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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
The U2 360- Degree Tour and Its Implications on the Concert Industry
THE BIGGEST SHOW ON EARTH: The U2 360- Degree Tour and its implications on the Concert Industry An Undergraduate Honors Thesis by Daniel Dicker Senior V449 Professor Monika Herzig April 2011 Abstract The rock band U2 is currently touring stadiums and arenas across the globe in what is, by all accounts, the most ambitious and expensive concert tour and stage design in the history of the live music business. U2’s 360-Degree Tour, produced and marketed by Live Nation Entertainment, is projected to become the top-grossing tour of all time when it concludes in July of 2011. This is due to a number of different factors that this thesis will examine: the stature of the band, the stature of the ticket-seller and concert-producer, the ambitious and attendance- boosting design of the stage, the relatively-low ticket price when compared with the ticket prices of other tours and the scope of the concert's production, and the resiliency of ticket sales despite a poor economy. After investigating these aspects of the tour, this thesis will determine that this concert endeavor will become a new model for arena level touring and analyze the factors for success. Introduction The concert industry handbook is being rewritten by U2 - a band that has released blockbuster albums and embarked on sell-out concert tours for over three decades - and the largest concert promotion company in the world, Live Nation. This thesis is an examination of how these and other forces have aligned to produce and execute the most impressive concert production and single-most successful concert tour in history. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 11-17-2003 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2003). The George-Anne. 3041. https://digitalcommons.georgiasouthern.edu/george-anne/3041 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. stablished 192; Covering the campus like a swarm of gnats The Official Student Newspaper oi Georgia Eagles win regular season finale over Elon 37-13 Page 6 * \? vSisnsmuSi 11th all those who serve our counti By Eric Haugh and Kim Wicker [email protected] and I Omber afternoon in the crowds of students, faculty, and veter- in i ithered in front of the IT Building for a color guard and banner display observing >y ie Veterans Day. The half-hour long procession, which started at 12:15 p.m. in front of Henderson library, was a silent but profound i ..salute to the flag, and th||§en and women who risked their lives (many losing theirs along the way) to preserve our wap of life. It was a touching ceremony; some of.the observers even . rapine misty-eyed towards||e end of the service, when Dr. White from the COBA buildihgaccepted a wreath from one [ of.the color guard members. -
Michael Bloomfield & Friends
Now here is something I haven't gotten to the bottom of yet!!! MICHAEL BLOOMFIELD & FRIENDS (These recordings have been released so many times on different LP’s and CD’s that I have given up trying to pin them down! Sorry. I know it’s a mess. Paul Thompson has tried to sort it out and I have used his numbering to the left. Anyway it’s fine music!) 1977 Recorded live at McCabe’s, Santa Monica, California - producer Denny Bruce - Mike Bloomfield, guitar, vocals - Mark Naftalin, piano - Buddy Helm, drums - Buell Neidlinger, bass Paul’s: 1 1. “Eyesight to the Blind” (4:11) band 2 14. “Women Lovin’ Each Other” (8.19) band 3 2. “Linda Lu” (3.51) band 4 3. “Kansas City Blues” (3:34) solo 5 1a. “Toilet story” (0.56) 6 2. “Frankie And Johnny” (4.38) 7 7. “Lord, Though I Am with Thee” (3:38) solo (“I’m With You Always”) 8 8. “Jockey Blues (3:50) piano + guitar (“My Father Was A Jockey”) 9 16. “Blues In B-flat” (5.56) piano + guitar 10 4. “Darktown Strutters' Ball/Mop Mop/Call Me A Dog” (3.59) solo 11 9. “Stagger Lee” (4.20) 12 5. “I'm Glad I'm Jewish” (3:02) solo 13 6. “Great Gifts From Heaven” (3:32) solo 14 9. “Between the Hard Place and the Ground” (6.56) band 15 17. “Don’t You Lie To Me” (3.30) band 16 15. “Cherry Red” (4.40) band 17 “We Love You” (6.08) 18 11. -
GESAMTTEXT Final2vati Korrpdfi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Diplomarbeit Titel der Diplomarbeit Bob Dylan - Never Ending Tour - Werk eines 'Performing Artist' Verfasser Michael Gizicki Angestrebter Grad Magister der Philosophie (Mag. phil.) Wien, im Oktober 2009 Studienkennzahl lt. Studienblatt: A316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuer: Ass.-Prof. Mag. Dr. August Schmidhofer Konzert Nr.1800 der Never Ending Tour am 12.11.2005, Mailand, Italien (li. Stu Kimball, re. Bob Dylan) 1 Inhaltsverzeichnis Danksagung 5 Einleitung 6 1.Kapitel: Historische Vorbedingungen und Kontext 9 1.1 Bob Dylans "Gospel-Phase" 9 1.2 Die Achtziger Jahre 10 1.3 Das Jahr 1988 13 1.4 Dylans Studiowerk ab 1989 14 1.4.1 "Oh Mercy" 1989 14 1.4.2 "Under The Red Sky" 1990 15 1.4.3 "Good as I Been To You" 1992 und "World Gone Wrong" 1993 15 1.4.4 1997: "Time Out Of Mind" - Rückkehr eines großen Künstlers 16 1.4.5 "Things Have Changed" 2000 und "Love and Theft" 2001 17 1.4.6 "Modern Times" 2006 17 1.4.7 "Together Through Life" 2009 18 2.Kapitel: Die Never Ending Tour 20 2.1. Der Name und seine Entstehung 20 2.2. Vorbedingungen: Das Jahr '87 im Detail 22 2.3. Zahlen und Fakten zur NET 30 2.4. Die Chronologie: Das Geschehen der Tourjahre : Repertoire, Format, Setlisten, Bands 33 2.4.1 Die Touren '88 bis '90 33 2.4.2 1991 bis Herbst '92 38 2.4.3 Die Jahre 1993 bis 1996 39 2.4.4 Die Zeit 1997 - 1999 43 2.2.5 2000 / 2001 / 2002 / 2003 47 2.4.6 2004 bis 2009 53 2 3.Kapitel: Dylans "performing art" in den Konzerten der NET 55 3.1. -
Learn the Rules to Making Strong Media Relationships That Improve Your Business by Shawn Duperon Making the Media Work for You
Making the Media Work for You Learn the rules to making strong media relationships that improve your business By Shawn Duperon Making the Media Work for You By Shawne Duperon Copyright © 2013 by Horsesmouth, LLC. All rights reserved. No part of this report may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, faxing, e‐ mailing, posting online or by any information storage and retrieval system without permission by the Publisher. Unauthorized use, reproduction or distribution of the material contained in this report is a violation of federal law and punishable by civil and criminal penalty. Multiple copies of Horsesmouth reports may be purchased for business or promotional use for special sales. For information, contact: Horsesmouth, LLC. 1.888.336.6884 (Outside the U.S: 1‐212‐343‐8760) [email protected] 21 West 38th Street New York, NY 10018 Edition 1.0 Editor’s note: Shawne Duperon is a six-time Emmy Award winning media coach and has been in the TV business for nearly 20 years. She has taught thousands how to communicate as leaders while networking and marketing and social and traditional media. Shawne works with corporations, entrepreneurs, universities, and government agencies across the globe. She’s collaborated with many best-selling authors and replaced Bill Ford of Ford Motor Company when she spoke at the Department of Defense and even lectures on cruise ships. Shawne has interviewed many U.S. presidents and filmed hundreds of celebrities. You may have seen her on national networks such as CNN, CBS’ early show, and seen her featured in USA Today. -
Eastern Progress Eastern Progress 1971-1972
Eastern Progress Eastern Progress 1971-1972 Eastern Kentucky University Year 1972 Eastern Progress - 23 Mar 1972 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1971-72/24 ^ "to Bryant Student Leads Voting Page 4 Uic Eastern Broatess Page 7 /I Setting TheTh* PacePar* In A ProgressivtPmtrp <niv» fraFra I1 •^»"k— ^* 1 ?~rr ' 8 Pages Thursday, March 23, 1972 49th Year, Number 24 Student Publication of Eastern. Kentucky University, Richmond, Ky. At Founder's Day Dinner Martin Releases Ginger Addresses Audience "One never knows what Martin. "The development teaching should be tried," he Landfill Statement decisions today will affect under Dr. Martin is nothing said. short of sensational," he said, Dr. Ginger indicated that the tucky University but excludes thousands tomorrow," ac- BY JIM HOUSE cording to Dr. Lyman Ginger, "a miracle has occurred In little new voting student regent may "any garbage or trash collected more than a decade." be an indication of things to Newt KdHor by commercial haulers or State Superintendent of Public Instruction. "Institutions of higher come. "Students are deter- Richmond City Commissioner Eastern Kentucky University of learning are so important mined to be heard on matters H.K. Porter Plant in Richmond, Dr. Ginger was guest speaker Virgil McWhorter, on behalf of at Eastern's 66th annual socially, politically, and that really count," he said. himself and Com million Kentucky." Founders Day celebration last economically that any in- Higher education on the majority members R.J. Notion 2. Eastern Kentucky night in the University Center. vestment in them is a good Eastern campus dates back to and Edward Murphy, issued a University has not made any The ceremony com- one," he continued. -
Performing Songwriter 70 July/August 2008
TOOLS OF THE TRADE KEYBOARD CHUCK LEAVELL Keyboard BY RUSSELL HALL Chuck Leavell “Th e most important thing is to do the song justice,” says Chuck Leavell. “It’s not about being fl ashy or trying to set the world on fi re. It’s about contributing to a piece of material CHUCK LEAVELL in the best way possible.” Live in Germany: Green Leaves & Blue Notes Tour 2007 [Evergreen Arts] Th at philosophy—with regards to Stones’ unoffi cial music director. When he’s keyboard playing—has served Leavell not on the road or in the studio, chances DISC 1 In the Wee Wee Hours well for four decades. Dating back to his are he’s busy working his tree farm in rural Route 66 earliest years with the Allman Brothers, the Georgia or rallying support for forestry and Living in a Dream King Grand 55-year-old Macon, Ga., native has graced conservation issues. Honky Tonk Women some of the most memorable recordings of Somehow, in the midst of these activities, Rip This Joint our times. His rollicking contribution to the Leavell has managed to record several Coming Home Down the Road a Piece Allmans’ “Jessica” is oft en cited as one of albums of his own. His latest—a two-CD Alberta, Alberta rock’s best piano solos. At the other extreme, set titled Live in Germany: Green Leaves & DISC 2 the subdued elegance he brought to Eric Blue Notes Tour 2007—employs all facets of Here Comes the Sun Clapton’s Unplugged album helped set the his keyboard skills. -
The History of Rock Music: 1955-1966
The History of Rock Music: 1955-1966 Genres and musicians of the beginnings History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) The Flood 1964-1965 (These are excerpts from my book "A History of Rock and Dance Music") The Tunesmiths TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Beach Boys' idea of wedding the rhythm of rock'n'roll and the melodies of pop music was taken to its logical conclusion in Britain by the bands of the so- called "Mersey Sound". The most famous of them, the Beatles, became the object of the second great swindle of rock'n'roll. In 1963 "Beatlemania" hit Britain, and in 1964 it spread through the USA. They became even more famous than Presley, and sold records in quantities that had never been dreamed of before them. Presley had proven that there was a market for rock'n'roll in the USA. Countless imitators proved that a similar market also existed in Europe, but they had to twist and reshape the sound and the lyrics. Britain had a tradition of importing forgotten bluesmen from the USA, and became the center of the European recording industry. European rock'n'roll was less interested in innuendos, more interested in dancing, and obliged to merge with the strong pop tradition. -
The Rolling Stones: Blue & Lonesome. Un Homenatge a Les Seves
It's only rock & roll | Pep Saña | Actualitzat el 13/06/2017 a les 17:48 The Rolling Stones: Blue & Lonesome. Un homenatge a les seves influències Cinquanta cinc anys desprès dels seus inicis, els Rolling Stones continuen sent una institució que encara es mou (amb el permis del ?puto amo del bussiness? Mick Jagger) segons la seva intuïció i química. Blue & Lonesome, el seu últim àlbum, va arribar com un fantàstic accident, o com Keith Richards va dir amb el seu gran somriure, ?va ser com si un ésser diví ens hagués manat que el féssim?. No fa pas tants anys que els Rolling Stones encara respectaven aquella regla no escrita al món del rock que deia que per sortir de gira, l'excusa era tenir un nou disc per presentar, i així va passar amb les grans gires mundials desprès d'editar Steel Wheels (1989), Voodoo Lounge (1994), Bridges To Babylon (1997) i A Bigger Bang (2005). En general, la gent dona poc valor a aquests àlbums, en part potser perquè feien l'efecte de ser més una excusa per sortir de gira (que és on fan cash), que discos amb prou entitat com per recordar, jo soc més de la opinió, tot i que tinc clar que no son obres mestres, que son d'un nivell molt alt. Fessin el que fessin, Tatto You (1981) sempre marcaria la frontera d'opinió entre l'excel?lència dels d'abans i els ?prescindibles? de desprès. Des del 40é aniversari de la banda que editaven el recopilatori Forty Licks (2002) i l'extensa gira Licks Tour que vindria desprès amb motiu del disc, els Stones van començar a tenir clar, i amb l'àlbum A Bigger Bang (2005) gairebé es va confirmar, que allò de publicar un disc per sortir de gira era un invent sense sentit. -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006), -
Albums‐ Chart‐History Regarding Albums Top 50 ‐ Charts the Rolling Stones
Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling Stones 1 2 3 4 04/1964 3 1 12 11 11/1964 3 12/1964 4 01/1965 1 3101 The Rolling Stones (England's 12 X 5 Around And Around Rolling Stones No. 2 Newest Hit Makers) 5 6 7 8 04/1965 5 08/1965 2 2 1 3 11/1965 1 4 12/1965 4 The Rolling Stones, Now! Out Of Our Heads Bravo Rolling Stones December's Children (And Everybody's) 9 10 11 12 04/1966 1 881 2 04/1966 4 3 01/1967 6 01/1967 2 Aftermath Big Hits (High Tide And Green Got Live If You Want It The Rolling Stones Live Grass) 13 14 15 16 01/1967 2 3 2 08/1967 7 3 12/1967 4 3 2 12/1968 8 3 5 Between The Buttons Flowers Their Satanic Majesties Request Beggars Banquet Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling Stones 17 18 19 20 09/1969 13 2 2 12/1969 3 1 1 3 09/1970 6 1 2 6 04/1971 30 4 Through The Past Darkly (Big Let It Bleed Get Yer Ya‐Ya's Out! Stone Age Hits Vol. 2) 21 22 23 24 04/1971 1 351 1 409/1971 19 01/1972 3 4 03/1972 14 Sticky Fingers Gimme Shelter Hot Rocks 1964 ‐ 1971 Milestones 25 26 27 28 05/1972 2 1 241 11/1972 41 01/1973 9 09/1973 2 1 241 Exile On Main Street Rock'n'Rolling Stones More Hot Rocks (Big Hits & Goat's Head Soup Fazed Cookies) 29 30 31 32 10/1974 12 2 1 1 06/1975 45 8 06/1975 14 6 12/1975 7 It's Only Rock'n'roll Metamorphosis Made In The Shade Rolled Gold ‐ The Very Best Of The Rolling Stones Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts The Rolling