KLOS Sept. 22Nd NO PAUL

Total Page:16

File Type:pdf, Size:1020Kb

KLOS Sept. 22Nd NO PAUL 1 2 PLAYLIST SEPT. 22nd 2013 9AM The Beatles - Come Together - Abbey Road (Lennon-McCartney) Lead vocal: John 3 The Beatles’ twenty-first single release for EMI, and fourth on the Apple Records label. When John and Yoko were in Montreal staging their second and last Bed-In For Peace they were visited by Timothy Leary, an outspoken proponent of LSD. During their visit, Leary and his wife participated in John and Yoko’s hotel room recording of “Give Peace A Chance,” singing on the chorus. Timothy is even name-checked in the lyrics. He asked John to write a song titled “Come Together – Join The Party” for his bid to become governor of California. Lennon obliged and responded with lyrics such as: “Come together right now/Don’t come tomorrow, don’t come alone/Come together right now over me.” Lennon recorded a demo for Leary, who started using it as his campaign song. After being imprisoned for possession of marijuana in late 1969, Leary dropped out of the gubernatorial race, which was won by Ronald Reagan. Lennon reworked and expanded the song for the Beatles. The Beatles - The Ballad Of John And Yoko - Non-LP track (Lennon-McCartney) Lead vocal: John The Beatles’ twentieth single release for EMI, and third on the Apple Records label. The first Beatles single issued in stereo in the UK, it is also the very first stereo single issued by EMI. The “Get Back” single had been released in stereo in America by Capitol. Recorded on April 14, 1969, by just John and Paul, the song was completed that day. George was on vacation and Ringo was still filming the Peter Sellers’ comedy “The Magic Christian.” Producer George Martin and engineer Geoff Emerick, who had distanced themselves from the group because of the constant bickering amongst the group members, were back on board behind the recording console. The single was a complete surprise to Beatles fans. They had waited a long seven months for the group to follow- up “Hey Jude” with “Get Back” and now just over a month came another new Beatles record. The rhythm track was perfected in 11 takes (four complete) with Paul playing drums while John played acoustic guitar and sang the lead vocal. The duo was in good spirits during the day-long session. Prior to take four John said to drummer Paul “Go a bit faster, Ringo!” and Paul replied “OK, George!” Overdubs featured Paul on bass guitar, piano, backing vocal and maracas, and John on two lead guitar parts and percussive thumping on the back of an acoustic guitar. The song recounts the chaos surrounding John and Yoko’s getting married. Lennon had encountered visa problems because of his November 1968 drug conviction which made his movement from one country to another very difficult. As an example, he was not allowed to enter the United States at this time so the couple’s second “Bed-In” was staged in Montreal, about an hour north of the U.S. border in Canada. The Beatles - Dig A Pony - Let It Be (Lennon-McCartney) Lead vocal: John Recorded live on the rooftop of the Apple headquarters building, 3 Savile Row, on January 30, 1969. In re-producing the tapes for the “Let It Be” album, Phil Spector edited out the opening and closing line of the song (“All I want is …”) which can be heard on the “Anthology 3” album and in the film “Let It Be.” The idea to go on the rooftop and play live in front of a few people was conceived by Paul on January 26. 4 From a technical standpoint, this simple request to perform on the rooftop was a gigantic headache for the film crew and the Apple/EMI sound engineers. In addition to accommodating the space required for five film cameras, and various sound equipment which needed electricity to run, there was also the issue of the cold temperature – the temperature would be in the mid-40s and windy when the Beatles performed. In a few cases, sound engineers wrapped ladies’ stockings around microphones to camouflage the sound of the wind blowing against them. John and George wore heavy coats and Ringo wore his wife’s raincoat in a futile attempt to stay warm. Throughout the 42- minute rooftop set John can be seen rubbing his hands together in between songs to keep warm. At the conclusion of the released version of “Dig A Pony,” John says, “Thank you brothers, me hand’s gettin’ too cold to play the chords.” The song was so new that John had an assistant hold up a clipboard with the lyrics in case he forgot them. Engineer Alan Parsons: “No one ever questioned the Beatles. They want to do it on the roof? Fine, it will be done. That was one of the greatest and most exciting days of my life. To see the Beatles playing together and getting instant feedback from the people around them, it was just unbelievable. A magic, magic day.” 9.12 BREAK George Harrison – If Not For You - All Things Must Pass ‘70 5 This track was retrieved from the session George did with Bob Dylan earlier in the year. Dylan was to release the track himself the following year on his New Morning LP, but George’s take definitely has the edge over Dylan’s lackadaisical reading. The Beatles - You’ve Got To Hide Your Love Away - Help! (Lennon-McCartney) Lead vocal: John Recorded in less than two hours on February 18, 1965. Written entirely by John Lennon, who freely admitted the obvious Bob Dylan influence. Lennon wrote this at Kenwood, his home on the St. George’s Hill estate in Weybridge, Surrey (where the Beatles would be photographed for the cover of their “Rubber Soul” album). John’s original lyric was “I can’t go on feeling two foot tall,” but when singing it for Paul the first time he accidentally said, two foot “small.” Lennon then laughed and said, “Let’s leave it … all those pseudes will really love it.” The first of their songs since “Love Me Do” in 1962 to feature an outside musician. Johnnie Scott provides the flute solo at the end of the song, though he is not credited on the album jacket. On U.S. album: Help! - Capitol LP The Beatles - I’m A Loser - Beatles For Sale (Lennon-McCartney) Lead vocal: John Recorded in eight takes on August 14, 1964. Written mostly by John Lennon. The song style, more autobiographical and introspective than the “yeah, yeah, yeah” pop the group had previously recorded, was heavily influenced by the work of Bob Dylan. Paul McCartney called it “a folk song gone pop.” The Beatles debuted “I’m A Loser” on ABC’s “Shindig” program, an appearance taped in London and airing on October 7. The song was performed during the Beatles’ European Tour commencing June 20, 1965, but was not on the set list for the U.S. shows two months later. John’s harmonica solo was a last minute addition to the song, appearing first in Take 6. George Martin and the group considered “I’m A Loser” a potential single and had initially chosen it to be the LP’s opening song. On U.S. album: Beatles ‘65 - Capitol LP George Harrison – I Don’t Want To Do It (written by Bob Dylan) A soundtrack for the third installment in a puerile teensploitation movie series was certainly not the most likely venue for the first new George Harrison recording in almost three years. But journeyman rocker, Dave Edmunds has a way of convincing friends to do the most amazing things. The Beatles - Norwegian Wood (This Bird Has Flown) - Rubber Soul (Lennon-McCartney) Lead vocal: John 6 Originally recorded on October 12, 1965, The Beatles decided to scrap this version and re-record the song nine days later, on October 21. George Harrison provides the sitar, the first appearance of the instrument on a Beatles recording, though the sitar can be heard in the instrumental introduction on the American version of “Help!” Written mainly by John with some lyrical assistance from Paul. John: “I was trying to write about an affair without letting me wife know… so it was very gobbledegook. I was sort of writing from my experiences, girls’ flats.” Paul has said that the ending lyrics, “so I lit a fire,” refer to the house being burned down in an act of revenge by the spurned lover. Bob Dylan did a slight parody of the song on his 1966 album, Blonde on Blonde. Check out the song “4th Time Around.” On U.S. album: Rubber Soul - Capitol LP George Harrison – I’d Have You Anytime (co-written with Bob Dylan) – All Things Must Pass ‘70 This composition began at Bob Dylan’s home in Woodstock, New York during Thanksgiving 1968. George completed the song when he returned to England. The Beatles - I Am The Walrus – Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocal: John The Beatles’ sixteenth single release for EMI’s Parlophone label. On U.S. album: Magical Mystery Tour - Capitol LP 7 George Harrison – Mama You’ve Been On My Mind (demo) - Early Takes Vol.1 ‘12 Wow that set turned out to be very Dylan infused. 9.43 BREAK Ringo – I’m The Greatest - RINGO JL GH RS BP KV NO PAUL John Lennon – Whatever Gets You Thru The Night Credited to “John Lennon with the Plastic Ono Nuclear Band,” this track was recorded with Elton John (who at the time was the biggest star in the world).
Recommended publications
  • KLOS March 17Th 2013
    1 1 2 PLAYLIST MARCH 17TH 2013 9AM Good morning Apple Scruffs! George Harrison – Apple Scruffs - All Things Must Pass ‘70 2 3 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles – Sun King - Abbey Road Recorded w/ Mean Mr. Mustard as one song on July 24th 1969. Lennon in Playboy interview of 1980…”That’s a piece of garbage I had around”. Many parts of Pink Floyd’s Dark Side of the Moon sound very much inspired by that piece of garbage. Lennon 1.00 The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969. Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00 The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St.
    [Show full text]
  • Matrix® 430Vf User Manual
    MATRIX® 430VF USER MANUAL 98-05351 R3 MATRIX® 430VF QUICK START GUIDE INTRODUCTION #1 SETUP THE CONSOLE 1. On guidance screen, press NAVIGATION AND GUIDANCE OPTIONS tab to display options. #2 GUIDANCE 2. Press HOME button . 3. Press CONSOLE button . Adjust settings as needed. X LCD Brightness X GNSS Demo Mode X Colour Scheme X Screenshot X X #3 Units Time Zone CONFIGURATION CONFIGURE THE MACHINE 4. From the Home screen , press CONFIGURATION button . 5. Select and configure a Machine profile . X Select Machine Profile Number A – use to select 1 of 5 machine profiles. JOB DATA The profile that is “active” is displayed/active on the operation screen. #4 X Set Machine Type B – used to select the type of machine to indicate how the vehicle will be displayed in relation to the rows and canopy on the Guidance screen. – Mounted and trailed Airblast – Tower nebuliser/Powder Machine CONSOLE – Self-propelled – Harvester X Set Number of Implement Sections C – used to select the number of implement sections. Range is 1 to 12 sections. C B A X Set Section Widths D – used to enter the width of each section. Each section can be a different width. #5 X Set In-Line Implement Offset Distance E – used to define the in-line distance D from the GNSS antenna (the zero point) to the implement. – Positive value will move the implement behind the GNSS antenna. E – Negative value will move the implement in front of the GNSS antenna. 6. Select and configure a Field profile . F H X Select Field Profile Number F – use to select 1 or 5 field profiles.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
    Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Argentina 45 Others
    The non-Picture sleeved singles came in company sleeves. Very early singles may have come with 'Odeon Pops' covers, 1960s and early 1970s singles came with generic Apple cover and later singles came with generic EMI sleeves (2 paper types, 1 plastic). APPLE 1054 - THOSE WERE THE DAYS / TURN, TURN, TURN (Mary Hopkin) Promo Yellow labels, no EMI logo Light blue labels with star on top White labels, no star on top, large spacing between label lines White labels, no star on top, small spacing between label lines White labels with star on top Cream labels, no star on top Cream labels with star on top APPLE 1061 - AQUELLOS FUERON LOS DIAS / TURN, TURN, TURN (Mary Hopkin) Promo Light yellow labels, COMAR on left, 33 on right Yellow labels, 33 on left, COMAR on right, Yellow labels, 33 on left, COMAR on right, Aquellos starts under I in EMI Aquellos starts under E in EMI Comar on left, light blue labels APPLE 1073 - MAYBE TOMORROW / AND HER DADDY'S A MILLIONAIRE (The Iveys) Promo APPLE 1074 - SOUR MILK SEA / THE EAGLE LAUGHS AT YOU (Jackie Lomax) Promo APPLE 1094 - LONTANO DAGLI OCCHI / THE GAME (Mary Hopkin) Promo APPLE 1098 - ROAD TO NOWHERE / ILLUSIONS (Trash) Promo APPLE 1111 - GOODBYE / SPARROW (Mary Hopkin) Promo Dark green labels, Release number on right side of labels Dark green labels, Release number on bottom of labels Light green labels, Release number on bottom of labels APPLE 1138 - NEW DAY / THUMBIN' A RIDE (Jackie Lomax) Promo APPLE 1143 - THAT'S THE WAY GOD PLANNED IT / WHAT ABOUT YOU? (Billy Preston) Promo APPLE 1181 - GOLDEN SLUMBERS - CARRY THAT WEIGHT / TRASH CAN (Trash) Promo APPLE 1194 - EVERYTHING'S ALL RIGHT / I WANT TO THANK YOU (Billy Preston) Promo APPLE 1221 - COME AND GET IT / ROCK OF ALL AGES (Badfinger) Promo APPLE 1975 - COME AND GET IT / ROCK OF ALL AGES (Badfinger) Promo APPLE 1223 - TEMMA HARBOUR / YOUNG LOVE (Mary Hopkin) Promo APPLE 1238 - KNOCK, KNOCK, WHO'S THERE? / I'M GOING TO FALL IN LOVE AGAIN (Mary Hopkin) Promo APPLE 1303 - QUE SERA, SERA / FIELDS OF ST.
    [Show full text]
  • Magazin MOJO JOHN LENNON & PAUL
    Tägliche BeatlesInfoMail 05.06.21: Magazine LENNON und McCARTNEY /// MANY YEARS AGO -------------------- Im Beatles Museum erhältlich: Magazine LENNON und McCARTNEY aus Großbritannien Abbildungen von links: Folder mit beiden Magazinen / Magazin LENNON / Magazin McCARTNEY. April/Mai 2021: Zwei Musikmagazine im Folder MOJO THE COLLECTORS SERIES-SET JOHN LENNON und PAUL McCARTNEY. 31,90 € Mojo Verlag, Großbritannien. je Heft / Format: 29,5 cm x 21 cm / 132 Seiten / viele Farb- und Schwarzweißfotos / englischsprachig. Folder-Format: 32,5 cm x 22,5 cm Inhalt JOHN LENNON: Early Life; The Young Beatle; Turn off Your Mind; John & Yoko; Imagine; Revolution 1971; The Lost Weekend; House Husband; Double Fantasy; Aftermath. Inhalt PAUL McCARTNEY: Growing Up; Prefab Times; Lennon-McCartney; Revolver; The White Album; Anthology 3; Wings; Band On The Run; Wings Over America; McCartney II; 50 Reasons We; Love Macca; New; Egypt Station. -------------------- Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel und Katharina Das Beatles Museum ist wieder geöffnet - und problemlos zu besuchen. Der neue, aktuelle Stand, wie er uns bekannt ist (jetzt weniger Auflagen für Außengastronomie): Beatles Museum, Shop und Außengastronomie: ohne Voranmeldung, kein Testnachweis / Kontaktdaten werden erfasst / Maskenpflicht / Abstandspflicht. Café (Innengastronomie): „ggg“ - negativer Test (nicht älter als 24 Stunden, Selbsttest zum Selbstkostenpreis für 4 € bei uns möglich) / Impf- oder Genesungsnachweiß (jeweils mindestens zwei Wochen alt) / Kontaktdaten werden erfasst / Maskenpflicht bis zum Platz / Abstandspflicht. Öffnungszeiten (nach wie vor): Dienstag bis Sonntag und Feiertage, jeweils 10 bis 18 Uhr. Herzlich willkommen!!! -------------------- Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr: 0345-290 390 0 Innerhalb Deutschland: Bei Bestellwert unter 50 €: Versandanteil für Briefe; für Inland-Pakete maximal 5,00 €.
    [Show full text]
  • Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
    Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer.
    [Show full text]
  • Student's Project Brings Science Olympiad
    Ljjp a?>* x I w,- P®^ ' !• &.: fy-i: •I mMm lyMMw va"? : -,•: ; * • • ;; HNffH 9 iPM, • •1 —apEpf—_. : hfefc,:: ;•; ;•!;;> & ifl iigs • ®!i i •• ,-'" ' I m--: y: Ittf ii . * &"'"j 1916 f'i: [- ii •m •- '4 vl 18 ARC YOU THREATENING US?! JANUARY 24,1997 game be at the game. 1, W9(>. The instances cited by the and potentially harm the name of Vikki Otero David Gordon "If they get enough mail, there alleged victim included repeated the university, the football team or Features Ediun •Ivwn f t.'nIurc\ t~.ilitot is a possibility that. IHck Vitale poking, pulling her hair, threaten the male student, she said. will switch over and call our ing bodily.injury and threatening to Throughout the investigation, Student Association External game," Klein said. A Rice football player has been kill her. The ongoing behavior, she the accused was restricted from cam Vice President Charles Klein is Klein, along with Sid suspended for the spring semester said, had its effects. pus except to attend class, lunch spearheading a campaign to bring Richardson College senior Josh after the University Court found him and football practice and games. ESPN basketball announcer Dick Earnest, spoke to Head Coach guilty on charges of assault. The According to the accuser, however, Vitale-to Rice to call the Feb",'u24 Willis Wilson in November be- charges were filed by a fellow stu- ' Rice doys everything it the restriction was not enforced and game between Rice and the Uni- fore the season started. They dent with the Rice University Police he continued to contact her during versity of Utah.
    [Show full text]
  • Call Me Back Again
    Call me back again. New York: Wm. A. Pond & Co., 1884 https://digital.library.wisc.edu/1711.dl/KL7HZYLPQYI2I83 http://rightsstatements.org/vocab/NKC/1.0/ The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu THE BEAUTIFUL MELODY OF = COLLEEN DHAS MACHREE, 5 “MY OWN SWEET DARLING!’’ ™ MOUNTAIN TOP, LUZERNE CO. PA ; a 4 : : $ ae SONG AND CHORUS. | MUSIC BY ; : J | | FANNIE BEANE. 4 { - J f : SUNG WITH GREAT SUCCESS BY 4 ¥ : | 4 Pas CHAUNCEY OLCOTT y | a *.“EMERSON’S ALL-STAR MINSTRELS.*,* os t is = ARRANGED BY { | JEROME. 4 | MARCH. WALTZ. SCHOTTISCHE. By PRATT. GUITAR.—Vocal and Instrumental.—By DE JANON. 4 V Se : NEW YORK: FREDERICK BLUME, 25 union sovare. a _ BOSTON: NEW YORK: PHILADELPHIA: CINCINNATI: : — a DITSON & CO. WM. A. POND & CO. LEE & WALKER. JOHN CHURCH & CO. 24 CHICAGO: ST. Louis: : SAN FRANCISCO: : | LYON & HEALY. JOHN L. PETERS. SHERMAN, CLAY & CO. % . Copyricut, MDCCCLXXXIV, ny Freperick BLume. - : 4 ‘= : ft 3] 4nd COLLEEN DHAS MACHREE. | The shadows fall, and low the sun is sinking, His last rays tinge with gold the waters blue ; And of you, Kate Alanna, I am thinking, Tho’ waves divide us, still I know you’e true.
    [Show full text]
  • How the Rolling Stones Amassed a Fortune Where Others Have Failed
    How the Rolling Stones Amassed a Fortune Where Others Have Failed Last week Mick Jagger shared some video of his cardio workout routine. There he was dancing and moving to the music like only Mick can. Jagger was showing the world that, despite recent heart surgery, he is not slowing down. After years of hard touring and the excesses of the rock and roll lifestyle, Mick, Keith, and the rest of the Stones remain vital. During decades of near constant work, during which many of their contemporaries have failed, they have amassed fortunes. I described their investing process back in January of 2003. I wrote: Geezers in Wheelchairs… This year is the 40th anniversary of the world’s greatest rock & roll band—the Rolling Stones. Grizzled but game, the Stones truck on with their 15th North American tour. “Always precocious, the Stones at 60 look a lot like Segovia at 90: Keep the morgue on standby,” wrote the very funny Joe Queenan in the WSJ. The Stones are big business, real big business. As Fortune noted in its recent cover story, “The Stones have made more money than U2, or Springsteen, or Michael Jackson…or the Who—or whoever.” The topgrossing North American tour of all time was the Stones’ 1994 Voodoo Lounge tour. With a gross of over $120 million, these guys know how to make money and how to keep it. Jagger went to the London School of Economics. For me and perhaps for you, the really big news on the Stones is the recent hybrid (two layers) SACD release of the band’s pre-1971 material owned by Allen Klein and his ABKCO Records (the Stones’ longtime early label).
    [Show full text]
  • I Dig a Pony (Lennon/Mccartney)
    I Dig A Pony (Lennon/McCartney) False start: A-one-two-three HOLD IT! Intro (also use as ending |-----------------------------||--G-----------------D----------------| |-----------------------------||-------------------------------------| |-----------------------------||-----------------------------4--7--4-| |-----------------------------||-----------2--5--2-----4--7----------| |-----------------------------||-----2--5-----------5----------------| |---------------------------3-||--3----------------------------------| -|--A---------------------------------------------| -|------------------------------------------------| -|-----------------------------2------------------| (repeat) -|--5--5--5---------2--h3--h4-----4--2---------2--| -|--0--0--0--3--h4----------------------3--h4-----| -|------------------------------------------------| Verse: I dig a pony A F#m -|--5--5----5--5----5--5----5----------2-| -|--2--2h3--2--2h3--2--2h3--2----------2-| -|--2--2----2--2----2--2----2----------2-| -|--2--2h4--2--2h4--2--2h4--2----------4-| -|--0--0----0--0----0--0----0----------4-| -|-------------------------------------2-| Well you can celebrate any thing you want (*) yes Bm G |-----------------------------------------------3--5--5/7--5-- |------------------------------------------------------------- |-----------------------------------------------4--5--5/7--5-- |-2h4--2------------------------------------------------------ |--------------4-------2-------------------------------------- |------------------------------------------------------------- You
    [Show full text]