The Zodiac: Comparison of the Ancient Greek Mythology and the Popular Romanian Beliefs
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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
De Novis Libris Iudicia ∵
mnemosyne 70 (2017) 347-358 brill.com/mnem De Novis Libris Iudicia ∵ Carrara, L. L’indovino Poliido. Roma, Edizioni di Storia e Letteratura, 2014. xxiv, 497 pp. Pr. €48.00. ISBN 9788863726688. In this book Laura Carrara (C.) offers an edition with introduction and com- mentary (including two appendices, an extensive bibliography and indexes) of three fragmentary plays by Aeschylus, Sophocles and Euripides, which focus on the story of a mythical descendant of Melampus, the prophet and sorcerer Polyidus of Corinth, and his dealings with the son of Minos, Glaucus, whose life he saved. These plays are the Cressae, Manteis and Polyidus respectively. In the introduction C. gives an extensive survey of the sources on Polyidus in earlier periods and in literary genres other than tragedy. He plays a sec- ondary part in several stories (as in Pi. O. 13.74-84, where he is helping Bellerophon to control Pegasus) and only in the Cretan story about Glaucus he is the main character. C. observes that in archaic literature we find no traces of this story, but even so regards it as likely that the tragic poets did not invent it (perhaps finding it in an archaic Melampodia). Starting from Il. 13.636-672, where Polyidus predicts the death of his son Euchenor, C. first discusses the various archaic sources in detail and then goes on to various later kinds of prose and poetry, offering a full diachronic picture of the evidence on Polyidus. In the next chapter C. discusses a 5th century kylix, which is the only evidence in visual art of the Cretan story and more or less contemporary with the tragic plays. -
Succeeding Succession: Cosmic and Earthly Succession B.C.-17 A.D
Publication of this volume has been made possiblej REPEAT PERFORMANCES in partj through the generous support and enduring vision of WARREN G. MOON. Ovidian Repetition and the Metamorphoses Edited by LAUREL FULKERSON and TIM STOVER THE UNIVE RSITY OF WI S CON SIN PRE SS The University of Wisconsin Press 1930 Monroe Street, 3rd Floor Madison, Wisconsin 53711-2059 Contents uwpress.wisc.edu 3 Henrietta Street, Covent Garden London WC2E SLU, United Kingdom eurospanbookstore.com Copyright © 2016 The Board of Regents of the University of Wisconsin System Preface Allrights reserved. Except in the case of brief quotations embedded in critical vii articles and reviews, no part of this publication may be reproduced, stored in a retrievalsystem, transmitted in any format or by any means-digital, electronic, Introduction: Echoes of the Past 3 mechanical, photocopying, recording, or otherwise-or conveyed via the LAUREL FULKERSON AND TIM STOVER Internetor a website without written permission of the University of Wisconsin Press. Rightsinquiries should be directed to rights@>uwpress.wisc.edu. 1 Nothing like the Sun: Repetition and Representation in Ovid's Phaethon Narrative 26 Printed in the United States of America ANDREW FELDHERR This book may be available in a digital edition. 2 Repeat after Me: The Loves ofVenus and Mars in Library of Congress Cataloging-in-Publication Data Ars amatoria 2 and Metamorphoses 4 47 BARBARA WElDEN BOYD Names: Fulkerson, Laurel, 1972- editor. 1 Stover, Tim, editor. Title: Repeat performances : Ovidian repetition and the Metamorphoses / 3 Ovid's Cycnus and Homer's Achilles Heel edited by Laurel Fulkerson and Tim Stover. PETER HESLIN Other titles: Wisconsin studies in classics. -
Seagate Crystal Reports
GREEK VERSUS MODERN TRAGEDY IN ' EUGENE O’NEILL Maria do Perpétuo Socorro Rego e Reis Cosme Universidade Federal de Santa Catarina Pós - Graduação em Inglês e Literatura Correspondente Greek Versus Modern Tragedy in Eugene O’Neill Maria do Pérpetuo Socorro Rego Reis Cosme Tese submetida à Universidade Federal de Santa Catarina para a obtenção do Grau de Doutora em Letras opção Inglês e Literatura Correspondente. Florianópolis Esta tese foi julgada adequada e qjrovada em sua. forma. finaL pelo Programa de Pós- Gràduação em Inglês para obtenção do grau de Doutora em Letras Opção Inglês e Literatura-Correspondente Dra. Bárbara O Baptista Coordenadora Dra. Bamadete Pasold Orientadora Banca Examinadora Dra Bemadete PasoId(OrientaíWora) Dr. Donaldo Schüler ( examinador) Dr. Joséy^oberto O' Shea (examinador) Dra Patrícia Vaüghan (examinadora) Florianópolis, 30 de março de 1998 Dedico essa Tese com muita saudade ao meu querido pai: José Reis (In Memoriam)que durante a sua vida sempre sonhou com a minha obtenção do Grau de Doutora. Esta pesquisa também é dedicada com muito amor a : minha mãe Lauríta Reis pelo estímulo perene no decorrer do doutorado; meu esposo Antonio Cosme Neto pela força e coragem para que eu não desistisse do doutorado; meus filhos Márcio Elysio , Lysianne e principalmente o querido “editor “Erick Elysio por toda a compreensão e confiança na capacidade da mãe para terminar o “sofrido” doutorado; meus irmãos e parentes pela amizade e solidariedade ; todos os meus amigos e colegas de profissão que sempre confiaram na minha capacidade e pelo estimulo constante para eu continuar apesar de tudo. Acknowledgements I would like to thank Professor Dra. -
Metamorphoses
- METAMORPHOSES - By Ovid (c. 8 A.D.) (translation by Ian Johnston) [After the creation of the natural world...] What was still missing was an animal more spiritual than these, more capable of higher thinking, which would be able to dominate the others. Man was born— 110 either that creator of things, the source of a better world, made him from divine seed, or the Earth, newly formed and divided only recently from lofty aether still held seeds related to the heavens, which Prometheus, Iapetus’ son, mixed PROMETHEUS with river water and made an image of the gods who rule all things.1 Other creatures keep their heads bent and gaze upon the ground, but he gave man a face which could look up 120 and ordered him to gaze into the sky and, standing tall, raise his countenance towards the stars. Thus, what had been crude earth and formless, was transformed and then took on the shapes of human life, unknown till then. First the Golden Age was born. It fostered THE GOLDEN AGE faith and right all on its own, without laws and without revenge. Fear and punishment did not exist. There were no threatening words etched in brass and set up for men to read, 130 nor were a crowd of suppliants afraid 1Iapetus and his son Prometheus were Titans, members of the family of ruling gods before Jupiter overthrew his father, Saturn, and imprisoned him. Jupiter and the major gods around him are called Olympians, because they are associated with Mount Olympus in northern Greece. of the looks of men who judged them.2 They lived in safety, with no one there to punish. -
2017 Njcl Certamen Advanced Division Round One
2017 NJCL CERTAMEN ADVANCED DIVISION ROUND ONE 1. What author born on July 12, 100 BC led an illustrious political and military life, the latter of which he documented in painstaking detail in his Commentāriī dē Bellō Gallicō? (C. JULIUS) CAESAR B1: While there are eight books total in the Commentāriī dē Bellō Gallicō, Caesar only wrote the first seven. What lieutenant wrote the final book of his commentaries? (A.) HIRTIUS B2: What work of Caesar covered his war against Pompey? (COMMENTĀRIĪ) DĒ BELLŌ CĪVĪLĪ / BELLUM CĪVĪLE 2. Using one word, say in Latin: “It’s getting late.” (AD)VESPERĀSCIT B1: Now say in Latin using one word: “The dew will fall.” RŌRĀBIT B2: Now say in Latin using two words: “It was raining for a rather long time.” DIŪTIUS PLUĒBAT 3. What son of Gaia and Tartarus terrorized the gods until he was buried under Mt. Aetna? TYPH(A)ON / TYPHOEUS B1: After Typhon cut out Zeus’ sinews with a sickle, what two deities stole them back? HERMES AND AEGIPAN B2: Typhon fathered a passel of other monsters with what snake lady? ECHIDNA 4. According to tradition, what two small groups fought a duel to determine the outcome of a war between Rome and Alba Longa during the reign of Tullus Hostilius? HORĀTIĪ AND CŪRIĀTIĪ B1: After the duel, what incited the one surviving Horatius to kill his sister? SHE WEPT FOR ONE OF THE CURIATII TO WHOM SHE HAD BEEN BETROTHED B2: What was the name of the opposing ruler of Alba Longa? METTIUS FŪFETIUS 5. Dēscrībāmus nunc proprietātēs dictiōnum in hāc sententiā: Nūllum est iam dictum quod nōn dictum sit prius. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
HYADES Star and Rain Nymphs | Greek Mythology
Google Search HYADES Web Theoi Greek Name Transliteration Latin Name Translation Ὑας Hyas Sucula Rainy Ones Ὑαδες Hyades Suculae (hyô, hyetos) THE HYADES were the nymphs of the five stars of the constellation Hyades. They were daughters of the Titan Atlas who bore the starry dome of heaven upon his shoulders. After their brother Hyas was killed by a lion, the tear-soaked sisters were placed amongst the stars as the constellation Hyades. Hyas himself was transformed into the constellation Aquarius. The heliacal setting of their constellation in November marked the start of the rainy season in Greece, hence the star nymphs were known as "the Rainy Ones." According to Nonnus the Hyades were the same as the Lamides nurses of the god Dionysos. The Hyades were also closely identified with the Nysiades and Nymphai Naxiai, the other reputed nurses of the god. The Hyades were also connected with the Naiades Mysiai, in which their brother Hyas is apparently substituted for a lover, Hylas. PARENTS [1.1] ATLAS & PLEIONE (Hyginus Fabulae 192) [1.2] ATLAS & AITHRA (Musaeus Frag, Hyginus Astronomica 2.21, Ovid Fasti 5.164) [2.1] HYAS & BOIOTIA (Hyginus Astronomica 2.21) NAMES [1.1] PHAISYLE, KORONIS, KLEEIA, PHAIO, EUDORE (Hesiod Astronomy 2) [1.2] PHAESYLA, KORONIS, AMBROSIA, POLYXO, EUDORA (Hyginus Fabulae 192) [1.3] AMBROSIA, EUDORA, AESYLE (Eustathius on Homer's Iliad 1156) ENCYCLOPEDIA HY′ADES (Huades), that is, the rainy, the name of a class of nymphs, whose number, names, and descent, are described in various ways by the ancients. Their parents were Atlas and Aethra ( Ov. -
The Pleiades Maureen Temple Richmond
Summer 2019 The Pleiades Maureen Temple Richmond Abstract tacle of the seven traditional dancers. Modern telescopy has revealed that the Pleiades star his article, written for enthusiasts of the grouping is in fact comprised of some 300 to T esoteric astrology of Alice A. Bailey, ex- 500 individual stars,2 the collective light amines the effects of the constellation of the which produces a luminous cloud appearing to Pleiades, one of several constellations not lo- contain bright sparkles trapped in filmy veils cated in the zodiacal belt but specified by the of transparent mists. Tibetan Master as significant spiritual sources for evolution in our solar system. In order to How this cluster came to be called the Pleiades understand the emanations of this particular is of interest. It appears that the most likely constellation, the author examines two differ- origin resides in the maternal lineage of the ent views of the Pleiades: the mythological and seven maidens classically associated with this the esoteric. Following up on the dictum artic- constellation in Greek mythology. According ulated by the Tibetan Master that there is more to myth, the seven maidens represented by the real occultism contained in exoteric constella- seven stars of the Pleiades are the daughters of tional myth than has previously been thought, Atlas and his wife, Pleione. Since the seven the text looks at Indigenous North American, came forth from the mother Pleione, her off- spring were thus collectively known by a slight Ancient Mediterranean, and Classical Vedic 3 images of the Pleiades as a representative se- adaptation of her name. -
4. the Origins of the Gods 5. the Origins of Mortals 6. Zeus, Hera, Poseidon, and Hades 7
Content Chapters: 4. The Origins of The Gods 5. The Origins of Mortals 6. Zeus, Hera, Poseidon, and Hades 7. Apollo 8. Hermes, Pan, Hephaestus, and Ares 9. Aphrodite, Artemis, and Athena 10. Demeter and Related Myths 11. Dionysos 12. The Underworld 13. Introduction to Heroic Myth 14. Perseus 15. Heracles 16. Theseus 17. Myths of Crete 18. Oedipus and The Myths of Thebes 19. Jason and the Argonauts 20. The Trojan War 21. The Fall of Troy and its Aftermath 22. The Return of Odysseus 23. Aeneas 24. Legends of Early Rome CHAPTER 4 – The Origins of The Gods • Hesiod gave story of Gods as origin of universe • Cosmogony explains ‘origin of the world’ o Kosmos = world • Theogony explains “origin of the Gods” o Theos = gods • Hesiod believe cosmogony and theogony the same • Hesiod’s thousand-line poem “theogony” is hymn to Zeus o Greek version of Indo-European sky-god Children of Chaos • First came Chaos (chasm) → Gaea (mother earth) → Tartarus (bottommost) → Eros (sexual love) • From Chaos = Erebus (darkness) & Nyx (night) • Thought that the others were also children of Chaos Children of Gaea • Gaea bore Uranus (sky) & Pontus (sea) asexually • Gaea (earth) + Uranus (sky) = bore 6 male & 6 female Titans o Cronus (contends with Uranus for power) o Notable Gods = male Oceanus + female Tethys (give birth to all Gods) • Gaea bore 3 cyclopes (round eyes) o Brontes (thunderer), Steropes (flasher), Arges (brightener) • Hecatonchires (hundred-handers) o Cottus, Briareus, Gyes Hyperion’s Children • Hyperion (sun-god) father of: o Helius (sun-god), Selenê (the moon), Eos (the dawn) • Phaëthon (Oceanid), son of Helius and Clymenê o Mother married to king of Ethiopia, assured father was the sun • For confirmation journeyed to house of Helius • Helius would grant one wish to prove he was his father o Wanted to ride Helius’ chariot of the sun across the sky • Phaethon lost control bolted to earth almost setting it ablaze. -
Why Are There Seven Sisters?
Why are there Seven Sisters? Ray P. Norris1,2 & Barnaby R. M. Norris3,4,5 1 Western Sydney University, Locked Bag 1797, Penrith South, NSW 1797, Australia 2 CSIRO Astronomy & Space Science, PO Box 76, Epping, NSW 1710, Australia 3 Sydney Institute for Astronomy, School of Physics, Physics Road, University of Sydney, NSW 2006, Australia 4 Sydney Astrophotonic Instrumentation Laboratories, Physics Road, University of Sydney, NSW 2006, Australia 5 AAO-USyd, School of Physics, University of Sydney, NSW 2006, Australia Abstract of six stars arranged symmetrically around a seventh, and is There are two puzzles surrounding the therefore probably symbolic rather than a literal picture of Pleiades, or Seven Sisters. First, why are the Pleiades. the mythological stories surrounding them, In Greek mythology, the Seven Sisters are named after typically involving seven young girls be- the Pleiades, who were the daughters of Atlas and Pleione. ing chased by a man associated with the Their father, Atlas, was forced to hold up the sky, and was constellation Orion, so similar in vastly sep- therefore unable to protect his daughters. But to save them arated cultures, such as the Australian Abo- from being raped by Orion the hunter, Zeus transformed them riginal cultures and Greek mythology? Sec- into stars. Orion was the son of Poseidon, the King of the sea, ond, why do most cultures call them “Seven and a Cretan princess. Orion first appears in ancient Greek Sisters" even though most people with good calendars (e.g. Planeaux , 2006), but by the late eighth to eyesight see only six stars? Here we show that both these puzzles may be explained by early seventh centuries BC, he is said to be making unwanted a combination of the great antiquity of the advances on the Pleiades (Hesiod, Works and Days, 618-623).