Spring 2019 Commencement Program Book
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Pietro Scalia
Pietro Scalia Pietro Scalia werd op 17 maart 1960 geboren in Catania. Terwijl hij binnen de Amerikaanse film actief was vermengde hij tijden van filmmontage met de visuele en geluidsritmes van andere moderne media (videoclips, nieuws, digitaal) daarbij de natuurlijkheid benadrukkend van het acteerspel van de acteurs en in zijn vak een bewustere blik introducerend die dicht(er)bij het gezichtspunt van de regie ligt. Hij werd opgeleid in de werkgroep van Oliver Stone en werkte vervolgens voornamelijk samen met Ridley Scott. Hij won twee Oscars, in 1992 (samen met Joe Hutshing) voor Stone's JFK (1991; JFK - A Case Still Open) en 2002 voor Scott's Black hawk down (2001) en twee nominaties, in 1998 voor Good Will Hunting (1997) van Gus Van Sante en in 2001 voor Scott's Gladiator (2000). Hij won ook twee keer de BAFTA Award en drie keer de Eddie Award, uitgereikt door American Cinema Editors. Op éénjarige leeftijd verhuisde hij met zijn familie naar Zwitserland, waar hij zijn basis- en middelbare school volgde. In 1978 ging hij naar de Verenigde Staten om film te studeren; na twee jaar aan de State University of New York in Albany volgde hij regie- en productiecursussen aan de University of California in Los Angeles waar hij in 1985 zijn master in Film and Theatre Arts behaalde. Hij maakte zijn filmdebuut als assistent van filmmonteur Alain Jakubowicz in de postproductie van Andrei Michalkov Končalovskij's Shy people (1987). Gefascineerd als hij was door de films van Oliver Stone's voegde hij zich bij diens postproductieteam en werkte zo als assistent van Claire Simpson in Wall Street (1987) en van David Brenner en Joe Hutshing voor Talk radio (1988). -
Graduate Catalog of Studies, 2015-2016
University of Arkansas, Fayetteville ScholarWorks@UARK Graduate School Catalog of Studies Catalog of Studies 2016 Graduate Catalog of Studies, 2015-2016 University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/catalog-grad Citation University of Arkansas, Fayetteville. (2016). Graduate Catalog of Studies, 2015-2016. Graduate School Catalog of Studies. Retrieved from https://scholarworks.uark.edu/catalog-grad/15 This Periodical is brought to you for free and open access by the Catalog of Studies at ScholarWorks@UARK. It has been accepted for inclusion in Graduate School Catalog of Studies by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. 2015-16 GRADUATE Catalog of Studies TM Center for Social Research ............................................................ 29 Table of Contents Center for Statistical Research and Consulting .............................. 29 Welcome to the University of Arkansas .................................................. 4 Center for Utilization of Rehabilitation Resources for Education, Networking, Training and Services ................................................. 30 General Information ................................................................................. 5 Center of Excellence for Poultry Science ....................................... 30 Contact Information ................................................................................. 7 Chemical Hazards Research Center ............................................. -
The Legacy of J O H N P
THE UNITED STATES ARMY FIELD BAND The Legacy of J OHN P. P AY N T E R Washington, D.C. “The Musical Ambassadors of the Army” rom Boston to Bombay, Tokyo to Toronto, The United States Army Field Band has been thrilling audiences of all ages for more than half a century. As F the premier touring musical representative for the United States Army, this internationally-acclaimed organization travels thousands of miles each year presenting a variety of music to enthusiastic audiences throughout the nation and abroad. Through these concerts, the Field Band keeps the will of the American people behind the members of the armed forces and supports diplomatic efforts around the world. The Concert Band is the oldest and largest of the Field Band’s four performing components. This elite 65-member instrumental ensemble, founded in 1946, has per- formed in all 50 states and 25 foreign countries for audiences totaling more than 100 million. Tours have taken the band throughout the United States, Canada, Mexico, South America, Europe, the Far East, and India. The group appears in a wide variety of settings, from world-famous concert halls, such as the Berlin Philharmonie and Carnegie Hall, to state fairgrounds and high school gymnasiums. The Concert Band regularly travels and performs with the Soldiers’ Chorus, together presenting a powerful and diverse program of marches, overtures, popular music, patriotic selections, and instrumental and vocal solos. The organization has also performed joint concerts with many of the nation’s leading orchestras, including the Boston Pops, Cincinnati Pops, and Detroit Symphony Orchestra. -
Ithaca College Concert Band Ithaca College Concert Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-14-2016 Concert: Ithaca College Concert Band Ithaca College Concert Band Jason M. Silveira Justin Cusick Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Concert Band; Silveira, Jason M.; and Cusick, Justin, "Concert: Ithaca College Concert Band" (2016). All Concert & Recital Programs. 1779. http://digitalcommons.ithaca.edu/music_programs/1779 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Concert Band "Road Trip!" Jason M. Silveira, conductor Justin Cusick, graduate conductor Ford Hall Thursday, April 14th, 2016 8:15 pm Program New England Tritych (1957) William Schuman I. Be Glad Then, America (1910–1992) II. When Jesus Wept 17' III. Chester More Old Wine in New Bottles (1977) Gordon Jacob I. Down among the Dead Men (1895–1984) II. The Oak and the Ash 11' III. The Lincolnshire Poacher IV. Joan to the Maypole Justin Cusick, graduate conductor Intermission Four Cornish Dances (1966/1975) Malcolm Arnold I. Vivace arr. Thad Marciniak II. Andantino (1921–2006) III. Con moto e sempre senza parodia 10' IV. Allegro ma non troppo Homecoming (2008) Alex Shapiro (b. 1962) 7' The Klaxon (1929/1984) Henry Fillmore arr. Frederick Fennell (1881–1956) 3' Jason M. Silveira is assistant professor of music education at Ithaca College. He received his Bachelor of Music and Master of Music degrees in music education from Ithaca College, and his Ph. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Quarterly Journal of the All India Glass Manufacturers' Federation Inside
Vol. 4 | No. 1 | April - June 2016 www.aigmf.com Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual Inside Interview Special Feature Yoshihiko Sano • Sustainability in Glass President of Nipro Corporation • A Note on Closed Glass Companies in the USA • Nipro Injects Innovation into Pre- for Artistic Appreciation filled Syringes and Targets US Expansion • Efficient Workflow: Automation and Digitisation Reduce Production and Handling Costs Upcoming Events (Sept 2, 2016) • FEA Studies of Impact Loads on NNPB Refillable • Enhancing Profitability by Empowering Workforce Bottles • Business Opportunities for Indian Glass Companies at Port of Duqm, • Energy Efficient Renovation Boost for Added- Sultanate of Oman Value Glazing • AIGMF Executive Committee Meeting / AGM Main Story Glass Packaging Supporting Swachh Bharat Abhiyaan (Clean India Campaign) event at Central Glass and Ceramic Research Institute (CSIR-CGCRI), Kolkata Page No. 6 Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material - An Publication GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: PORT OF DUQM Duqm, 100% Foreign Ownership the preferred Tax -exemption for 30 years Free Repatriation of Capital Special Economic & profi ts No minimum capital requirement No currency restrictions Zone for your No personal income tax Exemption from import & overseas export duties Usufruct agreements up to 50 years renewable investment One-stop station service For more information, contact: Port of Duqm Company SAOC Tel: (+968) 24342800 | Fax: (+968) 24587343 | [email protected] | www.portduqm.com 2 Kanch | Vol. -
New on Video &
New On Video & DVD Yes Man Jim Carrey returns to hilarious form with this romantic comedy in the same vein as the Carrey classic Liar Liar. After a few stints in more serious features like Eternal Sunshine Of The Spotless Mind and The Number 23, Carrey seems right at home playing Carl, a divorcé who starts out the film depressed and withdrawn, scared of taking a risk. Pressured by his best friend, Peter (Bradley Cooper), to get his act together or be stuck with a lonely life, Carl attends a New Age self-help seminar intended to change "no men" like Carl into "yes men" willing to meet life's challenges with gusto. Carl is reluctant at first, but finds the seminar to be ultimately life-changing when he's coerced into giving the "say yes" attitude a try. As the first opportunity to say yes presents itself, Carl hesitantly utters the three-letter word, setting the stage for a domino effect of good rewards, and giving Carrey a platform to show off his comic chops. But over time Carl realizes that saying yes to everything indiscriminately can reap results as complicated and messy as his life had become when saying "no" was his norm. The always-quirky Zooey Deschanel adds her signature charm as Carl's love interest, Allison. An unlikely match at first glance, the pair actually develop great chemistry as the story progresses, the actors play- ing off each other's different styles of humor. Rhys Darby also shines as Carl's loveable but clueless boss, and That 70s Show's Danny Masterson appears as another one of Carl's friends. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
The Humane Society
5B414 Measure TItle: RELATING TO COMMERCIAL DOG BREEDERS. Report TItle: Animal Cruelty; Dog Breeders; Licensing; Penalties; Counties Requires specified persons who own, control, or have custody or control of ten or more dogs over age four months with intact sexual organs to meet minimum standards of care to ensure the proper treatment and care of dogs and the dogs' offspring. Prohibits any person from owning or having custody of more than thirty dogs over age of one year with intact sexual organs. Requires specified persons to maintain specific records for each dog for at Description: least three years following the death of the dog or a date on which the person permanently ceased to have possession or control of the dog. Prohibits certain types of dogs in the same enclosure. Establishes penalties. Requires the licensing of dog breeders; authorizes each county to develop license requirements and fees; establishes minimum standards of care; authorizes each county to pursue civil penalties for noncompliant dog breeders. Effective 07/01/50. (SD1) Companion: HB233 Package: CCH Prosecutor Current Referral: JDL, CPN/WAM Introducer(s): KIM (Introduced by request of another party) Sort bJl Status Text Date 1/18/2013 5 Introduced. 1/22/2013 5 Passed First Reading. 1/22/2013 5 Referred to JDL, CPN. The committee(s) on JDL has scheduled a public hearing on 01-30-13 9:30AM in conference 1/25/2013 5 room 016. 1/29/2013 5 Re-Referred to JDL, CPN/WAM. The committee(s) on JDL recommend(s) that the measure qe PASSED, WITH AMENDMENTS. -
12/05/2005 Case Announcements #2, 2005-Ohio-6408.]
CASE ANNOUNCEMENTS AND ADMINISTRATIVE ACTIONS December 5, 2005 [Cite as 12/05/2005 Case Announcements #2, 2005-Ohio-6408.] MISCELLANEOUS ORDERS On December 2, 2005, the Supreme Court issued orders suspending 13,800 attorneys for noncompliance with Gov.Bar R. VI, which requires attorneys to file a Certificate of Registration and pay applicable fees on or before September 1, 2005. The text of the entry imposing the suspension is reproduced below. This is followed by a list of the attorneys who were suspended. The list includes, by county, each attorney’s Attorney Registration Number. Because an attorney suspended pursuant to Gov.Bar R. VI can be reinstated upon application, an attorney whose name appears below may have been reinstated prior to publication of this notice. Please contact the Attorney Registration Section at 614/387-9320 to determine the current status of an attorney whose name appears below. In re Attorney Registration Suspension : ORDER OF [Attorney Name] : SUSPENSION Respondent. : : [Registration Number] : Gov.Bar R. VI(1)(A) requires all attorneys admitted to the practice of law in Ohio to file a Certificate of Registration for the 2005/2007 attorney registration biennium on or before September 1, 2005. Section 6(A) establishes that an attorney who fails to file the Certificate of Registration on or before September 1, 2005, but pays within ninety days of the deadline, shall be assessed a late fee. Section 6(B) provides that an attorney who fails to file a Certificate of Registration and pay the fees either timely or within the late registration period shall be notified of noncompliance and that if the attorney fails to file evidence of compliance with Gov.Bar R. -
Fall 2017 Commencement Program
TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Fall 2017 December 11-13, 2017 THE NATIONAL ANTHEM THE STAR-SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements.