DOCSLIB.ORG

Works in Progress to Increase Green Areas By

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Works in Progress to Increase Green Areas By BUSINESS | 17 SPORT | 02 Minister Al Kaabi Home favourite Samba discusses energy, joins Warholm and LNG cooperation Benjamin in in Japan star-studded final Sunday 29 September 2019 | 30 Muharram 1441 www.thepeninsula.qa Volume 24 | Number 8029 | 2 Riyals Champions are faster Works in progress to Amir attends IAAF Worlds increase green areas by over 10m sqm by 2022 SANAULLAH ATAULLAH The phase one of with the initiative of the Ministry THE PENINSULA of Municipality and Environment the beautification to plant trees. The Committee The Public Works Authority project comprises the will coordinate with Ashghal (Ashghal) is progressing with design and execution Highway Project Department, implementing the first phase of a number of Roads Projects Department and projects of the ‘Supervisory the Public Parks Department to Committee of Beautification of projects that plant 10 million square metres Roads & Public Places in Qatar’ include constructing of green areas by 2022 through which targets to increase green pedestrian and cycle various projects.” areas in Qatar by 240 percent by paths, construction He said that collaboration 2022 through cultivation of with local and national tree green grasses and plants over 10 and maintenance nurseries such as the Qatar million square metres area of green areas and Foundation is also carried out to across the country. planting trees, enable tree planting. “To date, The progress in this regard development of 76km of pedestrian and cycle included some streets in north paths have been completed, and Amir H H Sheikh Tamim bin Hamad Al Thani attended last evening part of IAAF World Athletics of Doha such as Legtaifiya, vital areas, adding other works such as landscape, Championships Doha 2019 at Khalifa International Stadium. H H the Amir attended the mixed 4x400M Buhaira, Onaiza, Al Markhiya artworks throughout trees planting, street furniture, relay, hammer throw, long jump, and men’s 100M final. The President of the International Olympic Committee, Dr. Thomas Bach; the President of the International Association of Athletics Federations streets and parts of Al Waab the country. lighting, kiosks are still ongoing. street. The beautification of Phase one is scheduled to be (IAAF), Lord Sebastian Coe; the President of the Qatar Olympic Committee and Chairman of the streets such as Al Khafji, Al completed by the first quarter of Organising Committee of the IAAF Doha 2019 Championships, H E Sheikh Joaan bin Hamad Al Thani, Jamiaa, Arab League, and others vital areas, adding artworks 2020,” said Al Mohannadi. several senior officials, and sports fans attended the competitions. across the whole country is throughout the country. Eng. Mohammed Arqoub Al underway. Such works are done under Khalidi, Chairman of the Super- Details about the projects the umbrella of the Ministry of visory Committee, said: “One of were given by Asghal officials Municipality and Environment the most important objectives of MME's massive efforts to protect environment and members of the Committee and in coordination with several the Committee is to rehabilitate at the opening ceremony of Al ministries and governmental many areas to be environmen- THE PENINSULA/DOHA country, and in cooperation with natural resources for the future Abraj Park in West Bay Area, a entities in the country including tally, pedestrians and cyclists the Ministry of Development generations, within the project of the Supervisory Com- the Ministry of Transport and friendly according to Qatar The Ministry of Municipality and Planning Statistics prepared framework of the Ministry’s sus- mittee, yesterday. Communications, the Ministry National Vision 2030, thus con- Environment (MME) conducted Qatar’s Second National Devel- tainable strategic plan and Qatar The phase one project of of Sports and Culture, Qatar tributing to the creation of a tests and analysed 9,099 opment Strategy 2018-2022, said National Vision 2030. beautification comprises the Museums, Qatar Railways vibrant and healthy culture that samples of soil and water in the a statement of MME. An integrated environmental design and execution of a Company, the Private Engi- supports the use of bicycles and environmental laboratory to The State of Qatar, repre- database will be established in number of projects that include neering Office and others. walking to workplaces, and to check pollution in 246 rounds of sented by the Ministry of Munic- cooperation with the constructing pedestrian and President of Ashghal, Dr. shopping and entertainment environmental surveys. ipality and Environment, attaches Department of Information cycle paths, construction and Eng. Saad bin Ahmed Al areas as well as contributing to The Ministry also carried out great importance to the protection Systems at the MME and other maintenance of green areas and Mohannadi, said: “The Super- the increase of a healthier life- 50 follow-up visits to air quality of the environment and the pres- relevant agencies and institu- planting trees, development of visory Committee works in line style and exercise.” `P3 monitoring stations in the ervation and development of its tions. `P3 EAA and World Bank announce new partnership Qatar’s tourism sees THE PENINSULA Nations General Assembly, on ‘Intractable’ SDG4 Problems”, support girls’ education and DOHA September 26. said a statement. children with special needs — growth rate of 11% Demonstrating the impor- One year after announcing with a focus on achieving Sus- The Education Above All (EAA) tance of ensuring that high-level its groundbreaking approach tainable Development Goal 4 and the World Bank have financial commitments are to help qualifying countries (SDG4). THE PENINSULA and businesses,” he added. announced a new partnership to translated into measurable overcome a lack of access to EAA and its partners have DOHA He noted that Qatar was support access to quality changes, the Education Above All credit on the international chosen to specifically address recently ranked on top in the education for two million out- Foundation (EAA) in partnership financial market and secure barriers that exclude children Qatar tourism sector is a prom- Middle East and number eight of-school children (OOSC) in with Qatar Fund for Devel- funds for education, EAA from education—including ising market for investors and globally in Business Environment over 40 countries. opment (QFFD), Islamic Devel- brought together stakeholders gender and other forms of dis- businesses and it has witnessed by the World Economic Forum’s This new partnership was opment Bank and other partners to discuss progress to-date and crimination, which are among the 11 percent growth during Travel & Tourism Competi- announced in a side event gathered a panel of experts and highlight innovative funding “intractable” barriers to inclusive January to August 31, 2019 tiveness Report 2019. entitled “Innovative Financing education advocacy leaders for models that are bringing addi- education--and ways that solu- compared to the same period in The country’s tourism sector to Address ‘Intractable’ SDG4 a side event entitled, “Innovative tional financial resources to tions to overcome barriers can be 2018, said Akbar Al Baker, is undergoing rapid devel- Problems” as part of the United Financing to Address education—including to funded at scale. `P2 Secretary-General of Qatar opment, with milestone achieve- National Tourism Council ments in the sub sectors of cruise, (QNTC) and Group Chief Exec- business events and sports. Pre- utive, Qatar Airways. paring beyond 2022, multiple Afghans vote to elect Commenting on the new businesses are creating occasion of World Tourism Day thousands of job opportunities new president 2019, he said: “Tourism is one in hospitality, retail, F&B, and AFP of the most resilient sectors glo- transportation. KABUL bally growing at a rate of four “To meet this demand for percent, creating 10 percent of well-prepared capabilities, Afghans voted in presidential elections amid tight world jobs and even more in the QNTC has initiated several security yesterday, as Taliban insurgents deter- ancillary sectors. training and education initia- mined to disrupt the process unleashed a string "Today, we celebrate World tives such as our tour guide pro- of attacks on polling centres across the country Tourism Day under a theme that gramme and the UNWTO/ IE that killed at least five people. truly resonates with our vision University Online Tourism The first-round vote marked the culmination for tourism in Qatar: ‘Tourism Academy,” he said. `P3 of an election campaign that, despite a large field and Jobs: a better future for all.” of candidates, is seen as a close race between Pres- “Together with our partners ident Ashraf Ghani and his bitter rival Abdullah from both public and private Abdullah, the country’s chief executive. sectors, we have been constantly Authorities placed Kabul under partial working on implementing pol- lockdown, flooding streets with troops and icies to develop the tourism eco- banking banning trucks from entering the city in an effort system that helps create new to stop would-be suicide bombers targeting res- business sustainable growth and Included with idents as they cast their votes. Coleman proves fastest in the world job opportunities. With a stable today’s edition is a The Taliban, who carried out multiple growth that has reached 11 bombings during the two-month election season, Christian Coleman of the US crosses the finish line to win the final ahead of second- percent as of August 2019, Qatar’s special supplement claimed to have conducted hundreds of attacks placed Justin Gatlin of the US and third-placed Canada’s Andre De Grasse in the tourism sector has proven to be against Afghanistan’s “fake elections”. Men’s 100 Metres Final at the Khalifa International Stadium, Doha, last night. a promising market for investors 02 HOME SUNDAY 29 SEPTEMBER 2019 Al Sulaiti meets ministers, officials in Montreal THE PENINSULA DOHA The Minister of Transport and Communications, H E Jassim bin Saif Al Sulaiti, met yesterday with a number of officials on the sidelines of the 40th Inter- national Civil Aviation Organ- ization (ICAO) Assembly in Montreal, Canada.
Load more

Recommended publications
  • Russia's Identity Relations with Europe, the EU, and the United States: 1991-2007 Ted Hopf, Ohio State University August 2007 [email protected]
    Russia's Identity Relations with Europe, the EU, and the United States: 1991-2007 Ted Hopf, Ohio State University August 2007 [email protected] One can identify several waves of Russian identity relations with the world since 1991. These periods are 1992, 1993-2001 2001-5, and 2005-present. In the first period, there was, simply speaking, a Liberal identification with the West, in particular the United States. This was rapidly supplanted by a Centrist identification with the West, in particular with Europe, but also with an idealized Soviet past and an emerging Russian uniqueness. 911 cemented this Centrist identity, while simultaneously reinforcing a proto-Soviet identification with the US as the other superpower in the Global War On Terror (GWOT). Finally, since about 2005, a Russian dis-identification has occurred with both Europe and the US, and a growing stress on Russia as Russia has emerged. Russia’s Identities from 1991-911 There were three main discourses on Russian identity in the 1990s in Moscow: liberal, conservative, and centrist. The categorizations in Table One compare each discourse and its elements of identification. Each understood Russia with respect to internal, external, and historical Others.1 Liberals identified Russia’s future, at first with the American, and then with the European, present. They identified against the Soviet past and against the internal representation of that Other: the conservative discourse of communists and far right national patriots. They recognized the weakness of the Moscow federal centre vis-à-vis its 89 federal subjects, but felt economic prosperity within a democratic market economy would secure Russia from threats.
    [Show full text]
  • Marina Davydova: Some Thoughts on Russian Theatre at the Turn of the Century
    rtlb.ru russian theatre life in brief Marina DavyDova: Some ThoughTS on RuSSian Theatre aT The TuRn of The CenTuRy January 2008 White Dresses. “ouR pRoduCTionS aRe abSoluTely Safe.” The Russian theatre of the past decade has Throughout the nineties the Russian theatre been largely drawn into the orbit of the theatre existed in a distinctive kind of ghetto, making of Europe. Or it is rather the other way around – no attempts to digest aesthetically the rapidly European drama has turned out of the blue to changing reality: we are here all by ourselves, occupy the Russian theatre space to the effect all dressed in white, while the reality stinks of considerably changing the local theatrical and has nothing to do with us. Paradoxical as landscape. In terms of major theatrical forums it may sound, in the post-perestroika period Moscow has lately left far behind all the capi- we could claim to have Europe’s most asocial tals and mega cities of the world: the Chekhov public and theatre. In the Soviet times theatre Festival, the Territory, the NET, the Stanislavsky managed to substitute, no matter how clum- Season to mention just a few. In the context sily, for the civil society. But it clearly failed to of the current guest tour hullabaloo even the become an integral component of this spring- Golden Mask that is by definition (“national the- ing up new society that was offering a wider atre award and festival”) prescribed to cultivate range of freedoms. predominantly the national stage has scaled up The social and political affectation somehow to acquire the European dimension by bringing ran dry as the long-standing rules of play- along the productions of overseas dignitaries.
    [Show full text]
  • This Is the Published Version of a Chapter Published in Russische Und Sowjetische Geschichte Im Film
    http://www.diva-portal.org This is the published version of a chapter published in Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n. Citation for the original published chapter: Kotljarchuk, A. (2016) Invisible Victims: The Cold War and Representation of the Roma Genocide in Soviet Feature Films, Teleplays and Theater Performances. In: Alexander Friedman ; Frank Jacob (ed.), Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n (pp. 129-150). New York: ALTIJA N.B. When citing this work, cite the original published chapter. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32100 Powered by TCPDF (www.tcpdf.org) RUSSISCHE UND SOWJETISCHE GESCHICHTE IM FILM Von bolschewistischen Revolutionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ Alexander FRIEDMAN und Frank JACOB (Hrsg.) New York Geschichte und Film, Bd. 1 Hrsg. Frank JACOB und Alexander FRIEDMAN Alexander Friedman und Frank Jacob: Russische und Sowjetische Geschichte im Film: Von bolschewistischen Revolu- tionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ © ALTIJA, Frank Jacob, New York 2016. Coverdesign: Judith Weber / Smakelig ISBN: 978-1541360853 Inhaltsverzeichnis 1. Kino als „wichtigste aller Künste“: Einleitung Alexander FRIEDMAN und Frank JACOB 5 2. „Das weite Land und die Reichtümer der Rus lockten die Eroberer an“ – Das bedrohte Russland im Film Alexander QUERENGÄSSER 15 3. The Images of Dying and New Jewish Worlds in the Soviet Ci- nema: “The Jews on the Land” versus “Jewish Luck (Menachem Mendel)” Andrei ZAMOISKI 33 4. „Kube, Hitlers Gauleiter in Minsk, war der leibhaftige Teufel“.
    [Show full text]
  • A Cultural Analysis of the Russo-Soviet Anekdot
    A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT by Seth Benedict Graham BA, University of Texas, 1990 MA, University of Texas, 1994 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2003 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Seth Benedict Graham It was defended on September 8, 2003 and approved by Helena Goscilo Mark Lipovetsky Colin MacCabe Vladimir Padunov Nancy Condee Dissertation Director ii Copyright by Seth Graham 2003 iii A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT Seth Benedict Graham, PhD University of Pittsburgh, 2003 This is a study of the cultural significance and generic specificity of the Russo-Soviet joke (in Russian, anekdot [pl. anekdoty]). My work departs from previous analyses by locating the genre’s quintessence not in its formal properties, thematic taxonomy, or structural evolution, but in the essential links and productive contradictions between the anekdot and other texts and genres of Russo-Soviet culture. The anekdot’s defining intertextuality is prominent across a broad range of cycles, including those based on popular film and television narratives, political anekdoty, and other cycles that draw on more abstract discursive material. Central to my analysis is the genre’s capacity for reflexivity in various senses, including generic self-reference (anekdoty about anekdoty), ethnic self-reference (anekdoty about Russians and Russian-ness), and critical reference to the nature and practice of verbal signification in more or less implicit ways. The analytical and theoretical emphasis of the dissertation is on the years 1961—86, incorporating the Stagnation period plus additional years that are significant in the genre’s history.
    [Show full text]
  • Russia's Famous Dead As Political Currency Date
    The Living Dead: Russia’s Famous Dead as Political Currency by Abigail Probert Department of Slavic and Eurasian Studies Duke University Date:_______________________ Approved: ___________________________ Jehanne Gheith, Supervisor ___________________________ Edna Andrews ___________________________ Elena Maksimova Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Slavic and Eurasian Studies in the Graduate School of Duke University 2014 ABSTRACT The Living Dead: Russia’s Famous Dead as Political Currency by Abigail Probert Department of Slavic and Eurasian Studies Duke University Date:_______________________ Approved: ___________________________ Jehanne Gheith, Supervisor ___________________________ Edna Andrews ___________________________ Elena Maksimova An abstract of a thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Slavic and Eurasian Studies in the Graduate School of Duke University 2014 Copyright by Abigail Probert 2014 Abstract This thesis examines how the dead bodies of the Romanovs and of Vladimir Lenin are used as political and cultural capital in attempts to legitimate and shape Russia’s post-Soviet government. The first chapter shows how the reburial of the Romanovs invoked tsarist imagery as part of a larger series of invocations of the tsarist past by then-President Boris Yeltsin and other groups to build a new government. However, due to political tension and infighting the only group that benefited from the reburial of the Romanovs was the Russian Orthodox Church. The second chapter explores how the embalmed body of Vladimir Lenin is problematic by being unburied and being a reminder of Soviet times. Both of these chapter use newspaper articles, speeches, and interdisciplinary analysis of academic text to show how Boris Yeltsin, Vladimir Putin, and the Russian Orthodox Church built, or attempted to build, stability in post-Soviet Russia.
    [Show full text]
  • Nina Sadur's Portrait by Mikhail Kopyov, Reproduced by the Artist's Permission
    NiNa The Witching Hour and Sadur Other Plays Edited by Nadya L. PEtErsoN BostoN 2 0 1 4 Copyright © 2014 Academic Studies Press All rights reserved ISBN 978-1-61811-398-6 (hardback) ISBN 978-1-61811-399-3 (paperback) ISBN 978-1-61811-400-6 (electronic) Book design by Ivan Grave On the cover: Nina Sadur's portrait by Mikhail Kopyov, reproduced by the artist's permission. Published by Academic Studies Press in 2014 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com C o n t e n t s Acknowledgments ~ 4 ~ Introduction. Nina Sadur’s Fantastic Theater, by Mark Lipovetsky translated by Nadya L. Peterson ~ 6 ~ Go! translated by Nadya L.
    [Show full text]
  • № 4 2020 Viff Daily | №4 | 2020 Viff Daily | №4 | 2020
    17.10.2020 VIFF DAILY № 4 2020 VIFF DAILY | №4 | 2020 VIFF DAILY | №4 | 2020 And I have no regrets. For everything I thank God. For the wisdom of my father (my mother was upset: “where are you taking your son? How is he there in Moscow”), because everything turned out like this. Obedient Actor — From the moment I received my second higher education – the Advanced Course for Screenwriters and Film Directors, the Workshop of Vladimir Khotinenko – I became an ideal ac- tor. You see, in directing, you can never go wrong in creating this artificial world. You can always be right, because there is bound to be a real person on earth who, in exactly the same situation, did exactly what you dictated to a character and how you demanded to play from an actor. And even though millions may say that this does not happen, in fact, it definitely somewhere happened that way. Therefore, there is nothing wrong with the obedience of an actor to a director; a director, based on the above, doesn’t make mistakes In addition, I am a student of Mark Zakharov, and he was an absolute dictator. He drew up a scene in his head and clearly told everyone how and what to do. He called us universal soldiers who can do anything, nothing is impossible for us. “Whatever I ask you, you do it first. And then you can already wonder whether it was necessary or not.” Demanding Film Director — As a director, I demand obedience from actors. But in part, in rare cases, I allow them to show independence.
    [Show full text]
  • The Year 1988 Became a Turning-Point, and Not in the Best Direction
    The Diary of Anatoly S. Chernyaev 1988 Donated by A.S. Chernyaev to The National Security Archive Translated by Anna Melyakova Edited by Svetlana Savranskaya http://www.nsarchive.org Translation © The National Security Archive, 2008 The Diary of Anatoly S. Chernyaev, 1988 http://www.nsarchive.org January 3, 1988. I am at the “Pines” sanatorium. I’m reading “Life and Fate” of Vasilii Grossman (so far it is published in tamizdat1). Truly, it is “War and Peace.” And he is longing for “perestroika.” This was written in 1960! Lesha Kozlov died on December 28. He was a great guy and one of the talented consultants at the International Department. We buried him on the 30 th. There was a reception; Askol'dov, I, and the consultants talked about Lesha and about Dobrynin, with whom everybody is unhappy. I said a little too much, namely that M.S. [Mikhail Sergeyevich Gorbachev] has already once promised to take the consultant group away from Dobrynin and give it to me. M.S. gave me some “homework” for my vacation, with the idea that when I ski in fresh air, I might get some fresh ideas... This is for the CC Plenum on schools, where he would like to speak about ideology. The matter is very timely. We already have such a store of freedom of thought that it's time to synthesize it. The impulses from the 70th anniversary report gave off powerful results, driving Ligachev and Co. into a panic... And I think at the Plenum where he is one of the speakers, Ligachev will try to “stop” and “reverse” what has been achieved.
    [Show full text]
  • Opinions of Film Critics and Viewers
    Alexander Fedorov 100 most popular Soviet television movies and TV series: opinions of film critics and viewers Moscow, 2021 Fedorov A.V. 100 most popular Soviet television movies and TV series: opinions of film critics and viewers. Moscow: "Information for all", 2021. 144 p. What does the list of the hundred most popular Soviet television films and TV series look like? How did the press and viewers evaluate and rate these films? In this monograph, for the first time, an attempt is made to give a panorama of the hundred most popular Soviet television films and serials in the mirror of the opinions of film critics, film critics and viewers. The monograph is intended for high school teachers, students, graduate students, researchers, film critics, film experts, journalists, as well as for a circle of readers who are interested in the problems of cinema, film criticism and film sociology. Reviewer: Professor M.P. Thselyh. © Alexander Fedorov, 2021. 2 TABLE OF CONTENTS Introduction ………………………………….................................................................................... 4 100 most popular Soviet television movies and TV series: opinions of film critics and viewers ……………………………........................................................................................... 5 Interview on the release of the book "One Thousand and One Highest Grossing Soviet Movie: Opinions of Film Critics and Viewers"…………………………………………………………….. 119 List of "100 most popular Soviet television films and TV series.......................................... 125 About
    [Show full text]
  • We Aim Above the Mark to Hit the Mark Ralph Emerson
    STRATEGIES FOR BUSINESS IN MOSCOW We aim above the mark to hit the mark Ralph Emerson A PROPOS I will start with two quotes. Here is the first: “We had a with his band Hollywood Vampires. We will hope that this very successful trip to Russia. We made it back.” Here is the time he will have more time to enjoy the city. second: “The only problem that I have coming to Russia is Life in Moscow is becoming better not by waving a magic that there’s never enough time to see and visit everything.” wand. All of this is the result of the city’s authorities imple- The first line comes from the well-known American comic menting programs affecting all corners of life. Transport, Bob Hope, who visited Moscow at the start of the 1960’s. The residential buildings, education, health, safety, sport, tour- second quote came from the famous Hollywood actor Johnny ism, recreation… Even sceptics acknowledge today that Depp, who visited the Moscow capital twice, first in 2011, and these programs are being implemented with success. Not later in 2013. More than half a century had passed between surprisingly, the Moscow Mayor Sobyanin has been for some the two quotes, during which time Moscow changed radically. years now in the first place in national ratings among Rus- Changes today in the capital occur at a such a break-neck sian regional authorities. speed that even a Muscovite could not keep track of them. However, one does not need to look at ratings to understand Almost every day some positive development takes place how Moscow is getting better.
    [Show full text]
  • Festival Organizers
    ОРГАНИЗАТОРЫ ФЕСТИВАЛЯ FESTIVAL ORGANIZERS МИНИСТЕРСТВО КУЛЬТУРЫ РОССИЙСКОЙ ФЕДЕРАЦИИ MINISTRY OF CULTURE OF THE RUSSIAN FEDERATION ФОНД ПРЕЗИДЕНТСКИХ ГРАНТОВ FUND OF PRESIDENT’ GRANTS ГЕНЕРАЛЬНЫЙ ПАРТНЕР ФЕСТИВАЛЯ GENERAL PARTNER OF THE FESTIVAL ФОНД МИХАИЛА ПРОХОРОВА MIKHAIL PROKHOROV FOUNDATION ГИЛЬДИЯ КИНОРЕЖИССЕРОВ РОССИИ THE FILM DIRECTORS GUILD OF RUSSIA СОВМЕСТНАЯ ПРОГРАММА РОССИЙСКОЙ ФЕДЕРАЦИИ JOINT THE RF AND OHCHR PROGRAM И УПРАВЛЕНИЯ ВЕРХОВНОГО КОМИССАРА ПО ПРАВАМ ЧЕЛОВЕКА (УВКПЧ ООН) УПРАВЛЕНИЕ ВЕРХОВНОГО КОМИССАРА ООН UNITED NATIONS HIGH COMMISSIONER ПО ДЕЛАМ БЕЖЕНЦЕВ (УВКБ ООН) FOR REFUGEES (UNHCR) ПРОГРАММНЫЙ ОФИС СОВЕТА ЕВРОПЫ В РФ COUNCIL OF EUROPE PROGRAMME OFFICE IN THE RUSSIAN FEDERATION ПОСОЛЬСТВО КОРОЛЕВСТВА НИДЕРЛАНДОВ В РФ EMBASSY OF THE KINGDOM OF THE NETHERLANDS TO THE RF ПОСОЛЬСТВО КАНАДЫ В РФ EMBASSY OF CANADA IN THE RUSSIAN FEDERATION МОСКОВСКАЯ ГИЛЬДИЯ АКТЕРОВ ТЕАТРА И КИНО THE MOSCOW GUILD OF THEATRE AND CINEMA ACTORS Уважаемые друзья! Dear friends! Искренне рад приветствовать участников и гостей XXIII Международного фе- I am genially glad to greet the participants and guests of the XXIII International Film стиваля фильмов о правах человека «Сталкер»! Festival on Human Rights “Stalker”! С первого года своего существования фестиваль привлекает внимание публики Since its first year the Festival has been attracting public attention to the theme of к теме защиты прав и свобод человека, его гражданской ответственности, оказы- protecting human rights and freedoms, the theme of civil responsibility. It renders great вает влияние на формирование правового сознания общества художественными influence to the formation of legal awareness in the society by artistic means of cinema средствами кинематографа. За это время «Сталкер» стал крупнейшим социаль- art. Throughout this period “Stalker” has become the largest and socially important но-значимым форумом отечественного культурного календаря.
    [Show full text]
  • Ru2.020-Vc Russian
    University of Wisconsin - Madison Rev: November 15, 2019 Learning Support Services Room 274 Set Call Number: RU2.020-VC RUSSIAN FILMS ON VIDEO (Various distributors, 1990-present) TYPE OF PROGRAM: Russian culture and civilization; film DESCRIPTION: A series of films either produced in Russian, directed by Russian directors, or about Russian subjects: some films are subtitled in English. VIDEOTAPES ARE FOR RESERVE IN THE MEDIA LIBRARY ONLY! Instructors may check them out for up to 24 hours for preview purposes or to show in class. See the Media catalog or NLS for films in other languages. AUDIENCE: Students of Russian, Russian film, Russian literature. Advanced Russian needed for unsubtitled Films. FORMAT: VHS; NTSC CONTENT CALL NUMBER 9th Company RU2.020.206 USSR. 2005. DVD. In Russian w/English subtitles. Color. 140 min. Directed by Fyodor Bondarchuk. Based on real-life events, recounts a year in the shared lives of a group of young soldiers drafted to serve in Afghanistan during the final year of the Soviet conflict. 12 RU2.020.199 Russian 2009. DVD. In Russian w/English subtitles. Color. 160 min. Directed by Nikita Mikhalkov. When a Chechen youth is put on trial for the murder of his stepfather, it’s up to a room full of jurors divided by racism and prejudice to determine the boy’s ultimate fate. 211: Anna RU2.020.205 Italy. 2009. DVD. Color. 90 min. In Russian w/English subtitles. Directed by Paolo Serbadini & Giovanna Massimetti. A documentary of the 211th journalist to be murdered by the democratic government of Russia. Adam's Rib RU2.020.063 1992.
    [Show full text]