Greek, Tamil and Sanskrit: Comparison Between the Myths of 29 Herakles (Related with Iole and Deianira) and Rama in Hinduism

Total Page:16

File Type:pdf, Size:1020Kb

Greek, Tamil and Sanskrit: Comparison Between the Myths of 29 Herakles (Related with Iole and Deianira) and Rama in Hinduism 2021-4155-AJP – 23 MAR 2021 1 Greek, Tamil and Sanskrit: Comparison between the 2 Myths of Prometheus, Sembian and Sibi 3 4 The Prometheus myth in Greek literature deals primarily with the theft of fire. 5 The mythological story unwinds such events as the sacrificial thigh bone, God’s 6 corporal punishment, and the eating of flesh by an eagle. A link with the Ocea- 7 nus race and with the continent of Asia is also seen. Interestingly resemblances 8 with this myth can be seen in some ancient literary sources from Tamil and San- 9 skrit languages. The Tamil myth of ‘Sembian’ and the Sanskrit myth of ‘Sibi’ 10 also have resemblances with the Greek myth of Prometheus. The parallels seen 11 between these myths are examined here. 12 13 Keywords: comparative study, Indian, myth, Prometheus, Sanskrit, Sembi- 14 an, Sibi, Tamil 15 16 17 Introduction 18 19 Myths can be considered to be the ancient sources of information on an- 20 cient history and culture. Some myths even though arising in different corners 21 of the world and in different languages strangely reflect one another. The simi- 22 larities in mythologies may indicate parallels and influences of one on another. 23 If the similarities are occasional they may be seen as parallels. If the similari- 24 ties are made by personal contact, they may be seen as influences. The Greek 25 myth of Prometheus has similarities with the Tamil myth of Sembian and the 26 Sanskrit myth of Sibi. 27 28 Prometheus 29 30 There are many myths related with Prometheus, among those myths some 31 noteworthy mentions are as follows: 32 33 1. Maker of Mankind and Philanthropism 34 2. Sacrificial thigh bone 35 3. Related with fire (Theft of fire) 36 4. God’s corporal punishment 37 5. Flesh-eating by an eagle 38 6. Oceanus Race and 39 7. Prometheus’ connection with Asia. 40 41 The myths related with these topics are discussed in detail as here under 42 43 Maker of Mankind and philanthropist 44 45 Man being a social animal depends upon the help of one another. The so- 46 ciety or a person in the society needs the help of the other. In this scenario a 47 hand that is ready to help is considered to be a special character of a super hu- 1 2021-4155-AJP – 23 MAR 2021 1 man or as God himself, which is made very much obvious in the myth of Pro- 2 metheus (Jones 1918). 3 λίθοι κεῖνταί σφισιν ἐπὶ τῇ χαράδρᾳ, At the ravine there lie two stones, each of μέγεθος μὲν ἑκάτερος ὡς φόρτον which is big enough to fill a cart. They ἀποχρῶντα ἁμάξης εἶναι, χρῶμα δέ ἐστι have the color of clay, not earthy clay, but πηλοῦ σφισιν, οὐ γεώδους ἀλλ᾽ οἷος ἂν such as would be found in a ravine or χαράδρας γένοιτο ἢ χειμάρρου sandy torrent, and they smell very like the ψαμμώδους, παρέχονται δὲ καὶ ὀσμὴν skin of a man. They say that these are re- ἐγγύτατα χρωτὶ ἀνθρώπου: ταῦτα ἔτι mains of the clay out of which the whole λείπεσθαι τοῦ πηλοῦ λέγουσιν ἐξ οὗ καὶ race of mankind was fashioned by Prome- ἅπαν ὑπὸ τοῦ Προμηθέως τὸ γένος theus. πλασθῆναι τῶν ἀνθρώπων. Paus. 10.4.4,. Pausanias, Description of Greece, Greek travelogue, C 2nd A.D 4 5 Thus it is described that Prometheus created humans and after that he also 6 gave mankind the much needed fire. This reveals that he was not only the crea- 7 tor, he was also a benefactor and for this noble act he even goes to the extent 8 of deceiving God. 9 10 Sacrificial thigh bone 11 12 Sacrificing animals as an offering to the Gods has been one of the im- 13 portant rituals in ancient times. At the end of the event the flesh of the sacrifi- 14 cial animal is offered to God. It is also a mark of respect given to God. Decep- 15 tion is not permitted in this ritual. Here it is needed to be seen the situation in 16 the myth of Prometheus (Smyth 1926) (Evelyn White 1914). 17 495χολή, λοβοῦ τε ποικίλην εὐμορφίαν. [495] the gods, also the speckled sym- κνίσῃ τε κῶλα συγκαλυπτὰ καὶ μακρὰν metry of the liver-lobe; and the thigh- ὀσφῦν πυρώσας δυστέκμαρτον ἐς τέχνην bones, wrapped in fat, and the long chine ὥδωσα θνητούς, καὶ φλογωπὰ σήματα I burned and initiated mankind into an ἐξωμμάτωσα, πρόσθεν ὄντ᾽ ἐπάργεμα. occult art. Also I cleared their vision to discern signs from flames,which were obscure before this. [500] Aesch. PB Aeschylus’s Prometheus Bound, Greek tragedy C.5th BC 2 2021-4155-AJP – 23 MAR 2021 535καὶ γὰρ ὅτ᾽ ἐκρίνοντο θεοὶ θνητοί τ᾽ [535] For when the gods and mortal men ἄνθρωποι had a dispute at Mecone, even then Pro- Μηκώνῃ, τότ᾽ ἔπειτα μέγαν βοῦν πρό- metheus was forward to cut up a great ox φρονι θυμῷ and set portions before them, trying to δασσάμενος προέθηκε, Διὸς νόον deceive the mind of Zeus. Before the rest ἐξαπαφίσκων. he set flesh and inner parts thick with fat τοῖς μὲν γὰρ σάρκας τε καὶ ἔγκατα πίονα upon the hide, covering them with an ox δημῷ paunch; [540] but for Zeus he put the ἐν ῥινῷ κατέθηκε καλύψας γαστρὶ βοείῃ, white bones dressed up with cunning art 540τῷ δ᾽ αὖτ᾽ ὀστέα λευκὰ βοὸς δολίῃ and covered with shining fat. Then the ἐπὶ τέχνῃ father of men and of gods said to him: εὐθετίσας κατέθηκε καλύψας ἀργέτι “Son of Iapetus, most glorious of all δημῷ. lords, good sir, how unfairly you have δὴ τότε μιν προσέειπε πατὴρ ἀνδρῶν τε divided the portions!” θεῶν τε: Hes. Th. Ἰαπετιονίδη, πάντων ἀριδείκετ᾽ ἀνάκτων, Hesiod’s Theogony, ὦ πέπον, ὡς ἑτεροζήλως διεδάσσαο μοί- Greek epic, C.8th BC ρας. 1 2 To help mankind, Prometheus tricks the God Zeus as found mentioned in 3 the Greek tragedy C 5th B.C,. Food and meat were obviously a scarcity at the 4 time of the myth and people were themselves suffering from want and they 5 were unable to fulfill the sacrificial needs of God Zeus. Seeing this Prometheus 6 had no other way to solve this problem other than taking the dry bones of ani- 7 mals and covering them with the fat of sacrifice instead of the real meat and 8 offering them to the God Zeus. He staged this deceptive act for the benefit of 9 mankind knowing full well that he might incur the wrath of Zeus. 10 11 Related with fire (Theft of fire) 12 13 Fire is one of the main sources of energy. The use of fire is one of the re- 14 markable mile-stones in the development of mankind. It has helped man not 15 just to cook his food but also to make agricultural implements and also weap- 16 ons of war with the hard metals like bronze, copper and iron. Fire is an im- 17 portant source of energy and has an important place in modern industry and 18 war. Hence the value of fire is revealed in the myth of Prometheus (Lamb 19 1967) who was the bringer of fire and civilization to the mortals. He was the 20 giver of all arts and sciences as well as the means of sustenance. 21 ἀπορίᾳ οὖν σχόμενος ὁ Προμηθεὺς ἥντινα Then Prometheus, in his perplexity as to σωτηρίαν τῷ ἀνθρώπῳ εὕροι, κλέπτει what preservation he could devise for Ἡφαίστου καὶ Ἀθηνᾶς τὴν ἔντεχνον man, stole from Hephaestus and Athena wisdom in the arts Plat. Prot. 321c 3 2021-4155-AJP – 23 MAR 2021 [321δ] σοφίαν σὺν πυρί—ἀμήχανον γὰρ [321d] together with fire—since by no ἦν ἄνευ πυρὸς αὐτὴν κτητήν τῳ ἢ means without fire could it be acquired or χρησίμην γενέσθαι—καὶ οὕτω δὴ helpfully used by any—and he handed it δωρεῖται ἀνθρώπῳ. τὴν μὲν οὖν περὶ τὸν there and then as a gift to man. Now alt- βίον σοφίαν ἄνθρωπος ταύτῃ ἔσχεν, τὴν hough man acquired in this way the wis- δὲ πολιτικὴν οὐκ εἶχεν: ἦν γὰρ παρὰ τῷ dom of daily life, civic wisdom he had Διί. τῷ δὲ Προμηθεῖ εἰς μὲν τὴν not, since this was in the possession of ἀκρόπολιν τὴν τοῦ Διὸς οἴκησιν οὐκέτι Zeus; Prometheus could not make so free ἐνεχώρει εἰσελθεῖν—πρὸς δὲ καὶ αἱ Διὸς as to enter the citadel which is the dwell- φυλακαὶ φοβεραὶ ἦσαν—εἰς δὲ τὸ τῆς ing-place of Zeus, and moreover the Ἀθηνᾶς καὶ Ἡφαίστου οἴκημα τὸ κοινόν, guards of Zeus were terrible: but he en- ἐν ᾧ tered unobserved the building shared by Athena and Hephaestus Plat. Prot. 321d Plato’s Protagoras, C.4th BC 1 2 In this episode the mortals created by Prometheus seem to be at low state 3 when compared to that of other living creatures. To uplift the mortals he stole 4 the fire from God Zeus without being concerned about the consequences of 5 doing such a defying act. His only motive was somehow to help mankind . Be- 6 cause of this selfless helping character Prometheus has a very special place in 7 this myth, however this action incurs the wrath of Zeus. 8 9 God’s Corporal Punishment 10 11 Punishment is the infliction of pain for wrong doing. The aim of punish- 12 ment may vary. Punishments differ in their degree of severity and may include 13 sanctions such as reprimands, deprivations of privileges or liberty, fines, incar- 14 cerations, ostracism, the infliction of pain, amputation and even death penalty.
Recommended publications
  • The Zodiac: Comparison of the Ancient Greek Mythology and the Popular Romanian Beliefs
    THE ZODIAC: COMPARISON OF THE ANCIENT GREEK MYTHOLOGY AND THE POPULAR ROMANIAN BELIEFS DOINA IONESCU *, FLORA ROVITHIS ** , ELENI ROVITHIS-LIVANIOU *** Abstract : This paper intends to draw a comparison between the ancient Greek Mythology and the Romanian folk beliefs for the Zodiac. So, after giving general information for the Zodiac, each one of the 12 zodiac signs is described. Besides, information is given for a few astronomical subjects of special interest, together with Romanian people believe and the description of Greek myths concerning them. Thus, after a thorough examination it is realized that: a) The Greek mythology offers an explanation for the consecration of each Zodiac sign, and even if this seems hyperbolic in almost most of the cases it was a solution for things not easily understood at that time; b) All these passed to the Romanians and influenced them a lot firstly by the ancient Greeks who had built colonies in the present Romania coasts as well as via commerce, and later via the Romans, and c) The Romanian beliefs for the Zodiac is also connected to their deep Orthodox religious character, with some references also to their history. Finally, a general discussion is made and some agricultural and navigator suggestions connected to Pleiades and Hyades are referred, too. Keywords : Zodiac, Greek, mythology, tradition, religion. PROLOGUE One of their first thoughts, or questions asked, by the primitive people had possibly to do with sky and stars because, when during the night it was very dark, all these lights above had certainly arose their interest. So, many ancient civilizations observed the stars as well as their movements in the sky.
    [Show full text]
  • Sea Monsters in Antiquity: a Classical and Zoological Investigation
    Sea Monsters in Antiquity: A Classical and Zoological Investigation Alexander L. Jaffe Harvard University Dept. of Organismic and Evolutionary Biology Class of 2015 Abstract: Sea monsters inspired both fascination and fear in the minds of the ancients. In this paper, I aim to examine several traditional monsters of antiquity with a multi-faceted approach that couples classical background with modern day zoological knowledge. Looking at the examples of the ketos and the sea serpent in Roman and Greek societies, I evaluate the scientific bases for representations of these monsters across of variety of media, from poetry to ceramics. Through the juxtaposition of the classical material and modern science, I seek to gain a greater understanding of the ancient conception of sea monsters and explain the way in which they were rationalized and depicted by ancient cultures. A closer look at extant literature, historical accounts, and artwork also helps to reveal a human sentiment towards the ocean and its denizens penetrating through time even into the modern day. “The Sea-monsters, mighty of limb and huge, the wonders of the sea, heavy with strength invincible, a terror for the eyes to behold and ever armed with deadly rage—many of these there be that roam the spacious seas...”1 Oppian, Halieutica 1 As the Greek poet Oppian so eloquently reveals, sea monsters inspired both fascination and fear in the minds of the ancients. From the Old Testament to Ovid, sources from throughout the ancient world show authors exercising both imagination and observation in the description of these creatures. Mythology as well played a large role in the creation of these beliefs, with such classic examples as Perseus and Andromeda or Herakles and Hesione.
    [Show full text]
  • Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
    Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff.
    [Show full text]
  • Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
    Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013).
    [Show full text]
  • Newsletter 13 April 2013
    Newsletter 13 April 2013 The 11th Conference of the ICCM Demetrios Michaelides The 11th International Conference of ICCM, with the theme Managing Archaeological Sites with Mosaics: From Real Problems to Practical Solutions, took place in Meknes, Morocco, from 23 to 27 October 2011. The conference was organised by the ICCM in collaboration with the Ministry of Culture of the Kingdom of Morocco, the financial support of The Getty Foundation, and the collaboration of the University of Cyprus and ICCROM. During the conference, which was attended by about 200 persons from 29 different countries, there were 37 oral and 41 poster presentations. There were also guided visits to the Medina of Meknes, the archaeological site of Volubilis, and a zellij and a leather-dyeing workshop in Fez. One of the highlights of the Inside this issue meeting was the honouring of Antonio Cassio, recognised worldwide as one of the The SEE MOSAICS ……………………….2-3 leading mosaic artists and restorers. The members of ICCM elected the new Board for the period 2011-2014: NARNIA training course ………………...4 Demetrios Michaelides, President; Roberto Nardi, Vice-President; John Stewart, New cover building at Chedworth Treasurer; Evelyne Chantriaux, Secretary; Aicha Ben Abed; Stefania Chlouveraki; Roman Villa ………………………………..….5 Sabah Ferdi; Badr Jabbour-Gedeon; Ammar Haidar; Jeanne-Marie Teutonico. Brèves de Saint-Romain-en-Gal ….5-6 Nea Moni of Chios: the wall mosaics conservation project .. ................ …..7 The mosaic collection of the New Museum of Patras ...................... …..8 Piazza Armerina cover building inaugurated ............................... …..9 Conservation and management of mosaics in Libya .......................... …..9 The Martyr’s church in Madaba reopens…………………………………..…...10 The museum at the lowest place on earth ……………………………………....…..11 Mission effectuée en Libye ………....12 Two mosaics treated during the MCC- Syria …………………………………………..
    [Show full text]
  • Child Abuse in Greek Mythology: a Review C Stavrianos, I Stavrianou, P Kafas
    The Internet Journal of Forensic Science ISPUB.COM Volume 3 Number 1 Child Abuse in Greek Mythology: A Review C Stavrianos, I Stavrianou, P Kafas Citation C Stavrianos, I Stavrianou, P Kafas. Child Abuse in Greek Mythology: A Review. The Internet Journal of Forensic Science. 2007 Volume 3 Number 1. Abstract The aim of this review was to describe child abuse cases in ancient Greek mythology. Names like Hercules, Saturn, Aesculapius, Medea are very familiar. The stories can be divided into 3 categories: child abuse from gods to gods, from gods to humans and from humans to humans. In these stories children were abused in different ways and the reasons were of social, financial, political, religious, medical and sexual origin. The interpretations of the myths differed and the conclusions seemed controversial. Archaeologists, historians, and philosophers still try to bring these ancient stories into light in connection with the archaeological findings. The possibility for a dentist to face a child abuse case in the dental office nowadays proved the fact that child abuse was not only a phenomenon of the past but also a reality of the present. INTRODUCTION courses are easily available to everyone. Child abuse may be defined as any non-accidental trauma, On 1860 the forensic odontologist Ambroise Tardieu, neglect, failure to meet basic needs or abuse inflicted upon a referring to 32 cases, made a connection between subdural child by a caretaker that is beyond the acceptable norm of haematoma and abuse. In 1874 a church group in New York childcare in our culture. Abused children found in all 1 City took a child named Mary-Helen from home in which economic, social, ethnic and cultural backgrounds and she was being abused.
    [Show full text]
  • The Oracle and Cult of Ares in Asia Minor Matthew Gonzales
    The Oracle and Cult of Ares in Asia Minor Matthew Gonzales ERODOTUS never fails to fascinate with his rich and detailed descriptions of the varied peoples and nations H mustered against Greece by Xerxes;1 but one of his most tantalizing details, a brief notice of the existence of an oracle of Ares somewhere in Asia Minor, has received little comment. This is somewhat understandable, as the name of the proprietary people or nation has disappeared in a textual lacuna, and while restoring the name of the lost tribe has ab- sorbed the energies of some commentators, no moderns have commented upon the remarkable and unexpected oracle of Ares itself. As we shall see, more recent epigraphic finds can now be adduced to show that this oracle, far from being the fantastic product of logioi andres, was merely one manifestation of Ares’ unusual cultic prominence in south/southwestern Asia Minor from “Homeric” times to Late Antiquity. Herodotus and the Solymoi […] 1 The so-called Catalogue of Forces preserved in 7.61–99. In light of W. K. Pritcéhesttp’s¤ dtahwo rodu¢g h» mreofbuota˝tnioanws eo‰xf osunc hs mscihkorlãarws, aksa O‹ .p rAorbmÒalyoru, wD . FehdlÊinog ,l aunkdio Se.r Wg°eastw, ßwkhaos steoekw teo‰x dei,s c§rped‹ idt ¢th teª asuit hkoerfitay loªf sHie krordãontuesa o n thixs ãanldk eoath:e pr rpÚowin dts¢, tIo w›silli skimrãplnye rseif eŒr ttãhe t ree kadae‹r kto° rPerait cphreotts’s∞ tnw ob omÚawj or trexatãmleknetas ,o f t§hpe∞irs waonr k,d S¢t udkieas i‹n AlnÒcifenot i:G reetkå Two podg¢ra phkyn IÆVm (aBwe rk=eãleky e1s9i8 2) 23f4–o2in85ik a°nodi sTih ek Laiatre Silch¤xoola otf oH.
    [Show full text]
  • Introduction to Early Ancient Greek History the Early History of Greece
    Introduction to Early Ancient Greek History The early history of Greece was long a mystery. Not even the Ancient Greeks remembered how their ancestors first came into that land. Many myths sprang up about their history, myths that have been an enduring part of Western literary culture ever since. Many of these myths involved the Greek gods, anthropomorphized deities who were immortal but were said to look and act like humans and interfere in human affairs. The Mytho-History of the Greeks According to Hesiod—one of the earliest Greek writers, whose work on the gods, Theogony, dates from the eighth century BC—out of the chaotic void of nothingness at the beginning of time, the primordial goddess Gaia (the Earth) gave birth to Uranus, the Sky. Uranus then impregnated Gaia and she gave birth to the Titans, twelve gigantic gods—six male and six female—as well as many monsters. When Uranus banished some of these monsters to the underworld, Gaia convinced her youngest Titan son, Cronus, to castrate his father. Cronus did so, throwing his father’s genitals into the sea. From the blood of Uranus sprang giants, and from the sea was born Aphrodite, the goddess of love and fertility. Cronus became the ruler of the Titans and made his sister Rhea his wife. He was always suspicious that one of his sons would overthrow him as he had overthrown his own father, so he devoured his children upon their birth. Rhea, angered at the death of all her children, tricked Cronus by switching one of her newborn children with a rock.
    [Show full text]
  • 1 Aeschylus, Prometheus Vinctus Enter FORCE and VIOLENCE
    1 Aeschylus, Prometheus Vinctus Enter FORCE and VIOLENCE carrying PROMETHEUS, and HEPHAESTUS. FORCE Now we have come to the land at the end of the earth, to the Scythians’ road, a desert where are no mortals. Hephaestus, you must look to the orders Father Zeus laid on you, to fetter this insolent creature to the high-cragged rocks in adamantine-chained unbreakable bonds. For he stole your bloom, the brightness of all-crafting fire, and bestowed it on humans. For this offence he must pay their price to the deities, so that he may learn to love Zeus’s rule and cease from his custom of caring for mortal men. HEPHAESTUS Violence, Force, through you the will of Zeus has its way, and nothing can obstruct it. But I lack the daring to bind by violence a cousin-deity to this bitter cliff. And yet somehow I must find the presumption for this; a grave thing it is to ignore the Father’s word. High-thinking child of Themis of right judgement, unwilling I will hammer unwilling you with unloosable bronze to this abominable rock where you will see neither shape nor sound of men. The bloom of your skin blisters off in the sun’s fierce Phoebus-flame. Your only relief as an age of grief seeps out of each moment’s evil is when the glittering robe of night-frost hides that fire till again the sunrise strips off your dawn-time ice. Only one can respite you; he's not yet alive. And this your reward for your custom of caring for men.
    [Show full text]
  • FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique Copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS
    FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS BY LILIAN STOUGHTON HYDE YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by D. C. Heath and Company in 1904. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-261-4 ISBN-13: 978-1-59915-261-5 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE In the preparation of this book, the aim has been to present in a manner suited to young readers the Greek myths that have been world favorites through the centuries, and that have in some measure exercised a formative infl uence on literature and the fi ne arts in many countries. While a knowledge of these myths is undoubtedly necessary to a clear understanding of much in literature and the arts, yet it is not for this reason alone that they have been selected; the myths that have appealed to the poets, the painters, and the sculptors for so many ages are the very ones that have the greatest depth of meaning, and that are the most beautiful and the best worth telling.
    [Show full text]
  • Seeking the Pleiades
    Seeking the Pleiades By Irvin Owens Jr., Island City Lodge No. 215 Introduction As a child, I attended a Quaker school. As is typical with Quaker education, we spent a good amount of time learning to respect and understand the impacts that nature would have on us, as well as the impact that we could have on nature. My first experience with the Pleiades was when our science teacher brought an astronomer into our class who began telling us about the constellations. I was mesmerized as he began showing us those ancient twinkling orbs through his telescope. When he got to the Pleiades, I was captivated by the beauty of the six clustered blue stars, as well as the heart-wrenching story of their flight from the lecherous Orion. I failed to understand how things were better for the Pleiades after Zeus turned them into a flock of doves. As I became interested in Masonry and began to study the Entered Apprentice tracing board, I noticed that Jacob's ladder pointed to the Moon surrounded by the Pleiades in many depictions. This is a powerful and beautiful symbol, which is important to understand more deeply in order to truly appreciate the power of the first degree. Mythology Ancient Greece and Rome The Pleiades feature prominently in Greek literature, beginning with Homer’s second book of the Georgics of Hesiod. In this poem, he describes the Pleiades as an aid to understanding when to harvest: “When, Atlas’ birth, the Pleiades arise, Harvest begin, plow when they leave, the skies. Twice twenty days and nights these hide their heads; The year then turning, leave again their beds, And show when first to whet the harvest steel.
    [Show full text]
  • Hercules Rescuing Hesione on a Stojnik Funerary Monument
    https://doi.org/10.2298/STA2070111G UDC: 904:726.825.046"652"(497.11) Original research article NADEŽDA GAVRILOVIĆ VITAS, Institute of Archaeology, Belgrade JELENA ANĐELKOVIĆ GRAŠAR, Institute of Archaeology, Belgrade A MESSAGE FROM BEYOND THE GRAVE: HERCULES RESCUING HESIONE ON A STOJNIK FUNERARY MONUMENT e­mail: [email protected] Abstract. – The research of this study is dedicated to a unique iconographical scene in the territory of the Central Balkan Roman provinces, of Hercules rescuing Hesione from a sea­monster (ketos), depicted on a funerary monument found in 1931 at the site of Stojnik, in the vicinity of Belgrade, antique Singidunum, and now displayed in the lapidarium of the National Museum in Belgrade. The funerary monument was erected for the deceased, a veteran of cohors II Aurelia nova, Publius Aelius Victorinus, by his wife Aurelia Rufina and their son Publius Aelius Acutianus. The rich iconography of the monument makes it a very important example of funerary art in the period from the end of the 2nd and the beginning of the 3rd century – the eschatological symbolism of the presented scenes and motifs is more than clear and underlines not only the hope of the deceased’s family for his eternal and blessed life after death, but also the deceased’s victory over death and presents him as a symbol of courage and virtue. The architectural scheme of the monument, along with its iconography, suggests strong artistic influences from Noricum and both the Pannonian provinces, while the the mythical tale of Hercules and Hesione was chosen, it is argued, not only because Hercules was one of the most favoured gods in the Roman army, but also because he was a protector of miners and mines.
    [Show full text]