Catalog 20: Horror from the Eivind Jensen Collection
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The Nemedian Chroniclers #22 [WS16]
REHeapa Winter Solstice 2016 By Lee A. Breakiron A WORLDWIDE PHENOMENON Few fiction authors are as a widely published internationally as Robert E. Howard (e.g., in Bulgarian, Croatian, Czech, Dutch, Estonian, Finnish, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Turkish, and Yugoslavian). As former REHupan Vern Clark states: Robert E. Howard has long been one of America’s stalwarts of Fantasy Fiction overseas, with extensive translations of his fiction & poetry, and an ever mushrooming distribution via foreign graphic story markets dating back to the original REH paperback boom of the late 1960’s. This steadily increasing presence has followed the growing stylistic and market influence of American fantasy abroad dating from the initial translations of H.P. Lovecraft’s Arkham House collections in Spain, France, and Germany. The growth of the HPL cult abroad has boded well for other American exports of the Weird Tales school, and with the exception of the Lovecraft Mythos, the fantasy fiction of REH has proved the most popular, becoming an international literary phenomenon with translations and critical publications in Spain, Germany, France, Greece, Poland, Japan, and elsewhere. [1] All this shows how appealing REH’s exciting fantasy is across cultures, despite inevitable losses in stylistic impact through translations. Even so, there is sometimes enough enthusiasm among readers to generate fandom activities and publications. We have already covered those in France. [2] Now let’s take a look at some other countries. GERMANY, AUSTRIA, AND SWITZERLAND The first Howard stories published in German were in the fanzines Pioneer #25 and Lands of Wonder ‒ Pioneer #26 (Austratopia, Vienna) in 1968 and Pioneer of Wonder #28 (Follow, Passau, Germany) in 1969. -
Conan De Aquilonia Robert E
Conan de Aquilonia Robert E. Howard Introducción de L. Sprague de Camp y Lim Carter Librodot Conan de Aquilonia Robert E. Howard 2 INTRODUCCIÓN De todos los héroes de la fantasía heroica, el más poderoso, viril y musculoso es sin duda Conan de Cimmeria. Conan fue creado por Robert E. Howard (1906-1936), que nació en Peaster, Texas, pero pasó la mayor parte de su corta vida en Cross Plains, una ciudad del centro de la misma Texas. Durante la última década de su vida, Howard escribió y publicó una gran cantidad de relatos de ficción menores (lo que los norteamericanos llaman pulp fíction) de diversos géneros: deportivos, de detectives, del Oeste, histórico, de ciencia ficción, relatos fantásticos, y cuentos de misterio y de fantasmas. A los treinta años de edad puso fin a una prometedora carrera literaria suicidándose. Howard es uno de los ocho autores de relatos fantásticos cuyas ventas han superado el millón de ejemplares, pero, por desgracia, el éxito le llegó después de su muerte. Howard era un narrador nato, cuyos relatos no han sido superados en cuanto a realismo, interés y dinamismo de la acción. Sus héroes —el rey Kull, Conan, Solomon Kane— tienen carácter mítico: se trata de hombres de músculos poderosos, pasiones ardientes y voluntad indomable, que imponen su personalidad en las historias que protagonizan. Representan el polo opuesto del antihéroe que se ha vuelto tan popular recientemente. Howard escribió varias series de relatos de fantasía heroica (también llamados de «espada y brujería»), publicados en su mayor parte en Weird Tales. Esta revista apareció entre 1923 y 1953, y en tiempos de Howard era la única publicación que daba salida a la literatura fantástica. -
Fantasy Commentator
Fantasy Commentator EDITOR AND PUBLISHER: CONTRIBUTING EDITORS: A. Langley Searles Lee Becker, Sam Moskowitz, 7 East 235 St., Bronx, N. Y. 10470 Lincoln Van Rose, George T. Wetzel « Vol. IV, No. 2 ----- oOo----- Winter 1979-80 M Articles 'Plus Ultra': an Unknown Science-Fiction Utopia A. Langley Searles 51 Man's Future W. Olaf Stapledon 62 Peace and Olaf Stapledon Sam Moskowitz 72 Some Thoughts on C. L. Moore Sam Moskowitz 85 Edward Lucas White: Notes for a Biography - I George T. Wetzel 94 Matthew H. Onderdonk, 1910-1979 A. Langley Searles 120 Verse Sonnets for the Space Age Lee Becker 60 Tom o' Bedlam's Song Francis Thompson 69 The Dance Edward Lucas White 114 Pictorial Drawings for "Tom o' Bedlam's Song" Norman Lindsay 68,70 Photograph of Olaf Stapledon Bruce Hopkins 76 Photographs of Edward Lucas White and His Home 107 Regular Features Book Reviews: Pohl's "Way the Future Was" Edward Wood 65 I Shiel's "Empress of the Earth" Sam Moskowitz 71 Asimov's "In Memory Yet Green" Lincoln Van Rose 90 Tips on Tales staff 81 Open House Our Readers 115 This is the thirtieth number of Fantasy Commentator3 a periodical devoted to arti cles, book reviews and verse in the area of science-fiction and fantasy, published annually. Subscription rate: $3 a copy, three issues for $8. All opinions ex pressed herein are the individual contributor's own and do not necessarily reflect those of the staff. Submissions are subject to minimal editorial revision if ne cessary. copyright 1979 ty A. Langley Searles FANTASY COMMENTATOR 51 Plus Ultra’ An Unknown Science-Fiction Utopia by A. -
Queer Geometry and Higher Dimensions: Mathematics in the Fiction of H.P. Lovecraft
Queer Geometry and Higher Dimensions: Mathematics in the fiction of H.P. Lovecraft Daniel M. Look St. Lawrence University Introduction My cynicism and skepticism are increasing, and from an entirely new cause – the Einstein theory. The latest eclipse observations seem to place this system among the facts which cannot be dismissed, and assumedly it removes the last hold which reality or the universe can have on the independent mind. All is chance, accident, and ephemeral illusion - a fly may be greater than Arcturus, and Durfee Hill may surpass Mount Everest - assuming them to be removed from the present planet and differently environed in the continuum of space-time. All the cosmos is a jest, and fit to be treated only as a jest, and one thing is as true as another. 1 Howard Philips Lovecraft lived in a time of great scientific and mathematical advancement. The late 1800s to the early 1900s saw the discovery of x-rays, the identification of the electron, work on the structure of the atom, breakthroughs in the mathematical exploration of higher dimensions and alternate geometries, and, of course, Einstein's work on relativity. From his work on relativity, Einstein postulated that rays of light could be bent by celestial objects with a large enough gravitational pull. In 1919 and 1922 measurements were made during two eclipses that added support to this notion. This left Lovecraft unsettled, as seen in the above quote from a 1923 letter to James F. Morton. Lovecraft's distress is that it seems we can no longer trust our primary means of understanding the world around us. -
New Pulp-Related Books and Periodicals Available from Michael Chomko for July 2008
New pulp-related books and periodicals available from Michael Chomko for July 2008 In just two short weeks, the Dayton Convention Center will be hosting Pulpcon 37. It will begin on Thursday, July 31 and run through Sunday, August 3. This year’s convention will focus on Jack Williamson and the 70 th anniversary of John Campbell’s ascension to the editorship of Astounding. There will be two guests-of-honor, science-fiction writers Larry Niven and Jerry Pournelle. Another highlight will be this year’s auction. It will feature many items from the estate of Ed Kessell, one of the guiding lights of the first Pulpcon. Included will be letters signed by Walter Gibson, E. Hoffmann Price, Walter Baumhofer, and others, as well as a wide variety of pulp magazines. For further information about Pulpcon 37, please visit the convention’s website at http://www.pulpcon.org/ Another highlight of Pulpcon is Tony Davis’ program book and fanzine, The Pulpster . As usual, I’ll be picking up copies of the issue for those of you who are unable to attend the convention. If you’d like me to acquire a copy for you, please drop me an email or letter as soon as possible. My addresses are listed below. Most likely, the issue will cost about seven dollars plus postage. For those who have been concerned, John Gunnison of Adventure House will be attending Pulpcon. If you plan to be at Pulpcon and would like me to bring along any books that I am holding for you, please let me know by Friday, July 25. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Arkham House Forthcoming List.Wpd
F O R T H C O M I N G P R O J E C T S 2011–2014 2012 The Mission Statement On the Road to Cinnabar: The Fiction of Edward Bryant, Consilio et Sapientia 1970-2010 Collected and edited by Jean-Philippe Gervais. In 1939, two successful authors, August Derleth and Donald Cover and internal art by Laurie Fraser Manifold. Wandrei, decided to publish a hardcover collection of short Hardcover edition limited to 1000. ISBN: 978-0-87954-191-9 stories by their late friend and mentor, H.P. Lovecraft. Since the author’s death in 1937, he was considered by many to be The Arkham Garland: An Anthology of Macabre Fiction the finest horror writer of the 20th century, yet no mainstream A active anthology. Introduced by David Drake. publisher was willing to publish a volume of his short fiction. Cover and endpaper artist John Linton. (See over.) Derleth and Wandrei named their new press Arkham House Hardcover edition limited to 1,000 copies. after the eerie New England village where most of Lovecraft’s ISBN: 978-0-87954-189-6 stories took place. Over the next seven decades, Arkham House published the best horror and supernatural fiction in The Ghostly Fiction of H. Russell Wakefield the world. A brother-in-arms press, Mycroft & Moran, issued Cover artist to be announced. Introduced by Barbara Roden mysteries. with Mystery Commentary by Douglas Greene Hardcover edition limited to 1,000 copies. 2010 – Progress Report ISBN: 978-0-87954-190-2 The Arkham Sampler is selling very well, and the edition is half sold out. -
Extraterrestrial Places in the Cthulhu Mythos
Extraterrestrial places in the Cthulhu Mythos 1.1 Abbith A planet that revolves around seven stars beyond Xoth. It is inhabited by metallic brains, wise with the ultimate se- crets of the universe. According to Friedrich von Junzt’s Unaussprechlichen Kulten, Nyarlathotep dwells or is im- prisoned on this world (though other legends differ in this regard). 1.2 Aldebaran Aldebaran is the star of the Great Old One Hastur. 1.3 Algol Double star mentioned by H.P. Lovecraft as sidereal The double star Algol. This infrared imagery comes from the place of a demonic shining entity made of light.[1] The CHARA array. same star is also described in other Mythos stories as a planetary system host (See Ymar). The following fictional celestial bodies figure promi- nently in the Cthulhu Mythos stories of H. P. Lovecraft and other writers. Many of these astronomical bodies 1.4 Arcturus have parallels in the real universe, but are often renamed in the mythos and given fictitious characteristics. In ad- Arcturus is the star from which came Zhar and his “twin” dition to the celestial places created by Lovecraft, the Lloigor. Also Nyogtha is related to this star. mythos draws from a number of other sources, includ- ing the works of August Derleth, Ramsey Campbell, Lin Carter, Brian Lumley, and Clark Ashton Smith. 2 B Overview: 2.1 Bel-Yarnak • Name. The name of the celestial body appears first. See Yarnak. • Description. A brief description follows. • References. Lastly, the stories in which the celes- 3 C tial body makes a significant appearance or other- wise receives important mention appear below the description. -
Rosemary Ellen Guiley
vamps_fm[fof]_final pass 2/2/09 10:06 AM Page i The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS vamps_fm[fof]_final pass 2/2/09 10:06 AM Page ii The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS Rosemary Ellen Guiley FOREWORD BY Jeanne Keyes Youngson, President and Founder of the Vampire Empire The Encyclopedia of Vampires, Werewolves, and Other Monsters Copyright © 2005 by Visionary Living, Inc. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Guiley, Rosemary. The encyclopedia of vampires, werewolves, and other monsters / Rosemary Ellen Guiley. p. cm. Includes bibliographical references and index. ISBN 0-8160-4684-0 (hardcover : alk. paper) ISBN 978-1-4381-3001-9 (e-book) 1. Vampires—Encyclopedias. 2. Werewolves—Encyclopedias. 3. Monsters—Encyclopedias. I. Title. BF1556.G86 2004 133.4’23—dc22 2003026592 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. -
Ye Bc 3Ke of 2358
YE BC 3KE OF 2358 < The Aniolowsk’i Collection. VOLUME II All About Monstres This volume contains dozens of new races and individual creatures for use with the Call of Cthulhu roleplaying game. Included here are the following categories: Outer Gods, Elder Gods, Great Old Ones, Great Ones, Avatars, Servitor Races, Independent Races, Fabulous Creatures, and Unique Entities. These monstrous creations have been collected from over ten years of favorite Call of Cthulhu scenarios; others have been created specifically for this book. The darkly imagi- native work of a diverse group of authors is represented here. Where possible each entry begins with a quote describing the monster or entity. Where much about the creature is known, there may be an additional description. If discussing a god, Great One, or Great Old One, notice of any human cult comes next. Further notes discuss habit, habitat, or attack. An essential aid for players, investigators, and keepers. “I saw the form waver from sex to sex, dividing itself from itself, and then again reunited. Then I saw the body descend to the beastsSample whence file it ascended, and that which was on the heights go down to the depths, even to the abyss of all being... I The principle of life, which makes organism, always Scott David Aniolowski remained, while the outward form changed. ” (after his apprehensio: by -Arthur Machen, “The Great God Pan” minions of the Mythos) CALL OF CTHULHU is a roleplaying game Chaosium publishes many supplements based on the novels and short stories of H.P. and accessories for CALL OF CTHULHU. -
Pandemic: Reign of Cthulhu Rulebook
Beings of ancient and bizarre intelligence, known as Old Ones, are stirring within their vast cosmic prisons. If they awake into the world, it will unleash an age of madness, chaos, and destruction upon the very fabric of reality. Everything you know and love will be destroyed! You are cursed with knowledge that the “sleeping masses” cannot bear: that this Evil exists, and that it must be stopped at all costs. Shadows danced all around the gas street light above you as the pilot flame sputtered a weak yellow light. Even a small pool of light is better than total darkness, you think to yourself. You check your watch again for the third time in the last few minutes. Where was she? Had something happened? The sound of heels clicking on pavement draws your eyes across the street. Slowly, as if the darkness were a cloak around her, a woman comes into view. Her brown hair rests in a neat bun on her head and glasses frame a nervous face. Her hands hold a large manila folder with the words INNSMOUTH stamped on the outside in blocky type lettering. “You’re late,” you say with a note of worry in your voice, taking the folder she is handing you. “I… I tried to get here as soon as I could.” Her voice is tight with fear, high pitched and fast, her eyes moving nervously without pause. “You know how to fix this?” The question in her voice cuts you like a knife. “You can… make IT go away?!” You wince inwardly as her voice raises too loudly at that last bit, a nervous edge of hysteria creeping into her tone. -
This Paper Examines the Role of Media Technologies in the Horror
Monstrous and Haunted Media: H. P. Lovecraft and Early Twentieth-Century Communications Technology James Kneale his paper examines the role of media technologies in the horror fic- tion of the American author H. P. Lovecraft (1890-1937). Historical geographies of media must cover more than questions of the distri- Tbution and diffusion of media objects, or histories of media representations of space and place. Media forms are both durable and portable, extending and mediating social relations in time and space, and as such they allow us to explore histories of time-space experience. After exploring recent work on the closely intertwined histories of science and the occult in late nine- teenth-century America and Europe, the discussion moves on to consider the particular case of those contemporaneous media technologies which became “haunted” almost as soon as they were invented. In many ways these hauntings echo earlier responses to the printed word, something which has been overlooked by historians of recent media. Developing these ideas I then suggest that media can be monstrous because monstrosity is centrally bound up with representation. Horrific and fantastic fictions lend themselves to explorations of these ideas because their narratives revolve around attempts to witness impossible things and to prove their existence, tasks which involve not only the human senses but those technologies de- signed to extend and improve them: the media. The remainder of the paper is comprised of close readings of several of Lovecraft’s stories which sug- gest that mediation allowed Lovecraft to reveal monstrosity but also to hold it at a distance, to hide and to distort it.