Greek, Tamil and Sanskrit: Comparison Between the Myths of 29 Herakles (Related with Iole and Deianira) and Rama in Hinduism
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The Zodiac: Comparison of the Ancient Greek Mythology and the Popular Romanian Beliefs
THE ZODIAC: COMPARISON OF THE ANCIENT GREEK MYTHOLOGY AND THE POPULAR ROMANIAN BELIEFS DOINA IONESCU *, FLORA ROVITHIS ** , ELENI ROVITHIS-LIVANIOU *** Abstract : This paper intends to draw a comparison between the ancient Greek Mythology and the Romanian folk beliefs for the Zodiac. So, after giving general information for the Zodiac, each one of the 12 zodiac signs is described. Besides, information is given for a few astronomical subjects of special interest, together with Romanian people believe and the description of Greek myths concerning them. Thus, after a thorough examination it is realized that: a) The Greek mythology offers an explanation for the consecration of each Zodiac sign, and even if this seems hyperbolic in almost most of the cases it was a solution for things not easily understood at that time; b) All these passed to the Romanians and influenced them a lot firstly by the ancient Greeks who had built colonies in the present Romania coasts as well as via commerce, and later via the Romans, and c) The Romanian beliefs for the Zodiac is also connected to their deep Orthodox religious character, with some references also to their history. Finally, a general discussion is made and some agricultural and navigator suggestions connected to Pleiades and Hyades are referred, too. Keywords : Zodiac, Greek, mythology, tradition, religion. PROLOGUE One of their first thoughts, or questions asked, by the primitive people had possibly to do with sky and stars because, when during the night it was very dark, all these lights above had certainly arose their interest. So, many ancient civilizations observed the stars as well as their movements in the sky. -
Sea Monsters in Antiquity: a Classical and Zoological Investigation
Sea Monsters in Antiquity: A Classical and Zoological Investigation Alexander L. Jaffe Harvard University Dept. of Organismic and Evolutionary Biology Class of 2015 Abstract: Sea monsters inspired both fascination and fear in the minds of the ancients. In this paper, I aim to examine several traditional monsters of antiquity with a multi-faceted approach that couples classical background with modern day zoological knowledge. Looking at the examples of the ketos and the sea serpent in Roman and Greek societies, I evaluate the scientific bases for representations of these monsters across of variety of media, from poetry to ceramics. Through the juxtaposition of the classical material and modern science, I seek to gain a greater understanding of the ancient conception of sea monsters and explain the way in which they were rationalized and depicted by ancient cultures. A closer look at extant literature, historical accounts, and artwork also helps to reveal a human sentiment towards the ocean and its denizens penetrating through time even into the modern day. “The Sea-monsters, mighty of limb and huge, the wonders of the sea, heavy with strength invincible, a terror for the eyes to behold and ever armed with deadly rage—many of these there be that roam the spacious seas...”1 Oppian, Halieutica 1 As the Greek poet Oppian so eloquently reveals, sea monsters inspired both fascination and fear in the minds of the ancients. From the Old Testament to Ovid, sources from throughout the ancient world show authors exercising both imagination and observation in the description of these creatures. Mythology as well played a large role in the creation of these beliefs, with such classic examples as Perseus and Andromeda or Herakles and Hesione. -
Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff. -
Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013). -
Newsletter 13 April 2013
Newsletter 13 April 2013 The 11th Conference of the ICCM Demetrios Michaelides The 11th International Conference of ICCM, with the theme Managing Archaeological Sites with Mosaics: From Real Problems to Practical Solutions, took place in Meknes, Morocco, from 23 to 27 October 2011. The conference was organised by the ICCM in collaboration with the Ministry of Culture of the Kingdom of Morocco, the financial support of The Getty Foundation, and the collaboration of the University of Cyprus and ICCROM. During the conference, which was attended by about 200 persons from 29 different countries, there were 37 oral and 41 poster presentations. There were also guided visits to the Medina of Meknes, the archaeological site of Volubilis, and a zellij and a leather-dyeing workshop in Fez. One of the highlights of the Inside this issue meeting was the honouring of Antonio Cassio, recognised worldwide as one of the The SEE MOSAICS ……………………….2-3 leading mosaic artists and restorers. The members of ICCM elected the new Board for the period 2011-2014: NARNIA training course ………………...4 Demetrios Michaelides, President; Roberto Nardi, Vice-President; John Stewart, New cover building at Chedworth Treasurer; Evelyne Chantriaux, Secretary; Aicha Ben Abed; Stefania Chlouveraki; Roman Villa ………………………………..….5 Sabah Ferdi; Badr Jabbour-Gedeon; Ammar Haidar; Jeanne-Marie Teutonico. Brèves de Saint-Romain-en-Gal ….5-6 Nea Moni of Chios: the wall mosaics conservation project .. ................ …..7 The mosaic collection of the New Museum of Patras ...................... …..8 Piazza Armerina cover building inaugurated ............................... …..9 Conservation and management of mosaics in Libya .......................... …..9 The Martyr’s church in Madaba reopens…………………………………..…...10 The museum at the lowest place on earth ……………………………………....…..11 Mission effectuée en Libye ………....12 Two mosaics treated during the MCC- Syria ………………………………………….. -
Child Abuse in Greek Mythology: a Review C Stavrianos, I Stavrianou, P Kafas
The Internet Journal of Forensic Science ISPUB.COM Volume 3 Number 1 Child Abuse in Greek Mythology: A Review C Stavrianos, I Stavrianou, P Kafas Citation C Stavrianos, I Stavrianou, P Kafas. Child Abuse in Greek Mythology: A Review. The Internet Journal of Forensic Science. 2007 Volume 3 Number 1. Abstract The aim of this review was to describe child abuse cases in ancient Greek mythology. Names like Hercules, Saturn, Aesculapius, Medea are very familiar. The stories can be divided into 3 categories: child abuse from gods to gods, from gods to humans and from humans to humans. In these stories children were abused in different ways and the reasons were of social, financial, political, religious, medical and sexual origin. The interpretations of the myths differed and the conclusions seemed controversial. Archaeologists, historians, and philosophers still try to bring these ancient stories into light in connection with the archaeological findings. The possibility for a dentist to face a child abuse case in the dental office nowadays proved the fact that child abuse was not only a phenomenon of the past but also a reality of the present. INTRODUCTION courses are easily available to everyone. Child abuse may be defined as any non-accidental trauma, On 1860 the forensic odontologist Ambroise Tardieu, neglect, failure to meet basic needs or abuse inflicted upon a referring to 32 cases, made a connection between subdural child by a caretaker that is beyond the acceptable norm of haematoma and abuse. In 1874 a church group in New York childcare in our culture. Abused children found in all 1 City took a child named Mary-Helen from home in which economic, social, ethnic and cultural backgrounds and she was being abused. -
The Oracle and Cult of Ares in Asia Minor Matthew Gonzales
The Oracle and Cult of Ares in Asia Minor Matthew Gonzales ERODOTUS never fails to fascinate with his rich and detailed descriptions of the varied peoples and nations H mustered against Greece by Xerxes;1 but one of his most tantalizing details, a brief notice of the existence of an oracle of Ares somewhere in Asia Minor, has received little comment. This is somewhat understandable, as the name of the proprietary people or nation has disappeared in a textual lacuna, and while restoring the name of the lost tribe has ab- sorbed the energies of some commentators, no moderns have commented upon the remarkable and unexpected oracle of Ares itself. As we shall see, more recent epigraphic finds can now be adduced to show that this oracle, far from being the fantastic product of logioi andres, was merely one manifestation of Ares’ unusual cultic prominence in south/southwestern Asia Minor from “Homeric” times to Late Antiquity. Herodotus and the Solymoi […] 1 The so-called Catalogue of Forces preserved in 7.61–99. In light of W. K. Pritcéhesttp’s¤ dtahwo rodu¢g h» mreofbuota˝tnioanws eo‰xf osunc hs mscihkorlãarws, aksa O‹ .p rAorbmÒalyoru, wD . FehdlÊinog ,l aunkdio Se.r Wg°eastw, ßwkhaos steoekw teo‰x dei,s c§rped‹ idt ¢th teª asuit hkoerfitay loªf sHie krordãontuesa o n thixs ãanldk eoath:e pr rpÚowin dts¢, tIo w›silli skimrãplnye rseif eŒr ttãhe t ree kadae‹r kto° rPerait cphreotts’s∞ tnw ob omÚawj or trexatãmleknetas ,o f t§hpe∞irs waonr k,d S¢t udkieas i‹n AlnÒcifenot i:G reetkå Two podg¢ra phkyn IÆVm (aBwe rk=eãleky e1s9i8 2) 23f4–o2in85ik a°nodi sTih ek Laiatre Silch¤xoola otf oH. -
Introduction to Early Ancient Greek History the Early History of Greece
Introduction to Early Ancient Greek History The early history of Greece was long a mystery. Not even the Ancient Greeks remembered how their ancestors first came into that land. Many myths sprang up about their history, myths that have been an enduring part of Western literary culture ever since. Many of these myths involved the Greek gods, anthropomorphized deities who were immortal but were said to look and act like humans and interfere in human affairs. The Mytho-History of the Greeks According to Hesiod—one of the earliest Greek writers, whose work on the gods, Theogony, dates from the eighth century BC—out of the chaotic void of nothingness at the beginning of time, the primordial goddess Gaia (the Earth) gave birth to Uranus, the Sky. Uranus then impregnated Gaia and she gave birth to the Titans, twelve gigantic gods—six male and six female—as well as many monsters. When Uranus banished some of these monsters to the underworld, Gaia convinced her youngest Titan son, Cronus, to castrate his father. Cronus did so, throwing his father’s genitals into the sea. From the blood of Uranus sprang giants, and from the sea was born Aphrodite, the goddess of love and fertility. Cronus became the ruler of the Titans and made his sister Rhea his wife. He was always suspicious that one of his sons would overthrow him as he had overthrown his own father, so he devoured his children upon their birth. Rhea, angered at the death of all her children, tricked Cronus by switching one of her newborn children with a rock. -
1 Aeschylus, Prometheus Vinctus Enter FORCE and VIOLENCE
1 Aeschylus, Prometheus Vinctus Enter FORCE and VIOLENCE carrying PROMETHEUS, and HEPHAESTUS. FORCE Now we have come to the land at the end of the earth, to the Scythians’ road, a desert where are no mortals. Hephaestus, you must look to the orders Father Zeus laid on you, to fetter this insolent creature to the high-cragged rocks in adamantine-chained unbreakable bonds. For he stole your bloom, the brightness of all-crafting fire, and bestowed it on humans. For this offence he must pay their price to the deities, so that he may learn to love Zeus’s rule and cease from his custom of caring for mortal men. HEPHAESTUS Violence, Force, through you the will of Zeus has its way, and nothing can obstruct it. But I lack the daring to bind by violence a cousin-deity to this bitter cliff. And yet somehow I must find the presumption for this; a grave thing it is to ignore the Father’s word. High-thinking child of Themis of right judgement, unwilling I will hammer unwilling you with unloosable bronze to this abominable rock where you will see neither shape nor sound of men. The bloom of your skin blisters off in the sun’s fierce Phoebus-flame. Your only relief as an age of grief seeps out of each moment’s evil is when the glittering robe of night-frost hides that fire till again the sunrise strips off your dawn-time ice. Only one can respite you; he's not yet alive. And this your reward for your custom of caring for men. -
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique Copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS BY LILIAN STOUGHTON HYDE YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by D. C. Heath and Company in 1904. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-261-4 ISBN-13: 978-1-59915-261-5 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE In the preparation of this book, the aim has been to present in a manner suited to young readers the Greek myths that have been world favorites through the centuries, and that have in some measure exercised a formative infl uence on literature and the fi ne arts in many countries. While a knowledge of these myths is undoubtedly necessary to a clear understanding of much in literature and the arts, yet it is not for this reason alone that they have been selected; the myths that have appealed to the poets, the painters, and the sculptors for so many ages are the very ones that have the greatest depth of meaning, and that are the most beautiful and the best worth telling. -
Seeking the Pleiades
Seeking the Pleiades By Irvin Owens Jr., Island City Lodge No. 215 Introduction As a child, I attended a Quaker school. As is typical with Quaker education, we spent a good amount of time learning to respect and understand the impacts that nature would have on us, as well as the impact that we could have on nature. My first experience with the Pleiades was when our science teacher brought an astronomer into our class who began telling us about the constellations. I was mesmerized as he began showing us those ancient twinkling orbs through his telescope. When he got to the Pleiades, I was captivated by the beauty of the six clustered blue stars, as well as the heart-wrenching story of their flight from the lecherous Orion. I failed to understand how things were better for the Pleiades after Zeus turned them into a flock of doves. As I became interested in Masonry and began to study the Entered Apprentice tracing board, I noticed that Jacob's ladder pointed to the Moon surrounded by the Pleiades in many depictions. This is a powerful and beautiful symbol, which is important to understand more deeply in order to truly appreciate the power of the first degree. Mythology Ancient Greece and Rome The Pleiades feature prominently in Greek literature, beginning with Homer’s second book of the Georgics of Hesiod. In this poem, he describes the Pleiades as an aid to understanding when to harvest: “When, Atlas’ birth, the Pleiades arise, Harvest begin, plow when they leave, the skies. Twice twenty days and nights these hide their heads; The year then turning, leave again their beds, And show when first to whet the harvest steel. -
Hercules Rescuing Hesione on a Stojnik Funerary Monument
https://doi.org/10.2298/STA2070111G UDC: 904:726.825.046"652"(497.11) Original research article NADEŽDA GAVRILOVIĆ VITAS, Institute of Archaeology, Belgrade JELENA ANĐELKOVIĆ GRAŠAR, Institute of Archaeology, Belgrade A MESSAGE FROM BEYOND THE GRAVE: HERCULES RESCUING HESIONE ON A STOJNIK FUNERARY MONUMENT email: [email protected] Abstract. – The research of this study is dedicated to a unique iconographical scene in the territory of the Central Balkan Roman provinces, of Hercules rescuing Hesione from a seamonster (ketos), depicted on a funerary monument found in 1931 at the site of Stojnik, in the vicinity of Belgrade, antique Singidunum, and now displayed in the lapidarium of the National Museum in Belgrade. The funerary monument was erected for the deceased, a veteran of cohors II Aurelia nova, Publius Aelius Victorinus, by his wife Aurelia Rufina and their son Publius Aelius Acutianus. The rich iconography of the monument makes it a very important example of funerary art in the period from the end of the 2nd and the beginning of the 3rd century – the eschatological symbolism of the presented scenes and motifs is more than clear and underlines not only the hope of the deceased’s family for his eternal and blessed life after death, but also the deceased’s victory over death and presents him as a symbol of courage and virtue. The architectural scheme of the monument, along with its iconography, suggests strong artistic influences from Noricum and both the Pannonian provinces, while the the mythical tale of Hercules and Hesione was chosen, it is argued, not only because Hercules was one of the most favoured gods in the Roman army, but also because he was a protector of miners and mines.