ANCHOR BAY BAND BOOSTER EXECUTIVE BOARD The Anchor Bay High School
Tom Braun, President Instrumental Music Department Stacey Ary, Vice President - Fundraising Jodi Gunst, Vice President - Special Event Fundraising proudly presents the Jennifer Stone, Treasurer Heather Nutting, Financial Secretary Jackie Felker, Secretary Scott A. Oranchak, Instrumental Music Director SYMPHONIC BAND P. David Visnaw II, Instrumental Music Director and the
ANCHOR BAY HIGH SCHOOL ADMINISTRATION
Mr. Joseph McDonald, Principal WIND ENSEMBLE Mr. Victor Balaj, Assistant Principal Mr. David Boeskool, Assistant Principal in a Mr. Mark Prebay, Assistant Principal Mrs. Sherry Kenward, Director of Student Services & CTE Mr. Jason Battle, Athletic Director SPRING CONCERT
UPCOMING INSTRUMENTAL MUSIC EVENTS
05/10/18—Flower Sale Product Pick-Up 05/16/18 — Band Booster Meeting 05/22/18 — Marching Band Registration Night 05/28/18 — New Baltimore Memorial Day Parade 05/29/18 — ABHS Band Banquet 06/03/18 — Graduation (McMorran Auditorium, Port Huron) Tuesday, May 8, 2018 06/07, 06/08 & 06/09/18 — Marching Band Pre-Camp (‘18-‘19 MB) 7:30 P.M. 06/24/18 — Bay Rama Parade (‘18-‘19 MB) 07/23/18-07/28/18 — Marching Band Camp @ CMU Anchor Bay High School Auditorium
Scott A. Oranchak, Instrumental Music Director WWW.ANCHORBAYBANDS.ORG P. David Visnaw II, Instrumental Music Director . friends and harata and to ubjects of the ng counterpoint as a source of of source a as left available for e e suite, and the rking life became Heath (1927) for ersity in 1929 for ent: (1) a brutally mposer's life. The a work he never . This unique piece at St. Paul's Girls' n's Girls' School in l the end of his life. d “he let the music ry, ry, where he could deities of classical ty College, Reading, second theme found cter of each planet, at the Royal College er reached its height, rsity in January 1932 l suggestiveness. His erts at the Town Hall. erts at the Town er of that year, Holst's lming musical event of ics and audiences alike , London and whilst he playing the trombone in principal theme in triads nt and unperturbed. The est compositions to each nt and their lessons were was orderedwas his by doctor monic Society in 1930. He
Mars, The Bringer of War of Bringer The Mars, most creative period of the co s, therefore, no program for th dy dy composition under Stanford are used to create this movem dworking but not at all brillia and later Scottish Opera. ed by a flourished by of trumpets. gold medal of the Royal Philhar . He died on May 25, 1934. was born in Cheltenham in 1874. He began composing while at , composed between 1914 and 1916, is a suite of seven movements have its way with him.” There wa rhythmic figure of five beats relentlessly hammered out, (2) a was was appointed visiting lecturer in composition at Harvard but soon Unive after became ill. On his return to England in the summ health continued to decline The Planets Holst's starting point for though the his interest music in astrology was went no the deeper than daughter astrological its wrote musica that chara once the underlying idea had been formulate composer himself pointed out that it has no connection with the contains three musical ideas that mythology. The many clues individual movements. to the meaning of the music are the The s first movement in the Plants suite is often frustrating. He met Ralph Vaughan Williams in 1895, the two quickly becoming MARS “THE BRINGER OF WAR” “THE BRINGER OF WAR” MARS Gustav Holst Cheltenham Grammar School and spent two months at Oxford before being sent learni to London to stu beginning their lifelong habit of playing sketches of their new moving by chromatic steps with no true harmonic purpose; (3) a of Music. Stanford found him har other. At college he also learnt Sanskrit at University College consternation to the composer. Between 1920 and 1923 Holst's increasingly demanding: he was teaching at the wo RCM and Universi as well as conducting and recording. His popularity as a compos to cancel all professional engagements and to live in the count in the tenor voices and answer was was never fluent, he could translate read hymns from the from Rig Veda. Holst left the college in 1898, Ramayana and the Carl Rosa Opera Company the Mahab He married Isobel Harrison in 1901 and taught at the James Alle Holst's heavy and exhausting teaching composition often fragmented. was schedule meant that time It took him more than two considered years to to be write his The Planets best. (1914-16), The immediate success of this work w as indeed did the level of stress. For the of 1924whole Holst continue composing. His later works, such as the Choral Symphony (1923-4) and orchestra, Egdon which he believed to be his best, were found by crit to be bewildering and too 'cerebral' but Holst remained confide years from 1927 to 1933 were the of Cheltenhamtown organized a Holst Festival in 1927 conc with In his final years Holst was to remember it as the most overwhe his life. He accepted the Howland distinction in the arts and the Memorial Prize from Yale Univ Dulwich for two years before being School in Hammersmith appointed in 1905, where Director he continued to of teach unti Music
oncert, please join us in J. Williams, trans. Lavender J. Williams, trans.
bles………....………...arr. Bocook Bocook bles………....………...arr. PROGRAM
the cafeteria for an afterglow .
Immediately following tonight’s c
2nd HOUR SYMPHONIC BAND Highlights from Les Misera 1st HOUR SYMPHONIC BAND Brown of the Galaxy………….arr. Highlights from Guardians COMBINED SYMPHONIC BAND Prelude, Siciliano, and Rondo…………...Arnold, arr. Paynter WIND ENSEMBLE McAlister trans. War…………...... Holst, Mars: The Bringer of Harry’s Wondrous World………. he type of If your your If If you do do you If r legs, etc. appropriate uring audience with with a soft wax- l movements are talking, ask them the performer, but but the performer, rs and the audience o the performers and ep on the hour should . Pictures should be ce, it may be best that but there are are but there m one movement to the (even (even whispering can be rt setting. performance on stage has oot, bouncing you a movement) is finished, then aphs during a performance. T ate applause, terrupted by little things that may seem well as other members of the audience. well as other members of the audience. s not only distractings not only to nsideration, performe iate in the conce
so hard for their performance, the students ng suggestions will help audience members am, tapping f your - Never enter or exit the auditorium during a turned off. Watches set to be the flash are very distracting itched beeps are distracting t be tolerated. It i il calmer times prevail.
CONCERT ETIQUETTE CONCERT ering” is not appropr - Performers always appreci - Refrain from taking any photogr - Avoid rustling progr your - Leave early and allow enough time for parking and traffic. It is hard to avoid a spontaneous cough. Be prepared with some
- Talking should not
- Children need exposure to good music and live performances. - A performer's intense concentration can be in trivial to audience members. The followi show respect to the performers on stage as This will help the performers to do their best. When To Applaud you the auditorium exit unt By following basic edicts of respect and co will have a more pleasurable and meaningful experience as they perform and attend live concerts. Because they have worked on stage deserve to be treated with respect. audience members. Coughing cough drops or candies. Avoid cellophane wrappers. Many come young child begins to get restless in the middle of a performan paper that bewrapping much less noisy.will Taking Pictures click of a camera and especially taken after the performance. Children arrive late, wait by the doors until the first piece (not just moments to applaud. In a completed. multi-movement This allows work, the continuity applaud of the after piece to al flow “Hooting and holl next. fro Arrival Time take the nearestdiscreetly seat available. Entering and Exiting the Auditorium Pagers and cell phones should be performance. If you must enter or exit, please wait until the until wait please exit, or enter must If you performance. been completed. The most applause or set changes. appropriate times to move about are d Talking also be turned off. These high-p nicely to please stop. nicely Other Noises heard) during a musical performance. If someone around you is to every person in the audience. It is not acceptable to talk , , , . Far Far , with Mario ter Olympic ents. Liberty h his family in The Witches of Schindler's List 9 and 2007, six remonial music, remiered at the , lympics. In 2006, Home Alone , ritish ritish Academy of ds, 17 Grammys, s Eve, 1999. His ed Newman, and The Lost World The Lost ead from 2001 to , career in the film film the in career ing of Walt Disney h h Madame Rosina , t film of the famous ny ny the retrospective grams in the 1960s, s, Mr. Williams has r nearly eighty films, ootball. culture. ms returned to New both in clubs and on ed conductor. rty rty in American 1986. The Empire Strikes Goodbye Mr. Chips Goodbye Mr. , tter and the Sorcerer’s ributed musical themes trilogy trilogy transformed the and Born on the Fourth of July Jurassic Park Jaws , , , Star Wars Empire of the Sun , Always , Seven Years in Tibet E.T.: The Extra-Terrestrial studied composition privately , , Schindler's List Schindler's 998. Between the years of 199 , Jaws E.T.: The Extra-Terrestrial E.T.: The showcases showcases the music from the second film of the and became icons of American of concert and a renown works Amistad performed at the celebratory open ededication of the Statue of Libe , Sabrina series, have won him multiple awards and produced best-
PROGRAM NOTES PROGRAM NOTES , trilogy, trilogy, The Accidental Tourist Presumed Innocent , Nixon , one of the most popular and successful American orchestral Hook trilogy, trilogy, Close Encounters of the Third Kind , , Star Wars Indiana Jones JFK Sleepers , , Saving Private Ryan , the Harry’s Wondrous World World Wondrous Harry’s Superman , Indiana Jones One of America’s best known and composed most distinctive music artistic voice for many Fanfare was composed for the r important cultural and commemorative ev Journey, Journey, written to celebrate the new millennium and to accompa film The Unfinished Journey by director Steven Spielberg, was p Eastwick Back the Rosewood and Away Williams has composed the music and served as music director fo including landscape of Hollywood film music landscape of Hollywood “America’s Millennium” concert in Washington, D.C. orchestral on Soundings work was New Year’ more books were added to the series. In November 2001, the firs Harry Potter movie series was released. 2011. The movie franchise spr series, Harry Potter and the Chamber of Secrets. three Golden Globes, two Emmys and five BAFTA Awards from the B Film and Television Arts. Williams is also a noted composer Best known for his film scores and Williams’s scores ce for such films as selling recordings, and his scores for the original composers of the modern age, is the winner of five Academy Awar WONDROUS WORLD HARRY’S John Williams, Concert Hall in Los Angeles. In the world of sport, he has cont for the 1984, 1988, and Games, and 1996 the 1987 International Summer Summer Games of the Olympic Special O Games, the Mr. Williams composed the theme for NBC’s presentation of NFL F 2002 Win John Williams was born in New 1948. York and moved There to Los he Angeles wit attended UCLA and Castelnuovo-Tedesco. After service in the York Air Force, to Mr. attend Willia the Juilliard Lhevinne. While in School, New York, he where also worked he as a jazz studied recordings. pianist, He piano then returned wit to Los Angeles, where industry, he working began with his such composers as Franz Waxman. He Bernard went on to Herrmann, write music for many Alfr television pro Emmy Awardswinning for his two work. J. K. Rowling’s first book of the Harry Stone, Potter series, was Harry released Po in September 1 as well as the LES MISÉRABLES
Jay Bocook is a professional composer and arranger, and the Director of Athletic Bands at Furman University in Greenville, South Carolina. He was born in Clearwater, Florida in 1953 and received a Bachelor of Music degree from Furman University in 1975, and went on to receive a Master of Music degree from University of Louisiana at Monroe, (formerly Northeast Louisiana University). He is an alumnus of Phi Mu Alpha Sinfonia, the national men's music fraternity. Bocook became a Sinfonian at Furman University, joining the Gamma Eta chapter of Phi Mu Alpha Sinfonia in 1972. He was also inducted into the Theta Lambda chapter of Sigma Alpha Iota as a National Arts Associate in 2006. Thanks to all that have been using the Kroger Community Rewards Program to benefit the Anchor Bay Band Boosters. This program benefits the students of the Mr. Bocook began his composing and arranging career in graduate school, and began Anchor Bay Bands by allowing our organization to receive 5% of your total purchases to write for Jenson publications while serving as the band director at a small but well- at Kroger Stores. known high school in Travelers Rest, South Carolina, leading them to become the South Carolina AAA state marching band champions in 1978. He served as the Kroger has assigned the Anchor Bay Band Boosters a new NPO number of 82352 Director of Bands at Furman University from 1982 until 1989, where he continued his (you will need this number to register your Kroger Plus Card). There are basically rise to fame as an arranger. His arrangements were featured at the 1984, 1988, 1996, two steps to registering. Follow the directions below to get enrolled and start and 2002 Olympic Games. He writes for a wide range of ensembles, from elementary benefiting the Anchor Bay Band Boosters! bands to the United States Marine Band. He was recently inducted in the ABA (American Bandmasters Association), and in 2009, was inducted into the DCI (Drum Corps International) Hall of Fame. He is also a member of the (SCBDA) South Carolina STEP 1: Band Directors Association Hall of Fame Have your Kroger Plus Card handy and register online at www.krogercommunityrewards.com. Soundtrack Highlights from Les Misérables is a powerful symphonic setting of If you do not yet have a Kroger Plus card, they are available at the customer music from the award-winning based on a Broadway Classic. Including familiar service desk at any Kroger. You can get one there. melodies such as Do You Hear the People Sing?, I Dreamed a Dream, and At The End Click on Sign In/Register of the Day along with some specifically crafted for the film such as Suddenly.
Most participants are new online customers, so they must click on SIGN UP TODAY in the "New Customer?" box. GUARDIANS OF THE GALAXY Sign up for a Kroger Rewards Account by entering zip code, clicking on your favorite store, entering your email address and creating a password, agreeing to Michael Brown is a native of New Orleans, LA. He earned his M.M. in Music Theory the terms and conditions from The University of Texas at Austin and his B.M. in Music Theory from Furman You will then get a message to check your email inbox and click on the link University in Greenville, SC. Michael is currently Chief Arranger for The United States within the body of the email. Army Band ("Pershing's Own") in Washington, DC, having served previously as Chief Arranger for The United States Military Academy Band at West Point, NY. His STEP 2: arranging credits include: the Tonight Show with Jay Leno, the Opening Ceremonies of After clicking on the link in the email, click on My Account and use your email the 2002 Olympic Winter Games in Salt Lake City, UT, the National Symphony Orchestra, and the Kennedy Center Honors in Washington, DC. Michael draws upon address and password to proceed to the next step. his experience as a college and high school band director, church orchestra director, Click on Edit Kroger Community Rewards Information (on the right of the and freelance trumpeter. page) and input your Kroger Plus Card number. Update or confirm your information if needed. This arrangement of Guardians of the Galaxy includes the Marvel Studios Fanfare, Enter NPO number of 82352 (or name of organization) and select the Anchor Hooked on a Feeling, Come and get Your Love, Groot Cocoon, Cherry Bomb, and Bay Band Boosters from list that pops up and click on confirm. Ain’t No Mountain High Enough. To verify you are enrolled correctly, you will see your organization's name on the right side of your information page. ifficult) tation is that uses hears and complete complete and of time. ns, ns, often even science cannot cannot science and math than ctor’s full score back, stomach, stomach, back, olume changes, ions which must , cheek, and facial the arts. 1 points higher on music performance
Test Takers, TheTest Takers,College Board, com- d with the most exact control the most exact d with mantics mantics of music is the most tion, call it what you will. igher on SATs in both verbal th no coursework/experience in onment onment and times of its creatio ands exact acoustics. A condu A acoustics. exact ands eate emotion. That is one thing eate emotion. ings, but most of all… WHAT IS MUSIC? WHAT SCIENCE FOREIGN LANGUAGE MATHEMATICAL MATHEMATICAL HISTORY EDUCATION PHYSICAL ART DID YOU KNOW… High school music students score h their peers. In 2001, SAT takers with coursework/experience in scored 57 points higher on the verbal portion of the test and 4 the math portion than students wi Source: ProfileAchievement of SAT and piled by Music Educators National Conference, 2001.
be done, not worked out on paper. paper. out on not worked be done, certainly not English—but a highly developed kind of shorthand feeling. and/or racial the country and chest muscles, which respond instantly to the sound the mind interprets. the ear Music is all of these th them to cr use and techniques Music is a It is exact, specific; and it dem Music is It is rhythmically based on the subdivisions of time into fract Music is a Most of the terms are in Italian, German, or symbols to represent ideas. The se French; and the no Music is Music usually reflects the envir Music is It requires fantastic coordination of fingers, hands, arms, lip muscles, in addition to extraordinary control of the diaphragm, Music is It allows a human being to feeling, emo duplicate—humanism, take all these dry, technical (but d is a chart, a graph which indicates frequencies, intensities, v once an all at harmony melody, and universal language.
for the
exclusively exclusively to today today enjoys the c performance and math than England’s living y y and the London cated at the Royal irs of sound to be quiet return of the faithfully retains the forms: The ABACA h Gordon Jacob. He the arts. 1 1 points higher on begins bombastically in e Siciliano is both slower orth in boastful brilliance. Anchor Bay HS ovides a romping finale in hn Paynter’s arrangement
the imaginative melodies of Malcolm Arnold Malcolm Arnold for their help in providing lights, sound, Test Takers, TheTest Takers, College Board, com- for organizing the afterglows at this for organizing the afterglows
igher on SATs in both verbal th no coursework/experience in s the most uninhibited of all of ilence. The liltingly expressiv was originally written for the brass bands for which to the listener while giving ddle climax, and winds down to a service to the students of he rollicking five-part Rondo pr
PROGRAM NOTES at Northampton, England, BAND BOOSTER EXECUTIVE BOARD he original composition.
and the iliano and Rondo their peers. SAT test takers scored 57 with points higher coursework/experience on the verbal in portion of musi the the math portion than students wi test and 4 Source: ProfileAchievement of SAT and piled by Music Educators National Conference, 2001. DID YOU KNOW… High school music students score h England is well-known. It was titles Little Suite for Brass. Jo composers, both for what he says and how he says it. He was edu College of Music in London, where he majored in composition wit performed professionally as a trumpet player in the BBC Philharmonic, Symphon and since conducting. 1948 he has devoted his talents Prelude, Scic almost expands it to include woodwinds and additional breezy effervescence of t percussion, but All three movements are design written will be instantly apparent in short, clear five-part song time ,dedication, and volunteer Instrumental Music Program! heard. It, too, ends quietly. T and more expressive, affording solo instruments and smaller cho opening measures that fades to s thewhich technical brilliance of the modern wind band is set f fanfare style, but reaches a mi evening’s concert. reputation in his native land a Malcolm Arnold a natural, almost folk-like setting. The Prelude AMBER HART AND JOHN SEIFERT OUR BAND BOOSTER PARENTS BRAUN TOM RONDO PRELUDE, SICILIANO, AND Born on October 21, 1921 and video footage for tonight’s concert.
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TUBA Nico Zarb Ava Gunst A.J. Hunter Jack Myrick Evan Mehl Maria Tezak Yonus Harris TROMBONE EUPHONIUM Jason Joseph Tori Wolfgarth Connor Foster Dylan Grace* PERCUSSION Paige Shumney Matthew Taylor* Taylor* Matthew FRENCH HORN Jonathan Tezak* Jacob Valentino Sebastian Tesch Calli Rechsteiner* Nicholas Treadwell Thomas Maceri BASS TROMBONE BASS
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OBOE Eric Burns Ian Lewis* TRUMPET Earl Ribant Liam Dolan BASSOON BASSOON Erin Hatala* Haley Marion Blake Brdak Emma Ewalt* Emma Ewalt* Joey StephensJoey Nicholas Herod Isabella Oldani* Renae Haslam* Emma LaPlante Deven Shumney* Pierce Slominis* Hannah Nutting* Emily Pokropowicz Pokropowicz Emily ALTO SAXOPHONE SAXOPHONE ALTO TENOR SAXOPHONE TENOR SAXOPHONE THE ANCHOR BAY BAND BOOSTERS BARITONE SAXOPHONE SAXOPHONE BARITONE
WIND ENSEMBLE http://smile.amazon.com/ch/46-0519345
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FLUTE FLUTE PICCOLO Ana Miller* CLARINET Alexis Uresti Alexis Noelle Harris Emily Burley* Emily Alyssa Gruda Alyssa Alexis Misany Misany Alexis Lovell Mitchell Haley Munson Jessica Usrey* Jessica Usrey* Morgan Kirkley STRING BASS STRING BASS Amber Wyatt* Jennifer Barber Emily Emily Dehem* Elliya Haughton Logan Cabanilla* BASS CLARINET CLARINET BASS Daphne Bandemer* Jacquelyne Thompson Thompson Jacquelyne
TUBA Al Biland Alex Watts Alex Drew HicksDrew Lydia White T.J. Duggan Grace Dyer* Rhys Wilson Kassidy Ritts Kassidy TROMBONE Rana Ahmed Ahmed Rana Alyssa Braun Braun Alyssa David Ludwig Vin Edwards* Vin Edwards* EUPHONIUM Logan Becker Jessica Usrey Donald Scher* PERCUSSION Jacob Callebs* Lucas Paschall Douglas Gorde Gorde Douglas Sydney Carroll* Carroll* Sydney Ann Hutchinson Darren Holland* Holland* Darren Emma Goodrich Lamarr Mitchell* Madison Lorincz Nicholas Linteau Linteau Nicholas FRENCH HORN Madison Whitus* Brandon Cloutier Brendan Pihaylic Haylee Majewski Evelyn Slabaugh Slabaugh Evelyn Hunter Koscielski Qianshan Ella Hu Kaitlyn MickowskiKaitlyn Nathan McNamara McNamara Nathan Alexandra Brogdon Johnathon Newman
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OBOE Alec Belfry TRUMPET BASSOON BASSOON Aidan Felker Angela Allen Nolan Burley Cailyn Foster Carter Marrs* Joseph Leslie Kopp’r Parker Gabriel Dolan Frank Oldani* Kassidy MillerKassidy Drew KolodgeDrew Connor Foster Amaya FowlerAmaya Jarek Paparelli Hunter Garrett* Nicole Christie* Emma Pearson David Pecoraro Kadence Heath Miranda Cejmer Michael McLeod McLeod Michael Stephanie Bass* Abel Hunegnaw* Calli Rechsteiner Michael Faucher* Faucher* Michael Lee'Crystal Bailey Danielle Schaffer* Hailey Hailey Kuzminski+ Anthony Miscovich Miscovich Anthony Emily Gaedcke*+ Emily ALTO SAXOPHONE SAXOPHONE ALTO Kevin Gutenschwager TENOR SAXOPHONE TENOR SAXOPHONE BARITONE SAXOPHONE SAXOPHONE BARITONE Denotes Principal Part Players
SYMPHONIC BAND * Denotes MSBOA All-State Ensemble Denotes MSBOA All-State Ensemble # Denotes MSBOA District XVI Honors Band
+ ^ Denotes Detroit Symphony Civic Youth Ensemble ^ ÷Denotes Eastern Michigan University Honors Band Denotes Oakland University High School Honors Band ° Michigan State University Spartan Youth Wind Symphony Denotes Wayne State University High School Honors Band
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◄ FLUTE FLUTE Erika Law PICCOLO Earl Ribant CLARINET Paige Miele Hailie Upton Emma Ewalt Faith Adams Rachel Dufty Diana Brkic’* Sylvia Shunk Rachael Neal Julia Jackson Olivia Loving* Madison Piehl Adriana Asaro Taylor Swope* Jessica Rohrig Joey StephensJoey Megan Wagar* Juliana Fischer Ian McDerment Kelsey Jackson Jackson Kelsey Kaley Gustavus Kaley Emily Mathews* Emily Natalie Schaffer STRING BASS STRING BASS Trisha Corneillie Jackson Stone Samantha Shunk Dijana Vasilevski Montana Johnson Annalise Sbraccia BASS CLARINET CLARINET BASS Angelena Bartolotta Elizabeth Mickowski Samantha Slabaugh*+