The Obdurate Eye #3 November 2018
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Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
ISSN: 2342-2009 Fafnir vol 2, iss 1, pages 29–30 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org A Book review: Andrzej Wicher, Piotr Spyra & Joanna Matyjaszczyk (eds.) – Basic Categories of Fantastic Literature Revisited. Markku SoikkeliSoikeli Andrzej Wicher, Piotr Spyra, and Joanna Matyjaszczyk (eds.). Basic Categories of Fantastic Literature Revisited. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. ISBN-13: 978-1443866798. A collection of academic articles is like a collection of short stories: the differences between articles (or stories) are more interesting than the thematic similarities. The free play of imagination is breaking even the genre rules, and that is exactly what makes the stories (or articles on genre texts) so interesting. This Polish-British collection Basic Categories of Fantastic Literature Revisited (2014) is aiming to rethink the concept of the fantastic as it is defined in the theory of Tzvetan Todorov. As stated in Todorov's Introduction à la littérature fantastique (1970), there are three modes of fiction outside the great barrier of mainstream literature: the marvellous (with recognizable supernatural elements), the uncanny (with explanations about exceptional things), and the fantastic (with ambivalent signs of the non-natural). Todorov's definition of the fantastic is usually considered to be more anachronistic than the texts that it is used for, but there still remains the mystery of readers’ pleasure in the kind of "Todorovian hesitation". And it is here where this Polish-British collection of twelve researchers steps in. According to the publisher's info-blurb, the articles are "unified by a highly theoretical focus." But is there anything "highly theoretical" in Todorov's legacy? It may be a valuable goal to rethink the usability of Todorov's view of the fantastic, but the articles in this collection consist of quite usual academic matter with emphasis on case studies. -
Kaleidoscope Issue 83: Global Perspectives (PDF)
ALEIDOSCOPE EXPLORING THE EXPERIENCE OF DISABILITY THROUGH LITERATURE AND THE FINE ARTS KNumber 83 Summer/Fall Online 2021 Global Perspectives "Be Still" by Chris Pellizzari "Losing Time —And Finding It" by Kimberly Roblin "The Brightness of Neurology" by Carrie Jade Williams Summer/Fall 2021 ALEIDOSCOPE Number 83 KEXPLORING THE EXPERIENCE OF DISABILITY THROUGH LITERATURE AND THE FINE ARTS Contents FEATURED ESSAY PERSONAL ESSAY Losing Time—And Finding It 4 Into the Forest 48 Kimberly Roblin Mariana Abeid-McDougall FEATURED ART CREATIVE NONFICTION Any Body on the Planet 32 Lament for an Altered World 8 Diane Reid Dylan Ward The Brightness of Neurology 13 FICTION Recycle 11 Carrie Jade Williams Joyce W. Bergman Like Being Afraid of Beauty 28 Living with Peggy Sue 16 Tobie Helene Shapiro Jay Merriman My Friend 41 Be Still 26 Shannon Cassidy Chris Pellizzari Sterile Rooms: A Memoir 42 Skinned 50 Cheyenne M. Heinen Keletso Mopai The Last Threads of Denial 58 Proud 61 Catherine Shields Marc Littman Prime Time or Off-Peak? 62 Wendy Kennar Blind by Fate 64 Connor Sassmannshausen 1 BOOK REVIEW Finding the Light in the Dark 56 Sandra J. Lindow POETRY Robotic Pancreas 7 Sarah-Lizz Myers Unaware 12 Sravani Singampalli In Egypt 12 Madeleine McDonald Seth Chwast, The Big Pink Flower, 2013, acrylic spray paint on canvas, 36” x 36” Chwast is one of nine artists featured in Fierce Love and Art, a film about autism and creative genius. More information about the film can How I Have Been Touched 15 be found on page 32. Marilyn McVicker Done 24 55 Safe Travels 25 Hourglass Kathryn Dalley Gerri Leen These Hands 25 Nesting 55 Glenda Barrett Emily Uduwana Weather of the Heart 40 Diversity 68 Toni Ortner Donna Springer My Bones and Winter 40 Kirsten Deane BIOGRAPHICAL NOTES 70 Quilt 49 Watching Jordan’s Fall 49 Allison Whittenberg 2 Staff PUBLISHER Brian Thomas, President/CEO United Disability Services MANAGING EDITOR Lisa Armstrong, M.A. -
MARCH 1St 2018
March 1st We love you, Archivist! MARCH 1st 2018 Attention PDF authors and publishers: Da Archive runs on your tolerance. If you want your product removed from this list, just tell us and it will not be included. This is a compilation of pdf share threads since 2015 and the rpg generals threads. Some things are from even earlier, like Lotsastuff’s collection. Thanks Lotsastuff, your pdf was inspirational. And all the Awesome Pioneer Dudes who built the foundations. Many of their names are still in the Big Collections A THOUSAND THANK YOUS to the Anon Brigade, who do all the digging, loading, and posting. Especially those elite commandos, the Nametag Legionaires, who selflessly achieve the improbable. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – The New Big Dog on the Block is Da Curated Archive. It probably has what you are looking for, so you might want to look there first. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – Don't think of this as a library index, think of it as Portobello Road in London, filled with bookstores and little street market booths and you have to talk to each shopkeeper. It has been cleaned up some, labeled poorly, and shuffled about a little to perhaps be more useful. There are links to ~16,000 pdfs. Don't be intimidated, some are duplicates. Go get a coffee and browse. Some links are encoded without a hyperlink to restrict spiderbot activity. You will have to complete the link. Sorry for the inconvenience. Others are encoded but have a working hyperlink underneath. Some are Spoonerisms or even written backwards, Enjoy! ss, @SS or $$ is Send Spaace, m3g@ is Megaa, <d0t> is a period or dot as in dot com, etc. -
Rose Gardner Mysteries
JABberwocky Literary Agency, Inc. Est. 1994 RIGHTS CATALOG 2019 JABberwocky Literary Agency, Inc. 49 W. 45th St., 12th Floor, New York, NY 10036-4603 Phone: +1-917-388-3010 Fax: +1-917-388-2998 Joshua Bilmes, President [email protected] Adriana Funke Karen Bourne International Rights Director Foreign Rights Assistant [email protected] [email protected] Follow us on Twitter: @awfulagent @jabberworld For the latest news, reviews, and updated rights information, visit us at: www.awfulagent.com The information in this catalog is accurate as of [DATE]. Clients, titles, and availability should be confirmed. Table of Contents Table of Contents Author/Section Genre Page # Author/Section Genre Page # Tim Akers ....................... Fantasy..........................................................................22 Ellery Queen ................... Mystery.........................................................................64 Robert Asprin ................. Fantasy..........................................................................68 Brandon Sanderson ........ New York Times Bestseller.......................................51-60 Marie Brennan ............... Fantasy..........................................................................8-9 Jon Sprunk ..................... Fantasy..........................................................................36 Peter V. Brett .................. Fantasy.....................................................................16-17 Michael J. Sullivan ......... Fantasy.....................................................................26-27 -
Shonen - Eric Minh Cuong Castaing
KAIJU SHONEN - ERIC MINH CUONG CASTAING Danse urbaine, théâtre contemporain, arts numériques KAIJU littéralement “Bête étrange” ou “bête mystérieuse” est un terme japonais pour désigner les monstres géants des films japonais. Dans un dispositif de réalité augmentée, un danseur hip hop, un graphiste de dessin animé et un plasticien tentent de manipuler les images d’aujourd’hui qui nous habi- tent, qui nous transforment. Kaiju pose la question de l’enfance éternelle : Dans la société du divertissement et de l’hyper-actualité, quel monstre d’égo et d’irrésolu grandit en nous ? durée : 65 min Une production de Shonen en coproduction avec le CCN de La Rochelle, Initiatives d’Artistes en Danses Urbaines (Fondation de France, Parc de La Villette avec le soutien de la Caisse des Dépôts et Consignations et de l’Acsè), CCN de Créteil, [Ars] numerica, Centre Européen pour la création numérique à Montbéliard, Le Cube - Centre de création numérique à Issy- les-Moulineaux, le Théâtre de L’ Archipel - Scène Conventionnée de Perpignan. Avec l’aide à la création chorégraphique de la DRAC Ile de France, du dispositif pour la créa- tion artistique multimédia (DICREAM) - Centre National du Cinéma et de l’image animée, aide à la maquette et à la production et l’aide ADAMI et de la SPEDIDAM. KAIJU à reçu le prix Danse / nouvelle technologie de l’Office Franco -Québécois de la Jeu- nesse lors de la compétition internationale du festival Bains Numériques en juin 2010 et la bourse numérique Lagardère 2010. Direction, chorégraphie et interprétation Eric Minh Cuong Castaing assisté de Gaétan Brun- Picard / interprétation et chorégraphie Salomon Baneck-Asaro / scénographie et interpréta- tion Grégoire Faucheux / dramaturgie Céleste Germe / graphisme Pierre Thirion / concep- tion vidéo Pierre Gufflet / musique Naun / lumière Sébastien Lefèvre / costumes Emilie Carpentier / administration Aurélien Guillois (bureau FormART) “Si vous voulez interpréter une fleur, vous pouvez la mimer, elle sera la fleur de tout le monde, banale, sans intérêt. -
W41 PPB-Web.Pdf
The thrilling adventures of... 41 Pocket Program Book May 26-29, 2017 Concourse Hotel Madison Wisconsin #WC41 facebook.com/wisconwiscon.net @wisconsf3 Name/Room No: If you find a named pocket program book, please return it to the registration desk! New! Schedule & Hours Pamphlet—a smaller, condensed version of this Pocket Program Book. Large Print copies of this book are available at the Registration Desk. TheWisSched app is available on Android and iOS. What works for you? What doesn't? Take the post-con survey at wiscon.net/survey to let us know! Contents EVENTS Welcome to WisCon 41! ...........................................1 Art Show/Tiptree Auction Display .........................4 Tiptree Auction ..........................................................6 Dessert Salon ..............................................................7 SPACES Is This Your First WisCon?.......................................8 Workshop Sessions ....................................................8 Childcare .................................................................. 10 Children's and Teens' Programming ..................... 11 Children's Schedule ................................................ 11 Teens' Schedule ....................................................... 12 INFO Con Suite ................................................................. 12 Dealers’ Room .......................................................... 14 Gaming ..................................................................... 15 Quiet Rooms .......................................................... -
Balticon 47 Program Participants
BALTICON 47 52 THE BSFAN Balticon 47 Program Participants JoAnn W. Abbott A. L. Davroe Heidi Hooper Danielle Ackley-McPhail Susan de Guardiola Starla Huchton Lisa Adler-Golden Donna Dearborn Kara Hurvitz D. H. Aire (Barry Nove) James K. Decker Michele Hymowitz Leigh Alexander Ming Diaz Eric Hymowitz Tristan Alexander Tim Dodge Christopher Impink Day Al-Mohamed Tom Doyle Noam Izenberg Scott H. Andrews Valerie Durham Mark Jeffrey Ami Angelwings James Durham Leslie Johnston Catherine A. Asaro Collin Earl Paula S. Jordan John Ashmead Gaia Eirich Jason Kalirai Lisa Ashton Chris Evans Amy L. Kaplan Thomas G. Atkinson Eric “Dr. Gandalf ” Fleischer Bruce Kaplan Jason Banks Halla Fleischer Debra Kaplan Brick Barrientos Judi Fleming William H. Kennedy Martin Berman-Gorvine Doc Frankenfield Kira Deja Biernesser D. Douglas Fratz James R. Knapp Steve Biernesser Nancy C. Frey Jonah Knight Joshua Bilmes Clint Gaige Beatrice Kondo Danny Birt Allison Gamblin Yoji Kondo (Eric Kotani) Roxanne Bland Charles E. Gannon Brian Koscienski Art Blumberg Lia Garrott A B Kovacs Sue Bowen Dr. Pamela L. Gay Laura E. Kovalcin Walter H. Boyes, Jr. Marty Gear Theodore Krulik William T. (Tom) Bridgman Veronica (V.) Giguere Alessandro La Porta Alessia Brio Phil Giunta Mur Lafferty J. Sherlock III Brown Alicia Goranson Jagi Lamplighter KT Bryski James L. Gossard Grig “Punkie” Larson Stephanie Burke Stephen Granade Marcus Lawrence Laura Burns Matthew Granoff Dina Leacock Mildred G. Cady Bob Greenberger R. Allen Leider Jack Campbell Irina Greenman Neal Levin Renee Chambliss Damien Walters Grintalis Emily Lewis Christine Chase Sonya “Patches” Gross Carey Lisse Robert R. Chase Gay Haldeman ScienceTim Livengood Bryan Chevalier Joe Haldeman Andy Love Ariel Cinii Elektra Hammond Steve Lubs Carl Cipra Eric V. -
Universidade Federal De Santa Catarina Pós
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA CORRESPONDENTE WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE Dissertação Submetida à Universidade Federal de Santa Catarina em cumprimento dos requisitos para obtenção do grau de MESTRE EM LETRAS Florianópolis Fevereiro, 2003 My heart gave a sudden leap of unholy glee, and pounded against my ribs with demoniacal force as if to free itself from the confining walls of my frail frame. H. P. Lovecraft Acknowledgments: The elaboration of this thesis would not have been possible without the support and collaboration of my supervisor, Dra. Anelise Reich Courseil and the patience of my family and friends, who stood by me in the process of writing and revising the text. I am grateful to CAPES for the scholarship received. ABSTRACT WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE UNIVERSIDADE FEDERAL DE SANTA CATARINA 2003 Supervisor: Dra. Anelise Reich Corseuil The objective of this thesis is to verify if the concept of weird fiction can be classified not only as a sub-genre of the horror literary genre, but if it constitutes a genre of its own. Along this study, I briefly present the theoretical background on genre theory, the horror genre, weird fiction, and a review of criticism on Lovecraft’s works. I also expose Lovecraft’s letters and ideas, expecting to show the working behind his aesthetic theory on weird fiction. The theoretical framework used in this thesis reflects some of the most relevant theories on genre study. -
Twodee's Shadowrun Storytime, Including but Not Limited to the Full Chapter 15 and Chapters 21 and 21.5
1 TwoDee’s Shadowrun Storytime Written by TwoDee Edited and Compiled by Jarboot!!j4xjG8Gxyo4 Further Edited and Compiled by Impatient Asshole Anon What follows is arguably the best series of storytime threads ever created. If you're any sort of fan of Shadowrun—whether you're a new GM, newbie player, or even a veteran—this prose will really help flesh out what sort of fun you can have with the system and setting. It's nearly 400 pages and about 130,000 words, so download this to read on your phone/laptop/ebook/commlink, because this will take a while. I'm Jarboot, a fellow fa/tg/uy and Shadowrun fan. Someone suggested that someone make a compilation of this story for easier reading, so I figured I could do it. Editing is minimal, but I fixed a lot of spelling and general syntax error, most of which were mentioned by TwoDee in a post following the original. There are some little Jackpoint-esque comments from other people from the threads included in the document, which are differentiated by a green color and indented text. I may have included a picture or two in there, too. Also, 2D likes to do some foreshadowing at some points, so keep track of the greentexted dates if you feel confused. All these threads (except number 3, which you can search for using some of the other tags) can be found by searching for the “shadowrun storytime” tag on the /tg/ archive. Jarboot is an extremely helpful fa/tg/uy, but this particular Anon is an impatient asshole who wanted a fully updated version of TwoDee's Shadowrun Storytime, including but not limited to the full Chapter 15 and Chapters 21 and 21.5. -
Nightmare Magazine, Issue 93 (June 2020)
TABLE OF CONTENTS Issue 93, June 2020 FROM THE EDITOR Editorial Announcement for 2021 Editorial: June 2020 FICTION We, the Folk G.V. Anderson Girls Without Their Faces On Laird Barron Dégustation Ashley Deng That Tiny Flutter of the Heart I Used to Call Love Robert Shearman NONFICTION The H Word: Formative Frights Ian McDowell Book Reviews: June 2020 Terence Taylor AUTHOR SPOTLIGHTS G.V. Anderson Ashley Deng MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks Support Us on Patreon, or How to Become a Dragonrider or Space Wizard About the Nightmare Team Also Edited by John Joseph Adams © 2020 Nightmare Magazine Cover by Grandfailure / Fotolia www.nightmare-magazine.com Editorial Announcement for 2021 John Joseph Adams and Wendy N. Wagner | 976 words We here at Nightmare are very much looking forward to celebrating our 100th issue in January 2021, and we hope you are too; it’s hard to imagine we’ve been publishing the magazine for that long! While that big milestone looms large, that’s got your humble editor thinking about the future. and change—and thinking about how maybe it’s time for some. Don’t worry—Nightmare’s not going anywhere. You’ll still be able to get your weekly and/or monthly scares on the same schedule you’ve come to expect. It’s just that soon yours truly will be passing the editorial torch. Neither is that a reason for worry, because although she will be newly minted in title, the editor has a name and face you already know: Our long-time managing/senior editor, Wendy N. -
NVS 3-1-5 M-Perschon
Steam Wars Mike Perschon (Grant MacEwan University/University of Alberta, Canada) Abstract: While steampunk continues to defy definition, this article seeks to identify a coherent understanding of steampunk as an aesthetic. By comparing and contrasting well-known cultural icons of George Lucas’s Star Wars with their steampunk counterparts, insightful features of the steampunk aesthetic are suggested. This article engages in a close reading of individual artworks by digital artists who took part in a challenge issued on the forums of CGSociety (Computer Graphics Society) to apply a steampunk style to the Star Wars universe. The article focuses on three aspects of the steampunk aesthetic as revealed by this evidentiary approach: technofantasy, a nostalgic interpretation of imagined history, and a willingness to break nineteenth century gender roles and allow women to act as steampunk heroes. Keywords: CGSociety (Computer Graphics Society), digital art, gender roles, George Lucas, Orientalism, Star Wars , steampunk, technofantasy, visual aesthetic ***** It has been over twenty years since K.W. Jeter inadvertently coined the term ‘steampunk’ in a letter to Locus magazine in 1987. Jeter jokingly qualified the neo-Victorian writings he, James P. Blaylock, and Tim Powers were producing with the ‘-punk’ appendix, playing off the 1980s popularity of cyberpunk. Ironically the term stuck, both as descriptor for nearly every neo-Victorian work of speculative fiction since Jeter’s Infernal Devices (1987), while retroactively subsuming works such as Keith Roberts’s Pavane (1968), Michael Moorcock’s The Warlord of the Air (1971) , the 1960s television series Wild, Wild West (1965-1969, created by Michael Garrison), and even the writings of H.G. -
Critical Reception and Postmodern Violation of Generic Conventions in Jacques Brossard’S “Monument Aux Marges”: L’Oiseau De Feu
Critical Reception and Postmodern Violation of Generic Conventions in Jacques Brossard’s “Monument aux marges”: L’Oiseau de feu Amy J. Ransom xcitement over what appeared to be a monument of la sci- ence-fiction québécoise (SFQ) in the making accompanied the release of L’oiseau de feu-1. Les années d’apprentissage (1989), Ethe first volume of a new series by Jacques Brossard. Its author swept Canada’s awards for genre literature in 1990, receiving the Casper (now the Aurora Prize) for best work in French, as well as Québec’s Prix Boréal, and the Grand Prix de la science-fiction et du fantastique québé- cois. At the time, Claude Janelle asserted in L’année de la science-fiction et du fantastique québécois 1989 that “Il s’agit certainement du projet le plus ambitieux de l’histoire de la SF québécoise et qui pourrait devenir, au terme de l’entreprise, un véritable monument” (41; emphasis added).1 A decade after the publication of the series’ last volume in 1997, this essay examines the question implied in Janelle’s use of the conditional: has L’oiseau de feu realized the potential that critics saw in it when it first appeared? On the one hand, its author has been canonized by Québec’s science- fiction and fantasy community with the recent renaming of the Grand Prix de la Science-fiction et du fantastique québécois as the Prix Jacques Brossard. Academic and literary critic Michel Lord describes Brossard as one of five “incontournables” writers of science fiction in Québec (with Daniel Sernine, Esther Rochon, Élisabeth Vonarburg, and Jean-Pierre April) (“Feu roulant” 159).