The Aroostook Times, May 24, 1911

Total Page:16

File Type:pdf, Size:1020Kb

The Aroostook Times, May 24, 1911 ■m <C # 0 0 ' 4 Xi. Vol 61 Houlton, Maine, Wednesday, May 24, 1911. No, 21 “No; it’s onTy the man who tfvlnks “So you’re out now, and you’re go­ “Oh, yes!” ho can beat the law who’s crazy,” said ing to throw Red and me out, oh? “I’ve semi the governor too.” HAS NO SUBSTITUTE V alentine. All this turning square talk I hoard j “lit* didn't have much to do this “You’d a won out if it hadn’t been was a stall to get rid of me because J morning, did he?" humorously. < p y p for that Cotton, who blow on you be­ I am old, eh?” “Very pretty, Jimmy. Rot me ask cause you boat him out of a da mo.” “I don’t have to stall you, Avery." ! you a question. Do you think I would Novelized by Valentine turned and clutched him The old thief leaned threateningly j be your friend if I could?” by the arm. toward Valentine, shaking his wither­ “Do you think so yourself?” FREDERICK R. TOOMBS “You rat, don’t you ever speak of ed fist as violently as the flabby mus­ "Yes. If you were willing to ex- cles, sapped by years of prison air and From the Gre&t her again or I’ll murder you.” He change the ordinary courtesies be L threw Red roughly away from him. prison fare, would permit. tween friends.” P la y by “Now, got out of here and forgot “Like the d--l!” he cried, choking "Meaning exactly what?” i in his w rath. “I’m old, th a t’s your you know me.” J “Favors. Now, I’ll do the first one." PAUL ARMSTRONG “Good God. Jimmy!” exclaimed the; dope. Going to throw me for a rookie, lie seated himself opposite the ex-con- eh? Well, I’M show you. When guys other. “I wouldn’t say anything to j vict. Copyright, I9IO, by American start stalling me 1’U show them up hurt your feelings. Why, I’d do any j “Thank you,” in gay mood. Press Association From now on I’m a copper, and I’ll thing for you; I’d a dope your bit if I , "Sarcasm won’t win you anything could have. Why, I’d go to h—l for. show you up, Valentino. I’ll get you too -I’ll get you good!’’ with me. Jimmy. I said I’d do you a MK* m you.” | Valentine” Red Flanagan had won a continout favor.” "Will you turn square with me?; wide reputation as a “smooth work “What Is it?” Valentine began to That's all I want of you now. Let’s j or.” lie was one of t)0 hse painstak inspect his visitor auxiousiy. you and I start now and from this lug, conscientious burglars who fol The detective paused momentarily. I minute on go square, if we starve in lowed habitually the laudable prne Then he said deliberately: [ the streets. Will you do that, Red?” fice of looking after details. Ills em "I’ll—-forget—th at—job—you—did — at J ' Boat returned his glance calmly. significantly. \ Valentine spoke in intense earnest­ ployers, among whom had been Jim —Springfield—three—years—ago.” MY4kM the cried, rising and meeting “No; secretary!” both the ladies cried ness. my Valentine, “t’hieago Whitey" and The detective leaned back in his I ^ her. father’s eyes unflinchingly with simultaneously. Red hesitated. “One Job to get a ”1 hold that honored position now,” other leaders in their profession, had chair, Inserted his thumbs In the arm­ Absolutely Pure her own; “I’ve known men who stake and I’ll go you.” he said eager­ holes of his waistcoat and gazed fixed-! ► thought they were heroes all my life, resumed Mrs. Moore, “but were you in the past shown a fiatteriug willing Thn only baking powdon ly. ness to recommend him (not in their ly at Jimmy Valentine. * wW talked of themselves and bored willing to accept It we would pay a Valentine appreciated the character­ own handwriting, to be sure) as a The eyes of the man addressed be- made from Royal Qrapo m to death. And one day from a salary. We agree that your knowl­ istic unwillingness of Red to leave his thorough artist, an untiring student came directed at the cover of the Oroam of Tartar ' tlear sky, when 1 was struggling in edge of the—the”— lifelong vocation—that of rifling strong and one who one day would probably magazine he still held, but only for; the amp of a blear eyed brutexWbo “The inside,” suggested Valentine. boxes and safes deemed by their man­ revolutionize the business of caring an instant. He shot a defiant glare j NO ALUM,NO LIME PHOSPHATE ‘ beat me if 1 dared move a hand, tills “Exactly—would be a great help to ufacturers to be “tire and burglar for other people's money. In a word. at Doyle. m aaoem e. us.” proof.” True, the flames were some­ Red was thorough, which means a “I was never in Springfield in my ‘ “There was no blare of bogles or “Doubtless.” times foiled by the thicknesses of met­ great deal in ids line. life,” lie said Indignantly. IJ Report of the condition of the anything but otter courage. Ho made “Then you accept, Mr. Valentine?” al and asbestos, but rarely had Red So, true to his reputation, Red, fear “Whi' h Springfield?” asked ^Doylej the rattan leave me. His voice was “No, ladies,” decisively. Flnnngan been foiled by mere hmni- j1)t, complications because of the pitch significantly. i “You refuse the position?” low. I could scarcely hear what he mate metal or time locks—rarely, in to which Avery had unconsciously “No Springfield.” I “Yes. ladies. In fact, I decline all | Eastern Trust & : said, but there was a note of com­ deed, when accompanied by No. 1289. raised his voice, had stepped behind “You dodge It nicely.” mand and a threat of death In it, and your positions.” the man who, us Warden Handler de­ “I don't see how.” The Gate of Hope representatives the portieres to keop watch on the the brute disregarded it, and he mas- scribed him, opened safes solely by short hallway that led to it. This hall­ “Now, which Springfield did I think Banking Company rose afid assumed expressions of ex­ . toted him, a beast twice his size. He the sense of touch. Valentine knew you were going to say?” [ treme indignation at the unexpected way opened out into the main hull of O F BANGOR fought silently and killed blm. And the hold that the unlawful life he, “I have no idea.” repulse and refusal of their well the hotel, at the far end of which was * that man owns me.” too, bad followed Invariably secured “Good again. Well, I’ll tell you," Slimy life meant but ill advised offers. as it existed at the close of business on Its votaries, and he was not sur­ continued Doyle. "I meant Spring- S Mr. Lane was only half startled at “Ingratitude!” they exclaimed. th f open declaration of his daughter prised when Red hesitated to leave it field. Mass.” | A p r i l 2 9 , 1911 Valentine, who had deprecated their Valentine raised ills brows doubting- ] e f her admiration and gratitude for advances because of their evident mis­ for the dubious rewards of “going ly, innocently. | J o h n C a s s i d y , President. and sentimental interest in the ex-' trust of him in spite of his pardon, as s tr a ig h t” conrkt Jimmy Valentine. His traln- "N o,” answered Valentine; "nothing “I don’t think I was ever in the J C has 1). C hoshy, Treasurer. shown by the nature of the positions state of Massachusetts.” | *4'intuition bad already told him that they had offered him, resolved on a for me but work from now on—work, 3 . ■ ah* was more than casually concern­ "I can prove you were in Spring-j TR US TICKS : Y course of action that would, he honest work, hard manual labor if ed in the fate of this mystifying necessary. I’ve quit the old game for; field, Mass., the night the safe in the; thought, dispose of them and at the savings bank was grabbe-d.” ; Kdward R. Adams, John Cassidy, """•a w** «PP»'- same time afford him a long craved keeps, Red." Janies \V. Cassidv, Herbert Gray, . mnSjr isr bad and whose personality "Oh, no. you can’t.” amusement. Red, plainly nonplused at this revo­ Frederick W. Hill. James M. Mc- ^ A and ambitions were certainly impres- lutionary change of heart in his for­ “Believe me, Jimmy, I can. The “No; please do not say that,” ho Nultv, Charles S, Pearl. ,* aive in their good qualities. Truth mer "pal,” stood speechless for a mo­ witness may be a bit disreputable, but protested elaborately. “No, no. I re­ I can prove it.” | to tell. Mr. Lane was considerably fuse the positions you offer me be­ ment Jimmy Valentine, the best man “You can job me, you mean. You Organized Apr. 9 , 1911 disturbed at the situation, but he de­ cause I fear the world would misun­ In tbe country in his line, had "turned can get fake witnesses?” Valentine! termined to accept it philosophically derstand.” square.” Merciful saints! Was the U ANILITIES asked excitedly. | : for the present aud io watch careful­ “What do you mean?” asked one of world coming to an end? At last he -/ “I can send you for five at least, ; Capital S to c k ............
Recommended publications
  • Sidestep-Programm - Gesamt 1 - Nach Titel
    Sidestep-Programm - Gesamt 1 - nach Titel Titel Komponist (Interpret) Jahr 24K Magic Bruno Mars, Philip Lawrence, Christopher Brody Brown (Bruno Mars) 2016 500 Miles (I'm Gonna Be) The Proclaimers 1988 After Dark Steve Huffsteter, Tito Larriva (Tito & Tarantula) 1987/1996 Água De Beber Antonio Carlos Jobim, Vincius De Moraes 1963 Ain't Misbehavin' Fats Waller, Harry Brooks, Andy Razaf (Fats Waller, Louis Armstrong, Ella Fitzgerald, et al.) 1929 Ain't Nobody David Wolinski "Hawk" (Chaka Khan & Rufus) 1983 Ain't No Mountain High Enough N.Ashford, V.Simpson (Marvin Gaye & Tammi Terrell, Diana Ross et al.) 1967 Ain't No Sunshine Bill Withers 1971 Ain't She Sweet Milton Ager, Jack Yellen 1927 Alf Theme Song Alf Clausen 1986 All Around the World Lisa Stansfield, Ian Devaney, Andy Morris (Lisa Stansfield) 1989 All I Have To Do Is Dream Felice & Boudleaux Bryant (The Everly Brothers) 1958 All I Need Nicolas Godin, Jean-Benoît Dunckel, Beth Hirsch (Air) 1998 All I Want For Christmas Is You Mariah Carey, Walter Afanasieff (Mariah Carey) 1994 All My Loving John Lennon, Paul McCartney (The Beatles) 1963 All Night Long Lionel Richie 1983 All Of Me Gerald Marks, Seymour Simons 1931 All Of Me (John) John Stephens, Tony Gad (John Legend) 2013 All Shook Up Otis Blackwell (Elivis Presley) 1957 All That She Wants Ace Of Base 1992 All The Things You Are Oscar Hammerstein II, Jerome Kern 1939 All You Need Is Love John Lennon, Paul McCartney (The Beatles) 1967 Alright Jason Kay, Toby Smith, Rob Harris (Jamiroquai) 1996 Altitude 7000 Russian Standard (Valeri
    [Show full text]
  • The Young Songwriter 2018 Competition
    THE YOUNG SONGWRITER 2018 COMPETITION Nurturing young songwriters and getting their songs heard Winners Announced! CREATIVITY • COURAGE • INDIVIDUALITY • SELF EXPRESSION • INSPIRATION #SAYS18 #StrengtheningMentalHealth #Community #Songwriting Star judges including, Tom Odell, Guy Chambers, Imelda May, Eg White, Lucie Silvas & Nigel Elderton choose the Young Songwriter 2018 Winners The winners of the hotly contested Song Academy Young Songwriter (SAYS) 2018 competition are revealed today and will perform live in front of family, friends and the general public at Westfield, Shepherd’s Bush, London on Sunday 10th June, from 2pm to 5pm, alongside the UK & Ireland finalists and highly commended entrants. A number of the judges will be at this Young Songwriter 2018 showcase to watch their favourites perform live. This year’s panel of award winning judges includes: Singer songwriters Tom Odell, Imelda May & Lucie Silvas, songwriters & producers Guy Chambers (for Robbie Williams, Tom Jones, Kylie Minogue, & Mark Ronson), Eg White (Adele, Duffy, Take That, Pink), Tim Laws (Gabrielle, Lighthouse Family), Jessica Sharman (for Ward Thomas), Nicky Cox (editor, First News), Nigel Elderton (Chairman, PRS for Music) and Toby Davies (head of Trinity College Rock & Pop). The panel were looking for interesting and original lyrics melodies and compositions which were engaging, believable and courageous, showing the powerful art of songwriting to touch, move and inspire. The winner of the 8-12 year old category is Zoe Efstathiou with her song “All She Has To Do’. 2nd place was awarded to Mia Bran’s song ‘City’ and 3rd place to Skye Bishop’s song ‘Soaring’. The winner of the 13-18 year category is Isabella Weinstein with her song ‘Bad Boy’.
    [Show full text]
  • GUY CHAMBERS „Go Gentle Into the Light“
    GUY CHAMBERS „Go Gentle Into The Light“ VÖ: 03. Mai 2019 BMG Guy Chambers ist nicht nur ein exzellenter Multiinstrumentalist, Komponist, Producer und Musical Director – ebenfalls stellt er eine Hälfte der erfolgreichsten Songwriting-Partnerschaft in der Geschichte der britischen Popmusik dar: Um genau zu sein, handelt es sich bei ihm um den etwas weniger im Rampenlicht stehenden Songwriting-Partner von niemand Geringerem, als Robbie Williams. Schon in jungen Jahren war Guy ständig von Musik umgeben. Sein Vater war Flötist im berühmten London Philharmonic Orchestra, seine Mutter war für das Decca-Plattenlabel tätig. Schon mit 5 Jahren konnte Guy Klavierspielen und komponierte seine ersten eigenen Stücke im Alter von 11. „Ich hatte einen großartigen Musiklehrer, dem auffiel, wie gerne ich improvisierte. Also spielte er mir Duke Ellington und Dave Brubeck vor.“ Mit 13 erlernte er außerdem noch das Gitarrenspiel und verdiente schon wenig später Geld in Coverbands sowie an den Wochenenden als Pianist in diversen Pubs und Clubs. Er schrieb sich an der Guildhall School Of Music ein und avancierte zum aller ersten festangestellten Pianisten im Groucho Club. Das Klavier war Guys erste wirkliche Liebe. „Das Klavier ist der König unter den Instrumenten. In Orchestern findet man es oft in der Percussion-Sektion, weil es sehr aggressiv sein kann. Jemand wie Little Richard zum Beispiel hat es als Teil der Rhythmussektion benutzt. Aber es verfügt auch über eine unglaublich poetische Seite. In melodischer und harmonischer Hinsicht bietet es alle Möglichkeiten. Dieses Instrument verfügt über so viele Klangfarben, dass es niemals langweilig wird.“ Guy Chambers verstärkte Julian Cope, Jimmy Nail und The Waterboys als Keyboarder auf Tour, bevor er 1986 Mitglied in Karl Wallingers World Party wurde.
    [Show full text]
  • Something Beautiful“, Dem 3
    Im Folgenden wird Robbie Williams (und Guy Chambers) 5-minütiger (4min wären es im Radio-Edit) Popsong „Something Beautiful“, dem 3. Song des Albums „Escapology“ von 2002 analysiert. Formanalyse nach Ulrich Kaiser Nach dem Intro folgt zweimal Verse (bzw. Strophe), Pre-Chorus, Chorus (bzw. Refrain). Danach kommt die Bridge. Diese wird nach Db moduliert. Es folgt der Pre-Chorus in E und der Chorus in der Ausgangstonart Bb. Es handelt sich also um die Liedform Verse-Chorus-Bridge-Form. Das Intro ist ein am Anfang stehender, einmaliger Musikabschnitt. Eine Strophe ist dabei ein thematisch unverändert wiederkehrender, inhaltlich umfangreicher Textabschnitt. Die Verse ist ein harmonisch unverändert wiederkehrender Musikabschnitt ohne Modulation. Ein PreChorus ist ein zum Vers harmonisch kontrastierender, zum Chorus harmonisch vorbereitender spannungssteigender, wiederkehrender Musikabschnitt. Der Refrain ein thematisch unverändert wiederkehrender, inhaltlich unveränderter, einprägsamer Textabschnitt. Der Chorus ist ein harmonisch unverändert wiederkehrender, einprägsamer Musikabschnitt. Die Bridge ist ein dem Vers nebengeordneter, dem Chorus untergeordneter kontrastierender, nicht spannungssteigender, wiederkehrender Musikabschnitt. Harmonische Analyse Es handelt sich um erweiterte Kadenz, schon Beginn an: die Verse beginnt mit T-Tp-Dp-S, die zweite T-T7-S-DD- D. Der Chorus ist harmonisch nicht viel gemäßigter: T-Dp-S-T gefolgt von T-DS-T, dann D-DD-D-T und Dp-dd-T- SS und wieder T-D-S-T bevor es mit den Akkorden F-G-A endet. Das F lässt sich als Tonikavariante Am mit hochalterierten Quintbass #5 deuten. Das #5 (F) geht dann zum Grundton von G über. Den musikalischen Höhepunkt stellen dann die Key Changes (Tonartwechsel) dar. T-D-S-T gefolgt von T-D-S-T beginnend mit C.
    [Show full text]
  • Free Lyrics Alone by Heart
    Free lyrics alone by heart click here to download Lyrics to "Alone" song by Heart: I hear the ticking of the clock I'm lying here the room's pitch dark I wonder where you are tonight. Read or print original Alone lyrics updated! I hear the ticking of the clock / I' m lying here the room's pitch dark / I wonder where. I never really cared until I met you. Billy Steinberg and Tom Kelly originally wrote this song for their own act, I-Ten and the album Taking a Cold Look. Heart’s version spent three weeks at #1 on Billboards Hot Lyrics of ALONE by Heart: You don't know how long I have wanted, To touch your lips and hold you tight oh, You don't know how long I have. Lyrics to 'Alone' by Heart. I hear the ticking of the clock / I'm lying here the room's pitch dark / I wonder where you are tonight / No answer on the telephone. Alone - Heart - free chords and lyrics. Learn this song on Jellynote with our interactive sheet music and tabs. Play along with youtube video covers. Lyrics of Alone. I hear the ticking of the clock. I'm lying here the room's pitch dark. I wonder where you are tonight no answer on the telephone. And the night. From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. " Alone" is a song composed by Billy Steinberg and Tom Kelly. It first appeared via Steinberg .. External links[edit]. Lyrics of this song at MetroLyrics.
    [Show full text]
  • 4 Behind the Scenes Curious Festival 6 Your Latest School News and Stories 12 Face to Face Students Say Farewell to Barry Ife 1
    The Guildhall School Magazine Autumn/ Winter 2016 4 Behind the Scenes 20 Mind the Gap Curious festival Making the arts accessible 6 Your latest School news and stories PLAY12 Face to Face Students say farewell to Barry Ife 26 The Interview Emma Rice 30 Then & Now Guy Chambers 32 Class Notes 34 Recent Releases 36 In Memoriam 18 Guildhall to the World 38 A Day in the Life Playtime in France Peter Batai Editorial Group Welcome to the latest edition of PLAY Deputy Head of Development (Alumni & Supporter Relations) Before the next edition of this magazine comes out the Guildhall Rachel Dyson School will have a new principal, Lynne Williams. Lynne joins Head of External Affairs Jo Hutchinson us from Australia’s highly prestigious National Institute of Dramatic Art and we look forward to working with her. Our Head of Development Duncan Barker current principal, Professor Barry Ife, has been both a fierce Marketing & champion and a dedicated supporter of the School for the past Communications Officer twelve years. Barry reflects on some of the achievements and Rosanna Chianta challenges of that period in a touching interview with students Copywriter in Face to Face. Nicola Balkind Art Direction & Design In August, I took a group of alumni from the Class of 1982 on Pentagram Jessie Earle a tour of the School. While the Silk Street building has been refurbished many times over the years, it is essentially the same, Forthcoming events Contact but Milton Court showed them a whole new side to Guildhall. Email As we walked around they told stories of their time here and I [email protected] was struck by the fact that while our building and our staff can Wednesday 9 November, 7.30pm Friday 25 – Wednesday 30 November Monday 27 February – Monday 6 Twitter and do change, Guildhall School has a core that does not change.
    [Show full text]
  • ROBBIE WILLIAMS in Concert
    presents ROBBIE WILLIAMS in concert Saturday 31st May 2014 | 20h30 | Sporting Monte-Carlo As part of his European tour “Swings Both Ways Live”, Robbie Williams will be performing in Monaco on Saturday 31 st May 2014, for a unique concert. The Salle des Etoiles, in a new seated concert setting, will be filled with the live music and unique sounds of his new album: “Swing Both Ways”. This new record features a mix of classic covers such as “Dream A Little Dream”, and new material, as well as duets with some of pop's biggest names, including Lily Allen, Michael Bublé, Kelly Clarkson, Olly Murs and Rufus Wainwright. It has also seen Robbie reunite with Guy Chambers, with whom he wrote 6 new songs, the latter having realized the album as well. Robbie recently explained his motivation behind the album, saying: “I wanted to do a swing album simply because it was a personal long-time wish. I always knew I'd do another and I think now is the perfect time to do it. All this show business amuses me, I’m in love with life, what I retain from my experience and my career, is this ceaseless need to create a real sensation every time I make an album. This time, it is an ode and a love move towards a time which I did not know, for not having grown up in it… I would so much have wanted to be there, it is a feeling always present in me.” He concludes by saying: “Hopefully I'm off to romance the world.” This tour will be a great chance for his public to rediscover this amazing artist! The Sporting Monte-Carlo is the perfect place for this event.
    [Show full text]
  • Sidestep-Programm - Gesamt 3 - Nach Stilistik
    Sidestep-Programm - Gesamt 3 - nach Stilistik Titel Komponist (Interpret) Stil All Shook Up Otis Blackwell (Elivis Presley) Blues&Rock'n'Roll Before You Accuse Me Ellas McDaniel (Bo Diddley; Eric Clapton) Blues&Rock'n'Roll Blue Suede Shoes (1 for the money...) Carl Lee Perkins Blues&Rock'n'Roll Boom Boom John Lee Hooker Blues&Rock'n'Roll Call It Stormy Monday Aaron "T-Bone" Walker Blues&Rock'n'Roll Crazy Little Thing Called Love Freddie Mercury (Queen) Blues&Rock'n'Roll Dirty Boogie, The Brian Setzer (Brian Setzer Orchestra) Blues&Rock'n'Roll Eight Days a Week John Lennon, Paul McCartney (The Beatles) Blues&Rock'n'Roll Erzherzog Johann Jodler (Wo i geh' und Anton Schosser Blues&Rock'n'Roll steh') Everybody Needs Somebody (To Love) Bert Berns, Solomon Burke, Jerry Wexler (Solomon Burke, Blues Brothers, Rolling Stones, et al.) Blues&Rock'n'Roll Folsom Prison Blues Johnny Cash Blues&Rock'n'Roll Great Balls of Fire (bam-bam-bam-bam) Otis Blackwell, Jack Hammer (Jerry Lee Lewis) Blues&Rock'n'Roll Green Onions Booker T. Jones, Steve Cropper, Al Jackson Jr., Lewie Steinberg (Booker T. & the MG's) Blues&Rock'n'Roll Hello Josephine Fats Domino, Dave Bartholomew (Fats Domino) Blues&Rock'n'Roll Hoch vom Dachstein an (Steirische Jakob Dirnböck, Ludwig Carl Seydler Blues&Rock'n'Roll Landeshymne) Hoochie Coochie Man Willie Dixon (Muddy Waters, Eric Clapton, et al.) Blues&Rock'n'Roll Hound Dog Jerry Leiber, Mike Stoller (Big Mama Thornton, Elvis Presley, et al.) Blues&Rock'n'Roll I Just Wanna Make Love to You Willie Dixon (Etta James) Blues&Rock'n'Roll In die Berg bin i gern Trad.
    [Show full text]
  • ROBBIE WILLIAMS NACH EINEM SCHEINBAREN Karriere- ● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● Knick Mit Dem Album «Rudebox» (2006) Ist Er Heute Fleissiger Denn Je
    Schweiz am Sonntag, Nr. 45, 10. November 2013 KULTUR | 43 Kaum ein Jahr nach «Take The mit Guy Chambers komponiert – dem Crown» präsentiert Robbie Mann, der seinem Solo-Debüt «Life Thru a Lense» den Schliff verpasste, der ihm Williams schon wieder ein auf Anhieb Erfolg und Respekt eintrug Album. Auf «Swing Both Ways» und ihn zum Superstar machte. «Wir kehrt er zum Swing und hatten immer vor, wieder zusammenzu- Robbie, Robbie noch kommen», sagt Williams. «Damals mach- seinem alten Song-Schreiber Guy Chambers zurück. te es mich fertig, dass rundum alles glaubte, mein Album sei ganz das Werk von Guy und hätte nichts mit mir zu VON HANSPETER KÜNZLER tun. Meiner geistigen Gesundheit zulie- ●●● ● ●●● ● ● ● ● ●●●● ● ● ● ● ●●●● ● ● ● ● ●●●● ● ● ● ● ●●●● ● ● ● ● ●●●● ● ● ● ● ●●●● ● ● ● ● ●●●● ● ● ● ● ●●●● ● ● ● ● ●●●● ● ● ● einmal! be musste ich weg von ihm. Aber es war it 16 ist er bei der Boy- nie als eine ewige Trennung gedacht.» band Take That gelan- det, mit 20 zum Teenie- Für den britischen Superstar schliesst sich mit «Swing Both Ways» ein Kreis «SWINGS BOTH WAYS» ist denn auch Superstar avanciert, nicht einfach Folge zwei von «Swing mit 21 erfolgt der Raus- When You’re Winning», wo sich Robbie Mwurf. Kaum jemand traute dem vor zwölf Jahren zum ersten Mal des charmanten Bühnenhampelmann eine swingenden Erbes von Nat King Cole grosse Karriere zu. und Frank Sinatra annahm. Das stilisti- 18 Jahre später hat sich Robbie Wil- sche Spektrum ist breiter und reicht liams, allen bösen Prognosen zum Trotz, diesmal vom bläsergetriebenen Sou- zur erfolgreichsten Stimme gemausert, thern-Rock von «Shine My Shoes» über ei- die in den letzten zwei Dekaden über den britischen Pop-Horizont gestiegen ● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ist.
    [Show full text]
  • PM Guy Chambers 2019
    KONZERTBÜR O PRESSEMITTEILUNG VOM 17.07.19 Konzertbüro Schoneberg GmbH Amtsgericht Münster · HRB 3232 USt.-ID-Nummer: DE126111533 Geschäftsführer: Till Schoneberg Guy Chambers www.schoneberg.de schonebergkonzerte - kommt für ein exklusives Solokonzert nach Deutschland! Guy Chambers ist nicht nur ein exzellenter Multiinstrumentalist, Komponist, Producer und Musical Director – er stellt außerdem die eine Hälfte von einer der erfolgreichsten Songwriterpartnerschaften in der Geschichte der britischen Popmusik dar, als Mitkomponist der größten Hits von Robbie Williams. Gemeinsam haben Robbie und Guy mehr als sechzig Songs geschrieben und eingespielt; darunter fünfzehn echte Megahits, die sich international zehnmillionenfach verkauften. Für seine Arbeit mit Robbie wurde Guy mit drei Brit-Awards, drei Ivor-Novello-Awards sowie einem Q-Classic-Songwriter- Award ausgezeichnet. Guy arbeitete nach dem vorläufigen Ende der Partnerschaft in den folgenden 15 Jahren mit einer breiten Palette unterschiedlichster Künstler zusammen: Kylie Minogue, James Blunt, Melanie C, Katie Melua, Caro Emerald, Rufus Wainwright, Katy B, Mark Ronson und John Newman. Seit 2013 ist Guy zudem wieder an fast allen Projekten von Robbie Williams kreativ beteiligt. Zusätzlich hat Guy Chambers auch noch Zeit gefunden, sein erstes Soloalbum „Go Gentle Into The Light“ (2018 | BMG) zu veröffentlichen, welches instrumentale Klavierversionen von Robbie Williams` und Guy Chambers` Songs enthält. „Ich dachte, es wäre ganz schön, sie einmal in ihrer reinen, melodischen Form zu Gehör zu bringen“, so Guy über sein Solodebüt. „Viele von Robbies Stücken sind überraschend komplex und verfügen über viel mehr Akkorde als der durchschnittliche Popsong aus dem Radio.“ Aufgenommen wurde das gesamte Album während einer einzigen Recordingsession in Londons legendären Abbey Road Studios am 12.
    [Show full text]
  • Robbie Williams Pdf, Epub, Ebook
    FEEL: ROBBIE WILLIAMS PDF, EPUB, EBOOK Chris Heath | 544 pages | 31 Jan 2005 | Ebury Publishing | 9780091897543 | English | London, United Kingdom Feel: Robbie Williams PDF Book Deceiving Is Believing. Go Gentle. The X Factor Songbook. Official Sites. ThoughtCo is a premier reference site focusing on expert-created education content. Before its release it looked like Robbie Williams would be dropped from his recording contract. Drivetime Anthems. Come Fly With Me Album Reviews Song Reviews. A Man For All Seasons. The Mum Album [Sony]. Now Dance Get some picks. You Raise Me Up [Sony]. Die Premiere. The Heavy Entertainment Show. Great British Albums. Mark Dynamix. Quotation Author, Featured Artist. Yes No. Absolute Music, Vol. Cocktail of Musical Bases. Chemical Devotion In the US it climbed into the top 30 at adult pop radio but failed to reach the Billboard Hot Platin, Vol. The Jazz Album [Decca]. The Best Love Gift of Love [EMI]. Best of The Hits Album: The 1's Album. The Ultimate Chick Flick Soundtrack []. Smash Hits: The 90s. International Sanremo. Brit Awards All the Hits Now Sweet November [Original Soundtrack]. Light Years. Composer, Vocals. The Essential Collection. Now Hits: Movies. Greatest Hits' Hit Club Feel: Robbie Williams Writer Robbie Williams himself declared it was a "summer song" similar to "Rock DJ. One [Sony]. Sexed Up. Trevor Horn Reimagines the Eighties. Something Beautiful. Hit Collection Best of Megahits 9G. The song peaked at 3 on the UK pop singles chart becoming his fourth top 10 pop hit. Pride Parents Guide. Love Moods [EMI]. Platinum Radio Zet: White Room. Absolute Hits Never Been Better.
    [Show full text]
  • Robbie Williams
    MARTEDì 14 GENNAIO 2014 Sarà disponibile per la programmazione radiofonica da venerdì, 14 gennaio, "Shine My Shoes", il nuovo singolo di Robbie Williams tratto dal suo ultimo cd "Swings Both Ways", 11mo disco della carriera del Robbie Williams poliedrico artista inglese a raggiungere la vetta della classifica UK portando ad oltre 70 milioni il numero degli album venduti nel mondo Il 1 maggio in concerto a Torino nella sua carriera. L'album, certificato ORO in Italia, contiene duetti con Lily Allen, Michael Bublé, Kelly Clarkson, Olly Murs e Rufus Wainwright oltre ad una LA REDAZIONE selezione di classici swing del passato e brani inediti scritti con lo storico collaboratore Guy Chambers, qui in veste anche di produttore del disco. Il disco, pubblicato su etichetta Island Records, si apre con gli inediti "Shine My Shoes" e "Go Gentle" (primo singolo estratto dall'album accompagnato da un video visibile su http://youtu.be/o3OWZaIpEDk con oltre 1 milione di visualizzazioni) per poi proseguire con un grande classico del passato come "I Wan'na Be Like You" con Olly Murs e con [email protected] "Swing Supreme" e arrivare poi alla title track (altro inedito) "Swings Both SPETTACOLINEWS.IT Ways" in collaborazione con Rufus Wainwright. Tra i brani classici in scaletta troviamo inoltre "Dream A Little Dream" qui in duetto con Lily Allen che precede in scaletta la collaborazione tra Robbie Williams e Michael Buble nell'inedito "Soda Pop". La tracklist comprende anche "Snowblind" (altro nuovo brano), "Puttin' On The Ritz", un altro ritorno al passato nel duetto con Kelly Clarkson in "Little Green Apples", "Minnie The Moocher", " If I Only Had A Brain" e l'inedito "No One Likes A Fat Pop Star".
    [Show full text]