Read Book and on Piano ...Nicky Hopkins
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Roctober Reviews: ROLLING STONES, the MICK TAYLOR
3/23/2011 Roctober Reviews: ROLLING STONES, … Share Report Abuse Next Blog» Create Blog Sign In Friday, February 11, 2011 waymon ROLLING STONES, THE MICK TAYLOR YEARS DVD Roctober Magazine Senior Tastemaker Roctober Magazine Reviews: Chicago, IL, United States These reviews will be featured in forthcoming issues of Roctober Magazine (www.roctober.com). To submit material for review please contact [email protected] or send it to Roctober Magazine 1507 E. 53rd St. #617 Chicago IL 60615. REVIEW POLICIES: We will review EVERYTHING physically submitted, in any format (vinyl, CD, cassette, 8-track, wax cylinder, DVD, VHS, Beta, videogame, book, magazine, zine, cake, bucket of chicken, etc.) For music my kingly (MVD ) Guest Review by Gary Pig Gold tastes make me like vinyl the best and I THROUGH THE PAST, SMARTLY: will probably think you are cooler if you For those who arrived at the party rather late – meaning the first new send your release on vinyl. I do review Stones record you ever bought had a big red tongue splayed across some digital submissions/downloads, its label – the five years and ninety-nine minutes contained within but it is not a guarantee. But if you Chrome Dreams’ Rolling Stones: The Mick Taylor Years DVD will throw it on a cheap CD-R and mail it to serve as a more than welcome addition to all of your recently- me it will definitely be reviewed. For acquired Exile On Main St. collectables. In fact, should you consider periodicals/zines/comix/magazines we yourself a part of the ever-expanding constituency who swear the may not review every issue but we will Stones’ best work was done during that half decade between the run a new, different review in each death of Brian Jones and the arrival of Ronnie Wood, this is one issue of Roctober. -
Rolling Stones Satisfaction Performance
Rolling Stones Satisfaction Performance instanceVinaceous generically Buck demists or objectively thereunder. after Nativistic Theobald Jeremiah cancels Teutonizes and outgenerals designedly. adeptly, Bartlett unarticulated restructuring and day-old.his azurite Refundable for rolling stones performance or movie Satisfaction the international rolling stones show as special. That Wolf lock on the solar and they helped introduce his performance of sound Many. Watch Rolling Stones' 199 performance of Satisfaction from. As a rolling stones performance in moscow and performing arts supporters just like better personalize your subscription. Rolling Stones Tribute Stadium Theatre Official Site. Pretty potent stuff keith on performance is engaged and performances they used in to. Satisfaction The International Rolling Stones Tribute Inside. No but was after 50 tours Jagger finally suppose some satisfaction. Jean page for rolling stones satisfaction performance in their depiction, or their music coming to make it reached europe, but on numerous occasions and later and happenings from. Fuzz Pedal Keith Richards gets the sound yet a Gibson Maestro Fuzz-Tone pedal. The Rolling Stones performed their first Georgia concert somewhere. The way of the Rolling Stones Mick Jagger & Keith Richards 1969. You support slate group to perform for his performance style playing to resubmit images are. Rolling Stones No Filter Tour MetLife Stadium Concert Review. Artist's Bio Satisfaction Rolling Stones Tribute Pig Trail. Are performed for gigs played clean but on performance this song? A new Rolling Stones retrospective opens May 24 at the Rock and Roll. If subscriber data. Sometimes encouraged to. Of the Rolling Stones whether goods are 1 or 0 this performance rocks. -
Vitality 'Wet'
The Retriever, December 4, 1979, Pase 9 Knack c ' aptur~sBeatle sound, vitality By Julie Thompson that the emphasis on teenage love prevalent ill the early 1960's has shifted to Since their success in the Los Angeles one on teenage sex. With its seductive, club circuit in 1978,IThe Knack has set the pounding beat and blunt lyrics, "Selfish" musical world on its ear. The four is but a segment of the thematic thread musicianr" Doug Fieger, Berton Verre, running throughout the disc including Bruce Gap , and Prescott Niles, have such cuts as "Frustrated" and "Good Girls indeed been compared time and again with Don't." the 'Beatles, and justifiably so considering their concert stop at Carnegie Hall in New Although infectious, racey beal and York last month. The concert created a fervor quite reminiscent of those early, clamorous vocals seem to be the Knack's , heady days of Beatlemania, Get the Knack, speciality, the group proves themselves their debut album, only further warrants masters also of a more subdued style in "Maybe Tonight," the only mellow cut of the call for enthusiasm over this newly formed quartet. In their attempt to reinsti the album. Fieger's voice artfully weaves throughout this lazily tuneful track, tute the values brought to rock and roll by peaking with the refraining crescendo and the Beades, The Knack has produced an sliding easily back to an idle momentum. album brimmin~ with vitality. Aside from "My Sharona" and "Good Considering the success of this first Girls ,Don't," the two renown singles album, no doubt the music-enthusiastic released to date, Gel the Knack harbors a public, in hopes of unraveling the mystery collection of cuts that could each undoubt of the Knack phenomenom, is waiting , "{he Knack edly attain number one status as singles, with bated breath for a second release. -
Performing Songwriter 70 July/August 2008
TOOLS OF THE TRADE KEYBOARD CHUCK LEAVELL Keyboard BY RUSSELL HALL Chuck Leavell “Th e most important thing is to do the song justice,” says Chuck Leavell. “It’s not about being fl ashy or trying to set the world on fi re. It’s about contributing to a piece of material CHUCK LEAVELL in the best way possible.” Live in Germany: Green Leaves & Blue Notes Tour 2007 [Evergreen Arts] Th at philosophy—with regards to Stones’ unoffi cial music director. When he’s keyboard playing—has served Leavell not on the road or in the studio, chances DISC 1 In the Wee Wee Hours well for four decades. Dating back to his are he’s busy working his tree farm in rural Route 66 earliest years with the Allman Brothers, the Georgia or rallying support for forestry and Living in a Dream King Grand 55-year-old Macon, Ga., native has graced conservation issues. Honky Tonk Women some of the most memorable recordings of Somehow, in the midst of these activities, Rip This Joint our times. His rollicking contribution to the Leavell has managed to record several Coming Home Down the Road a Piece Allmans’ “Jessica” is oft en cited as one of albums of his own. His latest—a two-CD Alberta, Alberta rock’s best piano solos. At the other extreme, set titled Live in Germany: Green Leaves & DISC 2 the subdued elegance he brought to Eric Blue Notes Tour 2007—employs all facets of Here Comes the Sun Clapton’s Unplugged album helped set the his keyboard skills. -
Winnovative HTML to PDF Converter for .NET
Gary James' Interview With Bernie Bollendorf Of The Rolling Stones Tribute The Glimmer Twins Ads by Google The Rolling Stones Keith Richards New Songs and Lyrics The Band Music The Glimmer Twins. Now there's a name that sounds familiar. It was given to Rolling Stones members Mick Jagger and Keith Richards. It also happens to be the name of the Rolling Stones Tribute Act, The Glimmer Twins. Bernie Bollendorf, who portrays Keith Richards in The Glimmer Twins, talked to us about his group. Q - Bernie, one thing I've noticed is that most Stones tribute acts include a Mick Taylor guitarist, not a Brian Jones guitarist. Only The Chesterfield Kings had a Brian Jones guy. Now, why is that? A - Mick Taylor was the most versatile guitar player they had. That's when they hit their stride, with Mick Taylor. He brought a different element to the band. This fabulous Blues lead guitar player that they had never had before. Brian Jones was a multi-talented instrumentalist, but Mick Taylor, like Ron Woods, was like a breath of fresh air. Mick Taylor, fabulous player, but looked like a microphone stand onstage. Ron Wood comes in, not as versatile, but a great player and he's jumpin' all over the stage, jumpin' on Jagger's back. A whole new life. Mick never really interacted with Keith onstage. Keith had his back to the crowd. He was tryin' to stand up the whole show. (laughs). Q - Are you one of those guys that tries to learn everything you can about Keith Richards? When his autobiography came out, did you run to the store to buy it? A - My girlfriend bought it for me. -
The History of Rock Music: 1955-1966
The History of Rock Music: 1955-1966 Genres and musicians of the beginnings History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) The Flood 1964-1965 (These are excerpts from my book "A History of Rock and Dance Music") The Tunesmiths TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Beach Boys' idea of wedding the rhythm of rock'n'roll and the melodies of pop music was taken to its logical conclusion in Britain by the bands of the so- called "Mersey Sound". The most famous of them, the Beatles, became the object of the second great swindle of rock'n'roll. In 1963 "Beatlemania" hit Britain, and in 1964 it spread through the USA. They became even more famous than Presley, and sold records in quantities that had never been dreamed of before them. Presley had proven that there was a market for rock'n'roll in the USA. Countless imitators proved that a similar market also existed in Europe, but they had to twist and reshape the sound and the lyrics. Britain had a tradition of importing forgotten bluesmen from the USA, and became the center of the European recording industry. European rock'n'roll was less interested in innuendos, more interested in dancing, and obliged to merge with the strong pop tradition. -
CPY Document
COUNCIL FILE NO. (J _ f)& 71 COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _ ì A. Future Street Acceptance. _ ì B. Quitclaim of Easement(s). _ ì C. Dedication of Easement(s). _ ì D. Release of Restriction(s). -l E. Request for Star in Hollywood Walk of Fame. _ ì F. Brass Plaque(s) in San Pedro Sport Walk. _ ì G. Resolution to Vacate or Ordinance submitted in response to Council action. _ ì H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* ¡; Council Office of the District ~. Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in CounciL. AFTER COUNCIL ACTION: L Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. lOther: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles, California To the Honorable Council MAR 0 2 Z007 Ofthe City of Los Angeles Honorable Members: C. -
Are We Still Rolling?
Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone. -
Talento Sharona
Talento Sharona THE KNACK: IL FENOMENO “SHARONA” THE KNACK, “IL TALENTO”: questo è il nome della band di Los Angeles capitanata da Doug Fieger (chitarra e voce) e Berton Averre (chitarra) che ha segnato il mondo della musica a partire dalla fine degli anni settanta! A completare il quartettoPrescott Niles (basso) e Bruce Gary (batteria). Una delle band meno prolifiche del panorama Rock, ma sicuramente tra le più incisive. Una sola canzone che ha reso THE KNACK immortali: My Sharona! Con questo capolavoro THE KNACK del compianto Fieger (Doug Fieger è morto nel 2010 all’età di 57 anni per un tumore cerebrale; n.d.a.) hanno scalato le vette delle classifiche di quasi tutti i paesi del mondo rimanendoci fino ai giorni nostri. My Sharona è infatti la canzone più ascoltata da intere generazioni. Sono disposto a sfidare chiunque abbia più di 12 anni a non conoscere questo simbolo del Rock targato anni settanta… ottanta, novanta, duemila, duemilaedieci e pure venti! Moltissimi sono i musicisti che hanno adorato le canzoni di Doug & Co. ed alcuni hanno continuato a suonare la cover di My Sharona nei loro concerti, ricordo solo questi mostri sacri del Rock: METALLICA, FOO FIGHTERS, NIRVANA e ci metto pure i TIMORIA dell’amico Omar Pedrini. THE KNACK sono stati spesso sottovalutati, nonostante abbiano prodotto pezzi di grandissimo valore come Good Girls Don’t e Baby Talks Dirty. Solo My Sharona però ha tributato al Combo californiano un successo strabiliante. Il riff iniziale è uno dei più celebri e riconoscibili del Rock, forse anche più famoso dell’intro di Smoke on the Water dei DEEP PURPLE. -
Lanthorn, Vol. 12, No. 14, November 15, 1979 Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Volume 12 Lanthorn, 1968-2001 11-15-1979 Lanthorn, vol. 12, no. 14, November 15, 1979 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol12 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 12, no. 14, November 15, 1979" (1979). Volume 12. 14. http://scholarworks.gvsu.edu/lanthorn_vol12/14 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 12 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Grand Valley's Student Run Weekly he Lanthorn Number 12 Volume 12 ALLENDALE, THURSDAY, NOVEMBER 15, 1979 Student Senate Refuses Request; WIB Has No Funds for Staff Warming up for the Zumberge Fol- lies? Nope, just rushing to clati. In The Student Senate Friday re dent Senate gave then $2,500. what the phone number is, and cidentally, the thought our photog fused a request from the Women’s Hubbard said the exception to the things like that." rapher was "crazy" for taking her Information Bureau (WIB) for an ex wage rule was denied because “by No decision was made pending in picture (photo by John Haafkel. ception to the rule which forbids use the time we got the (Student Senate) vestigation of the availability of of student activities fees for student constitution changed, it would be grant money. wages. winter term.” The senate also discussed the The senate also discussed hiring a Hubbard said that the Senate radio task force which is studying public relations officer for itself, and would try to support WIB in other WSRX and the possibility of getting heard a report on the radio task ways by searching for funds outside a national public radio on campus. -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.