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On Ways of Studying Tolkien: Notes Toward a Better (Epic) Fantasy Criticism
Journal of Tolkien Research Volume 9 Issue 1 Article 2 2020 On Ways of Studying Tolkien: Notes Toward a Better (Epic) Fantasy Criticism Dennis Wilson Wise University of Arizona, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Continental Philosophy Commons, Ethics and Political Philosophy Commons, Literature in English, British Isles Commons, and the Literature in English, North America Commons Recommended Citation Wise, Dennis Wilson (2020) "On Ways of Studying Tolkien: Notes Toward a Better (Epic) Fantasy Criticism," Journal of Tolkien Research: Vol. 9 : Iss. 1 , Article 2. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol9/iss1/2 This Peer-Reviewed Article is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Wise: On Ways of Studying Tolkien INTRODUCTION We are currently living a golden age for Tolkien Studies. The field is booming: two peer-reviewed journals dedicated to J.R.R. Tolkien alone, at least four journals dedicated to the Inklings more generally, innumerable society newsletters and bulletins, and new books and edited collections every year. And this only encompasses the Tolkien work in English. In the last two decades, specifically since 2000, the search term “Tolkien” pulls up nearly 1,200 hits on the MLA International Bibliography. For comparison, C. S. Lewis places a distant second at fewer than 900 hits, but even this number outranks the combined hits on Ursula K. -
(2019): 149-175. the Journal of English and Germanic Philology
1 TIMOTHY S. MILLER (T. S. MILLER) Department of English Florida Atlantic University CU Ste. 306 777 Glades Road Boca Raton, FL 33431-0991 [email protected] EDUCATION Ph.D. in English, University of Notre Dame, 2014 Bachelor of Arts in English and in Classics, Kenyon College, 2008 EMPLOYMENT AND MAJOR FELLOWSHIPS Florida Atlantic University, Assistant Professor of English, 2020-present Marquette University, Lecturer in English, 2019-2020 Sarah Lawrence College, Guest Faculty in Literature, 2014-2018 Mercy College, Adjunct Professor of Seminars, 2016-2018 Mellon/ACLS Dissertation Completion Fellowship, 2013-2014 Notebaert Premier Fellowship, University of Notre Dame, 2008-2013 SELECTED PUBLICATIONS "Speculative Fiction and the Contemporary Novel." Forthcoming in The Cambridge Handbook of Literature and Plants. Ed. Bonnie Lander Johnson. Cambridge University Press. "Medicine in Proto-Science Fiction." Forthcoming in The Edinburgh Companion to Science Fiction and the Medical Humanities. Ed. Gavin Miller, with Joan Haran, Donna McCormack, and Anna McFarlane. Edinburgh University Press. "'[I]n plauntes lyf is yhud': Botanical Metaphor and Botanical Science in Middle English Literature." Forthcoming in Medieval Ecocriticisms, ed. Heide Estes. Amsterdam University Press. "Vegetable Love: Desire, Feeling, and Sexuality in Botanical Fiction." Plants in Science Fiction: Speculative Vegetation. Ed. Katherine Bishop, Jerry Määttä, and David Higgins. Cardiff: the University of Wales Press, 2020. 105-126. "Bidding with Beowulf, Dicing with Chaucer, and Playing Poker with King Arthur: Medievalism in Modern Board Gaming Culture." Studies in Medievalism XXVIII: Medievalism and Discrimination (2019): 149-175. "Precarity, Parenthood, and Play in Jennifer Phang's Advantageous." Science Fiction Film & Television 11.2 (2018): 177-201 [special issue on Women & Science Fiction Media]. -
Hugo Awards Issue H
HUGO ISSUE The Solitary Star SUNDAY, SEPTEMBER 1, 2013 2013 Hugo Awards Best Novel: Redshirts: A Novel with Three Codas by John Scalzi (Tor) Best Novella: “The Emperor's Soul” by Brandon Sanderson (Tachyon Publications) Best Novelette: “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris) Best Short Story: “Mono no aware” by Ken Liu (The Future is Japanese, VIZ Media LLC) Best Related Work: Writing Excuses, Season 7 by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler, and Jordan Sanderson Best Graphic Story: Saga, Volume 1 written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics) Best Dramatic Presentation (Long Form): The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount) Best Dramatic Presentation (Short Form): Game of Thrones: “Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO) Best Editor – Short Form: Stanley Schmidt Best Editor – Long Form: Patrick Nielsen Hayden Best Professional Artist: John Picacio Best Semiprozine: Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker Best Fanzine: SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester Best Fancast: SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer) Best Fan Writer: Tansy Rayner Roberts Best Fan Artist: Galen Dara John W. Campbell Award for Best New Writer: Mur Lafferty Total number of valid ballots received: 1,848 Number of ballots needed to pass the 25% rule: 462 All categories passed easily Hugo Administration: Todd Dashoff Hugo Awards Subcommittee: Todd Dashoff, Vincent Docherty, Saul Jaffe, Steven Staton, Beth Welsh, Ben Yalow Hugo Final Ballot Counting Software: Jeff Copeland Hugo Packet: Beth Welsh o Hugo Packet Staff: Andrew A. -
The Virtual Worlds of Japanese Cyberpunk
arts Article New Spaces for Old Motifs? The Virtual Worlds of Japanese Cyberpunk Denis Taillandier College of International Relations, Ritsumeikan University, Kyoto 603-8577, Japan; aelfi[email protected] Received: 3 July 2018; Accepted: 2 October 2018; Published: 5 October 2018 Abstract: North-American cyberpunk’s recurrent use of high-tech Japan as “the default setting for the future,” has generated a Japonism reframed in technological terms. While the renewed representations of techno-Orientalism have received scholarly attention, little has been said about literary Japanese science fiction. This paper attempts to discuss the transnational construction of Japanese cyberpunk through Masaki Goro’s¯ Venus City (V¯ınasu Shiti, 1992) and Tobi Hirotaka’s Angels of the Forsaken Garden series (Haien no tenshi, 2002–). Elaborating on Tatsumi’s concept of synchronicity, it focuses on the intertextual dynamics that underlie the shaping of those texts to shed light on Japanese cyberpunk’s (dis)connections to techno-Orientalism as well as on the relationships between literary works, virtual worlds and reality. Keywords: Japanese science fiction; cyberpunk; techno-Orientalism; Masaki Goro;¯ Tobi Hirotaka; virtual worlds; intertextuality 1. Introduction: Cyberpunk and Techno-Orientalism While the inversion is not a very original one, looking into Japanese cyberpunk in a transnational context first calls for a brief dive into cyberpunk Japan. Anglo-American pioneers of the genre, quite evidently William Gibson, but also Pat Cadigan or Bruce Sterling, have extensively used high-tech, hyper-consumerist Japan as a motif or a setting for their works, so that Japan became in the mid 1980s the very exemplification of the future, or to borrow Gibson’s (2001, p. -
Nightmare Magazine, Issue 43 (April 2016)
TABLE OF CONTENTS Issue 43, April 2016 FROM THE EDITOR Editorial, April 2016 FICTION Reaper’s Rose Ian Whates Death’s Door Café Kaaron Warren The Girl Who Escaped From Hell Rahul Kanakia The Grave P.D. Cacek NONFICTION The H Word: The Monstrous Intimacy of Poetry in Horror Evan J. Peterson Artist Showcase: Yana Moskaluk Marina J. Lostetter Interview: David J. Schow Lisa Morton AUTHOR SPOTLIGHTS Ian Whates Kaaron Warren Rahul Kanakia P.D. Cacek MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Nightmare Team Also Edited by John Joseph Adams © 2016 Nightmare Magazine Cover by Yana Moskaluk www.nightmare-magazine.com FROM THE EDITOR Editorial, April 2016 John Joseph Adams | 750 words Welcome to issue forty-three of Nightmare! This month, we have original fiction from Ian Whates (“Reaper’s Rose”) and Rahul Kanakia (“The Girl Who Escaped From Hell”), along with reprints by Kaaron Warren (“Death’s Door Cafe”) and P.D. Cacek (“The Grave”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with author David J. Schow. Nebula Award Nominations ICYMI last month, awards season is officially upon us, and it looks like 2015 was a terrific year for our publications. The first of the major awards have announced their lists of finalists for last year’s work, and we’re pleased to announce that “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare, Oct. 2015) is a finalist for the Nebula Award this year! Over at Lightspeed, “Madeleine” by Amal El-Mohtar (Lightspeed, June 2015) and “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb. -
Locus Awards Schedule
LOCUS AWARDS SCHEDULE WEDNESDAY, JUNE 24 3:00 p.m.: Readings with Fonda Lee and Elizabeth Bear. THURSDAY, JUNE 25 3:00 p.m.: Readings with Tobias S. Buckell, Rebecca Roanhorse, and Fran Wilde. FRIDAY, JUNE 26 3:00 p.m.: Readings with Nisi Shawl and Connie Willis. SATURDAY, JUNE 27 12:00 p.m.: “Amal, Cadwell, and Andy in Conversation” panel with Amal El- Mohtar, Cadwell Turnbull, and Andy Duncan. 1:00 p.m.: “Rituals & Rewards” with P. Djèlí Clark, Karen Lord, and Aliette de Bodard. 2:00 p.m.: “Donut Salon” (BYOD) panel with MC Connie Willis, Nancy Kress, and Gary K. Wolfe. 3:00 p.m.: Locus Awards Ceremony with MC Connie Willis and co-presenter Daryl Gregory. PASSWORD-PROTECTED PORTAL TO ACCESS ALL EVENTS: LOCUSMAG.COM/LOCUS-AWARDS-ONLINE-2020/ KEEP AN EYE ON YOUR EMAIL FOR THE PASSWORD AFTER YOU SIGN UP! QUESTIONS? EMAIL [email protected] LOCUS AWARDS TOP-TEN FINALISTS (in order of presentation) ILLUSTRATED AND ART BOOK • The Illustrated World of Tolkien, David Day (Thunder Bay; Pyramid) • Julie Dillon, Daydreamer’s Journey (Julie Dillon) • Ed Emshwiller, Dream Dance: The Art of Ed Emshwiller, Jesse Pires, ed. (Anthology Editions) • Spectrum 26: The Best in Contemporary Fantastic Art, John Fleskes, ed. (Flesk) • Donato Giancola, Middle-earth: Journeys in Myth and Legend (Dark Horse) • Raya Golden, Starport, George R.R. Martin (Bantam) • Fantasy World-Building: A Guide to Developing Mythic Worlds and Legendary Creatures, Mark A. Nelson (Dover) • Tran Nguyen, Ambedo: Tran Nguyen (Flesk) • Yuko Shimizu, The Fairy Tales of Oscar Wilde, Oscar Wilde (Beehive) • Bill Sienkiewicz, The Island of Doctor Moreau, H.G. -
CMW3013 Fantastic London
CMW3013 Fantastic London Dates: Two weeks, 30 June to 14 July Times: 30 June 10am to 1pm 1 July 10am to 2pm 5 July 10am to 12pm 6 July 10am to 2pm 8 July 10am to 12pm 11 July 10am to 2pm 13 July 10am to 12pm 14 July 10am to 2pm Credits: 15 Lecturer: Dr Tony Keen Prerequisites: None Assessment: Coursework (100%): creative piece (75%), critical (25%) Introduction: London is a marvellous and fantastical place, a place of dreams and nightmares, of slums and pal- aces, of parks and playgrounds. Its neighbourhoods can take you from one world to the next in a moment, from wealth to poverty, from a little bit of Italy to a little bit of India. Fantasy writers have taken advantage of this complex landscape. This course will introduce you to some of the best fan- tasy books set in London and to the writing techniques these authors have used. We’ll be exploring books set in London and London itself with three books, four walks and four opportunities to taste the food of London. Aims: The aims of this module are: To introduce students to some of the techniques of writing fantasy. To introduce students to a critical understanding of fantasy writing. To introduce students to the interaction of landscape and the fantastic. To explore in depth the ways in which authors of fantasy have found inspiration in the city of London, and have rendered London fantastical. To explore the role of food in the conjuration of place and the fantastic. Learning Outcomes: Students will be required to demonstrate that they have acquired: A critical grasp of the major structures of fantasy An understanding of the role of landscape in the conjuration of fantasy An awareness of the diversity of a civic landscape and the elements (human and material) from which it is constructed Syllabus: This is an eight day module. -
By Tom Shippey; Bob Shaw - the Family Photographs; and MORE
More journeys into the Number 20: history of science fiction Autumn 2012 fandom in Britain. RELAPSE “Another totally absorbing issue full of fascinating information. I love it!” - Don Allen, e-mail comment. INSIDE: ‘A Truly Generous Chap’ by Ian Watson; ‘New Worlds for Old’ by Charles Platt; ‘Out of this World’ by Mike Ashley; ‘Goodbye, Harry!’ by Tom Shippey; Bob Shaw - the family photographs; AND MORE........ RELAPSE Oh dear, eighteen months since the last issue. That’s much too long, and just when 1 was generating a nice bit of momentum in my quest for stories about the people & places who have shaped British science fiction and its attendant fandom. Must do better! But please keep telling those tales to me, Peter Weston, at 53 Wyvern Road, Sutton Coldfield, B74 2PS; or by e-mail to pr.westonfa,blinternet.com. This is the printed edition for the favoured few who contribute, express interest or can’t switch on a computer, but I’ll send the pdf on request and it goes onto the eFanzines website a month after publication. “...the mixture as before, in the best possible way; history mixed with anecdote to result in a cracking read.” - Sandra Bond, LoC You may be reeling in shock because for the first time since issue #3 there’s no Giles cartoon on the cover. No, not a policy change but just my taking merciless advantage of something Ian Watson wrote in a brief LoC on the last issue: “Not much of a send-off for ‘poor old Brunner’ what with your deciding that he didn’t achieve all that much really, and some geezer calling him a pratt (evidently worse than your usual prat). -
Lightspeed Magazine, Issue 78 (November 2016)
TABLE OF CONTENTS Issue 78, November 2016 FROM THE EDITOR Editorial, November 2016 SCIENCE FICTION Dinosaur Killers Chris Kluwe Under the Eaves Lavie Tidhar Natural Skin Alyssa Wong For Solo Cello, op. 12 Mary Robinette Kowal FANTASY Two Dead Men Alex Jeffers Shooting Gallery J.B. Park A Dirge for Prester John Catherynne M. Valente I've Come to Marry the Princess Helena Bell NOVELLA Karuna, Inc. Paul Di Filippo EXCERPTS The Genius Asylum Arlene F. Marks NONFICTION Media Review: Westworld The Geek’s Guide to the Galaxy Book Reviews, November 2016 Kate M. Galey, Jenn Reese, Rachel Swirsky, and Christie Yant Interview: Stephen Baxter The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Chris Kluwe Lavie Tidhar J.B. Park Alyssa Wong Catherynne M. Valente Mary Robinette Kowal Helena Bell Paul di Filippo MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2016 Lightspeed Magazine Cover by Reiko Murakami www.lightspeedmagazine.com Editorial, November 2016 John Joseph Adams | 1064 words Welcome to issue seventy-eight of Lightspeed! We have original science fiction by Chris Kluwe (“Dinosaur Killers”) and Alyssa Wong (“Natural Skin”), along with SF reprints by Lavie Tidhar (“Under the Eaves”) and Mary Robinette Kowal (“For Solo Cello, op. 12”). Plus, we have original fantasy by J.B. Park (“Shooting Gallery”) and Helena Bell (“I’ve Come to Marry the Princess”), and fantasy reprints by Alex Jeffers (“Two Dead Men”) and Catherynne M. Valente (“A Dirge for Prester John”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns. -
Nightmare Magazine, Issue 93 (June 2020)
TABLE OF CONTENTS Issue 93, June 2020 FROM THE EDITOR Editorial Announcement for 2021 Editorial: June 2020 FICTION We, the Folk G.V. Anderson Girls Without Their Faces On Laird Barron Dégustation Ashley Deng That Tiny Flutter of the Heart I Used to Call Love Robert Shearman NONFICTION The H Word: Formative Frights Ian McDowell Book Reviews: June 2020 Terence Taylor AUTHOR SPOTLIGHTS G.V. Anderson Ashley Deng MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks Support Us on Patreon, or How to Become a Dragonrider or Space Wizard About the Nightmare Team Also Edited by John Joseph Adams © 2020 Nightmare Magazine Cover by Grandfailure / Fotolia www.nightmare-magazine.com Editorial Announcement for 2021 John Joseph Adams and Wendy N. Wagner | 976 words We here at Nightmare are very much looking forward to celebrating our 100th issue in January 2021, and we hope you are too; it’s hard to imagine we’ve been publishing the magazine for that long! While that big milestone looms large, that’s got your humble editor thinking about the future. and change—and thinking about how maybe it’s time for some. Don’t worry—Nightmare’s not going anywhere. You’ll still be able to get your weekly and/or monthly scares on the same schedule you’ve come to expect. It’s just that soon yours truly will be passing the editorial torch. Neither is that a reason for worry, because although she will be newly minted in title, the editor has a name and face you already know: Our long-time managing/senior editor, Wendy N. -
2009 WSFS BUSINESS MEETING AGENDA ANTICIPATION, the 2009 WORLDCON Including Business Passed on from Denvention 3
2009 WSFS BUSINESS MEETING AGENDA ANTICIPATION, THE 2009 WORLDCON Including Business Passed On from Denvention 3 1. COMMITTEE REPORTS Committee reports may include motions. Motions made by committees consisting of more than one person need not be seconded. 1.1 Mark Protection Committee (Including Nominations for MPC) The Mark Protection Committee will meet, normally sometime on Thursday evening of the convention. A formal report is unlikely to be available until the Saturday Business Meeting at the earliest. Nominations for the WSFS Mark Protection Committee are in order at the Preliminary Business Meeting. Nominees must accept nomination and indicate their current residence zone within one hour of the end of the Preliminary Business Meeting. The members whose terms of office expire at this Worldcon are: Scott Dennis (Central), Donald Eastlake III (East), Ruth Sachter (West). Due to zone residency restrictions, we can elect at most one person from the Western zone, three from the Central zone, one person from the Eastern zone, and three people from the Rest of the World, but not more than three people overall. Write-in votes are allowed, but write- in candidates must submit their consent to election by the close of balloting. (See the head table staff for a nomination acceptance form.) Mark Protection Committee members are • Elected 2006, term ending in 2009: Scott Dennis (Central), Donald Eastlake III (East), Ruth Sachter (West); • Elected 2007, term ending in 2010: Ben Yalow (East), Kevin Standlee (West), Tim Illingworth (RotW); • Elected 2008, term ending in 2011: Stephen Boucher (RoTW), Mark Olson (East), Linda Deneroff (West). • Worldcon Representatives: Nippon 2007 – Bob Macintosh, Archon 31, the 9th NASFiC – Steve Norris, Denvention 3 – Kent Bloom, Anticipation – Adrienne Seel, Aussiecon 4 – Mark Linneman. -
W a S T E L a N D S
NIGHT SHADE BOOKS 1423 33rd Avenue | San Francisco, CA 94122 | Phone: 415-759-8901 | Fax: 603-590-2754 _____________________________________________________________________________________ CONTACT: James Foster, [email protected] What will life be like after the end of the world as we know it? W A S T E L A N D S S T O R I E S O F T H E A P O C A L Y P S E SCHEDULED FOR A JANUARY 1, 2008 RELEASE Famine. Death. War. Pestilence. These are said to be the harbingers of the biblical apocalypse— Armageddon, The End of The World. In science fiction, the end of the world is usually triggered by more specific means: nuclear warfare, biological disaster (or warfare), ecological/geological disaster, or cosmological disaster. But in the wake of any great cataclysm, there are survivors—and post-apocalyptic science fiction speculates what life would be like for them. WASTELANDS (Night Shade Books trade paperback; January 1, 2008; $15.95) gathers 22 of the finest works of post-apocalyptic fiction ever written, including fiction from the likes of Stephen King, George R. R. Martin, Jonathan Lethem, Orson Scott Card, Gene Wolfe, Octavia E. Butler, and many others. Post-apocalyptic SF first rose to prominence in the aftermath World War II—no doubt due in large part to the world having witnessed the devastating destructive power of the atomic bomb—and reached the height of its popularity during Cold War, when the threat of worldwide nuclear annihilation seemed a very real possibility. So why the resurgence in popularity now? Is it because the political climate now is reminiscent of the climate during the Cold War? During times of war and global unease, is it that much easier to imagine a depopulated world, a world destroyed by humanity's own hand? In WASTELANDS , you will find 22 different science fictional apocalyptic scenarios.