The Young Songwriter 2018 Competition
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The Conjugal Experience of James and Ellen White: Meanings Built by the Couple
Andrews University Seminary Studies, Vol. 54, No. 2, 259–298. Copyright © 2016 Andrews University Seminary Studies. THE CONJUGAL EXPERIENCE OF JAMES AND ELLEN WHITE: MEANINGS BUILT BY THE COUPLE Demóstenes Neves da Silva Gerson Rodrigues Latin American Adventist Latin American Adventist Theological Seminary Theological Seminary Bahia, Brazil Bahia, Brazil The story of James White (1821–1881) and Ellen Gould White (1827–1915), co-founders and leaders of the Seventh-day Adventist Church, begins in the nineteenth century in the United States.1 They were married on 30 August 1846, when James was twenty-five and Ellen eighteen.2 The Whites 1Ellen G. White, A Sketch of the Christian Experience and Views of Ellen G. White (Saratoga Springs, NY: James White, 1851); idem, Spiritual Gifts. My Christian Experience, Views and Labors in Connection with the Rise and Progress of the Third Angel’s Message, 4 vols. (Battle Creek, MI: Seventh-day Adventist Publishing Association, 1860), 2:iii–iv, 7–300; James White, Life Incidents: In Connection with the Great Advent Movement as Illustrated by the Three Angels of Revelation XIV (Battle Creek, MI: Steam Press, 1868; repr., Berrien Springs, MI: Andrews University Press, 2003); E. G. White, Testimonies for the Church with a Biographical Sketch of the Author, 9 vols. (Battle Creek, MI: Review & Herald, 1885), 1:9–112; J. White and E. G. White, Life Sketches: Ancestry, Early Life, Christian Experience, and Extensive Labors of Elder James White, and His Wife Mrs. Ellen G. White (Battle Creek, MI: Steam Press, 1880; rev. ed., Battle Creek, MI: Steam Press, 1888). The most relevant secondary sources on James and Ellen White, are Virgil E. -
How the Second Amendment and Supreme Court Precedent Target Tribal Self-Defense
“HOSTILE INDIAN TRIBES . OUTLAWS, WOLVES, . BEARS . GRIZZLIES AND THINGS LIKE THAT?” HOW THE SECOND AMENDMENT AND SUPREME COURT PRECEDENT TARGET TRIBAL SELF-DEFENSE Ann E. Tweedy* TABLE OF CONTENTS I. INTRODUCTION ...................................................................... 690 A. Definitions of “Self-Defense” ......................................... 692 B. The Second Amendment .............................................. 692 C. The Justices’ Perceptions of Tribes in District of Columbia v. Heller ............................................................ 694 D. Erasure of Tribes in McDonald v. City of Chicago ........... 696 II. THE MYTHOLOGY OF THE COLONISTS’ NEED FOR SELF- DEFENSE ................................................................................. 697 A. The Colonial Concept of Self-Defense Related Directly to Tribes ........................................................... 698 B. The Perception of Indians as Aggressors ...................... 700 * Visiting Assistant Professor, Michigan State University College of Law; J.D., University of California, Berkeley School of Law (Boalt Hall), Order of the Coif; A.B., Bryn Mawr Col- lege, cum laude. I would like to thank Michal Belknap, Ruben Garcia, Steven Macias, An- gela Harris, Michael Lawrence, Cameron Fraser, Melissa Martins Casagrande, Kevin Noble Maillard, Matthew Fletcher, William Aceves, and David Austin for reviewing and commenting on drafts of this article. I am also grateful to Nancy Kim, Jeff Schwartz, Jas- mine Gonzales Rose, Angelique EagleWoman, -
The Colours of the Fleet
THE COLOURS OF THE FLEET TCOF BRITISH & BRITISH DERIVED ENSIGNS ~ THE MOST COMPREHENSIVE WORLDWIDE LIST OF ALL FLAGS AND ENSIGNS, PAST AND PRESENT, WHICH BEAR THE UNION FLAG IN THE CANTON “Build up the highway clear it of stones lift up an ensign over the peoples” Isaiah 62 vv 10 Created and compiled by Malcolm Farrow OBE President of the Flag Institute Edited and updated by David Prothero 15 January 2015 © 1 CONTENTS Chapter 1 Page 3 Introduction Page 5 Definition of an Ensign Page 6 The Development of Modern Ensigns Page 10 Union Flags, Flagstaffs and Crowns Page 13 A Brief Summary Page 13 Reference Sources Page 14 Chronology Page 17 Numerical Summary of Ensigns Chapter 2 British Ensigns and Related Flags in Current Use Page 18 White Ensigns Page 25 Blue Ensigns Page 37 Red Ensigns Page 42 Sky Blue Ensigns Page 43 Ensigns of Other Colours Page 45 Old Flags in Current Use Chapter 3 Special Ensigns of Yacht Clubs and Sailing Associations Page 48 Introduction Page 50 Current Page 62 Obsolete Chapter 4 Obsolete Ensigns and Related Flags Page 68 British Isles Page 81 Commonwealth and Empire Page 112 Unidentified Flags Page 112 Hypothetical Flags Chapter 5 Exclusions. Page 114 Flags similar to Ensigns and Unofficial Ensigns Chapter 6 Proclamations Page 121 A Proclamation Amending Proclamation dated 1st January 1801 declaring what Ensign or Colours shall be borne at sea by Merchant Ships. Page 122 Proclamation dated January 1, 1801 declaring what ensign or colours shall be borne at sea by merchant ships. 2 CHAPTER 1 Introduction The Colours of The Fleet 2013 attempts to fill a gap in the constitutional and historic records of the United Kingdom and the Commonwealth by seeking to list all British and British derived ensigns which have ever existed. -
Sam Smith in the Lonely Hour Mp3, Flac, Wma
Sam Smith In The Lonely Hour mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: In The Lonely Hour Country: France Released: 2014 Style: Vocal, Ballad, Synth-pop MP3 version RAR size: 1963 mb FLAC version RAR size: 1247 mb WMA version RAR size: 1827 mb Rating: 4.5 Votes: 484 Other Formats: XM AIFF RA VQF ADX WAV FLAC Tracklist Hide Credits Money On My Mind Mixed By – Steve FitzmauriceMixed By [Assistant] – Darren HeelisProducer, Arranged By, 1 3:13 Instruments [All] – Two Inch PunchRecorded By [Vocals] – Darren Heelis, Steve FitzmauriceVocals – Sam Smith Written-By – Ben Ash , Sam Smith Good Thing 2 Mixed By – Dan Parry*Producer, Guitar, Piano, Strings, Cymbal – Eg WhiteVocals – Sam 3:21 Smith Written-By – Eg White, Sam Smith Stay With Me Arranged By [Strings], Conductor [Strings] – Simon HaleBass Guitar – Jodi MillinerDrums, Percussion – Sylvester Earl Harvin*, Jimmy NapesEngineer [Assistant Recording Engineer] – Darren Heelis, Mike HornerLeader [Strings] – Everton NelsonMixed By [Additional], Bass 3 [Korg Bass] – Darren HeelisPiano, Organ – William Phillips*Producer [Additional], 2:52 Recorded By [Additional], Mixed By, Drum Programming [Additional] – Steve FitzmauriceProducer, Recorded By – Jimmy NapesRecorded By [Strings - Assistant] – Jeremy MurphyRecorded By [Strings] – Steve Price Vocals – Sam Smith Written-By – James Napier, Sam Smith , William Phillips* Leave Your Lover Arranged By [Strings], Conductor [Strings] – Simon HaleEngineer [Assistant Recording Engineer] – Darren Heelis, Mike HornerGuitar – Ben Thomas -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text direct^ from the orignal or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, vdiile others may be fi"om any type of computer printer. The quality of this reproduction is dependent upon the qualityr of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerograpliically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infomiaticn Conqiany 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE CONSERVATION GENETICS OF GREEN TURTLES {ÇHELONIA MYDASy. CONSEQUENCES OF PHILOPATRT AND MATING BEHAVIOR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Tlgeiin Peare $ * $ $ $ The Ohio State University 1996 Dissertation Committee: Approved by Professor Patricia Parker, Adviser Professor Thomas Grubb Professor Thomas Hetherington Adviser Professor Allison Snow Department of Zoology m n Nimber: 97 1 0 6 4 3 UMI Microform 9710643 Copyright 1997, by UMI Company. -
Andrews Academy 8833 Garland Avenue Berrien Springs, Michigan 49104-0560
Andrews Academy 8833 Garland Avenue Berrien Springs, Michigan 49104-0560 telephone: (269) 471-3138 fax: (269) 471-6368 email: [email protected] website: www.andrews.edu/aa A Seventh-day Adventist Coeducational Secondary School on the campus of Andrews University accredited by: Accrediting Association of Seventh-day Adventist Schools, Colleges, and Universities & Middle States Association of Colleges and Schools Commissions on Elementary and Secondary Schools Name:__________________________________________ Grade:_____________________ Class Standing:_________________________________ Faculty & Staff Administrative Jeannie Leiterman BS, MA .......................Interim Principal Keisha Dublin ..................................Student Accounts Graciela Gaytan ............................... Business Manager Esther Penn ..............................Administrative Assistant Ivonne Segui-Weiss ....................................Registrar Krista Metzger. Alumni & Development Raymond Spoon ............................Building Maintenance Faculty Steven Atkins BS, MA ....................................Science Carrie Chao BS, MA ............................ Math/Chemistry Hector Flores BA, MM .............................Strings/Choir Mario Ferguson ................................Technology/Shop Alvin Glassford BA, MDiv ....................Religion/Technology Byron Graves BMus, MMus ......................Band/Hand Bells Andrea Jakobsons BA, MSA, MDiv ........................Religion Samantha Mills BA .............................Physical Education -
Should We Observe the Feast Days? (A Short and Limited Study by G
1 Should We Observe the Feast Days? (A short and limited study by G. Edward Reid) When the Seventh-day Adventist Church was in its early years’ Sabbath Keeping was quite unique among Christians. Apparently, there were some folks who felt that since we had “rediscovered” the Sabbath, we should also look into whether or not we should also celebrate the Feast Days contained in the Law of Moses or Ceremonial Law. Ellen White was led to write four full articles for the Review and Herald on the topic of “The Lord’s Supper and the Ordinance of Feet-Washing.” They were printed in the RH on four successive weeks May 31 through June 21, 1898. For the value and benefit of context, I have copied all four articles below, placed in bold type, and underlined relevant statements in each article. “May 31, 1898 The Lord's Supper and the Ordinance of Feet-Washing.--No. 1. - Mrs. E. G. White. - "Then came the day of unleavened bread; when the Passover must be killed. And he sent Peter and John, saying, Go and prepare us the Passover, that we may eat. And they said unto him, where wilt thou that we prepare? And he said unto them, Behold, when ye are entered into the city, there shall a man meet you, bearing a pitcher of water; follow him into the house where he entereth in. And ye shall say unto the good man of the house, The Master saith unto thee, Where is the guest-chamber, where I shall eat the Passover with my disciples? And he shall show you a large upper room furnished: there make ready. -
The Old Year The
GENERAL CHURCH PAPER OF THE SEVENTH-DAY ADVENTISTS Vol. 108 Takoma Park, Washington, D. C., December 31, 1931 No. 53 I can sing of temptations and failures That I sometimes have had by the way, The Can sing how the blessed Redeemer Has lifted my feet from the clay. And the New Year shall tell of the triumphs That Jesus can give every hour; Old Year Yes, the New Year shall tell what the Old Year Can never again have the power. We can sing of some hands that are vanished and And the voices of loved ones now still, Whose music our hearts once enraptured, And lives with their sunshine did fill. Yes, the Old Year has given and taken, the New Its dreams are all gone with their lure; Let us turn now and face the bright New Year With hearts set to dare and endure. Let's forever, then, leave the dead ashes, For the fire of the Old Year's burnt out With pictures which glowed for a moment, By Mary Valliant Nowlin As breath of time stirred them about; They are now left all scattered and lifeless, And cold on the hearthstone of night. For the day of the Old Year is ended, Forever has passed out of sight. But the New Year, with leaves all unfolded, Is ours to write on what we will, WILL sing you a song of the Old Year, Of deeds that shall tell for the Master, Of the New Year I cannot now sing; The unwritten pages to fill. -
Elle King Headlining Dates November
ELLE KING ANNOUNCES U.S. HEADLINING DATES IN NOVEMBER ELLE KING CONTINUES TO TOP THE ALTERNATIVE RADIO CHART FOR A THIRD CONSECUTIVE WEEK AT #1 WITH HIT SINGLE “EX’S & OH’S” The 2nd Female artist in 18 years to Top the Alternative Radio Chart “Ex’s & Oh’s” Continues to Hold the #1 Spot on iTunes Alternative Songs Chart ! ! (New York – September 22, 2015) Pop, blues, and rock’n’roll singer Elle King announces today that she will be adding headlining dates for the month of November in the U.S., following her UK tour with James Bay. Tickets go on sale this Friday, September 25th. (Find tour schedule below). Elle’s hit single “Ex’s & Oh’s” continues its run at #1 for the third consecutive week on the Alternative Radio Chart, after 21 weeks on the chart, and also holds the #1 spot on iTunes Alternative Songs chart. King became the second female artist in 18 years to reach #1 at Alternative Radio, following Lorde’s #1 with “Royals” in 2013. Elle King recently wrapped her nearly sold out U.S. headlining tour this summer along with a run of festival dates including Bumbershoot, Lollapalooza, Bonnaroo and Squamish Valley. Additionally, she has performed at major UK festivals this year including Reading, Leeds, T in the Park and London Calling. She embarks on a UK tour with James Bay beginning on September 22nd in Manchester, England at the Apollo Theater, including 3 sold out nights at the Brixton Academy in London. Elle was also named VH1’s “You Oughta Know” artist for the month of July. -
Sidestep-Programm - Gesamt 1 - Nach Titel
Sidestep-Programm - Gesamt 1 - nach Titel Titel Komponist (Interpret) Jahr 24K Magic Bruno Mars, Philip Lawrence, Christopher Brody Brown (Bruno Mars) 2016 500 Miles (I'm Gonna Be) The Proclaimers 1988 After Dark Steve Huffsteter, Tito Larriva (Tito & Tarantula) 1987/1996 Água De Beber Antonio Carlos Jobim, Vincius De Moraes 1963 Ain't Misbehavin' Fats Waller, Harry Brooks, Andy Razaf (Fats Waller, Louis Armstrong, Ella Fitzgerald, et al.) 1929 Ain't Nobody David Wolinski "Hawk" (Chaka Khan & Rufus) 1983 Ain't No Mountain High Enough N.Ashford, V.Simpson (Marvin Gaye & Tammi Terrell, Diana Ross et al.) 1967 Ain't No Sunshine Bill Withers 1971 Ain't She Sweet Milton Ager, Jack Yellen 1927 Alf Theme Song Alf Clausen 1986 All Around the World Lisa Stansfield, Ian Devaney, Andy Morris (Lisa Stansfield) 1989 All I Have To Do Is Dream Felice & Boudleaux Bryant (The Everly Brothers) 1958 All I Need Nicolas Godin, Jean-Benoît Dunckel, Beth Hirsch (Air) 1998 All I Want For Christmas Is You Mariah Carey, Walter Afanasieff (Mariah Carey) 1994 All My Loving John Lennon, Paul McCartney (The Beatles) 1963 All Night Long Lionel Richie 1983 All Of Me Gerald Marks, Seymour Simons 1931 All Of Me (John) John Stephens, Tony Gad (John Legend) 2013 All Shook Up Otis Blackwell (Elivis Presley) 1957 All That She Wants Ace Of Base 1992 All The Things You Are Oscar Hammerstein II, Jerome Kern 1939 All You Need Is Love John Lennon, Paul McCartney (The Beatles) 1967 Alright Jason Kay, Toby Smith, Rob Harris (Jamiroquai) 1996 Altitude 7000 Russian Standard (Valeri -
Songwriters V. Spotify: Is Spotify the Problem Or a Symptom of the Problem?
Pepperdine Law Review Volume 48 Issue 3 Article 4 5-15-2021 Songwriters v. Spotify: Is Spotify the Problem or a Symptom of the Problem? Mariana L. Orbay Follow this and additional works at: https://digitalcommons.pepperdine.edu/plr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Mariana L. Orbay Songwriters v. Spotify: Is Spotify the Problem or a Symptom of the Problem?, 48 Pepp. L. Rev. 785 (2021) Available at: https://digitalcommons.pepperdine.edu/plr/vol48/iss3/4 This Comment is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in Pepperdine Law Review by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected]. Songwriters v. Spotify: Is Spotify the Problem or a Symptom of the Problem? Abstract Today, streaming is the prevailing mode of music consumption. Yet, streaming services are struggling to turn a profit, as songwriters also face significant financial challenges in the streaming era. All the while, record labels are collecting the majority of streaming revenue and seeing record profits. The 2018 Music Modernization Act attempted to address songwriters’ and streaming services’ financial problems by altering the factors considered by the Copyright Royalty Board in determining the mechanical royalty rates owed by streaming platforms to songwriters. A proper application of this newly instated factor test necessitates considering both songwriters’ and streaming services’ business operations and finances. However, during the 2018–2022 mechanical rate determinations, the majority court largely disregarded the financial interests of streaming services in determining the new mechanical rate. -
GUY CHAMBERS „Go Gentle Into the Light“
GUY CHAMBERS „Go Gentle Into The Light“ VÖ: 03. Mai 2019 BMG Guy Chambers ist nicht nur ein exzellenter Multiinstrumentalist, Komponist, Producer und Musical Director – ebenfalls stellt er eine Hälfte der erfolgreichsten Songwriting-Partnerschaft in der Geschichte der britischen Popmusik dar: Um genau zu sein, handelt es sich bei ihm um den etwas weniger im Rampenlicht stehenden Songwriting-Partner von niemand Geringerem, als Robbie Williams. Schon in jungen Jahren war Guy ständig von Musik umgeben. Sein Vater war Flötist im berühmten London Philharmonic Orchestra, seine Mutter war für das Decca-Plattenlabel tätig. Schon mit 5 Jahren konnte Guy Klavierspielen und komponierte seine ersten eigenen Stücke im Alter von 11. „Ich hatte einen großartigen Musiklehrer, dem auffiel, wie gerne ich improvisierte. Also spielte er mir Duke Ellington und Dave Brubeck vor.“ Mit 13 erlernte er außerdem noch das Gitarrenspiel und verdiente schon wenig später Geld in Coverbands sowie an den Wochenenden als Pianist in diversen Pubs und Clubs. Er schrieb sich an der Guildhall School Of Music ein und avancierte zum aller ersten festangestellten Pianisten im Groucho Club. Das Klavier war Guys erste wirkliche Liebe. „Das Klavier ist der König unter den Instrumenten. In Orchestern findet man es oft in der Percussion-Sektion, weil es sehr aggressiv sein kann. Jemand wie Little Richard zum Beispiel hat es als Teil der Rhythmussektion benutzt. Aber es verfügt auch über eine unglaublich poetische Seite. In melodischer und harmonischer Hinsicht bietet es alle Möglichkeiten. Dieses Instrument verfügt über so viele Klangfarben, dass es niemals langweilig wird.“ Guy Chambers verstärkte Julian Cope, Jimmy Nail und The Waterboys als Keyboarder auf Tour, bevor er 1986 Mitglied in Karl Wallingers World Party wurde.