PROGRAM NOTES Overture to “The Hebrides” (“Fingal's Cave”)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Authenticity of Genius Transcript
The Authenticity of Genius Transcript Date: Tuesday, 15 February 2011 - 1:00PM Location: Museum of London Gresham Lecture, 15 February 2011 The Authenticity of Genius Professor Christopher Hogwood You see that I have arrived with eight accomplices today, all named on the programme sheet. I shall just tell you how we arrived at this and the purpose. As you know, the overriding theme of these six lectures, this year has been the theme of authenticity. We have done various aspects such as whether the piece in question is what it says on the tin and that sort of thing. Last time, there were many fakes. The next lecture was going to be taking the story of music, as it were, from the manuscript, or from the library stage, into the sort of thing you can pick off the shelf and buy – i.e. the work of the musicologist, the librarian and the historian. The final lecture will carry that story on - dealing with the business of picking the printed volume off the shelf and deciding to include it in a recital, in a concert, in a recording, and for that, I will be joined by Dame Emma Kirby. We will talk about what goes on in a performer’s life and in a performer’s mind when faced with a new piece of repertoire and how you bring it to life respectably from the silent piece of music that you took from the library or bought off the shelf. That does seem to leave one stage missing - the stage before the thing hits the paper, which is what goes on to create this music, and that is why we have “Authenticity of Genius” today. -
The Legacy of J O H N P
THE UNITED STATES ARMY FIELD BAND The Legacy of J OHN P. P AY N T E R Washington, D.C. “The Musical Ambassadors of the Army” rom Boston to Bombay, Tokyo to Toronto, The United States Army Field Band has been thrilling audiences of all ages for more than half a century. As F the premier touring musical representative for the United States Army, this internationally-acclaimed organization travels thousands of miles each year presenting a variety of music to enthusiastic audiences throughout the nation and abroad. Through these concerts, the Field Band keeps the will of the American people behind the members of the armed forces and supports diplomatic efforts around the world. The Concert Band is the oldest and largest of the Field Band’s four performing components. This elite 65-member instrumental ensemble, founded in 1946, has per- formed in all 50 states and 25 foreign countries for audiences totaling more than 100 million. Tours have taken the band throughout the United States, Canada, Mexico, South America, Europe, the Far East, and India. The group appears in a wide variety of settings, from world-famous concert halls, such as the Berlin Philharmonie and Carnegie Hall, to state fairgrounds and high school gymnasiums. The Concert Band regularly travels and performs with the Soldiers’ Chorus, together presenting a powerful and diverse program of marches, overtures, popular music, patriotic selections, and instrumental and vocal solos. The organization has also performed joint concerts with many of the nation’s leading orchestras, including the Boston Pops, Cincinnati Pops, and Detroit Symphony Orchestra. -
Ithaca College Concert Band Ithaca College Concert Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-14-2016 Concert: Ithaca College Concert Band Ithaca College Concert Band Jason M. Silveira Justin Cusick Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Concert Band; Silveira, Jason M.; and Cusick, Justin, "Concert: Ithaca College Concert Band" (2016). All Concert & Recital Programs. 1779. http://digitalcommons.ithaca.edu/music_programs/1779 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Concert Band "Road Trip!" Jason M. Silveira, conductor Justin Cusick, graduate conductor Ford Hall Thursday, April 14th, 2016 8:15 pm Program New England Tritych (1957) William Schuman I. Be Glad Then, America (1910–1992) II. When Jesus Wept 17' III. Chester More Old Wine in New Bottles (1977) Gordon Jacob I. Down among the Dead Men (1895–1984) II. The Oak and the Ash 11' III. The Lincolnshire Poacher IV. Joan to the Maypole Justin Cusick, graduate conductor Intermission Four Cornish Dances (1966/1975) Malcolm Arnold I. Vivace arr. Thad Marciniak II. Andantino (1921–2006) III. Con moto e sempre senza parodia 10' IV. Allegro ma non troppo Homecoming (2008) Alex Shapiro (b. 1962) 7' The Klaxon (1929/1984) Henry Fillmore arr. Frederick Fennell (1881–1956) 3' Jason M. Silveira is assistant professor of music education at Ithaca College. He received his Bachelor of Music and Master of Music degrees in music education from Ithaca College, and his Ph. -
Cbarber Repertoire 2020.Pdf
Carolyn A. Barber University of Nebraska-Lincoln Conducting Repertoire, 2001-present UNL Wind Ensemble 2020 [April 28 concert cancelled due to COVID-19 precautions on campus] March 11, Kimball Recital Hall Joan Tower, Fanfare for the Uncommon Woman No. 1 (1987) Victoria Bond, The Indispensable Man (2010) *Nebraska premiere performance Felicia Sandler, Rosie the Riveter (2000) *Nebraska premiere performance Jonathan Newman, Symphony No. 1: My Hands Are a City (2009) 2019 December 11, Kimball Recital Hall https://youtu.be/4HBj7rIC6vk Gustav Holst, Suite in E-flat (1909) Percy Grainger, arr. Perna, Mock Morris (1910/2016) Joshua Cutting, doctoral associate conductor J.S. Bach, arr. N. Falcone, Passacaglia and Fugue in C minor (1712/1969) Gustav Holst, Bach’s Fugue à la Gigue (1707/1928) Rubén Gómez, doctoral associate conductor Percy Grainger, Colonial Song (1919/1997) Paul Hindemith, Symphony in B-flat (1951) October 2, Kimball Recital Hall https://youtu.be/RkzJB7msUuY Stephen Montague, Intrada 1631 (2003) Donald Grantham, Circa 1600 (2018) Kathryn Salfelder, Crossing Parallels (2011) Bob Margolis, Terpsichore (1981) Roberto Sierra, arr. Scatterday, Tumbao from Sinfonia No. 3 (2005/2009) *Nebraska premiere performance [Spring semester sabbatical – Newell Scholar at Georgia College] 2018 December 5, Kimball Recital Hall https://youtu.be/OwTWlg7jmiI Larry Tuttle, Across the Divide (2018) Carter Pann, The Three Embraces (2013) Cindy McTee, California Counterpoint: The Twittering Machine (1993) Carter Pann, My Brother’s Brain: A Symphony for Winds (2011) Carter Pann, Floyd’s Fantastic Five-Alarm Foxy Frolic (2009) October 3, Kimball Recital Hall Bernard Rogers, Three Japanese Dances: Dance with Pennons (1933/1956) Jennifer Jolley, The Eyes of the World Are Upon You (2017) *Nebraska premiere performance Frank Ticheli, Amazing Grace (1994) Rubén Gómez, doctoral associate conductor David Maslanka, Symphony No. -
The Inspiration Behind Compositions for Clarinetist Frederick Thurston
THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing. -
Richard Rodgers Victory at Sea Vol. 2 Mp3, Flac, Wma
Richard Rodgers Victory At Sea Vol. 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical / Stage & Screen Album: Victory At Sea Vol. 2 Country: US Released: 1960 Style: Score MP3 version RAR size: 1932 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1653 mb Rating: 4.7 Votes: 909 Other Formats: VQF DMF AAC MP3 VOC MP1 ADX Tracklist A1 Fire On The Waters A2 Danger Down Deep A3 Mediterranean Mosaic A4 The Magnetic North B1 Allies On The March B2 Voyage Into Fate B3 Peleliu B4 The Sound Of Victory Companies, etc. Record Company – Radio Corporation Of America Pressed By – RCA Records Pressing Plant, Indianapolis Credits Arranged By – Robert Russell Bennett Conductor – Robert Russell Bennett Liner Notes – Richard Hanser Orchestra – RCA Victor Symphony Orchestra Painting – Victor Kalin Notes This reissue version is on a label style that ran 1955-60. Often referred to as the "shaded dog" label that has a full color image of "Nipper" at the top. The rim text includes "- Camden, N.J. -" that was removed in 1960. This version is not a gatefold. Label has LSC 2226. Cover has LSC-2226 on the front and spine and LSC-2226 RE on the back. Suite from the score composed by Richard Rodgers for the NBC Television Production Robert Russell Bennett conducting the RCA Victor Symphony Orchestra The liner notes by Richard Hanser are noted with: "© by Radio Corporation of America, 1960". Barcode and Other Identifiers Matrix / Runout (Label matrix side A): J2RY-3630 Matrix / Runout (Label matrix side B): J2RY-3631 Matrix / Runout (Run-out side A / stamped): J2 RY-360-14S ɪ B2 Matrix / Runout (Run-out side B / stamped): J2 RY-361-3S C2 ɪ Other versions Category Artist Title (Format) Label Category Country Year Richard Rodgers, Robert RCA Richard Rodgers, Russell Bennett - Victory Victor LSC-2226 Robert Russell LSC-2226 US 1958 At Sea Vol. -
November 8, 2020 Twenty-Third Sunday After Pentecost Proper 27 Website: Stpaulsokc.Org
November 8, 2020 Twenty-third Sunday after Pentecost Proper 27 Website: stpaulsokc.org Prelude Wachet auf! ruft uns die Stimme 2. Zion hears the watchman singing; (Sleepers, wake! a voice astounds us) her heart with joyful hope is springing, J.S. Bach she wakes and hurries through the night. Forth he comes, her Bridegroom glorious Welcome in strength of grace, in truth victorious: Welcome to St. Paul’s Episcopal Cathedral; we are her star is risen, her light grows bright. so glad you are here. St. Paul’s is a safe and welcom- Now come, most worthy Lord, ing place for all people. If you are new to St. Paul’s God’s Son, Incarnate Word, we encourage you to get connected with our weekly Alleluia! email newsletter. You can sign up online at We follow all and heed your call stpaulsokc.org. to come into the banquet hall. A friendly reminder to those who are worshiping in- 3. Lamb of God, the heavens adore you; person, please have your mask on (covering your let saints and angels sing before you, mouth and nose) and maintain social distancing at as harps and cymbals swell the sound. all times during the service. Additionally, we cannot Twelve great pearls, the city’s portals: have congregational singing at this time, so during through them we stream to join the immortals the hymns we invite you to listen to the choristers and as we with joy your throne surround. follow along with the words printed in the bulletin. No eye has known the sight, We thank you in advance for adhering to these Dioc- no ear heard such delight: esan protocols which keep us all safe and allow for us Alleluia! to worship in-person. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
Musmeds&Notes-October 21, 2020
MUSICAL MEDITATIONS: CELEBRATING CLASSICAL MUSIC Wednesday, October 21, 2020 * * * Songs without Words………………………………………...….Felix Mendelssohn Op. 19, No. 1: Andante con moto Op. 19, No. 4: Moderato Op. 102, No. 3: Presto Sonata Op. posth. 164, D. 537…………………..…………………Franz Schubert Allegro, ma non troppo Allegretto, quasi Andantino Allegro vivace Karen Harvey, piano * * * Thank you for tuning in to today’s musical meditation. Please consider joining us next week, which will feature music of Bach, Copland, Satie and Griffes. Notes on today’s music Jakob Ludwig Felix Mendelssohn Bartholdy (February 3, 1809 – November 4, 1847), a.k.a. Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions incluDe symphonies, concertos, piano music, organ music and chamber music. His best-known works incluDe the overture and incidental music for A Midsummer Night's Dream (containing the famous Wedding March), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The meloDy for the Christmas carol "Hark! The HeralD Angels Sing" is also his. Songs Without Words are his most famous solo piano compositions. A grandson of the philosopher Moses MenDelssohn, Felix MenDelssohn was born into a prominent Jewish family, anD though he was recogniseD early as a musical proDigy, his parents were cautious and did not seek to capitalise on his talent. MenDelssohn enjoyeD early success in Germany, anD singlehandedly reviveD interest in the music of Johann Sebastian Bach with his performance of the St. Matthew Passion in 1829. -
Julian Pellicano Repertoire Copy
JULIAN PELLICANO Resident Conductor Winnipeg Symphony Orchestra CONCERT REPERTOIRE John Adams Scratchband Shaker Loops The Wound Dresser Timo Andres Home Strech George Antheil Ballet Mecanique (ed. 1923) Ballet Mecanique (ed. 1957) J. S. Bach Little Fugue in G minor (arr. Stokowski) Orchestral Suite no. 1 in C major, BWV 1066 Orchestral Suite no. 2 in B minor, BWV 1067 Orchestral Suite no. 3 in D major, BWV 1068 Ricercar a 6 from Musical Offering (orch. Webern) Samuel Barber Adagio for Strings A Hand of Bridge Canzonetta Knoxville: Summer of 1915 Second Essay, op. 17 Bela Bartok Concerto for Orchestra Divertimento Romanian Folk Dances Viola Concerto Ludwig van Beethoven Egmont Overture, op. 84 Fidelo Overture, op. 72 Leonore Overture no. 3, op. 72b Coriolan Overture, op. 62 KIng Stephen Overture, op. 117 Creatures of Prometheus Overture, op. 43 No Non Turbati! Octet, op. 103 Piano Concerti no. 1 - 5 Symphonies no. 1 - 9 Violin Concerto, op. 61 Alban Berg Drei Orchesterstucke, op. 6 Hector Berlioz Roman Carnival Overture Royal Hunt and Storm from Les Troyens Symphonie Fantastique, op. 14 Scene D’Amour from Romeo and Juliet Leonard Bernstein Overture to Candide On the Town: Three Dance Episodes Overture to WEst Side Story (ed. Peress) Symphonic Dances from West Side Story Slava! Georges Bizet Carmen Suite no. 1 Carmen Suite no. 2 L’Arlesienne Suite no. 1 L’Arlesienne Suite no. 2 Alexander Borodin In the Steppes of Central Asia Polovtsian Dances Symphony no. 2 Johannes Brahms Academic Festival Overture, op. 80 Hungarian Dances no. 1,3,5,6,20,21 Symphonies no. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A.