Collection of Miscellaneous Phonograph Records, Date (Inclusive): Ca

Total Page:16

File Type:pdf, Size:1020Kb

Collection of Miscellaneous Phonograph Records, Date (Inclusive): Ca http://oac.cdlib.org/findaid/ark:/13030/kt1580179x No online items Finding Aid of the Collection of Miscellaneous Phonograph Records Processed by Manuscripts Division staff © 2004 The Regents of the University of California. All rights reserved. Finding Aid of the Collection of 249 1 Miscellaneous Phonograph Records Finding Aid of the Collection of Miscellaneous Phonograph Records UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Processed by: Manuscripts Division staff Encoded by: ByteManagers using OAC finding aid conversion service specifications Encoding supervision and revision by: Caroline Cubé Edited by: Josh Fiala, August 2004 © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Collection of Miscellaneous Phonograph Records, Date (inclusive): ca. 1940-1971 Collection number: 249 Extent: 3 boxes (1.5 linear ft.) 10 oversize boxes Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Language: English. Restrictions on Access COLLECTION STORED OFF-SITE: Advance notice required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Collection of Miscellaneous Phonograph Records (Collection 249). Department of Special Collections, University Research Library, UCLA. UCLA Catalog Record ID UCLA Catalog Record ID: 4232823 Scope and Content Collection contains phonograph records, and occasionally album notes and photographs, featuring music, news, interviews, speeches, poetry, and stories. Subjects include the Fred Allen Show, Uraguayan life, Australian ballads, Hamlet, Oliver!, Charles Laughton reading from the Bible, Bertolt Brecht singing two songs from Die Dreigroschenoper, Burns and Allen radio show, speech by British Prime Minister Neville Chamberlain, the African-American community in Los Angeles, La Comédie Française, Allen Ginsberg reading his poetry, T.S. Eliot's Murder in the cathedral, and a speech by Senator Joseph McCarthy. Indexing Terms The following terms have been used to index the description of this collection in the repository's online public access catalog. Genres and Forms of Material Phonograph records. Finding Aid of the Collection of 249 2 Miscellaneous Phonograph Records Miscellaneous Phonograph Records, v.d. Note [This is a partial listing of albums in the collection. There is no complete list available at this time.] Box 5 Abolish property taxes in California (the case). Los Angeles: United Organizations, [ca. 1971]. Physical Description: (1 album, 12 in. 33.33 rpm) Scope and Content Note Voice - Howard Jarvis. Box 12 Fred Allen Show. WNBC. New York, 1948. Creator/Collector: Allen, Fred, 1894-1956 Physical Description: (3 albums, 12 in. 78 rpm) Scope and Content Note Guests: Mr. & Mrs. James Mason. Air date: March 28, 1948. Box 7 El Uruguay. Serie descriptiva dirigida y editada por La Asociacion Nacional de Broadcasters Uruguayos. Montevideo: ANDEBU, [ca. 1960]. Creator/Collector: Asociacion Nacional de Broadcasters Uruguayos Physical Description: (8 albums, 12 in. 33.33 rpm) Scope and Content Note This album is devoted to all phases of life in Uruguay: historical, political, social, economic, and cultural. Box 7 Australian ballads, sung by the Bandicoots. Record Adelaide, The Libraries Board of South Australia, 1962. Physical Description: (4 albums, 12 in. 33.33 rpm) Scope and Content Note “Ballads introduced by John Manifold. Recorded at public performances at the Second Adelaide Festival of the Arts, 1962.” Album 1: Sterling and Currency. Album 2: Goldfields and Bushrangers. Album 3: The Home-stead and the Hut. Album 4: Singing to the Cattle. Box 10 Lightnin' Bill Jones' escape from the Indians. Creator/Collector: Bacon, Frank Physical Description: (1 album, 10 in.) Box 10 Me and Grant. Creator/Collector: Bacon, Frank Physical Description: (1 album, 10 in.) Box 10 Hamlet. Creator/Collector: Barrymore, John Physical Description: (1 album, 10 in.) Finding Aid of the Collection of 249 3 Miscellaneous Phonograph Records Miscellaneous Phonograph Records, v.d. Box 5 Oliver! Book, music and lyrics by Lionel Bart ... New York: Colgems Records, Incorporated, c1968. Creator/Collector: Bart, Lionel Physical Description: (1 album, 12 in. 33.33 rpm) Scope and Content Note Original soundtrack recording from the motion picture produced by Columbia Pictures from the novel, Oliver Twist, by Charles Dickens. Box 12 Queen for a day. Creator/Collector: Benny, Jack Physical Description: (1 album, 78 rpm. 10 in.) Scope and Content Note Recorded 5-18-48. Copy from tape. Box 5 Charles Laughton reading from the Bible. New York: Decca, 1950. Creator/Collector: Bible. English. Selections Physical Description: (1 album, 12 in. 33.33 rpm) Scope and Content Note Album notes by Louis Untermeyer. Box 10 Leclerc. Histoire de la 2e D.B.1949. Creator/Collector: Bourgeon, Roger & Poulet, Manuel Physical Description: (8 albums, 12in. 33.33 rpm[?]) Scope and Content Note Get album est dédié à la mémoire du Général LECLERC et au souvenir de tous ceux qui jalonnèrent de leurs souffranceset de leur mort, la Route de la Liberté... du TCHAD au RHIN. Box 13 Bertolt Brecht singt zwei Songs aus der Dreigroschenoper Die Moritat von Mackie Messer / Leid von der Unzulänglichkeit menschlichen Strebens . [Frankfurt am Main]: Suhrkamp Verlag, [1960]. Creator/Collector: Brecht, Bertolt, 1898-1956 Physical Description: (1 album, 7 in. 45 rpm) Scope and Content Note “Musik Kurt Weill.” “Wiedergabe der Originalaufnahme von 1928/29.” Removed from: ΔPT 2603 B743D7 Box 12 Keep it moving! CIO-NBC Labor for Victory Program, June 13, 1943. Creator/Collector: Bridges, Harry Physical Description: (2 albums) Scope and Content Note Broadcast June 13, 1943. Script by Morris Watson, music by Clarence Wheeler, produced and directed by Paul Franklin. Box 12 Reply to Mme. Chiang Kai-shek by Harry Bridges and delegates. San Francisco, California, June 4-10, 1943. Creator/Collector: [Bridges, Harry] Physical Description: (1 album, 12 in. [?] rpm) Scope and Content Note Speech given at the Fifth Biennial Convention of the International Longshoremen's & Warehousemen's Union. Finding Aid of the Collection of 249 4 Miscellaneous Phonograph Records Miscellaneous Phonograph Records, v.d. Box 2 Burns and Allen radio show, January 13, 1946. Creator/Collector: Burns, George, 1896- Physical Description: (3 albums, 12 in. 78 rpm) Scope and Content Note Removed from the Eddie Cantor Collection. Not a commercial recording. Box 5 Prime Minister Chamberlain. Electro-Vox. [Phonodisc]. Creator/Collector: Chamberlain, Nevill, 1864-1949 Physical Description: (1 album, 10 in. 78 rpm) Scope and Content Note Second part of a B.B.C. broadcast, March 25, 1939, when Prime Minister Chamberlain spoke of his meeting with Adolf Hitler and proclaimed an end to Germany's war effort after the annexation of the Sudetenland. Part one of the speech lacking. Box 12 Speech to International Longshoremen's & Warehousemen's Union, Local 10, CIO Hall. San Francisco, California, March 19, 1943. Creator/Collector: Chiang, May-ling Soong, 1897- Physical Description: (2 albums, 12 in. [?] rpm) Scope and Content Note Introductions by Germain Bulcke, A.F. Gaynor and John F. Shelley, with telegram from Harry Bridges. Box 6 His memoirs and his speeches, 1918 to 1945. New York: London Records, c1964. Creator/Collector: Churchill, Sir Winston Leonard Spencer, 1874-1965 Physical Description: (12 albums, 12 in. 33.33 rpm) Scope and Content Note Accompanying this album is a pamphlet containing a table of contents of the recordings, as well as photographs, and an appraisal by Arthur Bryant. Note Gift of Franklin D. Murphy, 1968. Box 5 The poems of John W. Clark read by the poet. As recorded for the Library of Congress. New York: Gryphon Records, c1962. Creator/Collector: Clark, John Williams, 1916- Physical Description: (1 album, 12 in. 33.33 rpm) Scope and Content Note “Complete text included.” Note Gift of the author, May 1962. Finding Aid of the Collection of 249 5 Miscellaneous Phonograph Records Miscellaneous Phonograph Records, v.d. Box 5 The big news of '59. Produced and directed by Dan Bloom. New York, 1960. Creator/Collector: Columbia Broadcasting System Physical Description: (1 album, 12 in. 33.33 rpm) Scope and Content Note Contents: Introduction: Walter Cronkite. Khrushchev in America. Eisenhower tours. Death of Dulles. Nixon visits Russia. Review of news: Walter Cronkite. Race for space. Unemployment situation. Steel strike. Dalai Lama's escape. Castro in Cuba. Foreign ministers' conference. Western summit meeting. Box 10 Columbia Pacific Radio Network. Minority report, 1956. Creator/Collector: Columbia Broadcasting System, KNX Physical Description: (6 albums, 10 in. 33.33 rpm) Scope and Content Note A series of three special reports covering the role and the outlook of Negroes, Mexicans, and Japanese in the Los Angeles
Recommended publications
  • Together Again Laughs Burns Rewrote the Act and for the BETSY WICKARD Next Forty Years Was Gracie Allen’S Straight Man
    George Burns and Gracie Allen For Information Contact: Together Again laughs Burns rewrote the act and for the BETSY WICKARD next forty years was Gracie Allen’s straight man. Actress BETSY WICKARD Burns wrote “Lamb Chops”, the act that has performed in theaters propelled them to top billing in the and casinos throughout the vaudeville circuit with Gracie acting as the country. She was a silly, lightheaded foil. Burns and Allen made dancer/singer in The a string of one-reel comedies and then Branson Follies, The Palm Springs Follies, appeared the films “The Big Broadcast” and The Great American Follies, and Golden “A Damsel in Distress” with Fred Astaire. At Girls USA. She appeared in the feature films the same time the Burns and Allen radio Rocky V and Mannequin on the Move. She show became one of the most popular has appeared in numerous national programs of the time. On television, The commercials and print ads for major George Burns and Gracie Allen Show put corporations. She is now living in Florida faces to the radio characters audiences had and performing on the Condo Circuit. She is come to love. After Gracie Allen retired delighted to be portraying Gracie Allen in George Burns remained in show business. “Together Again.” At the age of 78 he won the Academy Award in “The Sunshine Boys” movie and PETER SALZER gained greater stardom as God in the “Oh George Burns and Gracie Allen God” series. George Burns entertained Actor/Writer PETER audiences to the ripe old age of 100 years. Together Again SALZER has created roles When Peter Salzer walks on stage in on stage and on screen “Together Again” audiences see George George Burns and Gracie Allen and has appeared in many television Burns come back to life.
    [Show full text]
  • LUCY GETS the BALL ROLLING By
    PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE (Under the Direction of Dwight Brooks) ABSTRACT The 1950’s was an era that welcomed Lucy Ricardo into their homes. The comedy I Love Lucy premiered on Oct. 15, 1951, on CBS. This study seeks to demonstrate and illustrate how Lucy Ricardo battled patriarchy, which was common among TV sitcoms of the era. Primarily, this study aims to analyze Lucy Ricardo’s role as a woman who pushes the limits of patriarchy in I Love Lucy, by examining her dual roles of someone who defies patriarchy, yet show’s allegiance to it as well. A textual analysis of 14 I Love Lucy episodes will address the established mode of domesticity in I Love Lucy, as well as opportunities for challenges that Lucy takes advantage of. This study reveals a woman who denied her husband’s wishes to control her. Lucy stepped outside of the typical portrayal of married women who were supposed to submit to their husbands and follow their every wish. INDEX WORDS: I Love Lucy, Feminist theory, Patriarchy, Masculinity, Femininity, Sitcom, The 1950s, Housewifery, Ethnicity, American culture. PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE B.S., The University of Tennessee, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 ©2004 Eunice A. Oglice All Rights Reserved PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A.
    [Show full text]
  • Lambchops by Ron Hutchinson
    Lambchops By Ron Hutchinson “Who the hell wants to hear actors talk?” --- Harry Warner, 1927 In 1925, when the brothers Warner decided to part- ner with Bell Laboratories to use the Vitaphone disk system to present movies with synchronized sound, talking wasn’t part of the plan. The brothers envi- sioned marketing their features with full orchestral scores and limited sound effects. Actors that talked from the screen were an afterthought. But a quick one. When they premiered “Don Juan” in 1926, it boasted a synchronized symphonic score with sound effects that enhanced the John Barrymore swashbuckler. There was no dialog in this otherwise silent film. The sound was on 16-inch shellac disks, turning at 33 1/3 rpm and synched to the picture. As long as the film didn’t break or the needle didn’t skip, everything matched. Audiences applauded, but were more impressed with the short subjects which preceded the feature. These WERE talking pictures, with opera stars, a ukulele player and Will Hays of the Motion Picture Producers Association actually speaking and singing in perfect synchronicity. The audience’s reaction to the shorts was not lost on the Warner Brothers. They Gracie Allen examines George Burns’ tie in a scene from “Lambchops.” quickly expanded Vitaphoning plans to begin pro- Courtesy Ron Hutchinson. duction of a series of talking and singing shorts with vaudeville, opera and Broadway stars. With their the first successful one after decades of technically second synchronized silent feature, “The Better ‘Ole” failed attempts. That year the studio ramped up pro- starring Charlie Chaplin’s half-brother Syd, the ac- duction of its short subjects, sometimes making companying synchronized shorts boasted top stars three a week to meet the increasing demand.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • BURNS & ALLEN Nonsense
    CD 7B: “Broke Uncle Hubert” - April 20, 1943 Gracie wants a new Easter outfit, so she’s going to go all out on the schmoozing to persuade George to buy BURNS & ALLEN her one. George initially says no...but then has second thoughts. To save face, he arranges for her to come Nonsense into a $50 legacy from her “Uncle Hubert.” Program Guide by Ivan G. Shreve, Jr. CD 8A: “Gracie Appears in Traffic Court” - June 1, 1943 “My belief is that a lot of show-business marriages go on the rocks because the George explains to Gracie the importance of eating a man and woman are in competition rather than in partnership,” mused comedian hearty breakfast. Later, Gracie gets a parking ticket… George Burns in his 1955 biography, I Love Her, That’s Why. “With us, it’s very but it’s her husband who'll have all the aggravation. Mel Blanc is heard as simple: Gracie takes the lead on-stage; I take it, off. We both have our own The Happy Postman departments. She stays in hers, and I’m into everybody’s. Gracie’s has always CD 8B: “Shortage of Husbands” - September 7, 1943 been the greater acting talent; she is the star, but you’d never know it.” The Happy Postman delivers a magazine to Gracie that contains an article about a “shortage” of husbands. In fact, there are three women for every man. Disturbed From the moment he was the recipient of pennies thrown at him by passersby that she might lose George, Gracie arranges for two unattractive women to while he harmonized with his fellow candy shop employees, young Nathan Birn- propose to her husband so he’ll turn them down.
    [Show full text]
  • CHAPTER 1 1. Ken Burns, “The Documentary Film: Its Role in The
    Notes CHAPTER 1 1. Ken Burns, “The Documentary Film: Its Role in the Study of History,” text of speech delivered as a Lowell Lecture at Harvard College, 2 May 1991, 6. 2. Ken Burns, telephone interview with the author, 18 February 1993. 3. Ken Burns, interview with the author, 27 February 1996. 4. Neal Gabler, “History’s Prime Time,” TV Guide, 23 August 1997, 18. 5. Shelby Foote, Civil War: A Narrative (Fort Sumter to Perryville, Fredericksburg to Meridan, Red River to Appomattox), 3 vols. (New York: Random House, 1958-1974); David McCullough, The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge (New York: Touchstone, 1972); and Michael Shaara, The Killer Angels (New York: Ballantine, 1974). 6. Ken Burns, “Four O’Clock in the Morning Courage,” in Ken Burns’s The Civil War: Historians Respond, ed. Robert B. Toplin (New York: Oxford, 1996), 157. 7. Ken Burns quoted in “A Filmmaking Career” on the Thomas Jefferson (1997) website at <http://www.pbs.org/jefferson/making/KB_03.htm>. 8. The $3.2 million budget for The Civil War was comprised of contributions by the National Endowment for the Humanities ($1.3 million), General Motors ($1 million), the Corporation for Public Broadcasting and WETA-TV ($350,000), the Arthur Vining Davis Foundation ($350,000), and the MacArthur Foundation ($200,000). General Motors also provided an additional $600,000 for educational materials and promotional outreach. 9. Matt Roush, “Epic TV Film Tells Tragedy of a Nation,” USA Today, 21 September 1990, 1. 10. See Lewis Lord, “‘The Civil War’: Did Anyone Dislike It?” U.S.
    [Show full text]
  • Bob Hope at the National Press Club, July 8, 1980
    Bob Hope at the National Press Club, July 8, 1980 Bob Hope (right) with White House photographer Andrew J. “Buck” May (left), July 1980. National Press Club Archives Comedian Bob Hope (1903-2003) treated journalists at a National Press Club luncheon on July 8, 1980, to jokes he planned to deliver later in the week during performances at Washington’s Kennedy Center Concert Hall. As part of a summer tour that coincided with the 1980 presidential election campaign, Hope’s appearances at the Press Club and Kennedy Center gave audiences the opportunity to hear the legendary funnyman gently, but pointedly, skewer those in power, a talent he had perfected since Franklin D. Roosevelt’s presidency. When Hope appeared in March 1944 at the White House Correspondents Association dinner at the Statler Hotel—the annual political roast hosted by the Washington press corps—and left Roosevelt roaring with laughter, the syndicated columnist Richard Wilson announced that a new era had begun. “The gap left by the death of [political humorist] Will Rogers has been filled,” Wilson wrote. “Bob Hope has stepped into his shoes. From now on he will be sought in Washington to provide that extra touch at the capital’s lavish public functions.” Hope’s Press Club appearance came during the final phases of a career that spanned most of the twentieth century. The entertainment historian and critic Leonard Maltin has noted that Hope “may be the most popular entertainer in the history of Western civilization.” A versatile performer—in addition to comedy, he excelled as a singer and dancer—Hope began in vaudeville in the 1920s, gained prominence on the Broadway musical stage during the 1930s, and became one of the nation’s top radio 1 and movie stars in the 1940s.
    [Show full text]
  • The Burns and Allen Show Episodes
    The burns and allen show episodes click here to download This article lists the episodes of The George Burns and Gracie Allen Show, an American situation comedy television series that ran for eight seasons (–58) . The George Burns and Gracie Allen Show (–). Episode List .. a huge fight with Blanche to show him how silly it is to quarrel with one's best friend. With George Burns, Gracie Allen, Bea Benaderet, Harry von Zell. The George Burns and Gracie Allen Show () George Burns and Gracie Allen C. CBS George Burns and Gracie Allen C. Harry Morton episodes, TVGuide has every full episode so you can stay-up-to- date and watch your favorite show The George Burns and Gracie Allen Show anytime, anywhere. Below is a complete The George Burns and Gracie Allen Show episode list that spans the show's entire TV run. Photos from the individual The George Burns. Disc One FIRST SHOW - In this rare, very first episode of the Burns and Allen Show from , George explains the premise of their TV series and the dynamics. Here we have episodes of the Burns and Allen Show on DVD. Plus I'll throw in nine George Burns TV Specials including a rare show in color with. A guide listing the titles and air dates for episodes of the TV series The George Burns and Gracie Allen Show. The title of their top-rated show changed to The Burns and Allen Show on the show as a regular, though she appeared in a few episodes as. Series: "THE BURNS AND ALLEN SHOW" "THE ADVENTURES OF .
    [Show full text]
  • Artie Shaw, 1940-1941
    Glenn Miller Archives ARTIE SHAW January 1940 – March 1941 “The West Coast Band” Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents January 1940 ..................................................................................................................... 3 February 1940 .................................................................................................................... 9 March 1940....................................................................................................................... 16 April 1940 ......................................................................................................................... 22 May 1940 .......................................................................................................................... 24 June 1940 ........................................................................................................................ 29 July 1940 .......................................................................................................................... 34 August 1940 ..................................................................................................................... 42 September 1940 ............................................................................................................... 53 October 1940 ..................................................................................................................
    [Show full text]
  • Fanny Brice and the “Schnooks” Strategy: Negotiating a Feminine Comic Persona on the Air
    Michele Hilmes Fanny Brice and the “Schnooks” Strategy: Negotiating a Feminine Comic Persona on the Air No one could claim that the career of Fanny Brice here is Kate Smith—in a system that preferred has been overlooked. Frequently in the news its female stars as secondary sidekicks (Mary during her long career—more for her private than Livingstone to Jack Benny, Portland Hoffa to Fred her professional life—she has been the subject Allen), relatively humorless “straight women” to of three biographies, numerous popular articles, their partner’s comic lead (Molly in Fibber McGee and several major motion pictures.1 The fact that and Molly), or as the recurring “dumb dora” of most of these efforts have stirred controversy only vaudeville mixed-pair comics (most famously, seems to reflect the tempestuous and contradictory Gracie Allen). Within this carefully delimited life of their heroine, whose career from ethnic containment of the disruptive potential of women’s burlesque to legitimate stage to radio spans more humor, Brice stands out. In her early years on than thirty years and three dramatic marriage-and- NBC in the Chase and Sanborn Hour (1933) divorce scenarios. Amidst the drama of Brice’s and on the Ziegfeld Follies of the Air (CBS 1936) life, and the colorful anecdotes of her role in Brice’s was a woman’s voice speaking humorous the lives of such showmen as Florenz Ziegfeld and sometimes bawdy lines, directing attention and Billy Rose, her most enduring contribution both to her gender and to her ethnicity, defying to popular entertainment—the comic character bounds of taste and appropriate feminine behavior.
    [Show full text]
  • ROCHESTER TV LIFE ~ ROCHESTER TV LIFE Rochester's Official TV Program and News Magazine
    ROCHESTER FORMERLY ROCHESTER TVue WEEKLY Now Including Radio and Entertainment Personalities THE DANCING AUTHOR - Page 18 * MARCH 8-14, 1952 Get acquainted with • • • ,, MR. JAYCEE 4 :15 P. M. SUNDAYS HIS is a question-ond-cnswer program in T which outstanding authorities provide the answers to important community questions that have been submitted by listeners. Howard M. Huff is heard in the role of "Mr. Jaycee", and Henry R. Dutcher, Jr., is chairman of the Program Committee. Thanks to intelligent R.ochesterians, this program enjoys a very high , share-of-audience rating. Send Your Questions To Our \\Jayceell Box The Station That Listeners Builtl fashions at luncheon Can the answer to the Shadow Stopper Saturday, contest be sent "Special Delivery" or must it be sent with a 3-cent stamp in March 8th the regular mail.I enjoy "the contest An intoxicating very much. collection of gowns Mrs. Myrtle M. Bonsignore. for the cocktail hour. Reservations now •.• ED'S NOTE:There are no restrictions BAker 6533. on the method you use to send in your luncheon from entry. When a question arises in re- regular menu starting gard to entries, we base our decision at 90c upon the time stamped on the envelope artistry in food and atmosphere by the post office. , ** I am a subscriber to RTVL and enjoy it very much. However, I have one town & country complaint. Some of my copies do not reach me until Monday or Tuesday eleven gibbs st. and naturally since the programs are from Sat. to Fri. this leaves me without a TV program for several days.
    [Show full text]
  • Complete List of Contents
    Complete List of Contents Volume 1 Contents ..................................... v Archaeology ..............................47 Bow, Clara ...............................106 Publisher’s Note ........................ix Architecture .............................49 Boxing.....................................107 Contributors ..............................xi Armstrong, Louis .....................52 Bread slicer .............................109 Art Deco ...................................53 Bridge of San Luis Rey, The .......110 Academy Awards ........................1 Art movements .........................54 Broadway musicals .................111 A. C. Nielsen Company ..............2 Asia ............................................57 Brooks, Louise ........................113 Adams, Franklin P. .....................3 Asian Americans .......................59 Brotherhood of Sleeping Adding Machine, The ...................4 Astronomy ................................61 Car Porters .........................114 Adkins v. Children’s Hospital ........5 Automobiles and auto Bryan, William Jennings ........115 Advertising in Canada ...............6 manufacturing .....................63 Bubble gum ............................116 Advertising in the United Auto racing ...............................67 Buck v. Bell ...............................116 States ......................................7 Aviation .....................................68 Bulldozer ................................117 African Americans....................11 Bungalows ...............................118
    [Show full text]