Hp Lovecraft

Total Page:16

File Type:pdf, Size:1020Kb

Hp Lovecraft H.P. LOVECRAFT The Complete Omnibus Volume I: 1917-1926 — A Pulp-Lit Omnibus Edition — By H.P. LOVECRAFT Edited and annotated by FINN J.D. JOHN Pulp-Lit PRODUCTIONS Corvallis, Oregon Copyright ©2016 by Finn J.D. John. All rights reserved, with the exception of all text written by Howard Phillips (H.P.) Lovecraft and all text and art originally published in Weird Tales, on which copyright protections have expired worldwide. In the spirit of good stewardship of the public domain, no copyright claim is asserted over any of H.P. Lovecraft’s original text or any of the magazine art as presented in this book, including any and all corrections and style changes made to the originals. For information about permission to reproduce selections from this book, write to Pulp-Lit Productions, Post Office Box 77, Corvallis, OR 97339, or e-mail [email protected]. Second edition: Interactive PDF ISBN: 978-1-63591-258-6 Dustjacket art: Dust jacket: Front cover adopted from Harold S. DeLay’s cover illustration for In the Walls of Eryx, by H.P. Lovecraft and Kenneth J. Sterling, for the October 1939 issue of Weird Tales magazine. Back cover adopted from Virgil Finlay’s illustration for The Shunned House (see Page 301), in the October 1937 issue of Weird Tales. Cover design by Fiona Mac Daibheid and Natalie L. Conaway. Pulp-Lit Productions Corvallis, Oregon http://pulp-lit.com Other Pulp-Lit Productions titles Robert E. Howard’s CONAN the CIMMERIAN BARBARIAN: you might enjoy: •Hardcover (860 pages) H.P. LOVECRAFT: The Complete •Pulp-sized 7x10 softcover Omnibus, Vol. II: 1927-1935: •E-book •Hardcover (606 pages) •Audiobook (35.1 hours) •Pulp-sized 7x10 softcover •E-book The JOHN CARTER of MARS Trilogy of Edgar Rice Burroughs. •Audiobook (27 hours) •Hardcover (636 pages) FUNGI FROM YUGGOTH: THE •6x9 softcover SONNET CYCLE by H.P. Lovecraft. •E-book •Hardcover (102 pages) •Audiobook (19.5 hours) •Pocket-size softcover •E-book TARZAN of the APES and THE RETURN of TARZAN •Audiobook (1.3 hours) by Edgar Rice Burroughs. SUPERNATURAL HORROR in •6x9 softcover (590 pages) FICTION by H.P. Lovecraft. •E-book •Hardcover (128 pages) •Audiobook (16.5 hours) •Pocket-size softcover •E-book THE LISTENER and OTHER TALES by Algernon Blackwood. •Audiobook (3 hours) •Hardcover (340 pages) •Pocket-size softcover For our full catalog search “Pulp-Lit” on your favorite bookseller's Website, or see •E-book http://pulp-lit.com. •Audiobook (8 hours) TABLE of CONTENTS. This book is available in other formats: FOREWORD. (audiobook chapter 2) ........................ xiii Audiobook, e-book, paperback, hardcover. 1917: A change of Literary Style. (audiobook chapter 3) ...........1 The Tomb. (audiobook chapter 4) ........................3 Dagon. (audiobook chapter 5) ..........................13 A Reminiscence of Dr. Samuel Johnson. (audiobook ch. 6). 19 You are reading the complimentary electronic copy of H.P. Lovecraft: The 1918: The GHOSTWRITER. (audiobook chapter 7) ...........25 Complete Omnibus, Volume I, in the Adobe PDF format — Pulp-Lit Productions’ Polaris. (audiobook chapter 8) ..........................27 version of Amazon’s “Look Inside” feature, only including the entire book. Whether you’re here checking it out to see if you might want to own a copy, or doing a quick search, or even retrieving a clean digital copy of one of Lovecraft’s 1919: The GENTLEMAN FICTIONEER. (audiobook ch. 9) ...31 stories for a project of your own — welcome! Beyond the Wall of Sleep. (audiobook chapter 10) ..........33 But, of course, PDF is hardly the most convenient format in which to read a book. Old Bugs. (audiobook chapter 11) ...................... 43 Here are a few other options that are available, followed by a link to take you directly The Transition of Juan Romero. (audiobook chapter 12). .51 to them: The White Ship. (audiobook chapter 13). .59 • Hardcover multimedia bundle edition (includes audiobook and e-book); The Street. (audiobook chapter 14) ......................65 • Deluxe 7x10 pulp-magazine-size softcover; The Doom that Came to Sarnath. (audiobook chapter 15) ....71 • E-book in EPUB and Kindle formats; • Audiobook (35 hours). The Statement of Randolph Carter. (audiobook chapter 16) ..77 To learn more about these other formats, please click here to go to the H.P. (audiobook ch. 17) Lovecraft Volume I Book Support Page at http://pulp-lit.com/250.html. 1920: FINDING LIKE-MINDED SOULS. ..83 The Terrible Old Man. (audiobook chapter 18) .............85 The Tree. (audiobook chapter 19) ........................89 Thank you for reading our books! Facts Concerning the Late Arthur Jermyn and his Family. (audiobook chapter 20) .................93 I (ch. 20) .......93 II (ch. 21) ......97 viii ix The Cats of Ulthar. (audiobook chapter 22) ..............103 1923: The Weird Tales Era Begins. (audiobook chapter 50) .......261 From Beyond. (audiobook chapter 23) ...................107 The Rats in the Walls. (audiobook chapter 51). 263 CelephaÏs. (audiobook chapter 24). .115 The Unnamable. (audiobook chapter 52) .................281 Nyarlarthotep. (audiobook chapter 25). 121 The Festival. (audiobook chapter 53) ....................289 The Temple. (audiobook chapter 26) ....................125 The Picture in the House. (audiobook chapter 27). .137 1924: Failure to Launch. (audiobook chapter 54) ...............297 The Shunned House. (audiobook chapters 55-59) ..........301 1921: Unexpectedly an orphan. (audiobook ch. 28) .............145 I (ch. 55) ......301 IV (ch. 58). .314 The Nameless City. (audiobook chapter 29) ...............147 II (ch. 56) ......305 V (ch. 59) .....320 The Quest of Iranon. (audiobook chapter 30) .............159 III (ch. 57) .....309 Ex Oblivione. (audiobook chapter 31) ...................165 The Moon Bog. (audiobook chapter 32) .................167 1925: The Year in Exile. (audiobook chapter 60) ................325 The Outsider. (audiobook chapter 33) ...................175 The Horror at Red Hook. (audiobook chapters 61-67) .......327 The Other Gods. (audiobook chapter 34) ................181 I (ch.61 ) ......327 V (ch. 65) .....338 The Music of Erich Zann. (audiobook chapter 35). 187 II (ch. 62) ......329 VI (ch. 66). .340 Herbert West, Reanimator. (audiobook chapters 36-41) ......195 III (ch. 63) .....332 VII (ch. 67) ....343 I (ch. 36) ......195 IV (ch. 39). .208 IV (ch. 64) .....334 II (ch. 37) ......199 V (ch. 40) .....212 In the Vault. (audiobook chapter 68) ....................347 III (ch. 38) .....204 VI (ch. 41). .216 He. (audiobook chapter 69) ...........................355 1922: Crossing New Thresholds. (audiobook ch. 42) ...........223 1926: Back in Space, Back in Time. (audiobook chapter 70). .365 Hypnos. (audiobook chapter 43) ........................225 Cool Air. (audiobook chapter 71) .......................367 What the Moon Brings. (audiobook chapter 44) ...........233 The Call of Cthulhu. (audiobook chapters 72-74) ...........375 The Hound. (audiobook chapter 45) ....................235 I. The Horror in Clay (ch. 72) ...........375 The Lurking Fear. (audiobook chapters 46-49) .............243 II. The Tale of Inspector Legrasse (ch. 73) ...381 I. A Shadow on the Chimney (ch. 46) .....243 III. The Madness from the Sea (ch. 74) .....392 II. A Passer in the Storm (ch. 47) .........247 Pickman’s Model. (audiobook chapter 75) ................401 III. What the Red Glare Meant (ch. 48) .....250 The Strange High House in the Mist. (audiobook ch. 76) ...413 IV. The Horror in the Eyes (ch. 49) ........254 The Silver Key. (audiobook chapter 77) ..................421 x xi The Dream-Quest of Unknown Kadath. (audiobook ch. 78-83) 433 History of the Necronomicon. (audiobook ch. 83) .........521 Afterword. (audiobook chapter 84) .........................523 Appendix .. (audiobook chapter 85) .........................525 The Alchemist. (audiobook chapter 86). .527 Sweet Ermengarde; or, The Heart FOREWORD. of a Country Girl. (audiobook chapter 87 ..............535 I. A Simple Rustic Maid. .535 [return to table of contents] II. And the Villain Still Pursued Her ......537 III. A Dastardly Act ...................538 IV. Subtle Villainy ....................538 oward Phillips Lovecraft Lovecraft wrote—not by a long V. The City Chap ....................539 was born on August 10, stretch. It excludes his juvenilia, his VI. Alone in the Great City ..............539 1890—a product of the philosophical ruminations, his VII. Happy Ever Afterward ..............540 VictorianH era. In many ways, he nonfiction writings, his vast collec- remained a Victorian man until his tion of poetry, and, of course his death in 1937. Along the way, he letters. It also excludes (with the produced a body of weird-fiction exception of Through the Gates of the work that, sparse though it is, has Silver Key, in Volume II) works had a tremendous influence on written in collaboration with other 20th- and 21st-century literature. authors, such as Robert Barlow and That body of work is contained Robert Bloch, or clients of his ghost- in this two-volume omnibus edition: writing business such as Hazel all of Lovecraft’s prose-fiction Heald and Harry Houdini. output published under his own Taken together, these other writ- name between 1917, when he first ings dwarf the weird-fiction writings turned from the turgid Georgian contained in this edition. His letters poetry that he then favored, until his alone total many times more than death from cancer in 1937. It’s everything else he wrote put important to note, though, that this together; estimates of his total edition includes just Lovecraft’s
Recommended publications
  • Discussion About Edwardian/Pulp Era Science Fiction
    Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World.
    [Show full text]
  • For Fans by Fans: Early Science Fiction Fandom and the Fanzines
    FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays
    [Show full text]
  • God and the Void
    Neocosmicism: God and the Void Ellen Greenham Bachelor of Arts in General Studies Graduate Diploma in Humanities with Honours (English) Master of Arts (English) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2013 Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution ............................................................ Abstract Through the use of selected works by Philip K. Dick, Robert Heinlein, Frank Herbert and H.P. Lovecraft, this thesis explores the question of what it means to be human in the universe when occidental cosmologies no longer align with the universe they seek to describe. Within its view of the universe, H.P. Lovecraft’s philosophy of cosmicism offers the human creature an answer to this question, but in doing so also limits that creature to an isolated life ending in madness or death within an indifferently cold universe. While this thesis seeks to demonstrate the validity of cosmicism as a lens through which to critically interrogate science fiction texts; it more importantly endeavours to address cosmicism’s inherent limitations as a philosophy of the human creature’s place in the universe. This is done by developing neocosmicism as an outgrowth of cosmicism that offers an alternate experience of the universe and a revitalisation of the human creature’s relationship with the universe. By recognising the significant shift in the human creature’s understanding of the universe – from a Cartesian view to a Quantum view within a broader post-modern context – neocosmicism is developed as an interrogative philosophy that provides a framework for opening up a critical space in which to explore alternatives to modernity’s questions rather than offering mere reactions or polarising oppositions.
    [Show full text]
  • The Autobiography of Patience Loader Rozsa Archer
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2006 Recollections of Past Days: The Autobiography of Patience Loader Rozsa Archer Sandra Ailey Petree Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the United States History Commons Recommended Citation Archer, P. L., & Petree, S. A. (2006). Recollections of past days: The autobiography of Patience Loader Rozsa Archer. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Recollections of Past Days The Autobiography of PATIENCE LOADER ROZSA ARCHER Edited by Sandra Ailey Petree Recollections of Past Days The Autobiography of Patience Loader Rozsa Archer Volume 8 Life Writings of Frontier Women A Series Edited by Maureen Ursenbach Beecher Volume 1 Winter Quarters The 1846 –1848 Life Writings of Mary Haskin Parker Richards Edited by Maurine Carr Ward Volume 2 Mormon Midwife The 1846 –1888 Diaries of Patty Bartlett Sessions Edited by Donna Toland Smart Volume 3 The History of Louisa Barnes Pratt Being the Autobiography of a Mormon Missionary Widow and Pioneer Edited by S. George Ellsworth Volume 4 Out of the Black Patch The Autobiography of Effi e Marquess Carmack Folk Musician, Artist, and Writer Edited by Noel A. Carmack and Karen Lynn Davidson Volume 5 The Personal Writings of Eliza Roxcy Snow Edited by Maureen Ursenbach Beecher Volume 6 A Widow’s Tale The 1884–1896 Diary of Helen Mar Kimball Whitney Transcribed and Edited by Charles M.
    [Show full text]
  • Lovecraft, New Materialism and the Maeriality of Writing Brad Tabas
    Reading in the chtuhulucene: lovecraft, new materialism and the maeriality of writing Brad Tabas To cite this version: Brad Tabas. Reading in the chtuhulucene: lovecraft, new materialism and the maeriality of writing. Motifs, la revue HCTI, HCTI-Université de Bretagne occidentale, Brest, 2017. hal-02052305 HAL Id: hal-02052305 https://hal-ensta-bretagne.archives-ouvertes.fr/hal-02052305 Submitted on 28 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Motifs n° 2 (2017), Matérialité et Écriture READING IN THE CHTUHULUCENE: LOVECRAFT, NEW MATERIALISM AND THE MATERIALITY OF WRITING GIVING LIFE BACK TO MATTER The traditional take on the theme of the materiality of writing asks about the meaning of the material that supports human-made signs. It considers the importance of the dark side of the signifier; of all that one does not take into account when one sees a sign as a sign. It might consider the ways in which written words present one with multiple possible significations, the ways in which the fact of a text’s having been written haunts readers’ engagements with that text. Traditional theorists of the materiality of writing might remind us that this materia- lity really does have a signification, that paper and pixels really do convey meaning.
    [Show full text]
  • Errata for H. P. Lovecraft: the Fiction
    Errata for H. P. Lovecraft: The Fiction The layout of the stories – specifically, the fact that the first line is printed in all capitals – has some drawbacks. In most cases, it doesn’t matter, but in “A Reminiscence of Dr. Samuel Johnson”, there is no way of telling that “Privilege” and “Reminiscence” are spelled with capitals. THE BEAST IN THE CAVE A REMINISCENCE OF DR. SAMUEL JOHNSON 2.39-3.1: advanced, and the animal] advanced, 28.10: THE PRIVILEGE OF REMINISCENCE, the animal HOWEVER] THE PRIVILEGE OF 5.12: wondered if the unnatural quality] REMINISCENCE, HOWEVER wondered if this unnatural quality 28.12: occurrences of History and the] occurrences of History, and the THE ALCHEMIST 28.20: whose famous personages I was] whose 6.5: Comtes de C——“), and] Comtes de C— famous Personages I was —”), and 28.22: of August 1690 (or] of August, 1690 (or 6.14: stronghold for he proud] stronghold for 28.32: appear in print.”), and] appear in the proud Print.”), and 6.24: stones of he walls,] stones of the walls, 28.34: Juvenal, intituled “London,” by] 7.1: died at birth,] died at my birth, Juvenal, intitul’d “London,” by 7.1-2: servitor, and old and trusted] servitor, an 29.29: Poems, Mr. Johnson said:] Poems, Mr. old and trusted Johnson said: 7.33: which he had said had for] which he said 30.24: speaking for Davy when others] had for speaking for Davy when others 8.28: the Comte, the pronounced in] the 30.25-26: no Doubt but that he] no Doubt that Comte, he pronounced in he 8.29: haunted the House of] haunted the house 30.35-36: to the Greater
    [Show full text]
  • Forbidden Planet” (1956): Origins in Pulp Science Fiction
    “Forbidden Planet” (1956): Origins in Pulp Science Fiction By Dr. John L. Flynn While most critics tend to regard “Forbidden Planet” (1956) as a futuristic retelling of William Shakespeare’s “The Tempest”—with Morbius as Prospero, Robby the Robot as Arial, and the Id monster as the evil Caliban—this very conventional approach overlooks the most obvious. “Forbidden Planet” was, in fact, pulp science fiction, a conglomeration of every cliché and melodramatic element from the pulp magazines of the 1930s and 1940s. With its mysterious setting on an alien world, its stalwart captain and blaster-toting crew, its mad scientist and his naïve yet beautiful daughter, its indispensable robot, and its invisible monster, the movie relied on a proven formula. But even though director Fred Wilcox and scenarist Cyril Hume created it on a production line to compete with the other films of its day, “Forbidden Planet” managed to transcend its pulp origins to become something truly memorable. Today, it is regarded as one of the best films of the Fifties, and is a wonderful counterpoint to Robert Wise’s “The Day the Earth Stood Still”(1951). The Golden Age of Science Fiction is generally recognized as a twenty-year period between 1926 and 1946 when a handful of writers, including Clifford Simak, Jack Williamson, Isaac Asimov, John W. Campbell, Robert Heinlein, Ray Bradbury, Frederick Pohl, and L. Ron Hubbard, were publishing highly original, science fiction stories in pulp magazines. While the form of the first pulp magazine actually dates back to 1896, when Frank A. Munsey created The Argosy, it wasn’t until 1926 when Hugo Gernsback published the first issue of Amazing Stories that science fiction had its very own forum.
    [Show full text]
  • That of Cultural Representations of the Magic Circle in Its Occult Usage
    11. Six Lecti.o on Occult Philosophy 3. tlodgson's Corttflckt ttte Ghost-FiiideT ~ ``rThe BOTdetlaLnds" (Owter Li77iits) Up to this point we've been considering variations on a theme: that of cultural representations of the magic circle in its occult usage. In these stories the rmagic circle rmaintalns a basic function, which is to govern the boundary between the natural and the supematural, be it in terms of acting as a protective barrier, or in terms of evoking the supernatural from the safety inside the circle. We can now take another step, which is to consider instances in which the anomalies that occur are not inside or outside the magic circle, but are anomalies o/the magic circle itself . This need not mean that the magic circle malfunc- tions, or has been improperly drawn. In some cases it may mean that the magic circle - as the boundary and mediation of the hidden world - itself reveals some new property or propensity. A case in point is in the ``occult detective" subgenre, a style of fiction popular in the 19th century. In these types of stories, a hero-protagonist combines knowledge of modern science with that of ancient magic to solve a series of crimes and mysteries that may or may not have supernatural causes. Algernon B\aLckwood's John Silence - Physician Extraordinary iind SiheridaLr\ Le Fanu's J# ¢ GJ¢ss D¢rkzy are examples in fiction, while Charles Fort's Tfee Book o/ ffec D¢77i77ed is an example in non-fiction. These types of stories are not only the precursors to modern-day TV shows such as X-/1.Zes or f7i.7tge, but they also bring together science and sorcery into a new relationship.
    [Show full text]
  • H. P. Lovecraft-A Bibliography.Pdf
    X-'r Art Hi H. P. LOVECRAFT; A BIBLIOGRAPHY compiled by Joseph Payne/ Brennan Yale University Library BIBLIO PRESS 1104 Vermont Avenue, N. W. Washington 5, D. C. Revised edition, copyright 1952 Joseph Payne Brennan Original from Digitized by GOO UNIVERSITY OF CALIFORNIA L&11 vie 2. THE SHUNNED HOUSE. Athol, Mass., 1928. bds., labels, uncut. o. p. August Derleth: "Not a published book. Six or seven copies hand bound by R. H. Barlow in 1936 and sent to friends." Some stapled in paper covers. A certain number of uncut, unbound but folded sheets available. Following is an extract from the copyright notice pasted to the unbound sheets: "Though the sheets of this story were printed and marked for copyright in 1928, the story was neither bound nor cir- culated at that time. A few copies were bound, put under copyright, and circulated by R. H. Barlow in 1936, but the first wide publication of the story was in the magazine, WEIRD TALES, in the following year. The story was orig- inally set up and printed by the late W. Paul Cook, pub- lisher of THE RECLUSE." FURTHER CRITICISM OF POETRY. Press of Geo. G. Fetter Co., Louisville, 1952. 13 p. o. p. THE CATS OF ULTHAR. Dragonfly Press, Cassia, Florida, 1935. 10 p. o. p. Christmas, 1935. Forty copies printed. LOOKING BACKWARD. C. W. Smith, Haverhill, Mass., 1935. 36 p. o. p. THE SHADOW OVER INNSMOUTH. Visionary Press, Everett, Pa., 1936. 158 p. o. p. Illustrations by Frank Utpatel. The only work of the author's which was published in book form during his lifetime.
    [Show full text]
  • Ruth I. Barton's Memories of Hugo & Three Pines, Oregon: 1920
    Ruth I. Barton’s Memories Of Hugo & Three Pines, Oregon: 1920 - 2000 by Mike Walker, Secretary Hugo Neighborhood Association and Historical Society October 18, 2000 BARTON FAMILY SETTLED IN 1916 About 1916 the Bartons moved into HUGO Grants Pass. 1910 - Barton Family George S. Barton 1920 - Ruth Born Ruth I. Barton was born traveled from Maine to Nevada c. 1910 to in Grants Pass on North Eighth Street on investigate some mining claims. In Nevada February 1, 1920. he met Hazel Logan and chose her for his wife. They were married in Bishop, 1922 - Top Of The World Ranch About California May 12, 1914. Later, the Barton 1922 the Bartons moved from Grants Pass family moved to Oregon into the Illinois to the Top Of The World Ranch. The ranch valley southwest of Grants Pass. George’s in Hugo was about 10 miles north of Grants interest was still mining. Pass on highway U.S. 99 (see Map One and Figure 1). George Barton left mining for awhile to work in produce. HUGO COMMUNITY CHURCH 1922 - 1927 Maggie and Jiggs The family attended the Hugo Community Church from 1922 through mid- December 1927. The church had a round wood stove just inside and left of the entrance. There were rows of pews on each side and at Figure 1. Barton Family & Friends, Three Pines, Oregon: 1923 Back the end of the room there was a row, left to right - Mr. Huggins, ?, Reba Kolkow, Mrs. Dean, Clara Aggie, ?, Harold Barton, Mrs. Bear, and George Barton; Front row, left to right - platform about one or two steps Fern Barton, Coral Barton, Mrs.
    [Show full text]
  • Cronin Ing:Maquetación 3.Qxd
    Alberto Enrique D’Ottavio Cattani J Med Mov 5 (2009): 59-65 JMM Archibald Joseph Cronin: a Writing-Doctor Between Literature and Film Alberto Enrique D’Ottavio Cattani1,2 1Cátedra de Histología y Embriología. Facultad de Ciencias Médicas. 2Consejo de Investigaciones de la Universidad Nacional de Rosario (Argentina). Correspondence: Alberto Enrique D’Ottavio Cattani, Matheu 371. 2000 Rosario, Santa Fe (Argentina). e-mail: [email protected] Received 1 October 2008; modified 18 March 2009; accepted 19 March 2009 Summary This paper broaches the subject of the life and numerous cinematographic and TV adaptations of the vast and controversial liter- ary work of Scottish doctor Archibald Joseph Cronin (1896-1981). Through it, we intend to stress the influence his books and/or the films based on them had on many young generations who, under their shelter, chose a career in medicine. Prize-winning writer and PhD, in his works -formally adorned with his great talent for description and observation- he intermingles naturalism, conflicting passions, medical situations and social criticism. Beyond all discussion about his literary career and his repercussion on film, his influence on those who embraced Medicine following in the steps of his characters, many of whom were nothing more than a reflection of himself, is unquestionable. Keywords: Cronin, Doctor, Writer, Film, Literature. To AJ Cronin, whose works strengthened my decision to become a doctor 19 July, 1896. An only child, his mother was Jessie Montgomerie and his father Patrick Cronin. In an Life and work of Archibald Joseph Cronin apparently paradoxical way, following the death of his father, who professed Catholicism, Archibald was The writer-doctors whose works have been raised as a Catholic by his Protestant mother.
    [Show full text]
  • Session Weekly April 1, 2005, Volume 22, Number 13
    INSIDE: E-WASTE ANSWER, GAMING EXPANSION, BILL HEARING PROCESS, MORE This Week’s Bill Introductions HF2121-HF2268 ESSION S Weekly Session Weekly is a nonpartisan publication of the Minnesota House of Representatives Public Information Services offi ce. During the 2005-2006 Legis- lative Session, each issue reports daily House action between Thursdays of each week, lists bill introductions, and provides other information. No fee. ONTENT To subscribe, contact: C S Minnesota House of Representatives Public Information Services 175 State Offi ce Building HIGHLIGHTS 100 Rev. Dr. Martin Luther King Jr. Blvd. St. Paul, MN 55155-1298 Agriculture • 5 Employment • 9 Local Government • 11 (651) 296-2146 or Banking • 6 Family • 9 Military • 12 1-800-657-3550 Bonding • 6 Health • 9 Recreation • 12 TTY (651) 296-9896 http://www.house.mn/hinfo/subscribesw.asp Budget • 7 Higher Education • 10 Safety • 12 Crime • 7 Industry • 10 Taxes • 13 Education • 8 Insurance • 10 Transportation • 13 Director Barry LaGrave Elections • 8 Law • 11 Editor/Assistant Director Lee Ann Schutz BILL INTRODUCTIONS (HF2121-HF2268) • 20-23 Assistant Editor Mike Cook Art & Production Coordinator FEATURES Paul Battaglia Writers FIRST READING: Electronics recovery and recycling plan plugs along. • 3 Ruth Dunn, Patty Janovec, Brett Martin, Matt Wetzel, CAPITOL CENTENNIAL: The three domes. • 4 Nicole Wood Chief Photographer LATE ACTION: Constitutional amendment defi ning marriage. • 14 Tom Olmscheid Photographers AT ISSUE: A winning hand or bust? • 16 Andrew VonBank, Sarah Stacke Staff Assistants AT ISSUE: How does a bill get heard? • 18 Christy Novak, Laura Noe PEOPLE: Sending a cultural message • 19 Session Weekly (ISSN 1049-8176) is pub- lished weekly during the legislative session by Minnesota House of Representatives Public Information Services offi ce, 175 State Offi ce DEPARTMENTS/RESOURCES Building, 100 Rev.
    [Show full text]