Nightmare Magazine, Issue 93 (June 2020)
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Bodies Without Borders: Body Horror As Political Resistance in Classical
Bodies without Borders: Body Horror as Political Resistance in Classical Hollywood Cinema By Kevin Chabot A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario ©2013 Kevin Chabot Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94622-0 Our file Notre reference ISBN: 978-0-494-94622-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Discussion About Edwardian/Pulp Era Science Fiction
Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World. -
Kaleidoscope Issue 83: Global Perspectives (PDF)
ALEIDOSCOPE EXPLORING THE EXPERIENCE OF DISABILITY THROUGH LITERATURE AND THE FINE ARTS KNumber 83 Summer/Fall Online 2021 Global Perspectives "Be Still" by Chris Pellizzari "Losing Time —And Finding It" by Kimberly Roblin "The Brightness of Neurology" by Carrie Jade Williams Summer/Fall 2021 ALEIDOSCOPE Number 83 KEXPLORING THE EXPERIENCE OF DISABILITY THROUGH LITERATURE AND THE FINE ARTS Contents FEATURED ESSAY PERSONAL ESSAY Losing Time—And Finding It 4 Into the Forest 48 Kimberly Roblin Mariana Abeid-McDougall FEATURED ART CREATIVE NONFICTION Any Body on the Planet 32 Lament for an Altered World 8 Diane Reid Dylan Ward The Brightness of Neurology 13 FICTION Recycle 11 Carrie Jade Williams Joyce W. Bergman Like Being Afraid of Beauty 28 Living with Peggy Sue 16 Tobie Helene Shapiro Jay Merriman My Friend 41 Be Still 26 Shannon Cassidy Chris Pellizzari Sterile Rooms: A Memoir 42 Skinned 50 Cheyenne M. Heinen Keletso Mopai The Last Threads of Denial 58 Proud 61 Catherine Shields Marc Littman Prime Time or Off-Peak? 62 Wendy Kennar Blind by Fate 64 Connor Sassmannshausen 1 BOOK REVIEW Finding the Light in the Dark 56 Sandra J. Lindow POETRY Robotic Pancreas 7 Sarah-Lizz Myers Unaware 12 Sravani Singampalli In Egypt 12 Madeleine McDonald Seth Chwast, The Big Pink Flower, 2013, acrylic spray paint on canvas, 36” x 36” Chwast is one of nine artists featured in Fierce Love and Art, a film about autism and creative genius. More information about the film can How I Have Been Touched 15 be found on page 32. Marilyn McVicker Done 24 55 Safe Travels 25 Hourglass Kathryn Dalley Gerri Leen These Hands 25 Nesting 55 Glenda Barrett Emily Uduwana Weather of the Heart 40 Diversity 68 Toni Ortner Donna Springer My Bones and Winter 40 Kirsten Deane BIOGRAPHICAL NOTES 70 Quilt 49 Watching Jordan’s Fall 49 Allison Whittenberg 2 Staff PUBLISHER Brian Thomas, President/CEO United Disability Services MANAGING EDITOR Lisa Armstrong, M.A. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
MARCH 1St 2018
March 1st We love you, Archivist! MARCH 1st 2018 Attention PDF authors and publishers: Da Archive runs on your tolerance. If you want your product removed from this list, just tell us and it will not be included. This is a compilation of pdf share threads since 2015 and the rpg generals threads. Some things are from even earlier, like Lotsastuff’s collection. Thanks Lotsastuff, your pdf was inspirational. And all the Awesome Pioneer Dudes who built the foundations. Many of their names are still in the Big Collections A THOUSAND THANK YOUS to the Anon Brigade, who do all the digging, loading, and posting. Especially those elite commandos, the Nametag Legionaires, who selflessly achieve the improbable. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – The New Big Dog on the Block is Da Curated Archive. It probably has what you are looking for, so you might want to look there first. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – Don't think of this as a library index, think of it as Portobello Road in London, filled with bookstores and little street market booths and you have to talk to each shopkeeper. It has been cleaned up some, labeled poorly, and shuffled about a little to perhaps be more useful. There are links to ~16,000 pdfs. Don't be intimidated, some are duplicates. Go get a coffee and browse. Some links are encoded without a hyperlink to restrict spiderbot activity. You will have to complete the link. Sorry for the inconvenience. Others are encoded but have a working hyperlink underneath. Some are Spoonerisms or even written backwards, Enjoy! ss, @SS or $$ is Send Spaace, m3g@ is Megaa, <d0t> is a period or dot as in dot com, etc. -
Images of the Religious in Horror Films
Journal of Religion & Film Volume 5 Issue 2 October 2001 Article 7 October 2001 The Sanctification of ear:F Images of the Religious in Horror Films Bryan Stone Boston University School of Theology, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stone, Bryan (2001) "The Sanctification of ear:F Images of the Religious in Horror Films," Journal of Religion & Film: Vol. 5 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol5/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Sanctification of ear:F Images of the Religious in Horror Films Abstract Horror film functions both as a threat and a catharsis by confronting us with our fear of death, the supernatural, the unknown and irrational, ''the other" in general, a loss of identity, and forces beyond our control. Over the last century, religious symbols and themes have played a prominent and persistent role in the on-screen construction of this confrontation. That role is, at the same time, ambiguous insofar as religious iconography has become unhinged from a compelling moral vision and reduced to mere conventions that produce a quasi-religious quality to horror that lacks the symbolic power required to engage us at the deepest level of our being. Although religious symbols in horror films are conventional in their frequent use, they may have lost all connection to deeper human questions. -
The Obdurate Eye #3 November 2018
The Obdurate Eye #3 November 2018 This month: Fandom Classic – all the lists I could make! Masthead Welcome to The Obdurate Eye #3, dated November 2018, a personalzine distributed by Garth Spencer at [email protected]. (I just realized I have been omitting my snailmail address, partly because Canada Post is threatening rotating postal strikes again. For what it’s worth, I can also be reached at 4240 Perry Street, Vancouver, BC, CANADA V5N 3X5.) This zine is available for contributions in the form of articles, letters, illustrations, or other zines in trade. Contents Editorial blather ...................................................................................................................................... 1 Letters of Comment................................................................................................................................. 2 Amateur Publishing Associations ............................................................................................................. 7 APAs 2018 ............................................................................................................................................... 7 Aurora Awards 2018 .............................................................................................................................. 10 Awards 2018 ......................................................................................................................................... 11 Conreport: VCON 42 ............................................................................................................................. -
Filmic Bodies As Terministic (Silver) Screens: Embodied Social Anxieties in Videodrome
FILMIC BODIES AS TERMINISTIC (SILVER) SCREENS: EMBODIED SOCIAL ANXIETIES IN VIDEODROME BY DANIEL STEVEN BAGWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication May 2014 Winston-Salem, North Carolina Approved By: Ron Von Burg, Ph.D., Advisor Mary Dalton, Ph.D., Chair R. Jarrod Atchison, Ph.D. ACKNOWLEDGMENTS A number of people have contributed to my incredible time at Wake Forest, which I wouldn’t trade for the world. My non-Deac family and friends are too numerous to mention, but nonetheless have my love and thanks for their consistent support. I send a hearty shout-out, appreciative snap, and Roll Tide to every member of the Wake Debate team; working and laughing with you all has been the most fun of my academic career, and I’m a better person for it. My GTA cohort has been a blast to work with and made every class entertaining. I wouldn’t be at Wake without Dr. Louden, for which I’m eternally grateful. No student could survive without Patty and Kimberly, both of whom I suspect might have superpowers. I couldn’t have picked a better committee. RonVon has been an incredibly helpful and patient advisor, whose copious notes were more than welcome (and necessary); Mary Dalton has endured a fair share of my film rants and is the most fun professor that I’ve had the pleasure of knowing; Jarrod is brilliant and is one of the only people with a knowledge of super-violent films that rivals my own. -
Hugo Awards Issue H
HUGO ISSUE The Solitary Star SUNDAY, SEPTEMBER 1, 2013 2013 Hugo Awards Best Novel: Redshirts: A Novel with Three Codas by John Scalzi (Tor) Best Novella: “The Emperor's Soul” by Brandon Sanderson (Tachyon Publications) Best Novelette: “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris) Best Short Story: “Mono no aware” by Ken Liu (The Future is Japanese, VIZ Media LLC) Best Related Work: Writing Excuses, Season 7 by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler, and Jordan Sanderson Best Graphic Story: Saga, Volume 1 written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics) Best Dramatic Presentation (Long Form): The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount) Best Dramatic Presentation (Short Form): Game of Thrones: “Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO) Best Editor – Short Form: Stanley Schmidt Best Editor – Long Form: Patrick Nielsen Hayden Best Professional Artist: John Picacio Best Semiprozine: Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker Best Fanzine: SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester Best Fancast: SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer) Best Fan Writer: Tansy Rayner Roberts Best Fan Artist: Galen Dara John W. Campbell Award for Best New Writer: Mur Lafferty Total number of valid ballots received: 1,848 Number of ballots needed to pass the 25% rule: 462 All categories passed easily Hugo Administration: Todd Dashoff Hugo Awards Subcommittee: Todd Dashoff, Vincent Docherty, Saul Jaffe, Steven Staton, Beth Welsh, Ben Yalow Hugo Final Ballot Counting Software: Jeff Copeland Hugo Packet: Beth Welsh o Hugo Packet Staff: Andrew A. -
Sherlock Holmes
GAMING GAMING GEARS OF WAR: EPHYRA RISING MICHAEL A. STACKPOLE SEPTEMBER 2021, GAME TIE IN, 464PP Gears of War: Ephyra Rising is Titan’s third Gears of War universe novel. Set canonically in the gap between the games Gears of War 3 and Gears of War 4, this original novel NEW chronicles the never-before-revealed events that take place on the devastated world that remains in the aftermath of the Locust War. In the events following Gears of War 3, the Locust War is over, most of humanity has been destroyed and the Coalition of Ordered Governments is in shambles. Marcus Fenix and Anya Stroud must rebuild from the ruins, yet threats lurk everywhere. With reports that Locust still stalk the land, they discover that in a post-war world, humans may now prove to be the deadliest foes. Gears of War games have collectively garnered more than 520 media and industry awards, accolades and nominations. Titan’s successful line of Gears of War original fiction provides fans of the game with rich background information and character depth. Michael A. Stackpole is the New York Times bestselling author of over fifty-five novels, with books in the Star Wars, Conan, Pathfinder, BattleTech and World of Warcraft universes. ALIENS: INFILTRATOR WESTON OCHSE APRIL 2021, GAME TIE IN, 352PP The official prequel novel leading into the upcoming Alien third-person shooter video game Aliens: Fireteam from Cold Iron Studios, launching in Summer 2021 for Xbox Series X/S, Xbox One, PlayStation 5, PlayStation 4 and PC. A Weyland-Yutani scientist arrives at Pala Station and finds the researchers there courting disaster… of the Xenomorph kind. -
Nightmare Magazine, Issue 43 (April 2016)
TABLE OF CONTENTS Issue 43, April 2016 FROM THE EDITOR Editorial, April 2016 FICTION Reaper’s Rose Ian Whates Death’s Door Café Kaaron Warren The Girl Who Escaped From Hell Rahul Kanakia The Grave P.D. Cacek NONFICTION The H Word: The Monstrous Intimacy of Poetry in Horror Evan J. Peterson Artist Showcase: Yana Moskaluk Marina J. Lostetter Interview: David J. Schow Lisa Morton AUTHOR SPOTLIGHTS Ian Whates Kaaron Warren Rahul Kanakia P.D. Cacek MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Nightmare Team Also Edited by John Joseph Adams © 2016 Nightmare Magazine Cover by Yana Moskaluk www.nightmare-magazine.com FROM THE EDITOR Editorial, April 2016 John Joseph Adams | 750 words Welcome to issue forty-three of Nightmare! This month, we have original fiction from Ian Whates (“Reaper’s Rose”) and Rahul Kanakia (“The Girl Who Escaped From Hell”), along with reprints by Kaaron Warren (“Death’s Door Cafe”) and P.D. Cacek (“The Grave”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with author David J. Schow. Nebula Award Nominations ICYMI last month, awards season is officially upon us, and it looks like 2015 was a terrific year for our publications. The first of the major awards have announced their lists of finalists for last year’s work, and we’re pleased to announce that “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare, Oct. 2015) is a finalist for the Nebula Award this year! Over at Lightspeed, “Madeleine” by Amal El-Mohtar (Lightspeed, June 2015) and “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb.