Museum Explorers Ancient Greeks
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The Zodiac: Comparison of the Ancient Greek Mythology and the Popular Romanian Beliefs
THE ZODIAC: COMPARISON OF THE ANCIENT GREEK MYTHOLOGY AND THE POPULAR ROMANIAN BELIEFS DOINA IONESCU *, FLORA ROVITHIS ** , ELENI ROVITHIS-LIVANIOU *** Abstract : This paper intends to draw a comparison between the ancient Greek Mythology and the Romanian folk beliefs for the Zodiac. So, after giving general information for the Zodiac, each one of the 12 zodiac signs is described. Besides, information is given for a few astronomical subjects of special interest, together with Romanian people believe and the description of Greek myths concerning them. Thus, after a thorough examination it is realized that: a) The Greek mythology offers an explanation for the consecration of each Zodiac sign, and even if this seems hyperbolic in almost most of the cases it was a solution for things not easily understood at that time; b) All these passed to the Romanians and influenced them a lot firstly by the ancient Greeks who had built colonies in the present Romania coasts as well as via commerce, and later via the Romans, and c) The Romanian beliefs for the Zodiac is also connected to their deep Orthodox religious character, with some references also to their history. Finally, a general discussion is made and some agricultural and navigator suggestions connected to Pleiades and Hyades are referred, too. Keywords : Zodiac, Greek, mythology, tradition, religion. PROLOGUE One of their first thoughts, or questions asked, by the primitive people had possibly to do with sky and stars because, when during the night it was very dark, all these lights above had certainly arose their interest. So, many ancient civilizations observed the stars as well as their movements in the sky. -
Arcl0017 Greek Art and Architecture Ucl - Institute of Archaeology
ARCL0017 GREEK ART AND ARCHITECTURE UCL - INSTITUTE OF ARCHAEOLOGY Coordinator: Dr. Eva Mol Office hours: weekly chat sessions Wed 12-1pm or by appointment between Mon-Wed 9-17pm. Email: [email protected]; Year 2/3 BA Module, 15 credits Please see the online IoA Student Handbook for instructions on coursework submission, IoA referencing guidelines and marking criteria, as well as UCL policies on penalties for late submission. ARCL0017 1. OVERVIEW&SCHEDULE Introduction This module introduces Greek art and architecture in the period 2500-50 BC. In the context of a broad chronological survey, the focus is on three main themes: (1) the relationship between Greek art and society (2) addressing current problems in Greek art history and contemporary society, and (3) extensive training in visual analysis and the different lenses to look at Greek art. This year, as the course will be taught remotely, it will consist of different modes of online teaching that contain individual creativity, group fun, and lively discussions using famous objects and buildings belonging to the so-called ‘Greek canon’, and lesser known or even excluded object categories that will expand our idea of what Greek art is. Normally, we would go to the British Museum together, and look at all the incredible objects up close. This is not possible for the semester, but that does not mean we cannot discuss or study them. In fact, teaching the module online will provide us with the great opportunity to look beyond the British Museum (or any museum for that matter) and the Classical canon, and discuss together what Greek Art is right now, and how make it more relevant in the future. -
And KEEPING up with the PERSIANS Some Reflections on Cultural Links in the Persian Empire
Working draft, not for distribution without permission of the author 1 ‘MANNERS MAKYTH MAN’ and KEEPING UP WITH THE PERSIANS Some reflections on cultural links in the Persian Empire Christopher Tuplin (University of Liverpool) Revised version: 9 June 2008 The purpose of the meeting (according to the web site) is to explore how ancient peoples expressed their identities by establishing, constructing, or inventing links with other societies that crossed traditional ethnic and geographic lines. These cross-cultural links complicates, undermine, or give nuance to conventional dichotomies such as self/other, Greek/barbarian, and Jew/gentile In the Achaemenid imperial context this offers a fairly wide remit. But it is a remit limited – or distorted – by the evidence. For in this, as in all aspects of Achaemenid history, we face a set of sources that spreads unevenly across the temporal, spatial and analytical space of the empire. For what might count as an unmediated means of access to a specifically Persian viewpoint we are pretty much confined to iconographically decorated monuments and associated royal inscriptions at Behistun, Persepolis and Susa (which are at least, on the face of it, intended to broach ideological topics) and the Persepolis Fortification and Treasury archives (which emphatically are not). This material is not formally or (to a large extent) chronologically commensurate with the voluminous, but unevenly distributed, Greek discourse that provides so much of the narrative of Achaemenid imperial history. Some of it may appear more commensurate with the substantial body of iconographically decorated monuments (most not associated with inscriptions) derived from western Anatolia that provides much of the material in the two papers under discussion. -
The Parthenon and Its Sculptures
P1: FCH/J-SPH P2: FCH/J-SPH QC: FCH/J-SPH T1: FCH CB720-FM CB720-Cosmopoulos-v1 July 2, 2004 15:49 The Parthenon and its Sculptures Edited by Michael B. Cosmopoulos University of Missouri–St. Louis iii P1: FCH/J-SPH P2: FCH/J-SPH QC: FCH/J-SPH T1: FCH CB720-FM CB720-Cosmopoulos-v1 July 2, 2004 15:49 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2004 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2004 Printed in the United Kingdom at the University Press, Cambridge Typefaces Adobe Garamond 11.25/15 pt. and Lithos System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data is available. isbn 0 521 83673 5 hardback iv P1: FCH/J-SPH P2: FCH/J-SPH QC: FCH/J-SPH T1: FCH CB720-FM CB720-Cosmopoulos-v1 July 2, 2004 15:49 Contents List of Figures page vii On Abbreviations and Transliteration xiii List of Contributors xv Introduction: The Methodological Framework of Parthenon Studies 1 Michael B. -
CELESTIAL CHURCH of the COSMOS 1 the Purpose of This Chart Is to Approximate the Celestial Correlation Between the 7 Churches of Asia and the Pleiades in Taurus
CELESTIAL CHURCH OF THE COSMOS 1 The purpose of this chart is to approximate the celestial correlation between the 7 Churches of Asia and the Pleiades in Taurus. The Zodiac or Mazzaroth will be plotted onto the Earth geographically to suggest that the Taurus-Orion constellations in the Heavenlies amazingly reflect the topographical configuration of Greece as Orion and Turkey as Taurus and its locality on Earth. The precise ancient locations to the 7 Churches of Asia correlate as the Hyades of Taurus. Amazingly, the Taurus Mountains thus correspond in relative distance as are the Pleiades in modern day Turkey to the Hyades of Taurus. The constellation Taurus with Pleiades mirrors its opposite geographic position with Pleiades as the 7 Churches adjacent the Taurus Mountains of Turkey. They are distanced apart in a similar pattern from the Taurus Mountains opposite their positions as are the Pleiades from the Head of Taurus. The 7 Churches of Asia from the book of Revelation are geographically in a 'V” shape like the horns of a Bull. This region is called the Hyades and is considered also a pyramid with the Church of Pergamum as the ‘capstone’. This was the ancient ‘Seat or Throne of Satan’. The Witness of the Stars The 12 constellations in the Heavens can be mapped out on Earth as they mirror their positions with key geographic latitudes and longitudes. Symbols and numbers play a significant role in all things spirituality as YHVH is the author of mathematics and design. Each Zodiac symbol has a meaning ascribed to the redemptive work of Christ. -
Greek, Tamil and Sanskrit: Comparison Between the Myths of 29 Herakles (Related with Iole and Deianira) and Rama in Hinduism
2021-4155-AJP – 23 MAR 2021 1 Greek, Tamil and Sanskrit: Comparison between the 2 Myths of Prometheus, Sembian and Sibi 3 4 The Prometheus myth in Greek literature deals primarily with the theft of fire. 5 The mythological story unwinds such events as the sacrificial thigh bone, God’s 6 corporal punishment, and the eating of flesh by an eagle. A link with the Ocea- 7 nus race and with the continent of Asia is also seen. Interestingly resemblances 8 with this myth can be seen in some ancient literary sources from Tamil and San- 9 skrit languages. The Tamil myth of ‘Sembian’ and the Sanskrit myth of ‘Sibi’ 10 also have resemblances with the Greek myth of Prometheus. The parallels seen 11 between these myths are examined here. 12 13 Keywords: comparative study, Indian, myth, Prometheus, Sanskrit, Sembi- 14 an, Sibi, Tamil 15 16 17 Introduction 18 19 Myths can be considered to be the ancient sources of information on an- 20 cient history and culture. Some myths even though arising in different corners 21 of the world and in different languages strangely reflect one another. The simi- 22 larities in mythologies may indicate parallels and influences of one on another. 23 If the similarities are occasional they may be seen as parallels. If the similari- 24 ties are made by personal contact, they may be seen as influences. The Greek 25 myth of Prometheus has similarities with the Tamil myth of Sembian and the 26 Sanskrit myth of Sibi. 27 28 Prometheus 29 30 There are many myths related with Prometheus, among those myths some 31 noteworthy mentions are as follows: 32 33 1. -
The Oracle and Cult of Ares in Asia Minor Matthew Gonzales
The Oracle and Cult of Ares in Asia Minor Matthew Gonzales ERODOTUS never fails to fascinate with his rich and detailed descriptions of the varied peoples and nations H mustered against Greece by Xerxes;1 but one of his most tantalizing details, a brief notice of the existence of an oracle of Ares somewhere in Asia Minor, has received little comment. This is somewhat understandable, as the name of the proprietary people or nation has disappeared in a textual lacuna, and while restoring the name of the lost tribe has ab- sorbed the energies of some commentators, no moderns have commented upon the remarkable and unexpected oracle of Ares itself. As we shall see, more recent epigraphic finds can now be adduced to show that this oracle, far from being the fantastic product of logioi andres, was merely one manifestation of Ares’ unusual cultic prominence in south/southwestern Asia Minor from “Homeric” times to Late Antiquity. Herodotus and the Solymoi […] 1 The so-called Catalogue of Forces preserved in 7.61–99. In light of W. K. Pritcéhesttp’s¤ dtahwo rodu¢g h» mreofbuota˝tnioanws eo‰xf osunc hs mscihkorlãarws, aksa O‹ .p rAorbmÒalyoru, wD . FehdlÊinog ,l aunkdio Se.r Wg°eastw, ßwkhaos steoekw teo‰x dei,s c§rped‹ idt ¢th teª asuit hkoerfitay loªf sHie krordãontuesa o n thixs ãanldk eoath:e pr rpÚowin dts¢, tIo w›silli skimrãplnye rseif eŒr ttãhe t ree kadae‹r kto° rPerait cphreotts’s∞ tnw ob omÚawj or trexatãmleknetas ,o f t§hpe∞irs waonr k,d S¢t udkieas i‹n AlnÒcifenot i:G reetkå Two podg¢ra phkyn IÆVm (aBwe rk=eãleky e1s9i8 2) 23f4–o2in85ik a°nodi sTih ek Laiatre Silch¤xoola otf oH. -
Introduction to Early Ancient Greek History the Early History of Greece
Introduction to Early Ancient Greek History The early history of Greece was long a mystery. Not even the Ancient Greeks remembered how their ancestors first came into that land. Many myths sprang up about their history, myths that have been an enduring part of Western literary culture ever since. Many of these myths involved the Greek gods, anthropomorphized deities who were immortal but were said to look and act like humans and interfere in human affairs. The Mytho-History of the Greeks According to Hesiod—one of the earliest Greek writers, whose work on the gods, Theogony, dates from the eighth century BC—out of the chaotic void of nothingness at the beginning of time, the primordial goddess Gaia (the Earth) gave birth to Uranus, the Sky. Uranus then impregnated Gaia and she gave birth to the Titans, twelve gigantic gods—six male and six female—as well as many monsters. When Uranus banished some of these monsters to the underworld, Gaia convinced her youngest Titan son, Cronus, to castrate his father. Cronus did so, throwing his father’s genitals into the sea. From the blood of Uranus sprang giants, and from the sea was born Aphrodite, the goddess of love and fertility. Cronus became the ruler of the Titans and made his sister Rhea his wife. He was always suspicious that one of his sons would overthrow him as he had overthrown his own father, so he devoured his children upon their birth. Rhea, angered at the death of all her children, tricked Cronus by switching one of her newborn children with a rock. -
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique Copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS BY LILIAN STOUGHTON HYDE YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by D. C. Heath and Company in 1904. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-261-4 ISBN-13: 978-1-59915-261-5 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE In the preparation of this book, the aim has been to present in a manner suited to young readers the Greek myths that have been world favorites through the centuries, and that have in some measure exercised a formative infl uence on literature and the fi ne arts in many countries. While a knowledge of these myths is undoubtedly necessary to a clear understanding of much in literature and the arts, yet it is not for this reason alone that they have been selected; the myths that have appealed to the poets, the painters, and the sculptors for so many ages are the very ones that have the greatest depth of meaning, and that are the most beautiful and the best worth telling. -
A Reappraisal of J. Paul Getty's Ancient Art Collecting by Kirsten Gabrielle Desperrier a Thesis Subm
Collection and Identity: A Reappraisal of J. Paul Getty’s Ancient Art Collecting by Kirsten Gabrielle Desperrier A Thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Dr. Steve Estes, Jr. Dr. Michelle Jolly Dr. Samuel Cohen Copyright 2018 By Kirsten Gabrielle Desperrier Authorization for Reproduction of Master’s Thesis I grant permission for the print or digital reproduction of this thesis in its entirety, without further authorization from me, on the condition that the person or agency requesting reproduction absorb the cost and provide proper acknowledgment of authorship. iii Collection and Identity: A Reappraisal of J. Paul Getty’s Ancient Art Collecting Thesis by Kirsten Gabrielle Desperrier ABSTRACT Purpose of Study: To examine J. Paul Getty’s ancient art collection that he acquired within in his life-time. The motivation behind Getty’s art collecting and philanthropy are examined and reassessed, as well as his inspiration for the founding of his museum the Getty Villa. The history of ancient Greco-Roman art collectors from ancient Rome, 17th- 19th century Britain, and 20th century American collectors are analyzed in relation to Getty’s place in the history of ancient art collectors. The influence of the Getty Villa on the intellectual identity of Los Angeles is explored, as is Getty’s lasting legacy on the museum landscape of the area. Procedure: To assess J. Paul Getty as a collector and philanthropist by using his autobiographies and personal journals from 1938-1976. The Getty Family Papers include the history of Getty’s ancient art collecting, and provided documents, such as receipts, customs documents, inventory lists and correspondence between Getty and art dealers. -
Seeking the Pleiades
Seeking the Pleiades By Irvin Owens Jr., Island City Lodge No. 215 Introduction As a child, I attended a Quaker school. As is typical with Quaker education, we spent a good amount of time learning to respect and understand the impacts that nature would have on us, as well as the impact that we could have on nature. My first experience with the Pleiades was when our science teacher brought an astronomer into our class who began telling us about the constellations. I was mesmerized as he began showing us those ancient twinkling orbs through his telescope. When he got to the Pleiades, I was captivated by the beauty of the six clustered blue stars, as well as the heart-wrenching story of their flight from the lecherous Orion. I failed to understand how things were better for the Pleiades after Zeus turned them into a flock of doves. As I became interested in Masonry and began to study the Entered Apprentice tracing board, I noticed that Jacob's ladder pointed to the Moon surrounded by the Pleiades in many depictions. This is a powerful and beautiful symbol, which is important to understand more deeply in order to truly appreciate the power of the first degree. Mythology Ancient Greece and Rome The Pleiades feature prominently in Greek literature, beginning with Homer’s second book of the Georgics of Hesiod. In this poem, he describes the Pleiades as an aid to understanding when to harvest: “When, Atlas’ birth, the Pleiades arise, Harvest begin, plow when they leave, the skies. Twice twenty days and nights these hide their heads; The year then turning, leave again their beds, And show when first to whet the harvest steel. -
Lynn E. Roller
Lynn E. Roller Professor of Art History Department of Art and Art History University of California, Davis One Shields Avenue Davis, CA 95616 phone: 530-752-7801 e-mail: [email protected] Education University of Pennsylvania, Ph. D., 1977; degree in Classical Archaeology Bryn Mawr College, M. A., 1973; degree in Classical and Near Eastern Archaeology American School of Classical Studies, member, 1969-70 Bryn Mawr College, A. B. cum laude, 1969; degree in Greek University of Heidelberg, student, 1968-69 Teaching Positions University of California, Davis, Assistant Professor of Classics, 1977-1984; Associate Professor of Classics, 1984-1995; Professor of Classics, 1995-2006; Professor of Classics and Art History, 1999-2006; Professor of Art History, 2006-present Ursinus College, Lecturer in Classics, 1976-1977 Administrative Experience Co-Chair, Art History, U. C. Davis, 2005-2007; January2016-June 2017 Program Director, Classics, U. C. Davis, 1997-2000, 2001-2004 Program Director, Women's Studies (now Women, Gender, and Sexuality Studies), U. C. Davis, 1987- 89 Trustee, American Research Center in Sofia, Bulgaria, 2004-present; Interim Board of Trustees Chair, 2016-present Member, Publications Committee, American School of Classical Studies, Athens, 2012-2017 Chair, Publications Committee, American School of Classical Studies, Athens, 2013-2017 Vice-President, San Francisco Chapter of the Archaeological Institute of America, 1980-83 President, Central Pennsylvania Chapter of the Archaeological Institute of America, 1972-74 Fellowships, Grants, and Honors Research Grant, $32,500, from the America For Bulgaria Foundation: Rock-cut Sanctuaries in the eastern Rhodope Mountains: the Gluhite Kamani Cult Complex, 2014-2015 Research Grant, $49,525, from the America For Bulgaria Foundation: Rock-cut Sanctuaries in the eastern Rhodope Mountains: the Gluhite Kamani Cult Complex, 2011-2012 2 Loeb Fellowship in Classical Studies, $30,000, 2007-08.