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Russian Literature in Revolution 1917 -1953 | University College London 10/01/21 SERS4010: Russian Literature in Revolution 1917 -1953 | University College London SERS4010: Russian Literature in View Online Revolution 1917 -1953 Amert, Susan, ‘The Dialectics of Closure in Bulgakov’s Master and Margarita’, Russian Review, 61.4 (2002), 599–617 <https://doi.org/10.1111/1467-9434.00252> Baak, J. J. van, and Babelʹ, I.,The Place of Space in Narration: A Semiotic Approach to the Problem of Literary Space, with an Analysis of the Role of Space in I.E. Babel’s Konarmija (Amsterdam: Rodopi, 1983), Studies in Slavic literature and poetics Balina, Marina, and Dobrenko, E. A., Petrified Utopia: Happiness Soviet Style (London: Anthem Press, 2009), Anthem series on Russian, East European and Eurasian studies Baratt, Andrew, ‘Adam and the Ark of Ice: Man and Revolution in Zamiatin’s The Cave’, Irish Slavonic Studies: The Journal of the Irish Slavists’ Association, 4 (1983), 20–37 Barratt, Andrew, Between Two Worlds: A Critical Introduction to ‘The Master and Margarita’ (Oxford: Clarendon Press, 1987) ———, Yurii Olesha’s ‘Envy’ (Birmingham: Dept of Russian Language and Literature, University of Birmingham), Birmingham Slavonic monographs Beaujour, Elizabeth Klosty, The Invisible Land: A Study of the Artistic Imagination of Iurii Olesha (New York ; London: Columbia University Press, 1970) Bethea, David M., The Shape of Apocalypse in Modern Russian Fiction (Princeton, N.J.: Princeton University Press, 1989) Borenstein, Eliot, Men without Women: Masculinity and Revolution in Russian Fiction, 1917-1929 (Durham, NC: Duke University Press, 2001) Bowlt, John E., and Matich, Olga, Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment (Stanford, Calif: Stanford University Press, 1996) Brandist, Craig, ‘Bulgakov’s Master and Margarita and the Devil's Carnival’, in Carnival Culture and the Soviet Modernist Novel (Basingstoke: Macmillan, 1996), pp. 196–220 ———, ‘Deconstructing the Rationality of Terror: William Blake and Daniil Kharms’, Comparative Literature, 49.1 (1997), 59–75 Brandist, Craig, and St. Antony’s College (University of Oxford), Carnival Culture and the Soviet Modernist Novel (Basingstoke: Macmillan, 1996) 1/9 10/01/21 SERS4010: Russian Literature in Revolution 1917 -1953 | University College London Brodsky, Joseph, ‘Catastrophes in the Air’, in Less than One: Selected Essays (London: Penguin Books, 1987), pp. 268–303 Brown, Edward James, Russian Literature since the Revolution, Rev. and enl. ed (Cambridge, Mass: Harvard University Press, 1982) Bullock, Philip, The Feminine in the Prose of Andrey Platonov (Oxford: European Humanities Research Centre, 2002), Legenda Bullock, Philip Ross, ‘Literary Encyclopedia: Andrei Platonov’ ———, ‘Literary Encyclopedia: Kotlovan’ Busch, Robert, ‘Gladkov’s Cement: The Making of a Soviet Classic’, Slavic and East European Journal, 22.3 (1978), 348–61 Carden, Patricia, The Art of Isaac Babel (Ithaca: Cornell University Press, 1972) Carleton, Gregory, The Politics of Reception: Critical Constructions of Mikhail Zoshchenko (Evanston, Ill: Northwestern University Press, 1998), Studies in Russian literature and theory Carrick, Neil, ‘A Familiar Story: Insurgent Narratives and Generic Refugees in Daniil Kharms’s The Old Woman’, The Modern Language Review, 90.3 (1995), 707–21 ———, ‘Daniil Kharms and the Art of Negation’, The Slavonic and East European Review, 72.4 (1994), 622–43 Carrick, Neil, Daniil Kharms: Theologian of the Absurd (Birmingham: Department of Russian Language and Literature, University of Birmingham, 1998), Birmingham Slavonic monographs Chudakova, Mariėtta Omarovna, Zhizneopisanie Mikhaila Bulgakova (Moskva: ‘Kniga’, 1988), Pisateli o pisateli ͡ akh Clark, Katerina, The Soviet Novel: History as Ritual, 3rd ed (Bloomington: Indiana University Press, 2000) Cockrell, Roger, Bolshevik Ideology and Literature, 1917-1927 (Lewiston, N.Y.: Edwin Mellen Press, 2000), Studies in Slavic languages and literature Collins, Christopher, Evgenij Zamjatin: An Interpretive Study (The Hague: Mouton, 1973), Slavistic printings and reprintings Connolly, Julian W. , ‘A Modernist’s Palett: Colour in the Fiction of Evgenij Zamjatin’, Russian Language Journal =: Russkii Iazyk, 33.115 (1979), 82–97 Cornwell, Neil, ‘The Principle of Distortion in Olesha’s Envy’, Essays in Poetics: The Journal 2/9 10/01/21 SERS4010: Russian Literature in Revolution 1917 -1953 | University College London of the British Neo-Formalist Circle, 5.1 (1980), 15–35 ———, ‘The Rudiments of Daniil Kharms: In Further Pursuit of the Red-Haired Man’, The Modern Language Review, 93.1 (1998), 133–45 Cornwell, Neil, and University of London, Daniil Kharms and the Poetics of the Absurd: Essays and Materials (Basingstoke: Macmillan, in association with the School of Slavonic and East European Studies, University of London, 1991), Studies in Russia and East Europe Curtis, J. A. E., Bulgakov’s Last Decade: The Writer as Hero (Cambridge: Cambridge University Press, 1987), Cambridge studies in Russian literature Curtis, J. A. E., Bulgakov, Mikhail Afanasʹevich, Bulgakova, E. S., and Bulgakov, Mikhail Afanasʹevich,Manuscripts Don’t Burn: Mikhail Bulgakov, a Life in Letters and Diaries (London: Bloomsbury, 1991) Danow, David K., ‘A Poetics of Inversion: The Non-Dialogic Aspect in Isaac Babel’s Red Cavalry’, The Modern Language Review, 86.4 (1991), 939–53 Davies, Norman, ‘Izaak Babel’s “Konarmiya” Stories, and the Polish-Soviet War’, The Modern Language Review, 67.4 (1972), 845–57 Dobrenko, E. A., The Making of the State Writer: Social and Aesthetic Origins of Soviet Literary Culture (Stanford, Calif: Stanford University Press, 2001) Dobrenko, E. A., and Savage, Jesse M., Political Economy of Socialist Realism (New Haven: Yale University Press, 2007) ———, The Making of the State Reader: Social and Aesthetic Contexts of the Reception of Soviet Literature (Stanford, Calif: Stanford University Press, 1997) Dolezel, L. , ‘Zamiatin’s Worlds’, in Poetics of the Text: Essays to Celebrate Twenty Years of the Neo-Formalist Circle (Amsterdam: Rodopi, 1992), Studies in Slavic literature and poetics Drawicz, Andrzej, The Master and the Devil: A Study of Mikhail Bulgakov (Lewiston, N.Y.: Edwin Mellen Press, 2001), Studies in Slavic languages and literature Edwards, T. R. N., Three Russian Writers and the Irrational: Zamyatin, Pilʹnyak, and Bulgakov (Cambridge ; New York: Cambridge University Press, 1982), Cambridge studies in Russian literature Ehre, Milton, ‘Olesha’s Zavist: Utopia and Dystopia’, Slavic Review, 50.3 (1991), 601–11 Ericson, Edward E., The Apocalyptic Vision of Mikhail Bulgakov’s The Master and Margarita (Lewiston: E. Mellen Press, 1991), Studies in Slavic language and literature Erlich, Victor, Modernism and Revolution: Russian Literature in Transition (Cambridge, Mass ; London: Harvard University Press, 1994) 3/9 10/01/21 SERS4010: Russian Literature in Revolution 1917 -1953 | University College London Ermolaev, Herman, Soviet Literary Theories, 1917-1934: The Genesis of Socialist Realism (New York: Octagon Books, 1977) Falen, James E., Isaac Babel, Russian Master of the Short Story (Knoxville: University of Tennessee Press, 1974) Fink, Hilary L., ‘The Kharmsian Absurd and the Bergsonian Comic: Against Kant and Causality’, Russian Review, 57.4 (1998), 526–38 <https://doi.org/10.1111/0036-0341.00043> Geller, Mikhail, Andreĭ Platonov v Poiskakh Schastʹi ͡ a (Paris: YMCA-Press, 1982) Gillespie, David C., The Twentieth-Century Russian Novel: An Introduction (Oxford: Berg publishers, 1996) Graffy, Julian, ‘Zamyatin’s “Friendship” with Gogol’, Scottish Slavonic Review, 14 (1990), 139–80 Groĭs, Boris, The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and beyond (Princeton, N.J.: Princeton University Press, 1992) Grøngaard, Ragna, An Investigation of Composition and Theme in Isaak Babel’s Literary Cycle Konarmija (Aarhus: Arkona, 1979), Slaviske studier Günther, Hans, ‘Education and Conversion: The Road to the New Man in the Totalitarian Bildingsroman’, in The Culture of the Stalin Period (Basingstoke: Macmillan in association with the School of Slavonic and East European Studies, University of London, 1990), Studies in Russia and East Europe, 193–209 Gutkin, Irina, The Cultural Origins of the Socialist Realist Aesthetic, 1890-1934 (Evanston, Ill: Northwestern University Press, 1999), Studies in Russian literature and theory Hansen Löve, Katharina, The Evolution of Space in Russian Literature: A Spatial Reading of 19-Th and 20-Th Century Narrative Literature (Amsterdam: Rodopi, 1994), Studies in Slavic literature and poetics Harkins, William E., ‘The Theme of Sterility in Olesha’s Envy’, in Major Soviet Writers: Essays in Criticism (London: Oxford University Press, 1973) Hayward, Max, and Blake, Patricia, Writers in Russia: 1917-1978 (London: Harvill Press, 1983) Hellbeck, Jochen, Revolution on My Mind: Writing a Diary under Stalin (Cambridge, Mass: Harvard University Press, 2006) Hellebust, Rolf, Flesh to Metal: Soviet Literature and the Alchemy of Revolution (Ithaca: Cornell University Press, 2003) 4/9 10/01/21 SERS4010: Russian Literature in Revolution 1917 -1953 | University College London Hicks, Jeremy, Mikhail Zoshchenko and the Poetics of Skaz (Nottingham: Astra Press, 2000) Ingdahl, Kazimiera, The Artist and the Creative Act: A Study of Jurij Oleša’s Novel Zavistʹ (Stockholm, Sweden: Almqvist & Wiksell International, 1984), Acta Universitatis Stockholmiensis Jackson, Robert Louis, Dostoevsky’s Underground Man in Russian Literature ( ’s-Gravenhage: Mouton, 1958), Slavistiche drukken en herdrukken
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