tpc MaNX QOVGRNMCNt HistORic OwiNNiNG TTpe NoRtp — Loyalist Attituöes A ScaSON iN tl7G FRGNCb CgRip Q0DC l£AGU€ -4LBA: COVIUNN CEIUWCH * BREIZH: KEl/RE KEU1EK Cy/VIRU: UNDEB CELMIDO *ElRE:CONR4DH CfllTHCH KERN O W KE SU NW NS KELTEK • /VWNNIN1COV1MEEY5 CELM GH ALBA striipag bha turadh ann. Dh'fhäs am boireannach na b'lheärr. Sgtiir a deöir. AN DIOGHALTAS AICE "Gun teagamh. fliuair sibh droch naidheachd an diugh. Pheigi." arsa Murchadh Thormaid, "mur eil sibh deönach mise doras na garaids a chäradh innsibh dhomh agus di- 'Seinn iribh o. hiüraibh o. hiigaibh o hi. chuimhnichidh mi c. Theid mi air eeann- Seo agaibh an obair bheir togail fo m'chridh. gnothaich (job) eite. Bhi stiuradh nio chasan do m'dhachaidh bhig fhin. "O cäraichidh sinn doras na garaids. Ma Air criochnacbadh saothair an lä dhomh." tha sibh deiseil tägaidh sinn an drasda agus seallaidh mi dhuibh doras na garaids. Tha Sin mar a sheinn Murchadh Thormaid chitheadh duine gun robh Murchadh 'na turadh ann." "nuair a thill e dhachaidh. "Nuair a bha c dhuine deannta 'na shcacaid dhubh-ghorm Agus leis a sin choisich an triuir a-mach a' stiiiireadh a’ chäir dhachaidh. bha eagail agus na dhungairidhe (dungarees), Bha baga dhan gharaids, an saor ’na shcacaid dhubh- air nach maircadh an ehr bochd air an rarhad uainc aige le chuid inncaian saoir. Bha e mu gorm is dungairidhc , . -
Measuring Individual Identity: Experimental Evidence
Measuring Individual Identity: Experimental Evidence Alexander Kuo Center for Advanced Study in the Social Sciences Juan March Institute [email protected] Yotam Margalit Department of Political Science Columbia University [email protected] Abstract What determines the identity category people feel they most belong to? What is the political significance of one’s proclaimed identity? Recent research addresses this question using surveys that explicitly ask individuals about their identity. Yet little is known about the nature of the attachments conveyed in responses to identity questions. We conduct a set of studies and experiments that investigate these reported attachments. Our findings suggest that: (1) the purported identity captured in survey responses varies significantly within subjects over time; (2) changes in people’s primary identity can be highly influenced by situational triggers; (3) changes in purported self-identity do not imply a corresponding change in policy preferences. Our results are drawn from three studies that vary in terms of design, country sample, and research instrument. The findings have implications for research on identity choice, as well as on the use of surveys in studying the role of identity in comparative politics. 1 ―We have spoken to many people in this country [X] and they have all described themselves in different ways. Some people describe themselves in terms of their language, religion, race, and others describe themselves in economic terms, such as working class, middle class, or a farmer. Besides being [a citizen of X], which specific group do you feel you belong to first and foremost?‖ [Afrobarometer Surveys, 1999-2002] Introduction What determines the identity category people feel they belong to? What is the political significance of one’s proclaimed identity? The answers to these questions are important for understanding phenomena such as policy preferences, social cleavages, and perhaps even political conflict. -
Nu-Nordic Band Samling Give Taste of Our Past
www.iomtoday.co.im Isle of Man Examiner, Tuesday, November 1, 2011 13 MANX SHIP FIRST TO VISIT QUAKE MUSIC AND CULTURE STRICKEN JAPANESE PORT, page 15 CULTURAL MIX: The members of new Nordic band Samling, centre, at the Cooish were, from left, Naomi Harvey from Scotland, guitarist Tom Oakes from Devon, and Anne-Sofie Ling Vadal from Norway. They seek to com- bine traditional music from Norway, left, with Gaelic music from the Hebrides, right. Anne-Sofie told me: ‘It truly was a great experience for me personally to come to the Isle of Man, with all it’s links to Norway! I will definitely come back and spend a bit more time there to explore both the musical, history and culture links’ Nu-Nordic band Samling NORDREYS (Earldom of give taste of our past Orkney) THERE was a taste of a new gen- by Simon Artymiuk ensemble, there was also a real treat when Australian-born singer Sophia SUDREYS re of music at this year’s Coo- (Kingdom of part of an impressive Scandinavian At- Dale sang a solo Manx Gaelic song ac- Mann and ish concert – although it was lantic empire stretching from Denmark companied by Tom. She explained that the Isles) also a reminder of ancient links to Greenland. Even the Normans who on her visits to the island some years which, though forged long ago, took control of England after the Battle ago she had often encountered on Port continue to have resonance in of Hastings in 1066 were descendants Erin beach a little boy who every year of Danish raiders living in France. -
Manx Gaelic and Physics, a Personal Journey, by Brian Stowell
keynote address Editors’ note: This is the text of a keynote address delivered at the 2011 NAACLT conference held in Douglas on The Isle of Man. Manx Gaelic and physics, a personal journey Brian Stowell. Doolish, Mee Boaldyn 2011 At the age of sixteen at the beginning of 1953, I became very much aware of the Manx language, Manx Gaelic, and the desperate situation it was in then. I was born of Manx parents and brought up in Douglas in the Isle of Man, but, like most other Manx people then, I was only dimly aware that we had our own language. All that changed when, on New Year’s Day 1953, I picked up a Manx newspaper that was in the house and read an article about Douglas Fargher. He was expressing a passionate view that the Manx language had to be saved – he couldn’t understand how Manx people were so dismissive of their own language and ignorant about it. This article had a dra- matic effect on me – I can say it changed my life. I knew straight off somehow that I had to learn Manx. In 1953, I was a pupil at Douglas High School for Boys, with just over two years to go before I possibly left school and went to England to go to uni- versity. There was no university in the Isle of Man - there still isn’t, although things are progressing in that direction now. Amazingly, up until 1992, there 111 JCLL 2010/2011 Stowell was no formal, official teaching of Manx in schools in the Isle of Man. -
COT REPORT 2008 Revised A4 4.11.Indd
HOW TO GET IN TOUCH We hope you will find this document useful. If you would like to make any comment on any aspect of it, please contact: The Clerk of Tynwald Office of the Clerk of Tynwald Finch Road Douglas Isle of Man IM1 3PW telephone: (+44) 1624 685500 e-mail: [email protected] website: www.tynwald.org.im Tynwald Annual Report 2007-08 1 Contents Foreword .......................................................................... 2 Tynwald of today: structure and functions ................... 3 Legislation ........................................................................7 Committee work .............................................................. 9 Tynwald Day 2008 ...........................................................15 Engagement at home and abroad ................................16 Offi ce of the Clerk of Tynwald .......................................18 Appendices 1. List of Members with constituency and parliamentary appointments and parliamentary Committees as at 31st July 2008 ....................................................... 21 2. Offi ce of the Clerk of Tynwald staffi ng as at 31st July 2008 ......................................... 23 3. Expenses of the Legislature Budget 2007/08 and 2008/09 (Pink Book) ................... 24 Published by © the President of Tynwald and the Speaker of the House of Keys, 2008 2 Tynwald Annual Report 2007-08 Foreword Welcome to this, the fi rst Annual service that supports the work Report on the operation of the of Members of Tynwald in their world’s oldest parliament in parliamentary (as opposed to continuous session. governmental) capacity, and also offers a range of services direct to Residents of the Isle of Man, the public. and many who have visited the Island, will be aware of our ancient We are proud of our parliament. parliamentary tradition, which We want to make it easy for people stretches back over 1,000 years in the Isle of Man, and elsewhere, and is still very much part of the to see what it does and to fi nd out Manx way of life. -
Kiaull Manninagh Jiu 09/20 Culture Vannin Tickets for £10: Evening Concert/Film Local Bandlavakings Athomeinthe Camargue
wwwwww.m.maannxxmmuusisci.cc.ocmom K I A U L L M A N N I N A G H J I U M A N X M U S I C T O D A Y Mean Fouyir 2020 September MANX MUSIC TODAY New Manx music tutorial videos The first of a new collection of traditional music video tutorials has been launched by Culture Vannin. Part of the Treisht lockdown initiative (Manx Gaelic for ‘hope’), seven established musicians were invited to share their technical knowledge and create instruction films teaching a selection of Manx songs and tunes. As well as Gaelic songs for children and advanced singers, there are Manx tune tutorials for fiddle, whistle and harp. Whistle and flute player Peddyr Cubberley was one of the successful applicants. A renowned performer and composer, Peddyr plays with Mactullagh Vannin, the Peddyr Trad Trio, Croan y Tead, and he is also a founding member of the Tarroo Marroo Ceili Band. He is particularly well known for his tune “Kinnoull”, which has become an international hit performed at the Royal Edinburgh Tattoo. Peddyr said; “I would like to thank Culture Vannin for the opportunity to get involved in playing a further part in helping to keep our traditional Manx culture alive, and to help make it further available by way of the Treisht tutorials.” For his videos, he chose to firstly teach the beginners’ staple, “Smuggler’s Lullaby”, and his own composition, “Nelson’s Tonic”; a simple tune which has gained popularity in recent years after its inclusion on Barrule’s self-titled album. -
Sociolinguistic Vitality of Manx After Extreme Language Shift: Authenticity Without Traditional Native Speakers
IJSL 2015; 231: 45 – 62 Open Access Tadhg Ó hIfearnáin Sociolinguistic vitality of Manx after extreme language shift: authenticity without traditional native speakers Abstract: This article draws on sociolinguistic fieldwork among speakers of one of Europe’s smallest indigenous language communities, a speaker group which persists after the loss of all of its “traditional speakers” within living memory. The extreme language shift experienced by Manx has not led to loss of the language as a spoken and literary medium due to the efforts of significant numbers of lan- guage activists and enthusiasts over several generations, from before the loss of the traditional language community to the present. Their actions have resulted in significant linguistic institutionalisation and a rapidly expanding number of speakers of various abilities, some of whom form a new “speaker community”. It discusses the constructions of linguistic authenticity and alternative models for the revival speaker, showing how core groups of speakers have been bestowed with authenticity by the wider non-speaker population, for whom linguists’ inter- est in language endangerment and language death are not primary concerns. The article shows how speakers appropriate and are accorded forms of authority and legitimacy in the absence of traditional native speakers. Keywords: authenticity, native speaker, language revitalization and regenera- tion, Manx Gaelic, Monegasque DOI 10.1515/ijsl-2014-0031 1 Introduction: sociolinguistic vitality after extreme language shift In this article I use the term extreme language shift (ELS) to refer to the process by which communities underwent a language shift from their historical native Tadhg Ó hIfearnáin: University of Limerick, Ireland. -
NAMA Convention 2014 IOM Program
yss a d g n h i ! Y NAMANorth american manx association We’re back! Isle of Man 2014 52nd North American Manx Association Convention July 3rd - 7th 2014 This is_____________________________________’s copy She dty vea dy valley -- Welcome home It gives me great pleasure to welcome you all “home.” Every year, in small groups scattered across the vastness of North America, we gather to celebrate the bond that brings us together, our Manx heritage and kinship. Now, for these SE91 few days in July, we are fortunate to be able to rekindle these friendships in the place where £6.55 it all began: Our homeland, Ellan Vannin, the Isle of Man. Whether your ancestor voyaged to the New World as an Elizabethan settler, or left behind a tholtan in the 1800s, or shipped out as a G.I. bride, we North American Manx all carry a piece of the Island in our hearts. And as the Manx in our blood thins out, we now welcome a new group of members, those who have come to love the Isle of Man for itself. To those members, we are delighted you have made the trip to discover what it is we find special about this unique and beautiful place. SE41 £6.60 Thank you for making the journey back. I’m sure you will enjoy all we have planned for you this action-packed Tynwald weekend. Please know that none of it would have been possible without the help and support of the local community, to whom we extend our Limited edition of deepest thanks. -
Laa Cooinaghtyn Illiam Dhone 2020- Roie
Published by Mec Vannin, The Manx Nationalist Party Earroo / Issue 60 Jerrey Geurree / January 2020 Laa Cooinaghtyn Illiam Dhone 2020 - Roie Raa ‘sy Ghaelg liorish Markys y Kermitt Failt erriu ooilley gys Laa Cooinaghtyn er yn R.U., t'eh orrin goaill rish dy vel Manninee faagail er yn oyr nagh vel Illiam Dhone, sy vlein Daa Housane as drogh staid nyn jeer, er y chooid smoo, ee Mannin nish myr t’ad smooinaghtyn Feed. Yn cliaghtey ain rish ymmodee kyndagh rish drogh reiltys 'syn ellan urree. Ta shin lane dy leih ta jeeaghyn bleintyn, shen goaill toshiaght lesh hene. er Mannin myr aght nyn lyst startaghyn roie-raa mychione y vlein chaaie, as as bea y vishaghey as shen ooilley. As eisht oraid Ghaelgagh as oraid elley Ta'n Kiare as Feed bunnys dyn niart ta Sisyphus rolley e chlagh. 'sy Vaarle. erbee. C'raad ta'n niart firrinagh? Vel eh ayns Coonseil ny Shirveishee? Cha Agh cre aght fodmayd cur lhietrymmys Yn vlein shoh, bee daa oraid scanshoil nel eh. Myr smoo as ny smoo, ta'n niart er y laou shoh? Seign da’n reiltys 'sy Vaarle mychione chyndaays ny politickagh 'syn ellan nish ny lhie eddyr aa-hoie keeshyn dy ve kynjagh son h'emshyr as nyn gurrym rish y Oik Coonseil ny Shirveishee as Oik yn ooilley sleih as co-lughtyn ayns chymbyllaght as myr shen, reih shin Turneyr Theayagh as ta'd bunnys dyn Mannin. Seign da’n reiltys goaill rish jannoo yn roie-raa 'sy Ghaelg as y rick politickagh. nagh jean tooilley sleih jannoo veg er Vaarle neesht. -
Manx Language Strategy 2017 - 2021 Strateysh Son Y Ghaelg 2017 - 2021 Manx Language Strateysh Son Strategy Y Ghaelg 2017-2021 2017-2021
Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 Manx Language Strateysh son Strategy y Ghaelg 2017-2021 2017-2021 Manx Language Network Jeebin “Thinking back over the years I can’t remember a 6me when there was this much excitement and involvement with reviving Manx Gaelic, and I think it’s a great service to the Island now, and also for posterity.” Manx Language For All Gaelg son dy chooilley pheiagh !1 Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 CONTENTS: Foreword Roie-raa …………………………………………………………………………………..………. 3 Introduction Goan Foslee Manx Language Yn Ghaelg ..……..………………………….……………..……………………………………. 4 Manx Language Network Members Olteynyn Key Stakeholders Parteeyn ………………………………………………………………………………………….. 5 Theme 1: Appropriate and Accessible Resources Cooish 1: Stoo-ynsee cooie ta ry gheddyn dy h-aashagh …………………………….. 7 Theme 2: Manx as an Important Part of National and Cultural Identity Cooish 2: Gaelg myr ayrn scanshoil jeh enney ashoonagh as cultooroil ……………8 Theme 3: Manx for the Manx Speaking Community Cooish 3: Gaelg son y theay Gaelgagh………………………………………………..….10 Theme 4: Lifelong Learning of Manx from Early to Later Years Cooish 4: Ynsagh fud bea voish lhiannooaght dys shenn-eash………………….……..11 “Learning is a treasure that will follow its owner everywhere; learning Manx isn’t just about language it’s about history, learning about the places we live, understanding why things are done the way they are and most importantly a pride and iden6ty of being part of the Isle of Man.” !2 Manx Language Strategy 2017 - 2021 Strateysh son y Ghaelg 2017 - 2021 MINISTERS’ FOREWORD ROIE-RAA In many ways, the Manx language is one of the Island’s success stories, both na:onally and interna:onally. -
Myth and Symbols of European Integration – Western and Eastern Perspectives
Myth and Symbols of European Integration – Western and Eastern Perspectives Course Code: MK_016 Language of Instruction: English Course tutor(s) Dr Krzysztof Kowalski works as a Senior Lecturer at the Institute of European Studies at the Jagiellonian University. His interests cover the anthropology of Europe, anthropology of European institutions (institutional anthropology), processes of history, memory and heritage invention at a European, national, regional and local level. Description The aim of the course is to present an anthropological point of view on the integration of Europe with special attention put on a variety of different readings of European, institutional symbolism especially in the context of its Western and Eastern understandings. The category of myth and symbols as well as memory and history will be the crucial element of the course. Special emphasis will be placed on examining strategies of the social invention of these phenomena. The symbolization of time and space of Europe will be discussed in depth so as to present their role in the appearance of local, national and supranational identities. Type of course Additional (elective) course for all specializations and specialty (MA level) Year of Studies: 1 or 2 Number of ECTS points 4.5 Prerequisites (if applicable) There is no prerequisite. Intended Learning Outcomes Students will understand the process of invention of European symbolism, mythology heritage and history as a means providing the citizens of the EU with a conceptual framework owing to which the European (and civilian) identity takes its form. As special emphasis will be given to anthropological perspectives of analysis, students will be familiarized with the process of self and other in contemporary Europe; in other words how social, political and ethnic exclusion and inclusion are symbolically constructed. -
Manx Music & Dance the Isle of Man’S History in Music, Song & Dance
lIbrary & archIve servIce ManX MusIc & Dance The Isle of Man’s hIsTory In MusIc, song & Dance Much of what we know about Manx music starts with early 19th century manuscripts and the earliest published source, the Mona Melodies, 1820 (J.48/2xf). however, many of the carvals (vernacular religious songs) and church music date from the 18th century, although very little was published. In the late 19th century, the Gill brothers, composer William This led to two publications of Manx dances by the English Henry and Deemster John Frederick, joined forces with Dr. Folk Dance Society and the eventual formation of the Manx John Clague on a rescue mission to collect Manx folk music Folk Dance Society in 1951. before it was forgotten. At the same time Arthur William Throughout this time the Isle of Man was flourishing as a Moore was conducting a similar project. In 1896 they tourist destination with large numbers of visitors from the UK published select pieces from their collections, edited for a late every year. To entertain them, large dance halls in Douglas Victorian audience as Manx National Songs (J.48) and Manx had daily performances for anything up to 6,000 people at a Ballads and Music. (J.48/14) time. Brothers Harry and Haydn Wood filled the demand for The 19th century also offers a variety of church music sources. music for these visitors and many of the music hall songs of The singing of carvals at oie’ll verrees (gatherings in the local the period are closely associated with the Isle of Man.