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2018-2019 Season 1

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One-to-one consultations Office / Galleries / Archives Welcome to our 44th season. Presentations/Forums William Zimmer Reference Library Most events are free to attend. since 1974 173 W. Main Street / P.O. Box 0082 There is never a charge for Performances Kutztown, PA 19530-0082 One-to-One conversational Exhibitions 610-683-6440 meetings with our guests. newartsprogram.org [email protected] For up-to-the-minute event details, Television programs call 610-683-6440. hours: fri/sat/sun 11:00-3:00 Reference library/Archives (other times call ahead or just Publications knock, we’re here most days) 2018-2019 season NAP preview editorial & design by John Lotte James F.L. Carroll director board of directors Emily A. Branch New Arts Program Inc. is a public tax-exempt, or just drop us an email with James F. L. Carroll not-for-profit corporation organized under the NAP Exhibition Space is “ADD ME” in the subject line to approximately 6 miles Joanne P. Carroll laws of the Commonwealth of Pennsylvania and from Exit 40. section 501 (c)(3) of the Internal Revenue Code. [email protected] and we’ll Lincoln Fajardo All donations to the Program are tax-deductible add you to our email list. St John’s UCC Robert Flemming to the extent allowed by law. Please include your full name Susan Lange Robert P. Metzger in the body of your email. Ted Ormai welcome Deb Schlouch This is our NAP Preview events Harry L. Serio calendar for the 2018-2019 Ellen Slupe season. Enjoy the read and see Ann-Sargent Wooster you soon. A • Emeriti: One-to-Ones and exhibitions ab ut Bart Wasserman are free. Most other events are Founded in 1974, New Arts William Zimmer free too. Venue locations and Program is a 501(c)(3) nonprofit board of advisors phone numbers are listed below. educational art resource library, NAP Clytie Alexander For inquiries and for up-to-the- museum, and exhibition space Robert Dick DOWNTOWN Douglas Dunn minute schedule information dedicated to providing a forum KUTZTOWN Jon Gibson call the NAP office: 610-683-6440. for the local public to interact Philip Glass Did you know that our with working artists from the Mary Griffin residency artists are available literary, visual, and performing Patricia Johanson for private one-to-one conversa- arts. Venue information: Mimi Johnson tions? Find out more about our During it’s 44-year history, Klaus Kertess One-to-Ones on the next page. New Arts Program (called the NAP Space Galleries & Office Michael Kessler James Melchert Occasionally we may have some “Art Series Program” for its 173 W. Main St. P.O. Box 0082, Kutztown, PA 19530-0082 Andrew Miller urgent news or a special event initial eight years) has brought Meredith Monk 610-683-6440 that is announced via email. over 700 cutting-edge visual, Ursula von Rydingsvard So next time you write or call, St. John’s United Church of Christ Nancy Wolff, Esq give us your email address— —more, page 2 N. Whiteoak and W. Walnut Sts., Kutztown, PA 19530 Emeriti: For NAP events at St. John’s please call 610-683-6440 George S. Barrell John Cage Berks Community Television Kent Floeter Distances—more, to page Kutztown 4 from: 1900 N. 13th St., Reading, PA 19604 Keith Haring Reading 20 m (0.5 hr) 610-374-3065 Robert Stanley Allentown 22 m (0.5 hr) recognition Easton 50 m (1.0 hr) DUTV 54 (Drexel University) Ralph Bailits Lancaster 55 m (1.0 hr) 3141 Chesnut St., Bdg 9B, Rm 4026 Harrisburg 65 m (1.5 hr) Eileen Baxter Philadelphia 70 m (1.5 hr) Philadelphia, PA 19104 Steve Berardelli Scranton 90 m (2.0 hr) 215 895-2927 Janice Carapellucci NYC 110 m (2.5 hr) Vicki DaSilva Baltimore 125 m (2.5 hr) Manhattan Neighborhood Network David D’Imperio D.C. 175 m (3.5 hr) 537 W. 59th St., New York, NY 10019 Judy Geib 212 757-2670 Mark Innerst © 2018 New Arts Program Inc. Excerpts for reviews or announcements of NAP events are Kermit Oswald permitted. Photos and artwork are copyrighted by the artists and used here by permission; 1 Lisa Oswald reproduction prohibited without prior permission. Tom Sterner through the two days of each available at the closing day group gallery tours residency. Sign up at NAP’s office reception or any time thereafter. or call 610-683-6440. Only Artists interested in engaging Call to arrange for a gallery tour A for your group or class. Educators twelve slots are available, six on with the Project Wall see page 17 abfrom page 1 ut each of the two days, so sign up (Call for Entries). are encouraged to bring their early. Participants should prepare classes— elementary through performing, and literary artists an agenda for their conversation. reference library college. We can also schedule a and critics from around the One-to-Ones are free. visit to your group or classroom world to the doorsteps of the Housed within the NAP Space, for a presentation. Lehigh Valley, Berks County and public presentations the William Zimmer Reference Philadelphia. Library is an artist’s or research- the NAP store Additional programs include On the first evening of each er’s dream. The public is invited Where else can you find a internships, two monthly cable residency, the public is invited to use its resources at no charge. Keith Haring poster for $15? television programs, an art to a social hour of conversation NAP members have exclusive Gift certificates are available. research and slide library, with the guest artist, which borrowing privileges. Gallery The NAP Store catalog appears NAP archives, NAP Limited Print could include a gallery talk, hours or by appointment. toward the end of this Preview. Editions, Live On Paper: Book slides, video or audio, and in Here you’ll find: certain instances, a performance. Forms, and other publications. BOOKS—Every subject imagin- Performances and exhibitions open Sundays able for the artist. residencies are held in an intimate, relaxed In addition to our Friday and public setting. The informality PERIODICALS—Current and lots Since 1974, artist residencies Saturday hours, NAP opens of a small community space of back issues. every Sunday during our season have been the cornerstone of encourages conversation. the New Arts Program. Today’s EXHIBITION CATALOGS—From from 11:00-3:00, except holidays. most provocative and insightful around the country; around We’re actually here most other visual, performing, and literary exhibitions the world. days, so if you’re in the neighbor- hood, give a ring or just knock. artists and critics are invited to Eleven months out of the year, VIDEO ARCHIVE—Featuring NAP take part. our intimate galleries feature Video Festival winners and a Each residency includes two solo exhibitions of first-rate collection of artist presenta- funding and support days of personal one-to-one working artists from this country tions recorded at the Program The New Arts Program would conversational meetings between and abroad. Complimentary over the past thirty+ years. not be in operation without the the residency guest and members exhibition booklets, which generous support of its individual, SLIDE ARCHIVE—Over 50,000 of the general public lasting an include reproductions and a organization and business slides of works by contempo- hour each. On the evening of conversation with the residency sustaining sponsors; foundations; rary artists. On-site viewing day one, our guest conducts an artist, are available. Capping off facilities. and a supporting membership open dialog with a public each season is our popular base which includes persons like audience in a presentation/ international invitational salon CONSULTING and technical yourself. Funding is also provided performance and/or exhibition exhibition. assistance on studio and arts in part by the Pennsylvania context. This access to major management, alternative and Council on the Arts, a state agency, talents—with NAP as a conduit the project wall co-op spaces, housing, and and the National Endowment for mailings. —cultivates direct dialogue Inaugurated in 2013, The Project the Arts, a federal agency. between artists and the public. Wall gives the public an oppor- Every so often, the Program tunity to view artists’ ideas and residency booklets is blessed to have prominent one-to-ones work in progress—a situation Beginning in 1997, each NAP performing artists donate their Over the course of each two-day normally absent in a formal exhibition and artist residency time and talent for a benefit residency, up to twelve persons gallery setting. The Project Wall has been documented with a event. On October 13, composer from the community have the is literally a wall surface in the booklet which includes repro- Philip Glass performs a solo opportunity to reserve one-hour foyer gallery—8 feet high by 14 ductions of the works and piano recital at St. John’s UCC time slots for private conversa- feet wide—on which an invited commentary by and about the in Kutztown to benefit NAP. tions with the visiting artist and artist presents a body of work artists. Exclusive transcripts Glass, one of the greatest determine the direction of the that evolves over a 12-week from New Arts Alive TV composers of our lifetime, has encounter—a walk, a chat over period, sometimes with public conversations are often included. been a longtime advocate of coffee, a presentation of their collaboration. Booklets are available free of New Arts Program, engaging work (actual works, laptop, slides, The Project Wall avoids being charge at events. A small fee is with us for eleven benefit video or, circumstances permit- like a regular exhibition, but charged for booklets by mail or concerts since 1985.
Recommended publications
  • Download PDF 3.01 MB

    Download PDF 3.01 MB

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Eiko and Koma: Dance Philosophy and Aesthetic Shoko Yamahata Letton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE EIKO AND KOMA: DANCE PHILOSOPHY AND AESTHETIC By SHOKO YAMAHATA LETTON A Thesis submitted to the Department of Dance in partial fulfillment of the Requirements for the degree of Master of Arts Degree Awarded: Summer Semester, 2009 The members of the Committee approve the Thesis of Shoko Yamahata Letton defended on October 18, 2007. ____________________________________ Sally R. Sommer Professor Directing Thesis ____________________________________ Tricia H. Young Committee Member ____________________________________ John O. Perpener III Committee Member Approved: ___________________________________________ Patricia Phillips, Co-Chair, Department of Dance ___________________________________________ Russell Sandifer, Co-Chair, Department of Dance ___________________________________________ Sally E. McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above named committee members. ii Dedicated to all the people who love Eiko and Koma. iii ACKNOWLEDGEMENTS This thesis would not have been completed without the following people. I thank Eiko and Koma for my life-changing experiences, access to all the resources they have, interviews, wonderful conversations and delicious meals. I appreciate Dr. Sally Sommer’s enormous assistance, encouragement and advice when finishing this thesis. I sincerely respect her vast knowledge in dance and her careful and strict editing which comes from her career as dance critic, and, her wonderful personality. Dr. William Sommer’s kindness and hospitality also allowed me to work extensively with his wife.
  • A Finding Aid to the EC (Eugene) Goossen Papers, Circa 1935

    A Finding Aid to the EC (Eugene) Goossen Papers, Circa 1935

    A Finding Aid to the E.C. (Eugene) Goossen Papers, circa 1935-2004, in the Archives of American Art Sarah Mundy 2020/01/22 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Biographical Materials, 1945-2004........................................................... 4 Series 2: Correspondence, 1930s-1990s................................................................. 5 Series 3: Artist Files, circa 1947-1997..................................................................... 7 Series 4: Writing Projects and Notes, circa 1940-circa
  • 1 History That Disturbs the Present

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  • Bennington College Usdan Gallery

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  • Jon Ippolito

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  • Fall / Winter 2016 Volume 37, Number 2 $15.00 Fall / Winter 2016 Volume 37, Number 2

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  • View the Viking Update

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    Honoring Tradition EMBRACING CHANGE CLASS OF ST. OLAF COLLEGE Class of 1969 – PRESENTS – The Viking Update in celebration of its 50th Reunion May 31 – June 2, 2019 Autobiographies and Remembrances of the Class stolaf.edu 1520 St. Olaf Avenue, Northfield, MN 55057 Advancement Division 800-776-6523 Student Editors Joshua Qualls ’19 Kassidy Korbitz ’22 Matthew Borque ’19 Student Designer Philip Shady ’20 Consulting Editor David Wee ’61, Professor Emeritus of English 50th Reunion Staff Members Ellen Draeger Cattadoris ’07 Cheri Floren Michael Kratage-Dixon Brad Hoff ’89 Printing Park Printing Inc., Minneapolis, MN Welcome to the Viking Update! Your th Reunion committee produced this commemorative yearbook in collaboration with students, faculty members, and staff at St. Olaf College. The Viking Update is the college’s gift to the Class of in honor of this milestone year. The yearbook is divided into three sections: Section I: Class Lists In the first section, you will find a complete list of everyone who submitted a bio and photo for the Viking Update. The list is alphabetized by last name while at St. Olaf. It also includes the classmate’s current name so you can find them in the Autobiographies and Photos section, which is alphabetized by current last name. Also included the class lists section: Our Other Classmates: A list of all living classmates who did not submit a bio and photo for the Viking Update. In Memoriam: A list of deceased classmates, whose bios and photos can be found in the third and final section of the Viking Update. Section II: Autobiographies and Photos Autobiographies and photos submitted by our classmates are alphabetized by current last name.
  • 109Th CAA Annual Conference Program

    109Th CAA Annual Conference Program

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  • Of the Annual

    Of the Annual

    Institute for Advanced Study IASInstitute for Advanced Study Report for 2013–2014 INSTITUTE FOR ADVANCED STUDY EINSTEIN DRIVE PRINCETON, NEW JERSEY 08540 (609) 734-8000 www.ias.edu Report for the Academic Year 2013–2014 Table of Contents DAN DAN KING Reports of the Chairman and the Director 4 The Institute for Advanced Study 6 School of Historical Studies 10 School of Mathematics 20 School of Natural Sciences 30 School of Social Science 42 Special Programs and Outreach 50 Record of Events 58 79 Acknowledgments 87 Founders, Trustees, and Officers of the Board and of the Corporation 88 Administration 89 Present and Past Directors and Faculty 91 Independent Auditors’ Report CLIFF COMPTON REPORT OF THE CHAIRMAN I feel incredibly fortunate to directly experience the Institute’s original Faculty members, retired from the Board and were excitement and wonder and to encourage broad-based support elected Trustees Emeriti. We have been profoundly enriched by for this most vital of institutions. Since 1930, the Institute for their dedication and astute guidance. Advanced Study has been committed to providing scholars with The Institute’s mission depends crucially on our financial the freedom and independence to pursue curiosity-driven research independence, particularly our endowment, which provides in the sciences and humanities, the original, often speculative 70 percent of the Institute’s income; we provide stipends to thinking that leads to the highest levels of understanding. our Members and do not receive tuition or fees. We are The Board of Trustees is privileged to support this vital immensely grateful for generous financial contributions from work.
  • Integrating Wildlife Habitat Into Urban

    Integrating Wildlife Habitat Into Urban

    THE WILDLIFE GALLERY: INTEGRATING WILDLIFE HABITAT INTO URBAN AREAS USING LAND AND ENVIRONMENTAL ART by LAUREN A. HOLMER (Under the Direction of Doug Pardue) ABSTRACT Environmental concerns and worldwide population growth demonstrate the need for positive integration of human cultural practices with other ecological processes, including animal life cycles. This thesis proposes that fostering a sense of regional community within citizens for local wildlife will aid in the paradigm shift necessary for effective interspecies habitation in urbanized areas. Land and environmental art acts as a channel for cultural communication, often confronts localized problems which affect wildlife, and has been of interest to landscape architects for decades. With the development of eco-revelatory design practice, the procedural and ideological contributions of these artists remain relevant to our profession. This thesis will examine six case studies from within the outer periphery of Krauss’s 1979 Klein Group Diagram, using an evaluative framework to determine how well they provide for wildlife needs and human awareness of the animals, and then applies the information learned to a site in Charleston, SC. INDEX WORDS: Landscape Architecture, Land Art, Environmental Art, Wildlife Habitat, Anthroecology, Eco-Revelatory Design, Place-Making THE WILDLIFE GALLERY: INTEGRATING WILDLIFE HABITAT INTO URBAN AREAS USING LAND AND ENVIRONMENTAL ART by LAUREN A. HOLMER AA, Elgin Community College, 2007 BA, Covenant College, 2010 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF LANDSCAPE ARCHITECTURE ATHENS, GEORGIA 2017 © 2017 Lauren A. Holmer All Rights Reserved THE WILDLIFE GALLERY: INTEGRATING WILDLIFE HABITAT INTO URBAN AREAS USING LAND AND ENVIRONMENTAL ART by LAUREN A.
  • The Feminist, Environmental, and Land Art

    The Feminist, Environmental, and Land Art

    1971 Rebecca Horn, Moveable Shoulder Extensions (Bewegliche Schulterstäbe) 2017 Antonia Wright, Under the Water Was Sand, The Rocks, Miles of Rocks, Then Fire Adrian Piper, Catalysis IV 2001 – 2002 Ana Teresa Fernández, Of Bodies 1976 Allora & Calzadilla, Land Mark and Borders 1 (performance Ana Mendieta, Untitled, (Foot Prints) #10 documentation) Silueta Series 2019 Saskia Jordá, Radius 1979 1971 – 73 Lotty Rosenfeld, Una milla Eleanor Antin, The Wonder de cruces sobre el pavimento 2006 2015 of It All, from The King of (A mile of crosses on the pavement) Angela Ellsworth, Is This the Place Sarah Cameron Sunde, 36.5 / Solana Beach North Sea, Katwijk Aan Zee, The Netherlands 2010 Maria Hupfield, The One Who Keeps On Giving 1982 Marina Abramovic´, Agnes Denes, Wheatfield— 1976 1980 1997 2001 – 2006 Looking at the Mountains from 1977 Beth Ames Swartz, The Red A Confrontation: Battery Park Francis Alÿs, Paradox of Praxis 1 1973 VALIE EXPORT, Abrundung II Pope.L, The Great White Way: the series Back to Simplicity Suzanne Lacy and Leslie Labowitz, Sea #1 (from the series Israel Landfill, Downtown Manhattan— (Sometimes Doing Something 2005 Mierle Laderman Ukeles, Washing, (Round Off II) 22 miles, 5 years, 1 street 1970 In Mourning and in Rage Revisited, Ten Sites) With New York Financial Center Leads to Nothing) Christian Philipp Müller, 2562 km Tracks, Maintenance: Outside (Segment #1: December 29, 2001) 2013 Bonnie Ora Sherk, Sitting Still II Zhou Tao, After Reality FEATURED ARTWORKS IN COUNTER-LANDSCAPES FEATURED ARTWORKS IN COUNTER-LANDSCAPES 1969 Earth Art February 1969 Herbert F. Johnson Museum of Art at Cornell University First American museum to show an exhibition of earth art.
  • New Art/Science Affinities

    New Art/Science Affinities

    NEW ART/SCIENCE AFFINITIES ART/SCIENCE NEW art social web collaboration work artistic consider operate science many made tool technology way internet found fi rst move life general artist laboratory present modern computer rather entire associate use technological technology foundation project cell american community hacker call view knowledge new found well sleep one people might original design invent network wide year caption very experiment image data direct society process material include write system creative position diff erent source launch set produce research programme go question NEW human earth approach diy future contemporary exist establish cultural http dream perspective time publish relationship place public provide information context practice just product build ART/SCIENCE scientifi c look university language hack behavior over study blood user device however engineer term camera robert develop create example environmental culture video fl ower studio AFFINITIES media program maker learn through allow planet high software live goal subvert make natural critical application method make machine experience world understand school engage scientist ideas common online electronic how white back robot physical group start current open workshop involve become model describe visual release title participant state see limb nature invert piece lab eye practical Régine Debatty form change interest activity digital point researcher Claire L. Evans center plant city Pablo Garcia create century person space better fi ction ISBN 978-0977205347 -9 Andrea Grover Thumb with STUDIO for Creative Inquiry 9 780977 205349 and Miller Gallery at Carnegie Mellon University foreword Carnegie Mellon’s STUDIO for Creative Inquiry supports atypical, interdisciplinary, and interinstitutional research at the intersection of the arts, science, and technology.