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Home , Ada Adini, Anna Fitziu, Antonio Cotogni, Antonio Selva, Aristodemo Giorgini, Beniamino Gigli

VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just slight marks. For collectors searching top copies, you’ve come to the right place! The further we get from the era of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. Also featured are many “Z” shellac Victors, their best quality surface material (later 1930s). * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-‘14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually featuring translations of the text or similarly related comments.

BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommend- dation of , who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke himself and appeared with him at the Opéra, making her debut as Gounod’s Juliette. She also sang the Forest Bird in Wagner’s with de Reszke in the title role. Despite various biographical references to the contrary, Abott seems not to have studied with Marchesi. She appeared at the Met during the seasons of 1906-08, and left, dissatisfied with her roles assigned for the next season. She then began arrangements with Mascagni for a new in which she would star and tour. The work turned out to be Isabeau. Mascagni, however, evolved other ideas as to what would be done with the opera when it was completed, a decision which pro- duced lawsuits on both sides. After touring with her own opera company and appearing in as well, Abott married sculptor T. Waldo Story (brother of ’’ first husband, artist Julian Story) in 1912 and subsequently spent much time in , where they had an estate. She evidently met Puccini during this period, as she claimed the composer presented her with one of her proudest possessions, a Pomeranian puppy. as Gounod's Juliette 1343. 10” White lbl. Vla 87003. MARTHA: Qui sola vergin rosa (Flotow). Tiny lbl. stkrs., just about 1-2. $15.00. 1314. 10” Red ’08 Pats. Vla 87500. : Si, vendetta! (Verdi). With [b]. Scarce. Just about 1-2. $20.00. 3590. 12” Red GP ’06 Vr 88050. RIGOLETTO: Caro nome (Verdi). 2. $10.00. 3899. 12: Red Vla 88084. LAKMÉ: Bell Song (Delibes). Good pressing, few lt. mks., cons. 2. $10.00. 3707. 12” Red GP ’08 Vr 88129. : Valse (Gounod). 2. $10.00. 21 VOCAL 78 rpm Discs

GIUSEPPE ACERBI [t]. Codogno 1871- 1934. Born Santo Giuseppe Bertini, he worked in the family shop until 1897, when he began vocal studies in Milan with Marziani and subsequently with Blasco and Rossi. He made his debut in Lodi, 1899, as the Duke in Rigoletto but decided to study further. Two years later he made a second debut at the Municipale in as Edgardo in Lucia with Isabella Svicher and Giuseppe Pacini. This time he had great success. He appeared throughout Italy in houses such as the dal Verme in Milano, the Teatro Comunale in and the in Torino. Outside of Italy he made guest appearances at the Madrid Teatro Reale and the Teatro Zizinia in Alexandria, Egypt. His last appearance traced was Cavaradossi, 1917, at the Milan dal Verme. – Roberto Marcocci 2269. 10” Blk. GP ’08 Vr 52417 [7150b]. LUCREZIA BORGIA: Di pescatore ignobile (Donizetti). Cons. 2. $8.00. 3871. 12” Blk. GP ’07 “A” plate Vr 58302 [850c]. PEARL FISHERS: Del tempio al limitar (Bizet). With RENZO MINOLFI [b]. Few lt. rubs, cons. 2. $8.00. ESSIE ACKLAND [c] 1756. 10” Plum elec. PW HMV B.2769 [Bb12943-II/Bb12945-II]. FIVE LITTLE PICCA- NINNIES (Anthony) / CALLER HERRIN’ (Traditional). Piano acc. Mme. Adami. Gen. 2. $10.00. AÏNO ACKTÉ [s]. , 1876- Numela, 1944. Having studied with Edmond Duvernoy, Giraudet and Paul Vidal, as well as with her mother (Emmy Ackté, a with the Helsinki Opera), Ackté made her debut at the Paris Opéra, 1897, as Marguerite in Gounod’s . Her subsequent career included all the major European operatic centers and the (1903-05). In 1910, she was England’s first (and one of the few at the time to do the “Dance of the Seven Veils” herself). Her repertoire was diverse, including Micaela in , Nedda (which she sang in the Paris premiere of in 1902) and Brünnhilde in Wagner’s Siegfried, among other Wagnerian heroines. 3804. 11” Red Odeon 36869-2/39216 [XPR-1-1/XPh680-2]. SI J’A- VAIS VOS AILES (Messager) / ADA ADINY [s]. HÉRODIADE: Il est doux (Massenet).Excellent pressing of these rarities. Few lightest mks., cons. 2. $100.00. ALBERTO ADAMI [t] AÏNO ÄCKTÉ 2004. 10” Blk. acous. Victor 63319. : L’anima ho stanca (Ciléa) / : T’incontrai per via (Giordano). Just about 1-2. $20.00. ADAMI-CORRADETTI [s] 2624. 10” Blue Cetra AT 0110 [50499/50112]. FRANCESCA DA RIMINI: Paolo, datemi pace (Zandonai) / [s]. RIGOLETTO: Tutte le feste (Verdi). One small, harmless PB and couple lightest rubs. Cons. 2. $100.00. [s] 1340. 10” Monarch 91005 [2149-w2]. HOME, SWEET HOME (Bishop). Bright label. Very decent copy. A few LGTs, otherwise gen. 3. $50.00. ADA ADINY [s] 3804. 11” Red Odeon 36869-2/39216 [XPR-1-1/XPh680-2]. HÉRODIADE: Il est doux (Massenet) / AÏNO ACKTÉ [s]. SI J’AVAIS VOS AILES (Messager) Excellent early ‘30s pressing of these rarities. Few lightest mks., cons. 2. $75.00.

22 VOCAL 78 rpm Discs AGUSTARELLO AFFRE [t]. St. Chinian, , 1858-Cagnes-sur-Mer, France, 1931. He studied at the Conservatoire and then in Paris. 1890 marked his Paris Opèra debut as Edgardo to ’s Lucia, the soprano appearing in Paris for the first time the same evening. He remained a leading of that institution for twenty years, also appearing in various other French houses as well as in , and at ’s . In 1911 he moved to the where he was heard in in , San Francisco, and in Havana. According to one source, Affre became director of the French in New Orleans in 1913 when it came under the ownership of Tulane University, and remained there until the house burned down in 1919. He then retired to a villa on the Côte d’Azur. 9303. 11” Brown Odeon 60308/56094 [XP3330/XP3532]. THAMARA: Rêve de Nour-Eddin (Bourgault-Ducoudray) / LISE LANDOUZY [s], GASTON DU BOIS [t], PAOLO ANANIAN [bs]. FAUST: Final Trio (Gounod). IMs. Cons. 2. $35.00. CARMELO ALABISO [t] 2439. 10” acous. Fonografia Nazionale 4618/4617]. IL PICCOLO MARAT: C’era una volta / MARIA LAIS [s]. IL PICCOLO MARAT: La Mamma ritrovò (Mascagni). Very minor lbl. soiling. 2. $15.00. 1976. 10” Purple Eng. acous. La Cigale (Columbia) D9481 [B843/B855]. : Vedi io piango (Giordano) / : No! non chiuder gli occhi (Franchetti). Excellent surface material. Cons. 2. $15.00. 2297. 10” Purple Eng. acous. La Cigale (Columbia) D9481. Same as previous listing. A few LGTs, lt. rubs, 2-3. $8.00. 2002. 10” Green Viva-Tonal Columbia 4152-X [WB2555/WB2556]. ISABEAU: Canzone del Folco / ISABEAU: Or solo interno (Mascagni). One tiny mk. (absolutely harmless). Just about 1-2. $25.00. CARLO ALBANI [t]. , 1872- ? . Born of an Italian-French family, Albani sang in the French provinces before coming to the U.S. in 1907. His debut was with the Manhattan Opera as Manrico in . After one repetition, Albani claimed illness, necessitating the postpone- ment of a production of in which he was to star. The Manhattan’s Impresario, Oscar Hammerstein, discovered that Albani had not only recovered but was appearing in with the San Carlo Opera in what must have been his favorite work, Il Trovatore. Hammerstein promptly sued and a constable was dispatched to arrest the tenor, then at work on stage. The performance was allowed to continue, providing that the officer might follow the Pavarotti sized tenor about until the opera ended. Whenever the constable appeared from behind a tree or some other stage prop, he was roundly hissed by the audience. This ended Albani’s American career, but he was more successful in Europe, appearing at the Paris Opéra and the Costanzi in , among other theaters, in, again, Il Trovatore and , among other operas. There seems to be no sign of him after World War I. 3544. 12” Red GP ’06 Vr 75096. FORZA DEL DESTINO: O tu che segno agli’ angeli (Verdi). Few lt. mks., cons. 2. $15.00. ANNA MARIA ALBERGETTI [s]. Pesaro, 1936 - . Daughter of a cellist father and pianist mother, Alberghetti and her family emigrated to the U.S. following W.W. II. She made her debut at Carnegie Hall at the age of 13, became a hit on the Ed Sullivan Show and went on to become a star in films and on Broad- way in the 1950s and early 1960s. Leaving show business for a period to raise a family, she returned in various theatrical productions and a one-woman cabaret act. Judging from her film of Menotti’s The Medium (1951), she had the talent for operatic success, but she had mass appeal and from her youth commanded fees for her stage, film, and TV work that were far in excess of operatic singer salaries of that era. 1918. 10” Blk. Mercury 70478. KISS, KISS, KISS (Brooks) / THE SONG FROM DESIREE (Newman). Cons. 2. $8.00. FRANCES ALDA [s] FRANCES ALDA 1145. 10” Red ’12 Pats. Victor 87086. THE CUCKOO (Lehmann). Just about 1-2. $15.00.

23 VOCAL 78 rpm Discs 2053. 10” Red ’12 Pats. Vr 87118. MURMURING ZEPHYRS, Op. 21, No. 4 (Jensen). Piano acc. André Benoist. Very lt. superficial rubs. Gen. 2. $10.00. 1264. 10” Red ’12 Pats. Victor 64339. MORGEN (Strauss). With Giuta Casini [cello], Frank La Forge [pno]. In German. Just about 1-2. $12.00. 1472. 10” Red Vr 64451. OUVRE TES YEUX BLEUS (Massenet). Piano acc. Frank LaForge. Lt. rubs, 2. $8.00. 1776. 10” Red Vla 66134. WILLIAM TELL: Selva opaca (Rossini). VrBk. Just about 1-2. $8.00. 1144. 10” Red Vr 87116. THE BIRTH OF MORN (Leoni). Just about 1-2. $12.00. 1662. 10” Red Vla 537. WILLIAM TELL: Selva opaca (Rossini) / LA WALLY: Ebben? Ne andrò lontana (Catalani). Just about 1-2. $12.00. 1123. 10” Red EE Vla 1094. PLEASE KEEP OUT OF MY DREAMS (Nora Bayes-Elsa Maxwell) / INDIAN DAWN (Zamecnik). Just about 1-2. $10.00. 1075. 10” Red EE Vla 1148. NOBODY ELSE (Penn) / IF GOD LEFT ONLY YOU (Densmore). Just about 1-2. $10.00. 1445. 10” Red Orth. Vla 1188. ROBIN ADAIR (Keppel) / THE LAST ROSE OF SUMMER (Moore). Just about 1-2. $10.00. 2364. 10” Red Orth. Vla 1359. LA CENA DELLE BEFFE: Sempre così / LA CENA DELLE BEFFE: Mi chiamo Lisabetta (Giordano). Few lightest mks., cons. 2. $12.00. 3964. 12” Red Vla 74399. PANIS ANGELICUS (Franck). With Guita Casini [cellist], piano acc. Frank La Forge. Just about 1-2. $7.00. 2781. 12” Red Vla 88597. : Tutti i fior (Puccini). With SOPHIE BRASLAU [c]. Just about 1-2. $7.00. 4031. 12” Red Pats. Vla 95207. MARTHA: Siam giunti, o giovinette (Flotow). With JOSEPHINE JACOBY [c], [t], [bs]. Just about 1-2. $8.00. 4030. 12” Red Pats. Vla 95209. MARTHA: Presto, presto (Flo- tow). With JOSEPHINE JACOBY [c], ENRICO CARU- SO [t], MARCEL JOURNET [bs]. Just about 1-2. $8.00. 3772. 12” Red ’12 Pats. Vla 95210. MARTHA: Quartetto not- turno (Flotow). With JOSE-PHINE JACOBY [c], ENRI- CO CARUSO [t], MARCEL JOURNET [bs]. Excellent early pressing, few lightest mks., cons. 2. $7.00. 3821. 12” Red Vla 8044. MADAMA BUTTERFLY: Un bel di (Puccini) / MADAMA BUTTERFLY: Tutti i fior (Puccini). Side two with SOPHIE BRASLAU [c]. Just about 1-2. $8.00. 2951. 12” PW Silver Vr IRCC 111. : Sul fil d’un soffio (Verdi) / : Ah! dunque ei m’amerà (Catalani). A rare doubling of two of her finest recordings. Label signed by Mme. Alda. Just about 1-2. $25.00.

MARIA (DE) ALEXANDROWICZ [s]. Born in Varsovie, Poland, likely 1890, Alexandrowicz studied with Jean de Reszke and made her debut at the Paris Opéra in 1910 as Gilda. She also included among her roles there Juliette, Ophélie, Thaïs (1922) and, in 1923, . She also appeared at the Monte-Carlo Opera. 2463. 10” Red PW French Disque Gram. DA 4806 [OG482-II/ OG1017-I]. TOSCA: Vissi d’arte / MADAMA BUTTER- FLY: Death Scene (both Puccini). In French. Scarce. MARIA ALEXANDROWICZ Just about 1-2. $15.00. NORMAN ALLIN [bs]. 1884-1973. Among the foremost British basses of his period, Allin was noted both for his operatic performances (over 50 roles) and his oratorio and concert work. He was encouraged by conductors Henry J. Wood and , with whom he was associated throughout his career. A 1931 Pathé sound film of Allin singing Moussorgsky’s “Song of the Flea” can be seen on the internet: http://www.britishpathe.com/video/norman-allin 2845. 12” Blue acous. Eng. Columbia L1458 [75191/75192]. : Why Do the Na- tions? / MESSIAH: But Who May Abide (Händel). Tiny lbl. stkr., cons. 2. $10.00. 24 VOCAL 78 rpm Discs 3798. 12” Blk. elec. Eng. Columbia 9874 [WAX3945/WAX4059]. THE MIDNIGHT REVIEW (Glinka) / EDWARD (Loewe). Both in English. Side two piano acc. Couple small mks., otherwise just about 1-2. $10.00. ELSA ALSEN [s] 3315. 12” Blk. VT Columbia 50083-D [W98564-3/W98565-1]. : Liebestod (Wagner). Two sides. Just about 1-2. $10.00. PAUL ALTHOUSE [t] 3963. 12” Blue Victor 55045. AIDA: Celeste Aida (Verdi) / PAUL REIMERS [t]. STÄNDCHEN (Schubert). Just about 1-2. $7.00. ALBERTO AMADI [t]. Trieste, 1876? - ? . Performances in various smaller Italian houses have been traced from 1899 through 1909 as well as in Mexico the summer of 1903 at the Teatro Renacimiento. He appears to have emigrated to the U.S. around 1910 and sang with the Century Opera in 1913 and the touring National Grand Opera Company in 1915. Amadi’s repertoire was broad, including principal tenor roles in operas ranging from Rigoletto to Gounod’s Philémon et Baucis. 1061. 10” Blk. Pats. Victor 63319. SIBERIA: T’incontrai per via (Giordano) / ADRIANA LECOUVREUR: L’anima ho stanca (Ciléa) Cons. 2. $15.00. [b]. 9306. 11” Fonotipia 62370/62371 [XPh3940/XPh3908]. ‘A SIRENA (Valente) / SERENATA NAPOLI- TANA (Costa). With mandolin and piano. Uncommon. Small lbl. tear side two. 2. $25.00. 9313. 11” Fonotipia 92501/92502 [XPh3930/XPh3951]. L’AFRI- CAINE: O grande S. Domenico … All’erta marinar / L’AFRICAINE: Adamastor, re dell’acque profonde (Meyerbeer). With Chorus. Cons. 2. $15.00. 9329. 11” Fonotipia 92508/92757 [XPh3937/XPh4410]. : Queste dunque è l’iniqua mercede (Verdi) / GIOVANNI ZENATELLO [t]. ANDREA CHÉNIER: Credo in una possanza (Giordano). Few lightest rubs, cons. 2. $15.00. 2664. 11” Pink Fonotipia 92541/92541 [XPh3886/XPh3887-2]. : Pura sic-come / LA PASQUALE AMATO enjoying a Victrola TRAVIATA: Dite alla giovane (Verdi). Both with ESTER MAZZOLENI [s]. Rubs, gen. 3. $15.00. 9468. 11” Fonotipia 92569/92570 [XPh4023/XPh4024]. IL TROVATORE: Giorni poveri vivea / IL TROVATORE: Deh rallentate o barbari (Verdi). With ARMIDE PARSI- PETTINELLA [ms], FERRUCCIO CORRADETTI [b]. Few lt. rubs, 2. $15.00. 9527. 11” Blue SS U.S. Fonotipia 72701 [XPh3914]. TANNHAUSER: Oh! Tu, bell’ astro (Wagner). Just about 1-2. $15.00. 9328. 11” Blue SS U.S. Fonotipia 72702 [XPh3904]. : Urna fatale (Verdi). Cons. 2. 12.00. 1450. 10” Red Pats. Vla 87097. CAVALLERA RUSTICANA: Canzone Alfio (Mascagni). With Met Opera Chorus. Just about 1-2. $7.00. 1794. 10” Red Vr 87180. TORNA A SURRIENTO (De Curtis). Just about 1-2. $7.00. 3679. 12” Red Vla 88437. GERMANIA: Ferito, prigionier (Franchetti). VrBk. Just about 1-2. $8.00. 3819. 12” Red Vla 88438. I DUE FOSCARI: O vecchio chor, che batti (Verdi). Just about 1-2. $8.00. 25 VOCAL 78 rpm Discs 3330. 12” White lbl. Vla 88489. TOSCA: Te Deum (Verdi). Just about 1-2. $8.00. 3461. 12” Red Pats. “A” plate Vla 89052. FORZA DEL DESTINO: Invano, Alvaro! (Verdi). With ENRICO CARUSO [t]. As mint. Just about 1-2. $10.00. 3752. 12” Red ’12 Pats. Vla 89062. FAVORITA: Ah! l’alto ardor (Donizetti). With MARGARETE MATZENAUER [c]. Text lbl. on verso. Just about 1-2. $8.00. 3499. 12” Red Vr 89081. LA TRAVIATA: Imponete (Verdi). With [s]. Just about 1-2. $8.00. 3293. 12” Red Vr 89082 (early “B” plate). RIGOLETTO: Figlia! Mio padre! (Verdi). With FRIEDA HEMPEL [s]. Just about 1-2. $8.00. 3402. 12” Red Vla 89082. Same as preceding listing (item #3293) but excellent late ‘30s pressing. VrBk. Small lbl. scuff. Just about 1-2. $8.00. 3585. 12” Red Vla 8048. AIDA: Ciel! Mio padre! / AIDA: Su dunque (Verdi). With JOHANNA GADSKI [s]. Just about 1-2. $8.00. 3276. 12” Green acous. Homocord 51496/51541. PAGLIACCI: Prologo (Leoncavallo) / AFRICAINE: Adamastor, re dell’ onde (Meyerbeer). copy. Lt. mks., 2. $30.00. 2835. 12” Red acous. Fonotipia 74928/74161 [XXPh4022/XXBao487]. ERNANI: O sommo Carlo (Verdi). With LINA PASINI-VITALE [s], PIETRO SCHIAVAZZI [t] / ARMAND CRABBÉ [b]. MAROUF: Celebre cavatina (Rabaud) Excellent surface material. Few tiny mks., cons. 2. $20.00. 2978. 12” PW Silver Vla IRCC 26 [C-11447/5145f].. RIGOLETTO: Quartet (Verdi). With [s], JOSEPHINE JACOBY [c], ENRICO CARUSO [t] / [s], KIRKBY LUNN [c]. AIDA: Ebben, qual nuovo fremito (Verdi). Side one first U.S. edition. Just about 1-2. $30.00. ARISTIDE ANCESCHI [b]. 1866-1938. Anceschi studied at the Liceo Musicale di Bologna along with tenor . Graduating in 1892, he made his operatic debut the same year as Silvio in Pagliacci and continued on stage as a principal throughout Italy for 35 years. He also appeared at Covent Garden, St. Petersburg and in South America. In 1896 he was in the premiere of Leoncavallo’s Chatterton. His dozens of roles included Jack Rance, Amonasro, Kyoto in Iris, Marcello, Alfio, Rigoletto, and Jokhanaan in Salome. His appealing voice can be heard only on a few sides for Pathé and some 1902 discs for Zonophone. 2613. 10” Blk. Disco Zonofono X-1711. ERNANI O de’ verd’ anni miei (Verdi). Announced. 64.0 rpm. Piano acc. 2. $150.00. MARIO ANCONA [b]. Leghorn, 1860-Firen- ze, 1931. Beginning a career in business, Ancona subsequently studied voice and made his debut in Trieste, 1889 in Massenet’s , with appearances the following year at . He was chosen to create Silvio in the world premiere of Pagliacci at the , but apparently illness prevented this from happening (the part actually created by Mario Roussel). The following year he took the role of Tonio in the British premiere of Pagliacci with Melba and de Lucia, a part he repeated in the Metropolitan Opera American premiere, 1893. While active in South America and throughout Italy, Ancona sang with the Manhattan Opera, the Boston Opera and, in 1916, with the Opera. 2430. 10” Red G&T 52128 [2307L]. MATTI- NATA (Tosti). Piano acc. . What appear to be marks seen in the label scan are actually all underlabel matrix markings (except for one tiny tear). Nice copy, just about 2. $250.00. 1252. 10” Red ’08 Pats. Vla 87006. LA TRAVI- ATA: Di Provenza (Verdi). Just about MARIO ANCONA 1-2. $12.00. 1250. 10” Red Pats. Vla 87014. PURITANI: Ah per sempre (Bellini). Excellent pressing. Just about 1-2. $15.00. 1251. 10” Red ’12 Pats. Vla 87015. : Era la notte (Verdi). Just about 1-2. $15.00.

26 VOCAL 78 rpm Discs 1314. 10” Red ’08 Pats. Vla 87500. RIGOLETTO: Si, vendetta! (Verdi). With BESSIE ABOTT [s]. Scarce. Just about 1-2. $20.00. 3282. 12” White lbl. HMV 052075 [227m]. PAGLIACCI: Prologo (Leoncavallo). Piano acc. 1904 G&T master. Just about 1-2. $25.00. 3096. 12” Red ’08 Pats. Vla 88167. LA MIA BANDIERA (Rotoli). Rare. Lt. rubs, 2-3. $15.00. 2819. 12” White lbl. Vla 88500 [C-4285-2]. : Suoni la tromba (Bellini). With MARCEL JOURNET [bs]. Just about 1-2. $25.00. PETER ANDERS [t] 1752. 10” Yellow Var. Grade Deut. Gram. 36122 [5820-LSTII/5821-LSTII]. ZUEIGNUNG; ICH TRAGE MEINE MINNE / HEIMLICHE AUFFORDERUNG; CÄCILIE (all ). Phil. dir. Fritz Lehmann. Just about 1-2. $10.00. [c] 1025. 10” Red PW Victor 2146 [OLA1153-I/OLA1155-I]. AUS BANGER BRUST, Op. 50, No. 4) / LÅNGSAMKT SOM KVÄLLSSKYN, Op. 61, No. 1 (both Sibelius). Piano acc. Kosti Vehanen. Just about 1-2. $7.00. 1449. 10” Red RCA Vr 10-1200. LULLABY, Op. 57, No. 2 (Cyril Scott) / HEAR THE WIND WHISPERING (Frida Sarsen Bucky). Piano acc. Franz Rupp. Just about 1-2. $7.00. 1881. 10” Red RCA Vr 10-1300. BRIGHT PHOEBUS (Hook) / OH! MEN FROM THE FIELDS (Colum-Christopher Thomas). Piano acc. Franz Rupp. Just about 1-2. $7.00. JULIE ANDREWS [s] Walton-On-Thames, England, 1935. A great star of the musical theater stage and films, Andrews began her career under the sponsorship and direction of her parents. Her first recordings, as a , were from this period. 1206. 10” Blk. Eng. Col. DB 2470 [CA20923/CA20924]. ROMEO ET JULIETTE: Je veux vivre (Gounod) / COME TO THE FAIR (Martin). Side two with TED ANDREWS [b]. Both piano acc. by BARBARA ANDREWS (Julie’s father and mother). Side one just about 1-2. Side two few lt. rubs, cons. 2. $15.00. 1212. 10” Blk. Eng. Col. DB 2553 [CA21114/CA21115]. AH! VOUS DIRAI-JE MAMAN (Mozart) / LA CAPINERA [THE WREN] (Benedict). Orch. dir. Ted Andrews with Barbara Andrews at the piano. Possible lt. ULC (slight lbl. creases), cons. 2. $15.00. [s]. Cergèse, Corsica, 1907-, 1973. Angelici’s vocal studies took place in Brussels. She was a noted concert and radio singer and made her operatic debut in , 1936, as Mimi in La Boheme. Her Opèra Comique debut was in 1938 and she starred at the Paris Opèra beginning in 1953. In addition, she appeared as a guest at Brussels, Monte Carlo, and La Scala. Her repertoire, both in song and opera, was diverse. 3395. 12” Late VdeSM (silver print) DB 11253 [2LA6261/2LA6262]. BOHÈME: La chambre qui autrefois j’avais quittée [Act III] (Puccini) / LOUISE: Depuis le jour (Charpentier). Side one just about 1-2. Side two few lt. rubs, cons. 2. $8.00. MARGIT ANGERER [s] 2745. 12” PW Blk. Polydor 66858 [1480BM/1481BM]. FAUST: Il se fait tard (Gounod). Two sides. With ALFRED PICCAVER [t]. Just about 1-2. $12.00. GIUSEPPE ANSELMI [t]. Near Carania, 1876-Near Rapallo, 1929. He first appeared as a violinist in his native city at the age of 13. After operetta experience, he made his operatic debut in Greece in the late 1890s, singing leading roles. Further study followed in Italy with Mancinelli and he appeared in and the San Carlo (1900). A well received guest at Covent Garden (1901, 1904, 1909), Anselmi also was particularly admired in , and Spain. In addition to writing songs (a few of which he recorded), he was a composer of chamber music and a larger scale Poema Sinfonico for orchestra. Desmond Shawe-Taylor noted in the Grove Opera Dictionary that Anselmi’s “beautiful timbre and impassioned delivery were helped by vivid enunciation as well as by a romantic appearance.” He retired in 1918 and returned to the violin toward the end of his life. His recordings were for Fonotipia (1907-11) and a few sides in 1912 for Edison, and all the Fonotipias as piano accompanied. 9331. 11” Fonotipia 62148/62419 [XPh2560/ XPh2572]. RIGOLETTO: Questa o quella / RIGOLETTO: La donna è mobile (Verdi). Couple tiny PBs, just about 1-2. $15.00. 9330. 11” Fonotipia 62150/62151 [XPh2607/XPh2608]. RIGOLETTO: Ella mi fu rapita / RIGOLETTO: Parmi veder le lacrime (Verdi). Just about 1-2. $15.00. 27 VOCAL 78 rpm Discs 9332. 11” Fonotipia 62164/62165 [XPh2562/2568-2]. FEDORA: Amor ti vieta (Giordano)/ : Chiudo gli occhi (Massenet). Just about 1-2. $15.00. 9525. 11” Fonotipia 62262/62163 [XPh2573/XPh2567]. : Sici- liana (Mascagni) / : Ah! Non mi ridestar (Massenet). Cons. 2. $15.00. 9516. 11” Fonotipia 62289/62401 [XPh2845/XPh4075]. MANRÙ: Come al sol (Paderew- ski) / MALÌA (Tosti). Very tiny scr. side one, otherwise just about 1-2. $25.00. 9301. 11” Fonotipia 62272/62273 [XPh /XPh2838]. ELISIR D’AMORE: Una furtiva lagrima / LUCREZIA BORGIA: Di pescatore ignobile (both Donizetti). Side one gen. 2. Side two few minor rubs, gen. 2-3. $15.00. 2672. 11” Fonotipia 62318/62319 [XPh3068/XPh3067]. LA FAVORITA: Una vergine / LA FAVORITA: Spirto gentil (Donizetti). Side one gold stamp of a Russian owner. Side two couple LGTs, otherwise cons. 2. $15.00. 9320. 11” Fonotipia 62472/62473 [XPh4262/XPh4246]. PAGLIACCI: Un tal gioco (Leoncavallo) / SERSE: Va godendo (Händel). Great record, particularly side two. IMs. Surface side one just about 1-2. Side two few lt. mks., cons. 2. $30.00. 9318. 11” Fonotipia 62476/62477 [XPh4250/XPh4251. UN SOLO VOLTA ANCORA / CANTO ALLA PRIMAVERA (both Mendelssohn). Few lt. mks., cons. 2. $25.00. 9323. 11” Orange Fonotipia-Odeon HRS 2002 [XPh2836/XPh2845]. : Ah fede negar potessi (Verdi) / MANRU: Come al sol cocente (Paderewski). Wonderful surfaces. Just about 1-2. $20.00. 9518. 11” ‘30s Cream Odeon O-5600 (62183/62166) [XPh2559/XPh2569]. : Sogno soave e casto (Donizetti) / LUISA MILLER: Quando le sere al placido (Verdi). Excellent early ‘30s German pressing. Small harmless PB side one. Cons. 2. $15.00. 9316. 11” PW Parlophone-Odeon PO 61. Same as previous listing (item #9518) but British pressing (also 1930s). Just about $15.00. FERNAND ANSSEAU [t] 1649. 10” Red Orth. Vla 1471 [BS4259-I/ BS4260-I]. MONNA VANNA: Air de Prinzivalle / MONNA VANNA: Ell est à moi (Février). Great performances. Beautiful copy, just about 1-2. $12.00. 1613. 10” Red Orth. Vla 1471 [BS4259-I/ BS4260-I]. Same as previous listing (item #1613). Couple MGTs, cons. 2. $10.00. 1777. 10” White elec. HMV VA 54 [BF3304- IT1/ BF3316-II]. LA MUETTE DE PORTICI: L’amour sacre de la patrie! (Auber). With TILKIN SERVAIS [b] / JEAN ÉMILE VANNI-MARCOUX [bs]. PANURGE: Touraine est un pays (Massenet). Side two piano acc. Just about 1-2. $7.00. 3300. 12” Red acous. SR HMV DB 781 [CL47- II/CL48-II]. CARMEN: Final scene (Bizet). Two sides. With HÉLÈNE SADOVEN [ms]. Small lbl. stkr., one LSS, cons. 2. $12.00. 2857. 12” PW elec. Disque Gramophone DB 1115 [CTR3366-I/CTR3367-I]. CAR- MEN: Qui sait de quel demon / CARMEN: Parle-moi de ma mère (Bizet). With FANNY HELDY [s]. Excellent later ‘30s pressing. IMs and FERNAND ANSSEAU slightest lbl. stains, otherwise just about 1-2. $15.00. 3033. 12” Red HMV DB 1410 [CTR3368-II/CF2994-II]. MANON: Toi! Vous! [Act III duet] (Massenet). Two sides. With FANNY HELDY [s]. Radio station inner margin crayon marks. Unusually quiet surfaces. Just about 1-2. $10.00. 28 VOCAL 78 rpm Discs 3669. 12” Red acous. Vla 6104. WERTHER: O Nature, pleine de grace / HÉRODIADE: Ne pouvant réprimer les élans (both Massenet). Just about 1-2. $8.00. 3609. 12” Red Orth. Vla 6880. ROMÉO ET JULIETTE: Salut! Tombeau / ROMÉO ET JULIETTE: Ah! lève-toi, soleil! (Gounod). Just about 1-2. $10.00. 3784. 12” Red Orth. Vla 8155 [CS4270-2/ CS4271-I]. FAUST: Mais ce Dieu que peut il pour moi? [Act I] (Gounod). Two sides. With MARCEL JOURNET [bs]. Just about 1-2. $8.00. 2799. 12” Gold PW Vr HRS 1038 [CS843-1/ 744m]]. SAMSON ET DALILA: Vois ma misère (Saint-Saëns) / [t]. : Io l’ho per- duto (Verdi) SAMSON ET DALILA: Vois ma misère (Saint-Saëns). From orig. 1923/1914 Gramophone matrices. Both sides autographed by the respective singers. Just about 1-2. $25.00. 3349. 12” White HMV elec. VB 71 [2G840-I/ CF2995-II]. FAUST: Alerte! (Gounod). With FANNY HELDY [s], MARCEL JOURNET [bs] / HELDY [s], JOURNET [b]. : Doute de la lumière (Thomas) Just about 1-2. $10.00. LEONARDO ARAMESCO [t] 2448. 10” B&S PW Bruns. 53160 [5096BH/ 5097½BH]. FRIEDERIKE: Sah’ ein Knab’ ein Röslein steh’n / FRIEDE- RIKE: Oh Mädchen, mein Mädchen (Lehár). One tiny ¼” scr. side one, LEONARDO ARAMESCO otherwise few lightest rubs, cons. 2. $10.00.

GIANNINA ARANGI-LOMBARDI [s]. Marigliano, 1891-Milan, 1951. After studies in Naples at the Conservatory of San Pietro a Majella with Beniamino Carelli, she made her debut in Rome in 1920, singing mezzo-soprano roles for the next three years. After further studies (with Adelina Stehle and Tina Poli- Randaccio), she made a second debut as a soprano in 1923. From 1924-1930 she was on the roster of La Scala, her debut there having been as Elena in Boïto’s , conducted by Tosca- nini. Her career encompassed most of the major Italian houses as well as South America. She toured Australia with Nellie Melba in 1928, cre- ating for Australia the title role in Puccini’s . She never appeared in England, France or the United States. In 1935 she sang at the and retired three years later, still in good voice. She then taught at the Milan Conservatory and subsequently in Ankara, Tur- key, where one of her pupils was soprano Leyla Gencer. –Wikopedia 2954. 12” PW Blue Eng. Columbia D18030 [WBX127/WBX122]. : L’amo come il fulgor / LA GIOCONDA: A te questo rosario (Ponchielli). Both with [ms]. Side two also with GIUSEPPE NESSI [t], ARIS- TIDE BARACCHI [b]. Just about 1-2. $12.00. GIANNINA ARANGI-LOMBARDI

29 VOCAL 78 rpm Discs

TERESA ARKEL [s]. Lemberg, Austria, 1861-Milano, 1929. Her studies were at the Lemberg Conservatory, and her operatic debut in the same city, 1884. It was in Italy, however, that Arkel became particularly celebrated. Her La Scala entry was as Venus in Tannhäuser, 1891, and there she also sang and Desdemona. She had similar success in Spain and South America. Prominent in Arkel’s repertoire were the dramatic Wagner heroines. Noted as a teacher, her pupils included Claire Dux, Lucette Korsoff, Eugenia Bronskaya and Irene Eden. 1874. 10" Blk. Pats. Vr 63419 [7040b/7065b]. MARRIAGE OF FIGARO: Porgi amor (Mozart) / TOGLIETEMI LA VITA ANCOR (Scarlatti). Side two piano acc. Carlo Sabajno. Few lt. mks. side one, cons. 2. $35.00. F. ARNEDO [ms]. Good voice. I’ve not been able to find any information about her. 9513. 11” Odeon X.68863/X.68892 [XS.1837/XS.1840]. CARMEN: Escena de las cartas / CARMEN: Habanera (Bizet). Lt. scuffs, few LSSs (harmless), 3 or better. $15.00. SIGRID ARNOLDSON [s]. , 1861-1943. Considered by the press as the suc- cessor to Jenny Lind, Arnoldson studied in Paris with Mathilde Marchesi and made her debut in , 1885, as Rosina in Il Barbiere di Siviglia. She was a sensation in Russia the following year and made an equally successful entry at Covent Garden in 1887. Other triumphs included performances in her native Stockholm, the Paris Opéra Comique, Monte Carlo, Berlin, and the Metropolitan Opera, where she first appeared in 1893. Arnoldson’s warm lyric-coloratura voice and attractive appearance made her among the most popular stars of the period. 1002. 10” White SP HMV 43777 [1288½r]. ECHOLIED [SWISS ECHO SONG] (Eckert). Just about 1-2. (i.e. as new). $35.00. 2475. 10” Red Dog Schall. Grammophon 70557 (52517/33612) [3579r/1294r]. BARBIERE DI SIVIGLIA: Una voce poco fa (Rossini) / MIGNON: Connais- tu le pays? (Thomas). In Italian/ French. Just about 1-2. $30.00. 1922. 10” PW Silver Vla IRCC 53 [3580r/ 12489u]. TRAVIATA: Addio del pas- sato (Verdi) / DER FREISCHUTZ: Lei- se, leise (v.Weber). From orig. 1907/ 1906 Berlin G&T matrices. Small lbl. tear side two, few lightest rubs. Cons. 2. $15.00. SIGRID ARNOLDSON 1760. 10” White lbl. HMV VA 56 [1286r/ 3579r]. CARMEN: Habanera (Bizet) / IL BARBIERE DI SIVIGLIA: Una voce poco fa (Rossini). Just about 1-2. $8.00. BLANCHE ARRAL [s]. Liège, 1865-New York, 1945. Arral studied with Marchesi and appeared as Clara Lardinois (her birth name) in a small role in the 1884 world premiere of Massenet’s Manon. Much of her career was spent giving concerts in exotic locales. Her biogra- phy is crammed with fascinating stories, some of which certainly must veer to the offside of reality. It is known that her singing career was about over by 1920. In later years she married an elemen- tary school principal (considerably her junior), opened a mail order beauty cream business, did some radio broadcasting (fortunately mostly preserved) and taught in her Cliffside Park, NJ home. 1121. 10” White lbl. Vla 64098. BEGGAR STUDENT: Czardas (Millöcker). Scarce. Attractive, spirited performance. Just about 1-2. $15.00. 1325. 10” Red ’08 Pats. Vr 64099. VALSES D’OISEAU (Arral-Varney). One lt. superficial scr., few harmless lt. mks., cons. 2. $6.00. 2903. 12” Red ’08 Pats. Vr 74132. LA TRAVIATA: Ah! fors’ è lui … Sempre libera (Verdi). Just about 1-2. $15.00. 3228. 12” Red ’08 Pats. Vr 74142. THE MARRIAGE OF JEANETTE: Nightingale Song (Massé). 2. $12.00. 30 VOCAL 78 rpm Discs 3872. 12” Red ’08 Pats. Vr 74146. I LOMBARDI: Polonaise (Verdi). One TN, lt. superficial rubs, just about 2. $12.00. 3993. 12” White lbl. Vla 74146. Same as preceding listing (item # 3872). Cons. 2. $12.00. 3536. 12” PW Silver Vr IRCC 19. FAUST: Air des bijoux (Gounod) / I LOMBARDI: Polo- naise (Verdi). Couple lightest mks., just about 1-2. $20.00.. BERNARD AUGUSTIN [t] 1953. 10” Green acous. Dog Schall. Gram. 13165 [12866r/12867½r]. AFRICAINE: Land so wunderbar / HUGUENOTS: Ihr Wangenpaar (both Meyerbeer). 2. $15.00. AUSTRAL [s] 3681. 12” PW Blk. D1506 [CR2166-IIA/CR2167-1A]. : Inflammatus (Ros- sini) / THE GOLDEN LEGEND: The night is calm (Sullivan). Recorded in London’s . Few lightest mks., cons. 2. $7.00. GAETAN AUZENEAU [bs] 1652. 10” Blue French Columbia LF 251 [CL8431-1/CL8432-1].l LES ROSES D’ISPAHAN (Faure) / LE JOIE FILLE DE PERTH: Quand la flame (Bizet). Piano acc. André Collard. Just about 1-2. $8.00. [bs] 2726. 12” PW Maroon Eng. Columbia CQX 16446 [WBX781/WBX782]. PIPELÈ: Vieni qua mio el tesor (R. Berninzano). With AURORA RETTORE [s] / TUTTO IN MAS- CHERA: Addio bel Turco (Pedrotti). With IRMA MION [s]. One harmless depression, otherwise just about 1-2. $75.00. [b] 1959. 10” Blue acous. Eng. Columbia D1483 [B441/B442]. NERONE: Sento che arcende. With LINA LANZA [ms] / NERONE: Guarda quaggiu (Boïto). With FERNANDO AUTORI [bs]. IMs. Just about 1-2. $15.00. 1960. 10” Green Flags acous. Columbia 14093-F [B443/B444]. NERONE: Vivete in pace / LINA LANZA [ms]. NERONE: Come è buona (Boïto). Just about 1-2. $15.00. 2051. 10” Blue acous. Eng. Columbia D1484 [B443/B444]. Same as preceding listing (item #1960). Just about 1-2. $15.00.

ELSIE BAKER [c]. , 1885- 1958. A pupil of Gilchrist and Henry Gordon Thunder in Philadephia and Oscar Saenger in New York, Baker was a well known concert and oratorio artist, active from about 1910 well into the 1930s. After making a few cylinders for Edison and Indestructible, Baker became an exclusive Victor artist and appeared on many solo and ensemble recordings from 1912 through 1929. 2003. 10” EE Blue Victor 45495. SHANEWIS: Spring Song of the Robin Woman / SHANEWIS: Her Shadow [Ojibway Canoe Song, interpolated into Shane- wis] (Cadman). The only recordings from this opera, produced at the Met. Just about 1-2. $15.00. 1877. 10” Red Orth. Vla 4026. MESSIAH: He Shall Feed His Flock / LUCY ISA- BELLE MARSH [s]. MESSIAH: Come Unto Him (Händel). Cons. 2. $7.00. 3145. 12” Blk. Orth. Vr 35849. HIAWATHA’S CHILDHOOD: By the Shores of Gitchie Gumee; Ewa-Yea; At the Door on Summer Evenings / HIAWATHA’S CHILDHOOD: Wah-Wah-Taysee; Then ELSIE BAKER preparing to spin a disc the Little Hiawatha (Longfellow-Bessie Marshall Whiteley). Orch. acc. Recorded as EDNA BROWN. Rare. Few lightest mks. Cons. 2. $20.00. 31 VOCAL 78 rpm Discs GEORGE BAKER [b] 1909. 10” Vr Picture Record 17-4003. ALICE IN WONDERLAND: Four excerpts (H. Fraser-Simpson). Piano acc. 2-3. $25.00. GEORGES BAKLANOFF [b] 2900. 12” Blue Eng. Columbia A5296 [30623/30719]. RIGOLETTO: Figlia! Mio Padre!. With LYDIA LIPOVSKAYA [s] / LIPOVSKAYA [s], GEORGE BAKLANOFF [b]. LA TRAVIATA: Pure siccome un angelo (Verdi). “England” etched in one side of inner land area. Very minor label discoloration. Fine laminated surfaces. Just about 1-2. $15.00. 3621. 12” Red Decca 25122 [2-79512/2-79513]. PRINCE IGOR: In vain the sad and heavy heart / PRINCE IGOR: And in restless mood (Borodin). Orch. dir. Frieder Weissmann. Just about 1-2. $10.00. 3671. 12” Red Decca G-25813 [2-79510/2-79511]. BORIS GODOUNOV: I have attained the highest power / BORIS GODOUNOV: Farewell, my son (Moussorgsky). Orch. dir. Frieder Weissmann. Two very tiny PBs. Just about 1-2. $10.00. ANDRÉ BALBON [bs]. 1902- ? . His debut was at the Théatre des Champs-Elysées in Les Burgraves by Léo Sachs. In 1928, he first appeared at the Paris Opéra-Comique in Ernest Moret’s Lorenzaccio. He continued on the Opéra- Comique roster until 1944, and then worked at least through the end of the 1950s, primarily in operetta. Outside of France he was heard at London’s Covent Garden and in Brussels. 2340. 10” Blk. Pathé PA 745 [CPT2317-1/CPT2318-1]. NOÊL D’ENFANT / NOEL ALSACIEN (both Ed- mond Missa). Orch. dir. G. Andolfi. Cons. 2. GEORGES BAKLANOFF $8.00. GIUSEPPINA BALDASSARRE-TEDESCHI [s]. Triani, 1881-Rome, 1965. A student at the Liceo Musicale Rossini in Pesaro, Baldassarre-Tedeschi made her debut at the Coccia of , 1905, as Mascagni’s Iris. She performed throughout Italy, the major house perhaps having been the Rome Costanzi, where she was heard a number of times. After her retirement in 1930, she was noted as a teacher, her pupils having included , Stella Roman and Pia Tassinari. She sang Eva in Die Meistersinger and Sieglinde, but her major repertoire empha-sis was of roles related to the school, such as and her favorite part, Cio-Cio- San. She was also notable as Wally, Maddelena, Tosca, Nedda and Fedora. 2638. 10” elec. Red PW Homocord A-6115 [H67215/H67194]. I MILIONI D’ARLECCHINO (Drigo) / CULLIAM! AMORE (Pancaldi). Rare, virtually unknown. Just about 1-2. $60.00. 2924. 12” Red acous. Fonotipia 74223/74224 [XXPh5305/XXPh5304]. MANON: La tua non è la mano chi mi tocca (Massenet). With MANFREDO POLVEROSI [t] / POLVEROSI [t]. IL MATROMONIO SEGRETO: Pria che spunti in ciel (Cimarosa). IMs. Cons. 2. $15.00. 2980. 12” elec. Green Odeon (Fonotipia) E5061 [XXPh5883/XXPh5884]. MADAMA BUTTERFLY: Un bel di (Puccini) / LA WALLY: Ebben, ne andrò lontana (Catalani). Her only electric operatic disc. Just about 1-2. $50.00. SUZANNE BALGUERIE [s] 3153. 12” Blk. acous. Disque Gram. W577 [CP207-I/CP208-II]. ARIADNE ET BARBE BLEUE: Voici la clef / ARIADNE ET BARBE BLEUE: O mes clairs diamants (). Very rare acoustic version. Cons. 2. $35.00. 3791. 12” Blue elec. Eng. Columbia LFX 23 [WLX968-4/WLX969-4]. ARIANE ET BARBE BLEUE: Oh! mes clairs diamants / ARIANE ET BARBE BLEUE: Ah! ce n’est pas encore la clarté vértable (Paul Dukas). Orch. dir. Elie Cohen. Just about 1-2. $20.00. 2840. 12” PW Blk. Polydor 566103 [2087BMP/20??BMP]. ALCESTE: Divinités du Styx (Gluck, rev. d’Indy) / IPHIGÉNIE EN TAURIDE: O malheureuse Iphigénie (Gluck). Just about 1-2. $15.00. 32 VOCAL 78 rpm Discs

VICENTE BALLESTER [b]. 1887-Valen- cia, 1927. After studies in Spain, Ballester worked with Jean de Reszke in Paris beginning in 1913. He subsequently appeared in Spain in operas and zarzuelas. His Amer-ican debut was in 1916, and he remained active in North and Central America for a decade. While scheduled for the Metropolitan Opera the season of 1923-24, he suffered an upper respiratory tract infection (which proved to be a great break for Lawrence Tibbett). His tonsils were eventually removed, but the recuper- ation evidently required the whole season and continued to trouble him on and off the remainder of his life. He did, however, appear with the Chicago Opera in July of 1924 as Rossini’s Figaro and Count Gil in Wolf- Ferrari’s The Secret of Suzanne. His eventual Metropolitan debut was on November 11, 1924 as Valentin in Faust, his other roles including Rigoletto, Alfio, the High Priest in Samson et Dalila and Enrico in Lucia. Sporadic U.S. appearances in various locations took place in 1925. He returned to Spain in 1926, where he died the next year. 1642. 10” Green acous. Columbia 2285-X [82687-1/82701-2]. SOLEDAD (Simóns) / FOLLAS E VENTO (Zon). Just about 1-2. $12.00. 2187. 10” Green acous. Columbia 2286-X [93115/93116]. EVA: Fuera yo feliz / EVA: A media noche aqui VICENTE BALLESTER as Tonio in I Pagliacci (Lehár). With LUISA BONORI [s]. Just about 1-2. $12.00.

ROSE BAMPTON [c/s]. Lakewood, OH, 1908-Bryn Mawr, PA, 2007. A student at the Curtis Institute, Miss Bampton first appeared in small roles with the Philadelphia Grand Opera. Her Metropolitan Opera debut was as Laura in La Gioconda with in 1932, three years after she began voice studies. She sang the premiere of Samuel Barber’s Dover Beach in 1933. In 1937 Bampton made a second debut as a soprano, singing Leonora in Il Trovatore. She also appeared in that capacity at Covent Garden, with the San Francisco and Chicago Operas, as well as at the Buenos Aires Teatro Colón. After retiring from the Met in 1950, she continued singing on occasion for a number of years, as well as teaching (primarily at Juilliard and the Manhattan School of Music). I saw her on stage in 1958 in the premiere of an opera by Paul Bowles on Garcia Lorca’s Yerma, which was written for and starred a miscast Libby Holman (1904-1971) as a young woman wanting to bear a child. Bampton (born four years earlier than Holman) sang the role of her mother. The conductor was Carlos Surinach. I mentioned this to her some years later after a tribute program. A young hanger-on immediately snapped, “Miss Bampton was never in anything like that!” Of course she just as quickly, but more politely, corrected him and he remained silent through the rest of the conversation. Of the records below, the first two are of Bampton as a contralto and the last as a soprano. 3481. 12” Red PW (gold print Vr 7746 [takes 4/3]. ATALANTA: Care selve (Händel) / L’ENFANT PRODIGUE: Air de Lia (Debussy). Piano acc. Charles O’Connell / Wilfred Pelletier. Excellent mint copy.. Just about 1-2. $8.00. 3111. 12” Red RCA Vr 7746 [takes 4/3]. Same as previous listing (item #3481) but PoW/ Fine late pressing. Just about 1-2. $7.00. 3762. 12” Red (gold print) PW Vr 15642. : Dinne alcun là non vedesti / SIMON BOCCANEGRA: Plebe, patrisi (both Verdi). Both sides with LAWRENCE TIBBETT [b]. Side two also with [t], LEONARD WARREN [b], ROBERTS NICHOLSON [b]. Mint. Just about 1-2. $8.00. ELVIRA BARBIERI [s] 3030. 12” White lbl. HMV 054452 [2815½c]. TROVATORE: Mira d’acerbe lagrime (Verdi). With [b]. Superb pressing. Just about 1-2. $15.00.

33 VOCAL 78 rpm Discs MARIA BARRIENTOS [s]. , 1883- Paris,1946. Barrientos was a musical prodigy, having started studies at the Barcelona Conservatory at the age of six. By twelve she had earned diplomas in composition, piano and violin. She began vocal lessons at the age of 14 and made her debut the next year at the Teatro Novidades in Barcelona, as Ines in L'Africaine in 1898, quickly following this with the role of Marguerite de Valois in . She then became a featured artist at the Teatro Costanzi and La Scala where she and director Giulio Gatti-Casazza became an item. Popular in Central and South America as well, Barrientos was first heard at the Metropolitan Opera, 1916, as Lucia, leaving in 1920 when Galli-Curci was hired. She continued operatic work for another three years and spent the remainder of her career in concert work and then teaching. 9524. 11” Fonotipia 39457/39458 [XPh1608/ XPh1609]. : Come per me sereno / LA SONNAMBULA: Sovra il sen (Bellini). IMs. 2. $20.00. 3077. 12” Gold Flags Columbia 68040-D [48627-1/ 48628-2]. LUCIA: Ardon gl’incensi / LUCIA: Regnava nel silenzio (Donizetti). Fine pressing. Just about 1-2. $20.00. 4048. 12” Gold Flags Columbia 68052-D [49370-1/ 49371-3]. I PURITANI: Qui la voce / I PURI- TANI: Vien diletto (Bellini). Small IM. Few minimal rubs. Cons. 2. $15.00. MARIA BARRIENTOS and LÉON 3900. 12’ Gold Flags Columbia 68068-D [47650-2/ ROTHIER in Lakmé 49171-2]. MIREILLE: Valse (Gounod) / VOCI DI PRIMAVERA (Strauss). Just about 1-2. $20.00. 3673. 12” PW Purple elec. French Columbia D11701 [WLX308-1/WLX309-1]. EL PANO MORINO; SEGUIDILLA MURCIANA / ASTURIANA [from Sept Chansons Populaires Espagnoles] (). Piano acc. by the composer. Just about 1-2. $25.00. 3048. 12” PW Purple elec. French Columbia PFX 1 [WLX310/WLX1368-2]. NANA; CANCIÓN / JOTA [from Sept Chansons Populaires Espagnoles] (Manuel de Falla). Piano acc. by the composer. Just about 1-2. $30.00. 3049. 12” Blue PW elec. Japanese VT Columbia J7945 [WLX1415/WLX1369]. POLO (from Sept Chansons Populaires Espagnoles); L’AMOUR SORCIER: CHANSON DE FEU FOLLET [from L’Amour Sorcier] / SONETO A CORDOBA (all Manuel de Falla). Piano acc. by the composer. Lt. rubs, 2. $40.00. VALENTINA BARTOLOMASI [s] 3326. 12” Red SR HMV 2-054111 [883aj]. AIDA: Si, fuggiam de queste mura [conclusion of act III] (Verdi). With GENNARO DE TURA [t], MATTEO DRAGONI [b] Only form of issue. Tiny lbl. stkrs. One small, harmless, PB. Cons. 2. $20.00. 3327. 12” Red HMV 2-54112 [909aj]. AIDA: Rivedrai la foreste inbalsamante (Verdi). With MATTEO DRAGONI [b]. Only form of issue. Cons. 2. $20.00. JANE BATHORI [ms]. 1877-1970. Born Jeanne-Marie Berthier. Despite success at La Scala in 1902 in Hansel and Gretel (Humperdinck) and in the world premiere of Franchetti’s Germania, both directed by Toscanini, Bathori decided to devote her career to the concert stage and in particular the music of contemporary French composers. She gave a number of song premieres with the composers accompanying. 1243. 10” Blue PW Eng. Columbia D13099 [WL1554/WL1555]. OFFRANDE / D’UNE PRISON (both Hahn). Self-accompanied. Just about 1-2. $25.00. 1429. 10” Blue PW U.S. Columbia Master Works 4131-M [WL1416/WL1417]. CHANSON DE BILITIS: La flute de Pan / CHANSON DE BILITIS: La chevelure (Debussy). Very scarce U.S. issue. Self-accompanied. Just about 1-2. $25.00. 2932. 12” Blue PW Eng. Columbia D15135 [LX615-2/LX616-1]. LES SOIRÉES DE PETROGRAD: L’ancien régime/La revolution (). Accompanied by the composer. Another beautiful copy. Just about 1-2. $40.00. 34 VOCAL 78 rpm Discs 2933. 12” Blue PW Eng. Columbia D15195 [LX613/LX614-3]. POÈMES JUIFS: Chant de la nourrice / Chant de resignation; Chant d’amour (Darius Milhaud). Accompanied by the composer. Just about 1-2. $40.00. 2934. 12” Blue PW Eng. Columbia D15195 [LX918-2/LX917-2]/ TROIS POÈMES: Fumée; Fête du ; Fête de Monmatre (Darius Milhaud) / TROIS MÉLODIES: Daphéneo; La statue de bronze; Le chapelier (Erik Satie). Piano acc. Darius Milhaud. Just about 1-2. $40.00. MATTIA BATTISTINI [b] 2304. 10” Red Warschau G&T 52669 [445z]. ANCORA (Tosti). 2-3. $50.00. 1828. 10” White lbl. Vla 91056 [441z-Ao- z2]. EUGEN ONEGIN: Aria (Tschaikowsky). Piano acc. 1902 Warsaw matrix. Label damage in trademark area, one minor NR on lbl. Surface is just about 1-2. $15.00. 1635. 10” Red Vla 540. VITTORIA, MIO CORE! (Carissimi) / LA MAN- TILLA (Alvarez). Side one piano acc. Just about 1-2. $10.00. 1669. 10” Mauve HMV AGSA 24. : Fin ch’han dal vino calda (Mozart) / BARBIERE DI SIVIGLIA: (Rossini). From orig. 1902 Warsaw G&T matrices. Just about 1-2. $10.00. 2367. 10” PW Silver Vr IRCC 143 [441z/ MATTIA BATTISTINI 446z]. EUGEN ONEGIN: Se dell’imen la dolce cura (Tschaikowsky) / IL DEMONIO: No, non plorar tu piangi invano (Rubinstein). Orig. 1902 Warsaw G&T matrices. Just about 1-2. $20.00. 3031. 12” Red vinyl white lbl. HMV 052320 [289ai]. IDEALE (Tosti). Piano acc. Carlo Sabajno. Lightest rubs, cons. 2. $20.00. 3313. 12” Red SR HMV 052320 [289ai]. IDEALE (Tosti). Piano acc. Tiny lbl. stkrs. Nice pressing. Cons. 2. $15.00. 2973. 12” White red vinyl HMV 052323 [292ai]. LA SERENATA (Tosti). Piano acc. Carlo Sabajno. Just about 1-2. $20.00. 3641. 12” Red SR flush HMV 052323 [292ai. Same as preceding item but shellac pressing. Tiny lbl. stkrs. This pressing includes preliminary test grooving (about 4 or 5 grooves) in which Battistini sings a couple of notes, Sabajno doodles a few on the piano and Battistini sings “Ecco la bella …” and then begins to laugh. Cons. 2. $25.00. 3430. 12” Red HMV SR 052371 [236af]. OCCHI DI FATA (Denza). Piano acc. Small lbl. stkrs. Lbl. somewhat faded. Surface just about 1-2. $15.00. 3388. 12” Blue Opera Disc 76290 (054103) [876c]. ERNANI: Da quel di (Verdi). With EMILIA CORSI [s]. Just about 1-2. $15.00. 3535. 12” Blue Opera Disc 76292 (054106) [880c]. ERNANI: Vieni meco, sol di rose (Verdi). With EMILIA CORSI [s]. Just about 1-2. $15.00. 2925. 12” Blue Opera Disc 76296 (054302) [223af]. RIGOLETTO: Lassù in ciel (Verdi). With MARIA MOSCISCA [s]. Just about 1-2. $15.00. 3323. 12” White lbl. Advance HMV 052316 [284aj]. I PURITANI: Bel sogno beato (Bellini). Just about 1-2. $15.00. 3030. 12” White lbl. HMV 054452 [2815½c]. TROVATORE: Mira d’acerbe lagrime (Verdi). With ELVIRA BARBIERI [s]. Superb pressing. Just about 1-2. $15.00. 3897. 12” Red Czech HMV DB 736 [Ck1423-I/1427-II]. FAVORITA: A tanto amor (Donizetti) / MARRIAGE OF FIGARO: Non più andrai (Mozart). Excellent pressing. Few lt. rubs, cons. 2. $15.00.

35 VOCAL 78 rpm Discs 3053. 12” White lbl. SS HMV DB 737 (one side) [Ck1419-III]. DON CARLOS: O Carlos ascolta … Io morrò (Verdi). One minor PB. Just about 1-2. $15.00. 3591. 12” Red HMV SR DB 738. FORZA DEL DESTINO: Urna fatale / BALLO IN MAS- CHERA: Eri tu (both Verdi). Harmless TB side one, small lbl. stkrs. Cons. 2. $15.00. 3322. 12” White lbl. HMV Matrix Ck1434-I. LA PARTIDA (Alvarez). Piano acc. 1924 recording. Unpublished. Few lt. mks., cons. 2. $30.00. 3375. 12” White HMV VB 14 [218af/227af]. QUO VADIS: Errar sul’ ampio mar / QUO VADIS: L’ora attest e questa (Nuoguès). Just about 1-2. $8.00. 3716. 12” White HMV VB 49 [217af/224af]. : Ambo nati in questa valle (Donizetti) / LINDA DI CHAMOUNIX: Un buon servo del VAisconte (Donizetti). Side two with MARIA MOSCISCA [s]. Just about 1-2. $8.00. 3377. 12” White HMV VB 63 [219af/225af]. QUO VADIS: O febia pur essa (Nuoguès) / NERONE: Epitalamio (Rubinstein). Just about 1-2. $8.00. 3578. 12” Blue HMV ABHB 1 [214af/Ck1532-III]. AFRICAINE: Figlia di regi (Meyerbeer) / IL GUARANY: Senza tetto (Gomes). Just about 1-2. $8.00. 3694. 12” Red Vla 92005 [883c]. MARTHA: Il mio Lionel (Flotow). VrBk. ‘30s pressing. Very small rim chip blank side only. (¼” at most). Just about 1-2. $8.00. 4018. 12” Red Vr 92008 [880c]. ERNANI: Vieni meco sol di rose (Verdi). With EMILIA CORSI [s]. Just about 1-2. $7.00. 2744. 12” Red ’12 Pats. Vla 88352 [284ai]. I PURITANI: Bel sogno beato di pace (Bellini). Just about 1-2. $8.00. 3833. 12” White lbl. Vla 88382 [284ai]. Same as preceding listing (item #2744). Few lightest mks., cons. 2. $7.00. 3437. 12” Red Vla 88651 [CA5-1]. DON CARLOS: Per me giunto (Verdi). Just about 1-2. $7.00. 2743. 12” Red Vla 88653 [CA-11-1]. LA FAVORITA: Vien Leonora (Donizetti). Just about 1-2. $7.00. 3233. 12” Yellow Deut. Grammophon 67360 [877c/896c]. : Alla vita / UN BALLO IN MASCHERA: Eri tu (Verdi). Excellent pressing. Just about 1- 2. $12.00. S. A. BATURINA [s] 1154. 10” Red Orth. Vla 4064. PIQUE DAME: On the Channel (Tschaikowsky) / DUBROVSKY: I Have Gone too Far (Napravnik). Few lt. rubs side one, cons. 2. Side two just about 1-2. $12.00. 1155. 10” Red Orth. Vla 4095. THE ENCHAN- TRESS: Where are you, my dearest? / THE ENCHANTRESS: To look from Nijai (Tschaikowsky). Side one just about 1-2. Side two lt. superficial rubs, 2. $12.00. 1156. 10” Red Orth. Vla 4108. RUSSLAN AND LUDMILA: Oh! my Ratmir! (Glinka) / INVISIBLE CITY OF KITEZH: Fevronia’s Aria (Rimsky-Korsakov). Just about 1-2. $15.00. FRIEDEL BECKMANN [ms] 2441. 10” PW Electrola DA 4505 [ORA-5877- 1/ORA-5878-2]. IM KAHNE / ICH LIEBE DICH (both Grieg). Piano acc. Bruno Seidler-Winkler. Just about 1-2. $20.00. DAN BEDDOE [t] 2033. 10” Red Pats. Vr 64195. IRISH LOVE SONG (Lang, Op. 22). Small rub, few tiny mks., cons. 2. $15.00. DAN BEDDOE 1120. 10” Red ’12 Vr 64361. YESTERDAY AND TODAY (Chas. Gilbert Spross). Just about 1-2. $15.00. 1122. 10” Red Vr 64391. A MOONLIGHT SONG (Cadman). Just about 1-2. $15.00. 36 VOCAL 78 rpm Discs VIRGILIO BELLATTI [b] 1671. 10” Blue Notes Columbia C2335 [10991-1/10992-1]. ANDREA CHÉNIER: Un di m’era di gioia / ANDREA CHÉNIER: Son sessant’ anni (Giordano). Cons. 2. $10.00. 1815. 10” Blue Notes Columbia C2409 [10999-1/11000-1]. FEDORA: Egli mi dice / FEDORA: La donna russa (Giordano). Small harmless pressing rim indentation side one. Cons. 2. $10.00. [s] 2841. 12” White lbl. HMV 053014 [570R-1]. FEDORA: O grandi occhi (Giordano). A re-recording by HMV. Just about 1-2. $20.00. XENIA BELMAS [s] 2494. 10” Green PW French elec. Polydor 522296 [ ? / ? ]. LE DOUTE / L’ALOUETTE (both Glinka), from film “Le Sergent X”. Just about 1-2. $25.00. 2985. 12” Blk. PW Polydor 66715 [848½bm/ 849bm]. LES HUGUENOTS: Nobles Seigneurs, salute (Meyerbeer) / CA- VALLERIA RUSTICANA: Voi lo sa- VIRGILIO BELLATTI in La Boheme pete (Mascagni). Side one some rubs, gen. 2. Side two cons. 2. $10.00. 3010. 12” Blk. PW Polydor 66999 [711bi/712bi]. WAR ICH NICHT EIN FRISCHES GRÄSLEIN, Op. 47., No. 7 / WANN ICH DAS GEWUßT, Op. 47, No. 1 (Tschai- kowsky). Piano acc. Alexander Kitschin. Few lightest mks., cons. 2. $15.00. ETTORE BERGAMASCHI [t] 1217. 10” Pink acous. Fono.-Nazionale Dr5045/Dr5046. ANDREA CHÉNIER: Si! fui soldato / ANDREA CHÉNIER: Come un bel dì di maggio (Giordano). Marca di Edizione sticker side one signed by Bergamaschi. One tiny PB side one, otherwise cons. 2. Nice copy. $75.00. 2657. 11” Pink acous. Fono.-Nazionale E1033/E1034. FORZA DEL DESTINO: La vita è inferno / FORZA DEL DESTINO: O tu che in seno agli Angeli (Verdi). Marca di Edizione sticker side one signed by Bergamaschi. Nice copy, cons. 2. $75.00. 2725. 11” Pink acous. Fono.-Nazionale G2023/G2024. AIDA: Già i sacerdoti adunansi (Aida). Two sides. With ELVIRA CASAZZA [ms]. Marca di Edizione sticker side one signed by Bergamaschi. 2-3. $60.00. [s] 3787. 12” Red PW Elecrola DB 4596, DB 4597 [2RA3325-II/2RA3326-I/2RA3327-II/ 2RA3328-II]. DREI ARIEN NACH KLOPSTOCK [three sides]. With HANS-WALTER SCHLEIF [oboe], ETA HARICH-SCHNEIDER [cembalo] / HARICH-SCHNEIDER [cembalo]. FÜNF ABBREVIATIONEN (all Robert Oboussier). Rare. Chaming music. Few minor mks. each side, cons. 2. $15.00. 3220. 12” Red Swiss HMV DB 4645 [2RA2458-III/2RA59-V]. MAGIC FLUTE: Der Hölle Rache / MAGIC FLUTE: O zittre nicht (Mozart). With Berlin Phil. dir. Sir Thomas Beecham. Excellent pressing. Just about 1-2. $8.00. [b] 1236. 10” PW (gold print) Vr 2011 [OLA2453-3/OLA2454-1]. LE JARDIN MOUILLÉ / COEUR EN PÉRIL (both Albert Roussel). Piano acc. . Beautiful musical pastels. Few lt. rubs, cons. 2. $10.00.

37 VOCAL 78 rpm Discs GUSTAVO [DE] BERNAL-RES[Z]KY [b]. Aguascalientes, Mexico, 1875-Paris, 1918. He studied in and Italy and made his debut in Italy, 1899, as Germont in La Traviata. Booked for the Metropolitan Opera 1905-06 following a season in Mexico, Berl-Resky (as his name appeared in New York and as we’ll refer to him from here on) was released from his New York contract by (then) General Manager Heinrich Conried following the first rehearsal for his debut as Enrico in Lucia late Nov. of 1905. Conried decided that the baritone’s voice “was not perfectly suited to the requirements of the Metropolitan,” whatever that might have meant. Still, Berl-Resky did sing Enrico in the season’s one performance of Lucia on December 2nd, for which a reporter stated, “people who heard him will be sorry that he is to go away.” He was given a full month’s salary and expenses back to Europe, although it appears he stayed at least through April of 1906, when he completed a group of records for Victor begun the month before. He and his wife, Mme. Scarphy-Resky, also made use of the time to make some cylinders for Edison. Sometime later, Gustavo made at least one record for Homocord. On this was listed as his first credit “del Metropolitan Opera House of New York”. Also given was the “Imperial Opera di St. Petersburgo”. One wonders if he had greater staying power there. 2479. 10” Blk. GP ’06 Vr 4774. IL FURIOSO: Aria (Donizetti). 2-3. $8.00. 1349. 10” Blk. ’12 Pats. Vr 16475. TOSCA: Tosca Divina! (Puccini) / PREGHIERA - ALLA MENTE CONFUSA (Tosti). A top copy (as the grading indicates). Just about 1-2. $12.00.

GABRIELLA BESANZONI [left] and in Mexico, 1919

GABRIELLA BESANZONI [c] 2270. 10” Red acous. Vla 541. IL TROVATORE: Stride la vampa (Verdi) / SAMSON ET DALILA: S’apre per te (Saint-Saëns). Side two with cello obbligato by Rosario Bourdon. Just about 1-2. $7.00. EMMY BETTENDORF [s] 2195. 10” Dk. Blue elec. PW Odeon O-25103 [W133175-3/W133176-3]. DER OBERSTEI- GER: Geht doch hinein / DER VOGELHÄNDLER: Schenkt man sich Rosen (both Carl Zeller). Both with HERBERT ERNST GROH [t]. Just about 1-2. $10.00. 3789. 12” Blk. acous. Polydor 65646 [8az/5az]. MAGIC FLUTE: Bei Männern. With [b] / SCHORR [b]. MAGIC FLUTE: Ein Mädchen oder Weibchen (Mozart). Just about 1-2. $40.00. 2878. 12” Blue acous. Homocord B.8273 [50943-1/51133]. FAUST: Schmuckwalzer (Gounod) / OTELLO: Sei mir gegrüßt [Ave Maria] (Verdi). Few lt. mks., 2. $15.00. 3863. 12” Pink acous. Parlophon P.1240 [2-5509/2-5511]. DER ROSENKRANZ (Ethelbert Nevin) / ICH LIEBE DICH (Grieg). Few lightest mks., cons. 2. $15.00. 3862. 12” Pink acous. Parlophon P.1779 [2-7592/2-7593]. FRÜHLINGSLIED (Gounod) / LIEBESFEIER (Weingartner). Lt. rubs, gen. 2. $15.00. 38 VOCAL 78 rpm Discs 3861. 12” Pink acous. Parlophon P.1945 [2-8014/2-8015]. : Einsam in trüben Tagen / LOHENRIN: Euch Lüften (Wagner). One small rub side two, otherwise just about 1-2. $15.00. 3860. 12” Brown acous. Parlophon P.2234 [2-8167/2-8168]. DON GIOVANNI: 2 Akt Rezitativ und Arie des Donna Anna / DON GIOVANNI: Sag mir nich, o Heil- geliebter (Mozart). Just about 1-2. $15.00. 3992. 12” Purple elec.Eng. Parlophone E10525 [2-8950/2-8951]. OBERON: Ozean du Ungeheuer (v.Weber). Two sides. Just about 1-2. $12.00. 3062. 12” Purple elec. U.S. Odeon 5129 [2-8888/2-20028]. DU RING AM MEINEN FIN- GER / ER DER HERRLICHSTE VON ALLEN (both Schumann, from Frauenliebe und Leben, Op. 42). Piano acc. Frieder Weissmann. Just about 1-2. $12.00. 2858. 12” Dk. Blue PW elec. Parlophon P.9499 [2-21637/2-21658-4]. REKLAME: Sprich nicht von ewiger Lieber [Tango] (Granichstaedten) / DER LIEBES- WALZER [from film of same name] (Heymann). One lt. rub side two, otherwise just about 1-2. $15.00. LÉON BEYLE [t] 1778. 10” Blue Vr 45011 [9115u/9100u]. SI J’ÉTAIS ROI: Un regard de ses yeux! (Adam)/ HECTOR DUFANNE [b]. DON GIOVANNI: Sérénade (Mozart). IMs, lightest lbl. NR side one and slightest lbl. stains side two. Surfaces are just about 1-2. $10.00. ETIENNE BILLOT [bs] 2088. 10” Red PW French Odeon 188.874 [KI- 2609-2/KI-2610-2]. LE CHALET: Arrê- tons-nous ici / LE CHALET: Entendez- vous ces airs (Adam). Just about 1-2. $10.00. GERTRUD BINDERNAGEL GERTRUD BINDERNAGEL [s]. Magdeburg, 1894-Berlin, 1932. Famed German , Bindernagel studied at the Magde Conservatory and in 1917 made her debut with the Breslau Opera. She was with the , 1920-27 and then again from 1931 until her death. She was also heard at the State Opera with great success as the Marschallin in as well as having toured Spain and Belgium. Her repertoire included leading roles in Don Giovanni (Donna Anna), Pagliacci (Nedda), , Lohengrin (Ortrud) and Tristan und Isolde, as well as principal parts in operas by such contemporary composers as Prokofiev, Schrecker, and Egon Wellesz. After a performance of Siegfried at the Berlin State Opera she was shot by her second husband, who delusionally be- lieved that Bindernagel and a lover (later proven in court a figment of her husband’s imagination) had planned on ruining him financially. She died several days later. 2606. 10” Blue acous. Vox 2109 [1476B/1477B]. DON CARLOS: O don fatale (Verdi). In Italian. Two sides. Rare. Small lbl. stkr. Tiny inconsequential edge flake side two, far from grooves and scarcely noticeable. 2. $200.00. 3005. 12” Pink acous. Parlophon P.1315 [2-5681/2-5682]. AIDA: Ritorna vincitor (Verdi). Two sides. Orch. dir. Frieder Weissmann. Fine copy. Small lbl. crease (not a crack) and lbl. stkr., few lt. mks., 2. $60.00. DAVID BISPHAM [b] 1433. 10” Maroon Pathé Actuelle 025099 [N65956/N66002-1]. THE TWO GRENADIERS (Schumann) / MISTRESS MAGRATH (Duncan). Bispham at his most vivid. As new. Just about 1-2. $15.00. 3453. 12” TC Columbia A5137 [30286-2/30287-2]. IL TROVATORE: Il balen (Verdi) / IVANHOE: Woo thou thy snowflake (Sulliavan). Just about 1-2. $10.00. 3076. 12” TC Columbia A5166 [30332-1/30333-2]. BOAT SONG (Ware) / THE PAUPER’S DRIVE (Sidney Homer). Good surfaces. Label side two faded, otherwise just about 1-2. $10.00. 39 VOCAL 78 rpm Discs 4063. 12” Blk. Columbia 5033-M [30210-2/30211-3]. BELIEVE ME IF ALL THOSE EN- DEARING YOUNG CHARMS (Moore) / ACIS AND GALATEA: Oh, Ruddier Than the Cherry (Händel). Fine pressing. Few lightest mks., cons. 2. $10.00. 3236. 12” PW Silver Vr IRCC 152 [268c/RR]. OH THAT WE TWO WERE MAYING (Gounod) / TANNHÄUSER: Als du in kühlem Sange (Wagner). Side on pressed from orig. 1904 G&T matrix. Side two a 1939 re-recording. Just about 1-2. $20.00. GÖSTA BJOERLING [t]. 2109. 10” Plum HMV X.4831 [OSB535-I/OSB536-II]. SERENAD (Widéen) / MORGON (Eklöf). Just about 1-2. $10.00. JUSSI BJOERLING [t]. The “X” series records are all sung in Swedish, as are the early acoustic Columbias 1583. 10” Plum PW HMV X.3628 [BT5206-II/ BT5207-II]. ROMEO ET JULIETTE: Ah, lève-toi, soleil! (Gounod) / RIGO- LETTO: Questa o quella (Verdi). Just about 1-2. $10.00. 2346. 10” Plum PW HMV X.3628 [BT5206-II/ BT5207-II]. Same as previous listing. Few minor mks., cons. 2. $8.00. 2119. 10” Plum HMV X.3702 [OT130-2/ OT131-II]. TANDIS SERENADE (Italian Folk Song) / CARMELA (de Curtis). Few lightest mks., cons. 2. $8.00. 1975. 10” Plum HMV X.3724 [OT132-I/ OT145-II]. LIV MIN SÅ AR VÄRLDEN MIN [LOVE ME AND THE WORLD IS MINE] (Ball) / SÄG MIG GOONATT [THE SUNSHINE OF YOUR SMILE (Ray). Label side one signed by Björling. Lt. superficial discoloration one area side two. Cons. 2. $20.00. 2012. 10” Plum HMV X.3725. Same as pre- ceding listing (item #1975) but not signed. Just about 1-2. $10.00. JUSSI BJOERLING and wife ANNA-LISA soaking up the sun’s rays 2159. 10” Plum HMV X.4108 [OPA122-II/ OPA123-II]. L’ILLUSTRE FREGONA; Serenade (Raoul Laparra) / PRINCE IGOR: Cavatina (Borodin). Just about 1-2. $12.00. 2466. 10” SS White lbl. test X.4134 [OPA149]. KANSKE ATT VI PÅ SAMMA DRÖMMER BÄR (Tilling). Just about 1-2. $50.00. 2450. 10” SS White lbl. test X.4192 [OPA182]. DINA BLÅA ÖGON LOVA MER, ÄN DINA RÖDA LÄPPAR GER (Sylvain). Recorded as “ERIK ODDE”. Just about 1-2. $50.00. 1681. 10” Plum HMV X.6146 [OSB741-V/OSB756-II]. GYPSY BARON: Duet (Strauss) / BEGGAR STUDENT: Duet (Millöcker). With HJÖRDIS SCHYMBERG [s]. Orch. dir. Nils Grevillius. Just about 1-2. $7.00. 1682. 10” Plum HMV X.6235 [OSB742-II/OSB753-II]. SJUNG OM STUDENTENS LYCKLI- GA DA’R (Prins Gustaf) / NÄMNER DU SVERIGE (Wide). Just about 1-2. $10.00. 2017. 10” Plum Scandinavian HMV X.7255 [OSB742-II/OCS1834-I]. SJUNG OM STUDENTENS LYCKLIGA DA’R (Prins Gustaf) / STUDENTER SANGFORENINGEN dir. JOHAN HYE-KNUDSEN. HELLIGE FLAMME (Weyse). Lt. rubs, side one cons. 2. Side two 2. $7.00. 1683. 10” Plum HMV X.7947 [OSB3843-IS/OSB3846-1S]. JUNGFRUN UNDER LIND (Peterson-Berger) / TILL HAYS (Nordqvist). Orch. dir. Bertil Bokstedt. Cons. 2. $10.00. 1725. 10” Red PW HMV DA 1548 [OSB44I-II/OSB442-II]. RIGOLETTO: La donna è mobile (Verdi) / TOSCA: Recondita armonia (Puccini). Just about 1-2. $6.00. 1684. 10” Red HMV DA 1704 [OSB985-III/OSB986-III]. MORGEN, Op. 27, No. 4 / CÄCI- LIE, Op. 27, No. 2 (both R. Strauss). Piano acc. Harry Ebert. Just about 1-2. $7.00. 40 VOCAL 78 rpm Discs 1685. 10” Red HMV DA 1902 [OSB2926-2/OSB2927-2]. I DREAM OF JEANNIE WITH THE LIGHT BROWN HAIR (Foster) / BECAUSE (d’Hardelot). Just about 1-2. $7.00. 2603. 10” White lbl. Gramophone Co. test mat. OSB-3072-1. JOCELYN: Berceuse (Godard). Unpublished take. Only known copy. Just about 1-2. $500.00. 2438. 10” Red Australian HMV EC 214 [OSB743-4/OSB755-I]. BEGGAR STUDENT: I Have No Money (Millöcker) / LA BELLE HÉLÈNE: The Judgment of Paris (Offenbach). Excellent Australian laminated pressing. Few lightest rubs, cons. 2. $10.00. 2362. 10” Red PW (gold print) Vr 2136 [OSB825-V/OSB8086-I]. IL TROVATORE: Ah si, ben mio / IL TROVATORE: Di quella pira (Verdi). Just about 1-2. $8.00. 2178. 10” Red PW (gold print) Vr 4379 [OSB560-2/OSB577-II]. O SOLE MIO (di Capua) / IDEALE (Tosti). Just about 1-2. $7.00. 1572. 10” Red RCA Vr 10-1323. ANDREA CHÉNIER: Come un bel dì di maggio (Gior- dano) / UN BALLO IN MASCHERA: Di tu se fedele (Verdi). Orch. dir. Nils Grevillius. From orig. Swedish matrices. Just about 1-2. $7.00. 2604. 10” Blue Radiotjänst PR 5189 [TRJ-4502-GMA/RTJ-4501-MA]. SOMMARGLÄDJE. Side one a dub of JUSSI, OLLE and GÖSTA BJÖRLING’s 1920 recording of the song as children. Side two is a 1952 recording by the three brothers 32 years later, with piano by Stig Rybrant. According to the Björling Harold Henrysson disco- graphy, “the recording was pressed in a few copies … Only one copy was made avail- able to the public as a prize in a lottery.” The only other copies known are “a few copies in the Swedish Radio archive and in the Jussi Björling family collection”. Just about 1-2. $500.00. RAMON BLANCHART [b] 3289. 12” Lt. Blue Eng. Columbia A5183 [30436/30435]. RIGOLETTO: Tutte le feste (Verdi). With EUGENIA BRONSKAYA [s] / EUGENIA BRONSKAYA [s], FLORENCIO CONSTANTINO [t]. RIGOLETTO: E il sol dell’ anima (Verdi). Excellent laminated ‘20s pressing. Just about 1-2. $15.00. 3072. 12” TC Columbia A5184 [30409-1/30419-1]. I PURITANI: Suoni la tromba (Bellini). With JOSÉ MARDONES [b] / LA FORZA DEL DESTINO: Solenne in quest’ora (Verdi). With FLORENCIO CONSTANTINO [t]. Good flush pressing. Just about 1-2. $12.00. 2900. 12” Blue Eng. Columbia A5296 [30719/ 30623]. LA TRAVIATA: Pure siccome un angelo. With LYDIA LIPOVSKAYA [s] / LIPOVSKAYA [s], GEORGE BAKLA- NOFF [b]. RIGOLETTO: Figlia! Mio padre! (both Verdi). “England” etched in one side of inner land area. Very minor label discoloration. Excellent laminated surfaces. Just about 1-2. $15.00. LILLIAN BLAUVELT [s] 2077. 10” Red GP ’04 Vr 64029 [B-424-2]. I VESPRI SICILIANI: Bolero (Verdi). Piano acc. Small indentation about midpoint will cause a few sounds. Tiny lbl. stkr., otherwise cons. 2. $12.00. 1788. 10” PW Silver Vr IRCC 8. I VESPRI SICILIANI: Bolero (Verdi) / [s]. LA SONNAMBULA: Ah! non giunge (Bellini). Piano acc. From orig. 1905/1904 Victor matrices. Just about 1-2. $20.00. 4113. 12” TC Columbia A5008 [30096-1/30125- 1]. HOME, SWEET HOME (Payne) / CHARLES GILIBERT [b]. DON GIO- VANNI: Sérénade (Mozart); MARGATON (arr. Weckerlin). Piano acc. Cons. 2. LILLIAN BLAUVELT $25.00.

41 VOCAL 78 rpm Discs JULES BLEDSOE [b]. Waco, TX, 1898 (an incorrect date of 1902 appears in various sources)-Los Angeles, CA, 1943. His debut was in NY’s Aeolian Hall, 1924, a result of which was his obtaining management by Sol Hurok. In 1926 he was in the premiere of Frank Harling’s opera Deep River and the following year he (not Paul Robeson) created the role of Joe (singing “Ol’ Man River”) in Showboat. He appeared in opera in the U.S. in 1934 as Amonasro in Aida and in the title role of Gruenberg’s Emperor Jones but had better opportunities in Europe, singing Boris Godounov in Holland. He also successfully undertook straight dramatic roles, reviewed in one performance at the Provincetown Playhouse as “an actor of ability – one capable of reaching the dramatic heights in a sincere and convincing manner”. His early death was the result of a stroke. 1733. 10” PW Blue Eng. Decca F.3486 [GB3646-3CJ/GB3647-2CJ]. SWING LOW, SWEET CHARIOT / GOIN’ TO SHOUT ALL OVER GOD’S HEAVEN (both arr. White). Piano acc. Just about 1-2. $15.00. 1207. 10” White Sample Eng. Decca Mat. GB3644-1CJ. WATER BOY (Avery). Issued? I haven’t access to a Bledsoe discography. Lt. rubs, 2. $10.00. 1208. 10” White Sample Eng. Decca mat. GB4009-1DJ. LONESOME ROAD (Shilkret). Issued? Lt. rubs, 2. $10.00. MAX BLOCH [t]. , 1890-Düsseldorf, Aug. 19, 1930. He studied voice with his father and became known as a concert singer in Berlin, as well as a member of the Berlin Komischen Opera and the Deutschen Opernhaus Berlin before coming to New York. He made his debut with the Metropolitan Opera in 1914 and sang 43 roles there, including German, Italian, French and English parts. He had little opportunity to be assigned leading roles because of his small stature, although he did sing the Italian Tenor in Der Rosenkavalier (Strauss) as well as some Wagnerian parts, such as David in Die Meistersinger and Mime in Siegfried and Das Rhein- gold. He also appeared at the Buenos Aires Teatro Colòn and sang in various concert perform- ances. He recorded acoustically for Edison, Emerson, Victor and Columbia in the 1920-1925 period but strangely appears never to have made any electrical recordings, despite having been active at the Met up to April 15, 1930. The obituary clipping with the dates quoted above was in Musical America. Kutsch-Riemens, however, gives his dates as 1882-New York, 1943. 1863. 10” Blue acous. Banner 2055 [41377-2/41598-1]. PAGLIACCI: Vesti la giubba (Leoncavallo) / TOSCA: E lucevan le stelle (Puccini). 3. $12.00. EBE BOCCOLINI [s] 3188. 12” Blk. Dog Mon. Gram. 054402/054403 [483aj/477aj]. MEFISTOFELE: Cavaliero illustre e saggio. / MEFISTOFELE: La luna immobile (Boïto). with (both sides) LUCA BOTTA [t], GIULIA MARTINENGO [ms] and (side two) GIUSEPPE TISCI- RUBINI [bs]. Couple MGTs, rubs, 2-3. $12.00. 3776. 12” Blk. ’12 Pats. Vr 68376 [226aj/243aj]. AMICO FRITZ: Han della popora (Mascagni). With GUIDO CICCOLINI [t] / FANNY LOTTY [s], ERNESTO BADINI [b]. AMICA: Più presso al ciel (both Mascagni). Side one cons. 2. Side two one (harmless) rub area and lightest NR on lbl., 2. $12.00. 3603. 12” Blk. Vr 68418 [475aj/492aj]. MANON LESCAUT: O tentatrice (Puccini). With LUCA BOTTA [t] / MEFISTOFELE: Amore! MISTERIO! (Boito). With IRENE SOLLOHUB [s]. Small lbl. stkrs. Just about 1-2. $15.00. AUGUST BOCKMANN [t] 2047. 10” Green acous. No-Dog Gram. 13215 [12868r/12869r]. STRADELLA: Italia, mein Vaterland / STRADELLA: Hymne (Flotow). Lt lbl. fade. Just about 1-2. $12.00. MICHAEL BOHNEN [bs-b] 2245. 10” Gold elec. Brunswick 15115. FIDELIO: Ha! welch’ ein Augenblick! / FIDELIO: Hat man nicht auch Gold (Beethoven). Just about 1-2. $10.00. 2222. 10” Gold elec. Brunswick 15215. DER FREISCHUTZ: Hier im ird’ schen Jammerthal (v.Weber) / LOHENGRIN: Konigs Gebet (Wagner). Just about 1-2. $12.00. 2888. 12” Green acous. Polydor 78548 [1052½as/1187m]. FORZA DEL DESTINO: In dieser feierlichen Stunde. With TINO PATTIERA [t] / CLAIRE DUX [s], JOSEPH SCHWARZ [b]. RIGOLETTO: Sprich nie mit einem Armen (both Verdi). Just about 1-2. $20.00. 4115. 12” Brown/Blk. Odeon Rxx76570/Rxx76571 [XXB6285/XXB6286]. MEISTER- SINGER: Wahnmonolog (Wagner). Two sides. IMs. Just about 1-2. $15.00. 2948. 12” Dk. Blue elec. PW Odeon O-6808 [XXB7494/XXB7496]. BARTERED BRIDE: Arie des Kezal (Smetana) / : Wennew’ger Haß (Halévy). Orch. dir. Georg Szell. Just about 1-2. $20.00.

42 VOCAL 78 rpm Discs 2975. 12” PW Red elec. Ultraphon F738 [15911/15910-1Z]. DER FREISCHÜTZ: Schweig, schweig damit dich niemand warnt / DER FREISCHÜTZ: Hier im ird’schen Jammertal (v.Weber). Scarce. Cons. 2. $20.00. [t] 9459. 11” Fonotipia 39079/39111 [XPh168/XPh189]. MIGNON: Addio, Mignon, fa core (Thomas) / LA FAVORITA: Una vergine (Donizetti). Side one tiny lbl. tear and light residue of removed label. 2-3. $8.00. 9333. 11” Col.-Fonotipia 39079/39128 [XPh168/XPh196]. MIGNON: Addio, Mignon, fa core (Thomas) / CARO MIO BEN (Giordani). Excellent copy, few lightest mks., cons. 2. $12.00. 9462. 11” U.S. Fonotipia 72201 [XPh2695]. L’ELISIR D’A- MORE: Quanto è bella (Donizetti). Superficial rubs, 2- 3. $10.00. 9334. 11” Col.-Fonotipia 92218/92219 [XPh3403-2/ XPh3404-2]. TESS: Stanotte ho fatto un sogno (d’Erlanger). Two sides. Cons. 2. $25.00. 9307. 11” Col. Fonotipia 92218/92219 [XPh3403-2/ XPh3404-2]. Same as previous listing. IMs. Gen. 2. $20.00. 9324. 11” Red ‘30s Odeon 39084 [XPh394/XPh153]. PURI- TANI: A te, o cara (Bellini) / ELISIR D’AMORE: Una furtiva lagrima (Donizetti). One of his most notable records and in beautiful surface format. One tiny mk., just about 1-2. $25.00. 3190. 11” Gold Odeon HRS 1022 (39241/39341) [XPh308/ XPh438]. ELENA E PARIDE: O del mio dolce ardor (Gluck) / DON PASQUALE: Tornami a dir che m’ami (Donizet-ti). Side two with REGINA PINKERT [s]. Excellent pressing, just about 1-2. $25.00. 3719. 12” Blue U.S. Fonotipia 52201 [XXPh3391]. MARTHA: M’appari (Flotow). Few lightest mks., cons. 2. $12.00. 4015. 12” Blue Columbia 7031-M [30466-1/36657-1]. AFRI- CAINE: O Paradiso (Meyer-beer). / FLORENCIO CON- STANTINO [t]. PEARL FISHERS: Mi par d’udire an- cora (Bizet). Great pressing. Few lt. rubs, cons. 2. $12.00. ALESSANDRO BONCI in Donizetti's La Favorita 3739. 12” Red PW elec. Eng. Columbia D14680 [WBX73/WBX74]. BALLO IN MASCHERA: Duetto Atto II (Verdi). Two sides. With MARIA PIA PAGLIARINI [s]. Mint? Just about 1-2. $12.00. RICHARD [RICCARDO] BONELLI [b]. Port Byron, NY, 1887-Los Angeles, CA, 1980. A student of Jean de Reszke in Paris, Bonelli (born Bunn) made his debut as Valentin in Faust at the Brooklyn Academy in 1915. He later appeared with success at the Chicago Opera and the Met and made guest appearances in Europe, including Monte Carlo and La Scala. His career lasted into the 1950s. Bonelli’s nephew was film actor Robert Stack. His first vertical Aeolian-Vocalion records were issued as Riccardo Bonelli. 3515. 12” Gold elec. Brunswick 50142. FORZA DEL DESTINO: Solenne in quest’ ora (Verdi) / MARTHA: Solo profugo (Flotow). With MARIO CHAMLEE [t]. Just about 1-2. $12.00. [s] 1799. 10” Red GP ’06 Vr 91071 [7320b]. TROVATORE: Vivrà, contende il giubilo (Verdi). With FRANCESCO CIGADA [b]. Nice early pressing, few MGTs, 2. $8.00. 1933. 10” Red Vla 87560 [7320b]. Same as previous item (#1799) but a later, renumbered pressing. VrBk. Just about 1-2. $10.00. 2373. 10” Red ’08 Pats. Vla 91074 [7321b]. ERNANI: Ernani, involami (Verdi). Few MGT, cons. 2. $8.00. 3974. 12” PW Blk. Columbia 5013-M [30351-1/30159-1]. IL TROVATORE: D’Amor sull’ ali rosee (Verdi) / : Bel raggio (Rossini). Just about 1-2. $12.00. 43 VOCAL 78 rpm Discs 3426. 12” PW Blk. Columbia 5034-M [30356-1/30357-1]. NORMA: Casta diva / NORMA: Ah! bello a me riturna (Bellini). Top copy. Just about 1-2. $12.00. 2804. 12” Red Milano G&T 054098 [798½c]. UN BALLO IN MASCHERA: Non sai tu (Verdi). With EMANUELE ISCHIERDO [t]. Few MGTs, 2. $20.00. 3309. 12” Red GP ’06 Vr 92000 [538c]. UN BALLO IN MASCHERA: Ma dall’ arido stelo divulsa (Verdi). Gen. 2. $8.00. 3399. 12” Red Vla 92031 [800c]. FORZA DEL DESTINO: Madre pietosa vergine (Verdi). With La Scala Chorus. Just about 1-2. $7.00. 2796. 12” Silver PW Vr IRCC 84 [3197c/3198c]. LORELEY: Lascia per or che libera (Catalani) / IL GUARANY: Sento una forza indomita (Gomes). Both with LUIGI BOLIS [t]. Just about 1-2. $20.00. 2790. 12” Silver PW Vr IRCC 149 [535½c/537c]. L’AFRICAINE: Già! l’odio m’abbandona (Meyerbeer) / IL TROVATORE: Tacea la notte placida (Verdi). From orig. 1906 G&T matrices. Just about 1-2. $20.00. [t] 2161. 10” Plum HMV B.8947 [OEA7849-I/ OEA8027-I]. THE IMMORTAL HOUR: The Faery Song (Boughton) / MERRIE ENGLAND: The English Rose (German). Side one harp acc. John T. Cockerill. Cons. 2. $7.00.

GIUSEPPE BORGATTI [t]. Cento, Ferrara, 1871-near Laggo Maggiore, 1950. Born of a humble family, Borgatti was originally a bricklayer. He entered the service and through a connection there was recom- mended to study voice with Alessandro Busi in Bologna. His debut was as Gounod’s Faust in 1892. He appeared throughout Italy, developing his talent and repertoire and made a great success in Venice in Puccini’s Manon Lescaut, 1894. This led to the title role in the 1896 world premiere of Giordano’s Andrea Chenier. He also took principal Wagner tenor parts and became known as Italy’s foremost heldentenor, as well as being celebrated for his singing of Verdi and Puccini roles. Un- fortunately, he was diagnosed with glaucoma in 1907 and his eyesight steadily deteriorated. In 1914, after taking the role of in the Italian premiere of that opera, he retired from GIUSEPPE BORGATTI the opera stage, although his voice was in first-rate condition. He continued with concert appearances until 1923, when he became completely blind, although he appeared one last time in 1928 and then also made a few rare electric records for Italian Columbia. His pupils included British tenor and German baritone Willi Domgraf-Fassbaender. 2682. 12” Maroon PW English elec. Columbia CQX 16453 [WBX269/WBX496]. OTELLO: Niun mi tema (Verdi) / CARMELO MAUGERI [b]. UN BALLO IN MASCHERA: Eri tu (Verdi). Borgatti’s most important and rarest record by far. Few lt. mks., cons. 2. $700.00. DINO BORGIOLI [t]. Firenze, 1891-Firenze, 1960. A student of Eugenio Giachetti, Borgioli made his debut as Arturo in Bellini’s I Puritani at the Milan Teatro Corso, 1914. He appeared at the Teatro dal Verme in 1917 and then for a number of seasons at La Scala. He was enthusias- tically received in England and sang in the U.S. with the Chicago Opera and one season at the Met. Borgioli settled in London where he remained as a voice teacher during and for a period following W.W. II. 1241. 10” Blue acous. Columbia 2015- M [70663-2/70664-2]. IL BARBIERE DI SIVIGLIA: Se il mio nome saper (Rossini) / RIGOLETTO: Questa o quella (Verdi). One tiny, harmless rim patina. Just about 1-2. $15.00. 1240. 10” Blue acous. Columbia 2017-M [B-235/B-274]. CARMEN: Flower Song (Bizet) / LA TRAVIATA: De’ miei bollenti spiriti (Verdi). Just about 1-2. $15.00. 44 VOCAL 78 rpm Discs 2992. 12” Blk. VT Columbia 50266-D [WBX94/WBX247]. BARBIERE DI SIVIGLIA: Se il mio nome (Rossini) / PEARL FISHERS: Del tempio al limitar (Bizet). Side two with GINO VANELLI [b]. IMs. Just about 1-2. $12.00. 3645. 12” Green It. Columbia GQX 10158 [WBX92/WBX93]. FAUST: Duetto d’amore (Gounod). Two sides. With [s]. Just about 1-2. $10.00. 3849. 12” Late Blue It. Columbia GQX 10282 [WBX830-2/WBX831-1]. L’AMICO FRITZ: Duetto delle ciliege (Mascagni). Two sides. With ROSETTA PAMPANINI [s]. Lbl. stkrs. over top half of labels. Excellent pressing. Few lightest mks. Cons. 2. $8.00. LUCREZIA BORI [s] 1688. 10” Red Vr 87219. IRIS: In pure stille (Mascagni). Just about 1- 2. $8.00. 2097. 10” Red Vla 87581. ROMÉO ET JULIETTE: Ah! ne fuis pas en- core! (Gounod). With BENIA- MINO GIGLI [t]. VrBk. Just about 1-2. $8.00. 1659. 10” Red acous. Vla 542. ROMEO ET JULIETTE: Je veux vivre (Gounod) / SNOW MAIDEN: Je connais, ma mere (Rimsky-Kor- skow). Just about 1-2. $7.00. 2089. 10” Red acous. Vla 544. MALA- GUEÑA (Pagans) / CLAVELI- TOS (Valverde). Cons. 2. $6.00. 1663. 10” Red acous. Vla 546. LA DANZA (Rossini) / VILLANEL- LA (Sibella). Just about 1-2. $7.00. 1636. 10” Red acous. Vla 967. AMICO FRITZ: Non mi resta / AMICO FRITZ: Son pochi fiori (Mas- cagni). Just about 1-2. $8.00. 1637. 10” Red acous. Vla 1009. MA- NON: Adieu notre petite table (Massenet) / LAKMÉ: Pourquoi LUCREZIA BORI dans les grands bois (Delibes). Just about 1-2. $8.00. 2136. 10” Red EE Vla 1162. THE LITTLE DAMOZEL (Ivor Novello) / SIMONETTA (Hugo Rumbold). Small lbl. scr. side two. Just about 1-2. $8.00. 1723. 10” Red Scroll “Z” shellac Vr 1361. MIGNON: Gavotte / MIGNON: Connais-tu le pays? (Thomas). Just about 1-2. $8.00. 2034. 10” Red PW (silver print) Vr 2201. ARIA DE ACIS Y GALATEA (Literes, arr. J. Nin) / EL JILGUERITO CON PICO DE ORO (de Laserna, arr. J. Nin). With George Copeland, pianist. Couple TNs side one, few minor rubs, 2. $7.00. 3579. 12” Red Vr 88453. LA TRAVIATA: Parigi o cara (Verdi). With JOHN MC COR- MACK [t]. Few lightest rubs, con. 2. $6.00. 2727. 12” Red Vla 88647. IL SEGRETO DI SUSANNA: Oh Gioia, la nube leggera (Wolf- Ferrari). Just about 1-2. $7.00. 3985. 12” Red ‘30s (acoustic style label) “Z” type shellac Vr 6561. LOUISE: Depuis le jour (Charpentier) / LA BOHÈME: Addio (Puccini). Beautiful pressing, few lightest mks., cons. 2. $7.00. 3828. 12” Red Scroll “Z” shellac Vr 8068. LA BOHÈME: Death Scene (Puccini). Two sides. With [t]. Just about 1-2. $7.00. 3612. 12” Mauve HMV acous. AGSB 58 [C-27714/C-29286]. ROMÉO ET JULIETTE: Ange adorable (Gounod). With [t] / CARMEN: Parle-moi de ma mère (Bizet). With MIGUEL FLETA [t]. Both sides from unpublished 1924 Victor matrices. Just about 1-2. $15.00.

45 VOCAL 78 rpm Discs

OLIMPIA BORONAT [s]. Genoa, 1867-Warsaw, 1934. Boronat’s musical education was at the Milan Conservatory, where she was sponsored as a young girl by Italy’s Queen Mother. She began her career around 1885, singing in Central and South America, Spain and Portugal, then appearing in Italy’s major houses and in Alexandria. She was invited to sing in Russia in the early 1890s, where she became a particular favorite in St. Petersburg. It was there, in 1892, that she met and in 1893 married “the immensely wealthy” Polish nobleman, Count Rzewuski. He insisted that she retire from the stage. She agreed, and enjoyed a period of luxury and “brilliant social life”. Eventually, however, she persuaded her reluctant husband to permit her to perform again, which she did sporadically up to 1922. Her musical interests were of the school, Wagner and verismo holding no appeal to her. 2166. 10” PW Silver Vla IRCC 50[1773L/ 1775L]. MIREILLE: O légère hi- rondelle (Gounod) / I PURITANI: O redentemi la speme … Qui la voce (Bellini). From orig. 1904 Russian G&T matrices. Just about 1-2. $15.00. 1812. 10” White HMV VA 19 [7223L/ 1778L]. MARTHA: Last Rose of Summer (Flotow) / [s]. THE NIGHT- INGALE (Alabieff). From orig. 1904/1906 G&T matrices. Just about 1-2. $10.00. 4003. 12” Red Vinyl RCA pressing of Gram. 053187 [1517c]. HUGUE- NOTS: La tenera parola (Meyer- beer). Just about 1-2. $25.00. HERMINE BOSETTI [s] 2874. 12” Blue acous. Odeon 79298/ 79299 [XXB5581-II/XXB5586]. FIDELIO: O, wär’ ich schon mit Dir vereint (Beethoven) / ZAR UND ZIMMERMANN: Die Eifer- sucht ist eine Plage (Lortzing). IMs. Just about 1-2. $25.00.

BERNARD BÖTEL [t] HERMINE BOSETTI 1289. 10” Green acous. Polyphon 16297 [17ar/21ar]. MARTHA: Ach, so fromm (Flotow) / CAVALLERIA RUSTICANA: Siciliana (Mascagni). IMs. Few lt. rubs, gen. 2. $15.00. LUCA BOTTA [t] 1698. 10” Blk. Vr 67134 [1948ah/2670ah]. TOSCA: Amaro sol per te. With IRENE SOLLOHUB [s] / FRANCO DE GREGORIO [t]. TOSCA: O dolci mani (Puccini). Very lt. lbl. fade. Small lbl. stkr. side two. Cons. 2. $10.00. 3188. 12” Blk. Dog Mon. Gram. 054402/054403 [483aj/477aj]. MEFISTOFELE: Cavaliero illustre e saggio. / MEFISTOFELE: La luna immobile (Boïto). with (both sides) EBE BOCCOLINI [s], GIULIA MARTINENGO [ms] and (side two) GIUSEPPE TISCI- RUBINI [bs]. Couple MGTs, rubs, 2-3. $12.00. 3603. 12” Blk. Vr 68418 [475aj/492aj]. MANON LESCAUT: O tentatrice (Puccini). With EBE BOCCOLINI[s] / MEFISTOFELE: Amore! MISTERIO! (Boito). With IRENE SOLLOHUB [s]. Small lbl. stkrs. Just about 1-2. $15.00. GEORGETTE BOUÉ [s]. Toulouse, 1918. She sang as GÉORI-BOUÉ, having made her debut in Toulouse, 1934, at the age of 16. She was first heard at the Paris Opéra-Comique in 1939 as Mimì, marking her 1000th appearance there in 1951. Her Paris Opéra debut as Manon was in 1942. Boué’s success was international, including La Scala, the Chicago Opera, the in Barcelona and the Bolshoi in Moscow. Her career continued until her retirement in 1970. She wed baritone in 1944. 2424. 10” Red Odeon 188.947 [KI-9787-1/KI-9788-1]. C’EST MOI / EN ARLES; UN CRI (all ). Acc. by the composer. Just about 1-2. $15.00.

46 VOCAL 78 rpm Discs 2425. 10” Red Odeon 188.943. LE ROSSIGNOL DES LILAS; MAI / INFIDELITÉ; SI MES VERS AVAIENT DES AILES (all Reynaldo Hahn). Acc. by André Collard. Just about 1-2. $12.00. 2406. 10” Red Odeon 188.960 [KI-10673-1/KI-10674-1]. MÉLANCOLIE / L’ÉTRANGER (both Louis Beydts). Acc. by the composer. Just about 1-2. $15.00. AUGUSTE BOUILLIEZ [bs-b]. A Bel- gian baritone, Bouilliez made his debut at the Théâtre Royal de la Monnaie, Brussels, the season of 1911-12 until the outbreak of the First World War in 1914. At that point, his “private fortune … was wiped out, his estates laid waste and his homes in Brussels and Moos were leveled to the ground. He owned a large automobile factory in Brussels and that, too, was destroyed”. He escaped to England, just missing Zeppelin bombings. There he per- formed under Beecham Boris Godounov (in French) and Iago. Probably a result of the War problems, Bouilliez left England for the U.S. and appeared in concerts, with AUGUSTE BOUILLIEZ singing at a NYC War Bond rally the Cosmopolitan Opera Company and the Boston Opera, as well as participating in fund raising events for Belgium. What subsequent direction his life took hasn’t been discovered. 1219. 10” Maroon acous. Actuelle 025071 [E66454-1/E66455-1]. LA PÈRE DE LA VIC- TOIRE (Ganne) / HYMNE DE MAMELI (Novaro). Few minor rubs, cons. 2. $12.00. ROGER BOURDIN [b] 1757. 10” Red Decca G-20578 [KI-4748-1/KI-4748-1]. THE CAPTIVE, Op. 20, No. 4 / NO MORE CAROLS, Op. 20, No. 2 (both Gretchaninoff). Piano acc. Gustave Cloëz. Cons. 2. $10.00. 2237. 10” Red PW elec. Odeon 188.513 [KI-1152-1/KI-1155-2]. SOPHIE ARNOULD: J’ai six moutons / SOPHIE ARNOULD: Duo de la scène V (Gabriel Pierné). Both with EMMA LUART [s]. Creator performances (Paris Opèra-Comique, 1927). Rim bruise (bump) side two to first groove (non-sounding, harmless). Cons. 2. $12.00. 2484. 10” Red PW elec. Odeon 188.577 [KI-1615-2/KI-1634-1]. LES DIES DE LAUTER- BOURG / LA BARBE BLANCHE (both Georges Hüe). Piano acc. Gustave Cloëz. Just about 1-2. $15.00. MARY (MARIE) BOYER [s]. Poite-à-Pitre, Guadeloupe, 1869-1951. Her operatic career was mainly in the French provinces, excepting Monte Carlo in 1902, where she was Musetta to Caruso and Melba’s Rodolfo and Mimì in La Boheme. She was an active recording artist the first decade of the 1900s, as was her brother (according to one source), Alexis Boyer. 2409. 10” Maroon Columbia D1016 [50552-1/5475-1]. LE CENT VIERGES: Valse (Lecocq) / COLUMBIA ORCHESTRA. L’OISELEUR: Chanson du Grand Père (Zeller). Announced by Boyer. Excellent copy. Cons. 2. $12.00. ENZO BOZANO [bs]. Trentino, Italy, 1877-Arcachon, France, 1975. Bozano, originally Lorenzo Bozano (and sometimes spelled Bozzano), was active with smaller U.S. opera companies in the 1905-1925 period. From 1908-09 he was a member of the Metropolitan Opera, his six-role repertoire that season having included the King in Aida, Schaunard in La Boheme and Monterone in Rigoletto. He also appeared in 1912 in London with Hammerstein’s summer company at the London Opera House, as well as in Malta and Algiers. From Aug., 1916 into May, 1917, he was in the cast of The Big Show at the New York Hippodrome in a total of 425 performances. He was mentioned as one of the singers to be added to the Met roster 1924-25, but apparently nothing came of it. In 1924, Mrs. Bozano, then living in Trenton, NJ, attempted suing her husband for divorce and the custody of their ten year old daughter. He was reported then as having returned to Italy, so perhaps that was what ended plans for his 1924-25 Met season. In 1931, Bozano appeared in the Paramount Italian language film, La vacanza del diavolo. 1477. 9” Blue Emerson 02002 [3298-1/3299-1]. LA BOHÈME: Vecchia zimarra (Puccini) / MIGNON: Berceuse (Thomas). Side one 2. Side two 2-3. $12.00. 47 VOCAL 78 rpm Discs ETTORE BRANCALEONI [bs] 2612. 10” Zonophone X-183 [take 2]. LA SONNAMBULA: Vi ravviso (Bellini). With “or- chestra” (about five players including a very insistent trombonist). Few scrs. should be superficial, 3-4. $100.00. KARIN BRANZELL [ms] 2251. 10” Purple acous. Brunswick 10122. SYNNÖVES SANG (Kjerulf) / SAETERGJEN- TENS SÖONDAG (Ole Bull). Lovely performances. Just about 1-2. $12.00. SOPHIE BRASLAU [c]. New York, 1892-1935. Born of Ukrainian émigrés, Braslau was originally trained as a pianist, but her voice was discovered in 1910 by Arturo Buzzi- Peccia, who became her teacher. After being heard by Toscanini in a Buzzi- Peccia studio recital in 1913, Braslau was recommended to audition for the Met. The result was an immediate contract. She remained with the Met several seasons but left for a com- bination of reasons, primarily the roles offered and the salary. Braslau subsequently performed internation- ally in concert and occasionally opera with much acclaim. Her final per- SOPHIE BRASLAU as Cadman's Shanewis formances, 1934, were of El Amor Brujo (de Falla) with Toscanini and the New York Philharmonic, with the Philadelphia Orchestra and finally at Lewisohn Stadium. (I wonder if anyone recorded this broadcast?). She appeared on the radio early in 1935 (again, do recordings survive?) but was then suffering with lung cancer, which was to take her life six months later at the age of 43. 1704. 10” Red Vla 550 [takes 9/14]. LUCREZIA BORGIA: Brindisi (Donizetti) / CARMEN: Habanera (Bizet). Just about 1-2. $8.00 2171. 10” Blk. Viva-Tonal Columbia 156-M [W146395-1/ W146400-2]. CARMEN: Habanera / CARMEN: Air des cartes (Bizet). One small, absolutely harmless internal patina side two. 2. $8.00. 1645. 10” Blk. Viva-Tonal Columbia 163-M [W145973-10/ W145974-8]. THE MAN I LOVE (Gershwin) / IF I COULD LOOK INTO YOUR EYES (Goodman). Rare. Despite the diva diction and “straight” reading, side one has a genuine charm. Lt. superficial rubs, 2-3. $15.00. 2781. 12” Red Vla 88597. MADAMA BUTTERFLY: Tutti i fior (Puccini). With FRANCES ALDA [s]. Just about 1-2. $7.00. GEORGETTE BRÉJEAN-SILVER [s] GEORGETTE BRÉJEAN-SILVER 2723. 14” Fonotipia 86001 [XXPho91]. FAUST: Lasse-moi contempler (Gounod). With ÉMILE SCAREMBERG [t]. Piano acc. What gorgeous singing! A beautiful copy. Could there be still another existing as fine? One lt. line is in the stamper and is harmless. Cons. 2. $2000.00. 2724. 14” Fonotipia 69012 [XXPh657]. IL BARBIERE DI SIVIGLIA: Grand Air (Rossini). Slightest wear first quarter inch, otherwise cons. 2. $500.00.

48 VOCAL 78 rpm Discs FRIEDRICH BRODERSON [b] 3800. 12” Blue acous. Homocord B.8448 [51344/51347]. WANDERERS NACHT- LIED / DER DOPPELGÄNGER (both Schubert). Piano acc. Linde Brodersen. Lt. rubs, few tiny LSSs. Gen. 2-3. $15.00. SUZANNE BROHLY [ms] 1749. 10” Blk. acous. Disque Gram. P.308 (34310/34311) [2726ah/2727ah]. LOUISE: A quelle journée (Charpentier). With PAUL PAYAN [bs]. Cons. 2. $10.00. 3943. 12” Blk. acous. Disque Gram. 033064/ 033065 [834i/8358]. SAMSON ET DALILA: Mon coeur (Saint-Saëns). With violin solo by Mr. Ledru de l’Opèra / LES SAISONS: Ah! pourquoi suis-je revenue (Massé). Nice heavy pressing, pinpoint TB side one, cons. 2. $12.00. EUGENIA BRONSKAYA [s] 3289. 12” Lt. Blue Eng. Columbia A5183 [30435/30436]. RIGOLETTO: E il sol dell’ anima. With FLORENCIO CON- STANTINO [t] / RIGOLETTO: Tutte le feste (Verdi). With RAMON BLAN- CHART [b]. Excellent laminated ‘20s FRIEDERICH BRODERSON pressing. Just about 1-2. $15.00. YVONNE BROTHIER [s]. St. Julien l’Ars, 1889-Paris, 1967. Brothier studied at the Paris Conservatoire and made her official debut in 1916 as Lakmé at the Paris Opéra-Comique. While she sang at the Paris Opéra after 1931, she seldom appeared outside of France, exceptions having been in Amsterdam and, during her early years, in Brussels and La Scala. She retired in 1939 and subsequently taught. Her roles included parts such as Sophie (Rosenkavalier) and Rosina. 1926. 10” Plum PW Disque Gram. K-7077 [OPG-1075-1/OPG-1076-1]. LE POSTILLON DE LONGJUMEAU: Mon petit mari (Adam) / L’ÉTOLE DU NORD: Je veux veilier sur vous (Meyerbeer). Cons. 2. $15.00. 2445. 10” Plum PW Disque Gram. K-7301 [OPG-1444-2/OPG-1443-1]. RICHARD CŒUR DE LION: Air de Laurette (Grétry). Two sides. Orch. dir. E. Bervily. Just about 1-2. $15.00. JOHN BROWNLEE [b] 3123. 12” Blk. Disque Gram. W-1047 [CN387-II/CN388-II]. HÉRODIADE: Salomé, demande au prisonnier (Massenet) / HAMLET: Comme une pâle fleur (Thomas). Small lbl. stkrs. Few lightest mks., cons. 2. $10.00. ELISA BRUNO [ms] 2462. 10” Red Milano G&T 53229 [1728]. LINDA DI CHAMOUNIX: Racconto di Pierotto (Donizetti). Small PB near start, hair internal crk. on blank side only, otherwise excellent, gen. 2. $60.00. DUDLEY BUCK [b]. Hartford, CT, 1868-Fairfield, CT, 1941. Son of the noted American composer Dudley Buck, Dudley Jr. traveled to Europe in 1890 to study voice with Luigi Van- nuccini, Julius Stockhausen and Jean de Reszke. He made his debut in Cavalleria Rusticana in Sheffield, England, in 1895 and sang in England through 1898 in opera and oratorio. Returning to the U.S., he became a member of the Castle Square Opera in New York and appeared with the Worcester Festivals as well as in concert and oratorio. He retired from the stage in 1902 and devoted his life to teaching voice in New York. A number of his pupils went on to success. He made only one recorded side, a 1919 vertical Okeh record. 1946. 10” Blue Indian Vertical Okeh 1082 [280-B/301-C]. THE SKYLARK’S SONG (Buck) / MARIE MORRISEY [c]. THE SWEETEST STORY EVER TOLD (Stults). Side one 2. Side two cons. 2-3. $15.00. 49 VOCAL 78 rpm Discs ROSINA BUCKMAN [s] 3912. 12” Blk. acous. HMV D448 [Ho2195af/Ho2194af]. THE BOATSWAIN’S MATE: Contrariness; What if I were young again / BUCKMAN [s], FREDERICK RANALOW [b]. THE BOATSWAIN’S MATE: Oh dear if I had known; GILBERT BARTON & W. GORDON WALKER [piccolo players]: THE BOATSWAIN’S MATE: The Keeper (Dr. Ethyl Smyth). Orch. conducted by the composer. One small PB, small LSS, gen. 2. $10.00.

EMIL BURIAN [b]. Rakovnik, 1876-Prague, 1926. Emil was the younger brother of the famous Czech tenor Karel Burian. Both has studied with Franz Pivoda in Prague. He made his debut in Köln, 1895 and appeared as a leading artist in various houses in Bohemia and Germany. From 1910 until his death in 1926, Burian was among the most important singers with the Prague Nationa Theatre. He specialized there in the Czech repertoire but was also noted as Telramund (Lohengrin) and Amfortas (Parsifal), as well as Rossini’s Figaro. 9455. 11” Blue Odeon X29133/X29134 [XZ237/XZ238]. DUBRÚ NOC [GOOD NIGHT] / NA VÝSOSTI HVZDY SVITI [THE HEAVENLY STARS SHINE] ... (Pivody). Piano acc. (rec. c. 1907). ‘20s glassy surface. Few harmless mks., cons. 2. $20.00. 1621. 10” Blue Odeon A12312/A12323 [Zo377/Zo378]. DON GIOVANNI: Deh vieni alla fiestra (Mozart) / FAUST: Avant de quitter (Gounod). In Czech. Excellent mid-‘20s pressing. Few lightest rubs, cons. 2. $15.00. [s] 9302. 11” Fonotipia 39439/39440 [XPh1534/XPh1535]. IL TROVA- TORE: Atto IV Duetto Leonora – Conte (Verdi). Two sides. Lt. rubbing, one MGT, 3. $15.00. 1136. 10” Silver Flags Columbia S-44 [11043/11049]. AIDA: O cieli azzurri (Verdi) / MEFISTOFELE: Spunta l’aurora (Boito). Superb pressing. Just about 1-2. $25.00. 1153. 10” Blue Eng. Columbia D8076 [11044/11052]. AFRICAINE: Figlio del sol (Meyer-beer) / AVE MARIA (Bach-Gounod). Excellent mid-‘20s lam. pressing. Rim bruise side one just to first groove, otherwise 2 or better. Side two 2-3. $10.00. 2894. 12” Blue Disco La Cigale (Columbia) D17526 [74715/74716]. OTELLO: Ave Maria (Verdi) / MEFISTOFELE: L’altra notte (Boïto). Excellent surface material. Two minor rubs side two, otherwise just about 1-2. $20.00. 3625. 12” Green PW Odeon F5513 [XXPh2279/XXPh2391]. LA FORZA DEL DESTINO: Pace, pace mio Dio (Verdi) / LA GIOCONDA: Così EUGENIA BURZIO mantieni il patto? (Ponchielli). Side two with [b]. Piano acc. Just about 1-2. $15.00. [c] 2125. 10” TC Columbia 29901 [take 2]. THE FAIRY PIPERS (Brewer). Cons. 2. $6.00. 2126. 10” TC Columbia 29903 [take 1]. MY TREASURE (Trevalsa). Cons. 2. $6.00. 1887. 10” TC Columbia 29904 [take 1]. THE SWEETEST FLOWER THAT BLOWS (Hawley). Cons. 2. $6.00. 2124. 10” TC Columbia 65521 [take 1]. KATHLEEN MAVOURNEEN (Crouch). Cons. 2. $6.00. 1888. 10” TC Columbia 69999 [take 3]. TILL I WAKE (Woodforde-Finden). Cons. 2. $6.00.

50 VOCAL 78 rpm Discs 1434. 10” PW Purple elec. Columbia X340 [WA6182/WA6549]. THE FOLD (Squire) / WERE YOU THERE? (arr. Burleigh). Piano acc. Cons. 2. $10.00. 2209. 10” PW elec. Australian Columbia 09010 [WA10500/WA10551]. KATHLEEN MA- VOURNEEN (Crouch) / ANNIE LAURIE (Scott). Piano acc. Recorded in Central Hall, Westminster. Just about 1-2. $8.00. 2431. 10” Vinyl Eng. Col. (plain white labels) elec. Matrices WA 5236-1/WA 5998-2. DEEP RIVER (Burleigh) / UNTIL (Sanderson). Just about 1-2. $15.00. 3310. 12” Red ’12 Pats. “A” plate Vla 88386 [4558f]. THREE FISHERS (Hullah). Piano acc. Just about 1-2. $7.00. 2905. 12” Red ’12 Pats. “A” plate Vla 88411 [4084f]. MESSIAH: He Shall Feed His Flock (Hän- del). Just about 1-2. $7.00. 3075. 12” Blue HMV 03368 [Ac6392f]. A YOUTH ONCE LOVED A MAIDEN; THE TEARS THAT NIGHT (both Maude Valerie White). Piano acc. Rare, and beautiful Calcutta pressing. Just about 1-2. $20.00. CLARA BUTT 2892. 12” Purple U.S. acous. Columbia 9004-M [6544/6895]. THE LOST CHORD (Sullivan) / MESSIAH: He Shall Feed His Flock (Händel). Just about 1-2. $15.00. 2883. 12” Purple Eng. acous. Columbia 7308 [6771/6772]. THE DREAM OF GERONTIUS: My work is done / THE DREAM OF GERONTIUS: I see not those false spirits (Elgar). Both with MAURICE D’OISLY [t]. Orc. dir. Sir Henry J. Wood. Excellent laminated pressing. IMs. Just about 1-2. $25.00. 3297. 12” Purple Eng. acous. Columbia 7317 [6606/6896]. LA FAVORITA: O mio Fernan- do / LUCREZIA BORGIA: Il Segreto per essere felici (both Donizetti). Orch. dir. Sir Henry J. Wood. Small lbl. stkr., just about 1-2. $20.00. 2886. 12” Purple Eng. acous. Columbia 7320 [74157/74156]. SEA PICTURES: Where corals lie (Elgar) / KASHMIRI SONG [from Indian Love Lyrics] (Woodforde-Finden). Clara Butt, dressed as a mermaid, created Sea Pictures in the 1899 premiere, conducted by Elgar. Few lt. rubs, 2. $20.00. 3455. 12” PoW English Collumbia DX 755 [WAX3052-2/WAX5113-2]. THE LIGHT OF THE WORLD: God shall wipe away all tears (Sullivan) / O DIVINE REDEEMER (Gounod). Organ acc. Just about 1-2. $6.00. 3217. 12” Blue Australian elec. Columbia 09501 [RAX2767/RAX2768]. LAND OF HOPE AND GLORY (Elgar) / RULE, BRITANNIA (Arne). Recorded in London’s Hyde Park on Empire Day, 1927. Excellent pressing. Small lbl. stkr. Just about 1-2. $12.00.

Mme. CHARLES CAHIER [c]. Nashville, TN, 1870-Manhattan Beach, CA, 1951. Cahier studied in Paris with Jean de Reszke, Victor Capoul and Fidele König and, as Mrs. Morris Black, made her debut in Nice, 1904, as Gluck’s Orfeo. There she met and married Charles Cahier, a Swede of French extraction (one wonders what happened to Morris Black), and used his name professionally from then on. She was mainly active in Germany and Austria, as well as Budapest. Germany remained her home base from 1904 until 1911, when she returned to the U.S. Cahier sang as a guest with the Metropolitan Opera in 1912 and then with the Stockholm Opera from 1914-18. In 1906 she had been engaged by for the Vienna Opera to sing Carmen and subsequently was often associated with Mahler’s music, singing in the premiere of his Lied von der Erde in Munich, 1911. She taught and coached for many years and gave master classes at Juilliard, 1925-26. Among those whom she helped through teaching and advice over the years were Marian Anderson and . It was Cahier who encouraged the youthful baritone Melchior to become a tenor and who later taught him in 1926 when he first came to the U.S. 2619. 10” Blk. HMV elec. V197 [BS2945-II/BS2956-I]. CARMEN: Habanera (Bizet) / MENUETT (Martini). In French. Few lightest mks., cons. 2. $225.00.

51 VOCAL 78 rpm Discs 2620. 10” Drk. Blue elec. Odeon D4836 (A162337) [Sto3117/Sto3120]. SÄF, SÄF, SUSA (Sibelius) / EN SVANE (Grieg). Rare. Beautiful performances. Side one few rubs, gen. 2. Side two cons. 2. $300.00. ICILIO CALLEJA [t] 2321. 10” Green Notes Colubia E2150 [41768-1/41916-1]. OTELLO: Ora e per sempre addio / GIUSEPPE TRICARICO [t]. OTELLO: Niun mi tema (Verdi). Just about 1-2. $20.00. HÉLÈNE CALS [s] 3723. 12” PW Eng. Parlophone E10990 [Aoo1280/Aoo1282]. IL BACIO (Arditi) / MIGNON: Je suis Titania (Thomas). Tiny lbl. stkr., few lightest mks. Cons. 2. $12.00.

EMMA CALVÉ [s]. Decazeville, France, 1858-Millau, 1942. Sir Landon Ronald, in his autobiography, Variations On a Personal Theme, des- cribes accompanying (both as a com- panion and a pianist) Calvé to and dur- ing her first recording session in London, 1902. She feared leaving the carriage, the location of the Gramophone and Typewriter Company at that time being in a somewhat seedy area, and insisted that it must be “a thieves’ den”. She absolutely would not budge, but an inspiration caused Ronald to insist that Madame wait and that he would be right back. He hurriedly enlisted the services of a handsome young man, Sydney Dixon, who had just joined the Gramo- phone Company staff, to run down to Calvé’s carriage and present her with the check in advance. This he did, and the next thing Ronald remembered was Calvé “cooing” to Dixon and saying that she would accompany him with plea- sure. The session itself didn’t go without a few unfortunate moments, such as when Calvé turned to accompanist Ron- EMMA CALVÉ as Salomé in Massenet's Hérodiade ald midway through the Carmen “Haba- nera” to ask if she were in good voice. During another selection she insisted that she be allowed to dance during the recording. Still, the results and eventual sales made it a worthwhile investment of time and energy on the part of all. The earlier obliging Mr. Dixon rushed to Calvé’s departing carriage to advise Madame that they had found her check crumpled in a corner of the studio. 2259. 10” Red Monarch 91003 [2063-R]. CAVALLERIA RUSTICANA: Voi lo sapete (Mascagni). Piano acc. 1902. Washed out label. Surface 3-4. $15.00. 4218. 12” Red French G&T 3283 [2880]. ENCHANTEMENT (Massenet). Orig. lbl. str. 2. $100.00. 3420. 12” Red Vla 88086. CAVALLERIA RUSTICANA: Voi lo sapete (Mascagni). Just about 1-2. $10.00. 3042. 12” Red Vla 88123. MA LISETTE (18th Century); LE PRINTEMPS (Gounod). Piano acc. Later ‘30s pressing. VrBk. Just about 1-2. $20.00. 2885. 12” Red Vr 88572. THREE LITTLE SONGS FOR VERY LITTLE CHILDREN [Frère Jacques; Au clair de la lune; Un poule]. Piano acc. Romualdo Sapio. Just about 1-2. $15.00. 3759. 12” Red ’12 Pats. Vla 89019. CARMEN: La-bas dans la montagne (Bizet). With CHARLES DALMORÈS [t]. Just about 1-2. $10.00. 3427. 12” Blk. PW CRS 1 [CS043200-1R/CS043201-1R]. NORMA: Casta diva (Bellini) / : Air di Fanny (Massenet). RR from French Pathes (c. 1918). As new. Just about 1-2. $12.00. 52 VOCAL 78 rpm Discs LÉON CAMPAGNOLA [s] 3189. 12” Purple Dog Disque Gram. 034159/ 034160 [02533v/02534v]. LAKMÉ: Duo du IIe acte (Delibes). Two sides. With BERTHE CÉSAR [s]. Minor lbl. scr. side two, IMs, 2. $10.00. 3703. 12” Pruple Dog. Disque Gram. Y48 (032232/ 032251) [02195v/02481v]. MIREILLE: Anges du Paradis (Gounod) / O MAGALI (Frédéric Mistral). Just about 1-2. $12.00. [b] 1576. 10” Red Monarch 81044 [B-744]. LA MIA BANDIERA [misspelled BENDERA] (Rotoli). Bright label. Some tiny pinhead bumps (should be harmless), otherwise 2 or better. $35.00. 1147. 10” White lbl. Vla 81082 [B-2686]. IL TRO- VATORE: Il balen (Verdi). Lt. rubs, 2. $10.00. 1235. 10” Blue Eng. Columbia A740 [4091/4092]. MARRIAGE OF FIGARO: Se vuol ballare / MARRIAGE OF FIGARO: Non più andrai (Mozart). Superb mid-‘20s pressing. Just LÉON CAMPAGNOLA as Cavaradossi about 1-2. $15.00. 3425. 12” Red DeLuxe 85003 [C-433]. CARMEN: Toreador Song (Bizet). Label as new. Surface some LGTs, 3-4. $15.00. 3066. 12” White lbl. red vinyl Vla 85026 [C-740]. RIGOLETTO: Pari siamo (Verdi). Piano acc. 1903 recording. Just about 1-2. $25.00. 3778. 12” Red GP ’04 Vr 85074 [C-2481]. A TE (Buzzi-Peccia). 2. $12.00. 3692. 12” White red vinyl RCA test pressing 85078 [C-2490]. AFRICAINE: All’erta marinar … Adamastor (Meyerbeer). Just about 1-2. $20.00. 4205. 12” B&S Columbia 30265-1. MUSICA PROHIBITA (Gastaldon). Test pressing. Info. penned on label. Lt. rubs, 2-3. $15.00.

LINDA CANNETTI [s]. Near , 1871-Milan, 1960. A pupil of Melchiorre Vidal in Vienna, Cannetti made her debut in 1899. Later that year she appeared in Lohengrin with tenor Francesco Bravi, whom she married. He died in 1906, and Cannetti temporarily retired from the stage, returning about two years later. She created the role of Chrysothemis in the La Scala Italian premiere of Strauss’s in 1909 with great success and in 1914 created the title role in the 1914 world premiere of Zandonai’s Francesca da Rimini. In addition to her work in Italy, Cannetti had great success in South America. She retired in 1928 and subsequently taught. Her only recordings were for Fonotipia. 9515. 11” Fonotipia 92919/92920 [XPh4844/ XPh4845-2]. : Questa notte alla Polka / LA FANCIULLA DEL WEST: Laggiù nel Soledad (Puccini). Slight harmless area of surface ripple side one. Cons. 2. $20.00. JUANITA CARRACCIOLO [s] 4184. 10” Maroon acous. Eng. Columbia D5390 [70812/70814]. LA WALLY: Ebben? Ne andrò lontana (Catalani) / TOSCA: Vissi d’arte (Puccini). Gen. 2. $15.00. in Lorenza EMMA CARELLI [s] 9498. 11” Fonotipia 39730/39731 [XPh1973 /XPh1977]. GIOCONDA: Suicidio (Ponchielli) / DOPO (Tosti). Couple MGTs side two, otherwise cons. 2. $75.00. 53 VOCAL 78 rpm Discs GUDRUN CARLSON [s] 2287. 10” Blk. GP ’06 Vr 4977. LA MASCOTTE: Gobble Duet (Audran). In Danish. With JOHANNES HERSKIND [b]. Piano acc. Minor rubs, 2-3. $8.00. [t]. Firenze, 1876 – Geneva, 1959. The son of a noted tenor who sang at Covent Garden in the 1870s, Fernando made his debut at Lecce, 1898 as Gounod’s Faust. At Covent Garden, beginning in 1906, he appeared with Melba in La Traviata and then the following season in the same opera on the occasion of Tetrazzini’s debut. In Italy he was a great favorite at the Naples San Carlo and the Rome Costanzi. His American career began in 1916, where his roles included Tonio in La Fille du Régiment, Rodolfo, Alfredo, Pinkerton and what was the most popular role throughout his career, Almaviva in Il Barbiere di Siviglia. After two New York seasons he became a member of the Chicago Opera. Following his retirement in 1923, Carpi taught in Milan, Prague and then in Geneva. His pupils over the years included Gösta Björling, and Ernst Haefliger. His only issued records are twelve scarce sides for Fonotipia, 1912-14. 9470. 11” Fonotipia 69099/69100 [XPh4982-2/XPh4984]. BARBIERE DI SIVIGLIA: Ecco ridente / BARBIERE DI SIVIGLIA: Se il mio nome (Rossini). Just about 1-2. $40.00. ENRICO CARUSO [t]. 2652. 10” Blue Disco Zonofono X-1555. RIGOLETTO: La donna è mobile (Verdi). One pressing bump will sound about ½” (during second verse), one very tiny scr., otherwise 3. $400.00. 2354. 10” Red G&T 52368 (1791) [II II]. IRIS: Serenata (Mascagni). Quite clean but (sounding) graying. 4. $25.00. 2623. 10” Red Milano G&T 52419 [2880-R] [III]. ADRIANA LECOUVREUR: No, più nobile (Cilèa). 1902 creator recording, accompanied by the composer. 1.3 to 1.7 stylus needed. All copies have a cutting fault which clears up about midpoint. There is a “swish” (likely inherent in this pressing). The label is very bright and the surface looks gen. 2. $250.00. 2650. 10” Red Milano G&T 52442 [2882-R] (III). LUNA FEDEL (Denza). Not on Victor. False entrance at one spot. Nice copy. Bright label. Two small circular spots (about ¼” each) sound lightly, otherwise 2-3. $250.00. 1591. 10” Red G&T 52440 (VI) [2875]. PAGLIACCI: Vesti la giubba (Leoncavallo). Few LGTs, otherwise 2-3. $25.00. 2013. 10” Red Vinyl RCA Vr 91007 [2873b]. AIDA: Celeste Aida (Verdi). Cons. 2. $35.00. 1928. 10” Red Pats. Vla 81027 [B-996]. ELISIR D’AMORE: Una furtiva lagrima (Donizetti). Piano acc. Text label on verso. Just about 1-2. $10.00. 1779. 10” Red Vla 81028 [B-998]. TOSCA: E lucevan le stelle (Puccini). Piano acc. Just about 1-2. $12.00. 1446. 10” Red GP ’06 Vr 81029 [B-999]. TOSCA: Recondita armonia (Puccini). Piano acc. Cons. 2. $12.00. 1119. 10” Red ’12 Pats. Vla 81030. CAVALLERIA RUSTICANA: Siciliana (Mascagni). Piano accompanied. Just about 1-2. $12.00. 1304. 10” Red Vla 81032 [B-1002]. PAGLIACCI: Vesti la giubba (Leoncavallo). Piano acc. Just about 1-2. $12.00. 1478. 10” Red Vr 81062 [B-2344]. CAVALLERIA RUSTICANA: Brindisi (Mascagni). Piano acc. Just about 1-2. $10.00. 1780. 10” Red Vla 87091. BALLO IN MASCHERA: Barcarola (Verdi). Cons. 2. $6.00. 1764. 10” Red Vla 87122. BECAUSE (d’Hardelot). Just about 1-2. $7.00. 1852. 10” Red Vla 87128. PIMPINELLA, Op. 38, No. 6 (Tschaikowsky). Piano acc. Gaetano Scognamiglio. Just about 1-2. $10.00. 2031. 10” Red Vr 87187. TRUSTING EYES (Gartner). Cons. 2. $8.00. 1459. 10” Red Vr 87211. HANTISE D’AMOUR (Szulc). Just about 1-2. $12.00. 1853. 10” Red Vla 87213. LA MIA CANZONE (Tosti). Just about 1-2. $10.00. 1390. 10” Red Vr 87218. CIELO TURCHINO (Ciociano). Just about 1-2. $10.00. 1086. 10” Red Vr 87242. LUNA D’ESTATE (Tosti). Blank side has what appear to be corrugated cardboard stain lines (harmless). Recorded side just about 1-2. $8.00. 1600. 10” Red PW (gold print) Vr 500. RIGOLETTO: Questa o quella / RIGOLETTO: La donna è mobile (Verdi). Very tiny edge nick side two far from grooves (barely noticeable). Excellent pressing. Just about 1-2. $10.00. 54 VOCAL 78 rpm Discs 1185. 10” Red Scroll Vr 502. L’ADDIO A NAPOLI (Cottrau) / CANTA PE’ ME (De Curtis). Late ‘30s “Z” type shellac (orig. matrices, de- spite “electric” style label). Cou- ple tiny rubs side two, otherwise just about 1-2. $12.00. 2111. 10” Red Vla 503. L’ALBA SEPARA DALLA LUCE L’OMBRA / LA MIA CANZONE (both Tosti). Just about 1-2. $8.00. 1666. 10” Red Vla 505. MANON LES- CAUT: Donna non vidi mai (Puc- cini) / OTELLO: Ora e per sem- pre addio (Verdi). Just about 1- 2. $8.00. 1701. 10” Red Vla 510. PARTED (Tosti) / LOVE IS MINE (Gartner). In English. Just about 1-2. $8.00. 1899. 10” Red PW (gold print) Vr 511. TOSCA: Recondita armonia / TOSCA: E lucevan le stelle (Puccini). Side one S/8. Just about 1-2. $8.00. 2044. 10” Red Vla 513. PEARL FISH- ERS: De mon amie (Bizet) / SÉR- ÉNADE DE DON JUAN (Tschai- kowsky). In French. Side one with harp and oboe. Just about 1-2. $8.00. 1817. 10” Red Vla 515. OVER THERE (Cohan) / INNO DI GARIBALDI (Mercantini). Side one in English and French (one verse each). Just about 1-2. $12.00. 2392. 10” Red Vla 516. ANDREA ENRICO CARUSO as Vasco da Gama in l'Africaine CHÉNIER: Come un bel dì di maggio (Giordano) / CAVALLE- RIA RUSTICANA: Siciliana (Mascagni). Excellent pressing. Just about 1-2. $10.00. 1322. 10” Red Vla 519. LUNA D’ESTATE (Tosti) / NINA (Pergolesi). Just about 1-2. $10.00. 2266. 10” Red Vla 521. CAVALLERIA RUSTICANA: Siciliana / CAVALLERIA RUSTICANA: Brindisi (Mascagni). Piano acc. 1904/05 Victor matrices. Just about 1-2. $10.00. 2320. 10” Red Vla 521. TOSCA: E lucevan le stelle (Puccini) / MANON: Il sogno (Massenet). Piano acc. 1904/05 Victor matrices. Just about 1-2. $10.00. 1986. 10” Red Vla 1007. SCORDAME (Fucito) / SENZA NISCIUNO (De Curtis) Reviewer “X” on label. Just about 1-2. $10.00. 1901. 10” Red Scroll Vla 1437. PREMIERE CARESSE (de Crescenzo) / AMADIS DE GAULE: Bois épais (Lully). Side one RR (as are all issues). Side two from orig. matrix. Only issued double-face. Just about 1-2. $8.00. 2334. 10” Red Scroll “Z” shellac Vr 1658. FOR YOU ALONE (Geehl) / A DREAM (Bartlett). RR with electrically recorded orchestra. Just about 1-2. $6.00. 1667. 10” Red late VdP DA 116. LA MIA CANZONE (Tosti) / INNO DI GARIBALDI (Mercantini). Just about 1-2. $8.00. 1647. 10” Red late VdP DA 117. ANDREA CHÉNIER: Come un bel dì di maggio (Gior- dano) / CAVALLERIA RUSTICANA: Siciliana (Mascagni). Excellent pressing. One small LSS, otherwise just about 1-2. $8.00. 1646. 10” Mauve HMV AGSA 27. PREMIERE CARESSE (de Crescenzo) / AMADIS DE GAULE: Bois épais (Lully). Side one RR (as are all issues). Side two from orig. matrix. Only issued double-face. Just about 1-2. $8.00. 55 VOCAL 78 rpm Discs 1984. 10” White HMV VA 7 [1787b/2871-R]. MEFISTOFELE: Giunto sul passo / MEFI- STOFELE: Dai campi (Boïto). Orig. 1902 G&T matrices. Just about 1-2. $8.00. 1697. 10” White HMV VA 29 [1790b/2874b]. TOSCA: E lucevan le stelle (Puccini) / LA GIOCONDA: Cielo e mar (Ponchielli). Orig. 1902 G&T matrices. Just about 1-2. $8.00. 1985. 10” White HMV VA 31 [2877b/2878b]. NON T’AMO PIÙ (Denza) / LA MIA CANZONE (Tosti). Orig. 1902 G&T matrices. Just about 1-2. $8.00. 2325. 10” White HMV VA 37 [1782b/1788b]. GERMANIA: Studenti, udite / GERMANIA: No, non chiuder gli occhi vaghi (Franchetti). Orig. 1902 G&T matrices. Creator performances. Just about 1-2. $8.00. 2035. 10” White HMV VA 53 [2872w2/2181h]. FEDORA: Amor ti vieta (Giordano) / MATTINATA (Leoncavallo). Orig. 1902/1904 G&T matrices. Both sides acc. by the respective composers. Just about 1-2. $10.00. 1695. 10” White HMV VA 58 [1785b/ 2872b]. MANON: O dolce incanto (Massenet) / FE- DORA: Amor ti vieta (Gior- dano). Side two acc. by the composer. Orig. 1902 G&T matrices. Just about 1-2. $8.00. 1709. 10” Red lbl. (blk. vinyl) RCA Victor 87499 [D9-QB-7758- 1A/D9-CAB-2234-2A]. LA BOHÊME: Vecchia zimarra (Puccini) / FRANCES ALDA and WALLY BUTTER- Drawing by CARUSO of himself and composer UMBERTO WORTH [speakers]. WHY GIORDANO, with this first phrase of "Amor ti vieta" from CARUSO RECORDED “THE Giordano's Fedora COAT SONG”. Just about 1-2. $15.00. 3397. 12” Red GP ’04 “A” plate Vr 85048 [C-2340]. DON PASQUALE: Serenata (Donizetti). Piano acc. Lightest NS inner margin and lbl., 2. $8.00. 3648. 12” Red ’12 Vla 88001 [C-3100-1]. MARTHA: M’appari (Flotow). Text label on verso. Just about 1-2. $6.00. 3245. 12” Red ’12 Pats. Vla 88115. ADORABLES TOURMENTS [VALSE LENTE] (Caruso- Barthèlemy). Just about 1-2. $10.00. 3593. 12” Red Vr 88120. LOLITA (Buzzi-Peccia). Excellent original pressing (not an S/8 dub). Just about 1-2. $12.00. 3945. 12” Red ’12 Pats. Vla 88121. IL TROVATORE: Ah, sib en mio (Verdi). Just about 1-2. $8.00. 2928. 12” Red ’08 Pats. Vla 88209. CARMEN: Il fior (Bizet). Few lt. rubs, 2. $7.00. 3335. 12” Red ’12 Pats. Vla 88334. CORE ‘NGRATO (Carolli). Just about 1-2. $8.00. 2917. 12” Red ’12 Pats. Vla 88345. LO SCHIAVO: Aria Americo (Gomez). Just about 1-2. $12.00. 3890. 12” Red ’12 Pats. Vla 88403. HOSANNA (Granier). Text lbl. on verso. Excellent, bright early pressing, couple lightest mks. Just about 1-2.. $8.00. 2986. 12” Red Vr 88460. STABAT MATER: Cujus animam (Rossini). Just about 1-2. $10.00. 4000. 12” Red Vr 88472. TIEMPIO ANTICO (Caruso). Just about 1-2. $10.00. 4034. 12” Red Vr “B” plate 88579. CHANSON DE JUIN, Op. 103, No. 6 (Godard). Just about 1-2. $10.00. 3460. 12” Red Vr 88586. MUSICA PROIBITA (Gastaldon). Just about 1-2. $8.00. 3852. 12” Red Vla 88589. NERO: Ah, mon sort! (Rubinstein). Just about 1-2. $8.00. 3462. 12” Red Vr 88615. CAMPANE A SERA (Billi-Malfetti). Just about 1-2. $8.00. 3617. 12” Red ’08 Pats. Vla 89034. FAUST: Attends! voici la rue (Gounod). With [s]. Just about 1-2. $8.00.

56 VOCAL 78 rpm Discs 4033. 12” Red ’12 Pats. Vla 89049. IL TROVATORE: Mal reggendo (Verdi). With LOUISE HOMER [c]. One tiny mk., just about 1-2. $8.00. 3461. 12” Red Pats. “A” plate Vla 89052. FORZA DEL DESTINO: Invano, Alvaro! (Verdi). With PASQUALE AMATO [b]. As mint. Just about 1-2. $10.00. 3509. 12” Red ’12 Pats. Vla 89064. DON CARLOS: Dio che nell’ alma (Verdi). With [b]. Few lt. rubs, cons. 2. $8.00. 4031. 12” Red Pats. Vla 95207. MARTHA: Siam giunti, o giovinette (Flotow). With FRANCES ALDA [s], JOSEPHINE JACOBY [c], MARCEL JOURNET [bs]. Just about 1-2. $8.00. 4030. 12” Red Pats. Vla 95209. MARTHA: Presto, presto (Flotow). With FRANCES ALDA [s], JOSEPHINE JACOBY [c], MARCEL JOURNET [bs]. Just about 1-2. $8.00. 3772. 12” Red ’12 Pats. Vla 95210. MARTHA: Quartetto notturno (Flotow). With FRANCES ALDA [s], JOSEPHINE JACOBY [c], MARCEL JOURNET [bs]. Excellent early pressing, few lightest mks., cons. 2. $8.00. 2855. 12” Red early “B” plate Vr 95212. LUCIA: Sextette (Donizetti). With AMELITA GALLI-CURCI [s], MINNIE EGENER [c], ANGELO BADA [t], GIUSEPPE DE LUCA [b], MARCEL JOURNET [bs]. Just about 1-2. $7.00. 3510. 12” Red GP ’07 Vr 96001. RIGOLETTO: Quartet (Verdi). With MARCELLA SEMBRICH [s], GINA SEVERINA [ms], ANTONIO SCOTTI [b]. Cons. 2. $8.00. 3618. 12” Red Vla 6006. CHANSON DE JUIN, Op. 102, No. 6 (Godard) / ADORABLES TOURMENTS (Caruso-Barthèlemy). Both in French. Just about 1-2. $12.00. 3846. 12” Red vla 6010. MESSE SOLENNELLE: Domine Deus (Rossini) / AGNUS DEI (Bizet). Cons. 2. $7.00. 3436. 12” Red Vla 6027. LO SCHIAVO: Quando nascesti tu (Gomes) / BALLO IN MASCHERA: Ma se m’ è forza perdeti (Verdi). Just about 1-2. $12.00. 3514. 12” Red Vla 6036. DON PASQUALE: Com’ è gentil (Donizetti) / GIOCONDA: Cielo e mar (Ponchielli). 1905 piano acc. matrices. Cons. 2. $8.00. 3751. 12” Red Vla 6458. LA PARTIDA (Alvarez) / EL MILAGRO DE LA VIRGEN (Chapi). Both first editions, side two with piano acc. by Gaetano Scognamiglio. Just about 1-2. $8.00. 3712. 12” Red Vla 8011. MANON: On l’appelle, Manon (Massenet) / MADAMA BUTTER- FLY: O quant’ ochi fisi (Puccini). With GERALDINE FARRAR [s]. Just about 1-2. $8.00. 3785. 12” Red 8014. MADAMA BUTTERFLY: Amore o grillo / MADAMA BUTTERFLY: Ve lo dissi (Puccini). Both with ANTONIO SCOTTI [b]. Just about 1-2. $8.00. 3537. 12” Red “Z” shellac late ‘30s Vr 8045. OTELLO: Si pel ciel. With [b] / RUFFO [b]. OTELLO: Credo (Verdi). Just about 1-2. $12.00. 3727. 12” Red Vla 10005. BALLO IN MASCHERA: La rivedrà nell’ estasi / BALLO IN MASCHERA: È scherzo, od è follia (Verdi). Both sides with FRIEDA HEMPEL [s], LÉON ROTHIER [bs], ANDREAS DE SEGUROLA [bs]. Side two also with MARIA DUCHÈNE [c]. Just about 1-2. $8.00. 3570. 12” PW Red Hist. HMV DB 700 [C-4316/C-5008]. ANDREA CHÉNIER: Improvviso (Giordano) / DON SEBASTIANO: In terra solo (Donizeti). Just about 1-2. $8.00. 3302. 12” White HMV VB 57 [C-2341/C-2342]. CARMEN: Il fior (Bizet) / HUGUENOTS: Bianca al par di neve (Meyerbeer). 1905 piano acc. Victor matrices. Just about 1- 2. $8.00. 2978. 12” PW Silver Vla IRCC 26 [C-11447/5145f].. RIGOLETTO: Quartet (Verdi). With LUISA TETRAZZINI [s], JOSEPHINE JACOBY [c], PASQUALE AMATO [b] / EMMY DESTINN [s], [c]. AIDA: Ebben, qual nuovo fremito (Verdi). Side one first U.S. edition. Just about 1-2. $30.00. 3409. 12” PW Silver Vr IRCC 61 [C-12751-1/268i]. LA BOHÈME: O soave fanciulla (Puccini). With GERALDINE FARRAR [s] / PEARL FISHERS: Mi par d’udire ancora (Bizet). From orig. 1912 Victor/1904 Milano matrices. Side one first edition. Just about 1-2. $30.00. 3632. 12” Mauve HMV AGSB 50 [C-12751-1/C-8268]. LA BOHÈME: O soave fanciulla (Puccini). With GERALDINE FARRAR [s] / FARRAR [s], JOSEPHINE JACOBY [c]. MADAMA BUTTERFLY: Tutti i fior (both Puccini). From orig. 1912/1909 Victor matrices. Side one the only issue other than the IRCC first edition (see item #3409 directly above). Just about 1-2. $25.00. 57 VOCAL 78 rpm Discs 3413. 12” Red Curtains “Z”-type shellac Vr 7770. AIDA: Se quel guerrier … Celeste Aida (Verdi) / PEARL FISHERS: Je crois entendre encore (Bizet). Special label, with re- recorded orchestra. Just about 1-2. $7.00. ENRICO CARUSO, Jr. 1891. 10” PW Silver Victor CRS Unnumbered issue [BS 018893/BS 012265]. RIGO- LETTO: Questa o quella (Verdi) / TOSCA: Recondita armonia (Puccini). Piano acc. J. Konstantin. Rec. March, 1938. Just about 1-2. $20.00. ELVIRA CASAZZA [c] 2725. 11” Pink acous. Fono.-Nazionale G2023/G2024. AIDA: Già i sacerdoti adunansi (Verdi). Two sides. With ETTORE BERGAMASCHI [t]. Marca di Edizione sticker side one signed by Bergamaschi. 2-3. $60.00. 2800. 12” Red acous. Vla 6411. IL TROVATORE: Pergliarti ancor languente / IL TROVATORE: Mal reggendo (Verdi). Both with BERNARDO DE MURO [t]. Just about 1-2. $12.00. SUZANNE METCALFE CASALS [ms]. Florence, 1877-Paramus, NJ, 1959. An American socialite and concert singer, Metcalfe studied in New York with Victor Beigel and appeared in recital in New York beginning in 1901. Her concerts were greeted with enthusiasm, and she sang as well in Europe. In 1914 she married cellist , who had just parted company with cellist Guilhermina Suggia, although a Musical America report states that their 1914 marriage was “the culmination of a romance begun ten years ago in France.” Casals, in his autobiography, said of Metcalfe, “our relationship was shortlived, though it was some years before we were divorced. Our life together was not a happy one.” They did, however, appear together in recitals into the 1920s, and separated in 1928, not divorcing until 1957. Metcalfe continued her career for a number of years, her farewell concert having taken place in Paris, 1950. 3139. 12” Yellow elec. Private Issue PW HMV JG 21 [CTPX3887-1/3896-1]. HERZELEID; LIEBESLIED/DIE LOTUSBLUME; SCHNEEGLOCKCHEN; SOM SCHLUSS (all Schumann). Piano acc. Gerald Moore. Just about 1-2. $30.00. ANNA CASE [s]. Clinton, NJ, 1889-New York, 1984. Daughter of a New Jersey blacksmith, Case studied voice with Mme. Ohrström-Renard in New York. She made her debut with the Metropolitan Opera in 1909 and appeared in mostly secondary roles for several seasons. Her glamour and attractive lyric voice gained her a large following on the recital stage, and her recordings for Edison created further demand for her recital appearances, so she left the Met in favor of concert tours. She was the mistress of the wealthy Clarence Mackay. After a well publi- cized divorce from his wife in the mid-1920s, Mackay wed Case. One interesting result of this union was that Case became, via Mackay’s daughter Ellen, the stepmother-in-law of Irving Berlin, her senior by one year. 1417. 10” Blk. Viva-Tonal Columbia 1952-D [W148185-2/W148186-5]. THE LITTLE RED LARK (arr. Fisher) / DOREEN (McGee). Piano acc. Carroll Hollister. Just about 1-2. $15.00. 2139. 10” Blk. Viva-Tonal Columbia 2213-D [W150129-8/W150130-7]. FLORIDAN- TE: Amor commanda (Händel) / MANON LESCAUT: In quelle trine morbide (Puc- cini). Piano acc. Just about 1-2. $15.00. 2138. 10” Blk. Viva-Tonal Columbia 2274-D [W148501-2/W150128-8]. EXSULTATE JUBILATE: Allelujah (Mozart) / ATALAN- TA: Care selve (Händel). Piano acc. Car- roll Hollister. Just about 1-2. $15.00. Bathing beauty ANNA CASE 1699. 10” Blk. Viva-Tonal Columbia 2341-D [W150597-5/W150598-6]. MY MOTHER BIDS ME BIND MY HAIR (Haydn) / THE LASS WITH THE DELICATE AIR (Arne). Piano acc. Carroll Hollister. Just about 1-2. $15.00. 1711. 10” Blk. Viva-Tonal Columbia 2480-D [W150566-3/W1505671]. BENDEMEER’S STREAM (Gatty) / WOULD GOD I WERE THE TENDER APPLE BLOSSOM (arr. Fisher). Piano acc. Carroll Hollister. Small lbl. stkrs. Just about 1-2. $15.00. 58 VOCAL 78 rpm Discs 3480. 12” Blk. Viva-Tonal Columbia 50153-D [W98649-4/W98659-3]. MARRIAGE OF FIGARO: Non so più cosa son (Mozart) / THEODORA: Angels ever bright and fair (Händel). Side one orch. acc. Side two piano acc. Just about 1-2. $15.00. LELIO CASINI [b]. , 1865-Volterra, 1910. After studying at the Pacini Conservatory in Lucca, Casini made his debut in 1886 at the , Pisa, in Marchetti’s Ruy Blas, repeating the principal baritone role in that opera in 1887 at the Teatro Costanzi in Rome. He subsequently was heard throughout Italy. In 1897 he and Enrico Caruso created the leading male parts in the world premiere of Cilèa’s l’Arlesiana at the Milan Teatro Lirico. Casini’s pupils included Titta Ruffo and tenor Giuseppe Taccani. Said Ruffo of Casini, “Just to listen to him was a lesson in bel canto; although I must confess that I never succeeded, with all my talent, in equaling his remarkable finesse. Singing, Casini was transfigured – a sculptor of the exquisite.” Quote from Ruffo’s La Mia parabola, translated by C. M. DeCaro. 2720. 10” Dark Blue Disco Reale (Zonophone) X-497. CANZONE TOSCANA [“STORNEL- LATA”] (composer unidentified). Announced. A remarkably fine copy, 2 or better. $2000.00. EDOARDO CASTELLANO [t]. 3383. 12” Blk. Manhattan (Col.) 30094 [M-62-1]. RIGOLETTO: Questa o quella (Verdi). Few lt. rubs. 2. $10.00. ELDA CAVALIERI [s] 2822. 12” Red Vinyl White lbl. Vla 74050 [C-3634-1]. FORZA DEL DESTINO: Pace, pace mio Dio (Verdi). Just about 1-2. $25.00. 3102. 12” Red Vinyl White lbl. Vla 74058 [C-3628-1]. IL TROVATORE: Tacea la notte placida (Verdi). Piano acc. Just about 1-2. $25.00. [s] 1010. 10” PoW Odeon O-25627 [Be11193/ Be11194]. MADAMA BUTTERFLY: Liebesduett (Puccini). Two sides. With HERBERT ERNST GROH [t]. Excellent pressing. Cons. 2. $8.00. [ms] 1039. 10” PW Red Odeon 188.590 [KI-1726-1/ KI- 1725-2]. REVERIE DE BOUDOHA (Tour- nier-Land’sberg) / LA LETTRE DU JAR- DINIER (Henry Bataille). Piano acc. Scarce. One rub side two, cons. 2. $20.00. 2472. 10” PW Red Odeon 188.805 [KI-4167-2/ KI- 4429-2]. : Quand apparaissent les étoiles. With ROGER BOURDON [bs] / DON QUICHOTTE: J’ai bien assez de mes tristesses (Massenet). Just about 1-2. $15.00. 3463. 12” PW Red Odeon 123.585 [XXP6745-2/ XXP6756-2]. WERTHER: Mort de Wer- ther (Massenet). With [t] / MIGNON: Elle est aimée (Thomas). Just about 1-2. $12.00. 3464. 12” PW Red Odeon 123.586 [XXP6746-1/ XXP6993-I]. WERTHER: Duo de 4e acte (Massenet). Two sides. With CHARLES FRIANT [t]. Lt. rubs, 2. $8.00. SUZANNE CESBRON-VISEUR SUZANNE CESBRON-VISEUR [s] 3070. 12” PW Red Odeon 123.611 [XXP6855/XXP6857]. THAÏS: Air d’Eros / SAPHO: Viens m’ami (both Massenet). Just about 1-2. $20.00. ROSALIA CHALIA [s] 2706. 7” Pre-Label Zonophone 9136 [take 3]. STAR OF THE NORTH: Barcarola (Meyer- beer). Astonishing coloratura doings. One of her most remarkable records. Added to this, it is a beautiful copy (and the same copy used for the IRCC transfer in the early ‘50s). Cons. 2. $350.00.

59 VOCAL 78 rpm Discs 4098. 7” Pre-Label Zonophone Q9200 [take 2]. THE LAST ROSE OF SUMMER (Moore). In Italian. One noisy groove, few LGTs, 3-4. $200.00. 4097. 7”Pre-Label Zonophone Q9208 [take 2]. LA TRAVIATA: Ah, fors’è lui (Verdi). Very decent copy. One silent lt. scr. Couple LGTs, 3-4. $250.00. 1284. 10” Eld. Johnson Victor Monarch 3433. HOME, SWEET HOME (Payne-Bishop). 2-3. $150.00. [b] 1912. 10” Blue Opera Disc 4-22580 [y16473e]. SADKO: Song of the Foreign Guest (Rimsky-Korsakov). Small PB, otherwise just about 1-2. $12.00. 2254. 10” Blue Opera Disc 4-22583 [y16471e]. THE LITTLE NIGHTIN- GALE (Tschaikowsky). Just about 1-2. $15.00. 2317. 10” Red acous. Vla 558. BORIS GO- DOUNOV: In the Town of Kazàn (Moussorgsky) / PRINCE IGOR (misspelled IGNOR]: Song of Prince Galitsky (Borodin). Just about 1-2. $6.00. 1894. 10” Red acous. (British matrices) Vla 990. FAUST: Le veau d’or / FAUST: Sérénade (Gounod). Just about 1-2. $7.00. 1101. 10” Red acous. Vla 1004. PILGRIM’S SONG, Op. 47, No. 5 (Tschaikow- sky) / SIBERIAN PRISONERS’ SONG (arr. Koenemann). Side two piano acc. Feodor Koenemann. As new. Just about 1-2. $7.00. 1616. 10” Red PW (gold print) Vr 1237. FEODOR CHALIAPIN BORIS GODOUNOV: In the Town of Kazàn (Moussorgsky) / PRINCE IGOR: Song of Prince Galitsky (Borodin). Excellent pressing. Just about 1-2. $7.00. 2151. 10” Red Orth. Vla 1269. LA SONNAMBULA: Vi ravviso (Bellini) / MEFISTOFELE: Ave Signor (Boïto). Just about 1-2. $7.00. 2350. 10” Red Orth. Vla 1365 [BVE-37854-1/Bb13899-IIA]. THE BLIND PLOUGHMAN (Clarke) / OH, BUT COULD I EXPRESS IN SONG (Malashkin). Side one in English. Just about 1-2. $10.00. 2348. 10” Red Orth. Vla 1557 [Bb16990-IV/Bb16991-IIT1]. DOWN THE PETERSKY (arr. Chaliapin) / MASCHENKA. Side one with Petersky Balalaika Orchestra. Side two unaccompanied. Just about 1-2. $7.00. 1775. 10” Red Orth. Vla 1557 [Bb16990-IV/Bb16991-IIT1]. Same as previous listing (item #1775). Lt. rubs, 2. $6.00. 1850. 10” Red Japanese Vr NF-4070 [Bb16990-IV/Bb16991-IIT1]. Same as previous two listings. Just about 1-2. $7.00. 1267. 10” Mauve acous. HMV AGSA 11 [B-29247/7220L]. LA BOHÈME: Vecchia zimarra (Puccini) / ANTONINA NEZHDANOVA [s]. MTSURA: Song of the Fish (Arensky). From orig. 1924/1906 matrices, side one first and only edition. Just about 1-2. $12.00. 1929. 10” Red acous. SR HMV DA 621 [Bb3329-II/Bb4884-III]. DUBINUSHKA (Russian Folk Song) / DOWN THE PETERSKY (arr. Chaliapin). Tiny lbl. stkr. Just about 1-2. $7.00. 2377. 10” Red acous. Vr 1050. Same as preceding listing (item #1929). Just about 1-2. $7.00. 2094. 10” PW Red HMV DA 994 [Bb13832-IA/Bb13833-I]. DON GIOVANNI: Madamina (Mozart). Two sides. Orch. dir. John Barbirolli. Just about 1-2. $7.00. 60 VOCAL 78 rpm Discs 1614. 10” PW Red Disque Gram. DA 1310 [OPG-428-4/OPG-429-3]. CHANSON DU DUC / CHANSON DU DÉPART (Jacques Ibert). Both from film Don Quichotte. Conducted by the composer. Just about 1-2. $10.00. 1741. 10” PW Red HMV DA 1310 [OPG-428-4/OPG-429-3]. Same as previous listing. Few minor rubs, cons. 2. $8.00. 1615. 10” PW Red Disque Gram. DA 1311 [OPG-430-1/OPG-437-1]. CHANSON À DULCINÉE / MORT DE DON QUICHOTTE (Jacques Ibert). Both from film Don Quichotte. Conducted by the composer. Small NS last ¼” side two. Just about 1- 2. $10.00. 1742. 10” PW Red HMV DA 1311 [OPG-430-1/OPG-437-1]. Same as previous listing. Just about 1-2. $8.00. 2378. 10” PW Red HMV DA 1371 [OPG-1422-1/OPG-1423-III]. ARISE, RED SUN (Russian Folk Song) / SONG OF THE NEEDY PILGRIM (Manikin). With Afonsky Choir and Balalaika Orchestra. Just about 1-2. $8.00. 3497. 12” Blue Opera Disc 76221 (052355) [615m]. MEFISTOFELE: Scherzo strumale e Ave Signor (Boïto). Just about 1-2. $15.00. 3496. 12” Blue Opera Disc 76222 (052356) [616m]. LA SONNAMBULA: Vi ravviso (Bellini). One tiny lbl. smudge. Just about 1-2. $15.00. 3301. 12” Blue Opera Disc 76224 (052388) [2693c]. LUCREZIA BORGIA: Vieni, la mia vendetta (Donizetti). In Italian. Tiny lbl. stkr. One minor rub, otherwise just about 1-2. $15.00. 3604. 12” Blue Opera Disc 76430 (022180) [2003c]. IN THE MEADOWS, BY THE BIR- CHES (Ukrainian Folk Song). With Chorus. Small lbl. stkrs. Just about 1-2. $15.00. 3368. 12” Blue Opera Disc 76440 (022213) [2454½c]. THEY DON’T ORDRE MASHA, TO GO THE RIVULET (so says the label. It is actually MASHENKA, a Russian folk song, correctly translated THEY WON’T LET MASHA WALK BY THE BROOK). Unaccompanied. Small lbl. stkrs. Just about 1-2. $15.00. 3165. 12” Blue Opera Disc 76427 (022111) [615i]. LIFE FOR THE CZAR: They suppose the truth (Glinka). Just about 1-2. $15.00. 3168. 12” Blue Opera Disc 76431 (022181) [2004½c][. THE EVIL ONE [HOSTILE POWER]: Merry Butterweek [Shrovetide] (Sierov). With Chorus. Just about 1-2. $15.00. 3169. 12” Blue Opera Disc 76435 (022185) [2014c]. THE TEMPEST RAGES (Sokolov) [label translation: SHE MADE A NOISE AND BECAME VERY GAY] ??. Piano acc. Just about 1-2. $15.00. 3758. 12” Blue Opera Disc 76436 (022186) [2019c]. LITTLE SIMPLETON [DUBINUSHKA] (Russian Folk Song). With Chorus. Just about 1-2. $15.00. 3768. 12” Blue Opera Disc 76437 (022188) [2021c]. THE SUN RISES AND SETS [RUSSIAN PRISONER”S SONG] (Russian Folk Song). With chorus. Just about 1-2. $15.00. 3628. 12” Blue Opera Disc 76447 (022261) [2535c]. THE TWO GRENADIERS (Schumann). Never doubled. Just about 1-2. $15.00. 3764. 12” Red HMV 022208 [2453½c]. BORIS GODOUNOV: In the town of Kazan (Moussorgsky). Preceded by four or five test grooves (orchestral sounds). Light lbl. fade. Cons. 2. $15.00. 3991. 12” Pink Russian Angel Gram. Monarch 022213 [2454½c]. MASHENKA (Russian Folk Song). One TB, couple rubs, otherwise just about 1-2. $15.00. 6340. 12” Red SR HMV 032261 [2696c]. LA MARSEILLAISE (de l’Isle). Never doubled. Tiny lbl. stkr. Cons. 2. $15.00. 3063. 12” White lbl. red vinyl Vla mat. C-26103-1. A REVERIE (Nadsen). Spoken record. Rec. 31 Jan. 1922. Unpublished. Just about 1-2. $50.00. 3779. 12” Red Vla 88665 [take 2]. DON CARLOS: Ella giammai m’amò (Verdi). VrBk. Just about 1-2. $7.00. 3524. 12” PW Red Hist. HMV DB 108 [2020c/2496c]. ARISE, RED SUN (Russian Folk Song) / NOW LET US DEPART (Strokin). Both with chorus. Just about 1-2. $15.00. 3921. 12” PW Red Hist. HMV DB 403 [2693c/2694c]. LUCREZIA BORGIA: Vieni, la mia vendetta (Donizetti) / ERNANI: Infelice! (Verdi). Both in Italian. One lt. mk. side two, otherwise just about 1-2. $15.00. 61 VOCAL 78 rpm Discs 3523. 12” PW Red Hist. No. 2 HMV DB 610 [2004½c/2005c]. THE EVIL ONE [HOSTILE POWER]: Merry Butter- week [Shrovetide] (Sierov) / DOWN THE VOLGA; FROM UNDER THE OAK (Russian Songs). With Chorus. Just about 1-2. $15.00. 4016. 12” PW Hist. HMV DB 611 [2495c/ 2536c]. : Do not weep, child / THE DEMON: On the airy ocean (Rubinstein). Just about 1-2. $12.00. 3525. 12” PW Red Hist. No. 2 HMV DB 617 [616i/2003c]. LAKMÉ: A shadow dims your glances (Delibes) / IN THE MEADOWS, BY THE BIRCHES (Russian Song). Side two with chorus. Just about 1-2. $15.00. 3584. 12” PW Red Hist. No. 2 HMV DB 620 [2006½c/2019c]. NIGHT / DUBINOUSHKA (Russian Folk Songs). Side one unaccompanied. Side two with chorus. Just about 1- 2. $15.00. 3623. 12” PW Red Hist. HMV DB 622 FEODOR CHALIAPIN around 1898 [2014c/2539c]. THE TEMPEST RAGES (Sokoloff) / NOT A LITTLE AUTUMN RAIN (Russian Folksong). Side one piano acc. Side two with male chorus. Just about 1-2. $15.00. 3845. 12” PW Red Hist. HMV DB 629 [2695c/615i]. POURQUOI DONC SE TAISENT LE VOIX (Glazounov) / A LIFE FOR THE TSAR: They guess the truth (Glinka). Side one in French. Just about 1-2. $15.00. 3253. 12” PW Red acous. HMV DB 691 [C-27090/Cc3155-II]. CRAZY HEADED JOHN (Russian Folk Song) / ALEKO: The moon is high in the sky (Rachmaninoff). Side one, unaccompanied, is a U.S. recording issued only in Europe. Nice pressing. Just about 1-2. $15.00. 3439. 12” Czech HMV DB 1181 [CR2130-1A/CR2131-1A]. BORIS GODOUNOV: I have attained the highest power / BORIS GODOUNOV: Heavy is the hand of retribution (Moussorgsky). From 1928 Covent Garden performance dir. Vincenzo Bellezza. Just about 1-2. $15.00. 3074. 12” Czech HMV DB 1182 [CR2134-1A/CR2138-1T1]. BORIS GODOUNOV: Ah, I am suffocating! / BORIS GODOUNOV: Come, let us vote Boyars (Moussorgsky). From 1928 Covent Garden performance dir. Vincenzo Bellezza. Just about 1-2. $15.00. 4217. 12” Czech HMV DB 1183 [CR2139-IA/CR2141-IA]. BORIS GODOUNOV: It is a pity Prince Shuisky is absent / BORIS GODOUNOV: Farewell, my son (Moussorgsky). From 1928 Covent Garden performance dir. Vincenzo Bellezza. Few lightest mks., just about 1-2. $15.00. 3879. 12” PW Red HMV DB 1183 [CR2139-IA/CR2141-IA]. Same as preceding list (item #4217) but British pressing. Tiny LSS, otherwise just about 1-2. $12.00. 4025. 12” PoW VdeSM DA 1342 [Cc17102-IIAT1/Cc17103-IIT1]. LE COR (Flégier) / THE OLD CORPORAL (Dargomijsky). Orch. dir. George Byng. Very fine pressing. Few lightest mks., cons. 2. $8.00. 3728. 12” PW Red HMV DB 1469 [2B883-II/CF3357-III]. DOUBT (Glinka) / STENKA RASINE (Russian Folk Song). Side one with Cedric Sharpe [cellist], Ivor Newton [pno]. Side two with Jean Bazilevsky. Few lightest rubs, cons. 2. $7.00. 3568. 12” PW Red HMV DB 1511 [Cc18157-I/2G113-II]. SONGS AND DANCES OF DEATH: Trépak (Moussorgsky) / HOSTILE POWER: Merry Butterweek (Sieroff). Side one orch. dir . Side two Paris Russian Opera Orch. and Balalaika Orch. dir. G. Tchernoyaroff. Few lt. rubs, cons. 2. $7.00. 3566. 12” PW Red HMV DB 1525 [2B884-III/2B885-I]. PERSIAN LOVE SONG (Rubin- stein) / ÉLÉGIE (Massenet). Side one with orch. dir. Lawrance Collingwood. Side two with Cedric Sharpe [cello], Ivor Newton [pno]. Few lt. rubs, cons. 2. $7.00. 62 VOCAL 78 rpm Discs 4001. 12” PW French Disque Gram. DB 1525 [2B884-III/2B-885-I]. Same as previous listing (item #3566). Small lbl. stkr. Excellent late ‘30s pressing. Few lt. rubs, 2. $8.00. 3241. 12” PW Red HMV DB 3463 [CTR3080-I/2EA5705-II]. BLACK EYES (Russian Folk Song) / THE PRISONER (Rubinstein). Side one with choir and balalaika orch. Side two piano acc. Jean Bazilovsky. Just about 1-2. $7.00. 3431. 12” PW Red HMV DB 3464 [CR2142-I/CR2143-I]. BORIS GODOUNOV: Farewell and Death (Moussorgsky). Two sides. From 1928 Covent Garden performance dir. Vincenzo Bellezza. Just about 1-2. $8.00. 3829. 12” Red “Z” shellac Scroll Vr 6724 [CR375-I/Cc10938-III]. BORIS GODOUNOV: Farewell of Boris / BORIS GODOUNOV: Death of Boris (Moussorgsky). Just about 1-2. $7.00. 3827. 12” Red “Z” shellac Scroll Vr 6783. SONG OF THE FLEA (Moussorgsky) / IL BARBIERE DI SIVIGLIA: La calunnia (Rossini). Few lightest mks., cons. 2. $7.00. 3710. 12” Red Orth. Vla 7199 [Cc10957-I/Cc10958-II]. THE PROPHET, Op. 49 (Rimsky- Korsakov) / WHEN THE KING WENT FORTH TO WAR (Koenemann). Only form of issue for the take used on side one. Both sides orch. dir. Lawrance Collingwood. Just about 1-2. $10.00. 3642. 12” Red Orth. Vla 7422 [Cc17102-IIAT1/Cc17103-IIT1]. LE COR (Flégier) / THE OLD CORPORAL (Dargomyzhsky). Orch. dir. George Byng. Small lbl. stkr. Few lt. mks., cons. 2. $10.00. 3483. 12” Red PW Scroll “Z”-type shellac Vr 7704 [2B579-IIA/2B582-II]. ROUSSALKA: Aria of the Miller (Dargomizhsky) / RUSSLAN AND LUDMILA: Rondo of Farlaf (Glinka). Beautiful pressing. Just about 1-2. $8.00. 3765. 12” Red PW Scroll “Z” shellac Vla 7717 [2W1229-IV/2W1328-II]. THE LEGEND OF THE TWELVE BRIGANDS (arr. Zharoff) / DOWN THE VOLGA (Arr. Alexandroff). With Male Chorus dir. N. P. Alfonsky. Just about 1-2. $8.00. 3555. 12” Red PW Orth. “Z”-type shellac Vla 7751. THE CREED (Archangelsky) / LITURGIA DOMESTICA: Credo (Gretchaninoff). With Choir of Russian Metropolitan Church in Paris dir. N. P. Alfonsky. Just about 1-2. $8.00. 3696. 12” PW Orth. “Z” shellac Vla 7716 7716 [2W1527-1/2W1528-III]. OPEN TO ME THE GATES OF REPENTANCE (Wedel) / NOW LET US DEPART (Strokin). With Choir of Russian Metropolitan Church in Paris dir. N. P. Alfonsky. Just about 1-2. $8.00. 3451. 12” PW Red (gold print) Vr 7716 [2W1527-1/2W1528-III]. Same as previous listing (item #3696). Slightly later pressing. Just about 1-2. $7.00. 3582. 12” PW Red (gold print) Vr 14901. SONG OF THE VOLGA BOATMEN (Koenemann) / SONG OF THE FLEA (Moussorgsky). Piano acc. G. Godzinski. Recorded in Japan. Matrix side one signed by Chaliapin and dated “Febr. 6, 1936, Tokyo.” As new (as with most of these Chaliapin listings). Just about 1-2. $8.00. 3644. 12” PW Red (gold print) Vr 15422 [CF3358-II/CF3360-II]. DOUBT (Glinka) / NIGHT (Russian Folk Song). Piano acc. Jean Bazilovsky. Side two with Lucien Schwartz [cellist]. Couple lt. rubs, still just about 1-2. $10.00. MARIO CHAMLEE [t]. Los Angeles, 1892-1966. His real name was Archer Cholmondeley. As his career began to advance, he sang as Mario Rodolfi, returning to Chamlee (but retaining the stage "Mario"), as he put it, "when I graduated to the big time." He first studied with the voice teacher William Shakespeare, who suggested that he hadn't any of the requisites for a musical career. He then worked with Achille Alberti, who remained through his lifetime his only teacher, and made his debut at the age of 22 with the National Opera Company, a touring ensemble. A reporter asked the tenor if anyone ever told him that he looked like Caruso. He replied in the affirmative, adding, "But that doesn't make me sing like him, worse luck." Chamlee was first heard at the Met in November, 1920, as Cavaradossi the month before Caruso's final stage performan- ces. He remained active there for a number of seasons. According to one report, Chamlee's singing of "" on a 1922 Met Sunday concert was the first time in twelve years that it had been sung there without downward transposition, excepting performances on stage by Orville Harrold. The audience was so taken by the brilliance of his high C [I wonder how the general audience would know he wasn’t transposing?] that he had to take twelve curtain calls. 2358. 10” Green Brunswick 10016 [3891]. MARTHA: M’appari (Flotow). Cons. 2. $8.00. 2359. 10” Green Brunswick 10020 [4103]. TOSCA: Recondita armonia (Puccini). Just about 1-2. $10.00. 2388. 10” Green Brunswick 10049 [6866]. RIGOLETTO: La donna è mobile (Verdi). Just about 1-2. $10.00. 63 VOCAL 78 rpm Discs 2179. 10” Purple acous. Brunswick 10109 [9355/9359]. LOLITA (Buzzi-Peccia) / MATTINATA (Leoncavallo). Just about 1-2. $12.00. 1116. 10” Purple acous. Brunswick 10111 [10466/10469]. CALL ME NO MORE (Cad-man) / YOUR VOICE (Quirke). Just about 1-2. $12.00. 1425. 10” Purple acous. Brunswick 10115. DREAMS DIMLY DYING (Roxas) / LAST HOUR (Kramer). Side two with Fredric Fradkin [vln]. Just about 1-2. $12.00. 1427. 10” Purple acous. Brunswick 10121. SERENADE (Drigo) / THE OLD REFRAIN (Kreisler). Side two with Fredric Fradkin [vln]. Just about 1-2. $12.00. 1069. 10” Purple acous. Brunswick 10123. AT NIGHT (Rachmaninoff) / TELL ME WHY (Tschaikowsky). With Fredric Fradkin [vln], Frederic Persson [pianist]. Scarce. Among his finest records. Just about 1-2. $15.00. 1426. 10” Gold acous. Brunswick 15006 [3649/ 6866]. RIGOLETTO: Questa o quella / RIGOLETTO: La donna è mobile (Verdi). Just about 1-2. $15.00. 1102. 10” Gold acous. Brunswick 15007 [3007/ 3647]. PAGLIACCI: Vesti la giubba (Le- oncavallo) / TOSCA: E lucevan le stelle (Puccini). Just about 1-2. $12.00. 2102. 10” Blk. acous. Polydor 90176 [acous. MARIO CHAMLEE doing his daily dozen. Is that Bruns. matrices]. IL TROVATORE: Mal a cigarette hanging from his mouth? reggendo / IL TROVATORE: Ai nostri monti (Verdi). With SIGRID ONEGIN [c]. Excellent late ‘20s pressing (much better shellac than used by Brunswick). Minor lbl. discoloration. Surfaces just about 1-2. $10.00. 3515. 12” Gold elec. Brunswick 50142. FORZA DEL DESTINO: Solenne in quest’ ora (Verdi) / MARTHA: Solo profugo (Flotow). With [b]. Just about 1-2. $12.00. LLOYD CHANDOS [t]. He was born in 1861 or 1862 in London and studied at the Guildhall School of Music with Isodore de Solla and Henry J. Wood. Although he sometimes appeared in opera at Drury Lane, for the most part of his career he was a concert singer, appearing throughout Great Britain at various festivals and with the most important choirs such as the Royal Choral Society. He is said to have died about 1939. – Internet, “golden age of song”. 9521. 11” Brown Odeon 57518/57519 [Lx1746/Lx1912]. AIDA: Celeste Aida (Verdi) / ‘TIS THE DAY [MATTINATA] (Leoncavallo). Cons. 2. $20.00.

ELADIO A. CHAO [b]. A recitalist and teacher, Chao appeared in concert internationally. One source indicates that his home base in the early ‘teens was Munich, although he seems to have spent extended time in various countries, including the U.S., where his few records were made in 1906. 1396. 10” Blk. Pats. Vr 63393. LA CHARMANTE MARGUERITE (French Folk Song) / ELAINE: Air de l’Ermite (Bemberg). Piano acc. Probably the only recording of the side two excerpt. Just about 1-2. $25.00. 2962. 12” Blk. Pats. Vr 68308. CHANT HINDOU (Bemberg) / ARMAND CRABBÉ [b]. PENSÉE D’AUTOMNE (Massenet) CHANT HINDOU (Bemberg). Side one piano acc. Exceptionally rare, early Crabbé. Very tiny lbl. tear. Just about 1-2. $60.00. MARIE CHARBONNEL [c] 3983. 12” Blk. Disque Gram. 033170/033171 [02863v/02864v]. LE PROPHÈTE: Ah, mon fils / LE PROPHÈTE: O toi qui m’abandonnes (Meyerbeer). Fine heavy raised-rim pressing. Few lightest mks., cons. 2. $15.00. 64 VOCAL 78 rpm Discs

TERESA CHELOTTI [s]. Modena, 1861-1927. She studied in Modena with Trebbi and made her debut as Elvira in Ernani as the Sociale of Ostiglia. From then on through 1915 she was active in various Italian houses, singing major dramatic roles such as Amelia, Aida, Leonora in both La Forza del Destino and Il Trovatore, and Gioconda. In addition, Chelotti appeared in South America, the western U.S. and England, there singing Santuzza, 1912, in a company directed by Mascagni. 2636. 10” Blk. Disco Zonofono 12659 [A475]. BALLO IN MASCHERA: Morrò ma prima in grazia (Verdi). Piano acc. 2-3. $25.00. BORIS CHRISTOFF [bs] 1677. 10” Red HMV DA 1938 [OEA14349- 2/OEA14350-1]. BORIS GODOUNOV: Pimen’s Monologue (Moussorgsky). Two sides. Just about 1-2. $7.00.

GUIDO CICCOLINI [t]. Rome, 1885-Nep- tune, NJ, 1963. A pupil of baritone , Ciccolini made his debut in Bologna as Alfredo in La Traviata, 1907. He appeared in a number of European and Russian locales suc- cessfully with various opera troupes. In 1911, he toured Australia with Melba’s company. Supposedly, she would help him to keep in tempo by tapping on his back when they were embraced in duets. After one performance, Ciccolini “gallantly bowed to her and said, ‘Madame, you still sing beautiful!’.” The word “still” did not set well with her and “she gave Ciccolini one withering look, then turned on her heel and strode away.” Evidently she eventually forgave him, as he was the leading tenor of her only operatic performance in New York in 1919 (Boheme with the Chicago Opera). Later, in vaudville, Ciccolini’s billings would include a description of himself, supposedly on Melba’s authority, as being “the greatest living tenor”. In 1914 he was in the La Scala world premiere of Wolf-Ferrari’s I Quattro rusteghi. That same year he emigrated to the U.S., wedding an American girl in 1919, also in the same period making a few appearances with the Chicago Opera. He subsequently was a guest with touring troupes and in various concerts in the New York area, also GUIDO CICCOLINI having been the soloist at the funeral of Rudolph Valentino in 1926. In 1927 he was involved in a well publicized suit against Hope Hampton and the producers of a play on Broadway entitled My Princess. In it, the main character was named “Ciccolini”, a “ singer” who, in one scene was called “you big wop” by Miss Hampton. While the judge didn’t find sufficient facts on which to base an action, he declared that the events “displayed shockingly bad taste. They [producers and author of the play] must have known … that there was a tenor of great reputation named Ciccolini.”… “To have used that name as the lead character in their play”, the judge further stated, “was an act which hardly merits the approval of people of refinement and judgment.” In 1959 Ciccolini was guest of honor at a New York Public Library concert of his Edison recordings, presented by Philip L. Miller and the N.Y. Public Library. Ciccolini first recorded for the Gramophone Company in Italy in 1910. From 1914 to 1920 he was Edison’s most prolific operatic tenor. He also made one electrical disc for Victor in 1927. -from NY Times articles and Hetherington’s biography, Melba. 1128. 10” Blk. Orth. Vr 79309. IN UN PICCOLO PAESELLO SPAGNUOLO [IN A LITTLE SPANISH TOWN] (Mabel Wayne) / NEL OMBRA OR MIA SEI TU [TONIGHT YOU BELONG TO ME] (Lee David). In Italian. His only electric. Just about 1-2. $20.00. 3776. 12” Blk. ’12 Pats. Vr 68376 [226aj/243aj]. AMICO FRITZ: Han della popora (Mascagni). With EBE BOCCOLINI [s] / FANNY LOTTY [s], ERNESTO BADINI [b]. AMICA: Più presso al ciel (both Mascagni). Side one cons. 2. Side two one (harmless) rub area and lightest NR on lbl., 2. $12.00. FRANCESCO CIGADA [b] 1580. 10” Blk. GP ’06 “A” plate Vr 52510. L’AFRICAINE: Adamastor, re dell’onde profonde (Meyerbeer). Just about 1-2. $8.00.

65 VOCAL 78 rpm Discs 1799. 10” Red GP ’06 Vr 91071 [7320b]. TROVATORE: Vivrà, contende il giubilo (Verdi). With CELESTINA BONINSEGNA [s]. Nice early pressing, few MGTs, 2. $8.00. 1933. 10” Red Vla 87560 [7320b]. Same as previous item (#1799) but later, renumbered pressing. VrBk. Just about 1-2. $10.00. 3342. 12” Red Vla 89136 [1215½c]. PAGLIACCI: Un grande spettacolo! (Leoncavallo). With ANTONIO PAOLI [t], GAETANO PINI-CORSI [t], GIUSEPPE ROSCI [b]. VrBk. One small ND about ¼” from end, otherwise just about 1-2. $8.00. 2901. 12” Red Vla 89148 [1186c]. WILLIAM TELL: Che finger tanto (Rossini). With ANTONIO PAOLI [t]. Just about 1-2. $15.00. 2813. 12” Red Vla 89149 [1187c]. WILLIAM TELL: Troncar suoi di (Rossini). With ANTONIO PAOLI [t], ARISTODEMO SILLICH [bs]. VrBk. One small lbl. rub, otherwise as new. Just about 1-2. $15.00. [s] 3638. 12” Green Austrian Telefunken SKB 3303 [026499/026500]. OTELLO: Act III Duet (Verdi). Two sides. With AURELIANO PERTILE [t]. Lt. superficial rubs, cons. 2-3. $12.00. CLARA CLAIRBERT [s] 1955. 10” Blk. PW Fr. Polydor 561081 [5808BKP/5809BKP]. IL BACIO (Arditi) / VILLA- NELLE (dell’Acqua). Side one in Italian. 2-3. $8.00. EDMOND CLÉMENT [t] 1784. 10” Red Pats. Vr 64223. BERGERE LÉGERE (arr. Weckerlin); L’ADIEU MATIN (Pessard). Ideal perform- ances. Piano acc. Frank LaForge. Cons. 2. $8.00. 3225. 12” Red acous. PW (gold print) Vr 6062. MANON: Le Rêve (Masse- net) / LE ROI D’YS: Vainement, ma bien aimée (Lalo). Side one piano acc. Frank LaForge. Very fine pressing. Just about 1-2. $10.00. 3933. 12” Red ’12 Pats. “A” plate Vr 74319. LES RAMEAUX (Faure). Text label on verso. Absolutely mint. Just about 1-2. $12.00. 3684. 12” Red Vr 76020. ROBERT LE DIA- BLE: Ah, l’honnête homme! [Du rendez-vous] (Meyerbeer). With EDMOND CLÉMENT MARCEL JOURNET [bs]. Just about 1-2. $15.00. 3685. 12” Red Vr 76021. ROBERT LE DIABLE: Le Bonheur est dans l’inconstance (Meyerbeer). With MARCEL JOURNET [bs]. Just about 1-2. $15.00. 3663. 12” PW Silver Vr IRCC 138. ROBERT LE DIABLE: Ah, l’honnête homme! / ROBERT LE DIABLE: Le Bonheur est dans l’inconstance (Meyerbeer). Both with MARCEL JOURNET [bs]. Just about 1-2. $20.00.

JOHN COATES [t]. Girlington, England, 1865-1947. His original career was as a bookkeeper. Then deciding to become a singer, he studied as a baritone and appeared as such for several seasons with the D’Oyly Carte Opera Company. Desiring to become a tenor, he studied further and by 1901 was able to make his debut in opera at Covent Garden. While he was noted in Wagnerian operatic roles, he was, perhaps, even more celebrated as an oratorio and concert singer. Coates retained his voice for a long period and sang in concerts well into his 70s. 2385. 10” Blk. elec. English Columbia 5103 [W7072/WA7161]. THE NIGHT OF BETHLE- HEM (Thomson) / PHILLIDA FLOUTS ME (Elizabethan). Piano acc. Gerald Moore. Minor lt. mks., cons. 2-3. $8.00. OLGA COELHO [s]. Brazilian soprano and guitarist active in the 1940s-60s. 1439. 10” Maroon Parl.-Odeon RO 20580 [OE12625-1/OE12626-2]. ASTURIANA; NANA (both de Falla) / CANCIÓN ANDALUSA (Segovia). Both guitar self-acc. Just about 1-2. $8.00. 66 VOCAL 78 rpm Discs LUIGI COLAZZA [t] 2142. 10” Blk. ’12 Pats. Vr 16578 [7003b/ ? ]. LE PROPHÈTE: Re del cielo (Meyerbeer) / ARTHUR PRYOR’S BAND. WILLIAM TELL: Overture, Pt. 3 (Rossini). Side one just about 1-2. Side two IMs, just about 1-2. $6.00. FLORENCIO CONSTANTINO [t] 1789. 10” Red GP ’06 Vr 64069. RIGOLETTO: Questa o quella (Verdi). Lt. rubs, gen. 2. $7.00. 2062. 10” Red GP ’07 Vr 64090. FAVORITA: Una vergine (Donizetti). Just about 1-2. $12.00. 1358. 10” Red Vr 64090. Same as preceding (item #2062), later pressing. Just about 1-2. $10.00. 2096. 10” Red GP ’07 Vr 64091. ROMÉO ET JULIETTE: Ne fuis encore (Gounod). With ALICE NIELSEN [s]. Just about 1- 2. $10.00. LUIGI COLAZZA 2163. 10” Red ’08 Pats. Vr 64091. Same as previous listing (item #2096). Slightly later pressing. Just about 1-2. $10.00. 1299. 10” Silver Flags Columbia S-30 [4440/4441]. LE PROPHÈTE: Inno trionfale (Meyerbeer) / WERTHER: Deh, non mi ridestar (Massenet). Excellent pressing. Very minor lbl. stain, otherwise just about 1-2. $15.00. 2279. 10” Blue Notes Eng. Columbia [4440/4441]. Same as preceding listing (item #1299). Mid-‘20s pressing, excellent. laminated surfaces. Just about 1-2. $15.00. 3289. 12” Lt. Blue Eng. Columbia A5183 [30435/30436]. RIGOLETTO: E il sol dell’ anima. With FLORENCIO CONSTANTINO [t] / RIGOLETTO: Tutte le feste (Verdi). With RAMON BLANCHART [b]. Excellent laminated ‘20s pressing. Just about 1-2. $15.00. 3072. 12” TC Columbia A5184 [30419-1/30409-1]. LA FORZA DEL DESTINO: Solenne in quest’ora (Verdi). With RAMON BLANCHART [b] / BLANCHART [b]. JOSÉ MARDONES [bs]. I PURITANI: Suoni la tromba (Bellini). Good flush pressing. Just about 1-2. $12.00. 4015. 12” Blue Columbia 7031-M [30466-1/36657-1]. PEARL FISHERS: Mi par d’udire ancora (Bizet) / ALESSANDRO BONCI [t]. AFRICAINE: O Paradiso (Meyerbeer). Great pressing. Few lt. rubs, cons. 2. $12.00.

FRANCO CORBETTA [b]. Milano, 1891-1958. His debut was in Florence, 1919, as Manrico in Il Trovatore. He subsequently was heard in a number of Italian houses, including the Milan Teatro dal Verme, the Bari Teatro Petruzzelli, the Milano Teatro Lirico, and many others through 1932. His repertoire included Manrico, Chenier, Canio, Don Alvaro (Forza del Destino), Enzo, Rhadamès and Pollione, among other such roles requiring a big sound and vocal stamina. He made only one record and on this his name was incorrectly given on the label as Corbella. 1994. 10” Maroon Eng. Columbia D5614 [WB1266/WB1267]. FORZA DEL DESTINO: Solenne in quest’ora / FORZA DEL DESTINO: Le minaccie (Verdi). With GINO VANELLI [b]. Few minor mks., cons. 2. $15.00. PIERRE CORNUBERT [t]. Paris, 1863-1922. While still a student at the Paris Conservatoire in 1887, he made his debut at the Opéra-Comique in Adam’s Le Châlet. In 1894 he was among the first to perform Massenet’s Werther there. In addition he was a leading tenor at Rouen for three seasons between 1892 and 1903, and also was on the roster of the opera in . His Metropolitan Opera debut was in 1900 in L’Africaine (Meyerbeer) with Nordica, de Vere, Scotti and Edouard de Reszke. In 1904 he was a guest artist at Covent Garden. By 1916 he had retired from the stage and then he replaced Saléza, who had died, as Professor of Voice at the Paris Conservatore. 9499. 11” French Fonotipia 39276/39279 [XPh630/XPh633]. : Grand Air (Reyer) / WALKÜRE: Lied du Printemps (Wagner). Labels both sides actually signed by Cornubert. Side one 2. Side two couple MGTs, 2-3. $550.00.

67 VOCAL 78 rpm Discs FERRUCCIO CORRADETTI [b]. San Severino, Italy, 1869-New York, 1939. His early career was as a journalist. Following voice studies with Giuseppe Faini he made his debut in 1892, singing the following decade in most of the principal Italian houses, including the Costanzi and the Milan dal Verme. His repertoire included both buffo (his specialty) and serious parts, and he was the creator of several roles. During the first decade of the 1900s he often appeared with his first wife, soprano Bice Adami, and was a guest in opera houses in South America, London and Paris. Around 1914 he emigrated to the U.S., remarried, and worked variously as a singer, impre- sario, teacher and journalist. A portrait of the daughter of his first marriage, soprano Iris Adami- Corradetti graced the piano of his Long Beach, NY, home, although it was some time before his two American daughters (Adriana and Fiora) discovered that the mystery woman was their half- sister. The three daughters eventually were to become good friends. Most of Corradetti’s operetta recordings on Fonotipia are listed as sung by “Fercor”. 9305. 11” Fonotipia 39799/39800 [XPh2090/XPh ]. RUY BLAS: Nè ad un Bazan conviene / RUY BLAS: Come protegga (Marchetti). With ORESTE LUPPI [bs]. One tiny scrabble side one (should be harmless), 2. $20.00. 2671. 11” Pink Sample Fonotipia mat. XPh 3628. DON PASQUALE: Pronta io son (Donizetti). With [s]. Only known copy, from Corradetti’s collection. De Hildalgo would have been 16 when this was recorded. It wasn’t issued because of a recording lathe motor problem causing a variance in the speed. Minor lbl. tears. One TN, few LGTs, otherwise 2-3. $250.00. 1935. 10” Orange acous. Okeh 9064 ]S-70545-a/S-70802-B]. PASTORALE (Di Leva) / TUTTI UNITI (Troiano). First copy I’ve seen. Side two with colorful choristers who applaud him enthusiastically at the close. Harmless lt. rubs, gen. 2-3. $20.00. ANTONIO CORTIS [t]. Born on a ship en route to Spain, 1891-Valencia, 1952. Cortis began solfège lessons at the age of five and sang in a church choir. At 18, he was a member of the Madrid opera chorus. His career advanced to secondary roles, appearing with Caruso in South America in 1918, singing Beppe in Pagliacci to Caruso’s Canio. Within two years he was on his way to becoming one of the leading tenors of the period. His U.S. debut was opening night of the Chicago Opera season of 1924-25 in Gioconda with Rosa Raisa. There he sang a number of roles as varied as Alfredo in La Traviata and Manrico in Il Trovatore. He also appeared at Covent Garden and throughout Italy. After 1935, he confined his singing exclusively to Spain, singing Cavaradossi in 1951 as his farewell. His wife was a Barcelona native, and they had a daughter born in 1918. 1050. 10” Red Orth. Victrola 1118. LA ALE- GRÍA DEL BATALLÓN: Canción y Gua- jiras (Serrano) / UNA VIEJA: Cavatina (Gaztambide). Just about 1-2. $20.00. 1596. 10” Red Orth. Vla 1241. CALABAZAS [JILTED] (Antonio Cor-tis) / EL TROPE- ZÓN [THE OBSTACLE] (José Mojica- Antonio Cortis). Scarce. Small lbl. stkr., cons. 2. $15.00. 1730. 10” Red Orth. Vla 1462 [BM1107-II/ BM1122-I]. WERTHER: Ah! non mi ANTONIO CORTIS ridestar (Massenet) / IRIS: Apri la tua finestra (Mascagni). Just about 1-2. $8.00. 2319. 10” Red Orth. Vla 1527 [BF3447-I/BF3455-II]. AFRICAINE: O Paradiso (Meyer- beer) / ANDREA CHÉNIER: Credo a una possanza (Giordano). Couple MGTs side two, cons. 2. Side one just about 1-2. $8.00. 2073. 10” Red late VdP DA 1152 [BF3445-I/BF3449-II]. RIGOLETTO: Ella mi fu rapita / RIGOLETTO: Parmi veder le lagrime (Verdi). Cons. 2. $8.00. 1265. 10” Red late VdP DA 1155 [BF3466-I/BF3467-I]. TROVATORE: Ah si, ben mio / TROVATORE: Di quella pira (Verdi). Fine late pressing. Just about 1-2. $10.00. 3850. 12” Pink acous. Parlophon P.1597 [2-6467/2-6469]. L’AMICO FRITZ: O Amore, o bella luce (Mascagni) / LA FANCIULLA DEL WEST: Or son sei mesi (Puccini). Lt. superficial rubs and scuffs. 3. $20.00. 68 VOCAL 78 rpm Discs 4046. 12” Pink acous. Parlophon P.1605 [2-6488/2-5944]. LA GIOCONDA: Vedrem fra poco tramontar (Ponchielli). With RHEA TONIOLO [ms] / COSTA MILONA [t]. LA BOHÈME: Ebben no, non lo son (Puccini). Few lightest mks., cons. 2. $20.00. 2696. 12” Pink acous. Parlophon P.1609 [2-6498/2-6503]. OTELLO: Si, pel ciel. With ENRICO DE FRANCESCHI [b] / DE FRANCESCHI [b]. OTELLO: Era la notte (Ver- di). Couple LGTs side two, 2. Side two cons. 2. $35.00. 3729. 12” Red Orth. Vla 6554. DOÑA FRANCISQUITA: Romanza de Fernando (Vives-Romero-Shaw) / EL DICTATOR: Canción de la Carta (Romero-Shaw- Millán). Partially removed lbl. stkr. side two. Superficial rubs, 2-3. $12.00. EMILE COSSIRA [t]. Orthez, Basses-Pyrénées, France, 1854-1923. He studied voice in Bordeaux with Sarreau and made his Paris Opéra-Comique debut in 1883 in Richard-Coeur- de-Lion, performing also extensively in the provinces and in Belgium. His Paris Opéra debut was in 1888, where he sang a number of leading roles, including Rhadames, Roméo, Raoul and Faust. In 1890 he created the title role there in Saint- Saëns’ , sharing the stage with an all-star cast including Ada Adini, Emma Eames, Jean Lasalle, Jean Martapoura and Pol Plançon. A favorite in Brussels, Cossira sang Tristan there in 1894 and two years later Walter in Die Meistersinger. Covent Garden heard him in 1891, 1894 and 1900. He later emigrated to Canada and taught voice in Québec. He was regarded among the leading tenors of the 1890s. He recorded only for French G&T in 1904. These records were transferred to Zonophone the next year and then quickly discontinued. His records are major rarities in either form. 1473. 10” Blk Paris G&T 3-32057 [2913-F]. NAPLES (A. d’Hack). Piano acc. 2. $250.00. 2410. 10” Green Zonophone X-82112 [2915-F]. STANCES À MANON (Delmet). Piano acc. G&T matrix. Small cluster of lt. scrs. (sounding very lightly, like a “swish” when checked here), few LGTs, otherwise ÉMILE COSSIRA cons. 2-3. $150.00.

ANTONIO COTOGNI [b]. Rome, 1831-Rome, 1918. Cotogni studied under various Roman teachers and made his debut as Belcore in l’Elisir d’amore at Rome’s Teatro Metastasio in 1852. Singing successfully in a number of Italian houses, he reached La Scala in 1860. He was selected to sing Posa in the Italian premiere of Verdi’s Don Carlos in Bologna, 1867. London first heard him the same year at Covent Garden as Valentin in Faust. He returned there regularly until 1889, in 1883 singing Barnaba in the British premiere of La Gioconda. His farewell was in St. Petersburg, 1898. He then became a noted voice teacher, appointed as a professor as the Accademia di Santa Cecilia in Rome. His many and notable pupils included Beniamino Gigli and Giacomo Lauri-Volpi among the tenors and , Benvenuto Franci and . Other singers consulted with him on occasion with vocal questions, including Mattia Battistini and Jean de Reszke. Cotogni made only the one record listed below ten years following his retirement. Two unidentified baritone recordings made during a Tamagno recording session in 1903 were attributed to him by Edward J. Smith (who also at one point claimed to own a cylinder by Jenny Lind) but subsequent identification more reasonably points to Tamagno’s brother. 2647. 10” Red Pre-Dog Angel Gram. 54373 [11180½b]. I MULATTIERI (Masini). Piano acc. With [t]. Certainly one of the rarest and most important issued records I’ve been privileged to present. Couple MGTs, cons. 2. $2500.00. ROBERT COUZINOU [b] 1753. 10” Green PW elec. Polydor 522.626 [6138BKP/6139BKP]. MOUN POÏ: Stances (J. Darquier). Two sides. Orch. dir. Florian Weiss. Few lt. mks., cons. 2. $15.00 2970. 12” Blk. PW Polydor 66967 [1741BM/1799BM]. ROMÉO ET JULIETTE: Ballade de la reine Mab (Gounod) / GRISÉLIDIS: Oiseau, qui part à tire d’aile (Massenet). Orch. dir. Albert Wolff. Just about 1-2. $15.00. ARMAND CRABBÉ [b] 1452. 10” Purple SS Disco Nacional 82035. SMANIA (Dominghetti). In Italian. Nice copy, 2. $50.00. 69 VOCAL 78 rpm Discs 1726. 10” Red EE Vla 1090. LA CANCIÓN DEL OLVIDO: Junto al Puente de la Pena (Ser- rano) / RANCHITO VIEJO (Maurage). Just about 1-2. $10.00. 1410. 10” Red PW (gold print) Vr 4146 [Bb13923-IIA/Bb213924-IA][. OJOS TAPATIOS (Elizondo-Mendez) / C’ETAIT EN AVRIL (Pedrell). Excellent pressing, the only non- Orthophonic I’ve seen of this. Scotch taped lbl. stkr. over trademark on side one (radio station copy), otherwise as new. Just about 1-2. $20.00. 2371. 10” Plum PW Disque Gram. K-7546 [OPG1373-1/OPG1374-1]. LA PAYSE A JEAN (Paul Dupin) / PLAISIR D’AMOUR (Martini, harmonized Février). Both with MAY RUBIA [s]. Just about 1-2. $35.00. 2962. 12” Blk. Pats. acous. Vr 68308. PENSÉE D’AUTOMNE (Massenet) / ELADIO CHAO [b]. CHANT HINDOU (Bemberg). Side two piano acc. Exceptionally rare, early Crabbé. Very tiny lbl. tear. Just about 1-2. $60.00. 2835. 12” Red acous. Fonotipia 74928/74161 [XXBao487/XXPh4022]. MAROUF: Celebre cavatina (Rabaud) / LINA PASINI-VITALE [s], PIETRO SCHIAVAZZI [t], PAS- QUALE AMATO [b]. ERNANI: O sommo Carlo (Verdi). Excellent surface material. Few tiny mks., cons. 2. $20.00. 3934. 12” Red PW Disque Gram. DB 4824 [2W558-I/ 2S559-2]. AMARYLLIS: Les adieux d’Apollon (Maurage) / IL TROVATORE: Tout est desert [Il balen] (Verdi). Rare. Few lightest mks., cons. 2. $35.00. 3296. 12” Red Decca 29003 [GA5325/GA5326]. RUBIA (Crabbé) / JOTA (de Falla). One TB, few lightest mks., cons. 2. $10.00. LUCIA CRESTANI [s]. Verona, 1886-Ferrara, 1972. A pupil of Vittorio Gelich, Crestani made her debut in 1904 at the Teatro Carignano in Torino as Aida, a role which she was eventually to sing well over 500 times. The following year she appeared at La Scala in Catalani’s Loreley and subsequently appeared in many of the leading Italian houses. She was admired in South America as well and was selected to open the new Teatro Colón (Buenos Aires) in 1908 as Aida. In 1913 she travelled the west coast of the U.S. with the touring Western Metropolitan Opera Company. Her retirement from the stage was in 1924 after she ended a relationship with an impresario who, in turn, insisted by gunpoint that she return to him. She had earlier begun teaching, one of her major pupils having been tenor Nino Martini, with whom she worked from 1922 to 1925. He, in turn, assisted her financially in her last years when he discovered that she had no income and was ill in a rest home. Despite her success, she made only five recordings for G&T at the outset of her career in 1905. 2255. 10” Blk. ’08 Pats. Vr 52470 [7297b]. IL TROVA- TORE: Tacea la notte placida (Verdi). One harmless small scrape, couple MGTs, otherwise cons. 2. $15.00. LUCIA CRESTANI 3127. 12” White lbl. Vla 58396 [526c]. UN BALLO IN MASCHERA: Ma dall’ arido stelo divulsa (Verdi). Just about 1-2. $20.00. GIULIO CRIMI [t]. Paternò, Sicily, 1885-Rome, 1939. His debut was as Manrico in 1910. After singing in various Italian theaters, he was selected for the role of Paolo in the world premiere of Zandonai’s Francesca da Rimini. The same year he made his London debut as Avito in the British premiere of Wolf-Ferrari’s L’Amore di Tre Re. Following his Met debut as Rhadames, he created the roles of Luigi in Il Tabarro and Rinuccio in in the Met world premiere of Puccini’s , Another of his Met successes was the part of Milio in the first Met performance of Leoncavallo’s Zaza, Jan. 16, 1920. Crimi had a relatively short (1910-1927) but active and important career that included many of the world’s major opera houses. After retiring he taught in Rome, his most noted pupil likely . He recorded only for Aeolian-Vocalion. 5641. 10 Vertical Vocalion Test Pressing matrix. A989. TRAVIATA: Parigi o cara (Verdi). Unpublished. Otherwise unknown. With MAY PETERSON [s]. Dated Aug. 7, 1918. Looks very poor, about 5-6, but mostly heavy superficial scuffs). Plays quite well. $50.00. 1109. 10” Red shellac Vocalion 60044 [8481/ ? ]. MARTHA: M’appari (Flotow) / VIRGI- LIO LAZZARI [bs]. BOHEME: Vecchia zimarra (Puccini). Just about 1-2. $15.00.

70 VOCAL 78 rpm Discs CLAIRE CROIZA [ms] 1285. 10” Blue PW Eng. Columbia D13084 [WL1212/WL1328]. ARIETTES OUBLIÉES: No. 2 (Debussy). Piano acc. Francis Poulenc / SARABANDE (Albert Roussel). Piano acc. by the composer. Just about 1-2. $40.00. 1242. 10” Blue PW Fr. Columbia LF 59 [M33/M37]. LAMENTO / CHANSON TRISTE (both Du- parc). piano acc. George Reeves. Just about 1-2. $25.00. RICHARD CROOKS [t] 1224. 10” Red HMV EW 75 [BLR5752-II/BLR5753- II]. CAVALLERIA RUSTICANA: Siciliana (Mascagni) / TOSCA: Wie sich die Bilder gleichen (Puccini). Side one harp by Max Saal. Side two dir. Clemens Schmalstich. Early Crooks, 1927. Not on Victor. Just about 1-2. $10.00. 2243. 10” Red “Z” Shellac Vr 4000. ABSENT (Met- calf) / A DREAM (Bartlett). Just about 1-2. $8.00. 2244. 10” Red “Z” Shellac Vr 1558. ALL THROUGH THE NIGHT (Old Welsh, arr. Sommervell) / BEAUTIFUL ISLE OF SOMEWHERE (Fear- CLAIRE CROIZA is). Acc. organ by Jessie Crawford. Just about 1-2. $8.00. 2397. 10” Red Scroll “Z”-type Shellac Vr 1618 [OB4240-II/OB4241-II]. GYPSY MOON (Boranoff) / JUST TO LINGER IN YOUR ARMS (Arnold). Just about 1-2. $10.00. 1248. 10” Red PW (gold print) Vr 1912. GOOD-BYE (Ossip Gabrilowitsch) / BIST DU BEI MIR (Bach, orch. O’Connell). Orch. dir. Wilfred Pelletier. Just about 1-2. $8.00. 4189. 10” White lbl. Vr (no matrix number). MOTHER MACHREE (Olcott). RCA VrBk. 1930s. Crooks completes the first verse and starts the second. His voice cracks, he spouts out “God damn it!” and the recording abruptly ends. Unfortunately, this is so worn at that point that one can scarcely hear his remark. I’m familiar with the record from a copy that Tony Randall once owned. This was apparently pressed for a few select Crooks friends (or people at RCA). 6. $20.00. 3467. 12” Red Scroll “Z” shellac Vr 9014. BELOVED, IT IS MORN (Aylward) / IN A PER- SIAN GARDEN: Ah, moon of my delight (Liza Lehmann). Just about 1-2. $10.00. 4173. 12” Red Scroll “Z” shellac Vr 7105 [takes 5/5]. LOHENGRIN: In fernem Land / MEISTERSINGER: Preislied (Wagner). Glassy pressing. Just about 1-2. $10.00. 3826. 12” Red PW (gold print) Vr 7105 [takes 5/5]. Pressing slightly later than previous listing (item #4173). Should be similar in sound. Just about 1-2. $10.00. 4052. 12” PW Czech HMV ES 736 [takes 3/3]. Same as preceding listing (item #4052) but the takes used are from Dec., 1926, while the Victor pressing utilizes later takes from March, 1928. 2. $15.00. 3894. 12” Blk. PW Czech HMV ES 510 [CLR4465-II/CLR4466-I]. AÏDA: Holde Aïda (Verdi) / CARMEN: Blumenarie (Bizet). In German. Orch. dir. Clemens Schmalstich. Same as preceding listing. Excellent pressing. Looks mint (as do most records graded in this condition).. Just about 1-2. $15.00. 3792. 12” Blk. PW HMV EG 346 [CLR4465-II/CLR4466-I]. Same as preceding listing. Small lbl. stkrs. Just about 1-2. $12.00. ADA CROSSLEY [c] 1286. 10” Red Monarch 2186. CARO MIO BEN (Giordani). Piano acc. The first issue of the first domestic Victor Red Seal record. A few LGTs, one slight pressing bump (ridge, about ½”), otherwise 2-3. $100.00. ALICE CUCINI [ms] 2651. 10” Blue Disco Zonofono X-1579. SAMSON ET DALILA: S’apre per te (Saint-Saëns). Piano acc. Couple LGTs, 2-3. $300.00. 71 VOCAL 78 rpm Discs 2644. 10” Red Milano G&T 53500 [10372b ]. IL TROVATORE: Stride la vampa (Verdi). IMs. Couple LGTs, gen. 2. $35.00. JULIA CULP [c] 9481. 11” Dark Blue Odeon Lieder-Serie G (O-5107 through O-5110) [XB4983 through XB4990). FRAUENLIEBE UND LEBEN (Schumann). Piano acc. Otto Bake. Eight sides. Beautiful performance, recorded late 1909. Excellent late pressings. Sides range from just about 1-2 to 2-3 (harmless mks.). $200.00. 9304. 11” Blue Odeon 30600/30601 [XB.2178/ XB.2180]. MOEDERKE ALLEEN (Huller-broeck) / WIEGELIEDJE (Catharina v. Rennes). Piano acc. One TN, 2-3. $25.00. 1890. 10” Red Vr 64396. HAIDENRÖSLEIN, Op. 3, No. 3 (Schubert). Piano acc. Coenraad V. Bos. Just about 1-2. $7.00. 1174. 10” Red Vla 64490. SAMSON ET DALILA: Mon coeur (Saint-Saëns). With cello obb. by Rosario Bourdon. Just about 1-2. $7.00. 1401. 10” Red Vr 64553. IMMER LEISER WIRD MEIN SCHLUMMER, Op. 105, No. 2 (Brahms). Piano acc. Coenraad V. Bos. Only form of issue. Lovely singing. Just about 1-2. $15.00. 2828. 12” Anker E.9508 [04853/04974]. DU BIST DIE RUH’ (Schubert) / CLARA SENIUS-ERLER [s], FELIX SENIUS [t]. TRAUUNGSGESANG (Ries). Just about JULIA CULP 1-2. $50.00. 2941. 12” Red Polydor 72556 (043274/2-043009) [779m/C-14371]. MUSS ES EINE TRENNUNG GEBEN? (Brahms) / TRAUME (Wagner). Side one piano acc. Side two only edition from otherwise unpublished Victor master. Rare and beautiful disc. Import label (trademark covered). Excellent copy. Just about 1-2. $50.00. 2778. 12” Red Vr 74461. DU BIST DIE RUH’ (Schubert). Just about 1-2. $10.00. 3069. 12” Red Vla 6359. AUF WIEDERSEHN! (Sigmund Romberg) / CRADLE SONG (Kreisler, adapted from Caprice Viennois). Note that side two is the 1924 remake (take 5) acc. by Raucheisen (rather than Bos), although the Victor Encyclopedia indicates that the master was destroyed. Just about 1-2. $25.00. EGIDIO CUNEGO [t] 3112. 12” White lbl. Vla 89121 [1867c]. TOSCA: Amaro sol per te (Puccini). With ELENA RUSZKOWSKA [s]. Record is numbered 88274 in the matrix. Just about 1-2. $20.00. CLARA CZERY [c]. 2435. 10” Blk. acous. Schall. Gram. 62527 [2007at/2008½at]. DER TOD UND DAS MÄDCHEN (Schubert) / VERBORGENHEIT (Wolf). Piano acc. Just about 1-2. $25.00. ROYAL DADMUN [b] 2365. 10” Blk. Emerson 1019 [4113-2/4120-1]. DANNY DEEVER (Damrosch) / THE RETURN (Arthur Bergh). Cons. 2. $8.00. JEANNE DAFFETYE [s]. Paris, 1878–1962. Daffetye was born Jeanne-Marie-Victorine Deffayet and made her stage debut under an anagrammatic pseudonym in Bordeaux in 1897. Her Opéra-Comique debut took place on 29 October 1899 as a spirit in . During that season she married pianist and composer Henri Dèze. Her five seasons at the Comique were spent singing mainly small parts, including a number of creations, of which the most significant was in Massenet’s Grisélidis (1901). She also created, with Lucien Muratore, Vocalisettes (1903), a play with a Massenet score. Daffetye left the Opéra-Comique in 1904 for Anvers where she sang for two seasons: Manon, Mimi, Sapho, Juliette, Rosine, Violetta, and the leads in several local premieres, including Massenet’s Chérubin in 1905 and Giordano’s Siberia in 1906. She then appeared in the French provinces and Geneva, where she took part in the local premiere of D’Albert’s Tiefland. – from Marston CD Pathé Series No. 7 liner notes. 2232. 10” Blk. Paris G&T 33379 [2503]. TARENTELLE (Théodore Dubois). “With piano and castagnettes.” Gorgeous copy. Just about 1-2. $60.00. 72 VOCAL 78 rpm Discs ALESSANDRO D’ALBA [b] 2760. 12” Orange Okeh 86005 [S-71032-a/S71065a] TIC TI, TIC TA (Bovio-Lama) / VILTÀ! (Vecchione). Excellent bright voiced baritone. Just about 1-2. $15.00. [s] 2030. 10” Red acous. Vr 1106. A ROSINA (Fabris) / MAGARI (F. Filippi). Just about 1-2. $12.00. 1376. 10” Red PW (gold print) Vr 1202. VIDALITA (Williams) / LA LUC- CIOLE [THE FIREFLY] (Brogi). Piano acc. Rosario Bourdon. Excellent copy, the only non- Orthophonic pressing of this I’ve seen. Radio station file number scotch taped on lbl. side one (trademark area). Just about 1-2. $15.00. 2246. 10” Red Orth. Vla 1202. Same as previous listing but earlier press- ing. Just about 1-2. $12.00. 3666. 12” Red acous. Vla 6466. LUCIA: Mad Scene (Donizetti). Two sides. Just about 1-2. $8.00. 3202. 12” Red Orth. Vla 6614. CARNIVAL OF VENICE (Arban-Benedict). Two sides. Just about 1-2. $6.00. 3667. 12” Red Orth. Vla 7198 [CM1004- II/CM1015-I]. LA SONNAMBULA: Ah! non credea mirarti (Bellini) / TOTI DAL MONTE FALSTAFF: Sul fil d’un soffio (Verdi). Just about 1-2. $7.00. 3709. 12” Red Orth. Vla 7485 [CM1020-II/CM1022-I]. NINNA-NANNA (Bianchini) / MIGNON: Io son Titania (Thomas). Orch. dir. Carlo Sabajno. Very fine surface material. Just about 1-2. $10.00. CHARLES DALMORÈS [t]. Nancy, France, 1872-Hollywood, 1939. Dalmorès studied piano and cello as a youth and was accepted by the Paris Conservatoire before he was sixteen, pursuing there a complete course in music. His lessons included the basics of different instru- ments. While studying French horn, he quickly became so adept that he was soon playing in major orchestras, including the Lamoureux. When scarcely 23, he was appointed a Professor of French horn at the Lyons Conservatoire. Gifted with an exceptional voice, which he realized only after he began teaching at Lyons and encouraged by the prodding of the Director of the Lyons Conservatory, Dalmorès begin vocal studies on a serious basis. By 1899 he felt himself ready for a debut, which was the role of Siegfried and took place at the Théâtre des Arts of Rouen. He quickly became known internationally as a leading dramatic tenor in the French, Italian and German repertoire. In Germany he appeared as Lohengrin at Bayreuth and was also well received at London’s Covent Garden, his debut there in 1904 as Gounod’s Faust. In America, he was a great success with Hammerstein’s Manhattan Opera and then the Chicago Opera, his repertoire running the gamut from Debussy’s Pelléas through Herod in Strauss’s Salome. He kept himself in good physical condition and was an amateur boxer of ability. As Samson, according to an obituary reminiscence, Dalmorès “was one of the few tenors whose physique enabled him to look the part as well as sing it”. In later years he taught voice, first in New York and then in Hollywood. 1042. 10” Red ’12 Pats. “A” plate Vla 87087. SAMSON ET DALILA: Arrêtez, o mes frères (Saint-Saëns). Just about 1-2. $15.00. 1608. 10” White lbl. Vla 87087. Same as previous listing (item #1042). Cons. 2. $12.00. 1489. 10” Red ’12 Pats. “A” plate Vla 87120. JE T’AIME (Massenet). Piano acc. Rosario Bourdon. Perhaps his most attractive recorded performance. Small number neatly etched in inner land area. Just about 1-2. $15.00. 1988. 10” Red ’12 Pats. “A” plate Vla 87120. Same as previous listing. Slightest lt. rubs., cons. 2. $12.00. 2759. 12” Red ’08 Pats. Vla 85122. CARMEN: Air de la fleur (Bizet). Rare first issued take (1907). Just about 1-2. $20.00. 73 VOCAL 78 rpm Discs 3616. 12” White lbl. Vla 88330. NINON (Tosti). Never doubled. Tiny lbl. stkrs. Just about 1-2. $20.00. 3998. 12” Red ’Pats. “A” plate Vla 88330. Same as preceding listing (item #3616). Small lbl. stkr. Nice copy. Very lt. rubs., 2. $15.00. 3759. 12” Red ’12 Pats. Vla 89019. CARMEN: La-bas dans la montagne (Bizet). With EMMA CALVÉ [c]. Just about 1-2. $10.00. 4008. 12” PW Silver Vr IRCC 24. CARMEN: La fleur (Bizet) / [t]. TRAVIATA: Dei miei bollenti spiriti (Verdi). From orig. 1912 Victor / 1906 G&T matrices. Label signed by Dal- morès. Just about 1-2. $20.00. 4010. 12” PW Silver Vr HRS 2004. GRISÉLI- DIS: Ouvrez-vous sur mon front (Mas- senet) / ROMÉO ET JULIETTE: Ah, lève-toi soleil (Gounod). From orig. 1912 Victor matrices (although label incorrectly identifies side two as 1907). Label signed by Dalmorès. Just about 1-2. $20.00. 3505. 12” Mauve HMV AGSB 9. GRISÉLIDIS: Ouvrez-vous sur mon front, portes du Paradis (Massenet) / TROVATORE: Ah si, ben mio (Verdi). From orig. 1907/ 1912 Victor matrices. Just about 1-2. CHARLES DALMORÈS as Siegfried in Die $10.00. Götterdämmerung 3812. 12” Mauve HMV AGSB 19. CARMEN: Je suis Escamillo (Bizet) / FAUST: Vision céleste (Gounod). With MARCEL JOURNET [bs]. From orig. 1907 Victor matrices. Just about 1-2. $12.00. MARGUERITE D’ALVAREZ [c] 1104. 10” Red Shellac Vocalion 60031 [7117/ 7348]. CARMEN: Seguidilla (Bizet) / CANZONES ARABESCAS: Mira la bien (Pedrell). Just about 1-2. $15.00. 1755. 10” Red PW HMV DA 831 [Bb9314-II/ Bb9315-I]. DOWN HERE (Brahe) / CARO MIO BEN (Giordani). Piano acc. Ivor Newton. 2-3. $7.00. 1869. 10” Red PW HMV DA 831 [Bb9314-II/ Bb9215-I]. Same as previous listing (item #1755). IMs. Gen. 2. $7.00. 3541. 12” Blue Aeolian-Vocalion 45000 [5153]. LE PROPHÈTE: Ah, mon fils (Meyer- beer). Lt. pressing bumps and a lt. super- ficial scr. first inch (likely harmless). Few lt. rubs, 2. $8.00. 3065. 12” White lbl. HMV SS mat. Cc14155-1. CARMEN: Habanera (Bizet). Piano acc. MARGUERITE D'ALVAREZ One side of HMV DB 1353, which was never issued. Just about 1-2. $60.00. FRANCISCO D’ANDRADE [b] 2794. 12” Cream Odeon O-9028 [2-280/XXPh3175]. DON GIOVANNI: Champagnerlied (Mozart) / [bs]. BARBIERE DI SIVIGLIA: La calunnia (Rossini). Side one with studio audience applauding and repeats. Excellent pressing from orig. matrices (1907 Parlophon/1907 Fonotipia), part of Odeon’s short lived historic series. Just about 1-2. $60.00. 74 VOCAL 78 rpm Discs

GIUSEPPE DANISE [b]. Naples, 1883- , 1963. He studied with Luigi Colonnesi and Abramo Perillo in Naples and made his debut there at the Teatro Bellini in 1906 as Alfio in Cavalleria Rusticana. After singing for some time in small Italian houses he had his first great success at the in 1913. He was Rigoletto in the Italian Gramophone Company’s first complete recording of that opera, dating from around 1915. His Met debut was as Amonasro in 1920, and he remained on the roster as a principal baritone through 1932. He managed to maintain a solid footing there, despite such competition as Ruffo, Tibbett, De Luca and Basiola. Returning to Italy in 1932, Danise was immediately accepted at La Scala, despite the fact that he had been absent from Italy for well over a decade. He re- mained active in Italy with a few guest appearances in Rio de Janiero until the end of World War II. He then settled in New York City, married soprano Bidù Sayão (1947) and taught, having num- bered among his students. Leo Riemens considered Danise “among the best Italian baritones of his generation: he combined the lyriciso of De Luca and the dramatic as Athanaël in Thaïs temperament of Scotti with Stracciari’s sonority.” 2184. 10” Gold acous. Brunswick 15045 [7613/7808]. HÉRODIADE: Vision fugitive (Massenet) / FORZA DEL DESTINO: Urna fatale (Verdi). Just about 1-2. $12.00. 2298. 10” Gold acous. Brunwick Cliftophone 15078. NOCHE SERENA (Spanish-American Folk Song) / LINDA MIA (arr Sturgis-Blake). Just about 1-2. $15.00. 1112. 10” Purple acous. Bruns. 10128. L’ULTIMA CANZONE (Tosti) / LA CAMPANA DI SAN GIUSTO (Arona). Couple lightest rubs, cons. 2. $12.00. 1466. 10” Purple elec. Brunswick 10237. ETERNAMENTE (Mascheroni) / CANTA IL MARE (De Leva). Just about 1-2. $15.00. 4026. 12” Gold acous. Brunswick 50011 [X7263/X7470]. LA PARTIDA (Alvarez) / LA DANZA (Rossini). Just about 1-2. $15.00.

ANDRÉ D’ARKOR [t]. Tilleur, 1901-Brussels, 1971. D’Arkor made his debut as a principal tenor at the opera in Liège where he remained for twenty-five years. He was also popular in Paris where he frequently sang at the Opéra-Comique. Following his retirement in 1950 he became Director of the opera house in Liège. His voice was admired for its beautiful quality and its ease in the upper range. 1458. 10” Red Eng. Columbia RF 49 [WLB242-2/WLB244-1] MARTHA: Air des larmes (Flotow) / MAITRE PATHELIN: Romance de Charlot (Bazin). Just about 1-2. $8.00. 3823. 12” Red Eng. Columbia RFX 22 [WLBX58-1/WLBX-62]. WILLIAM TELL: Aside Héréditaire (Rossini) / LES HUGUENOTS: Plus blanche (Meyerbeer). Just about 1-2. $8.00. GLENN DARWIN [b]. Kansas City, MO, 1913-1982. Darwin’s Met career included only one performance of one role: Aaron Burr in Damrosch’s The Man Without a Country, Feb. 2, 1938. Likewise he made only one record (see below). He was kept much busier in concert work and in radio, where he achieved a degree of popularity. 3019. 12” PW Blk. Vr 36224. PILGRIM’S SONG (Tschaikowsky)/ WHEN I BRING TO YOU COLOUR’D TOYS (Carpenter); BY A LONELY FOREST PATHWAY (Griffes). Piano acc. Elsa Fiedler Few lt. rubs side two, cons. 2. $10.00. M. DATHANÉ [b]. While cited on the label as with the Paris Opéra, there seems to be no mention of him in the standard reference books. 9304. 11” Brown Odeon 60838/60874-2 [XP.4108-2/4173-2]. AIDA: Entrée d’Amonasro (Verdi) / MESSALINE: Viens aimer (de Lara). Small lbl. stkrs. Cons. 2. $15.00. 75 VOCAL 78 rpm Discs

LÉON DAVID [t]. 1867-1962. David studied at the Conservatoire in Nantes and then in Paris. His debut was in 1892 and he was heard in many principal houses of France, including the Opéra-Comique. His large and varied repertoire included Almaviva, Paco in La vida breve, George Brown in La Dame blanche, Gérald in Lakmé, des Grieux, Roméo, Nadir in The Pearl Fishers, and the Duke in Rigoletto, among many other parts. Despite his exceptional voice and popularity, he made few records: four sides for Odeon in 1907 and several for Fonotipia in 1904, all rare. 9465. 11” Brown Odeon 97175/97178 [XP4290/XP4293]. MIGNON: Elle ne croyait pas (Thomas) / MANON: Ah, fuyez, douce image (Massenet). 2. $150.00. TUDOR DAVIES [t] 3091. 12 Blk. acous. SR HMV D723 [Cc2684-I/Cc2685-II]. JUDITH: God breaketh the battle (Hubert Parry) / KING OLAF: And King Olaf heard the cry (Elgar). Orch. dir. Eugene Goossens. Brilliant singing and extraordinarily dynamic performances. Few lightest mks. Cons. 2. $20.00. ALEXANDRE M. DAVIDOV [t]. 1872-1944. 2703. 7” Berliner 22709 [1784x-N2-2z]. NIGHT REIGNS (Kochetov). 1901 recording. Piano acc. Gen. 3. $75.00. PETER DAWSON [bs-b] 1618. 10” PW Plum EE HMV B.2297 [Bb7565-I/Bb7566-II]. THE VAGABOND (Vaughan Williams) / THE GAY HIGHWAY (Drummond). Piano acc. Mr. Fay. Cons. 2. $8.00. 1942. 10” PW Plum HMV B.2884 [Bb14550-II/Bb14553-I]. CAPTAIN HARRY MORGAN (Bantock) / CARGAOES (Shaw). Piano acc. Gerald Moore. 2. $8.00. 2105. 10” PW Plum HMV B.8866 [OEA6395-I/OEA6396-I]. SPEAK, MUSIC! (Elgar) / RAN OF EXILE (Bax). Piano acc. Gerald Moore. Cons. 2. $8.00. NAZZARENO DE ANGELIS [bs] 3757. 12” Blk. Viva-Tonal Columbia 52819-AD [WBX184/WBX195]. MEFISTOFELE: Ecco il mondo (Boïto) / FAUST: Serenata (Gounod). Just about 1-2. $12.00. ALBERTO DE BASSINI [b]. His Berliner records (example) below were recorded as Alberto del Campo. 2708. 7” Berliner 1846. DON GIOVANNI: Serenata (Mozart). Recorded June 3, 1898. Unintentionally amusing. The pianist at least triple times through phrases with no singing. Gen. 4. $50.00. BIANCA LAVIN DE CASAS [c] 1234. 10” Blk. Vr 63424 [2353L/7330b]. PALLIDE MAMMOLE (Trimarchi) / ENRICO PIGNATARO [b]. HAMLET: Come il romito fior (Thomas). Pignataro (Milano, 1866- 1939) made his debut in 1892 in Naples and performed major roles in various Italian theaters as well as in South America and, 1909-10, in New York with the Manhattan Opera. After 1920 he appeared into the 1930s mainly in comprimario parts. Both piano acc. Carlo Sabaino. Just about 1-2. $40.00 2945. 12” Red Vr 88323 [1873c]. AIDA: Scena del giudizio (Verdi). With SANTELIA RIZZO [bs]. One harmless PB. Just about 1-2. $15.00. INES DE FRATE 3060. 12” Red Pre-Dog Angel Gram. Mon. 053207 [2726f]. SAMSON ET DALILA: Amor i miei fini (Saint-Saëns). Just about 1-2. $75.00. INEZ DE FRATE [s] 2680. 12” SS Blk. Angel Pre-Dog Gram. 053192 [1378c]. STABAT MATER: Inflammatus (Rossini). With La Scala Chorus. Excellent copy of this rarity. Cons. 2. $600.00. 76 VOCAL 78 rpm Discs EMILIO DE GOGORZA [b]. Brook- lyn, NY, 1874-New York City, 1949. Educated in Europe, DeGogorza returned to the United States in the mid-1890s and made his debut in a concert with soprano Marcella Sembrich in 1897. He later toured with and wed soprano Emma Eames. DeGo- gorza’s career was devoted to the concert and oratorio stages, his being exceptionally nearsighted having made operatic work impractical. As a recitalist, he was, as Richard Aldrich wrote in a 1925 N.Y. Times review, “a great master, such as there are all too few of today in so many of the elements of consummate vocal art”. He taught first at Curtis and then privately in New York City. 1258. 10” Blk. Eld. Johnson Victor Mon- arch 3330. FOR ALL ETERNITY (Mascheroni). 1901 recording, recorded as “Herbert Godard”. One lbl. scr. Few LGTs, one small PB near start, gen. 2-3. $35.00. 2338. 10” Blk. GP ’04 Monarch 2703 [B- 1060-2]. ALWAYS (Bowers). Recorded as “Herbert Goddard”. EMILIO DE GOGORZA Gleaming label. Surface a fine 2. $15.00. 2061. 10” Blk. GP ’06 Vr 4293 [B-2151-2]. LA GRAN VIA: Caballero de Gracia (Valverde). Recorded as “Señor Francisco”. One TN, 2. $15.00. 2100. 10” Blk. GP ’05 Vr 4766 [B-2583-4]. EL CELOSO (Alvarez). Cons. 2. $12.00. 2059. 10” Blk. GP ’06 Vr 4768 [B-2150-2]. HIMNO NACIONAL MEXICANA (Nuño). Recorded as “Señor Francisco”. 2. $15.00. 2098. 10” Blk. GP ’06 Vr 4800 [B-3492 (?) -2]. LA GOLONDRINA (Serradel). Recorded as “Señor Francisco”. Cons. 2. $8.00. 2099. 10” Blk. GP ’06 Vr 4934 [B-2751]. DOÑA JUANITA: Serenade (von Suppe). Recorded as “Señor Francisco”. Cons. 2. $12.00. 2060. 10” Blk. GP ’06 Vr 4935 [B-2749-2]. JOSE MARIA (Hernandez). Recorded as “Señor Francisco”. Cons. 2. $15.00. 2101. 10” Blk. GP ’06 Vr 4936 [B-2750-3]. LAS DOS PRINCESAS: Son los Bailes de Máscaras (Caballero). Cons. 2. $15.00. 2355. 10” Blk. ’08 Pats. Vr 16064 [B-2617-3/B-2909-?]. GOOD BYE, SWEETHEART, GOOD BYE (Hatton) / BOHEMIAN GIRL: The Heart Bow’d Down (Balfe). Recorded as “Herbert Goddard”. Just about 1-2. $10.00. 2264. 10” Red GP ’06 Vr 64039 [B-1762-6]. THE HOLY CITY (Adams). Few lt. scuffs, 2. $8.00. 2134. 10” Red GP ’06 Vr 64043 [B-2126-2]. TERESITA MIA (Spanish Folk Song). Just about 1-2. $10.00. 2366. 10” Red Vla 64045 [B-2582-2]. LA TEMPESTAD: Monólogo (Chapi). Just about 1-2. $8.00. 1593. 10” Red ’08 Pats. Vr 64101. LINA (Symaine). Boldly autographed in white ink by De Gogorza. 2-3. $10.00. 1906. 10” Red Vr 64136. O SOLE MIO (di Capua). Just about 1-2. $7.00. 1619. 10” Red Vla 66019. FOR EVER AND FOR EVER! (Tosti). Just about 1-2. $8.00. 1400. 10” Blk GP ’04 Vr 1342 [B-1453]. LA SONNAMBULA: Vi ravviso (Bellini). Recorded as “Sig. Francisco”. Gen. 2-3. $25.00 1062. 10” Red GP ’06 Vr 64043 [C-2126-2]. TERESITA MIA (Nieto). Nice copy. Cons. 2. $8.00. 2356. 10” Red acous. Vla 581. JUANITA (Norton) / IN OLD MADRID (Trotère). Just about 1-2. $7.00. 1665. 10” Red acous. Vla 899. PAGLIACCI: Prologo (Leoncavallo) / SONG OF THE VOLGA BOATMEN (arr. Bromberg). Just about 1-2. $8.00. 77 VOCAL 78 rpm Discs 1765. 10” Red acous. Vla 992. (Sidney Homer) / INVICTUS (Huhn). Uncommon. Just about 1-2. $10.00. 1653. 10” Red late acous. Vr 1107. MOTHER O’ MINE (Tours) / THE UNKNOWN SOLDIER (O’Hara). Scarce. Gen. 2. $8.00. 1388. 10” Red PW Vr 1141. LA PALOMA (Yradier) / LA GOLONDRINA (Mexican Air). Side one features an amusingly long rolled “r”. Just about 1-2. $7.00. 1480. 10” Red Scroll Vr 1179. IN OLD MADRID (Trotère) / JUANITA (Norton). Excellent “Z” type shellac. Just about 1-2. $10.00. 2133. 10” Red Orth. Vla 1203. LA SEVILLANA (Yradier) / TERESITA MIA (Nieto). Just about 1-2. $10.00. 1292. 10” Red Orth. Vla 1278. AY! [SERENATA ANDALUZA] (Hernandez) / NOCHE SERENA (Mexican Folk Song). Just about 1-2. $10.00. 1057. 10” Red Orth. Vla 1294. ROSARIO DE LA AURORA (Folk Song) / EL RELICARIO (Padilla). Just about 1-2. $10.00. 3266. 12” Red GP ’04 Vr 74043. LE ROI DE LAHORE: Promesse de mon avenir (Massenet). Really nice copy, cons. 2. $8.00. 3204. 12” Red GP ’06 Vr 74105. O SOLE MIO (di Capua). Cons. 2. $8.00. 3128. 12” Red GP ’06 “A” plate Vr 74110. RIGOLETTO: Pari siamo (Verdi). Shortly after remade and issued as 88179. Couple minor mks., just about 1-2. $20.00. 3182. 12” Red ’08 Pats. Vr 74149. MI NIÑA (Guetary). Few lightest rubs, cons. 2. $10.00. 3056. 12” Red Pats. ”A” plate Vr 74209. A GRANADA (Alvarez). Just about 1-2. $20.00. 3170. 12” Red Pats. “A” plate Vr 74229. PATRIE: Air du Sonneur (Paladihle). Just about 1-2. $25.00. 2993. 12” Red Pats. “A” plate Vr 74262. CANTA- RES (Alvarez). Piano acc. Henri Gilles. Rare. Short catalogue life. Small tape lbl. stkr. Few lightest rubs, cons. 2. $25.00. 3965. 12” Red Vr 74359. THE LOST CHORD (Sullivan). Just about 1-2. $8.00. 2882. 12” Red Vr 74478. THE MAGIC SONG [DAS ZAUBERLIED] (Meyer-Helmund). IMS, cons. 2. $8.00. 3569. 12: Red ’12 Pats. Vla 88153. HÉRODI- ADE: Vision fugitive (Massenet). Cons. 2. $8.00. 3713. 12” Red ’12 Pats. Vla 88181. IL BAR- BIERE DI SIVIGLIA: Largo al factotum (Rossini). Just about 1-2. $8.00. 3721. 12” Red Vr 88447. DON GIOVANNI: Deh vieni alla finestra (Mozart); DAMNATION DE FAUST: Sérénade (Berlioz). Piano acc. Henri Gilles 1st selection, orch. acc. for second. Just about 1-2. $8.00. 2798. 12” Red GP ’07 Vr 89010. HAMLET: Doute de la lumière (Thomas). With MARCELLA SEMBRICH [s]. Most later pressings have a “swish” for an inch or EMILIO DE GOGORZA filming so which this early pressing doesn’t. One MGT at end, otherwise 2 or better.$15.00. 2824. 12” Red ’08 Pats. Vla 89022. IL TROVATORE: Mira d’acerbe lagrime (Verdi). With EMMA EAMES [s]. Just about 1-2. $20.00. 4198. 12” Red acous. Vla 6535. DE CAPITAIN OF DE MARGUERITE / LEETLE BATEESE (Drummond-Geoffrey O’Hara). Piano acc. Helen Winslow. Just about 1-2. $15.00. 3918. 12” Red Orth. Vla 6839. LA PARTIDA (Alvarez) / EL CANTO DEL PRESIDARIO (both Alvarez). Piano acc. Helen Winslow. Uncommon. Just about 1-2. $15.00. 2811. 12” PW Silver Vr IRCC 141. PÂTRIE: Jadis elles chantaient gaiment (Paladilhe) / BENVENUTO CELLINI: De l’art, splendeur immortelle (Diaz). From orig. 1911/1909 Victor matrices. Side two first edition. Label autographed by De Gogorza. Just about 1-2. $25.00. 78 VOCAL 78 rpm Discs FRANCO DE GREGORIO [t]. 1908. 10” Blk. Dog Gram. Con. 2-52756/53582 [156ah/223ah]. TOSCA: E lucevan le stelle / AIDE MUSSINI [boy soprano]. TOSCA: Shepherd’s Song (Puccini). 2-3. $8.00. ELVIRA DE HIDALGO [s]. Valderrobres (Spain), 1892-Milan, 1980. She studied with Melchiorre Vidal (also the teacher of Barrientos, Pareto, Vignas, and Storchio, among others) and made her debut when but 16 at the Naples Teatro San Carlo as Rosina in Il Barbiere di Siviglia. She was soon engaged for Paris, Monte-Carlo and, in 1910, the Metropolitan Opera, appearing with Caruso in Rigoletto and Bonci in La Sonnambula. Her La Scala debut was in 1916 and she returned to the Met in 1925, also appearing that year with the Chicago Opera. She began teaching in 1933 in Greece at the Athens Conservatory, where her most extraordinary pupil was . Said Callas of De Hidalgo, “I owe all my preparation and my artistic formation as an actress [to] this elect woman, who, besides giving me her precious teaching, gave me her whole heart as well.” –parts from Wikipedia. 2671. 11” Pink Sample Fonotipia mat. XPh 3628. DON PASQUALE: Pronta io son (Doni- zetti). With FERRUCCIO CORRADETTI [b]. Only known copy, from Corradetti’s collection. De Hildalgo would have been 16 when this was recorded. It presumably wasn’t issued because of a recording lathe motor problem causing a variance in the speed. Minor lbl. tears. One TN, few LGTs, otherwise 2-3. $250.00. 1907. 10” Blue acous. Columbia 3901-M [A-711-3/A-712-2]. LAS HIJAS DE ZEBEDEO: Carceleras (Chapi) / TUS OJILLOS NEGROS (de Falla). Cons. 2. $20.00. 3700. 12” Blue acous. Columbia 7076-M [AX-378-2/AX-386-2]. : Ombra leggiera (Meyerbeer). Two sides. Just about 1-2. $20.00. ALBERTO DEL CAMPO [b]: see ALBERTO DE BASSINI [b] SOFIA DEL CAMPO [s] 3486. 12” Red Orth. Vla 9444. LA PRIMA- VERA D’OR (Betti, arr. LaForge) / IL RE PASTORE: Aria (Mozart). Just about 1-2. $12.00. 1169. 10” Red PW (gold print) Vr 4166. PORQUE CORAZÓN (Valderrama) / CANTO DE CHINGOLO (Mortet). Lbl. tears side two. Superb pressing, excellent surface material. Just about 1-2. $15.00. JEANNE MARIÉ DE L’ISLE [c] 2341. 10” Green Zonophone X-83049/ X-82208 [5144o/5115o]. NOËL (Auguste Holmès) / LÉON BEYLE [t]. CAVALLERIA RUSTICANA: Sicilienne (Mascagni). Side two with harp. Light “swish” side one perhaps remedied by stylus experimentation. Minor PB, cons. 2. $10.00. JEAN FRANÇOIS DELMAS [bs].Lyons, 1861-1933. Except for some guest performan- ces elsewhere, Delmas remained an exclusive and leading Paris Opéra from 1886 until 1927. He was Athanaël in the 1894 world premiere of Massenet’s Thaïs and sang prin- cipal roles in the Paris premieres of Die Wal- küre, Götterdämmerung, and Parsifal. His voice was very large and had an upper extension that made some baritone roles possible. Despite his long, notable career, he recorded JEAN-FRANÇOIS DELMAS as Phur in Astarte only in the 1902-1907 period. (Leroux) 2660. 11” French Fonotipia 39053/39183 [XPh511-2/XPh518-3]. LES DEUX GRENADIERS (Schumann) / LE SOIR (Gounod). Side one with piano, side two orch. Small lbl. stkr., few lt. mks., 2. $150.00.

79 VOCAL 78 rpm Discs MARIO DEL MONACO [t] 2634. 10” HN 2145 [OBA6155/OBA6156]. IL SALUTO DI BEATRICE (Neglia, rev. Renzo Bossi) / COME QUEL FIOR (Neglia, rev. Bossi). Piano acc. Renzo Bossi. Scarce, early (1946) Del Monaco. Small lbl. stkr., cons. 2. $20.00. VICTORIA DE LOS ANGELES [s] 1532. 10” Red late VdP DA 1930 [OEA-13822-1/OEA-13823-2]. STORNELLATRICE / E SE UN GIORNO TORNASSI (both Respighi). Piano acc. Ivor Newton. Excellent pressing. Few lightest mks., cons. 2. $10.00. 1943. 10” Red HMV DA 1930 [OEA-13822-1/OEA-13823-2]. Same as previous listing (item #1532). Crayon markings inner margin (removable). Former radio station copy. Quiet surfaces. Just about 1-2. $8.00. GINO DEL SIGNORE [t] 3997. 10” Red PW (silver print) Vr 13781 [2BA1204-II/2BA1205-I]. THE DYBBUCK: Eccoti, mia bella amica! (Rocca). With AUGUSTA OLTRABELLA [s]. Two sides. Just about 1-2. $12.00. GIUSEPPE DE LUCA [b] 9325. 11” Green Fonotipia 39168/39169 [XPh211/XPh228]. DAMNATION OF FAUST: Serenata (Berlioz) / OCCHI DI FATA (Denza). Harmless indentation side two. Nice copy, gen. 2. $15.00. 2669. 11” Brown Odeon 59087/59088 [XPh2327/XPh2379]. MIA SPOSA SARÀ LA MIA BANDIERA (Rotoli) / GERMANIA: Ferito, prigionier (Franchetti). One TB side one, few minor rubs, just about 2. $35.00. 1361. 10” Blk. ’08 Pats. Victor 62086 [2886- R/8081½b]. BALLO IN MASCHERA: Eri tu (Verdi) / GIUSEPPINA HUGUET [s], MARIA GRISI [s], FRANCESCO CIGADA [b], LIBERO OTTOBANI [t]. UN BALLO IN MASCHERA: Di che fulgor (Verdi). Superb pressing. ’02 / ’05 G&T matrices. Just about 1-2. $30.00. 1044. 10” Blk. ’08 Pats. Victor 62623 [2859-R/ B-2507]. DON GIOVANNI: Serenata (Mozart) / ARCHANGELO ROSSI [bs]. DON GIOVANNI: Madamina (Mozart). ’02 G&T/’05 Victor matrices. Beautiful copy, just about 1-2. $30.00. 1437. 10” Red Vla 64673. MARRIAGE OF FIGARO: Se vuol ballare (Mozart). Label autographed by De Luca. Just about 1-2. $20.00. 1080. 10” Red Vla 64776. GOD BLESS YOU, MY DEAR (Edwards). Never doubled. Just about 1-2. $10.00. 2072. 10” Red Vla 64990. MATTINATA (Fatuo). Just about 1-2. $8.00. GIUSEPPE DE LUCA 1832. 10” Red Vla 66068. MARIETTA (Romilli). In English. VrBk. Just about 1-2. $8.00. 1696. 10” Red Vla 66158. ROSA (Romilli). In English. Just about 1-2. $8.00. 1893. 10” Red Vla 592. ROSA / MARIETTA (both Romilli). Just about 1-2. $12.00. 1664. 10” Red Vla 902. BEAU SOIR (Debussy) / EDMOND CLÉMENT [t]. WERTHER: Pourquoi me réveiller (Massenet). Likely mint, as with the case of many of the ‘20s- ‘30s items on this list. Just about 1-2. $10.00. 80 VOCAL 78 rpm Discs 1686. 10” Red Vla 955. BERCEUSE (Gretchaninov) / VOI DORMITE, SIGNORA! (Tosti). Just about 1-2. $10.00. 1690. 10” Red Vla 1036. CANTA IL MARE (De Leva) / OCCHI DI FATA (Denza). Just about 1-2. $10.00. 3625. 12” Green PW Odeon F5513 [XXPh2391/XXPh2279]. LA GIOCONDA: Così mantieni il patto? (Ponchielli). With EUGENIA BURZIO [s] / BURZIO [s]. LA FORZA DEL DESTINO: Pace, pace mio Dio (Verdi). Piano acc. Just about 1-2. $15.00. 2779. 12” Red Vla 74572. RINALDO: Lascia ch’io pianga (Händel). Just about 1-2. $6.00. 3209. 12” Red Vla 88596. TRAVIATA: Imponete (Verdi). With AMELITA GALLI-CURCI [s]. Just about 1-2. $6.00. 3208. 12” Red Vla 88601. TRAVIATA: Dite alla giovine (Verdi). With AMELITA GALLI- CURCI [s]. This does turn up (although not often under this early catalogue num- ber) but as the grading indicates it is a virtually mint copy. Just about 1-2. $6.00. 3815. 12” Red Vla acous. 89160. DON CARLOS: Dio, che nell’ alma infondere (Verdi). With GIOVANNI MARTINELLI [t]. Just about 1-2. $7.00. 3244. 12” Red Vla acous. 6080. FAVORITA: A tanto amor (Donizetti) / I PURITANI: Ah per sempre (Bellini). Splendid mint copy. Just about 1-2. $8.00. 3067. 12” Red Vla acous. 6443. DINORAH: Sei vendicata assai (Meyerbeer) / BENVENUTO CELLINI: De l’Art splendeur immortelle (Diaz). Just about 1-2. $8.00. 3542. 12” Red Orth. “Z” shellac Vla 7086. TRAVIATA: Di Provenza (Verdi) / FAUST: Dio possente (Gounod). Just about 1-2. $8.00. 3783. 12” Red Orth. Vla 8085. LA FORZA DEL DESTINO: Invano Alvaro! (Verdi). Two sides. With GIOVANNI MARTINELLI [t]. Just about 1-2. $8.00. 3668. 12” Red acous. Vla 8047. DON CARLOS: Dio, che nell’ alma infondre. With GIOVANNI MARTINELLI [t] / MARCEL JOURNET [bs]. DON CARLOS: Ella giammai m’amo! Just about 1-2. $8.00. 3915. 12” Red late VdP DB 1371 [CVE-41075/ CVE-43610]. RIGOLETTO: Povero Rigo- letto! / RIGOLETTO: Cortigiani (Verdi). Orch. dir. Giulio Setti. Excellent pressing. Just about 1-2. $8.00. FERNANDO DE LUCIA [t]. Naples, 1860- 1925. De Lucia’s debut was as Gounod’s Faust at the Naples San Carlo, 1885. This was followed by success in other Italian houses and then in Madrid, London, South America and New York. He created several Mascagni roles, including Fritz in L’Amico Fritz (1891) and Osaka in Iris (1898) as well as the principal tenor part, Giorgio, in Giordano’s Marcella (1907) and was the first to sing Turiddu in Cavalleria Rusticana and Canio in Pagliacci in several im- portant venues. Aside from contemporary works, his repertoire encompassed the leading tenor roles in operas as diverse as Lohengrin and Il Barbiere di Siviglia. His pupils included, among others, , Enzo de Muro Lomanto, Ciro Formisano, Maria Nemeth, Tom Burke and Gianna Pederzini. All Phonotype issues listed below are original shellac pressings. 5686 11” Green Phonotype N1767/N1768. LA BOHÈME: Che gelida manina (Puccini). Two sides. (Puccini). Beautiful pressing, just about 1-2. $50.00. 9336. 11” Brown/White Phonotype C2340/ C2341. GIOCONDA: Enzo Grimaldo, Principe di Santafior (Ponchielli). Two sides. With BENVENUTO FRANCI [b]. Lt. FERNANDO DE LUCIA rubs, 2. $60.00. 9457. 11” Phonotype C.2532/C.2434. QUANDO TU SARAI VECCHIA / LA SERENATA (both Tosti). Piano acc. Minor scuffs and rubs, gen. 3-4, but no greying. $50.00. 81 VOCAL 78 rpm Discs 9458. 11” Phonotype C.2535/C.2536. APRILE / SEGRETO (both Tosti). Piano acc. Suggested speed (by me) 78.9 rpm. Lovely performances. Excellent copy, gen. 2. $60.00. 9456. 11” Phonotype C.2512/C.2572. MATTINATA (Tosti) / SALOMÉ (Rudolph Stolz]. Side two, a 1920 popular tune, a particularly odd title for the bel canto master to have recorded. Piano acc. side one. Orch. acc. side two. Slightest (harmless) warp. Superficial rubs, 4-5, but no greying. Plays well. $50.00. 1904. 10” Red Vr 91079 [10513b]. ELISIR D’AMORE: Obbligato (Donizetti). With ERNESTO BADINI [b]. Just about 1-2. $8.00. 1951. 10” Red Dog Gram. Concert 52435 [2862b]. WERTHER: Ah! non mi ridestar (Massenet). Piano acc. Carlo Sabajno. Cons. 2. $30.00. 2601. 10” Red Pre-Dog Angel Gram. 2-52660 [11165b]. ROMÉO ET JULIETTE: Deh! sorgi o luce in ciel (Gounod). Probably his rarest 10”Gramophone issue. Piano acc. Just about 1-2. $400.00. 2075. 10” Red Hist. No. 2 HMV DA 124 [8054b/11166b[. MIGNON: Ah! non credevi tu (Thomas) / DON GIOVANNI: Il mio tesoro (Mozart). Piano acc. Carlo Sabaino. Just about 1-2. $10.00. 2028. 10” PW Silver Vr IRCC 5001 [13331b/13334b]. SULLA BOCCA AMOROSA (Barthé- lemy) / SERENAMENTE (Canzonette Napoletane). From orig. 1908 Milano matrices. Just about 1-2. $20.00. 2027. 10” PW Silver Vr IRCC 5003 [2861-R/13332b]. IDEALE (Tosti) / ERA DI MAGGIO (Costa). From orig. 1902/1908 G&T matrices. Just about 1-2. $25.00. 2679. 12” Red Pre-Dog Angel Gram. 052239 [1445c]. LUISA MILLER: Quando le sere al placido (Verdi). Piano acc. Lovely copy of this exceptional rarity, never repressed in any form. Cons. 2. $600.00 2821. 12” Unnumbered PW White lbl. Vr IRCC issue 052111/054110 [549c/551i]. MIGNON: Addio Mignon (Thomas) / [s], [t]. ELISIR D’AMORE: Chiedi all’ aura (Donizetti). From orig. 1906/1907 G&T matrices. Beautiful pressing. Just about 1-2. $20.00. 3303. 12” White HMV VB 1 [630c/2008½c]. BARBIERE DI SIVIGLIA: Ah! qual copo (Rossini). With GIUSEPPINA HUGUET [s], ANTONIO PINI-CORSI [bs] / MARIA MICHAILOWA [s], FEODOR CHALIAPIN [bs]. FAUST: Church Scene (Gounod). From orig. 1906/1910 Gram. matrices. Just about 1-2. $8.00. 3259. 12” Red ’12 Pats. Vla 92055 [1170c]. LOHENGRIN: Cessaro i canti alfin (Wagner). With GIUSEPPINA HUGUET [s]. Small lbl. stkr. Just about 1-2. $6.00. 3775. 12” Red Vla 88602 [214m]. IL BARBIERE DI SIVIGLIA: Ecco ridente (Rossini). Piano acc. Excellent late ‘30s pressing, VrBk. Just about 1-2. $8.00. 3126. 12” Red Vla 89140 [1172c]. CARMEN: Mia madre vedo ancor (Bizet). With GIUSEPPINA HUGUET [s]. VrBk. Just about 1-2. $8.00. 3615. 12” Red Vla 8058. PEARL FISHERS: No hai compreso un cor fedel (Bizet). With GIUSEPPINA HUGUET [s] / MARIA GALVANY [s], REMO ANDREINI [t]. TRAVIATA: Sempre libera (Verdi). Scarce doubling, particularly in mint condition. Just about 1-2. $20.00. 4008. 12” PW Silver Vr IRCC 24. TRAVIATA: Dei miei bollenti spiriti (Verdi) / CHARLES DALMORÈS [t]. CARMEN: La fleur (Bizet) (Verdi). From orig. 1912 Victor / 1906 G&T matrices. Label signed by Dalmorès. Just about 1-2. $20.00. 3549. 12” PW Silver Vr IRCC 64 [621c/1443c]. PEARL FISHERS: Non hai compreso (Bizet). With GIUSEPPINA HUGUET [s] / LA SONNAMBULA: Prendi, l’anel ti dono (Bellini). With MARIA GALVANY [s]. Just about 1-2. $20.00. 3659. 12” PW Silver Vr IRCC 104. LOHENRIN: Mio Salvatore! With GIUSEPPINA HUGUET [s] / LA SONNAMBULA: Son geloso (Bellini). With MARIA GALVANY [s]. Couple minor rubs side two, otherwise just about 1-2. $15.00. 2918. 12” Green Phonotype N.1756/N.2336. LA GIOCONDA: Cielo e mar / BENVENUTO FRANCI [b]. LA GIOCONDA: O monumento (Ponchielli). Just about 1-2. $75.00. 2923. 12” Phonotype M.1786/M.2115. RUY BLAS: O dolce voluttà (Marchetti). With ANGELA DE ANGELIS [s] / LA SONNAMBULA: Perdona o mia diletta (Bellini). Just about 1-2. $75.00. VOCAL 78 rpm Discs 82 JOSÉ TORRES DE LUNA [bs]. An important Spanish bass, de Luna appears to have made his debut in Madrid in 1900. In Barcelona, he was in the premiere of Juan Manén’s’opera Acté the season of 1903-04 with Maria Giudice and Angelo Angelotti. In addition to success throughout Spain, he appeared in Italy in principal roles at La Scala, the Bologna Teatro Comunale and in 1923 at Rome’s Teatro Costanzi. His issued recordings include four scarce sides for Fonotipia in 1907 and earlier some solo and concerted sides for G&T. 2668. 11” Fonotipia 92056/92057 [XPh2815/XPh2811]. HUGUENOTS: Signor, difesa e scudo (Meyerbeer) / LA JUIVE: Voi che del Dio vivente (Halévy). Small lbl. stkr., cons. 2. $15.00. ZÉLIE DE LUSSAN [ms]. Brooklyn, 1861-London, 1949. Of French ancestry, de Lussan studied with her mother, a sing- er, and made her concert debut at the age of nine. Her official stage debut, however, was in Boston seven years later, singing Arlene in Balfe’s The Bohemian Girl. She appeared in London as Carmen in 1888, a role she sang over a thousand times internationally. In 1897 she was London’s first Musetta in Puccini’s La Boheme. At the Met, beginning in 1894, she was a favorite Carmen as well as Nedda, Zerlina and Nanetta (in the first New York performance of Falstaff). Her career continued until the early ‘teens, from which point she devoted her time teaching until her death. 1795. 10” Red ’12 Pats. Vr 64003 [B-17]. LA PALOMA (Yradier). 1903 recording. Piano acc. Just about 1-2. $15.00. CLÉONTINE DE MEO [s]. Paris, 1904-Paris, 1930. A student at the Paris Conservatoire, de Méo made her debut at the Paris Opéra in 1927 as Sieglinde. Her other roles included Donna Anna, Octavian, Brünnhilde, and Marguerite. What was ZÉLIE DE LUSSAN predicted to become an internationally cele- brated career was ended when the singer shot herself in a fit of melancholy. The disc below is her only issued recording. 3047. 12” PW Red French Columbia D14212 [WLX246-1/WLX247-1]. FREISCHÜTZ: Cavatine d’Agathe (v.Weber) / ALCESTE: Divinités du Styx (Glück). Small lbl. stkr., just about 1-2. $25.00. BERTHE AUGUEZ DE MONTALANT [s]. Baltimore, 1865- ? . There seems to be no information as to when she left Baltimore, but one source indicates that it was after the death of her father. Likely her mother and father were French and the mother returned with young Berthe to her native France (strictly a guess). She studied in Paris with Armand Chevé and then at the Bordeaux Conservatoire where, in 1885, she won first prize for singing. Her subsequent career was primarily in concert. Among the orchestras with which she appeared was the Lamoureux, both in France and during a Russian tour. In 1892 she married baritone Numa Auguez (1847- 1903), who was a member of the Opéra-Comique (1872-1880) and then active in concert and opera in various venues. He was engaged by the Paris Conservatoire as a teacher in 1899. Of his wife, only one performance at the Paris Opéra-Comique has been traced: Marguerite in the Berlioz Damnation de Faust in which she appeared as a substitute for Rose Caron. Most of her career was on the concert stage, where she was active into the 1920s. She is occasionally confused in references with Mathilde Auguez, her husband’s sister who was also a professional singer and who, for a period, shared the same residence as her brother and his wife. [Information from Luc Bourrousse] 2910. 12” Dog Disque Gram. 033104/033103 [0923v/0924v]. : De l’amour l’ardente flame (Berioz). Two sides. Excellent raised rims heavy pressing. One TB, just about 1-2. $15.00. BERNARDO DE MURO [t]. 1462. 10” Red acous. Vla 1129 [BE-978-2/BE-979-2]. ANDREA CHÉNIER: Ora soave / ANDREA CHÉNIER: Vicino a te s’acqueta (Giordano). With AUGUSTA OLTRA- BELLA [s]. Just about 1-2. $10.00.

83 VOCAL 78 rpm Discs 1672. 10” White HMV VA 52 [BE-978-2/BE-979-2]. Same as previous listing. Just about 1-2. $8.00. 3675. 12” HMV Red SR 052429 [744m/CS843-1]. DON CARLOS: Io l’ho perduto (Verdi). Tiny lbl. stkrs. Cons. 2. $10.00. 3636. 12” Red SS Disco Grammofono 2-054135 [CE982-I]. LA GIOCONDA: Già ti vedo (Ponchielli). With ESTER TONINELLO [s], ERNESTO BADINI [b], GIUSEPPE QUINZI-TAPERGI [bs]. Never issued on Victor. 2-3. $10.00. 3693. 12” Red HMV DB 549 [3189c/02361v]. ALLA MADRE (G. A. de Muro) / AFRICAINE: O Paradiso (Meyerbeer). One TB side two. Cons. 2. $15.00. 3531. 12” Red Vla 6379. ISABEAU: La canzone del Falco / ISABEAU: E passerà la viva creatura (Mascagni). Few lightest mks., cons. 2. $8.00. 3631. 12” Red Vla 6510. IL TROVATORE: Deserto sulla terra. With ERNESTO BADINI [b] / IL TROVATORE: E deggio, e posso (Verdi). With MARIA BALDINI [s], ROBERTO JANNI [b], VINCENZO BETTONI [bs]. Cons. 2. $8.00. 2800. 12” Red Vla 6411. IL TROVATORE: Pergliarti ancor languente / IL TROVATORE: Mal reggendo (Verdi). Both with ELVIRA CASAZZA [c]. Just about 1-2. $10.00. 3454. 12” Red Vla 6528. OTELLO: Ora e per sempre addio / OTELLO: Esultate (Verdi). Just about 1-2. $8.00. 3374. 12” Red Vla 6553. IRIS: Or dammi il braccio tuo /IL PICCOLO MARAT: Va nella tua stanzetta (both Mascagni). Side two with IRMA VIGANÒ [s]. Cons. 2. $8.00. 3238. 12” Red late VdP DB 557 [02347v/02348v]. ISABEAU: Tu ch’odi la mio grido / ISABEAU: E passerà la viva creatura (Mascagni). Just about 1-2. $8.00. 2799. 12” Gold PW Vr HRS 1038 [744m/CS843-1]. DON CARLOS: Io l’ho perduto (Verdi) / FERNAND ANSSEAU [t]. SAMSON ET DALILA: Vois ma misère (Saint-Saëns). From orig. 1914/1923 Gramophone matrices. Both sides autographed by the respective singers. Just about 1-2. $25.00. ENZO DE MURO LOMANTO [t] 1670. 10” Red PW Eng. Columbia D12564 [WB1651/WB1652]. IL BARBIERE DI SIVIGLIA: Se il mio nome / IL BARBIERE DI SIVIGLIA: Ecco ridente (Rossini). Few lt. rubs. Cons. 2. $10.00. LEOPOLD DEMUTH [b]. Brno, 1861-Czerno- witz, 1910. Demuth’s training was at the Vienna Con- servatory and his debut was in Halle, 1889, in the title role of Marschner’s Hans Heiling. He sang with the Leip- zig Opera from 1891-1897 and in 1898 began as a mem- ber of the Vienna Opera, where he remained until his death. He sang there nearly seventy roles, including Vienna’s first Scarpia (1910) and first Falstaff (1904). He also made his mark as a concert singer. It was dur- ing a concert that he died onstage, the result of a heart attack. One source mentions that to keep his throat lubricated he was in the habit of drinking at least a pint of heavy cream daily, perhaps helpful for his voice but not likely an aid to the rest of his system. 2160. 10” Blk. Dog Gram. Con. 4-42202/4-42203 [13080u/13837u]. TIEFLAND: Hüll in die Mantille (Eugen d’Albert) / ICH DENKE OFT ANS BLAUE MEER (Felix Wein-gartner). Cons. 2. $15.00. 1631. 10’ Blk. SR HMV E328 [6733b/6833b]. FELDEINSAMKEIT (Brahms) / DIE MAI- LEOPOLD DEMUTH NACHT (both Brahms). Piano acc. Excellent recording and performances. Tiny lbl. stkr. Just about 1-2. $10.00. 2684. 12” Blk. Wien G&T 042037 [48Hp]. TANNHAUSER: Lied an den Abendstern (Wag- ner). Piano acc. Fine copy of this 1903 recording. IMs. Few LGTs, gen. 2-3. $15.00. 2801. 12” Blk. Dog Mon. Gram. 042049/044155 [54½Hp/01216v]. PAGLIACCI: Prolog / PAGLIACCI: Was gibt’s? (Leoncavallo). Side two with GRETE FORST [s]. Side one 1903 recording with piano. Side two recorded 1909. Side one couple LGTs, 2. Side two just about 1-2. $15.00.

84 VOCAL 78 rpm Discs 2956. 12” Blk. Hist. No. 2. HMV D812 [475c/01203v]. BALLO IN MASCHERA: Recit. … Eri tu / RIGOLETTO: Pari siamo (both Verdi). In German. Very effective performances. Just about 1-2. $15.00. GIOVANNI BATTISTA DE NEGRI [t]. Nizza Monferrato, 1851-Turin, 1923. A pupil of Carlo Guasco and Luigia Abbadia, de Negri made his debut in Bergamo, 1878, in the title role of Donizetti's . Performances in Hungary, Austria, Prague, Madrid, Venice and Turin followed. His La Scala debut was as Gabriele Adorno in Verdi's Simon Boccanegra, 1890, and he was thereafter considered second only to Tamagno. Among roles he created there was Mascagni’s Guglielmo Ratcliff in 1895. Other parts with which he had great success included Samson (also at La Scala), Otello (Teatro Costanzi), and Siegmund in Die Walkure. His last performance was apparently in 1898, his early retirement a result of an operation for nodes on the vocal cords two years earlier that was less than successful. He taught in Turin until his death, in 1903 coming out of retirement to make four Blue Zonophone records, all of extreme rarity and importance. 2616. 10” Blue Disco Zonofono X-1563. ASRA (Rubinstein). Excellent copy of this great rarity. 2. $1500.00. [b] 1606. 10” Red Pathé PD 115 [CPT-7305-1/CPT7306-1]. OCTOBRE (Vandendaele) / MIARKA: L’eau qui court (Georges). Piano acc. Andrée Joseph. Just about 1-2. $8.00. LOLA ARTÔT DE PADILLA [s] 2947. 12” Blk. Dog Mon. Gram. 044189/044190 [25½al/26al]. DIE KÖNIGSKINDER: Bin ein lustiger Jägersmann (Humperdinck). With KARL JÖRN [t]. Two sides. Nice copy. Few lt. rubs, 2. $25.00. EDOUARD DE RESZKE [bs] 1927. 10” PW Blue Shellac Silver Columbia IRCC 28. MARTHA: Canzone del Porter (Flotow) / ERNANI: Infelice (Verdi). RR from 1903 Columbias. Tiny lbl. stkr. Just about 1-2. $15.00. JEAN DE RESZKE [t] 2380. 10” PW Gold IRCC 110. AFRICAINE: O Paradis [conclusion and applause] (Meyerbeer) / SIEG- FRIED: Forge Scene fragment (Wagner). From Mapleson cylinders recorded during Met per- formances March 15th and March 19th, 1901. The clearest extant examples of De Reszke’s voice. 88.5 rpm. Just about 1-2. $25.00. 3408. 12” PW Gold IRCC 183. AFRICAINE: O Paradis [opening and closing]; AFRICAINE: Three short excerpts from Act IV duet with LUCIENNE BRÉVAL [s] (Meyerbeer) / LOHENGRIN: Mein Herr und König (Wagner). Side one from March 15, 1901 Met performance. Side two from March 29 the same his (de Reszke’s final Met per- formance). 74.8 rpm. Includes original text brochure. Just about 1-2. $25.00.

ANDREA PERELLÓ DE SEGUROLA [bs]. Valencia, 1874-Barcelona, 1953. His debut was in Barcelona, 1898. Shortly after he was heard in France, Buenos Aires and then at Milan’s La Scala. His Metropolitan Opera appearances were during the seasons of 1901-02 and again 1909-20. In 1910 he created there the role of Jake Wallace in the world premiere of Puccini’s Fanciulla del West. DeSegurola’s reper-toire featured parts such as Mefistopheles in Gounod’s Faust as well as occasional baritone roles, Sharpless in Madama Butterfly being one of these. One article mentioned that he sang the role of Don Giovanni at the inauguration of the Mozarteum in 1914, sharing the stage with Lilli Lehmann, Farrar, Gadski and McCormack. In the 1930s he appeared in films, including ANDREA PERELLÓ DE Grace Moore’s One Night of Love.and taught voice in Holly- SEGUROLA wood. 1708. 10” Pink Gram. Con. 54360 [10906b]. PURITANI: Suoni la tromba intrepida (Bellini). With TITTA RUFFO [b]. Cons. 2. 12.00. 85 VOCAL 78 rpm Discs EMMY DESTINN (EMA DESTINNOVÁ) [s] 9337. 11” Purple Okeh 70403 [XB5290]. SAMSON ET DALILA: Sieh, mein Herz (Saint-Saëns). Just about 1-2. $12.00. 1323. 10” Red Vr 87197. THE WEDDING (Bohemian Folk Song). With [b]. Just about 1-2. $12.00. 1408. 10” Red Vr 87215. THE NAZA- RENE: Slovácká pisen (Destinn- Kovarovich). Just about 1-2. $15.00. 1306. 10” Red Vr 87246. WIEGENLIED (Mozart). Just about 1-2. $12.00. 1464. 10” Red Vla 87306. LAST TEARS [POSLEDNI SLZY] (Destinn). Only form of issue. Just about 1-2. $12.00. 1973. 10” Red Vla 908. , ALO DIEV, ALO TRÁVU, Op. 73, No. 2 (Dvoák) / ŠILA KOŠILIKU (Jindrich). Uncommon double. Just about 1-2. $15.00. 1787. 10” Silver PW Vr IRCC 5012. WIE- GENLIED, Op. 98, No. 2 (Schu- bert) / WIEGENLIED (Mozart). From orig. 1915/1916 Victor matrices. Just about 1-2. $15.00. 2797. 12” Brown Odeon 76012/80162 EMMY DESTINN [XXB3594/XXB5299]. DER FREISCHÜTZ: Und ob die Wolke (v.Weber) / LA JUIVE: Er kehrt zurück (Halévy). Two different style labels. Just about 1-2. $20.00. 2750. 12” Brown Odeon 76013/76015 [XXB3614/XXB3595]. AFRICAINE: Schlummer- lied der Selika (Meyerbeer) / MARRIAGE OF FIGARO: Nur zu flüchtig (Mozart). Just about 1-2. $20.00. 4022. 12” PW Maroon Parlophone-Odeon PXO 84 [XXB5293/XXB5300). FLYING DUTCH- MAN: Senta’s Ballade / TRISTAN UND ISOLDE: Liebestod (both Wagner). Just about 1-2. $12.00. 2994. 12” Blk. Dog Mon. 043098/043099 [0807v/0819v]. AVE MARIA (Bach-Gounod) / HALLELUJA (Hummel). Just about 1-2. $20.00. 2942. 12” Red Electrola DB 877 [204z/208z]. TANNHÄUSER: Der Unglücksel’ge / TRISTAN UND ISOLDE: Liebestod (both Wagner). Excellent pressing. Just about 1-2. $20.00. 3179. 12” Red Vr 88467. MIGNON: Kennst du das Land? (Thomas). Bright copy, couple lt. rubs, cons. 2. $6.00. 3404. 12” Red “A” plate Vr 88565. DIE BEKEHRTE, Op. 13, No. 1 (Max Stange). In English. Just about 1-2. $15.00. 2837. 12” Red Vr 88568. O QUAND JE DORS! (Liszt). In French. Just about 1-2. $15.00. 2978. 12” PW Silver Vla IRCC 26 [5145f/C-11447]. AIDA: Ebben, qual nuovo fremito (Verdi). With LOUISE KIRKBY LUNN [c] / LUISA TETRAZZINI [s], JOSEPHINE JACOBY [c], ENRICO CARUSO [t], PASQUALE AMATO [b] RIGOLETTO: Quartet (Verdi Side two first U.S. edition. Just about 1-2. $30.00. 3393. 12” PW Silver Vr IRCC 184 [272ac/273ac]. TANNHÄUSER: Dich, theure Halle (Wagner) / : Wär’ es wahr? (Smetana). Thrilling dramatic singing. Just about 1-2. $15.00. 2893. 12” Mauve HMV AGSB 12 [273ac/C-7075]. DALIBOR: Wär’ es wahr? (Smetana) / JOHANNA GADSKI [s], ALBERT REISS [t]. BARTERED BRIDE: Ich weiss Euch einen lieben Schatz (Smetana). From orig. Berlin 1909/Victor 1909 matrices. Side two (piano acc.) unpublished (except for very limited IRCC issue). Just about 1-2. $12.00. 86 VOCAL 78 rpm Discs 3407. 12” White HMV VB 25 (044056/044057) [543i/542i]. LOHENGRIN: Wenn Ich im Kampfe für dich siege / LOHENGRIN: Das süsse Lied verhallt (Wagner). Both with ERNST KRAUS [t]. Just about 1-2. $8.00. GENNARO DE TURA [t] 1623. 10” Red Pats. “A” plate Vla 87067. MEFISTOFELE: Folleto, folletto (Boïto). With GAUDIO MANSUETO [bs]. Just about 1-2. $10.00. 1939. 10” Red Dog Gram. Con. 2-52594 [10607b]. CAVALLERIA RUSTICANA: Brindisi (Mascagni). Minor lbl. fade, one tiny PB, cons. 2. $8.00. 1648. 10” Red HMV 7-54013 [4161ah]. OTELLO: Si, pel ciel (Verdi). MATTEO DRAGONI [b]. Only form of issue. Small lbl. stkrs. Gen. 2-3. $15.00. 3326. 12” Red SR HMV 2-054111 [883aj]. AIDA: Si, fuggiam de queste mura [conclusion of act III] (Verdi). With VALENTINA BARTOLOMASI [s], MATTEO DRAGONI [b]. Only form of issue. Tiny lbl. stkrs. One small, harmless, PB. Cons. 2. $20.00. DEVA-DASSY [ms]. France, 1911- . Born Marie-Anne Lambert, her stage name came from Edouard Churey and means “The Servant of God” or “The Sacred Dancer”. Her Opéra-Comique debut was in 1932 as Suzuki, although she was perhaps more noted for her work in operetta. She also appeared in one film, 1946, “Monsieur Bibi”. In 2012 she resided in Mourries (near Arles), France, and perhaps still does. 2434. 10” Red PW Disque Gram. DA 4864 [OPG-1639-1/OPG-1640-1]. WER-THER: Air des letters (Massenet). Two sides. Orch. dir. Edouard Bervily. Just about 1-2. $15.00. DAVID DEVRIES [t] 1095. 10” Mauve HMV AGSA 17 [B-8745/ 7293e]. CARMEN: Notre métier. With MARIA DUCHÊNE [c], SU- SANNE DUMESNIL [s], GABRI- ELLE LEJEUNE (Mme. Gilibert) [ms], LEROUX [t], CHARLES GILI- BERT [b] / MARIA GAY [c]. CAR- MEN: Seguidilla (Bizet). In Italian. DEVA-DASSY There is a question about Mr. Leroux’s first name. On the label it is presented by the letter F. Cone’s Manhattan Opera Company gives it as Pierre while the internet Encyclopedic Discography of Victor Records (University of Santa Barbara) lists him as Gaston. Side one first and only edition. Just about 1-2. $10.00.

RAFAELO DIAZ [t]. San Antonio, TX, 1884-New York City, NY, 1943. Diaz studied as a pianist in Texas and then at the Berlin Stern Conservatory, where his voice was discovered. He then went to Italy where he trained with Sabatini. His American debut was with the Boston Opera in 1911 in a small role in Massenet’s Thais. His Metropolitan Opera debut seven years later was as Nicias, the principal tenor role in the same opera, co-starring with Geraldine Farar. On the roster of the Metropolitan Opera through 1934, Diaz sang roles such as Berendey in Snegurochka, Tybalt in Romeo et Juliette, Tonio in La Fille du Régiment, the Astrologer in Le Coq d’Or and Léopold in La Juive, in all a total of 186 per- formances of 23 roles. He was a popular concert singer and also frequently appeared in society musicales. Diaz signed a “several years” contract with Columbia in 1925 and was the first operatic tenor to make electrical recordings for them. Unfortunately, only four issued sides resulted. RAFAELO DIAZ 1238. 10” Blk. EE Columbia 117-M [W141290-

87 3/W141291-1]. BECAUSE (d’Hardelot) / HOWDY DO, MIS’ SPRINGTIME (Guion). Just about 1-2. $15.00. VOCAL 78 rpm Discs

ELEONORA DI CISNEROS [ms]. New York City, 1878-1934. Born as Eleonor Broadfoot, she studied singing in New York under Mme. Murio-Celli. While still a student, she was recommended to the Metropolitan Opera by Jean de Reszke, and she made her debut there in 1899. In 1901 she wed Count Francesco de Cisneros, a Cuban nobleman and singer and moved to Europe, where she trained in Paris with Jean de Reszke and and in Milano with Trabadello and Lombardi. Her European debut was at the Turin Teatro Regio, and she appeared in a number of Italian houses including La Scala. Notable performances there included the Italian premieres of Elektra and Pique Dame, a major revival of Verdi’s Don Carlos, as well as the world premiere of Franchetti’s La Figlia di Jorio. From 1906-10 she was a leading mezzo with the Hammerstein’s Manhattan Opera and for several seasons from 1910 with the Chicago Opera. She also traveled extensively overseas, singing principal roles in many locations, including London (Covent Garden), St. Petersburg and Barcelona. She was active in the U.S. in concert and opera well into the 1920s and taught in New York City until her death. 3113. 12” Yellow Columbia S5093 [37077-2/ 37078]. DON CARLOS: O don fatale (Verdi) / HUGUENOTS: Lieti Signori (Meyerbeer). Excellent surface material. Just about 1-2. $20.00. DONALD DICKSON [b]. Pittsburgh (Clair- ton), PA, 1910-Brooklyn, NY, 1972. A graduate of the of Music, Dickson was a winner of the Metropolitan Opera Auditions of the Air. He made his debut at the Met as Valentin in Faust in 1937. His other roles there were Silvio in Pagliacci and four parts in Damrosch’s Man With- out a Country. Dickson’s popular and financial success on the radio led to his departure from operatic work. Concert tours throughout the U.S. followed, although he was heard in New York only in three Town Hall recitals: 1941, 1948 and 1954. He supposedly made unsuccessful attempts at tenor operatic roles in his later years. 1657. 10” Red PW (gold print) Vr 4548. FLOODS OF SPRING, Op. 14, No. 11 / SORROW IN SPRING, Op. 21, No. 12 (both Rachmaninoff). Just about 1-2. $8.00. 3576. 12” Red PW (silver print) Vr 18357. BAL- DONALD DICKSON LADE OF THE DUEL [setting from Ro- stand’s play, Cyrano de Bergerac] (Martin Skiles) / DON CARLOS: Per me giunto … O Carlo, ascolta (Verdi). Side one a marvelously dramatic piece. Just about 1-2. $10.00. ADAMO DIDUR [bs] 9317. 11” Fonotipia 92002/92003 [XPh2670/ XPh2671]. ROBERTO IL DIAVOLO: Suore che riposate / HUGUENOTS: Signor, difesa e scudo (Both Meyerbeer). Cons. 2. $15.00. 9338. 11” Fonotipia 92024/92025 [XPh2677/ XPh2685]. FREISCHÜTZ: Viva Bacco e il suo liquor / FREISCHÜTZ: No, nessun salvar ti puó (v.Weber). As new. Just about 1-2. $15.00. 9469. 11” Fonotipia 92224/92976 [XPh3182/ XPh4899]. LA JUIVE: Voi che del Dio vi- vente (Halévy) / BETTINO CAPPELLI [t]. LOHENGRIN: Mercè cigno gentil (Wagner). Side one cons. 2. Side two just about 1-2. $15.00. 9339. 11” U.S. Fonotipia 92227 [XPh3181]. FAUST: Dio dell’ or (Gounod). Just about 1-2. $12.00. 88 ADAMO DIDUR VOCAL 78 rpm Discs 2794. 12” Cream Odeon O-9028 [XXPh3175/2-280]. BARBIERE DI SIVIGLIA: La calunnia (Rossini) / FRANCISCO D’ANDRADE [b]. DON GIOVANNI: Champagnerlied (Mozart). Side two with studio audience applauding and repeats. Excellent pressing from orig. matrices (1907 Fonotipia/1907 Parlophon), part of Odeon’s short lived historic series. Just about 1-2. $60.00. JOLANDA DI MARIA-PETRIS [s]. Polo, Italy, 1910-1987. She studied at the Bologna Academy of Music and made her debut the season of 1935-36 in Rome as Margherita in Boïto’s Mefistofele. Her career was primarily in the Italian provincial houses where she was well received. After a performance of Ravel’s Scheherazade in Rome, 1939, she subsequently performed frequently in concert. At some point she made Finland her home and for a number of years taught at the Sibelius Academy. Her few HMV records demonstrate a particularly attractive voice and excellent musicianship. 3777. 12” Red HMV DB 6697 [2SB2804-1/2SB2805-2]. I PASTORI (Pizzetti) / QUELLA FIAMMA (Marcello). Piano acc. Tore Wilburg. Just about 1-2. $8.00. ELDA DI VEROLI [s]. Rome, 1892-Rome, 1981. A student of Ersilia Ceresoli, Di Veroli made her debut in Civitavecchia, 1919, as Gilda. The same year she sang Norina in Don Pasquale at the Rome Teatro Costanzi. She was frequently heard there as well as the Costanzi in Rome and the San Carlo in Naples. Aside from a number of other theaters in Italy, she appeared in Holland, England, Spain, Portugal and Poland. Being Jewish, she was forced to retire in 1937 and during 1943-44, to protect her life, she had to remain in hiding. Following the War she was heard again in a concert broadcast over the Italian Radio. – Internet sources. 1759. 10” Plum elec. Eng. Columbia D5752 [WB1653/WB1654]. BARBIERE DI SIVIGLIA: Una voce poco fa / BARBI- ERE DI SIVIGLIA: Io sono dolce (Rossini). Just about 1-2. $12.00 NINA DMITRIEFF [s]. Although more spe- cific details haven’t turned up, Dimitrieff was Russian, had experience singing in Russia, Siberia and Italy and made her American debut in 1910. Her success was such, so states a news- paper article, that she turned down the oppor- tunity to sing in opera in St. Petersburg to re- main for further seasons in the U.S. Here she was a popular guest soloist with choral groups, orchestras and in oratorio. Reviewers described ELDA DI VEROLI her “vocal splendor” and a voice that was “brilliant and clear”, as well as her “consummate artistry”. In sharing a program with John McCormack in 1911, she was described as “a singer far above the average of those now on the concert stage”. She was also a popular solo recitalist, her programs ranging from all Russian through a mixture of Italian, German, French and English. She and her husband, James Massell, gave a summer music course at Saltaire, Fire Island, NY, in 1926. Perhaps she retired from stage work in that period as future press references refer to her as Nina Massell and she was then an accompanist, in 1926 at Aeolian Hall, accompanying Flora Negri and in 1933 at Steinway Hall assisting bass Robert Duke. 1496. 10” Blk. Vr 67816. HOPAK (Moussorgsky) / IN THE SILENT NIGHT, Op. 4, No. 3 (Rachmaninoff). Side one 2, side two 2-3. $12.00.

ALESSANDRO DOLCI [t] Bergamo, 1890-1954. After studies in Bergamo and Milano, Dolci made his debut in 1912 and sang throughout Italy. His La Scala career began in 1916 with Rhadames in Aida and he was subsequently heard internationally, including seasons with the Chicago Opera and at Covent Garden. He partnered Rosa Ponselle in her Maggio Musicale Fiorentino debut, 1933, in Spontini’s . Dolci’s repertoire was large and varied, including principal tenor roles in Ariadne auf Naxos, Khovantchina, Elektra, Bloch’s Macbeth, Malipiero’s Giulio Cesare and Pizzetti’s Debora e Jaele, as well as parts such as Siegmund, Andrea Chenier and Loge. His only records are a group of exceptionally rare Fonotipias from Mascagni’s Parisina, made in 1914 at the outset of his career.- Sergio Alfonsi research.

89 VOCAL 78 rpm Discs

ALESSANDRO DOLCI [left], ROSA RAISA and GIACOMO RIMINI rehearsing La Nave in Chicago under the direction of the composer, ITALO MONTEMEZZI (1919) 9349. 11” Fonotipia 69137/69138 [XPh5045-2/XPh5044-2]. PARISINA: Vittoria! / PARI- SINA: Ora voi composto m’avereste nella bara (Mascagni). 2. $175.00. 9445. 11” Fonotipia 69141/69142 [XPh5047-2/XPh5048]. PARISINA: La grida e il clamore / PARISINA: Stanno in mucchio tra i lauri (Mascagni). Both with FRANCISCA SOLARI [s]. Lbl. stkr. Some light, harmless indentations. Gen. 2-3. $125.00. ZARA DOLUKHANOVA [ms] 2238. 10” Orange CCCP 26136/26137. SPANISH ROMANCE / WINTER EVENING (both ). Piano acc. B. Kozel. Just about 1-2. $8.00. DORA DOMAR [s] 2485. 10” Red Dog Gram. Con. 53587 [13036b]. FAUST: Ei m’ama (Gounod). Scarce. 2-3. $15.00. WILLY DOMGRAF-FAßBAENDER [b] 1570. 10” PW Plum HMV DG 6135 [ORA2323-I/ORA2324-II]. BOPPARD AM RHEIN (Kochmann) / EIN ZUNFTIG TRINKLIED (Lobertz). Orch. dir. Bruno Seidler- Winkler. Cons. 2. $7.00. LUDWIG DORNAY [t] 2997. 12” Blk. Polydor 65269 (044281/044282) [899m/898m]. IL TROVATORE: Wilde Eifersucht im Herzen! / IL TROVATORE: O Gott, du schweiget (Verdi). Both sides with BARBARA KEMP [s]. Side one also with HOLGER BÖRGESEN [b]. Side two also with EMMA VILMAR [c]. Just about 1-2. $20.00. ELLEN DOSIA [s] 3722. 12” late VdeSM DB 11225 [2LA5308-1/2LA5309-1]. THAÏS: L’amour est une vertu rare / THAÏS: Ah! je suis seule (Massenet). Just about 1-2. $10.00. CARLO DRAGO-HRIC [b]. Zagreb, 1896-1976. A noted Croatian baritone, Drago-Hrzic studied with Vuskovi in Zagreb and Franz Steiner in Vienna. His debut was in 1919 at the Zagreb National Theater, where he remained a leading baritone until 1945. He also appeared as a guest in several European companies including the Vienna Staatsoper and in Berlin, where his 1928 recordings were made. 90 VOCAL 78 rpm Discs 3288. 12” Blue elec. PW Grammophon 95105 [604½bm/605bm]. ANDREA CHÉNIER: Monologo di Gerard (Giordano) / DIE TOTE STADT: Mein Schnen, mein Wähnen (Korngold). Cons. 2. $15.00. MATTEO DRAGONI [b]. Split, Croatia, 1884 or 1890 - San Francisco, ? . Dragoni studied in Golognia and made his debut in Rovere, 1911, as Silvio in Pagliacci. He sang leading roles in a number of Italian houses. The Gramophone Company in Italy recorded him for several years beginning in 1918 as a Red Seal artist, although he never appeared at the most important theaters, such as La Scala and the Rome Opera. His voice, however, indicates a major talent. He left Italy in 1925, emigrating to San Francisco. There, too, he never appeared with major companies but sang leading parts with various smaller troupes. In 1943 he was Rigoletto with the Pacific Opera in San Francisco, the press announcements noting that he was “known here for several years as a superb singer and actor”. Perhaps some of our West Coast friends can supply further Dragoni details? 1648. 10” Red HMV 7-54013 [4161ah]. OTELLO: Si, pel ciel (Verdi). With GENNARO DE TURA [t]. Only form of issue. Small lbl. stkrs. Gen. 2-3. $15.00. 2809. 12” Red HMV 2-054082 [3284c]. LA TRAVIATA: Dite alla giovine (Verdi). With GRAZIELLA PARETO [s]. Never doubled. Only form of issue. Cons. 2. $20.00. 3326. 12” Red SR HMV 2-054111 [883aj]. AIDA: Si, fuggiam de queste mura [conclusion of act III] (Verdi). With VALENTINA BARTOLOMASI [s], GENNARO DE TURA [t]. Only form of issue. Tiny lbl. stkrs. One small, harmless, PB. Cons. 2. $20.00. 3327. 12” Red HMV 2-54112 [909aj]. AIDA: Rivedrai la foreste inbalsamante (Verdi). With VALENTINA BARTOLOMASI [s]. Only form of issue. Cons. 2. $20.00.

Madame DRISTORA [s]. A complete mystery, it has been suggested for years that “Dristora” is a “nom-du-disque” for someone who chose not to have her name associated with the then-infant record industry (1903). She made six recordings but this is the only one issued. I suspect she isn’t Italian. 2645. 10” Blk. Milano G&T 53303 [3108-R]. AIDA: O cieli azzurri (Verdi). Piano acc. Plays about 63.0 rpm. Looks quite clean, although there is graying. 4. $20.00. HANS DUHAN [b] 2849. 12” Maroon acous. U.S. Odeon 1003. TANNHÄUSER: Wolframs Ansprache / TANN- HÄUSER: Lied an den Abendstern (Wagner). Cons. 2. $15.00. LOUIS DUPOUY [b] 1626. 10” Green acous. Disque Gram. 232507/232513 [17001u/16901u]. LES ECHOS (Méhul) / L’HOTESSE DU TEMPS JADIS (Campra). Both described as “Chants scolares”. Side one lt. NR on lbl. and a few lt. rubs, 2. Side two cons. 2. $10.00. PIERRE DUPRÉ [bs] 3506. 12” Blk. acous. Disque Gram. W637 [CP275-II/CP279-I]. DON GIOVANNI: Mada- mina (Mozart). In French. Two sides. Small lbl. stkr., few lightest mks., cons. 2. $12.00. PAUL DUTREUX [t] 2231. 10” Blk. Bruxelles G&T 2-32933 [2403 C.S.]. ODE AU CHAMEAU [AVEC GRELOTS & SIFFLET]. Looks new. Just about 1-2. $35.00. CLAIRE DUX [s] 2459. 10” Red acous. Polydor 70689 [19113u/19114u]. MARIÄ WIEGENLIED (Reger) / MONDNACHT (Schumann). Piano acc. Perfect repertoire for her voice. Just about 1-2. $20.00. 2189. 10” Red acous. Polydor 70691 [1120ar/19024L]. IL TROVATORE: Vivrà contende il giubilo (Verdi). Side two with JOSEPH SCHWARZ [b]. Just about 1-2. $20.00. 2056. 10” Red acous. Schall. Grammophon 70691 [1120ar/19024L]. BOHÈME: Quando m’en vo (Puccini) / TROVATORE: Vivrà contende il giubilo (Verdi). Both in German. Side two with JOSEPH SCHWARZ [b]. Small lbl. stkr. Minor rubs, cons. 2-3. $15.00. 2046. 10” Purple elec. Brunswick 10248. MORGEN (Strauss) / MONDNACHT (Schu- mann). Side one violin obb. by Max Rosen. Just about 1-2. $8.00. 2182. 10” Purple elec. Brunswick 10251. STÄNDCHEN (Strauss) / MARIÄ WIEGENLIED (Reger). Piano acc. Fredric Persson. Just about 1-2. $8.00.

91 VOCAL 78 rpm Discs 2888. 12” Green acous. Polydor 78548 [1187m/1052½as]. RIGOLETTO: Sprich nie mit einem Armen. With JO- SEPH SCHWARZ [b] / TINO PATTIE- RA [t], MICHAEL BOHNEN [b]. FORZA DEL DESTINO: In dieser feierlichen Stunde. Just about 1-2. $20.00. EMMA EAMES [s]. Shanghai, 1865-New York, 1952. After preliminary studies in Boston and work with Mathilde Marchesi, Eames made her debut at the Paris Opéra in 1890 as Juliette in Gounod’s Romeo et Juliette, co-starring tenor Jean de Reszke. The composer prepared her for both this work and his Faust as well. The next year she created there the leading soprano role in Saint- Saëns’ Ascanio. She also was a particular favorite at Covent Garden and the Met, where she remained until retiring in 1909. Among her major roles at the Met were Aida and Tosca, her last new part having been the title role in Mascagni’s Iris. It has been reported by many that hers was not among the most pleasant of personalities. Pianist André Benoist, who had accompanied her in several concerts, referred to her in his auto- biography as “haughty, cold and unapproachable”. He mentioned that she had no musical skills and “when she made a mistake of any kind, she was totally unaware of it until I called her attention to it. Musically, she knew nothing.” CLAIRE DUX Eames made her first Victor Records in 1905 and engineer H. O. Sooy described the day when she heard the tests: Mme. Eames, at that time, carried with her what we called a “Yes, Ma’m” woman. Upon repro- ducing the first record, which we considered the best of her voice, she raved and remarked, “That’s the most hideous thing I ever heard; it doesn’t sound a bit like me, does it?” And, of course, the “Yes, Ma’m” woman replied, “No, it does not.” While [I was] taking this “rotten” record off the Victrola and putting another selection on, she was still raving, so much so [that] I thought it was about time for me to make my exit; however, when we started to reproduce the second selection, she had come somewhat to her reason, and thought it sounded better, more human, and more an interpretation of her voice. “Don’t you think so?” (she addressed) to the “Yes, Ma’m” woman, and the reply, of course, was “Yes, it is much better …”. Mr. Sooy concluded his Eames remarks: Mme. Eames’ last recording date was April 14, 1911, and the recording staff has not had one minute’s unrest because she [no longer makes] records [for us]. 2387. 10” Gold PW IRCC 179. TOSCA: Ah! monstro, lo strazi [Torture Scene, Act II] / TOSCA: Vittoria! (Puccini). With EMILIO DE MARCHI [t], ANTONIO SCOTTI [b]. Taken from 1903 Met performance Mapleson cylinders. 74.8 rpm. The first and probably the clearest transfers. De Marchi was the creator of Cavaradossi. He never recorded commercially. Just about 1-2. $15.00. 2991. 12” Red Vr 88005. STILL WIE DIE NACHT (Böhm). With orch. NR on lbl. Surface just about 1-2. $8.00. 2971. 12’ Red ’08 Pats Vla 88012 [C-2421]. STAR SPANGLED BANNER (Key); DIXIE (Emmett). Piano acc. Cons. 2. $20.00. 3284. 12” Red GP ’06 Vr 88045. FAUST: Le Roi de Thulé (Gounod). One ½” rub mark. Few lt. rubs, cons. 2-3. $7.00. 3518. 12” Red ’12 Pats. Vla 89003 [C-3171-3]. MAGIC FLUTE: La dove prende (Mozart). With EMILIO DE GOGORZA [b]. Few lightest mks., cons. 2. $7.00. 2824. 12” Red ’08 Pats. Vla 89022. IL TROVATORE: Mira d’acerbe lagrime (Verdi). With EMILIO DE GOGORZA [b]. Just about 1-2. $15.00. 3982. 12” Red Vr 89063. VERONIQUE: The Swing Song (Messager). With EMILIO DE GOGORZA [b]. Nice copy, few lightest mks. Cons. 2. $15.00. 3657. 12” PW Silver Vr IRCC 43. ROMÉO ET JULIETTE: Valse (Gounod) / DOPO (Tosti). From orig. 1906/1911 Victor matrices. Just about 1-2. $20.00.

92 VOCAL 78 rpm Discs 2820. 12” PW Silver Vla IRCC 44. LOHENGRIN: Du Ärmste (Wagner) / LAKMÉ: Dôme épais le jasmin (Delibes). Both with LOUISE HOMER [c]. From orig. 1908 Victor matrices. Pressing No. 1. Just about 1-2. $20.00. 3658. 12” PW Silver Vr IRCC 44. Same as preceding listing (item #2820) but later pressing (No. 54). Just about 1-2. $20.00. FLORENCE EASTON [s]. Eng- land, 1882-New York, 1955. Easton’s Met career included a huge variety of repertoire. She created Lau- retta in Puccini’s Gianni Schicchi (1918) and also sang there parts such as Nedda, Brünnhilde, Sieglinde, Cio- Cio-San, Santuzza and Carmen. Else- where Easton appeared as Gilda, Isol- de, and in yet dozens of other varied roles. Her husband was tenor Francis Maclennan. 2458. 10” Vertical Aeolian-Voca- lion 30002 [ ? ]. THREE GREEN BONNETS (d’Har- delot). Rare. One MGT, 2. $25.00. 2483. 10” Vertical Aeolian-Voca- lion 30018 [ ? ]. MADAMA BUTTERFLY: Death Scene (Puccini). Very rare. Absolutely harmless groove side ½” patina, otherwise 2. $75.00. 1494. 10” SS Green Brunswick 10037 [5547]. FAUST: Air des bijoux (Gounod). Just about 1-2. $12.00. 1819. 10” SS Green Brunswick 10044 [5506]. TOSCA: FLORENCE EASTON Vissi d’arte (Puccini). Never doubled. Just about 1-2. $12.00. 1115. 10” Purple acous. Brunswick 10116. SONGS MY MOTHER TAUGHT ME (Dvorák) / CRADLE SONG (Iljinsky). Side one with Fredric Fradkin [vln]. Just about 1-2. $15.00. 2389. 10” Purple acous. Brunsiwck 10116. Same as preceding listing (item #1115). Few lt. superficial rubs, cons. 2. Of course both should play equally well. $12.00. 1469. 10” Purple acous. Brunswick 10120. HEART O’ MINE (Victor Herbert) / OVER THE HILLS (Logan). Just about 1-2. $15.00. 2223. 10” Gold acous. Brunswick 15120 [7432/7466]. SNOW MAIDEN: Song of the Shep- herd Lehl / SADKO: Song of India (both Rimsky-Korsakov). Just about 1-2 $12.00. 1256. 10” Gold acous. Brunswick 15030 [8825/8827]. MIGNON: Connais-tu le pays? (Tho- mas) / FAUST: Le Roi de Thule (Gounod). Just about 1-2. $15.00. 1423. 10” Gold elec. Brunswick 15214. PEER GYNT: Solvejg’s Song (Grieg) / SADKO: Song of India (Rimsky-Korsakov). Uncommon. Just about 1-2. $15.00. 3478. 12” Gold elec. Brunswick 50157. LA TRAVIATA: Parigi, o cara (Verdi) / FAUST: Laisse-moi (Gounod). With MARIO CHAMLEE [t]. Superficial rubs, side one 2-3, side two 3. $8.00. IRENE EDEN [s] 3089. 12” Blk. acous. Polydor 65605 [522as/523as]. MAGIC FLUTE: Zum Leiden bin ich auserkoren / MAGIC FLUTE: Der Hölle Rache (Mozart). Few lightest mks.,. cons. 2. $50.00. FRANZ EGÉNIEFF [b]. Niederwalluf, 1874-Gmund am Tegernsee, 1949. Born Marian Eberhard Franz Emil von Kleydorff, Egénieff’s father was a Prince and the son was officially a 93 VOCAL 78 rpm Discs Baron. He was originally a Prussian hussar but left the military in 1900 to develop his voice. Being able to afford the best teachers, he studied with Lilli Lehmann, Alfredo Cairati and Victor Maurel. For his professional career, he became Franz Egénieff and was first a principal baritone with a touring opera company in America from 1904-06. He subsequently appeared in various theaters throughout Germany and neighboring countries, both in opera and concert, and occasionally in the U.S., as in 1917 with the touring Interstate Opera Company in Tristan und Isolde (with Rachael Frease-Green, Eleonora de Cisneros, Karl Jörn and Henri Scott). In 1920 he began a film career in Germany, appearing successfully from 1920 through 1927 in a number of German dramatic and comedic silent films. His operatic work continued as well, with performances at Bay- reuth in 1927 (as Klingsor in Parsifal) and 1929-31 with the traveling German Opera Company in the U.S. He then retired to his villa in Gmund am Tegernsee. 3476. 12” Blk. acous. Schall. Grammophon 65623 [653as/654as]. LAKMÉ: Lakmé, es schweift dein Blick (Delibes) / PARSIFAL: Amfortas Gebet (Wagner). Lbl. stkrs., otherwise just about 1-2. $20.00.

RIZA EIBENSCHÜTZ-MALATA [s]. Budapest, 1870-Perchtoldsdorf (near Vien- na), 1947. She studied at the Budapest Academy of Music, also with Marianne Brandt in Vienna. While a dramatic soprano, she also occasionally took mezzo parts. Her debut was in Leipzig as Selika in Meyerbeer’s l’Africaine in 1894. From 1895-97 she appeared in leading roles in Strassburg and from 1897-99 toured the U.S. with the Damrosch Opera Company, primarily singing Wagnerian parts. 1899-1902 she was a leading artist in Leipzig where she appeared in the world premiere of Weingartner’s Orestes. Then becoming a member of the Dresden Opera, Eibenschütz appeared in the world premieres of three Richard Strauss operas: Salome (1905), Elektra (1909) and Der Rosenkavalier (1911). In 1911 she married the conductor Oskar Malata. 2677. 12” Multi-Color acous. Odeon AA.57004 [XXB4961/XXB4962]. OBERON: Ozean, du Ungeheuer (v.Weber). Extremely rare. Two sides. Very lt. rubs, 2. $600.00. [s] 1105. 10” Blk. PW Vr. V-6172 [OD-644-1/ OD-575-2]. DAS GIBT’S NUR EINMAL (Heymann) / PAUL HÖR- BIGER [vocalist] and Marek Weber Orch. HEURIGENLIED (both Heyman, from film Das Kongress tanzt!). Hörberger, from Budapest but raised in Vienna, became a noted film star in Germany and Austria. Excellent pressing. Just about 1-2. $12.00. ELISE ELIZZA [s] RISA EIBENSCHÜTZ-MALATA 9485. 11” Brown Odeon 38024/38079 [XV95/XV50]. TALES OF HOFFMANN: Barcarole (Offenbach). With HERMINE KITTEL [c] / LA JUIVE: Gebets-Szene (Halévy). With LEO SLEZAK [t]. Announced by, respectively, Hermine Kittel/Leo Slezak. Side one few MGTs, cons. 2-3. Side two 2. $20.00. VIOLET ELLIOTT [c] 1453. 10” Blk. London Angel Pre-Dog 3777 [8035e]. SHE IS FAR FROM THE LAND (Lambert). Piano acc. Piano acc. Uncommon. Cons. 2. $15.00.

GERVASE ELWES [t]. Northampton, England,1866-Boston, 1921. Born of well to do parents, Elwes was originally in the diplomatic corps before embarking on a career as a singer. He was, as reviews occasionally cited, something of a cross between a tenor (without the highest notes) and a baritone (without the bottom). Within his range, ideal for most oratorio parts, he 94 VOCAL 78 rpm Discs was a brilliant interpreter and a leading recitalist in the U.K. and the United States. He took a particularlar interest in the art songs of his British contemporaries, and these constituted the majority of his recordings as well as a sizeable percentage of his concert programs. Elwes’ death occurred at the Boston Back Bay Railroad Station when, in the process of tossing back a coat that had been given him by mistake as he originally left the train, he slipped between the departing train and the walkway. The Columbia records below are all superb mid- ‘20s laminated pressings. 2106. 10” Brown HMV B.320 [y13904e]/y15619e]. PHYLLIS HAS SUCH CHARMING GRACES (arr. H. Lane Wilson) / SIGN NO MORE, LADIES (Aikin). Piano acc. 2. $10.00. 2104. 10” Brown HMV B.321 [y13902e/Ab14296b]. ABSENT, YET PRESENT (M. V. White) / TO DAISIES; SONG OF THE BLACKBIRD (both Roger Quilter). Piano acc. 2. $10.00. 3009. 12” Blue Eng. Columbia L1119 [75239/75330]. O MISTRESS MINE!; FAIR HOUSE OF JOY (both Quilter) / SONGS MY MOTHER TAUGHT ME (Dvoák). Piano acc. F. B. Kiddle Just about 1-2. $20.00. 3080. 12” Blue Eng. Columbia L1152 [75357/75360]. GERVASE ELWES A CAROL OF BELLS (Charles V. Stanford) / SEMELE: Where’ere You Walk (Händel). Piano acc. F. B. Kiddle. Just about 1-2. $20.00. 3011. 12” Blue Eng. Columbia L1398 [74150/74151]. THE LAKE ISLE OF INNISFREE (Yeates-Ley) /A SEA DIRGE (Shakespeare-Dunhill). Piano acc. F. B. Kiddle. Just about 1-2. $20.00. ELISABETH VAN ENDERT [s] 1921. 10” Green acous. Polydor 14381 [18113L/18788L]. FREISCHÜTZ: Schlem halt fest (v.Weber). With BIRGIT ENGEL [s] / HANS UND LIESEL [Folk Song). With BERNHARD BÖTEL [t]. Just about 1-2. $10.00. ARTHUR ENDRÈZE [b]. Chicago, 1893-1975. Born Arthur Krackman, Endrèze studied at the University of Illinois. In 1918 he was accepted as a vocal student at the American Conserva- tory in Fontainebleau and prepared further with Jean de Reszke in Paris. His debut in opera was in Nice, 1925, as Mozart’s Don Giovanni. He soon became a principal baritone at the Paris Opéra- Comique and the Opéra, singing both standard baritone repertoire such as Valentin in Faust as well as principal roles in such exotic works as L’Aiglon (Honegger), La Chartreuse de Parme (Sauget), Guercoeur (Magnard) and Maximilien (Milhaud). He returned to America in 1940, where he worked primarily as a teacher. 1969. 10” Red PW Odeon 188.771 [KI-3718-2/KI-4409-I]. RONDEL DE L’ADIEU / MESSALINE: O nuit d’amour (both Isadore de Lara). Just about 1-2. $12.00. 2847. 12” Dk. PW Eng. Parlophone E11129 [XXP7140-2/XXP7142]. ROMEO ET JULIETTE: Que l’Hymne nuptial (Gounod) / ROMÉO ET JULIETTE: Ballad of Queen Mab (Gounod). Excellent pressing. Just about 1-2. $12.00. 3211. 12” Red Decca G-25893 [XXP7143-2/XXP7215-2]. NOCTURNE / LA PROCESSION (both Franck). Orch. dir. Henry Defosse. Side one a really moving performance. Small lbl. stkr. Few lightest rubs. Cons. 2. $10.00. 3105. 12” Red PoW Odeon 121.0803 [XXP7302-1/XXP7303-1]. PEARL FISHERS: Duo du 1er Acte (Bizet). Two sides. With PAUL-HENRI VERGNES [t]. Just about 1-2. $12.00. 3858. 12” Red PW Pathé X.90038 [250232/250233]. : Pour tant d’amour / LA FAVORITE: Jardins de l’Alcazar (Donizetti). Couple lt. rubs, cons. 2. $12.00. JOSÉ ERARD [t]. The few bits of information on Erard date from the 1911-13 period includ- ing his recordings (U.S. Everlasting Cylinders, Columbia, and Rishell discs). 1947. 10” Grey vertical Rishell F-5107 [ ? / ? ]. TU NE SAURAS JAMAIS! (Millandy) / QUAND L’AMOUR MEURT (Millandy-Cremieux). Cons. 2. $10.00.

95 VOCAL 78 rpm Discs KARL ERB [t] 9341. 11” Brown/White Odeon 98054/98055 [XB.6068/6069-2]. RIGOLETTO: Questa o quella / RIGOLETTO: La donna è mobile (Verdi). In German. Just about 1-2. $20.00. 9545. 11” Dk. Blue Odeon O-5088 (X52924/X52925) [XB5746/XB5747-2]. MIGNON: O daß die Seele mein (Thomas). Excellent pressing. Cons. 2. $25.00. 2868. 12” Brown Odeon 76173/76174 [XXB5455-2/XXB5458]. THE SEASONS: Mit Würd und Hoheit angetan (Haydn) / ST. PAUL: Sei getreu bis in den Tod (Mendelssohn). Slightest lbl. rubbing side one. Surface just about 1-2. $25.00. NATALIA ERMOLENKO [s]. See: NATALIA ERMOLENKO YUZHINA [s] BERTHE ERZA [s]. Born in Tunis, Algiers, Erza spent a period of time in the U.S. She made trial (unissued) records for Victor in 1920. In 1922 she appeared in a Hippodrome concert with Titta Ruffo and also gave a recital in New York’s Aeolian Hall. One review stated that Erza “is a singer who has overcome a tremendous physical handicap to prove to the world that she possesses a God-given voice.” He further ad- vised that Erza “…belongs among the elect, a company that today includes only Raisa, and perhaps Destinn and Ponselle.” Whatever that “tremendous physical handicap” might have been isn’t stated, nor did other reviewers mention it. Her only issued recording was made in Paris in 1926, the label indicating that Erza was a soloist with the Concerts Pasdeloup. She taught voice in New York at the Chase School of Music 1930- 31, perhaps longer. 2296. 10” Blk. elec. Disque Gram. P-690 [BFR198- 1/BFR199-1]. TRISTAN UND ISOLDE: Lie- bestod (Wagner). Two sides. In French. Lt. rubs, 2. $15.00. LÉON [LÉONCE-ANTOINE] ESCALAÏS [t]. Near Narbonne, 1859-Paris, 1941. A student at the Toulouse and Paris Conservatoires, Escalaïs made his debut as Arnoldo in Rossini’s William Tell at the Paris BERTHE ERZA Opèra in 1883. He appeared in most major French houses, as well as La Scala, 1888, where he was Eleazar in Halévy’s La Juive. In America, he sang leading roles with the French Opera in New Orleans. Escalais’ high Cs are perhaps the most brilliant sounds captured on disc by any tenor of the acoustic period. 9342. 11” Odeon HRS 2008 (Fonotipia 39414/39370) [XPh473-2/498]. ROBERT LE DIABLE: Sicilienne / HUGUENOTS: Septet (both Meyerbeer). Side two with ANTONIO MAGINI-COLETTI [b], ORESTE LUPPI [bs], FERRUCCIO CORRA- DETTI [b], GIUSEPPE SALA [t], ANGELO ALGOS [t], GIOVANNI MASOTTI [bs]. Another copy for those who missed out on it last year. Glassy surface ‘30s issue from orig. 1906 Fonotipia matrices. Very rare, the ideal pressing of this spectacular Escalais performance. Just about 1-2. $275.00. 2655. 11” Fonotipia 39392/39393 ]XPh457/XPh445]. STANCES (Flégier) / LE MAGE: Ah! parais (Massenet). One very tiny PB near start side one, otherwise cons. 2. $300.00. 9467. 11” Fonotipia 39428/39431 [XPh466/XPh384]. LA JUIVE: Rachel quand le Seigneur (Halévy) / OSANNA (Granier). Side one few MGTs, lt. rubs, 3. Side two 2-3. $250.00. 9492. 11” Fonotipia 39525/39526 [XPh1636/XPh1637]. SIGURD: Avec ces fleurs / SI- GURD: Oublions les maux soufferts (Reyer). With AMELIE TALEXIS [s]. One lt. PB side one, few tiny bumps (harmless). Gen. 2. $250.00. 2670. 11” Pink Sample Fonotipia mat. XPh1723. LA REINE DE SABA: Fils de Tubalkain … Inspirez-moi, race divine [Air de Adoniram] (Gounod). Unpublished. What an extraordinarily unique and important record! I can’t imagine why it was never issued. It has has graying on various notes and one TN. Grooves are gen. 4- 5, but I’d call most of the sonic interference (again where it occurs) noticeable but not, in most cases, heavy blasting. It is certainly fully listenable. $1200.00. 96 VOCAL 78 rpm Discs PEDRO ESPINA (KRAUSE) [t]. Mexico, 1906-St. Louis, 1978. He was raised in Evansville, Indiana and attended public schools there. His original goal was to be an artist, a protégé of Nelson Wilson. His singing voice dictated his future and he studied in Chicago and New York. He appeared in concert in Mexico and the U.S. through the post-WW II period. then leaving the stage and settling in St. Louis, where he worked as a commercial artist. The only extant recording of his voice would appear to be the private record below. 4203. 10” White elec. Brunswick Private Recording [mat. C-4166-A/C-4167-A]. GOD TOUCHED THE ROSE (LeBrun-Brown) / O CEASE THE SINGING MAIDEN FAIR (Rachmaninoff). In English. With L. Augustine [vln] and Helen Leefelt [piano]. Recorded Chi-cago, Aug. 27, 1929. Label signed and inscribed by Espina PEDRO ESPINA (KRAUSE) (which is how he appears on this label, without the “Krause”). Just about 1-2. $15.00. NANCY EVANS [c]. Liverpool, 1915-Aldeburgh, 2000. A pupil of , Evans began her career as a member of the Glyndebourne Festival Chorus in the later 1930s. Her London stage debut was in Sullivan’s The Rose of Persia in 1938. In 1946 she alternated with Kathleen Ferrier in the English Opera Group’s first run of Britten’s Rape of Lucretia at Glyndebourne. The following year she created the role of Nancy in Britten’s Albert Herring in the Covent Garden world premiere. She was noted particularly in British opera and in recitals. Her first husband was , who replaced her with as his second wife. She, in turn, wed producer and librettist Eric Crozier, who became a co-founder of the Aldeburgh Festival with Britten and Peter Pears. Evans taught singing at the Britten-Pears School in Snape Maltings after her retirement and was made an OBE in 1991. Harold Rosenthaur, in the New Grove Dictionary of Opera, notes her “warm-toned voice and lively personality”. – Internet 2273. 10” Plum HMV B.9332 [OEA.10010- II/OEA.10011-II]. SLEEP / SWEET AND TWENTY; CONSIDER (all Peter Warlock). Piano acc. Gerald Moore. Just about 1-2. $7.00. ERNESTINE FÄRBER-STRASSER [c]. Königsberg, 1884 - ? . Her debut was in Leipzig. Then, from 1903-1913 she was engaged at the Stadttheater in Aachen and, following this, the Court Opera in Munich through 1921. She continued to appear there on occasion in later years. She then returned to Leipzig and also made guest appearances at Covent Garden as well as in Spain and Switzerland. From 1927 she was a star of the Stuttgart Opera, but was deleted from the roster in 1933 for being Jewish. She then - grated to the U.S. and next to Switzerland. Little is known of her during this period. Her husband was the painter Benno Strasser. 2416. 10” acous. Blk. Polydor 62372 [1227ar/ 1229ar]. MORGEN (Strauss) / HEI- DENRÖSLEIN (Schubert). Piano acc. Just about 1-2. $35.00. 2436. 10” acous. Blk. Polydor 62381 [1228ar/ 1230½ar]. WIEGENLIED (Strauss) / IN DEM SCHATTEN MEINER LOCKEN (Wolf). Piano acc. Just about 1-2. $35.00.

MARIA FARNETI [s]. MARIA FARNETI as Mascagni's Isabeau 2600. 10” Green PW elec. Italian Columbia GQ 7160 [WB4175-2/WB4182-2]. LA LUNA E L’USIGNOLO / LA ROSE ROUGE (both Sozogno). Exceptionally rare. Few lightest rubs, cons. 2. $300.00. 97 VOCAL 78 rpm Discs GERALDINE FARRAR [s]. Melrose, MA, 1882-Ridgefield, CT, 1967. Farrar’s earliest musical training was in the U.S. and then in Paris for a brief period with Mathilde Marchesi.She made her debut at the Berlin Hofoper, 1901, as Marguerite in Gounod’s Faust and subsequently studied with Lilli Lehmann. From 1907 through 1922 she was one of the Metropolitan Opera’s major audience draws, and was that company’s first Cio-Cio-San, 1907, and Suor Angelica (world premiere, 1918). Carmen was a role she held virtually exclusively for a number of years and which became a particular favorite with New Yorkers after her portrayal of the part in a 1915 silent film. Farrar was an inveterate letter writer, particularly in her later years, and she created a vo- luminous file of correspondence with a num- ber of people. In these letters she expressed her opinions and feelings about everything and everyone from Senator Joseph Mc- Carthy through Maria Callas. 2451. 10” Blk. Berlin G&T 53363 [2250h]. MATTINATA (Tosti). In Italian. Piano acc. Only form of issue. Nice copy. 2. $150.00. 1864. 10” White HMV Advance Copy 33618 [1315r]. ROMÉO ET JU- LIETTE: Valse (Gounod). Just about 1-2. $20.00. 2217. 10” PW White Vla IRCC 1. OUVRE TES YEUX BLEUS (Massenet) / GERALDINE FARRAR in Mascagni's Amica DER NUSSBAUM (Schumann). Both first and only editions from orig. 1922/23 Victor matrices. Label signed by Farrar. Small index mks. Few minor rubs, 2. $15.00. 1000. 10” PW Silver Vr IRCC 30 [3800h/B-12739-1]. MEFISTOFELE: L’altra notte (Boito) / EXULTATE JUBILATE: Alleluia (Mozart). From orig. 1906 G&T/1914 Victor matrices. Pressing No. 1. Label signed by Farrar. Just about 1-2. $35.00. 1471. 10” Red Pats. Vla 87004 [take 2, of 3 issued takes]. MADAMA BUTTERFLY: Entrance of Butterfly (Puccini). Just about 1-2. $7.00. 1781. 10” Red ’12 Pats. Vla 87004 [take 2, of three 3 takes]. Same as preceding item (#1471), slightly later pressing. Lbl. stkr. Just about 1-2. $6.00. 1378. 10” Red ’08 Pats. Vla 87031. MADAMA BUTTERFLY: Ieri son salita (Puccini). Just about 1-2. $8.00. 1113. 10” Red Pats. Vla 87073. O FOR THE WINGS OF A DOVE (Mendelssohn). Descriptive label on verso. Just about 1-2. $10.00. 2118. 10” Red Pats. “A” plate Vla 87076. ABIDE WITH ME (Monk). Couple lightest superficial mks., just about 1-2. $7.00. 1055. 10” Red “A” plate Vr 87127. WONNEVOLLER MAI, O KOMM HERBEI! (Chadwick, arr. Sieber). Gluck is the composer, although Chadwick is credited on the label. Rare. Just about 1-2. $15.00. 2282. 10” Red “A” plate ’12 Pats. Vla 87136. SEGRETO DI SUSANNA: Via! così non mi lasciate! (Wolf-Ferrari). Lt. rubs, 2. $7.00. 1455. 10” White lbl. Vla 87160. I’VE BEEN ROAMING (Horn). Just about 1-2. $10.00. 1056. 10” Red “A” plate Vla 87256. TU ME DIRAIS (Chaminade). Scarce. Never doubled. Reviewer’s “X” on lbl. Just about 1-2. $12.00. 1366. 10” Red Vla 87292. SANS TOI (d’Hardelot). Just about 1-2. $7.00. 1431. 10” White lbl. Vla 87308. APPLE BLOSSOMS: Star of Love (Fritz Kreisler). Only form of issue. Just about 1-2. $12.00. 1367. 10” Red Vla 87313. AU PRINTEMPS (Gounod). Just about 1-2. $7.00.

98 VOCAL 78 rpm Discs 1364. 10” Red Vla 953. MADRIGAL [TES DOUX BAISERS] (Chaminade) / SERENATA (Tosti). Side two harp acc. Francis Lapitino. Only form of issue. Just about 1-2. $10.00. 2140. 10” PW Silver IRCC 207 [OB-2014/OB-2015]. THE LEGEND OF THE DOGWOOD TREE / THE LITTLE CHRISTMAS DONKEY (both Farrar). Geraldine Farrar reading her own poems (recorded 1941). Label signed by Geraldine Farrar. Just about 1-2. $15.00. 3545. 12” White lbl. Vla 88125. NYMPHES ET SYLVAINS (Bemberg). Uncommon. Just about 1-2. $15.00. 3488. 12” Red GP ’08 “B” plate Vr 88147. FAUST: Air des bijoux (Gounod). Excellent copy, few lightest mks., cons. 2. $10.00. \ 3501. 12” Red ’12 Pats. 88359. LE DONNE CURIOSE: Il cor nel contento (Wolf-Ferrari). With HERMANN JADLOWKER [t]. Just about 1-2. $12.00. 3493. 12” Red GP ’08 Vr 88152. MIGNON: Styrienne (Thomas). Few lt. mks., cons. 2. $10.00. 3470. 12” Red Pats. “A” plate Vla 88289. MY MOTHER BIDS ME BIND MY HAIR (Haydn). Just about 1-2. $10.00. 2731. 12” Red Vr 88512. CARMEN: Chanson Bohême (Bizet). Few lightest rubs, cons. 2. $6.00. 3012. 12” Red ’12 Pats. Vla 89014 [2nd issued take]. MADAMA BUTTERFLY: Ora a noi (Puccini). With ANTONIO SCOTTI [b]. Just about 1-2. $6.00. 3617. 12” Red ’08 Pats. Vla 89034. FAUST: Attends! voici la rue (Gounod). With ENRICO CARUSO [t]. Just about 1-2. $8.00. 3701. 12” Re ’08 Pats. Vla 89040. FAUST: Elle ouvre sa fenêtre (Gounod). With MARCEL JOURNET [bs]. Just about 1-2. $8.00. 3704. 12” Red ’12 Pats. “A” plate Vla 89071. DER ENGEL (Rubinstein). With LOUISE HOMER [c]. Just about 1-2. $8.00. 3712. 12” Red Vla 8011. MANON: On l’appelle, Manon (Massenet) / MADAMA BUTTER- FLY: O quant’ ochi fisi (Puccini). With ENRICO CARUSO [t]. Just about 1-2. $8.00. 3409. 12” PW Silver Vr IRCC 61 [C-12751-1/268i]. LA BOHÈME: O soave fanciulla (Puccini). With ENRICO CARUSO [t] / CARUSO [t]. PEARL FISHERS: Mi par d’udire ancora (Bizet). From orig. 1912 Victor/1904 Milano matrices. Side one first edition. Just about 1-2. $30.00. 3632. 12” Mauve HMV AGSB 50 [C-12751-1/C-8268]. LA BOHÈME: O soave fanciulla (Puccini). With ENRICO CARUSO [t] / MADAMA BUTTERFLY: Tutti i fior (both Puccini). With JOSEPHINE JACOBY [c]. From orig. 1912/1909 Victor matrices. Side one the only issue other than the IRCC first edition (see item #3409 directly above). Just about 1-2. $25.00. 2960. 12” PW Silver Vr IRCC 114. ROMÉO ET JULIETTE: Je veux vivre (Gounod) / LE DONNE CURIOSE: Tutto per te (Wolf-Ferrari). From orig. 1911/1912 Victor matrices. Side one first edition. Label signed by Farrar. Just about 1-2. $25.00. EDMÉE FAVART [s] 1656. 10” EE Pathé X.2608 [N201655-1/N201656-1]. CIBOULETTE: Nous avons fait un beau voyage. With ANDRÉ BAUGÉ [b] / CIBOULETTE: C’est sa banlieue (Reynaldo Hahn). Small lbl. stkrs., Cons. 2. $10.00. MAFALDA FAVERO [s] 3166. 12” late Red VdP DB 3200 [2B1826-I/2B1871-I]. BOHÈME: Mi chiamano Mimì / MANON LESCAU: In quelle trine morbide (both Puccini). Just about 1-2. $12.00. LORENZ FEHENBERGER [t] 2850. 12” Yellow Variable Micrograde Deut. Gram. 72012 [01838LKK/01839LKK]. DER BARBIER VON BAGDAD: Mein Sohn, sei Allahs Frieden / BARBIER VON BAG- DAD: Er lebt, er lebt [Schluß-Szene] (Cornelius). Both with GEORG HANN [bs], side two with KARL HOPPE [b]. Small lbl. stkr. Just about 1-2. $12.00. FRITZ FEINHALS [b] 3519. 12” Blk. acous. Vr 68484 [2383c/2384c]. THE FLYING DUTCHMAN: Die Frist ist um (Wagner). Two sides. Just about 1-2. $10.00. 99 VOCAL 78 rpm Discs VICTORIA FER [s] 2306. 10” Yellow Odeon 0708 [Lxg67/Lxg68]. MIGNON: Polonaise (Thomas). Two sides. Side one just about 1-2. Side two few LGTs, otherwise gen. 2. $15.00. GERMAINE FERALDY [s] 3014. 12” Blk. Viva-Tonal Col. 50231-D [WLX607/WLX609-2]. BARTERED BRIDE: Duect, Act I / BARTERED BRIDE: Duet, Act III (Smetana). In French. With MARCEL CLAUDEL [t]. Few lightest rubs, cons. 2. $12.00. MISHA FERENZO [t]. Nicolayev, Russia, 1889? - ? . Ferenzo studied in Berlin at the Stern Conservatory and the Berlin Hochschule, as well as in Russia, Italy and France. His career included opera, concert and recital in the U.S. and Europe. His U.S. debut was with Emma Calve’s concert tour in 1906. He remained and VICTORIA FER rehearsing Massenet's Le Jongleur de appeared in various smaller opera companies, Notre-Dame (with unidentified pianist) lauded for a work at the Cleveland Hippodrome as ‘the Russian Caruso’ Likely he added a few years to his birth date as given above in the 1940 Who’s Who in Music, as he was a soloist with the Russian Symphony Orchestra at the NY Hippodrome in 1906. In Paducah, Kentucky, 1909, he starred in . In 1911 he was heard as Niceas in Thais in Philadelphia with the Aborn English Grand Opera Company and there the next year in de Koven’s Robin Hood starring Bessie Abott. He likely was on the roster of the Montreal Opera around 1913. During the same period he taught in Brooklyn at the Hassell Conservatory of Music on Marcy Avenue. Later he appeared in Broadway musicals: A Night in Paris (1926), Romancin’ Round (1927) and Moon Over Mulberry Street (1935). In 1932 Ferenzo was on stage in Washington, D.C. with Ethel Barrymore in Encore (Victor Wittgenstein). While from 1909 into 1912 he recorded 17 sides for Victor of songs and arias in multiple languages, only four sides of Russian songs were actually issued. Ferenzo was living and active in NYC in 1939. 2724. 12” Red vinyl White lbl. Vla mat. C-9366-2. EUGEN ONEGIN: Lenski’s Aria (Tschai- kowsky). Unpublished. I’ve never seen another copy of this. Just about 1-2. $60.00. CESIRA FERRANI [s]. Turin, 1863-Pollone, 1943. Ferrani studied in Turin with soprano Antonietta Fricca, one of Marchesi’s Vienna pupils. Her debut was in Turin, 1887, as Micaëla in Carmen, also singing there Marguerite in Faust, then Gilda in Rigoletto at the Teatro Carignano. She subsequently appeared in a number of Italian houses, as well as in South America, Lisbon, Russia, Monte Carlo and Barcelona. In 1901 she sang the role of Rosaura in the Genoa premiere (one of six simultaneous premieres) of Mascagni’s . At Turin’s Teatro Regio, the center of much of her career, she created the title role of Puccini’s Manon Lescaut (1893) and Mimi in La Bohème (1896), the world premieres of both Puccini works. Another Ferrani “first” was the part of Mélisande in the Italian premiere of Debussy’s Pelléas et Mélisande at La Scala, 1908. Her repertoire also included among many other roles Elsa (Lohengrin], Suzel (l’Amico Fritz), Juliette and Massenet’s Sapho. Her extremely rare records were a few discs for G&T in 1902. She retired from the stage in 1909. 2701. 7” Blk. Milano G&T 53150 [5520-R]. LOHENGRIN: Sogno di Elsa (Wagner). I doubt if a better copy exists today. Few lightest mks., cons. 2. $1000.00.

EDOARDO FERRARI-FONTANA [t]. Rome, 1878-Toronto, 1936. Originally a medical student and then in the Italian diplomatic corps, Ferrari-Fontana appeared in operetta as an amateur baritone beginning in 1902. He continued, self-taught, to become a leading operetta artist. He eventually converted to tenor (presumably with some professional guidance), being hired by the Opera, likely as a cover. The tenor recounted that while intently watching a Tristan und Isolde rehearsal, he was noticed by the conductor, Tulio Serafin. Said Serafin to him, “I sup- pose you would like to be singing this opera”. The tenor replied, “Yes, I would like to sing it. But I assure you that if I did so I would do a much better piece of work than that one”, pointing to tenor Fiorello Giraud on stage. Ferrari-Fontana had his opportunity when Giraud became ill, and he had a tremedous success. He repeated the same role with the Boston Opera in 1912 with Margarete Matzenauer, his new wife, tallying over 150 performances of the opera during his short career. The couple separated in 1915, Matzenauer telling the press that two singers shouldn’t marry. Her next husband, following her dictum, was a non-singer (her chauffeur), but that didn’t last either. Ferrari-Fontana seemed to develop vocal problems after his divorce. He took a second wife in 1919 100 VOCAL 78 rpm Discs and he continued singing through the 1920s, but often the reviews indicated that his voice wasn’t working well. He taught in Toronto from the later 1920s until his death. 1350. 10” TC Columbia A1731 [39259-2/39260-2]. TRISTAN UND ISOLDE: Noto Regina é a Me (Wagner) / PAGLIACI: Un tal Gioco (Leoncavallo). Just about 1-2. $15.00. 1607. 10” TC Columbia A1731. Same as previous list (item 1350). Cons. 2. $12.00.

CARLO FERRETTI [b]. “Former baritone of the Scala Opera in Milan” is how Ferretti (sometimes spelled Feretti) is billed in at least one advertisement, although he isn’t listed on the La Scala roster. Likely he appeared someplace(s) in Italy before emigrating to the U.S. in the ‘teens. He was active singing in the NYC movie palaces, including the Strand (1919) and the Capitol (1927-28). According to the late Aida Favia-Artsay, Ferretti sang with various smaller opera companies in the NYC area in the 1920s and 1930s as well as on the radio. For instance, he appeared in 1933 at the Broadway Theater in Aida (“opera at movie prices”) with Lucy Monroe (the “Star-Spangled Soprano” as The Priestess) and Giuseppe Radaelli (as Rhadames). 1172. 10” Brown acous. Emerson 20041 [4563-2/4632-2]. GIOCONDA: Pescator, affonda l’esca (Ponchielli) / ZAZÀ: Zazà, piccolo zingara (Leoncavallo). Few lt. rubs, 2. $12.00. GWEN FFRANGCON-DAVIES [s] 2890. 12” Eng. Columbia DX 346, DX 347 [CAX6313-3/6314-2, CAX6329/6330-1]. THE IMMORTAL HOUR [abridged recording, arr. E. Irving] Rutland Boughton). Four sides. With BRUCE FLEGG [t], etc. Orch. and Chorus dir. Ernest Irving. Just about 1-2. $15.00. NIKOLAI FIGNER [t]. Near Kazan, 1857-Kiev, 1918. Having studied in St. Petersburg and Naples, Figner made his debut in Italy in 1882. He subsequently appeared with much success in South America. In 1887, he appeared at Covent Garden in Ernani and Rigoletto and then returned to St. Petersburg, singing Raoul in Les Huguenots and the Russian premiere of Verdi’s Otello to great acclaim. From that point he was in Russia among the most celebrated tenors of the time. His frequent co-star until their divorce in 1904 was his wife, the Italian soprano Medea Mei. Figner created the leading tenor roles in several operas by Russian composers of the period, in- cluding Tschaikowsky's Pique Dame (1890) and Iolanthe (1892), and Napravnik's Dubrovsky (1895). No small portion of his success was due to his acting ability and stage presence. 4118. 10” Red St. Petersburg G&T 22547 [293x]. YOU ARE MY MORNING; THE LOVERS (Wrangel). Piano acc. First selection sung with particular passion. 1902 recording. Very lt. NR on lbl. Very decent copy, 2-3. $350.00. GIUSEPPINA FINZI-MAGRINI [s] 2256. 10” Blue Notes Columbia C2368 [11161-1/11168- 1]. LAKMÉ: Aria delle Campanelle (Delibes). Two sides. Just about 1-2. $12.00. DIETRICH FISCHER-DIESKAU [b] 2879. 12” Red HMV DB 21350 [2EA15951-2A/ 2EA15955-2A]. DIE BEIDEN GRENADIERE (Schumann) / DER ERLKÖNIG (Schubert). Piano accc. Gerald Moore. Just about 1-2. $8.00. [s]. Huntington, VA, 1887-Hollywood, CA, 1957. Fitziu (originally Fitzhugh) studied with William Thorner and made her debut in operetta. Studying further, she spent a period in Italy, making her debut in Milan, 1912 as Elsa in Lohengrin, also appearing at the Costanzi in Rome and in Florence, Naples and . Her Metropolitan Opera career was limited to the 1916 world premiere and four sub- sequent performances of (Granados). Several seasons with the Chicago Opera proved to offer her more opportunities, including the title role in the first American ANNA FITZIU working out performance of Catalani’s Loreley. She also toured with the San Carlo Opera but suffered a nervous breakdown in 1927. Fitziu thereupon retired but made a concert comeback in 1930. She later taught in Chicago, one of her pupils having been William Tabbert (later a leading singer in Broadway productions). Fitziu left only six recorded sides, made in 1916 for Pathé. 1499. 10” Maroon Actuelle 025074 [N65512-1/N67530]. TOSCA: Vissi d’arte (Puccini) / MILAN GRAND OPERA SEXTETTE (artists not named). LUCIA: Sextette (Doni- zetti). Just about 1-2. $15.00.

101 VOCAL 78 rpm Discs KIRSTEN FLAGSTAD (HALL) [s]. 2192. 10” Plum PW HMV X.2975 [192-II/193-I]. SETERJENTENS SØNTAG (Ole Bull) / PER GYNT: Solveigs Sang (Grieg). 1930 recording. Just about 1-2. $12.00. 1140. 10” Blue PW Scandinavian HMV AL 2006 [192-II/193-I]. Same as previous listing (item #2192). Excellent pressing, just about 1-2. $15.00. 3724. 12” Red PW (gold print) Vr 14181. TANN- HÄUSER: Dich, teure Halle / TANN- HÄUSER: Elsas Traum (Wagner). Orch. dir. Hans Lange. As new. Just about 1-2. $6.00. 3540. 12” Red PW (gold print) Vr 15244. OBERON: Ozean, du Ungerheur (v.We- ber). Two sides. With Eugene Ormandy dir. Philadelphia Orchestra. As new. Just about 1-2. $6.00. EDITHA FLEISCHER [s] 1310. 10” Blk. acous. Vr 77902. SCHWARZ- WALDMÄDEL: Lachende Augen / SCHWARZWALDMÄDEL: Erklingen zum Tanze die Geigen (Leon Jessel). Both with MAX BLOCH [t]. Just about KIRSTEN FLAGSTAD in an unidentified role 1-2. $20.00. MIGUEL FLETA [t] 1622. 10” Red acous. Vla 948 [both European matrices]. RIGOLETTO: La donna è mobile (Verdi) / I PURITANI: A te o cara (Bellini). Just about 1-2. $8.00. 1578. 10” Red Orth. Vla 1259 [BJ605-I/ BJ617-II]. MARINA: Salida de Jorge (Arrieta). Two sides. Just about 1-2. $10.00. 1094. 10” Red PW Czech HMV DA 1036 [BJ2061-II/BJ2062-II]. NANA (de Falla) / JOTA (both De Falla). Nice pressing. Small lbl. stkr., just about 1- 2. $15.00. 1792. 10” Red HMV DA 1087 [BJ2304-I/ BJ2311-II] EL TRUST DE LOS TENORIOS: Te quiero (Serrano) / TOSCA: E lucevan le stelle (Puccini). Just about 1-2. $8.00. 2414. 10” Hungarian Mezinárodní Diskotéka MD 5043 [CM478-II/CM479-II]. LA MAR-SEILLAISE (de l’Isle) / HIMMO DE RIEGO (Caballero). Issued in U.S. as Victor 1537. Rarely seen in any form. Excellent pressing. Just about 1-2. $15.00. MIGUEL FLETA 2792. 12” Red Czech elec. Gramola DB 1024 [CJ591-II/CJ607-II]. EL CASERIO: Romanza (Fernandez Shaw-Romero) / PRINCESITA (Padilla). Lbl. stkrs., just about 1-2. $15.00. 2966. 12” Red late VdP DB 1034 [CJ558-I/CJ-597-I]. LA BOHÈME: Che gelida manina (Puccini) / PAGLIACCI: Vesti la giubba (Leoncavallo). Just about 1-2. $8.00. 3674. 12” Red Orth. Vla 6666 [CJ619-II/CJ620-II]. MARINA: Duo / MARINA: Brindis (Arrieta). Both with EMILIO SAGI-BARBA [b]. Just about 1-2. $7.00.

102 VOCAL 78 rpm Discs 3664. 12” Red Orth. Vla 7208 [CJ2155-II/CJ1848-II]. HIMNO A LA EXPOSICIÓN DE SEVILLA (Quintero-Alonso) / ORCH. SINFÓNICA DEL GRAMÓFONO. SEVILLA (Albéniz). Lbl. stkr. side two. Lt. rubs, cons. 2-3. $10.00. 3346. 12” White HMV elec. VB 50 [CJ619-II/CJ620-II]. Same as preceding listing (item #3674) but later reissue. Just about 1-2. $6.00. 3612. 12” Mauve HMV acous. AGSB 58 [C-29286/C-27714]. CARMEN: Parle-moi de ma mère (Bizet). With LUCREZIA BORI [s] / BORI [s], BENIAMINO GIGLI [t]. ROMÉO ET JULIETTE: Ange adorable (Gounod). Both sides from 1924 unpublished Victor matrices. Just about 1-2. $15.00. TINO FOLGAR [t] 3865. 12” Red Orth. Vla 9694 [CJ2364-III/ CJ2365-II]. ALMA DE DIOS: Canto Húngara (Serrano) / GIGANTES Y CA- BEZUDOS: Cor de Repariados (Cabal- lero). Excellent copy, few lightest rubs, cons. 2. $20.00. CESARE FORMICHI [b] 1952. 10” Blue Notes acous. Columbia C2711 [41856-1/41850-1]. GLI ZINGARI: Canto Notturno (Leoncavallo) / MARIA IVANISI [s], ANTONIO FASSINO [t] (1874-1915). GUARANY: Sento una forza (Gomes). Only recording side one? 2. $15.00. 2268. 10” Blue acous. Columbia 2028-M [A940/A941]. TOSCA: Ella verra / TOSCA: Già, mi dicon venal (Puccini). Just about 1-2. $10.00. 2241. 10” Blue acous. Columbia 2029-M [A942/A960]. TRAVIATA: Di Provenza (Verdi) / RIGOLETTO: Signor! va, non ho niente (Verdi). Side two with FERNANDO AUTORI [bs]. Few lt. rubs, 2. $10.00. 1261. 10” Blue acous. Columbia 2030M [A895/A896]. LE JONGLEUR DE NOTRE-DAME: Légende de la sauge (Massenet) / SAMSON ET DALILA: Maudit a jamais (Saint-Saëns). Just about 1-2. $15.00. 1035. 10” Blue Columbia Viva-Tonal 2060-M TINO FOLGAR [WA6121/WA6122-2]. D’UNE PRISON (Hahn) / OBSTINATION (de Fontenailly). In French. Just about 1-2. $15.00. RITA FORNIA [ms]. San Francisco, 1878-Paris, 1922. Born Regina Newman, she adopted part of the name of her home state as a stage name. She made her debut as a coloratura soprano in Germany but soon came to find her true voice was a mezzo soprano. After this transition she sang both soprano and mezzo roles. She was a quick study and was often required to go on at the last minute. Once in Germany, she sang both Elisabeth and Venus in the same performance of Tannhäuser. Early in her Metropolitan career (her debut was in 1907), she filled in at the last minute for an ailing Emma Eames as Leonora in Il Trovatore and also for Marcella Sembrich in Il Barbiere di Siviglia, both to critical acclaim. For the latter performance she was given twenty-four hours’ notice, which was helpful, as she had previously sung Rosina only in German and had to learn the role in Italian in one day (these performances, of course, without a stage rehearsal). As a mezzo, she had particular success in 1911 as the Page in Gounod’s Romeo et Juliette. She seemed content, however, to sing dozens of Suzukis to Farrar’s Butterfly as well as various small roles. Suzuki with Farrar turned out to be her final Met performance in 1922. Her Victor Red Seals are scarce and of particular aural appeal. 1414. 10” Red Pats. “A” plate Vr 64162. FAUST: Le parlate d’amor (Gounod). Mint first issue. Just about 1-2. $15.00. 1416. 10” Red Pats. “A” plate Vr 64244. CHANSON DE FLORIAN (Godard). Just about 1- 2. $20.00. 103 VOCAL 78 rpm Discs 1176. 10” Red Vr 64283. DAS ZAUBERLIED (Meyer-Helmund). Piano acc. Rosario Bourdon. Just about 1-2. $20.00. 1134. 10” Red Vr 64289. ALLERSEELEN, Op. 85, No. 3 (Lassen). Just about 1-2. $20.00. 1447. 10” Red Vr 64290. DEIN GEDENK’ ICH, MARGARETHA, Op. 12, No. 2 (Meyer- Helmund). Perfect copy. Just about 1-2. $20.00. 3122. 12” Red vinyl White lbl. Vla mat. C-8659-4. FAUST: Faites-lui mes aveux (Gounod). Unpublished. A ten-inch version was issued. Just about 1-2. $50.00. BERTHA FÖRSTER-LAUTERER [s] 2446. 10” Blk. Wien G&T 44241 [854z]. DER FREISCHÜTZ: Terzett (v.Weber). With HERMIONE KITTEL [c], LEO SLEZAK [t]. Beautiful copy. Bright label, few harmless light inherent pressing indentations, otherwise just about 1-2. $150.00. 1919. 10” Blk. Wien G&T 44241 [854z]. DER FREISCHÜTZ: Terzett (v.Weber). With HERMINE KITTEL [c], LEO SLEZAK [t]. Same as preceding listing (item #2446). Some LGTs, one harmless patina from rim in about ½” (grooved side only), otherwise 3. $40.00. LUIGI FORT [t] 2071. 10” Eng. Col. DQ 1979 [DB7667-2/DB7670-2]. ANIMA ALLEGRA: É arrivata primavera (Vittadini) / IDEALE (Tosti). Only recording of side one aria? Cons. 2. $15.00. RENÉ FOURNETS [bs]. Pau, 1858-1926. His debut was at the Paris Opéra-Comique in 1884 where he sang leading basse chantante roles. 1892 marked his debut at the Paris Opéra as Mefisto in Gounod’s Faust. He remained an important artist there until 1901, singing such parts as Wotan, Leporello, Saint Bris in Les Huguenots and the King in Lohengrin. He subsequently appeared on a number of stages in the French provinces. 2487. 10” Disque Arion 2192/2194 [8501-2/8504-2]. FAUST: Sérénade (Gounod) / BENVENUTO CELLINI: Arioso (Diaz). Side one 3. Side two 2-3. $25.00. BENVENUTO FRANCI [b]. Pienza, 1891-Rome, 1985. Franci studied in Rome with Antonio Cotogni and Enrico Rosati and made his debut at the Teatro Costanzi, 1917, in Mascagni’s Lodoletta, also appearing there in the premiere of Mascagni’s Il Piccolo Marat in 1921. His La Scala debut was as Amonasro in Aida, conducted by Toscanini. He was also noted there as Carlo Gerard in Andrea Chenier and in 1924 the world premiere of Giordano’s La Cena delle Beffe. In 1940 he sang Barak in the Italian premiere of Strauss’s Die Frau ohne Schatten. In London he was heard on occasions between 1926 (when he appeared as Scarpia to Jeritza’s Tosca) and 1946. He also performed leading roles at the Teatro Colón, the , Madrid’s Teatro Reale and the Berlin Opera. From 1928 to 1949 he was on the roster of the Rome Opera. 1610. 10” Maroon elec. Italian Columbia DQ 1130 [WB3859/WB3860]. ANDREA CHÉNIER: Un di m’era di gioia / ANDREA CHÉNIER: Son sessant’ anni (Giordano). Lt. rubs, cons. 2. $10.00. 2918. 12” Green Phonotype N.1756/N.2336. LA GIOCONDA: O monumento / FERNANDO DE LUCIA [t]. LA GIOCONDA: Cielo e mar (Ponchielli). Just about 1-2. $75.00. HEDWIG FRANCILLO-KAUFFMANN [s]. Vienna, 1878-Rio de Janeiro, 1948. A pupil of von Orgeni in Dresden, Rosario in Milan, and several others, Francillo-Kaufmann made her debut in Stettin, 1898, subsequently spending seasons with the operas in Wiesbaden, Munich, and Berlin (Hofoper and Komischen Oper). From 1908-12 she was a leading coloratura with the Vienna Staatsoper and then from 1912-1927 the Opera. Guest appearances throughout Europe and South America as well as recitals kept her active until she retired in the late 1920s. An interview with her by the Musical Courier in 1929, however, states that she had retired during World War I and hadn’t returned to public life until 1927, when she reappeared as a concert singer. She mentions her friendship and performances with Caruso and that she had been an “unofficial teacher” (whatever that means) of Joseph Schwarz and Lotte Lehmann “and many others”. 3007. 12” Beka-Meister M113 (2-1439/2-1440). ARIADNE AUF NAXOS: Zerbinetta’s Aria (Strauss). The original version. Two sides. Scarce. Superficial rubs, gen. 3. $30.00. 3298. 12” Girl & Gram. Parlophon P.1442/P.1443. BARBIERE DI SIVIGLIA: Aria der Rosine (Rossini). Two sides. Lt. mks., gen. 2. $20.00. PAUL FRANZ [t] 1834. 10” Blue PW elec. French Columbia LF 23 [WL2024-1/WL2220-I]. LA FILLE DE ROLAND: Chanson des epées (Rabaud) / MEISTERSINGER: L’Aube vermeille (Wagner). Cons. 2. $12.00.

104 VOCAL 78 rpm Discs 1748. 10” Blue PW French Columbia LF 45 [WL2344-I/WL2345-I]. SIEGFRIED: Chant de la Forge / SIEGFRIED: Hoho! hoho! hahei! (Wagner). In French. Orch. dir. Eugène Bigot. Just about 1-2. $15.00. 2153. 10” Brown shellac acous Pathé X.0092 [N.1647/N.1642]. LOHENGRIN: Récit du Graal (Wagner). Two sides. Just about 1-2. $15.00. 1930. 10” Blue Pathé Art-Label X.0723 [N250085/N250086]. JOSEPH: Récitatif et air de Joseph (Méhul). Two sides. Orch. dir. François Ruhlmann. IMs. Cons. 2. $15.00. 2810. 12” Pink Dog HMV 032227 [02198v]. ROMÉO ET JULIETTE: Salut tombeau (Gounod). ¾” harmless rim patina blank side only. Couple lt. rubs, cons. 2. $12.00.

NINÌ FRASCANI [ms]. Milan, 1878-1935? A student of Maestri G. Cosentino and F. Fuzzone, Fra- scani made her debut at the Naples Teatro San Carlo, 1902, in La Favorita with Bonci and De Luca. She subsequently appeared at Covent Garden, toured South America and then was heard in a number of Italian houses, including La Scala, when she was Fricka in Die Walküre. In 1912 she wed tenor Gaetano Tommasini and in the early 1920s appeared with him in New York. She was last mentioned as having sung in Italy in 1923 with Rosetta Pampanini in the pre- miere of the opera Colomba by N. van Westerouth. There seems to be no information on her after this period. 2808. 12” Red Spanish Dog. Disco Gram. 053048 [312½i]. CREPUSCOLO TRISTE (Gior- dano). Written for the Gramophone Com- pany by Giordano, who signed the original matrix. Lighest lbl. fade. Surface just about 1-2. $25.00. OLIVE FREMSTAD [s]. 3421. 12” TC Columbia A5521 [30707-2/36807-2]. TRISTAN UND ISOLDE: Liebestod (Wagner) NINÌ FRASCANI / DON CARLOS: O don fatale (Verdi). Flush pressing. Excellent copy, few lightest mks., cons. 2. $20.00. 3534. 12” Pink IRCC 158. Same as previous listing (item #3421) but re-recordings. Label signed boldly by Mme. Fremstad. Just about 1-2. $15.00.

FAUSTO FRERA [t]. Desenzano sul Garda, Italy, 1890-Tokyo, 1929. His vocal studies were with Maestro Mandolini and his debut was in concert in 1917. 1923 marked his stage debut at the Malta Teatro Reale as Cavaradossi. His career in Italy seems to have ended in 1926, having included Chenier, Hagenbach in La Wally, and Marat in Il Piccolo Marat. How he ended up in Japan, dying at such a young age, hasn’t been discovered. 2643. 10” acous. Fonotecnica B.3051. MANON LESCAUT: Donna non vidi mai / MANON LESCAUT: Ah! non v’avvicinate (Puccini). Big bright voice, made only six recorded sides. LGTs, otherwise 3. $15.00. TONIKA FRESE [s]. A concert singer active in New York in the ‘teens, she appears to have emigrated from Germany in 1908 at the age of 18. In addition to a series of records in German for Victor in 1916, she also made discs for Gennett, Paramount and Majestic. It would be interesting to discover more about her career and life. 1397. 10” Blk. acous. Vr 69678. ES HAT DIE ROSE SICH BEKLAGT, Op. 42, No. 3 (Franz) / LA PALOMA (Yradier). In German. IMs. Just about 1-2. $10.00.

CHARLES FRIANT [t]. Paris, 1890-1947. Friant’s father and grandfather had been dancers, so he began as a student at the Paris Opéra School of Dance and then prepared as an actor, touring with ’s company in 1908-09. Following this experience, he studied voice with Melchissèdec at the Paris Conservatoire. His operatic career didn’t gain momentum until after World War I, when he appeared as Des Grieux in Manon in . 1920 marked his first appearance at the Paris Opéra-Comique, this as Werther, and he remained a leading member of this company until 1939, making guest appearances in Brussels and Monte Carlo. In addition to creating a number of roles, Friant was noted as Don José, Jean in Massenet’s Jongleur de Notre- Dame, Werther, Cavaradossi, and Des Grieux, among other parts. 1751. 10” Red PW Odeon 188.868 [KI-2454-3/KI-2455-2]. MAROUF: Dans le jardin fleuri (Rabaud) / MANON: Le Rêve (Massenet). Just about 1-2. $8.00. 105 VOCAL 78 rpm Discs 3463. 12” PW Red Odeon 123.585 [XXP6745-2/XXP6756-2]. WERTHER: Mort de Werther (Massenet). With GERMAINE CERNAY [ms] / CERNAY [ms]. MIGNON: Elle est aimée (Thomas). Just about 1-2. $12.00. 3464. 12” PW Red Odeon 123.586 [XXP6746-1/XXP6993-I]. WERTHER: Duo de 4e acte (Massenet). Two sides. with GERMAINE CERNAY [ms]. Lt. rubs, 2. $8.00.

NINA A. FRIEDE [ms]. St. Petersburg, 1850-1940. Friede began musical studies as a pianist at the St. Petersburg Conservatory in 1863. Later she studied voice in Paris with Mathilde Marchesi, an exception to Marchesi’s student roster which appears to have been almost exclusively sopranos. Her debut was in Firenze, 1882, in Donizetti’s Linda di Chamounix. The following year she was in the premiere at the Mariinsky Theater in St. Petersburg of Cui’s Prison of the Caucacus, the leading role sung by Fyodor Stravinsky (Igor’s father). In 1884 she continued her success at the Mariinsky as Amneris. In addition to operatic work, Friede was a noted concert singer and coached with composers such as Tschaikowsky, Rimsky-Korsakov and Gounod. Her only recordings, four 1903 Russian Columbia discs, are of great rarity. 1993. 10” B&S Columbia 35087. BOAT SONG ON THE NEVA (Simon). Somewhat roughish surface, one tiny ½” rim hair patina. 4-5, but no heavy blasting or particularly serious problems. $75.00. GEORGETTE FROZIER-MARROT [ms]. There seems to be no available data as to her birth and death dates. Much of her career was in the French provinces, including Toulouse Bordeaux, Gent and the Vichy Festival. She did, however appear as Carmen at Covent Garden in 1928 and at the Paris Opera-Comique the next year in the same role, as well as Margared in Lalo’s Le Roi d’Ys. Judging from her few and rare records, hers must have been one of the finest mezzo voices of the period. 3136. 12” Blk. elec. Disque Gram. W-1032 [CN409-II/CN410-II]. LES TROYENS A CARTHAGE: Chèr Tyriens / LES TROYENS A CARTHAGE: Adieu fière cite (Berlioz). Orch. dir. G. Lauweryns. Just about 1-2. $20.00. JOVITA FUENTES [s]. Capiz, Philippines, 1895-1978. The first internationally successful Philippine opera singer, Fuentes studied first in Manila with Salvina Fornari. Early on, Fuentes taught voice but then went to Italy for further training. She made her operatic debut there early in GEORGETTE FROZIER-MARROT 1925 as Cio-Cio-San in Madama Butterfly. In addition to Liù in Turandot, Mascagni’s Iris and Mimì in La Bohème, she was specially recom- mended by Richard Strauss for performances of his Salome in 1932. In addition to Italy and Germany, she was heard with success in Holland, England, France and in the U.S. with the San Carlo Opera. Fuentes was less than five feet tall but had a large and resonant voice. After her final recital in Manila, 1945, she devoted her remaining years to teaching and was a major force in fostering musical growth in the Philippines. 1861. 10” Brown elec. Parlophon B16408 [34944/34947]. CANTO PATRIOTICO DE MARIA CLARA (Rizál) / ULLILA LA PALBIG (Hernandez). Lt. rubs (no graying). Side one 3-4, side two 3. $15.00.

LUCIEN FUGÈRE [bs-b]. Paris, 1848-Paris-1935. His career began as a café-concert singer, moving from there to operetta and in 1877 making his Paris Opéra-Comique debut. He left the Opéra-Comique in 1910 for the Paris Gaité-Lyrique, returning to the Opéra-Comique in 1919. His repertoire included well over 100 roles and a number of creations, including parts in the premières of Massenet’s Cendrillon (1899) and Grisélidis (1901), as well as Charpentier’s Louise (1900). His final performance seems to have been a recital in 1932 (at the age of 85). Fugère’s Columbia records were made in 1928-29 and his Zonophones in 1902. 2617. 10” Orange Disque Zonophone X-2012. LES SAISONS: Chanson du Blé (V. Massé). Piano acc. Excellent copy, gen. 2. $1000.00. 1386. 10” PW Blue Eng. Columbia D13043 [WL1018/WL1019]. LE VIEUX RUBAN (Henri- on) / LES VIELLES DE CHEZ NOUS (Levadé). Piano acc. Elie Cohen. Just about 1-2. $15.00.

106 VOCAL 78 rpm Discs 1609. 10” Blue Eng. Columbia D13077 [WL1020-3/WL1024-1]. L’ANNEAU D’ARGENT (Chaminade) / LE JONGLEUR DE NOTRE-DAME: Pour la Vierge (Massenet). Side two creator performance. Piano acc. side one Elie Cohen. Side two orch. Cons. 2. $10.00. YOSHIE FUJIWARA [t]. Osaka, 1898-1976. Fujiwara’s mother was a geisha and his father, Neil B. Reid, Scottish. He was adopted and raised by Tokuzaburo Fujiwara, but Mr. Reid, his birth father, provided funds for his education and his vocal studies in Milan. Fujiwara was an inter- nationally successful concert singer from the mid- 1920s. His operatic debut was as Rodolfo in La Boheme at the Paris Opèra-Comique in 1932. Two years later he founded the Fujiwara Opera in Japan. He continued appearing internationally well into the 1950s. 1130. 10” Red Orth Vla 4046. HAKONE HACHI- RI [MOUNTAINEER SONG] / OTGOSAN TO BOYA [WHERE IS MOTHER?] (Inoue). Piano acc. Maxim Schapiro. As mint. Just about 1-2. $15.00. ARNOLD GABOR [b] 3004. 12” Blue acous. Odeon AA79347/ AA79348 [XXB6826/XXB6827]. DIE TOTE STADT: Lied des Pierrot (Korn- gold) / MASKED BALL: Für dein Glück (Verdi). Side one few minor mks., 2. Side two one LSS, cons. 2. $15.00. JOHANNA GADSKI [s]. Near Stallin, Ger- many, 1872-Berlin, 1932. Gadski began voice lessons when she was six with Frau Schroeder- YOSHIE FUJIWARA Chaloupka, her only teacher, with whom she remained for twelve years. She made her debut with the Kroll Opera at the age of 16, singing at first small roles. She remained with that company until 1893 while also filling guest engagements elsewhere. Her American debut was at the Metropolitan Opera House in 1895 with the Damrosch Company, singing Elsa in Lohengrin, her first Wagnerian role. The following year she created Hester Prynne in Walter Damrosch’s The Scarlet Letter. She joined the Metropolitan Opera Company under Maurice Grau in 1898, singing Wagnerian parts as well as many other roles, such as Donna Elvira, Pamina, Santuzza, Aida, Micaela, and the leading soprano role in Dame Ethyl Smyth’s . She left the company in 1904 for two seasons, singing primarily in concert, rejoining the Met in 1906 where she remained until 1917. She lived in Bay Shore, Long Island from then until 1921, when she resumed her career in concert, also appearing in vaudeville with the Keith management. She then returned to Germany for a period and in 1927 was back in America, where she promoted a new German cure for diabetes. She was, however, pressured back into the musical world in a Carnegie Hall concert performance of Tannhäuser, which was favorably received. She then performed frequently with the touring German Grand Opera Company, still achieving glowing audience enthusiasm. Her death was the result of an auto accident in Berlin. 2080. 10” Red GP ’04 Vr 81024 [B-1076]. DER NUSSBAUM (Schumann). Piano acc. Tiny lbl. stkr. Extremely scarce. Very fine copy. Cons. 2. $25.00. 2063. 10” Red GP ’04 Vr 81045 [B-1077-2]. AVE MARIA (Bach-Gounod). Couple LGTs, otherwise cons. 2. $10.00. 1216. 10” Red GP ’06 Vr 87002. WALKÜRE: Ho-yo-to-ho! (Wagner). First of three issued takes. Just about 1-2. $12.00. 1132. 10” Red ’12 Pats. Vla 87002. WALKÜRE: Ho-yo-to-ho! (Wagner). Second of three issued takes, this never doubled. Just about 1-2. $8.00. 1824. 10” Red Vla 87002. WALKÜRE: Ho-yo-to-ho! (Wagner). Third of three issued takes. Just about 1-2. $7.00. 1107. 10” Red Vla 87026. HOW MUCH I LOVE YOU (La Forge); THE YEAR’S AT THE SPRING (Amy Beach). Piano acc. Frank La Forge. Uncommon, particularly such a fine pressing. Just about 1-2. $12.00. 1089. 10” White lbl. Vla 87098. DIE GÖTTERDÄMMERUNG: Zu neuen Thaten (Wagner). Excellent pressing, few lightest mks. Cons. 2. $12.00. 107 VOCAL 78 rpm Discs 2014. 10” Red Pats. “A” plate Vla 87098. Same as previous listing (item #1089). Cons. 2. $12.00. 1355. 10” Red Vr 87167. DIE WALKÜRE: Du bist der Lenz (Wagner). Just about 1-2. $12.00. 1441. 10” Red Vr 87252. A SLUMBER SONG (Gil- mour). With Francis J. Lapitino [harp] and bells. Just about 1-2. $10.00. 1454. 10” Red Vla 87273. WESENDONCK LIEDER: Der Engel (Wagner). Rare. Only form of issue. Just about 1-2. $15.00. 1411. 10” Red Vla 87274. WESENDONCK LIEDER: Schmerzen (Wagner). Rare. Very short cata- logue life. Only form of issue. Just about 1-2. $15.00. 1393. 10” Red Vla 87275. WESENDONCK LIEDER: Stehe still! (Wagner). Rare. Discontinued, as were most of Gadski’s records, during the 1st World War period. Only form of issue. Just about 1-2. $15.00. 1522. 10” Red “A” plate Vla 87281. DIE WALKÜRE: Fort denn eile (Wagner). Only form of issue. Just about 1-2. $15.00. 1902. 10” Red Vr 87510. MAGIC FLUTE: Papagena, Papageno! (Mozart). With OTTO GORITZ [b]. JOHANNA GADSKI at her Victrola Text label on verso. Just about 1-2. $10.00. 3976. 10” PW Silver Vr IRCC 128. DIE GÖTTERDÄMMERUNG: Betrug! Schändlichster / DIE GÖTTERDÄMMERUNG: Zu neuen Thaten (Wagner). Side one first edition (1910/1912 Victor matrices). Just about 1-2. $25.00. 2787. 12” Red GP ’04 Vr 85012 [C-694-2]. AIDA: O patria mia (Verdi). Piano acc. One tiny PB. Unusually clean copy. 2. $30.00. 3870. 12” Red Pats. Vla 88137 [1st iss. take]. AIDA: Ritorna vincitor (Verdi). Lightest NR and IMs on label. Surface just about 1-2. $8.00. 2919. 12” Red Vr 88137 [2nd iss. take]. AIDA: Ritorna vincitor (Verdi). Just about 1-2. $8.00. 3279. 12” White lbl. Vla 88165. TRISTAN UND ISOLDE: Dein werk? Just about 1-2. $10.00. 2922. 12” Red ’08 Pats. Vla 88254. MAGIC FLUTE: Ah lo so (Mozart). Excellent early pressing. Few lightest mks., cons. 2. $12.00. 3996. 12” Red ’08 Pats. Vla 88275. MARRIAGE OF FIGARO: Porgi amor (Mozart). Scarce. Just about 1-2. $12.00. 4012. 12” Red “A” plate Vla 88370. FLYING DUTCHMAN: Versank ich jetz (Wagner). With OTTO GORITZ [b]. Lt. rubs, 2. $12.00. 4013. 12” Red “A” plate Vla 88371. FLYING DUTCHMAN: Wohl konn’ ich Weibes (Wagner). With OTTO GORITZ [b]. Just about 1-2. $15.00. 4028. 12”: Red ’12 Pats. Vr 88442. TANNHÄUSER: Verzeiht wenn ich nicht weiss (Wag- ner). Just about 1-2. $15.00. 4210. 12” White lbl. Vla 88443. TANNHÄUSER: Züruck von ihm! (Wagner). Just about 1-2. $15.00. 4056. 12” Red Vr 88497. BALLO IN MASCHERA: Morrò ma prima in grazia (Verdi). Just about 1-2. $10.00. 3448. 12” Red Vr 88515. DIE WACHT AM RHEIN (Carl Wilhelm). Nice copy, few lightest mks., cons. 2. $12.00. 2784. 12” White lbl. Vla 88590. IM TREIBHAUS (Wagner). Apparently never issued in Red Seal format. IMs. Just about 1-2. $35.00. 3720. 12” White lbl. Vla 89024. AIDA: Fu la sorte (Verdi). With LOUISE HOMER [c]. Number 88163 in matrix, 89024 typed on label. Just about 1-2. $10.00. 3873. 12” Red ’08 Pats. Vla 89028. AIDA: La fatal pietra (Verdi). With ENRICO CARUSO [t]. Just about 1-2. $8.00 108 VOCAL 78 rpm Discs 3585. 12” Red Vla 8048. AIDA: Ciel! Mio padre! / AIDA: Su dunque (Verdi). With PASQUALE AMATO [b]. Just about 1-2. $8.00. 2946. 12” PW Silver Vr IRCC 121. TANNHÄUSER: Verzeiht wenn ich nicht weiss / TANN- HÄUSER: Zurück von Ihm! (Wagner). From orig. 1913 matrices. Just about 1-2. $20.00. 3500. 12” PW Silver Vr IRCC 164. OBERON: Ocean! Du Ungeheuer! (v.Weber). Two sides. From orig. 1914/1915 Victor matrices. Just about 1-2. $20.00. 3661. 12” PW Silver Vr IRCC 140. BARTERED BRIDE: Ich weiss Euch einen lieber Schatz (Smetana). With ALBERT REISS [t] / REISS [t]. SIEGFRIED: Zwangvolle Plage! (Wagner). From orig. 1909/1911 Victor matrices. Side one, piano acc., is the first edition. Just about 1-2. $15.00. 2893. 12” Mauve HMV AGSB 12 [C-7075/273ac]. BARTERED BRIDE: Ich weiss Euch einen lieben Schatz (Smetana). With ALBERT REISS [t] / EMMY DESTINN [s]. DALIBOR: Wär’ es wahr? (Smetana) Side one piano acc. From orig. Victor 1909/ G&T 1907 matrices. Side two unpublished (except for very limited IRCC issue). Just about 1-2. $12.00. 3023. 12” Mauve HMV AGSB 23 [C-11528/C-15690]. LOBETANZ: An allen Zweigen (Thuille) / DIE WACHT AM RHEIN (Wilhelm). Two rare Gadski sides, from 1912/1915 matrices. Just about 1-2. $10.00. [b] 1601. 10” Green Viva-Tonal Columbia 14297- F [WB1006/WB1007]. ANDREA CHÉNIER: Un di m’era di gioia (Meyerbeer) / IL TROVATORE: Il balen (Verdi). Label fade side two, otherwise just about 1-2. $10.00. 1650. 10” Red PW Eng. Columbia D12590 [WB1987/WB1814]. GUGLIELMO RATCLIFF: E sempre il vecchio an- dazzo (Mascagni) / DINO BORGIOLI [t]. SONNAMBULA: Prendi l’anel ti dono (Bellini). Just about 1-2. $15.00. 3081. 12” Red acous. Vla 6484 [Ck1487-III/ Ck1488-III]. NERONE: Farewell of Fanuèl (Boïto). Two sides. Unusually good shellac. As new. Just about 1-2. $10.00. 3474. 12” Red acous. Disco Grammofono DB 734 [Ck1487-I/Ck1488-II]. NE- RONE: Addio di Fanuèl (Boïto). Two sides. Notice that takes differ from previous listing (item #3081). Few harmless indentations. 2. AMELITA GALLI-CURCI [s] 1479. 10” Red Vla 64669. MANON CARLO GALEFFI LESCAUT: Bourbonnaise [Laughing Song] (Auber). Delightful. Just about 1-2. $7.00. 1360. 10” Red Vla 64918. LA SONNAMBULA: Sovra il sen (Bellini). Brilliant singing. Just about 1-2. $7.00. 1702. 10” Red Vla 631. LE COQ D’OR: Hymne au Soleil / SADKO: Chanson indoue (both Rimsky-Korsakov). Just about 1-2. $7.00. 2376. 10” Red Vla 633. MESSAGGERO AMOROSO (Chopin, arr. Buzzi-Peccia) / SONNAMBULA: Sovra il sen (Bellini). Just about 1-2. $7.00. 2333. 10” Red Vla 635. MANON LESCAUT: Laughing Song (Auber) / CLAVELITOS (Valverde). Side one few lt. mks., cons. 2. Side two just about 1-2. $6.00. 1282. 10” Red acous. Vla 1097. NO TE VAYAS TE LO PIDO (Guervós) / ESTRELLITA (Ponce). In Spanish. Uncommon disc, charming performances. Just about 1-2. $12.00. 1722. 10” Red “Z” shellac Scroll Vr 1174. DINORAH: Ombra leggiera (Meyerbeer). Two sides. Flute obb. Clement Barone. Few lt. superficial rubs, 2. $7.00. 109 VOCAL 78 rpm Discs 1334. 10” Red Orth. Vla 1194. ABIDE WITH ME (Lyle-Monk) / LEAD, KINDLY LIGHT (Dykes). In Eng- lish. Scarce. Just about 1-2. $12.00. 1743. 10” Red “Z” shellac Scroll Vr 1355. HOME, SWEET HOME (Bishop) / THE LAST ROSE OF SUMMER (Moore). Piano acc. Homer Sam- uels. Just about 1-2. $8.00. 2291. 10” Red Scroll “Z” shellac Vr 1440. CLAVELITOS (Valverde); ES- TRELLITA (Ponce) / RUSSIAN NIGHTINGALE SONG (Alabieff). Side one piano acc. Homer Sam- uels. Side two with orch. Just about 1-2. $10.00. 1724. 10” Red Scroll “Z” shellac Vr 1524. SADKO: Chanson indoue (Rimsky- Korsakov) / LES FILLES DE CA- DIX (Delibes). Just about 1-2. $10.00. 1585. 10” Red PW (gold print) Vr 1755 [takes 8/10]. RIGOLETTO: E il sol dell’ anima (Verdi) / DON PAS- QUALE: Tornami a dir (Donizetti). With TITO SCHIPA [t]. Just AMELITA GALLI-CURCI about 1-2. $7.00. 1790. 10” Red PW Scroll “Z”-type shellac Vr 3056. DON PASQUALE: Notturno (Donizetti) / RIGOLETTO: E il sol dell’ anima (Verdi). With TITO SCHIPA [t]. Just about 1-2. $7.00. 2959. 12” Red Vla 74552. PERLE DU BRÉSIL: Charmant oiseau (David). Just about 1-2. $6.00. 3379. 12” Red Vla 74557. AIR AND VARIATIONS (Proch). Just about 1-2. $5.00. 3148. 12” Red Vla 74558 [take 2]. I PURITANI: Qui la voce … Vien diletto (Bellini). Just about 1-2. $6.00. 3209. 12” Red Vla 88596. TRAVIATA: Imponete (Verdi). With GIUSEPPE DE LUCA [b]. Just about 1-2. $6.00. 3208. 12” Red Vla 88601. TRAVIATA: Dite alla giovine (Verdi). With GIUSEPPE DE LUCA [b]. This does turn up (although not often under this early catalogue number) but as the grading indicates it is a virtually mint copy. Just about 1-2. $6.00. 3517. 12” Red acous. Vla 6432. I PURITANI: Son vergin vezzosa (Bellini) / RIGOLETTO: Tutte le feste (Verdi). Just about 1-2. $8.00. 3705. 12” Red EE Vla 6562. HAMLET: Mad Scene (Thomas). Two sides. Cons. 2. $7.00. 3271. 12” Red elec. late RCA Vr 6924. PEER GYNT: Solvejg’s Song (Grieg) / LO! HERE THE GENTLE LARK (Bishop). Few lightest rubs, cons. 2. $8.00. 4001. 12” Red “Z”-type shellac Scroll Vr 7110. MIGNON: Polonaise (Thomas) / BARBIERE DI SIVIGLIA: Una voce poco fa (Rossini). Superb surfaces. Just about 1-2. $8.00. 3908. 12: Red late acous. VdP DB 811. [C-27994/C-30910]. LA SONNAMBULA: Son ge- loso (Bellini) / LUCIA: Verranno a te (Donizetti). With TITO SCHIPA [t]]. Beautiful pressing, as clean as Victor “Z” pressings. Just about 1-2. $8.00. 4004. 12” PW Gold Vr HRS 1031. SEMIRAMIDE: Bel raggio (Rossini) / ALICE NIELSEN [s]. DAUGHTER OF THE REGIMENT: Convien partir (Donizetti). From orig. 1924/1908 Victor matrices. Side one 1st edition. Both labels are autographed by the respective singers. Just about 1-2. $25.00. MARIA GALVANY [s] 1728. 10” Red Vr 87058 [10894b]. VARIAZIONI (Proch). Her machine gun staccati are quite remarkable. Lt. NR on lbl., surface just about 1-2. $6.00. 1763. 10” Red Vla 931. IL BARBIERE DI SIVIGLIA: Una voce poco fa (Rossini) / MAGIC FLUTE: Aria della Regina (Mozart). Just about 1-2. $8.00. 110 VOCAL 78 rpm Discs 3717. 12” Red ’12 Pats. Vla 92501 [1328½c]. IL BARBIERE DI SIVIGLIA: Dunque io son (Rossini). With TITTA RUFFO [b]. Just about 1-2. $7.00. 3207. 12” Red ’12 Pats. Vla 88219 [1455½c]. LAKMÉ: Aria delle campanelle (Delibes). Cons. 2. $12.00. 3575. 12” Red Vr 88221 [1454c]. LUCIA: Spargi d’amaro pianto (Donizetti). Very lt. NR on lbl., surface just about 1-2. $12.00. 3620. 12” Red ’12 Pats. Vla 88222 [1451½c]. DINORAH: Ombra leggiera (Meyerbeer). One small LSS (i.e. absolutely harmless). Cons. 2. $12.00. 3243. 12” Red ’12 Pats. Vla 88236 [1399½c]. L’INCANTATRICE (Arditi). As new, as are most listings in this category. Just about 1-2. $15.00. 3615. 12” Red Vla 8058. TRAVIATA: Sempre libera (Verdi). With REMO ANDREINI [t] / GIUSEPPINA HUGUET [s], FERNANDO DE LUCIA [t]. PEARL FISHERS: No hai compreso un cor fedel (Bizet). Scarce doubling, particularly in mint condition. Just about 1-2. $20.00. 2805. 12” Gold PW Vr HRS 1010 [1451½c/1307c]. DINORAH: Ombra leggiera (Meyerbeer) / HAMLET: Ballade d’Ofelia (Thomas). Just about 1-2. $20.00. 3634. 12” Gold PW Vr HRS 1010 [1451½c/1307c]. Same as preceding listing (item #2805). Superficial rubs, gen. 2. $12.00. 3629. 12” Unnumbered PW White lbl. Vr IRCC issue 053163/053181 [1308c/1453½c]. ROMÉO ET JULIETTE: Valse (Gounod) / LUCIA: Splendon le sacre face (Donizetti). Neither side otherwise issued on Victor. Orig. 1907 G&T masters. Top late ‘30s pressing. As new. Just about 1-2. $20.00. 2821. 12” Unnumbered PW White lbl. Vr IRCC issue 054110/052111 [551i/549c]]. ELISIR D’AMORE: Chiedi all’ aura (Donizetti). With ARISTODEMO GIORGINI [t] / FER- NANDO DE LUCIA [t]. MIGNON: Addio Mignon (Thomas) /]. From orig. 1907/1906 G&T matrices. Beautiful pressing. Just about 1-2. $20.00. 3549. 12” PW Silver Vr IRCC 64 [1443c/621c]. LA SONNAMBULA: Prendi, l’anel ti dono (Bellini). With FERNANDO DE LUCIA [t] / GIUSEPPINA HUGUET [s], DE LUCIA [t]. PEARL FISHERS: Non hai compreso (Bizet). Just about 1-2. $20.00. 3659. 12” PW Silver Vr IRCC 104. LA SONNAMBULA: Son geloso (Bellini). With FERNANDO DE LUCIA [t] / GIUSEPPINA HUGUET [s], DE LUCIA [t]. LOHEN- GRIN: Mio Salvatore! (Wagner). Couple minor rubs side two, otherwise just about 1- 2. $15.00. 3840. 12” Late Red VdP DB 176 [546i/2733f]. LA TRAVIATA: Dite alla giovine (Verdi). With TITTA RUFFO [b] / GRAZIELLA PARETO [s], RUFFO [b]. RIGOLETTO: Lassù in ciel (Verdi). Just about 1-2. $6.00. 3653. 12” White HMV VB 68 [1399½c/1450c]. L’INCANTATRICE (Arditi) / MAGGIO- VALZER (Dufau). Just about 1-2. $15.00. ANTONIO GAMBARDELLA [t] Rome, 1858-, 1945. He seems to have made his debut at a charity concert in Genua, 1885, and his first operatic performance at the Teatro Verdi, Pisa, as Roberto in Puccini’s Le Villi. From there he was heard in principal houses in smaller cities throughout Italy (such as Genua, Cremona, Pisa, Bologna, Como, Bari and Ancona, among many others). In addition he appeared in South America later in 1894. Roles included most of the standard “big voice” roles, such as Canio, Ernani, Rhadames, Manrico and Otello. He sang regularly thoughout Italy until 1899, when he appears to have stopped singing except for having made four records for Zonophone in 1901 and eleven cylinders for Edison two years later. 2707. 7” Blk. Disco Zonofono (first form of label) 436. TOSCA: E lucevan le stelle (Puccini). This 1901 disc could be the first recording of this aria. It looks about 6 and there is one stuck groove, but it does play. $60.00. EDOARDO GARBIN [t] 9510. 11” SS Fonotipia 39065 [XPh56]. SENTO CHE T’AMO (Fatua). 3-4. $30.00. JOSÉ GARCIA [t]. Born in Spain, likely the late 1870s, Garcia achieved a law degree before becoming a singer. He then studied with Goula and Reynes and made his debut in Spain. He first sang in Italy in 1903 and for the next decade he was heard in a number of theaters including the Regio in Parma, 1907, where he was Hagenbach in Catalani’s La Wally and Rhadames in Aida. His appearances outside of Italy and Spain included Egypt and South America. At the outbreak of the First World War he returned to Spain and seems to have appeared for the last time at the Teatro Liceo in Barcelona, 1919, in the title role of Mascagni’s Guglielmo Ratcliff. His repertoire included principal roles in operas such as Il Trovatore, La Gioconda, Fedora, Tosca, Amica, Die Walküre, La Fanciulla del West and Les Huguenots, to cite a few. His uncommon records are always in demand. 111 VOCAL 78 rpm Discs 9479. 11” Brown Odeon 37311/37312 [XM406/XM670]. LA PARTIDA (Alvarez) / ESME- RALDA D’ESTHEL [s]. BACIAMI (Buzzi-Peccia). Piano acc. Cons. 2. $40.00. MARY GARDEN [s]. Aberdeen, 1874- Inver- urie, 1967. Raised in Chicago, Garden first studied there and then, via the generosity of a sponsor, in Paris with Trabadelo and Fugère. She made her debut at the Paris Opéra-Comique during a performance of Charpentier’s Louise, 1900, when the soprano on stage collapsed. Gar- den began with “Depuis le jour” and by the end of the opera she had achieved immediate ac- claim. Two years later, Debussy selected her to create Mélisande in the world premiere of Pélleas MARY GARDEN et Mélisande, much to the anger of the author of the play, Maeterlinck, who was pushing his mistress, Georgette Leblanc, for the honor. Garden went on to create a number of other roles. She was a great at- traction at the Hammerstein Opera in New York and for years with the Chicago Opera, which she even directed for one season. Her final operatic performance was in Alfano’s Résurrection at the Paris Opéra-Comique in 1934. She had a remarkable knack of attracting press attention with her opinions on various matters and through reports of her colorful affairs, real or imagined. In a letter dated August 14, 1951 to Gordon Whelen, Garden expressed her view on her recordings: “I can’t stand to hear my records, they are so poor and so bad. My sister had them and when she wanted to get rid of me she put them on – and off I went home. I simply can’t bear them.” Many would not share her opinion! 2132. 10” Yellow IRCC 3007. THAÏS: L’amour est une vertu rare (Massenet) / CHANT VÉNITIEN (Bemberg). Side two piano acc. RR from 1905 French Edison Cylinders. Just about 1-2. $7.00. 2257. 10” TC Columbia A1190 [19886-1/19887-1] COMIN’ THRO’ THE RYE / JOHN ANDERSON, MY JO (Old Scottish Airs). Cons. 2. $6.00. 3172. 12” Vinyl Orth. pressing mat. CVE-40736-2. LOUISE: Depuis le jour (Charpentier). Unpublished version with piano acc. To my ears much preferable to the earlier orchestrally accompanied version. Just about 1-2. $150.00. 3212. 12” Red Orth. Vla 7243. JOCK O’ HAZELDEAN (Old Scottish Air) / IN THE GLOAMING (Harrison). With organist Alexander Russell, recorded in the NY Wanamaker Store auditorium. Cons. 2. $15.00. STEWART GARDNER [b] 2107. 10” Blk. acous. HMV E.176 [Ho4770ae/Ho4773ae]. A LOVER IN DAMASCUS: Far across the desert sand / A LOVER IN DAMASCUS: Where the Abana flows (Amy Woodforde-Finden). One of a two-disc group. One small scr., 2. $10.00.

ANTOINETTE SMYTHE GARNES [s]. Detroit, 1887-Cape Girardeau, Missouri, 1938. Studying violin and piano in her youth, Garnes prepared further at the Detroit Con-servatory of Music in 1906. She wed Dr. Harry W. Garnes and settled in Chicago where, in 1916, she entered the Chicago Musical College, receiving a Bachelor of Music degree in 1919 and the Alexander Revell Diamond Medal for vocal ability and proficiency. Two years later she was awarded a Master of Music degree from the same institution. In addition to concert performances, one source mentioned that she appeared with the and the Cincinnati Zoo Opera. Much of her life was devoted to teaching at such institutions as Wilberforce (Ohio), the Hampton Institute and Lincoln University (Missouri). In 1922 she made two recordings for Black Swan. – Dictionary of Afro-American Performers (Patricia Turner). 1940. 10” Red Black Swan 7101. RIGOLETTO: Caro nome (Verdi). 3. $10.00. 1941. 10” Red Black Swan 7102. TRAVIATA: Ah, fors’ è lui (Verdi). Very tiny lbl. tear. 3. $10.00. 112 VOCAL 78 rpm Discs MABEL GARRISON [s] 1223. 10” Red Vla 64783. KHAKKI SAMMY (John Alden Carpenter). Includes photocopy of the sheet music (dedi- cated to Nora Bayes). Just about 1-2. $12.00. 1082. 10” Red acous. Vla 1006. SPRING (Henschel) / STAR-EYES (Oley Speaks). One TB, otherwise just about 1-2. $8.00. 2730. 12” Red acous. Vr 74482. TALES OF HOFFMANN: Doll Song (Offen- bach). Excellent coloratura work. Just about 1-2. $8.00. MARIE-THÉRÈSE GAULEY [s]. Paris, 1903 - ? . A graduate of the Paris Conser- vatoire, winning first prize in 1924, Gauly was engaged by the Opéra-Comique the same year and made her debut as Olympia in The Tales of Hoffmann. In addition to performing a number of major coloratura roles there, she appeared as well in Italy, Belgium and Switzerland. She was also a popular singer of film and operetta music, sounding “at home” MABEL GARRISON in later years in a variety of repertoire to which her recordings attest. 2081. 10” Dk. Blue French Odeon 238.421 [KI-4338-2/KI-4336-2]. MOINEAU: Margue- rite ou Fleur d’oranger / MOINEAU: Le Voyage de noces (Louis Beydts). Side one with ROGER BOURDIN [b]. Very minor lbl. stain side one. Just about 1-2. $12.00. EVA GAUTHIER [ms]. Ottawa, 1885-New York, 1958. Gauthier began her vocal studies in Ottawa with Frank Buels. After local success as a church soloist in 1901, Gauthier, as a protégé of her uncle, Sir Wilfred Laurier, Canada’s Prime Minister, studied in Europe with several celebrated teachers including Jacques Bouhy, William Shakespeare and Anna Schoen-René. She appeared in 1906 as an assisting artist to in her farewell tour of Canada. Further studies took place in Italy with Giuseppe Oxilia, and she made her Italian debut in 1910 at the Parma Teatro Regio and then at Covent Garden. In 1911 she wed Franz Koote, a plantation owner in Java. She toured the Far East and added some interesting Javanese songs to her repertoire, but evidently she preferred Western life sans Mr. Koote. Her career was thereafter mainly devoted to the concert stage with a particular focus on contemporary music ranging from Stravinsky to George Gershwin. Her sister, Juliette Gaulthier, specialized in folk and concert music and made one Victor recording of Eskimo songs. An Ernestine Gauthier, also a mezzo-soprano, sang in the 1913 period with the Boston Opera, but she appears to be no relative, as her place of birth is given as Springfield, MA. 1139. 10” Blk. Vr 72165. SAVEZ-VOUS PLANTER LES CHOUX?; TREMPTE TON PAIN; LA MÈRE MICHEL; MALBROUCK / AU CLAIR DE LA LUNE; IL PLEUT, IL PLEUT, BERGÈRE; PROMENADE EN BATEAU; FAIS DODO, COLAS (French Songs). ‘30s pressing. Superficial rubs, cons. 3. $10.00. 1124. 10” Blk. Vr 72167. LA LETTRE [CHANSON DE LA WOËVRE] (Henry Février) / AUPRÈS DE MA BLONDE (Fr.-Canadian Folk Song). Just about 1-2. $20.00. 1003. 10” PW Silver Victor IRCC 103. LE PRÉ AUX CLERCS: Souvenirs du jeune age (Hérold) / ROMANCE; FANTOCHES (both Debussy). Piano acc. From orig. 1916/ 1917 Victor matrices. Side one lbl. signed by Gauthier. Just about 1-2. $25.00.

JULES GAUTIER [t]. Marseilles, 1866–1951. Gautier studied at the Conservatories in Marseilles and Paris, winning first prizes from both institutions. He made his Paris Opera debut as Sigurd on 3 July 1896, followed in September by Laërte in Hamlet. In 1898, he sang Manrico in Il Trovatore during the summer season at the Paris Renaissance, and the following year sang at the Paris Opera and in Nice. Gautier made his Paris Opéra-Comique debut on 10 January 1901 as Gérald in Lakmé. He remained there for two seasons, singing in productions of Carmen, Mireille, Cavalleria Rusticana, Louise, Grisélidis, and La Bohème. From 1903–1905, Gautier sang in Lyons and Nice; between 1905–1907, he sang in Bordeaux, where he appeared in no fewer than 17 major roles. In 1908–1909, he returned to the Paris Opera. Adapted from notes to the Marston CD issue Meyerbeer on Record, 1899-1913. 1395. 10” Blue Vr 45007 [5778h/5779h]. LES HUGUENOTS: Plus blanche (Meyerbeer) / WILLIAM TELL: Asile Héréditaire (Rossini). Fine voice. Just about 1-2. $12.00. 113 VOCAL 78 rpm Discs 1889. 10” Red ’12 Pats. Vla 91085 [7293e]. CARMEN: Seguidilla (Bizet). Just about 1-2. $8.00. 3061. 12” PW Silver Vr IRCC 197 [3807f/3816f]. DON GIOVANNI : Vedrai, carino (Mozart) / CARMEN: Les tringles des sisters tintaient (Bizet). From orig. ’08 London Gram. matrices. Side two fiery performance. Just about 1-2. $15.00. NICOLAI GEDDA [t] 3836. 12” Scandinavian Odeon SD 6079 [XXSto 8276-2A/XXSto8277-2A]. POSTILLON VON LONJUMEAU: Postiljonvisa (Adam) / TSAREVITSCH: Volgasång (Lehár). Very early and scarce Gedda. Just about 1-2. $30.00. ELENA GERHARDT [ms]. 2211. 10” PW Silver Vr IRCC 11 [5967h/5969h]. HEIMWEH / UND WILLST DU DEINEN LIEBSTEN STERBEN SEHEN (both Hugo Wolf). From 1907 G&T matrices. Piano acc. ARTUR NIKISCH. Just about 1-2. $50.00. 1474. 10” Green Flags acous. Columbia E-3515 [44963-4/43950-?]. GYPSY BARON: Zi- geunerlied (Strauss) / JOHANNES SEMBACH [t], MAX BLOCH [t], OTTO GORITZ [b], KARL BRAUN [bs]. RÖSLEIN, RÖSLEIN ROT (German Folk Song). Excellent pressing. Lt. superficial mks., 2. $25.00. 4108. 10” Green acous. Columbia E-3515 [44963-4/43950-2]. Same as pre- ceding listing (item #1474) but earlier pressing. 2. $20.00. 1875. 10” Red Eng. Aeolian Vocalion L-5036 [03202]. DER TOD UND DAS MÄD- CHEN (Schubert). Piano acc. Ivor Newton. Just about 1-2. $15.00. 3753. 10” (pressed on 12”) vinyl HMV White Lbl. 2-43436 [13432r]. DER SCHMIED (Brahms). Piano acc. Bruno Seidler-Winkler. Just about 1-2. $40.00. 4117. 10” (pressed on 12”) vinyl HMV White lbl. 2-43441 [13438r]. CÄCILIE (Strauss). Orch. acc. Just about 1-2. $40.00. RUDOLF GERLACH-RUSNAK [t] 2037. 10” Plum PW HMV EG 2911 [OD1779-II/OD1780-II]. ROSEN- KAVALIER: Menuett und Arie des RUDOLF GERLACH-RUSNAK Sängers (Strauss) / LA FAVORITA: Engel so rein (Donizetti). Side one in Italian. Few lt. rubs, cons. 2. $12.00. JEANNE GERVILLE-RÉACHE [c]. Orthez, 1882-NY City, 1915. A pupil of Rosine Laborde, Gerville-Réache also coached with , who prepared her for her 1899 Opéra-Comique debut as Gluck’s Orpheus. Three years later, at the age of twenty, she created the mother, Geneviève, in the Paris Opèra-Comique world premiere of Debussy’s Pelléas et Mélisande. 1907 marked her American debut with Hammerstein’s Manhattan Opera. She subsequently appeared in Chicago and Canada as well. Wagnerian roles were part of her repertoire, and she also was Clytemnestra in the 1910 American premiere of Strauss’s Elektra. As with Schumann-Heink, the Clytemnestra of the Dresden world premiere, Gerville-Réache almost immediately retired the role, considering it too wearing vocally. Her tragic death at the age of 32 was the result of blood poisoning. 1157. 10” Red Pats. Vla 87080. LA VIVANDIÈRE: Viens avec nous (Godard). Just about 1-2. $15.00. 1611. 10” Mauve HMV AGSA 1. LA VIVANDIÈRE: Viens avec nous (Godard) / WERTHER: Va! laisse couler mes larmes (Massenet). From orig. 1910/1909 Victor matrices. Just about 1-2. $8.00. 3944. 12” Red ’08 Pats. “B” plate Vla 88166. SAPHO: O ma lyre immortelle (Gounod). Just about 1-2. $15.00. 114 VOCAL 78 rpm Discs 3223. 12” Red ’08 Pats. Vla 88166. Same as preceding listing (item #3944). Few lightest mks., cons. 2. $12.00. 3157. 12” Red ’08 Pats. “A” plate Vla 88198. ORFEO: J’ai perdu mon Euridice (Gluck). Just about 1-2. $15.00. 3736. 12” Red ’08 Pats. “A” plate Vla 88244. SAMSON ET DALILA: Printemps qui commence (Saint-Saëns). Just about 1-2. $15.00. 3150. 12” Red ’12 Pats. “B” plate Vla 88368. D’UNE PRISON (Hahn). Exceptionally rare. Cons. 2. $35.00. 4199. 12” PW Gold HRS 1004. L’ENFANT PRODIGUE: Air de Lia (Debussy) / ORFEO: J’ai peru mon Euridice (Gluck). From orig. 1911/1909 Victor matrices. Just about 1-2. $20.00. 2988. 12” PW Silver Vr IRCC 73 [C-8332-2/C-9700-2]. QUEEN OF SHEBA: Plus grand, dans son obscurité (Gounod) / PAUL ET VIRGINIE: Parmi les lianes (Massé). From orig. 1910/11 matrices. Exciting performances. Wonderful pressing. Just about 1-2. $20.00. ALEXIS GHASNE (originally BOBEUF) [b]. St. Denis, France, 1868- ? . A graduate of the Paris Conservatoire, Ghasne made his debut at la Monnaie, Brussels, in 1892, to which he returned a decade or so later until 1919. 1897 marked his Paris Opéra-Comique entry as Alfio. He was a guest in London at Covent Garden, 1893 and 1911 and in Portugal, 1910-11. His vast repertoire included roles in most French operas staged at the time, as well as Italian parts such as Scarpia and Sharpless. 9491. 11” APGA 1737/1738. RONDEL DE L’ADIEU / MESSALINE: Viens aimer (both de Lara). One tiny LSS, cons. 2. $20.00. DUSOLINA GIANNINI [s]. 1278. 10” Blue acous. Vr 45413. IN MEZZO AL MARE / FÀ LA NANA BAMBIN (both Geni Sadero). IMs. Just about 1-2. $12.00. 1279. 10” Blue acous. Vr 45427. NON ME LO DITE! / PENSO! (both Tosti). Just about 1-2. $15.00. 1295. 10” Red PW (gold print) Vr 1195. CIELITO LINDO (Mexican Folk Song) / CARMELA (Ross). Very tiny lbl. scr. side two. Fine pressing. Just about 1-2. $10.00. 2489. 10” Red PW Electrola DA 1230 [OF-512-II/OF-513-II]. LES FILLES DE CADIX (Delibes) / MATTINATA No. 2 (Tosti). Orch. dir. Carlo Sabajno. Fine pressing. Few lightest mks., cons. 2. $15.00. 1201. 10” Red HMV DA 4447 [ORA3227-II/ORA3228-II]. FUNICULÌ-FUNICULÀ (Denza, arr. Vittorio Giannini) / ESTRELLITA (Ponce). Orch. dir. Bruno Seidler-Winkler. Just about 1-2. $12.00. 1023. 10” Red PW HMV DA 4451 [ORA3238-I/ORA3239-II]. WALDESGESPRACH / DER SCHMIED (both Jensen). Piano acc. Michael Raucheisen. Just about 1-2. $12.00. 3135. 12” Red PW Electrola DB 1093 [CVE-38035/CVE39574]. AIDA: Ritorna vincitor / AIDA: O patria mia (Verdi). Recorded in Camden, 1927, it was issued only in Europe. Nice pressing. Just about 1-2. $12.00. 3320. 12” Red Swiss HMV DB 1946 [2D1579-3/2D1581-1]. MADAMA BUTTERFLY: :Love Duet (Puccini). Two sides. Scarce Italian language version. With [t]. One minor mark., otherwise just about 1-2. $15.00. FERRUCCIO GIANNINI [t]. Ponte all'Arnia, 1868- Philadelphia, 1948. Giannini emigrated to the United States in 1885, settling in Philadelphia where he became a City Council- lor and a leader in Italian-American affairs. While he claimed appearing once with , apparently most of his career was as a local tenor and impresario, organizing and joining in Philadelphia area opera performances. He continued with this throughout his life, his four children having become noted musicians. Bass-baritone Edwin Steffe had mentioned to me having appeared in a Philadelphia concert in 1945 in which Giannini, then in his mid-70s, joined him for an enthusiastic performance of “Solenne in quest’ora” from La Forza del Destino. 2704. 7” Berliner 979. PIETÀ SIGNORE (att. Stradella). Recorded April 15, 1896. 3-4. $75.00. 2705. 7” Berliner 2705. NON E VER (Mattei). Recorded Nov. 17, 1896. 4. $60.00. BENIAMINO GIGLI [t] 1468. 10” Red Vla 64868 [20265b]. O SURDATO NNAMURATO (Cannino). VrBk. Just about 1-2. $10.00. 2131. 10” Red Vla 66010. TU SOLA (de Curtis). Just about 1-2. $6.00. 115 VOCAL 78 rpm Discs 2329. 10” Red Vla 66095. PAGLIACCI: Vesti la giubba (Leoncavallo). VrBk. Just about 1-2. $6.00. 2097. 10” Red Vla 87581. ROMÉO ET JULIETTE: Ah! ne fuis pas encore! (Gounod). With LUCREZIA BORI [s]. VrBk. Just about 1-2. $7.00. 2226. 10” Red Vla 646. IRIS: Apri la tua finestra (Mascagni) / TOS- CA: Recondita armonia (Puc- cini). Just about 1-2. $7.00. 2225. 1 0” Red Vla 906. TU SOLA (de Curtis) / LE ROI D’YS: Vaine- ment, ma bien aimée (Lalo). Just about 1-2. $8.00. 1700. 10” Red Vla 942. TOSCA: E lucevan le stelle / TOSCA: O dolci mani (Puccini). Just about 1-2. $7.00. 1761. 10” Red Vla 975. ANDREA CHÉNIER: Come un bel dì di maggio (Giordano) / LORELEY: Nel verde maggio (Catalani). Just about 1-2. $8.00. 2116. 10” Red acous. Vla 1025. IL CANTO DEL CIGNO (Saint- Saëns) / PAQUITA (Buzzi- Peccia). Just about 1-2. $8.00. 2041. 10” Red EE Vla 1084. SENTI- NELLA / STO PENZANNO ‘A MARIA (both E. De Curtis). Just about 1-2. $8.00. BENIAMINO GIGLI and daughter RINA 1762. 10” Red Orth. Vla 1239. MEFI- STOFELE: Giunto sul passo / MEFISTOFELE: Dai campi (Boïto). Just about 1-2. $8.00. 1703. 10” Red Orth. Vla 1243. RONDINI AL NIDO (De Crescenzo) / TORNA AMORE (Buzzi-Peccia). Few lightest mks., cons. 2. $7.00. 1604. 10” Red Orth. Vla 1403. CANTA PE’ ME (de Curtis) / STORNELLI MARINI (Mas- cagni). Few lt. rubs, cons. 2. $7.00. 1574. 10” Red late acous. VdP DA 225 [4233ah/4234ah]. FEDORA: Amor ti vieta / FE- DORA: Vedi io piango (Giordano). Just about 1-2. $10.00. 1418. 10” Red PW Electrola DA 1295 [AQ72535/AQ72536]. QUISIERA OLVIDAR TUS OJOS / ERES TU (both Miguel Sandoval). Just about 1-2. $10.00. 1435. 10” Red PoW Australian (?) HMV DA 1657 [OBA2746-II/OBA2749-III]. STÄNDCHEN (Schubert) / WIEGENLIED (Brahms). Both in German. Good laminated pressing. Cons. 2. $10.00. 1391. 10” Red VdP DA 5419 [OBA4925/OBA4930-II]. SURDATE (Bovio) / SON POCHE ROSE (Fratti). Just about 1-2. $10.00. 1330. 10” Red late VdP DA 5443 [OBA5485/OBA5486-II]. CINEFOLLIA [MOVIE CRAZY] / DIMMI TU, PRIMAVERA (both Bixio). From 1943 film Silenzio si gira. Just about 1- 2. $12.00. 1036. 10” Red HMV DA 2038 [OEA17340-2/OEA17341-2]. HAVAIANA (de Veroli) / PAPA- VERI ED PAPERE (Mascheroni). With Neapolitan Novelty Orchestra. Delightful disc! Just about 1-2. $10.00. 1678. 10” Orange So. Amer. RCA Vr 66-0120. IL GUARANY: Scene Acto 2 / LO SCHIAVO: Cuando nacistes tu (both Carlos Gomes). Orch. dir. Enrico Sivieri. IMs. Gen. 2. $15.00. 2920. 12” Red Orth. “Z” shellac Vla 6905. MIGNON: Addio Mignon / MIGNON: Ah! non credevi tu (Thomas). Just about 1-2. $12.00. 116 VOCAL 78 rpm Discs 3512. 12” Red PW (gold print) Vr 6905. Same as previous listing (item #2919). Just about 1-2. $12.00. 3961. 12” Red Scroll “Z” shellac Vr 7194. LA GIOCONDA: Cielo e mar (Ponchielli) / ELISIR D’AMORE: Una furtive lagrima (Donizetti). Few lightest mks., cons. 2. $7.00. 2982. 12” Red late VdP DA 1454 [CVE-49049-1/CVE-58125-2]. NOTTE LUNARE (Seismit- Doda) / SE (Denza). Excellent pressing. Just about 1-2. $10.00. 2902. 12” Red late VdP DB 11347 [2BA7578/2BA7583]. ELISIR D’AMORE: Chiedi al rio (Donizetti) / PEARL FISHERS: Non hai compresso (Bizet). Both with RINA GIGLI [s]. Just about 1-2. $12.00. 3095. 12” Red late VdP DB 21096 [2EA14264-1/2EA14265-1]. ALBA ‘E TRAMONTO (Gibilaro) / CHE SSO’ TURNATO A FA? (Di Veroli). Orch. dir. Walter Goehr. Few lightest mks., cons. 2. $12.00. 3129. 12” Red late VdP DB 21524 [2EA16540-2A/2EA16541-3A]. AVE MARIA (Percy B. Kahn, arr. Geehl) / OH GRANDE SOMMO IDDIO (Gigli-Veroli, arr. Geehl). Orch. dir. Stanford Robinson. Just about 1-2. $15.00. 3654. 12” White SS Special Pressing HMV DB 3128 [2BA-1777-II]. (Blanc). Rare. Lt. rubs, 2. $20.00. 3878. 12” Mauve HMV elec. AGSB 49 [CVE-37319/CVE-37321]. FORZA DEL DESTINO: Solenne in quest’ ora (Verdi) / GIOCONDA: Enzo Grimaldo (Ponchielli). Both with TITTA RUFFO [b]. Both first and only editions. Just about 1-2. $20.00. 4049. 12” Mauve HMV elec. AGSB 56 [CVE-37320/CVE58119]. LA BOHÈME: Ah, Mimì, tu più (Puccini). With TITTA RUFFO [b] / PEARL FISHERS: Mi par d’udir ancora (Bizet). Both first and only editions. Just about 1-2. $20.00. 3612. 12” Mauve HMV acous. AGSB 58 [C-27714/C-29286]. ROMÉO ET JULIETTE: Ange adorable (Gounod). With LUCREZIA BORI [s] / BORI [s], MIGUEL FLETA [t]. CARMEN: Parle-moi de ma mère (Bizet). Both sides from unpublished 1924 Victor matrices. Just about 1-2. $15.00. RINA GIGLI [s]. Naples, 1916-Recanati, 2002. Gigli studied piano and became a capable accompanist and soloist. She first sang in public in 1936, although she didn’t make her debut in opera until 1943 in Parma, singing Violetta in La Traviata opposite her father, Beniamino Gigli, as Alfredo. She was prepared in the role by and had a great success. Her career included most major houses in Italy, as well as in Spain, South America and London’s Covent Garden. She was equally popular in recital in tours that included Japan and South Korea. Her last performance was Nedda in Pagliacci at the Naples San Carlo in 1971. Her repertoire included over thirty roles. She frequently appeared on stage opposite her father until he retired from opera in 1954. Rina Gigli’s voice had a very distinctive timbre (which I find attractive although others have cited it as abrasive), but she was a better musician than her father, a result of her extensive keyboard experience. 2902. 12” Red late VdP DB 11347 [2BA7578/2BA7583]. ELISIR D’AMORE: Chiedi al rio (Donizetti) / PEARL FISHERS: Non hai compresso (Bizet). Both with BENIAMINO GIGLI [t]. Just about 1-2. $12.00. CHARLES GILIBERT [b] 2802. 12” Blk. Manhattan (Columbia) 30088. LA VIERGE Á LA CRÉCHE (Perilhou). Piano acc. Scarce. Never doubled. Just about 1-2. $35.00. 2814. 12” TC Columbia 30096 [M129-1]. DON GIOVANNI: Sérénade (Mozart); MARGA- TON (arr. Weckerlin). Piano acc. Just about 1-2. $25.00. 4113. 12” TC Columbia A5008 [30096-1/30125-1]. DON GIOVANNI: Sérénade (Mozart); MARGATON (arr. Weckerlin) / LILLIAN BLAUVELT [s]. HOME, SWEET HOME (Payne). Cons. 2. $25.00. 4009. 12” PW Silver Vr IRCC 102. BERGERETTE; MARGOTON (both arr. Weckerlin) / POL PLANÇON [bs]. LE VALLON (Gounod). Both piano acc. From orig. 1905/1907 Victor matrices. Just about 1-2. $25.00. MARIO GILION [t]. 1870-Marseilles, 1914. After some experience as a baritone, Gilion made his debut singing tenor in , 1901, as Vasco da Gama in Meyerbeer’s l’Africaine. He appeared in Modena, Venice, Genoa, Torino, Madrid, Odessa, Buenos Aires, and a number of other operatic centers, becoming known as one of the most able dramatic tenors of the period. His Paris Opéra debut was in what turned out to be his “signature” role, Arnold in William Tell. Gilion’s records, made exclusively for Fonotipia, display a voice of almost baritonal richness with exceptional brilliance above the staff. 9501. 11” Fonotipia 92238/92239 [XPh3291/XPh3292]. SIBERIA: Orride steppe (Gior- dano) / SAMSON ET DALILA: Figli miei v’arrestate (Saint-Saëns). Small PG side two. 2. $35.00. 117 VOCAL 78 rpm Discs DINH GILLY [b] 1871. 10” Mauve HMV AGSA 29 [Bb3357-II/ Bb3358-I]. LA COUPE DU ROI DE THULÉ: Il est venu ce jour de lutte (Diaz). Two sides. Just about 1-2. $6.00. 3600. 12” Red acous. HMV DB 693 [Cc3355-I/Cc3356-II]. LE JON- GLEUR DE NOTRE-DAME: Lé- gende de la Sauge (Massenet). Two sides. Just about 1-2. $8.00. 3676. 12” Red SR HMV DB 743 [Cc4006- I/Cc4007-I]. MADAMA BUTTER- FLY: Dovunque al mondo / MA- DAMA BUTTERFLY: Amore o grillo (Puccini). With [t] and (side one only) WILLIAM PARNIS [t]. Super- ficial lt. rubs, cons. 2-3. $12.00. 3316. 12” White lbl. HMV acous. SS DB 743 [Cc4007-I]. MADAMA BUT- DINH GILLY TERFLY: Amore o grillo (Puc- cini). With JOSEPH HISLOP [t]. Just about 1-2. $12.00. 3906. 12” Red acous. Czech HMV DB 849 [Cc5995-II/Cc5996-III]. PAGLIACCI: Prologo (Leoncavallo). In English. Good pressing. Lt. rubs, 2. $12.00. 3026. 12” White lbl. HMV elec. SS DB 1256 [Cc14229-I]. O DEL MIO AMATO BEN (Donaudy). Piano acc. Moving performance. Just about 1-2. $25.00. 3219. 12” PW Silver elec. IRCC 188 [Cc14229-IV/Cc14231-I]. O DEL MIO AMATO BEN (Donaudy) / AMARILLI (Caccini). Piano acc. George Reeves. Just about 1-2. $35.00. RIA GINSTER [s] 1654. 10” Red Swiss HMV DA 6017 [OZA1115-4/OZA1160]. BOTSCHAFT / IMMER LEISER WIRD MEIN SCHLUMMER (both Brahms). Piano acc. Paul Baumgartner. Cons. 2. $15.00. 3125. 12” Red PW (gold print) Vr 14824 [2EA6040-I/2EA6041-I]. ALS LUISE DIE BRIEFE IHRES UNGETREUEN LIEBRABERS VERBRFANNTE, K.520; DER ZAUBERER, K.472 / ABENDEMPFINDUNG, K.523 (all Mozart). Piano acc. Gerald Moore. Perfect copy, beautiful performances. Just about 1-2. $10.00. 3796. 12” Red PW HMV DB 2482 [2EA1212-1/2EA1213-1]. SCHÖNE FREMDE; IN DER FREMDE; GEISTERNÄME / MEINE ROSE (all Robert Schumann). Piano acc. Gerald Moore. Just about 1-2. $10.00. ARISTODEMO GIORGINI [t] 2454. 10” Red ’12 Pats. Vla 87083 [13253b]. MANON: O dolor (Massenet). With ANITA SANTORO [s], SALVATORE NICOLICCHIA [bs]. 2. $8.00. 2821. 12” Unnumbered PW White lbl. Vr IRCC issue 054110/052111 [551i/549c]]. ELISIR D’AMORE: Chiedi all’ aura (Donizetti). With ARISTODEMO GIORGINI [t] / FER- NANDO DE LUCIA [t]. MIGNON: Addio Mignon (Thomas) /]. From orig. 1907/1906 G&T matrices. Beautiful pressing. Just about 1-2. $20.00. 2036. 10” White acous. HMV VA 70 [Bk1822-2/ BE-1216-2]. LA FAVORITA: Non sai tu (Donizetti). With ROBERTO D’ALESSIO [t] / ROBERTO D’ALESSIO [t], [bs]. FAUST: Ebben? che ti pare? (Gounod). Just about 1-2. $8.00. 2685. 12” Red Angel Gram. Mon. 052244 [1459c]. WERTHER: Ma come dopo il nembo (Massenet). Small lbl. stkr. ½” internal scr. (lt. ticks possible), few lt. rubs, otherwise cons. 2. $40.00. [b]. Marseilles, 1871-Helsink 1924. Eugenio was the child of two noted singers, the celebrated Verdi baritone , the first Amonasro, and soprano , who created Catalani’s Loreley and also taught Eugenio. His debut was at the 118 VOCAL 78 rpm Discs Teatro Liceo in 1898 as Escamillo in Carmen. He followed this with success at La Scala, the Rome Costanzi (where he created Scarpia in the 1900 world premiere of Puccini’s Tosca), and the Metropolitan Opera and Covent Garden (where he also sang their first Scarpia). His career also included Russia and South America, as well as Scandinavia. He taught in his later years in Helsinki. 9314. 11” Red ‘30s Odeon X.39536/X.39446 [XPh1514/XPh1512]. HAMLET: O vin discaccia la tristezza / OTELLO: Credo (Verdi). Just about 1-2. $35.00. VITTORIO GIRARDI [bs]. Active in Italy, Moscow, St. Petersburg, and Buenos Aires, he likely appeared in many other areas as well. He apparently visited the U.S. in the 1898-99 period and recorded a number of cylinders in New York for Bettini (which are virtually unknown except as listings). A small sketch and photo of him appear in a Bettini catalogue, but so far no performances have been found for him in New York. His recordings are otherwise only only three rare Italian G&Ts (the first two, below, as Berliner issues). He is occasionally confused with Alexander Girardi, a German singer active in the later 1800s. 2714. 7” Berliner 5226 [4308]. LUCREZIA BORGIA: Vieni la mia vendetta (Donizetti). Few LGTs, 3-4. $200.00 2715. 7” Berliner [4307]. LUISA MILLER: Il mio sangue la vita darei (Verdi). Unusually nice copy for a Berliner. No apparent graying. Superficial rubs, cons. 3. $250.00. FIORELLO GIRAUD [t]. Parma, 1868-1928. His debut was as Lohengrin in 1891 and the following year he created Canio in the world premiere of Leoncavallo’s Pagliacci. His long career and diverse repertoire included Siegfried at La Scala under Toscanini in 1907 and in 1908 Pelléas in the Italian premiere of Debussy’s Pelléas et Mélisande. In later years he was successful on the concert stage. 2633. 10” Blk. Dog Con. Gram. R3845 [6441ae/6488ae]. OBLIO / TI RICORDO (both Tosti). Side one couple LGTs, 2. Side two just about 1-2. $75.00. 2218. 10” Blk. Dog Con. Gram. R3847 [6443ae/6490ae]. INVANO / NON M’AMA PIÙ (both Tosti). NR on lbl. side two. Side one 2-3. Side two few LGTs, gen. 3. $50.00. 2607. 10” Blk. Dog Con. Gram. R3851 [6445ae/6489ae]. RIMPIANTO (Toselli) / AVE MARIA (Grigolato). Side one some LGTs, 3-4. Side one 2-3 but 1” scr. last portion of disc sounds lightly. $35.00. ALMA GLUCK [s] 1689. 10” Red Vla 64209. SNEGOUR- OTCHKA: Song of the Shepherd Lehl (Rimsky-Korsakov). Just about 1-2. $10.00. 1359. 10” Red Vr 64268. LONG AGO, SWEETHEART MINE; A MAID SINGS LIGHT (MacDowell, from Op. 56). Piano acc. Rosario Bourdon. Beautiful pressing. Just about 1-2. $10.00. 1463. 10” Red Vr 64346. IRISH LOVE SONG, Op. 22 (Lang). Piano acc. Efrem Zimbalist. Just about 1-2. $8.00. 2292. 10” Red Vr 64399. SERENATA (Tosti). Just about 1-2. $8.00. 1800. 10” Red Vr 87182. DU, DU LIEGST MIR IM HERZEN (Pax, arr. W. Ber- ger). With PAUL REIMERS [t]. Just about 1-2. $6.00. 2357. 10” Red Vla 649. BOHÈME: Quando m’en vo / BOHÈME: Donde lieta usci (Puccini). Just about 1-2. $8.00. ALMA GLUCK in the 1930s 1430. 10” Red Vla 666. L’HEURE EXQUISE (Hahn) / TWO FOLK-SONGS OF LITTLE RUSSIA (arr. Efrem Zimbalist). Among her finest records. Just about 1-2. $12.00. 3766. 12” Red Pats. Vr 74249. HIPPOLYTE ET ARICIE: Rossignols Amoureux (Rameau). Such a beautiful performance! Just about 1-2. $15.00. 119 VOCAL 78 rpm Discs 3366. 12” Red Vr 74504. ATALANTA: Care selve (Händel). In English. Just about 1-2. $8.00. 3380. 12” Red “B” plate Vla 74559 [take 2]. THEODORA: Angels Ever Bright and Fair (Händel). Just about 1-2. $8.00. 3428. 12” Red ’12 Pats. Vla 88375. HYMN OF PRAISE: I waited for the Lord (Händel). With LOUISE HOMER [c]. IMs. Just about 1-2. $7.00. 3532. 12” Red ’12 Pats “B” plate Vla 88380. STABAT MATER: Quis est homo (Rossini). With LOUISE HOMER [c]. Just about 1-2. $7.00. 3818. 12” Rede Vr 88576. NORMA: Mira o Norma (Bellini). With LOUISE HOMER [c]. Just about 1-2. $7.00. TITO GOBBI [b] 1870. 10” Red HMV DA 2026 [OEA16809-3A/OEA16811-2B]. O SOLE MIO (di Capua) / FENESTA CHI LUCIVE (arr. diMergilo). Cons. 2. $7.00. 1831. 10” Red late VdP DA 5429 [OBA5147/OBA5148]. ZAZÀ: Buona Zazà / ZAZÀ: Zazà, piccolo zingara (Leoncavallo). Excellent late pressing. Just about 1-2. $10.00. 1070. 10” Red HMV DA 1940 [OEA14562-1/OEA14563-1]. TAKE THE SUN (Rota) / SONG OF THE MOUNTAINS (Pigarelli). Both from film The Glass Mountain. Side one in English, side two Italian. Side one orch. acc., side two with accordion and guitar. Few lightest mks., cons. 2. $10.00. ISO GOLLAND (ISAAC E. GOLYAND) [b]. 1901-1978. A noted Russian concert and opera singer and actor, Golland studied with Ettore Gandolfi and later Frederick Huslera, who recalled him as a “very impressive personality”. He toured Germany and, in 1929, Palestine. In the 1930s he returned to Russia and become a highly respected pedagogue. [Internet sources] 1345. 10” PW Blue shellac Columbia 5297-F [W130969-1/W130968-1]. DER FLOH (Moussorgsky)/ DIE PITERSKAJA ENTLANG (Russian Folk Song). Side one piano acc. Arpad Sandor. Side two with Ziehharmonikabegleitung. Harmless rubbing, 3. $8.00. HANS GOLLE [t]. All I could trace is that he was a leading tenor with the N.Y. Deutsches Theater in the mid-1920s (when the record below was made). 2452. 10” Green acous. Columbia 5062-F [105635-2/105636-1]. DREIMÄDERLHAUS: Wienerlied / DREIMÄDERLHAUS: Uner einen Fliederbaum (Schubert-Berté). Side two with R. GRAHAM [s]. Just about 1-2. $7.00.

AIDA GONZAGA [s]. Firenze, 1879-Milano, 1927. Daugher of a professional soprano, Elvira Maglioni, Gonzaga studied in Firenze and then Lisbon, where she made her debut in 1894 in Les Huguenots. Performances by Gonzaga have been traced up to 1923, including a variety of coloratura repertoire which she sang through Italy, including the Rome Costanzi. Some time was also spent singing in South America, Spain and England. In later years she gave song recitals on Radio Italiana and eventually taught in Milano. 3741. 11” Fonotipia 62124/62125 [XPh2556/XPh2557]. LUCIA: Regnava nel silenzio / LUCIA: Quando rapido in extasi (Donizetti). Nice copy. One harmless tiny PB, small lbl. stkr. Cons. 2. $15.00. JEANNE GORDON [c]. Wallaceburg, Canada, 1884-Macon, MO, 1952. In 1908, she was married to Ralph K. Trix, a Detroit real estate agent, and was divorced in 1924. Their daughter, Jane (Gordon) became an actress and, in 1941, the wife of actor David Wayne. Jeanne studied in Toronto with Dr. Albert Hamm and was graduated from the Toronto Conservatory. She apparently did little with her talent until her husband enlisted in the army around 1916. Her career began as a soloist in New York movie houses and then developed as a member of the Creatore and Scotti Opera Companies. In 1919 she made her debut at the Metropolitan as Azucena, where she sang principal mezzo and contralto roles through 1927. Her career continued with sound films for Vitaphone in 1927, Dalila at Monte Carlo in 1928, and various performances including radio in the New York area. In the early 1930s she appeared in a condensed Carmen at the Roxy Theater and then apparently returned to Canada. She was traced in 1933 trying to enter the U.S. without correct documentation and was ordered to return. Two weeks later she suffered a nervous breakdown and was sent to the Homewood Sanatorium in Guelph. She eventually did re-enter the U.S. and was confined in her later years to a mental facility in Macon, MO, where she died. Ponselle referred to her as having “a great voice — a true mezzo but with an exceptional high range.” She added, however, “There was something wrong [mentally] with her. She lived her life in front of a mirror. She was always in the beauty parlor, always admiring herself”. [quotes from James Drake’s Rosa Ponselle - A Centenary Biography].

120 VOCAL 78 rpm Discs 2039. 10” TC Columbia 80185. LA GIOCONDA: Voce di donna (Ponchielli). Excellent laminated pressing. Just about 1-2. $8.00. 2147. 10” TC Columbia 80186. MIGNON: Connais-tu le pays (Thomas). Excellent laminated pressing. Just about 1-2. $8.00. 3100. 12” Blk. acous. Columbia 5011-M [49752-1/48858-3]. CARMEN: Habanera (Bizet) / SAMSON ET DALILA: Mon coeur (Saint-Saëns). Just about 1-2. $15.00. IGOR GORIN [b]. Ukraine, 1904-Arizona, 1982. A remarkably able artist, Gorin (born Ignatz Grünberg) studied with Victor Fuchs in Vienna. His career in the U.S. after 1934 included radio work, concerts, films and opera. While he made his first operatic appearance in 1928, it wasn’t until 1964 that the Metropolitan Opera took an interest in him, when he made a belated debut there as Germont in La Traviata. Despite good reviews, that was also his Met farewell. 1804. 10” Red Scroll “Z”-type shellac Vr 4328. (Gorin) / VIUT VITRE (Ukrainian Folk Song, arr. Gorin). Just about 1-2. $8.00. 1184. 10” Red PW (gold print) Victor 4414. HOPAK (Moussorgsky) / OVER THE STEPPE, Op. 5, No. 1 (Gretchaninoff). Just about 1-2. $8.00. 1597. 10” Red RCA Vr 10-1201. EILEEN: Thine Alone (Herbert) / THROUGH THE YEARS (Youmans). Orch. dir. Maximillian Pilzer. Cons. 2. $7.00. 3242. 12” Red PW (gold print) Vr 12245. THE BEATITUDES / THE TWENTY-THIRD PSALM (both Albert Hay Malotte). Orch. dir. Wilfrid Pelletier. Just about 1-2. $10.00. 4136. 12” Pa-Go Records Set VR 31. ALL FACES WEST: Excerpts (Roland Perry). Six sides. In Album. With Weber College Choir, Utah Symphony Strings, Wayne Devereaux [organist], Wayne Carver [narrator]. Igor Gorin here as Brigham Young. Few lightest mks, cons. 2. $20.00. OTTO GORITZ [b] 2112. 10” Red Vr 64163. MAGIC FLUTE: Ein Vogelfänger bin ich ja (Mozart). Text label on verso. One minor rub, cons. 2. $8.00. 1833. 10” White lbl. Vla 64184. KÖNIGS- KINDER: O, du lieb- heilige Einfall du (Humperdinck). Creator in 1910 Met premiere. Just about 1-2. $15.00. 1399. 10” Red Pats. Vr 64203. DAS RHEIN- GOLD: Bin ich nun frei? (Wagner). Text lbl. on verso. Just OTTO GORITZ displaying one of his Columbia records about 1-2. $12.00. 1902. 10” Red Vr 87510. MAGIC FLUTE: Papagena, Papageno! (Mozart). With JOHANNA GADSKI [s]. Text label on verso. Just about 1-2. $10.00. 3748. 12” White lbl. Vla 74287. KÖNIGSKINDER: Ihr Kindlein sie sind gefunden (Humperdinck). Creator in 1910 Met premiere. One small LSS, otherwise just about 1-2. $15.00. 3260. 12” White lbl. Vla 74287. Same as preceding listing (item #3748). Lt. rubs, 2. $12.00. 4012. 12” Red “A” plate Vla 88370. FLYING DUTCHMAN: Versank ich jetz (Wagner). With JOHANNA GADSKI [s]. Lt. rubs, 2. $12.00. 4013. 12” Red “A” plate Vla 88371. FLYING DUTCHMAN: Wohl konn’ ich Weibes (Wagner). With JOHANNA GADSKI [s]. Just about 1-2. $15.00. JOHN GOSS [b] 2271. 10” PW Plum HMV B.2822 [Bb12359-II/Bb12362-II]. FLOW NOT SO FAST, YE FOUNTAINS; THERE IS A GARDEN IN HER FACE / O EYES, O MORTAL STARS; COME, MY CELIA (all Hessiltine). Lute accompaniment. Lt. rubs, 2-3. $8.00. 121 VOCAL 78 rpm Discs ALESSANDRO GRANDA [t] 1167. 10” Red Viva-Tonal Columbia 43002-F [WB1331-1/WB1442-2]. TOSCA: Recondita armonia (Puccini) / IRIS: Serenata (Mascagni). Just about 1-2. $12.00. [b] 1948. 10” Mauve elec. HMV AGSA 23 [BVE- 26164/BM1188-I]. ZAZÀ: Zazà, piccola zingara / GIOVANNI MAR- TINELLI [t]. ZAZÀ: E un riso gentil (Leoncavallo). Side two first and only edition. Just about 1-2. $12.00. 3263. 12” White SS HMV 2-052285 (DB 834) [Cc5816-I]. DON SEBAS- TIANO: O Lisbona (Donizetti). Just about 1-2. $12.00. 3272. 12” Red Late VdP DB 1459 [CM1558- I/CM1560-III]. RIGOLETTO: Lassù in cielo / RIGOLETTO: Si, vendetta (Verdi). With NUNU SANCHIONI [s] both sides, GUGLIELMO MASINI [bs] side two. One very tiny scr. side two, otherwise just about 1-2. $10.00. 3262. 12” Red Late VdP DB 1450 [CM849- II/CM1199-IV]. RIGOLETTO: Pove- ro Rigoletto / RIGOLETTO: Cortigi- ani (Verdi). Side one with OTTAVI [s], NELLO PALAI [t], GIUSEPPE MENNI [bs]. Lbl. stkrs. (over dog, likely for import purposes). Excellent pressing. Just about 1-2. $8.00. 3966. 12” Red Late VdP 1475 [CF3582- II/CM1601-II]. RIGOLETTO: Pari siamo! / RIGOLETTO: Signor? … Va, non ha niente (Verdi). Side two with FRANCO ZACCARINI [bs]. APOLLO GRANFORTE Excellent pressing. Few lt. rubs, cons. 2. $7.00. LOUIS GRAVEURE [b/t]. London, 1888-San Francisco, 1966. Graveure’s first traced American performances were as a baritone under the name Wilfrid Douthitt in The Lilac Domino, New York, 1914. In 1915, he returned to New York as Louis Graveure (Graveure having been his mother’s maiden name), although he steadfastly denied (for what reason is unknown) having been Douthitt, now claiming Belgian heritage and sporting a beard and monocle (which he never used). Douthitt’s teacher in England for four years, Clara Novello Davies, obviously recognizing him as her former pupil, quickly added fuel to the fire, stating that if he could prove he was not Douthitt, then she would “make a most humble public apology”. Despite this controversy, he quickly established himself successfully in the U.S. in the concert and oratorio worlds as Graveure, and his Douthitt days were forgotten. In 1920 he gave his first lieder recital in Berlin to great acclaim. Successfully changing to tenor in 1927-28, he was recognized for his natural tenor sound and his more youthful appearance (he had removed his beard). Later in 1928 he returned to Germany where he had success in opera, at first sharing the stage with his wife, American soprano Eleanor Painter. She divorced him in 1930 and returned to America. The following year marked Graveure’s last New York appearance before settling in Germany. There he continued his work in opera and recital, and in 1933 he embraced yet another career as a German operetta film star. Upon returning to the U.S. around 1939 he was not well remembered here or perhaps he tried to keep a low profile, considering his close affiliations to Germany through the 1930s. His name seems to have vanished from the press until 1947, when he attempted a recital at New York’s Town Hall. The NY Times reviewer felt, “With his voice in its present condition, it was to be deplored that Mr. Graveure … should attempt to make a comeback.” He apparently thereafter taught until his death. The records below represent Graveure first as a baritone (the first 12” record) and the remainder as a tenor. 4107. 10” elec. PW Red Grammophon 10135 [5703½BD/5709½BD]. ES GIBT NUR EINE LIEBE / ICH ZOG HINAUS WEIT ÜBER’S MEER (both Künneke). Both from film Es gibt nur eine Liebe. Few lt. rubs, cons. 2. $15.00.VOCAL 78 rpm Discs 122 VOCAL 78 rpm Discs

4101. 10” elec. PW Red Grammophon 10187 [5943½GD/5949½GD]. TAUSEND ROTE ROSEN BLÜH’N / EIN WALZER FÜR DICH (both Meisel-Zerlett). Both from film Ein Walzer für Dich. Just about 1-2. $15.00. 4102. 10” elec. PW Green Polydor 10202 [5999½GD/6000GD]. MEIN HERZ RUFT IMMER DUR NACHT DIR, O MARITA / ICH SING’ MEIN LIED HEUT’ NUR FÜR DICH (both Marischka-Stolz). From film Mein Herz ruft nach Dir. Minor lt. rubs, 2. $12.00. 4103. 10” elec. PW Red Grammophon 10503 [6622½GD/6624½GD]. SERENADE / ARMER PIERROT (both Künneke). From film Ein Lied klagt an. Few lt. rubs, cons. 2. $15.00. 1245. 10” Blk. Viva-Tonal Columbia 2154-D [W148999-1/W149017-3]. SONGS MY MOTHER TAUGHT ME (Dvoák) / MY TREASURE (Trevalsa-Barr). Piano acc. Walter Golde. Just about 1-2. $10.00. 3939. 12” acous. Gold Flags Columbia 65025-D [98140-4/98141-4]. THE WANDERER / WHO IS SYLVIA? (both Schubert). IMs. Just about 1-2. $10.00. . 3552. 12” Blk. Viva-Tonal Columbia 50108-D [W98544-2/W98545-1]. LA BOHÈME: Che gelida manina (Puccini) / CARMEN: Air de la fleur (Bizet). Tiny lbl. stkr. Few lt. rubs, cons. 2. $12.00. 4119. 12” Blk. Viva-Tonal Columbia 50270-D [W98667-1/W98668-2]. DIE MAINACHT / AN EINE AEOLSCHARFE (both Brahms). Piano acc. Walter Golde. Just about 1-2. $15.00. Mme. JOSÈ GRAYVILL(E) [s]. Who was this mysterious singer? The Columbia Catalogues of the period mention that she was a friend of Massenet (as were a number of female singers). Was José Grayvill(e) her husband’s name (as with Mme. Charles Cahier)? There seems to be no trace of her under this name in any publications of the period. 3205. 12” Manhattan (over Columbia TC) 30066 [M53-1]. LES DIAMONTS DE LA COURONNE: Air and Variations (Auber). Remarkable coloratura display. The timbre of her voice is reminiscent of a slightly higher pitched Mantelli. Lbl. tears. Cons. 2. $20.00. PLUNKET GREENE [b] 1655. 10” Blk. English Columbia DB 1321 [CA14156/ CA14157-2]. POOR OLD HORSE (arr. Cecil J. Sharp) / THE GARDEN WHERE THE PRATIES GROW (arr. S. Liddle). Cons. 2. $8.00.

MAGDELEINE GRESLÉ [ms]. An important concert singer during the 1910-1940 period, Greslé, as with her colleagues Bathori, Croiza and Grey, was particularly noted for her work championing contemporary composers. As an example, she gave the premiere of Manuel de Falla’s Soneto a Cordoba with the composer at the piano. 1970. 10” Red Decca G-20226 [SB65-2/FB167-2]. LA MER EST PLUS BELLE / NOËL DES ENFANTS QUI N’ONT PLUS DE MAISONS (both Debussy). Piano acc. Janine Weill. Few lt. rubs, cons. 2. $12.00. 1324. 10” Red Decca G-20226 [SB65-2/FB167-2]. Same as previous listing (item #2855). Side one lt. rubs, 2. ANDRÉ GRESSE Side two cons. 2. $10.00. ANDRÉ GRESSE [bs]. Lyons, 1868-Paris, 1937. A student of Taskin and Melchissédec at the Paris Conservatoire, Gresse (the son of a celebrated bass) made his debut at the Opéra- Comique in 1896 as the Commendatore in Don Giovanni. His Paris Opéra debut was as St. Bris in Les Huguenots, 1901. Gresse was one of the most important Paris Opéra basses, singing 60 roles there over a period of 25 years. At Monte Carlo he created Sancho Panza in the world premiere of Massenet’s Don Quichotte, 1910, with Chaliapin in the title role. In later years Gresse taught at the Paris Conservatoire, his pupils there having included André Pernet and Martial Singher. 2055. 10” Blk. Paris G&T 3-32309 [3903o]. LE VAL D’ANDORRE: Air du vieux chevrier (Halévy). Piano acc. Excellent sound, but there is a “swish” which diminishes and disappears about two-thirds through. Small lbl. stkr. Gen. 2-3. $10.00.

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MARIA GRISI [s]. Pesaro, 1873-Bergamo, 1930. Grisi studied at the Liceo Musicale of Pesaro with Pedrotti and later with Virginia Boccabandati. Her debut in concert was in 1892 and in opera two years later at the in Genoa as Mathilde in William Tell. She married in 1898 and left the stage temporarily, returning in 1901 as Aida at the Vittoria Emanuele in Torino. She was active at least through 1913, that year having sung Isolde at the Costanzi in Rome. It appears that her career was centered entirely in Italy. – La voce antica (Internet), Roberto Marcocci. 2337. 10” Blk GP ’08 “A” plate Vr 52443. ERNANI: Ernani, involami (Verdi). Cons. 2. $8.00. HERBERT ERNST GROH [t]. 2195. 10” Dk. Blue PW Odeon O-25103 [W133175-3/W133176-3]. DER OBERSTEIGER: Geht doch hinein / DER VOGELHÄNDLER: Schenkt man sich Rosen (both Carl Zeller). Both with EMMY BETTENDORF [s]. Just about 1-2. $10.00. TRAJAN GROSAVESCU [t]. 1894-1927. A Rumanian tenor, Grosavescu studied in his native land and in Milano and made his debut in 1924 at the Vienna Volksoper. The following year he was first heard at the Vienna Opera and also made guest appearances at the Berlin City Opera. He seemed destined for a very important career, but he was shot by his wife in a groundless fit of jealousy following a Vienna Opera performance. 2690. 12” Brown & White acous. Odeon 80887/80888 [XXB6932-II/XXB6933-II]. PAGLI- ACCI: Scherzet immer / PAGLIACCI: Jetzt spielen (Leoncavallo). Small lbl. stkrs., IMs. Cons. 2. $15.00. ROSA [ROSALIE] GRÜNBERG [s]. Stockholm, 1878-1960. She was a star of the Swedish musical theater from her debut in 1898 until she retired in 1918 (upon marrying entomologist Gror Yngve Sjöstedt). As an opera singer, she made a successful debut at the Stockholm Royal Opera in 1914 as Tosca. 2417. 10” Blk. Stockholm G&T 83503 [1292e]. GEISHA: Visa nom guldfisken (The amorous goldfish] (Jones). Piano acc. 1904 recording. Attractive voice, charming performance. Small PB, few LGTs, 3. $20.00. FERNANDO GUARNERI [b]. Guarneri, a popular concert and opera singer in the U.S. during the late ‘teens and 1920s, recorded for Edison, Victor, Columbia, Brunswick and Aeolian- Vocalion (one issued record and according to one source, an unpublished duet with Raisa). According to one article, he was born in 1893 and began singing in opera in 1916 with the touring American San Carlo Opera. One article compared the power of his voice to that of Ruffo. 2400. 10” Vertical-Cut Aeolian Vocalion 12166 [ ? / ? ]. MARIA, MARI (Di Capua) / BOLERO D’AMORE (Falco). Just about 1-2. $25.00. PEDRO G. GUETARY [t]. Spain, 1868-New York, 1921. Guetary studied in (Italy) with Antonio Selva, then Lamperti, Lombardi and Pozzo. His debut took place in Italy. He then appeared in England and was on the Covent Garden roster 1890-91. He also toured at one point with Patti. He was with the Met the season of 1893-94, singing Beppe in Pagliacci, Tybalt in Roméo et Juliette, Schmidt in Werther, Idreno in FERNANDO GUARNIERI Semiramide and Eisslinger in Die Meistersinger. He was still active in New York in 1920. A review of a program he gave of Spanish music that year stated, “He has yet at his call a voice of bell clearness, a style of early prime, with the quiet manner of riper years”. Also added was that his singing “gave uncommon pleasure”. In addition, he was a composer, perhaps his most popular song having been Mi Niña, recorded by Vignas, De Gogorza and several other artists. Guetary’s only issued record is the disc below. 2471. 10” Blk. GP ’08 Victor 5524. MARIA-SPANISH BALLAD (Guetary). Rubbed, some small lt. scrs. (mostly superficial), gen. 3-4. $15.00. ANNA MARIA GUGLIELMETTI [s] 3472. 12” PW Blue Eng. Columbia D18044 [WBX203/WBX206]. VARIAZIONI (Proch) / MAGIC FLUTE: Gli Angui dell’inferno (Mozart). Few lightest rubs, cons. 2. $8.00.

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