DOCSLIB.ORG

Download the Best of H. P. Lovecraft, Howard Phillips Lovecraft, Allen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download the Best of H. P. Lovecraft, Howard Phillips Lovecraft, Allen The Best of H. P. Lovecraft, Howard Phillips Lovecraft, Allen & Unwin, 2010, 174237350X, 9781742373508, . Tales that truly terrify from the master of horror including: The Call of Cthulhu -- The Case of Charles Dexter War -- Herbert West: Reanimator -- The Shadow over Innsmouth -- At the Mountains of Madness. Howard Lovecraft is undoubtedly one of the most in. DOWNLOAD HERE The Definitive H.P. Lovecraft: 67 Tales of Horror , H.P. Lovecraft, , , . The Lurking Fear And Other Stories, Howard Phillips Lovecraft, Jan 1, 1985, , 182 pages. Twelve soul-chilling stories by the master of horror will leave you shivering in your boots and afraid to go out in the night. Only H.P. Lovecraft can send your heart racing .... The Reanimator (Fantasy and Horror Classics) , H P Lovecraft, 2011, Fiction, 36 pages. H. P. Lovecraft ranks amongst the most important speculative fiction writers of all time. 'The Reanimator' was first published in Home Brew in 1922, and was later the basis for .... The House , Marianne Bailey, 2012, Fiction, 116 pages. The House is a story set in the small town of Hellstay, where Thomas Cruishanck a newcomer to the town comes across a house set high up on the hills overlooking the sea where .... Complete Collection of H.P. Lovecraft - 150 EBooks with 100+ Audio Books Included (Complete Collection of Lovecraft's Fiction, Juvenilia, Poems, Essays and Collaborations) , H P Lovecraft, Jun 11, 2013, , 2154 pages. Now with 100 plus Audio Book Links INCLUDED!! AND ITS NOT 20, IT'S 100 Plus Audio Books!! (Complete Collection Of Lovecraft's Fiction, Juvenilia, Poems, Essays And .... The Call of Cthulhu and Other Weird Tales , H. P. Lovecraft, 2011, Fiction, 552 pages. An introduction to the weird and unsettling world of H. P. Lovecraft, master of horror and pioneer of 'weird fiction.' Between these pages you will find things that lurk .... Tales of H.P. Lovecraft , Howard Phillips Lovecraft, Sep 19, 2000, Fiction, 352 pages. A series of major works by the master of the horror genre--including "The Rates in the Walls" and "The Dreams in the Witch-House"--showcases his meticulously described and .... Amberjack Tales of Fear and Wonder, Terry Dowling, Jack Vance, Jun 30, 2010, , 361 pages. Presents a collection of science fiction, fantasy, and horror stories, including "The Lagan Fishers," "Toother," and "The Library.". The Science of Railways: Passenger train traffic and accounts. 1907 , Marshall Monroe Kirkman, 1907, , . A Collection of Lovecraft , H P Lovecraft, Jun 1, 2004, , . In the darkness there flashed before my mind fragments of my cherished treasury of daemonic lore; sentences from Alhazred the mad Arab, paragraphs from the apocryphal .... The Dunwich horror and others , Howard Phillips Lovecraft, 1963, Fiction, 433 pages. Chilling experiences in the supernatural world are revealed in detail in sixteen macabre tales. Lovecraft's major inspiration and invention was cosmic horror: life is incomprehensible to human minds and the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. Lovecraft has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fictions featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism and Christianity. Lovecraft's protagonists usually achieve the mir...more Howard Phillips Lovecraft, of Providence, Rhode Island, was an American author of horror, fantasy and science fiction. Howard Phillips "H. P." Lovecraft (August 20, 1890 – March 15, 1937) was an American author who achieved posthumous fame through his influential works of horror fiction. Virtually unknown and only published in 'pulp' magazines before he died in poverty, he is now widely seen as one of the most significant 20th century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. His father was confined to a mental institution when Lovecraft was 3 years old. His grandfather, a wealthy businessman, enjoyed storytelling and was an early influence. Intellectually precocious but sensitive, Lovecraft had begun composing rudimentary horror tales and had begun to be overwhelmed by feelings of anxiety by the age of 8. He encountered problems with peers in school, and was kept at home by his highly-strung and overbearing mother for illnesses that may have been psychosomatic. In high school Lovecraft found his contemporaries were accepting and he formed friendships. He also involved neighborhood children in elaborate make-believe projects, only regretfully ceasing the activity at 17 years old. Despite leaving school in 1908 without graduating—he found mathematics particularly difficult—Lovecraft's knowledge of subjects that interested him was formidable. Although he seems to have had some social life, attending meetings of a club for local young men, Lovecraft in early adulthood was established in a reclusive 'nightbird' lifestyle without occupation or pursuit of romantic adventures. In 1913 his conduct of a long running controversy in the letters page of a story magazine led to him being invited to participate in an amateur journalism association. Encouraged, he started circulating his stories; he was 31 at the time of his first publication in a professional magazine. Lovecraft contracted a marriage to an older woman he had met at an association conference. By thirty-four years old he was a regular contributor to newly founded Weird Tales magazine, he turned down an offer of the editorship. Lovecraft returned to Providence in 1926, and over the next nine months he produced some of his most celebrated tales including The Call of Cthulhu, canonical to the Cthulhu Mythos. Never able to support himself from earnings as author and editor, commercial success increasingly eluded him in this latter period, partly because he lacked the confidence and drive to promote himself. Lovecraft subsisted in progressively straitened circumstances in his last years; an inheritance was completely spent by the time he passed away at the age of 46.[1] Lovecraft was born on August 20, 1890 in his family home at 194 (later 454) Angell Street in Providence, Rhode Island.[2] (The house was demolished in 1961.) He was the only child of Winfield Scott Lovecraft, a traveling salesman of jewelry and precious metals, and Sarah Susan Phillips Lovecraft, who could trace her ancestry to the Massachusetts Bay Colony in 1631.[citation needed] His parents married when they were in their thirties, unusually late in life for the time period.[citation needed] In 1893, when Lovecraft was three, his father became acutely psychotic and was placed in the Providence psychiatric institution, Butler Hospital, where he remained until his death in 1898.[2] H.P. Lovecraft maintained throughout his life that his father had died in a condition of paralysis brought on by "nervous exhaustion". Although it has been suggested his father's mental illness may have been caused by syphilis, neither the younger Lovecraft nor his mother (who also died in Butler Hospital) seems to have showed signs of being infected with the disease.[3] After his father's hospitalization, Lovecraft was raised by his mother, his two aunts (Lillian Delora Phillips and Annie Emeline Phillips), and his maternal grandfather, Whipple Van Buren Phillips, an American businessman. All five resided together in the family home. Lovecraft was a prodigy, reciting poetry at the age of three, and writing complete poems by six. His grandfather encouraged his reading, providing him with classics such as The Arabian Nights, Bulfinch's Age of Fable, and children's versions of the Iliad and the Odyssey. His grandfather also stirred the boy's interest in the weird by telling him his own original tales of Gothic horror. Lovecraft was frequently ill as a child. Because of his sickly condition, he barely attended school until he was eight years old, and then was withdrawn after a year. He read voraciously during this period and became especially enamored of chemistry and astronomy. He produced several hectographed publications with a limited circulation, beginning in 1899 with The Scientific Gazette. Four years later, he returned to public school at Hope High School. Beginning in his early life, Lovecraft is believed to have suffered from night terrors, a rare parasomnia; he believed himself to be assaulted at night by horrific "night gaunts". Much of his later work is thought to have been directly inspired by these terrors. (Indeed, "Night Gaunts" became the subject of a poem he wrote of the same name, in which they were personified as devil-like creatures without faces.) His grandfather's death in 1904 greatly affected Lovecraft's life. Mismanagement of his grandfather's estate left his family in a poor financial situation, and they were forced to move into much smaller accommodations at 598 (now a duplex at 598–600) Angell Street. In 1908, prior to his high school graduation, he claimed to have suffered what he later described as a "nervous breakdown", and consequently never received his high school diploma (although he maintained for most of his life that he did graduate). S. T. Joshi suggests in his biography of Lovecraft that a primary cause for this breakdown was his difficulty in higher mathematics, a subject he needed to master to become a professional astronomer. The adult Lovecraft was gaunt with dark eyes set in a very pale face (he rarely went out before nightfall).[4] For five years after leaving school he lived an isolated existence with his mother, without seeking employment or new social contacts, primarily writing poetry. This changed in 1913 when he wrote a letter to The Argosy, a pulp magazine, complaining about the insipidness of the love stories in the publication by writer Fred Jackson.[5] The ensuing debate in the magazine's letters column caught the eye of Edward F.
Load more

Recommended publications
  • Los Mitos De Cthulhu H.P.Lovecraft
    LOVECRAFT Y OTROS LOS MITOS DE CTHULHU LOVECRAFT Y OTROS LOS MITOS DE CTHULHU - 1 - LOVECRAFT Y OTROS LOS MITOS DE CTHULHU INDICE PRÓLOGO ....................................................................................................................... 3 Los Mitos de Cthulhu, por Rafael LLopis........................................................................ 4 LIBRO PRIMERO ......................................................................................................... 29 Los Precursores .............................................................................................................. 30 Días de Ocio en el Yann, de Lord Dunsany ................................................................... 31 Un Habitante de Carcosa, de Ambrose Bierce ............................................................... 42 El Signo Amarillo, de R. W. Chambers ......................................................................... 45 Vinum Sabbati, de Arthur Machen................................................................................. 61 El Wendigo, de Algernon Blackwood............................................................................ 73 La Maldición que Cayó sobre Sarnath, de H. P. Lovecraft.......................................... 106 LIBRO SEGUNDO ...................................................................................................... 111 Los Mitos...................................................................................................................... 112 El Ceremonial,
    [Show full text]
  • God and the Void
    Neocosmicism: God and the Void Ellen Greenham Bachelor of Arts in General Studies Graduate Diploma in Humanities with Honours (English) Master of Arts (English) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2013 Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution ............................................................ Abstract Through the use of selected works by Philip K. Dick, Robert Heinlein, Frank Herbert and H.P. Lovecraft, this thesis explores the question of what it means to be human in the universe when occidental cosmologies no longer align with the universe they seek to describe. Within its view of the universe, H.P. Lovecraft’s philosophy of cosmicism offers the human creature an answer to this question, but in doing so also limits that creature to an isolated life ending in madness or death within an indifferently cold universe. While this thesis seeks to demonstrate the validity of cosmicism as a lens through which to critically interrogate science fiction texts; it more importantly endeavours to address cosmicism’s inherent limitations as a philosophy of the human creature’s place in the universe. This is done by developing neocosmicism as an outgrowth of cosmicism that offers an alternate experience of the universe and a revitalisation of the human creature’s relationship with the universe. By recognising the significant shift in the human creature’s understanding of the universe – from a Cartesian view to a Quantum view within a broader post-modern context – neocosmicism is developed as an interrogative philosophy that provides a framework for opening up a critical space in which to explore alternatives to modernity’s questions rather than offering mere reactions or polarising oppositions.
    [Show full text]
  • HP Lovecraft: His Racism in Context
    HP Lovecraft: His Racism in Context HP Lovecraft There is no question that HP Lovecraft, influential writer of horror fiction and son of Providence, held views that were clearly racist, outdated outliers even by the standards of his time. My goal here is not to excuse his racism, but to place it in a context of Lovecraft as a human being with very real flaws. I do not believe it is possible to separate the man from his work: Lovecraft the man was afraid of nearly everything unfamiliar, and that discomfort – dread, really – of the “other” is what permeates and distinguishes the world view expressed in his fiction. As does every horror writer, he exaggerated his own irrational fears in his stories: his phobia of seafood manifests, one might conclude, in his siting the lair of Cthulhu in the lost city of R’lyeh sunken under the Pacific Ocean. To what extent Lovecraft’s social and political views influenced his created universe is the subject of the title essay in Lovecraft and a World in Transition, a collection by Lovecraft scholar and biographer ST Joshi. Are Lovecraft’s space aliens and other-worldly creatures proxies or stand-ins for humans of color? Lovecraft Country by Matt Ruff is a 2016 novel that satirically explores that question, following an African-American protagonist who is a fan of Lovecraft in the era of Jim Crow. Nearly every writer critical of Lovecraft on this ground cites as the prime example of his racism a particular poem supposedly written by him in 1912, but I regard that attribution of authorship as doubtful.
    [Show full text]
  • The Fear of the Unknown in H. P. Lovecraft's Works
    The Fear of the Unknown in H. P. Lovecraft's Works Lončar, Dino Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:190599 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-28 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i njemačkog jezika i književnosti Dino Lončar Strah od nepoznatog u djelima H.P. Lovecrafta Završni rad Mentor: doc. dr. sc. Ljubica Matek Osijek, 2018. 1 Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni preddiplomski studij engleskoga jezika i književnosti i njemačkog jezika i književnosti Dino Lončar Strah od nepoznatog u djelima H.P. Lovecrafta Završni rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc. dr. sc. Ljubica Matek Osijek, 2018. 2 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major BA Programme in English language and Literature and German Language and Literature Dino Lončar Fear of the Unknown in the Works of H.P. Lovecraft Bachelor’s Thesis Supervisor: Ljubica Matek, Ph.D., Assist. Prof. Osijek, 2018. 3 J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Department of English Study Programme: Double Major BA Programme in English Language and Literature and German Language and Literature Dino Lončar Fear of the Unknown in the Works of H.P.
    [Show full text]
  • Speaking the Unspeakable: Women, Sex and the Dismorphmythic in Lovecraft, Angela
    Speaking the Unspeakable: Women, Sex and the Dismorphmythic in Lovecraft, Angela Carter, Caitlin R. Kiernan and Beyond Gina Wisker One night I had a frightful dream in which I met my grandmother under the sea. She lived in a phosphorescent palace of many terraces, with gardens of strange leprous corals and grotesque brachiate efflorescences, and welcomed me with a warmth that may have been sardonic. (19361) I close my eyes and I see her, Jacova Angevine, the lunatic prophet from Salinas, pearls that were her eyes, cockles and mussels, alive, alive-o. (20032) H.P. Lovecraft is known for shying away from representations of women, as well as anything overtly sexual. His women are likely to be abject constructs, and the sex he refers to something evil, demonic, a pact with a Satanic creature, with the fishy folk, or white apes, each example of miscegenation leading to a threat to humankind. The insipidity, problematic allure, and treacherous fecundity of the women in Supernatural Horror in Literature (19273; SHL) set the tone for Lovecraft’s treatment of women and their sexual culpability in his tales. There is a filial legacy of Lovecraft’s work. Many male authors, including Robert Bloch and Neil Gaiman, have extended, built on, his writing, taken further the tropes, settings, stories and sometimes, like Gaiman in “Shoggoth’s Old Peculiar” (19984) and “Only the End of the World Again” (20005), they have also taken a comic turn. But perhaps surprisingly there is also an emerging legacy in work by women writers, notably Angela Carter and Caitlín R.
    [Show full text]
  • Dark Mountain: H. P. Lovecraft and the 'Vermont Horror'
    FALL 1977 VOL. 45, No.4 History The GFROCEEDINGS of the VERMONT HISTORICAL SOCIETY "... my object in writing 'The Whisperer in the Darkness' was not just to be weird, but primarily to crystallise a powerful imaginative impression given me by a certain [Vermont] landscape," Dark Mountain: H. P. Lovecraft and The 'Vermont Horror' By ALAN S. WHEELOCK The literary reputation of Howard Phillips Lovecraft (1890­ 1937) has vacillated between near-obscurity and uncritical adula­ tion. Writing in 1945, Edmund Wilson stated that "Lovecraft was not a good writer. The fact that his verbose and undistinguished style has beenccympared to Poe's is only one of the many sad signs that almost nobody any more pays any real attention to writing.") Writing in 1975, Lovecraft's most recent biographer, L. Sprague de Camp, wrote enthusiastically that "He has been hailed not only as the equal of Poe but even as one of the greatest writers of all time. "2 Among the very few areas of agreement about Lovecraft's stature as a writer, however, is "The Whisperer in Darkness," a long short story of 26,000 words he wrote in 1930, and published in Weird Tales Magazine in August, 1931. The theme of the story is typical of Lovecraft's fiction, but the setting is unique; "The Whisperer in Darkness" takes place in Windham County, Vermont. Born in Providence, Rhode Island, like his fellow New Eng­ lander, Nathaniel Hawthorne, whose work he admired greatly, Lovecraft knew that the bright, commercial day of coastal New England was over. He felt a strong attachment toward the venerable antiquity of his town - its narrow, crooked streets and crumbling wharves - made stronger still by the persistence of the family name in the neighborhood for many, many years, The long association with one place created, in Hawthorne's words, "a kindred be­ tween the human being and the locality, quite independent of any charm in the scenery.
    [Show full text]
  • Seabury Quinn: a Weird Tales View Ofgender and Sexuality
    CALIFORNIA STATE UNIVERSITY SAN MARCOS THESIS SIGNATURE PAGE THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS HISTORY THESIS TITLE: Seabury Quinn: A Weird Tales View ofGender and Sexuality AUTHOR: Stephanie Brimson DATE OF SUCCESSFUL DEFENSE: May I, 2015 THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY. Dr. Jill Watts s/0s THESIS COMMITTEE CHAIR DATE Dr. Jeffrey Charles 5 /, I ' ,_ THESIS COMMITTEE MEMBER ~ [ /, /,;:­ Dr. Anne Lombard THESIS COMMlTTEE MEMBER ~ Seabury Quinn: A Weird Tales View of Gender and Sexuality by Stephanie Brimson Copyright © 2015 Stephanie Brimson All Rights Reserved i Table of Contents Acknowledgements ii Abstract iii Introduction 1 Chapter One 13 Chapter Two 49 Chapter Three 75 Conclusion 111 Bibliography 115 ii Acknowledgements I would like to thank my committee, Dr. Jill Watts, Dr. Jeffrey Charles, and Dr. Anne Lombard, for their thoughtful critiques and helpful suggestions, my thesis would not be the same without their support and input. I especially want to thank my thesis chair, Dr. Jill Watts, who despite her ongoing commitments as the head of the Department of History, still managed to nurture my ideas and bring this thesis to fruition. I also want to thank another long time mentor, Dr. Katherine Hijar, for her continuous encouragement. Her meticulous editing and commentary on my work was instrumental in my development as a student and a writer. The support of my family and friends has been vital to the success of this project.
    [Show full text]
  • HP Lovecraft & the French Connection
    University of South Carolina Scholar Commons Theses and Dissertations 2015 H.P. Lovecraft & Ther F ench Connection: Translation, Pulps and Literary History Todd David Spaulding University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Comparative Literature Commons Recommended Citation Spaulding, T. D.(2015). H.P. Lovecraft & eTh French Connection: Translation, Pulps and Literary History. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3152 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. H. P. Lovecraft & The French Connection: Translation, Pulps and Literary History by Todd David Spaulding Bachelor of Arts State University of New York at Geneseo, 2006 Master of Arts University of South Carolina, 2010 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Comparative Literature College of Arts and Sciences University of South Carolina 2015 Accepted by: Jeanne Garane, Major Professor Alexander Beecroft, Committee Member Michael Hill, Committee Member Meili Steele, Committee Member S. T. Joshi, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies ©Copyright by Todd David Spaulding, 2015. All Rights Reserved. ii Dedication To my best friend, my wife and everything in between, Nathacha. iii Acknowledgements I would like to thank Dr. Jeanne Garane whose guidance, suggestions and editing has helped me beyond belief. Thank you for your patience and willingness to help me pursue my interests. I would like to personally thank the following French experts on H.
    [Show full text]
  • Houellebecq Lovecraft.Pdf
    Collection : Les lnfréquentables dirigée par Michel Bulteau déjà parus : Roger Nimier, Trafiquant d'insolence, par Olivier Frébourg. Prix des Deux Magors 1990 Miguel Torga, Orphée rebelle, par Daniel Aranjo. Cyrano de Bergerac, L'Esprit de révolte, par Willy de Spens. Remy de Gourmont, « Cher Vieux Daim », par Charles Dantzig. Baron Corvo, L'exilé de Venise, par Michel Bulteau. Norman Mailer, Economie du machisme, par Thierry Marignac Arthur Rimbaud et la liberté libre, par Main Jouffroy. Michel HOUELLEBECQ H.P. LOVECRAFT Contre le monde, contre la vie Editions du Rocher Jean-Paul Bertrand Editeur All Rights Reserved. Copyright © 1999 Éditions du Rocher No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage or retrieval system, without the permission in writing from the publisher. This edition published by arrangement with toExcel, a strategie unit of Kaleidoscope Software. For information adress : ToExcel 165 West 95th Street, Suite B-N New York, NY 10025 ISBN : 1-58348-194-x Printed in the United States of America 0 9 8 7 6 5 4 3 2 Première partie UN AUTRE UNIVERS « Peut-être faut-il avoir beaucoup souffert pour apprécier Lovecraft... » (Jacques Bergier) La vie est douloureuse et décevante. lnutile, par conséquent, d'écrire de nouveaux romans réalistes. Sur la réalité eu général, nous savons déjà à quoi nons en tenir ; et nous n’avons guère envie d'en apprendre d’avantage. L’humanité telle qu'elle qu’elle est ne nous inspire plus qu'une curiosité mitigée.
    [Show full text]
  • Night Gaunts Was Created, and a Cast of Pro Fes - Sional Actors and Ac Tresses and Read Ers Assem Bled
    N I G H T G A U N T S AN ENTERTAINMENT BASED ON THE LIFE AND WRITINGS OF H. P. L O V E C R A F T by BRETT RUTHERFORD with additional Poetica Lovecraftiana GRIM REAPER BOOKS Providence, Rhode Island Copyright © 1993, 2005 by Brett Rutherford All Rights Reserved Excerpts from Sonia Greene Lovecraft’s Memoirs adapted with permission of Necronomicon Press Frontispiece photo of Carl Johnson as H.P. Lovecraft, by Keith Johnson. Second edition, revised, 2005 ISBN 0-922558-16-7 GRIM REAPER BOOKS are published by THE POET’S PRESS 65 Hope Street Providence, RI 02906 www.thepoetspress.org This book is also available on CD-ROM in Adobe Acrobat format. A B O U T T H I S B O O K HE FIRST DRAFT of this play was written as a Tspecial commemoration for the 50th anniversary of Lovecraft’s death. It was written after I attended a ceremony organized by Carl Johnson, a Rhode Island-born actor and Lovecraft fan. A few days later, still delighted with having met some of the eminent Lovecraft fans face-to-face for the first time, I wrote the poem, “At Lovecraft’s Grave,” and conceived the idea of publishing the poem as a chapbook. As I had re cently done with a book of po ems by Ed - gar Allan Poe and Sa rah Helen Whit man, I also en vi- sioned a pub lish ing party in which ac tors would bring Lovecraft back to life. This, of course, re quired a script, which turned out to be a more sub stan tial un der tak ing than the po etry chap book.
    [Show full text]
  • Arkham House Archive Calendar
    ARKHAM HOUSE ARCHIVE CALENDAR ARKHAM HOUSE ARCHIVE SALE DOCUMENTS 4 typewritten letters dated 25 May 2010, 25 October 2010, 15 January 2011, and 26 January 2011, each signed by April Derleth, conveying the archive, "books, letters, manuscripts, contracts, Arkham House ephemera & items" (including "personal items as well as items from my business" and "all remaining items in the basement") to David H. Rajchel, "to take & deal with as he sees fit." Accompanied by a bill of sale dated 17 March 2011, prepared by Viney & Viney, Attorneys, Baraboo, WI (typed on the verso of a 1997 State of Wisconsin Domestic Corporation Annual Report for Arkham House Publishers, Inc.). Additionally, there is a bill of sale for the Clark Ashton Smith papers and books sold to David H. Rajchel, signed by April Derleth. ARKHAM HOUSE ORDERS Book Orders and Related Correspondence, mostly 1960s. ARKHAM HOUSE ROYALTY STATEMENTS Large file of royalty payment statements, mostly between 1 September 1959 and 1 September 1967. Extensive, but not complete. Includes some summaries. There are a few statements from 1946 and 1952 (Long) and 1950-1959 (all Whitehead). Also, sales figures for 1 July 1946 through 1 January 1947 [i.e. 31 December 1946] and 1 July 1963 through 31 December 1966. Some Arkham House correspondence regarding accounting and royalties paid by Arkham House to their authors is filed here. BOOK PRODUCTION Production material for Arkham House, Mycroft & Moran, or Stanton & Lee publications, as well as books written or edited by Derleth which were published by others. This material is organized by author/editor and book title.
    [Show full text]
  • H. P. Lovecraft 1 H
    H. P. Lovecraft 1 H. P. Lovecraft Howard P. Lovecraft H. P. Lovecraft en 1915. Données clés Nom de naissance Howard Phillips Lovecraft Autres noms Lewis Theobald Jr Ward Phillips Activités Romancier, nouvelliste, poète Naissance 20 août 1890 Providence, Rhode Island, États-Unis Décès 15 mars 1937 (à 46 ans) Providence, Rhode Island, États-Unis Langue d'écriture Anglais américain Mouvement Cosmicisme Genres Horreur, science-fiction Œuvres principales • La Couleur tombée du ciel • Le Cauchemar d'Innsmouth • Dans l'abîme du temps • L'Appel de Cthulhu • Les Montagnes hallucinées Compléments • H. P. Lovecraft 2 Howard Phillips Lovecraft, né le 20 août 1890 et mort le 15 mars 1937, est un écrivain américain connu pour ses récits d'horreur, fantastique et de science-fiction. Ses sources d'inspiration, tout comme ses créations, sont relatives à l'horreur cosmique, à l'idée selon laquelle l'homme ne peut pas comprendre la vie et que l'univers lui est profondément étranger. Ceux qui raisonnent véritablement, comme ses protagonistes, mettent toujours en péril leur santé mentale [1]. On lit souvent Lovecraft pour le mythe qu’il a créé, le mythe de Cthulhu, pour employer l’expression d’August Derleth, mais Derleth s’est trompé sur lui[2]. Derleth voulait voir dans Cthulhu, Nyarlathotep, Azathoth, Yog-Sothoth ou Shub-Niggurath des êtres surnaturels et des dieux auxquels Lovecraft aurait cru sans équivoque, ce qui était loin d’être l’intention de l’auteur, car Lovecraft n’a jamais employé l’expression « mythe de Cthulhu ». Pour lui, c’était un « panthéon noir », une « mythologie synthétique » ou un « cycle de folklore synthétique ».
    [Show full text]