Nightmare Magazine, Issue 43 (April 2016)

Total Page:16

File Type:pdf, Size:1020Kb

Nightmare Magazine, Issue 43 (April 2016) TABLE OF CONTENTS Issue 43, April 2016 FROM THE EDITOR Editorial, April 2016 FICTION Reaper’s Rose Ian Whates Death’s Door Café Kaaron Warren The Girl Who Escaped From Hell Rahul Kanakia The Grave P.D. Cacek NONFICTION The H Word: The Monstrous Intimacy of Poetry in Horror Evan J. Peterson Artist Showcase: Yana Moskaluk Marina J. Lostetter Interview: David J. Schow Lisa Morton AUTHOR SPOTLIGHTS Ian Whates Kaaron Warren Rahul Kanakia P.D. Cacek MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Nightmare Team Also Edited by John Joseph Adams © 2016 Nightmare Magazine Cover by Yana Moskaluk www.nightmare-magazine.com FROM THE EDITOR Editorial, April 2016 John Joseph Adams | 750 words Welcome to issue forty-three of Nightmare! This month, we have original fiction from Ian Whates (“Reaper’s Rose”) and Rahul Kanakia (“The Girl Who Escaped From Hell”), along with reprints by Kaaron Warren (“Death’s Door Cafe”) and P.D. Cacek (“The Grave”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with author David J. Schow. Nebula Award Nominations ICYMI last month, awards season is officially upon us, and it looks like 2015 was a terrific year for our publications. The first of the major awards have announced their lists of finalists for last year’s work, and we’re pleased to announce that “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare, Oct. 2015) is a finalist for the Nebula Award this year! Over at Lightspeed, “Madeleine” by Amal El-Mohtar (Lightspeed, June 2015) and “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb. 2015) have been named finalists. This marks Nightmare’s very first Nebula Award nomination. Congrats to Alyssa (and Amal and Brooke) and to all of the other Nebula nominees! You can find the full slate of nominees at sfwa.org. The Nebulas will be presented at the 2016 Nebula Awards Conference, held this year in Chicago, Illinois, May 12–15. Stoker Nominations In other awards news, Nightmare had two stories—the aforementioned “Hungry Daughters of Starving Mothers” by Alyssa Wong and “Snow” by Dale Bailey—on the preliminary Stoker Awards ballot for best Short Fiction (plus Seanan McGuire’s story, “Resistance,” from my anthology The End Has Come, made it in the Long Fiction category), and we’re pleased to report that Alyssa Wong’s story made the final ballot! That marks Nightmare’s (and Alyssa’s) first Stoker Award nomination. So big congrats to Alyssa, and also to Dale and Seanan for nearly making it. You can find the full slate of what made the final ballot at horror.org. The Stokers will be presented at StokerCon 2016, which is being held in Las Vegas, Nevada, May 12–15. Locus Awards Voting And last but not least, the Locus Awards are still open for voting [bit.ly/locus2016]. Several stories from Lightspeed, Nightmare, and my anthologies made the recommended reading list, though the Locus Award has a write-in ballot, so you can also disregard the recommendations and vote for whatever you like instead. Voting closes April 15, 2016. Best-of-the-Year Selections As previously noted, several stories from Lightspeed, Nightmare, the Destroy special issues, and my anthologies have also been selected for reprint in several best-of-the-year volumes. However, we initially somehow managed to leave a couple stories off our big list, so here is the list again, now with everything included: “Time Bomb Time” by C.C. Finlay (Lightspeed | Horton) “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed | Horton) “Ghosts of Home” by Sam J. Miller (Lightspeed | Strahan) “The Karen Joy Fowler Book Club” by Nike Sulway (Lightspeed | Horton, Strahan) “The Smog Society” by Chen Qiufan, translated by Ken Liu and Carmen Yiling Yan (Lightspeed | Clarke) “Violation of the TrueNet Security Act” by Taiyo Fujii, translated by Jim Hubbert (Lightspeed | Clarke) “The Astrakhan, the Homberg, and the Red Red Coal” by Chaz Brenchley (Lightspeed | Dozois, Horton) “Seven Wonders of a Once and Future World” by Caroline M. Yoachim (Lightspeed | Clarke) “Snow” by Dale Bailey (Nightmare | Datlow, Guran) “Descent” by Carmen Maria Machado (Nightmare | Datlow) “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare | Strahan) “The Lily and the Horn” by Catherynne M. Valente (Fantasy | Guran, Strahan) “Kaiju maximus®: ‘So Various, So Beautiful, So New’” by Kai Ashante Wilson (Fantasy | Guran, Strahan) “Bannerless” by Carrie Vaughn (The End Has Come | Clarke, Dozois) “The Gods Have Not Died in Vain” by Ken Liu (The End Has Come | Clarke) “Blood, Ash, Braids” by Genevieve Valentine (Operation Arcana | Strahan) “The Graphology of Hemmorhage” by Yoon Ha Lee (Operation Arcana | Horton) “1Up” by Holly Black (Press Start to Play | Guran) John Joseph Adams Books: New Releases + Acquisitions And finally, one last bit of news: John Joseph Adams Books’ first three releases are now available in bookstores. Our first release, Beacon 23 by Hugh Howey, came out in February, and the final two titles of our “pre-launch” season come out in March: Hugh Howey’s Shift and Dust, were released on March 22. They’re volumes 2 and 3 of Hugh’s bestselling Silo series (which began with the blockbuster Wool). You can read an excerpt of Shift in Lightspeed’s March issue. In a related development, I also acquired my first original title for the line: Bannerless, by Carrie Vaughn. It takes place in the same world as her Hugo-nominated story “Amaryllis,” which appeared in the very first issue of Lightspeed. Also more directly-related is her 2015 story “Bannerless” from my anthology The End Has Come (which you can also read online at bit.ly/bannerless). In the official release, we described it as: “a novel in which an investigator must discover the truth behind a mysterious death in a world where small communities struggle to maintain a ravaged civilization decades after environmental and economic collapse.” It’s a two-book deal, with publication of the first slated for Spring 2017. • • • • It’s another great month for nightmares, so thanks for reading! ABOUT THE AUTHOR John Joseph Adams, in addition to serving as publisher and editor-in-chief of Nightmare, is the editor of John Joseph Adams Books, a new SF/Fantasy imprint from Houghton Mifflin Harcourt. He is also the series editor of Best American Science Fiction & Fantasy, as well as the bestselling editor of many other anthologies, including The Mad Scientist’s Guide to World Domination, Armored, Brave New Worlds, Wastelands, and The Living Dead. Recent projects include: Robot Uprisings, Dead Man’s Hand, Operation Arcana, Loosed Upon the World, Wastelands 2, Press Start to Play, and The Apocalypse Triptych: The End is Nigh, The End is Now, and The End Has Come. Called “the reigning king of the anthology world” by Barnes & Noble, John is a two-time winner of the Hugo Award (for which he has been nominated nine times) and is a seven-time World Fantasy Award finalist. John is also the editor and publisher of Lightspeed Magazine and is a producer for Wired.com’s The Geek’s Guide to the Galaxy podcast. Find him on Twitter @johnjosephadams. FICTION Reaper’s Rose Ian Whates | 2169 words Unpleasant? No, I wouldn’t say that. In fact, quite the opposite. You know the smell of pot? Well of course you do, you’re a policeman . No, I didn’t mean anything by that. It’s just that in your line of work you’re bound to have come across it, that’s all. What I’m trying to say is that this smells a bit like pot but without that horrible sweatiness; you know, it has a sort of oily, herbal smell, less acrid and a lot more floral and, well, nicer than pot. Sorry, I know I’m doing a terrible job of describing this, but I don’t know what else to say. Really, it’s not like anything else I’ve ever smelt. Yes, pretty much all my life. Well, near as I can recall. The first time, I thought someone had walked past me wearing expensive perfume, the most wonderful perfume in the world. I remember looking around, trying to work out who was responsible, whether she was in front of me or behind. I was desperate not to let her get away without at least seeing who was wearing such a gorgeous scent. She had to be beautiful. Only a beautiful woman could wear perfume like this. But the platform was crowded and everyone was in a hurry and I couldn’t even decide which direction to look in. And then, of course, it happened. That’s right. Moorgate, in London. The time was 8:38 am. I can say that because I remember looking up at the station clock and thinking that the train had come in three minutes late. Funny the things that stay with you, the little things; I suppose because then you don’t have to dwell on the bigger ones. Yes, I was thirteen, we all were. We travelled in to school together every morning, the five of us, always on the same train. Tim and me were the first to get on, then Mick would join us two stops later and finally Alan and John at the next. You know the worst part, what I’ve always been a little ashamed of? Immediately afterwards, all I could think about was whether the woman wearing the perfume had survived.
Recommended publications
  • Author Title Publication/Publisher Category/Ies A. Brym Antarctic Birds Clarkesworld Magazine SFSS A.L
    Author Title Publication/Publisher Category/ies A. Brym Antarctic Birds Clarkesworld Magazine SFSS A.L. Tait Beyond the Edge of the Map Hachette Australia CF A.L. Tait The Book of Secrets Hachette Australia CF Adam Browne The Radiolarian Violin Ecopunk! SFSS Adrian Beck & Heath McKenzie The Alien Zoo ... and You! Affirm Press CF Adrian Collins Evil is a Matter of Perspective Grimdark Magazine AC Adrian Collins Grimdark Magazine Issue #11 Grimdark Magazine AC Adrian Collins Grimdark Magazine Issue #12 Grimdark Magazine AC Adrian Collins Grimdark Magazine Issue #13 Grimdark Magazine AC Aidan Doyle In Spring, the Dawn. In Summer, the Night PodCastle FSS Aidan Doyle The Shadow Over His Mouth Diabolical Plots FSS Aidan Doyle The Thing Without Color Heroic Fantasy FSS Aiki Flinthart A Little Faith Like a Woman SFSS/FSS Computing Advantages & Aiki Flinthart RETURN Training P/L AC Alan Baxter Once Was Lost Aurealis Magazine SFSS Alan Baxter The Book Club PS Publishing FSSN/HSSN Alan Baxter They All Come Through London in the End Between The Tracks FSS/HSS Alan Baxter & David Wood Primordial Cohesion Press HN Alexandra Adornetto Haunted HarperCollins Publishers YAN Alfie Simpson The Endless Below Breach Issue #02 SFSS/HSS Echo, Bonnier Publishing Alison Evans Ida Australia YAN Allan Walsh Easy Prey Easy Prey HSS Allan Walsh Making Magic Making Magic FSS/HSS Allan Walsh The Crimson Guild The Crimson Guild FSSN Centralis Entertainment Amanda Bridgeman The Time of the Stripes (Amanda Bridgeman) SFN Penguin Random House Amanda Holohan Hunted Australia
    [Show full text]
  • Orientalism Within the Creation and Presentation of Doctor Strange
    Sino-US English Teaching, May 2021, Vol. 18, No. 5, 131-135 doi:10.17265/1539-8072/2021.05.007 D DAVID PUBLISHING Orientalism Within the Creation and Presentation of Doctor Strange XU Hai-hua University of Shanghai for Science and Technology, Shanghai, China Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Considering his identity as Sorcerer Supreme, there is a crucial connection between the Orient and his magic. The paper will discuss the detailed symbols of Orientalism in the process of creation and presentation of Doctor Strange respectively to figure out the change of Orientalism with the times within the texts of Doctor Strange and its existence today. Keywords: Orientalism, Doctor Strange, magic in the world of Marvel Introduction Ever since his debut in 1963, Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Noticeably, a number of eastern elements have never ceased to appear in the Doctor Strange series throughout the times. Several characters are from the east, and the mysterious Asian land is also the birthplace of Doctor Strange’s magic power. Considering his identity as Sorcerer Supreme, the first and strongest sorcerer in Marvel, there must be a crucial connection between the Orient and his magic, both in the entire Marvel world, and in traditional western culture. Eastern elements under the account of westerners can be well interpreted with reference to the general concept of Orientalism. Thus, this paper aims to discuss the way the idea of Orientalism evolves with the times that is showcased within the texts of Doctor Strange.
    [Show full text]
  • Doctor Extraño: Marvel Lo Ha Vuelto a Lograr ¡Por Fin! Por Fin Marvel
    FILMHISTORIA Online Vol. 26, nº2 (2016) · ISSN: 2014-668X altura de Iron Man o Los Vengadores — véase los casos de Vengadores: La era de Ultrón o Capitán América: Civil War, y un Ant-Man, que aunque muy divertido, se notaba que estaba hecho a medias—, y ahora ha cogido un personaje nuevo para el Universo Cinematográfico, tan desconocido para el gran público como lo fueron los Guardianes de la Galaxia, y han conseguido hacer un auténtico peliculón… Bueno, un auténtico peliculón dentro de los cánones de Marvel. Sin entrar en demasiados detalles, ya que esta es una película para descubrir en las salas, la historia gira en torno al Dr. Stephen Strange, un neurocirujano obsesionado en su ego como gran médico, y que solo se preocupa por los casos que le pueden reportar un éxito tan tangible como su Doctor Extraño: Marvel lo ha vuelto a ático, su colección de relojes o sus lograr deportivos. Pero todo cambia cuando sufre un terrible accidente que le Por FRANCESC MARÍ COMPANY destroza sus manos y, aunque trata por todos los medios recuperar sus preciadas ¡Por fin! Por fin Marvel Studios herramientas de trabajo, descubre que ha hecho lo que tenía que hacer. nunca más volverá a operar. Salvando todas las diferencias Desesperado decide seguir la misteriosa argumentales, Doctor Extraño es como pista de Kamar-Taj, en Nepal, un lugar Guardianes de la Galaxia. Me explico: en el que alguien supuestamente puede después de unas cuantas películas, que si recuperarse mágicamente de durísimas bien no eran malas, tampoco estaban a la lesiones. Sin embargo, descubrirá un 98 FILMHISTORIA Online Vol.
    [Show full text]
  • Doctor Strange Comics As Post-Fantasy
    Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts.
    [Show full text]
  • 2016 Statistics Document
    MidAmeriCon II 2016 Hugo Award Statistics Page 1 of 27 2016 Final Results for Best Novel 3,130 valid ballots cast. 25% cutoff = 753 voters. 2,903 valid votes cast in category. Race for position 1 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Pass 5 Runoff Fifth Season 969 973 997 1208 1372 2073 Uprooted 722 725 801 944 1203 Seveneves: A Novel 431 432 517 609 Ancillary Mercy 475 476 507 Cinder Spires: The Aeronaut's Windlass 256 261 No Award 50 429 Preference 2903 2867 2822 2761 2575 2502 No Preference 0 36 81 142 328 401 Total Votes 2903 2903 2903 2903 2903 2903 Race for Position 2 Race for Position 3 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Finalist Pass 1 Uprooted 1152 1157 1251 1521 Ancillary Mercy 1443 Ancillary Mercy 843 849 892 1102 Seveneves: A Novel 856 Seveneves: A Novel 520 523 621 Cinder Spires: The Aeronaut's 399 Cinder Spires: The Windlass 280 285 Aeronaut's Windlass No Award 107 No Award 78 Preference 2805 Preference 2873 2814 2764 2623 No Preference 98 No Preference 30 89 139 280 Total Votes 2903 Total Votes 2903 2903 2903 2903 Race for Position 4 Race for Position 5 Finalist Pass 1 Finalist Pass 1 Seveneves: A Novel 1500 Cinder Spires: The Aeronaut's Windlass 1409 Cinder Spires: The Aeronaut's Windlass 619 No Award 902 No Award 480 Preference 2311 Preference 2599 No Preference 592 No Preference 304 Total Votes 2903 Total Votes 2903 MidAmeriCon II 2016 Hugo Award Statistics Page 2 of 27 2016 Final Results for Best Novella 3,130 valid ballots cast.
    [Show full text]
  • Network Aesthetics
    Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor ___________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 ABSTRACT Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor __________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 Copyright by Patrick Jagoda 2010 Abstract Following World War II, the network emerged as both a major material structure and one of the most ubiquitous metaphors of the globalizing world. Over subsequent decades, scientists and social scientists increasingly applied the language of interconnection to such diverse collective forms as computer webs, terrorist networks, economic systems, and disease ecologies. The prehistory of network discourse can be
    [Show full text]
  • William Gibson Fonds
    William Gibson fonds Compiled by Christopher Hives (1993) University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Biographical Sketch o Scope and Content o Notes File List Catalogue entry (UBC Library catalogue) Fonds Description William Gibson fonds. - 1983-1993. 65 cm of textual materials Biographical Sketch William Gibson is generally recognized as the most important science fiction writer to emerge in the 1980s. His first novel, Neuromancer, is the first novel ever to win the Hugo, Nebula and Philip K. Dick awards. Neuromancer, which has been considered to be one of the influential science fiction novels written in the last twenty-five years, inspired a whole new genre in science fiction writing referred to as "cyberpunk". Gibson was born in 1948 in Conway, South Carolina. He moved to Toronto in the late 1960s and then to Vancouver in the early 1970s. Gibson studied English at the University of British Columbia. He began writing science fiction short stories while at UBC. In 1979 Gibson wrote "Johnny Mnemonic" which was published in Omni magazine. An editor at Ace books encouraged him to try writing a novel. This novel would become Neuromancer which was published in 1984. After Neuromancer, Gibson wrote Count Zero (1986), Mona Lisa Overdrive (1988), and Virtual Light (1993). He collaborated with Bruce Sterling in writing The Difference Engine (1990). Gibson has also published numerous short stories, many of which appeared in a collection of his work, Burning Chrome (1986). Scope and Content Fonds consists of typescript manuscripts and copy-edited, galley or page proof versions of all five of Gibson's novels (to 1993) as well as several short stories.
    [Show full text]
  • Hugo Awards Issue H
    HUGO ISSUE The Solitary Star SUNDAY, SEPTEMBER 1, 2013 2013 Hugo Awards Best Novel: Redshirts: A Novel with Three Codas by John Scalzi (Tor) Best Novella: “The Emperor's Soul” by Brandon Sanderson (Tachyon Publications) Best Novelette: “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris) Best Short Story: “Mono no aware” by Ken Liu (The Future is Japanese, VIZ Media LLC) Best Related Work: Writing Excuses, Season 7 by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler, and Jordan Sanderson Best Graphic Story: Saga, Volume 1 written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics) Best Dramatic Presentation (Long Form): The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount) Best Dramatic Presentation (Short Form): Game of Thrones: “Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO) Best Editor – Short Form: Stanley Schmidt Best Editor – Long Form: Patrick Nielsen Hayden Best Professional Artist: John Picacio Best Semiprozine: Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker Best Fanzine: SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester Best Fancast: SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer) Best Fan Writer: Tansy Rayner Roberts Best Fan Artist: Galen Dara John W. Campbell Award for Best New Writer: Mur Lafferty Total number of valid ballots received: 1,848 Number of ballots needed to pass the 25% rule: 462 All categories passed easily Hugo Administration: Todd Dashoff Hugo Awards Subcommittee: Todd Dashoff, Vincent Docherty, Saul Jaffe, Steven Staton, Beth Welsh, Ben Yalow Hugo Final Ballot Counting Software: Jeff Copeland Hugo Packet: Beth Welsh o Hugo Packet Staff: Andrew A.
    [Show full text]
  • Entries Update
    AUTHOR ENTERED WORK PUBLICATION DETAILS PUBLISHER CATEGORY/IES A. A. Warne The Reluctant Wizard A. A. Warne FN/YAN/CF A. G. Jones Non-Human Resources Aries Deadset Press FSS A. L. Tait The Fire Star: A Maven & Reeve Mystery Penguin Random House Australia CF Adrik Kemp Abyssal Dark Innovation Queer Sci Fi SFSS Adrik Kemp Archipelago of Hearts Sunshine Superhighway JayHenge Publishing SFSS Adrik Kemp Chasing the 999 On Time Transmundane Press SFSS Adrik Kemp Lightning Fingers Pink Triangle Rhapsody Lycan Valley Press SFSS/YASS Adrik Kemp Neon Lovers Neon Lovers OutStanding Short Story Competition SFSS/YASS Aidan Doye White Noon PodCastle Escape Artists FSS Aidan Doyle Dice Eyes at the Palace of Midnight Tabletops & Tentacles Tabletops & Tentacles SFSS/FSS Aidan Doyle Ten Books to Read After You're Dead Frozen Wavelets Frozen Wavelets FSS Aidan Doyle The Seven Billion Habits of Highly Effective Robots Daily Science Fiction Daily Science Fiction SFSS Aidan Doyle The Tail of Genji Robot Dinosaur Fiction Merc A. Wolfmoor SFSS/FSS Aiki Flinthart A Gift for Aphrodite Pisces Deadset Press FSS/YASS Aiki Flinthart A Window to the Soul The Zookeeper's Tales of Interstellar Oddities CAT Press SFSS/HSS Aiki flinthart All the Right Things in All the Right Places Rogues' Gallery CAT Press SFSS Aiki Flinthart Beneath the Sea, Below the Sky, Beyond the Stars The Zookeeper's Tales of Interstellar Oddities CAT Press SFSS Aiki Flinthart Four Hours of Instability Aries Deadset Press SFSS Aiki Flinthart Fruitful Negotiations The Zookeeper's Tales of Interstellar
    [Show full text]
  • Sherlock Holmes
    GAMING GAMING GEARS OF WAR: EPHYRA RISING MICHAEL A. STACKPOLE SEPTEMBER 2021, GAME TIE IN, 464PP Gears of War: Ephyra Rising is Titan’s third Gears of War universe novel. Set canonically in the gap between the games Gears of War 3 and Gears of War 4, this original novel NEW chronicles the never-before-revealed events that take place on the devastated world that remains in the aftermath of the Locust War. In the events following Gears of War 3, the Locust War is over, most of humanity has been destroyed and the Coalition of Ordered Governments is in shambles. Marcus Fenix and Anya Stroud must rebuild from the ruins, yet threats lurk everywhere. With reports that Locust still stalk the land, they discover that in a post-war world, humans may now prove to be the deadliest foes. Gears of War games have collectively garnered more than 520 media and industry awards, accolades and nominations. Titan’s successful line of Gears of War original fiction provides fans of the game with rich background information and character depth. Michael A. Stackpole is the New York Times bestselling author of over fifty-five novels, with books in the Star Wars, Conan, Pathfinder, BattleTech and World of Warcraft universes. ALIENS: INFILTRATOR WESTON OCHSE APRIL 2021, GAME TIE IN, 352PP The official prequel novel leading into the upcoming Alien third-person shooter video game Aliens: Fireteam from Cold Iron Studios, launching in Summer 2021 for Xbox Series X/S, Xbox One, PlayStation 5, PlayStation 4 and PC. A Weyland-Yutani scientist arrives at Pala Station and finds the researchers there courting disaster… of the Xenomorph kind.
    [Show full text]
  • 22Nd Annual Aurealis Awards
    22nd Annual Aurealis Awards Metro Hotel Perth 14 April, 2017 Table of Contents From the Judging Coordinator …………………………………………1 From Chimaera Publications ……………………………………………3 Best Children’s Fiction ………………………………………………………4 Best Illustrated Work / Graphic Novel ………………………………5 Best Young Adult Short Story ……………………………………………6 Best Young Adult Novel ……………………………………………………7 Best Horror Short Story ……………………………………………………8 Best Horror Novella …………………………………………………………9 Best Fantasy Short Story ……………………………………………… 10 Best Fantasy Novella …………………………………………………… 11 Best Science Fiction Short Story …………………………………… 12 Best Science Fiction Novella ………………………………………… 13 Best Collection ……………………………………………………………… 14 Best Anthology ……………………………………………………………… 15 Best Horror Novel ………………………………………………………… 16 Best Fantasy Novel………………………………………………………… 18 Best Science Fiction Novel …………………………………………… 19 The Convenors’ Award for Excellence …………………………… 20 Meet the Judges …………………………………………………………… 21 From the Judging Coordinator… And so the Aurealis Awards have come to Perth for the first time since 2004, when Chronopolis hosted the 2003 Aurealis Awards ceremony. Back then the awards list would have been much shorter, not containing categories for Anthology, Collection, or Illustrated Work, and certainly not our newish novellas! The Golden Aurealis has come and gone, as has the Sara Douglass Book Series Award (which we do hope to run again—perhaps in 2018. This year we saw over 800 entries, with high numbers of electronic submission, holding consistent with previous years in all areas.
    [Show full text]
  • What You Left Behind
    A SHORT STORY BY ALYSSA WONG STORY ALYSSA WONG Illustrations Arnold Tsang Baptiste Medic Model Nathan Brock Baptiste Original Model Hong-Chan Lim Baptiste Original Concept Ben Zhang Layout & Design Benjamin Scanlon What You Left Behind “Take a deep breath for me, auntie,” Baptiste said. Madame Thebeau, in her early seventies and sharp as a needle, sat on the exam table, her feet hanging over the side in their plastic slippers. Baptiste listened to her breathing through the stethoscope pressed to her back. “All right, that’s good.” “Did you find anything interesting, young man?” she said, stretching. When she met his gaze, she winked. “Nothing unusual. Everything sounds like it’s working properly.” Baptiste folded the stethoscope and held out his hand to help her down from the table. He was dressed for the clinic today, wearing all white scrubs. “You’ll get your labs back in a week or two. Dr. Mondésir will call you when they’re in. Or should I ask her to call your nephew to let him know?” “I have a cell phone. She can call me directly.” Madame Thebeau stretched, her colorful bangles clattering around her wrists. She took Baptiste’s hand and eased her way off the exam table and onto the linoleum floor. “So can you, for that matter. But I don’t seem to have your number.” Baptiste led her out of the exam room and back into the hallway. “Well, unfortunately, I’m leaving town very soon, so I won’t be able to handle your follow-up care.
    [Show full text]