One-to-one consultations Office / Galleries / Archives Welcome to our 44th season. Presentations/Forums William Zimmer Reference Library Most events are free to attend. since 1974 173 W. Main Street / P.O. Box 0082 There is never a charge for Performances Kutztown, PA 19530-0082 One-to-One conversational Exhibitions 610-683-6440 meetings with our guests. newartsprogram.org [email protected] For up-to-the-minute event details, Television programs call 610-683-6440. hours: fri/sat/sun 11:00-3:00 Reference library/Archives (other times call ahead or just Publications knock, we’re here most days) 2018-2019 season

NAP preview editorial & design by John Lotte

James F.L. Carroll director board of directors Emily A. Branch New Arts Program Inc. is a public tax-exempt, or just drop us an email with James F. L. Carroll not-for-profit corporation organized under the NAP Exhibition Space is “ADD ME” in the subject line to approximately 6 miles Joanne P. Carroll laws of the Commonwealth of Pennsylvania and from Exit 40. section 501 (c)(3) of the Internal Revenue Code. [email protected] and we’ll Lincoln Fajardo All donations to the Program are tax-deductible add you to our email list. St John’s UCC Robert Flemming to the extent allowed by law. Please include your full name Susan Lange Robert P. Metzger in the body of your email. Ted Ormai welcome Deb Schlouch This is our NAP Preview events Harry L. Serio calendar for the 2018-2019 Ellen Slupe season. Enjoy the read and see Ann-Sargent Wooster you soon. A • Emeriti: One-to-Ones and exhibitions ab ut Bart Wasserman are free. Most other events are Founded in 1974, New Arts William Zimmer free too. Venue locations and Program is a 501(c)(3) nonprofit board of advisors phone numbers are listed below. educational art resource library, NAP Clytie Alexander For inquiries and for up-to-the- museum, and exhibition space Robert Dick DOWNTOWN Douglas Dunn minute schedule information dedicated to providing a forum KUTZTOWN Jon Gibson call the NAP office: 610-683-6440. for the local public to interact Philip Glass Did you know that our with working artists from the Mary Griffin residency artists are available literary, visual, and performing Patricia Johanson for private one-to-one conversa- arts. Venue information: Mimi Johnson tions? Find out more about our During it’s 44-year history, Klaus Kertess One-to-Ones on the next page. New Arts Program (called the NAP Space Galleries & Office Michael Kessler James Melchert Occasionally we may have some “Art Series Program” for its 173 W. Main St. P.O. Box 0082, Kutztown, PA 19530-0082 Andrew Miller urgent news or a special event initial eight years) has brought Meredith Monk 610-683-6440 that is announced via email. over 700 cutting-edge visual, Ursula von Rydingsvard So next time you write or call, St. John’s United Church of Christ Nancy Wolff, Esq give us your email address— —more, page 2 N. Whiteoak and W. Walnut Sts., Kutztown, PA 19530 Emeriti: For NAP events at St. John’s please call 610-683-6440 George S. Barrell John Cage Berks Community Television Kent Floeter Distances—more, to page Kutztown 4 from: 1900 N. 13th St., Reading, PA 19604 Keith Haring Reading 20 m (0.5 hr) 610-374-3065 Robert Stanley Allentown 22 m (0.5 hr) recognition Easton 50 m (1.0 hr) DUTV 54 (Drexel University) Ralph Bailits Lancaster 55 m (1.0 hr) 3141 Chesnut St., Bdg 9B, Rm 4026 Harrisburg 65 m (1.5 hr) Eileen Baxter Philadelphia 70 m (1.5 hr) Philadelphia, PA 19104 Steve Berardelli Scranton 90 m (2.0 hr) 215 895-2927 Janice Carapellucci NYC 110 m (2.5 hr) Vicki DaSilva Baltimore 125 m (2.5 hr) Manhattan Neighborhood Network David D’Imperio D.C. 175 m (3.5 hr) 537 W. 59th St., New York, NY 10019 Judy Geib 212 757-2670 Mark Innerst © 2018 New Arts Program Inc. Excerpts for reviews or announcements of NAP events are Kermit Oswald permitted. Photos and artwork are copyrighted by the artists and used here by permission; 1 Lisa Oswald reproduction prohibited without prior permission. Tom Sterner through the two days of each available at the closing day group gallery tours residency. Sign up at NAP’s office reception or any time thereafter. or call 610-683-6440. Only Artists interested in engaging Call to arrange for a gallery tour A for your group or class. Educators twelve slots are available, six on with the Project Wall see page 17 abfrom page 1 ut each of the two days, so sign up (Call for Entries). are encouraged to bring their early. Participants should prepare classes— elementary through performing, and literary artists an agenda for their conversation. reference library college. We can also schedule a and critics from around the One-to-Ones are free. visit to your group or classroom world to the doorsteps of the Housed within the NAP Space, for a presentation. Lehigh Valley, Berks County and public presentations the William Zimmer Reference Philadelphia. Library is an artist’s or research- the NAP store Additional programs include On the first evening of each er’s dream. The public is invited Where else can you find a internships, two monthly cable residency, the public is invited to use its resources at no charge. Keith Haring poster for $15? television programs, an art to a social hour of conversation NAP members have exclusive Gift certificatesare available. research and slide library, with the guest artist, which borrowing privileges. Gallery The NAP Store catalog appears NAP archives, NAP Limited Print could include a gallery talk, hours or by appointment. toward the end of this Preview. Editions, Live On Paper: Book slides, video or audio, and in Here you’ll find: certain instances, a performance. Forms, and other publications. BOOKS—Every subject imagin- Performances and exhibitions open Sundays able for the artist. residencies are held in an intimate, relaxed In addition to our Friday and public setting. The informality PERIODICALS—Current and lots Since 1974, artist residencies Saturday hours, NAP opens of a small community space of back issues. every Sunday during our season have been the cornerstone of encourages conversation. the New Arts Program. Today’s EXHIBITION CATALOGS—From from 11:00-3:00, except holidays. most provocative and insightful around the country; around We’re actually here most other visual, performing, and literary exhibitions the world. days, so if you’re in the neighbor- hood, give a ring or just knock. artists and critics are invited to Eleven months out of the year, VIDEO ARCHIVE—Featuring NAP take part. our intimate galleries feature Video Festival winners and a Each residency includes two solo exhibitions of first-rate collection of artist presenta- funding and support days of personal one-to-one working artists from this country tions recorded at the Program The New Arts Program would conversational meetings between and abroad. Complimentary over the past thirty+ years. not be in operation without the the residency guest and members exhibition booklets, which generous support of its individual, SLIDE ARCHIVE—Over 50,000 of the general public lasting an include reproductions and a organization and business slides of works by contempo- hour each. On the evening of conversation with the residency sustaining sponsors; foundations; rary artists. On-site viewing day one, our guest conducts an artist, are available. Capping off facilities. and a supporting membership open dialog with a public each season is our popular base which includes persons like audience in a presentation/ international invitational salon CONSULTING and technical yourself. Funding is also provided performance and/or exhibition exhibition. assistance on studio and arts in part by the Pennsylvania context. This access to major management, alternative and Council on the Arts, a state agency, talents—with NAP as a conduit the project wall co-op spaces, housing, and and the National Endowment for mailings. —cultivates direct dialogue Inaugurated in 2013, The Project the Arts, a federal agency. between artists and the public. Wall gives the public an oppor- Every so often, the Program tunity to view artists’ ideas and residency booklets is blessed to have prominent one-to-ones work in progress—a situation Beginning in 1997, each NAP performing artists donate their Over the course of each two-day normally absent in a formal exhibition and artist residency time and talent for a benefit residency, up to twelve persons gallery setting. The Project Wall has been documented with a event. On October 13, composer from the community have the is literally a wall surface in the booklet which includes repro- Philip Glass performs a solo opportunity to reserve one-hour foyer gallery—8 feet high by 14 ductions of the works and piano recital at St. John’s UCC time slots for private conversa- feet wide—on which an invited commentary by and about the in Kutztown to benefit NAP. tions with the visiting artist and artist presents a body of work artists. Exclusive transcripts Glass, one of the greatest determine the direction of the that evolves over a 12-week from New Arts Alive TV composers of our lifetime, has encounter—a walk, a chat over period, sometimes with public conversations are often included. been a longtime advocate of coffee, a presentation of their collaboration. Booklets are available free of New Arts Program, engaging work (actual works, laptop, slides, The Project Wall avoids being charge at events. A small fee is with us for eleven benefit video or, circumstances permit- like a regular exhibition, but charged for booklets by mail or concerts since 1985. ting, even a studio visit). instead is a working surface or from prior residencies. Your attendance at these events Cross-disciplinary interaction is space in flux. As a process it is In order to include a full gives the New Arts Program a encouraged—a painter with a raw, as each passing moment documentation, Project Wall needed boost in our funding. dancer for example. brings on change. booklets are unavailable until They also serve as the perfect way Signups begin September 1— A booklet including photos the closing day reception of to share the NAP experience Each season, One-to-One signups documenting the time line of each Project Wall installation with family, friends and begin September 1 and continue each 12-week project is 2 or any time thereafter. associates. ▫ The New arts Program is “a non-academic approach 1974 september 2018 since to a nonacademic subject, and it works!” s m t w t f s —Philip Glass, composer 1 2 3 4 O 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 OO 21 22 23 24 25 26 27 28 29 at a glance 30 october s m t w t f s 1 2 3 4 O 5 6 7 8 9 10 11 12 O 13 14 15 16 17 18 19 20 21 22 23 24 25 O 26 27 28 29 30 31

november s m t w t f s fall 1 2 3 4 5 6 7 8 O 9 10 Lindsay Fort 11 12 13 14 15 16 17 painter 18 19 20 21 22 23 24 Sep 5 (Wed)-Dec 16 (Sun) Exhibition: ThE ProjEcT Wall 25 26 27 28 29 O 30

Dec 16 (1-3:00 pm) artist reception december s m t w t f s 1 Patricia Johanson artist 2 3 4 5 6 7 8 Sep 21, 22 (Fri, Sat) residency 9 10 11 12 13 14 15 O 16 17 18 19 20 21 22 Sep 21 (Fri)-Dec 16 (Sun) Exhibition 23 24 25 26 27 28 29 Sep 21 (6-9:00 pm) artist reception 30 31 oct 5 (Fri 7:00 pm) Video documentary 1 approx 40 min january 2019 s m t w t f s oct 26 (Fri 7:00 pm) Video documentary 2 1 2 3 4 5 Nov 9 (Fri 7:00 pm) Video documentary 3 6 7 8 9 10 11 12 13 14 15 16 17 OO 18 19 Nov 30 (Fri 7:00 pm) Video documentary 4 20 21 22 23 24 25 26 Dec 16 (1-3:00 pm) closing day artist reception 27 28 29 30 31 february s m t w t f s PhiLiP GLass composer/musician 1 2 3 4 5 6 7 8 9 oct 13 (Sat 7:30 pm) Solo piano recital 17 18 19 20 21 22 23 24 25 26 27 28 winter march s m t w t f s 1 2 Judith Modrak sculptor 3 4 5 6 7 8 9 10 11 12 13 14 OO 15 16 jan 18, 19 (Fri, Sat) residency 17 18 19 20 21 22 23 24 25 26 27 28 29 30 jan 18 (Fri)-Mar 3 (Sun) Exhibition 31 jan 18 (6-9:00 pm) artist reception april s m t w t f s 1 2 O 3 4 5 6 spring - summer 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Jonathan LiPPincott 21 22 23 24 25 26 27 critic/curator 28 29 30 Mar 15, 16 (Fri, Sat) residency may Mar 15 (Fri)-apr 28 (Sun) Exhibition s m t w t f s curated by jonathan lippincott 1 2 3 4 5 6 7 8 9 10 11 Mar 15 (6-9:00 pm) opening reception 12 13 14 15 16 17 18 19 20 21 22 23 O 24 25 26 27 28 29 30 31 taMu nGina visual artist june apr 3 (Wed)-jul 14 (Sun) Exhibition: ThE ProjEcT Wall 1 2 3 4 5 6 7 8 jul 14 (1-3:00 pm) artist reception 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30th annuaL internationaL invitationaL saLon oF sMaLL works 30 May 24 (Fri)-jul 14 (Sun) Exhibition july May 24 (6-9:00 pm) artists reception s m t w t f s 1 2 3 4 5 6 jul 14 (1-3:00 pm) closing day reception 7 8 9 10 11 12 13 O 14 15 16 17 18 19 20 21 22 23 24 25 26 27 3 28 29 30 31

One-to-one consultations Office / Galleries / Archives Welcome to our 44th season. Presentations/Forums William Zimmer Reference Library Most events are free to attend. since 1974 173 W. Main Street / P.O. Box 0082 There is never a charge for Performances Kutztown, PA 19530-0082 One-to-One conversational Exhibitions 610-683-6440 meetings with our guests. newartsprogram.org [email protected] For up-to-the-minute event details, Television programs call 610-683-6440. hours: fri/sat/sun 11:00-3:00 Reference library/Archives (other times call ahead or just Publications knock, we’re here most days) 2018-2019 season the A Lost Dog, 2018, digital print, pr ject wall 10.75" x 8" ideas in progress Lindvisual artist: fabrics anday image (American, Fort b. 1982) exhibition an image collection of roadside refuse and handmade signs from pictures she takes along Wed Sep 5 through her commute routes—this is the Sun Dec 16, 2018 subject of her Project Wall. NAP Space Gallery foyer, Kutztown home base: Boyertown, Pa. hours: fri/sat/sun 11:00-3:00 artist comments: Since January 2018 I have been taking pictures reception Sun Dec 16 of discarded mattresses, furni- 1-3:00 pm (closing day) in tandem with Patricia Johanson ture and “free” signs with their exhibition closing contents on the side of the road—the “Found” and “Free” The Project Wall is a dynamic visual portions of my Project Wall dialogue presented on a 14-ft long entitled “Lost Found Free.” wall leading to the main gallery on which an artist is invited to present or create an evolving body of work over the course of 12 weeks for the public to monitor and possibly collaborate. Receptions are held on the closing day of each project to encourage an artist/public dialog on the completed they are handmade—no two something lost, found or free to project. A booklet documenting the project in progress is available free at alike—and temporary. The Lost [email protected]. the closing or any time thereafter. Dog signs on paper weather, I’ll interpret some of these bend, tear and fade. I capture pictures in 4 x 4-inch mixed- Lindsay R. Fort received a BFA their different textural and media drawings to be displayed from Tyler School of Art, Temple The “Lost” part will consist of sculptural aspects through my on the Project Wall. You will be University. She majored in Fibers pictures I’ve taken documenting pictures. able to check out the complete and Fabric design and has Lost Dog signs I’ve spotted Lastly, there is an interactive collection of signs and finds on continued working with fabric. during my commute from Berks element with the audience where Instragram @lostfoundfree. After graduation she made quilts County to Montgomery County. they can contribute personal The current collection is visible from her own silk-screened My Project Wall will present an stories of lost, found or free such on Instagram @fortlindsay fabric, family linens and vintage ongoing collection of these as making their own signs on under #forlindsayfree fabrics. From 2016 to 2017 she images as I see more signs and 4 x 4-inch sticky notes. I have #fortlindsaylostdog focused on natural processes to add pictures to the wall, like an created a blog and email address alter cotton on silk fabric using Instagram page. My fascina- for folks to share their stories An exhibition booklet is available plants as well as rust to dye and tion with these signs and their and images of lost, found or Exhibition funding in part through print. Currently she is creating handwritten words is that 4 free. Send your digital photo of the generosity of local businesses One-to-one consultations Office / Galleries / Archives Welcome to our 44th season. Presentations/Forums William Zimmer Reference Library Most events are free to attend. since 1974 173 W. Main Street / P.O. Box 0082 There is never a charge for Performances Kutztown, PA 19530-0082 One-to-One conversational Exhibitions 610-683-6440 meetings with our guests. newartsprogram.org [email protected] For up-to-the-minute event details, Television programs call 610-683-6440. hours: fri/sat/sun 11:00-3:00 Reference library/Archives (other times call ahead or just Publications knock, we’re here most days) 2018-2019 season

Fair Park Lagoon, 1981-1986, Dallas, Tx. Adjacent to the Cotton Bowl, sculpture serves as causeways, bridges, seating and islands that bring people into contact with plants and animals living in natural communities.

photo: scott hess

For the past forty years artist (American, b. , 1940) Patricia Johanson’s multidisci- plinary designs have combined art, ecology, landscaping and functional infrastructure. During the 1960s and 1970s she Patricia Johanson worked for and Georgia O’Keeffe and designed a fall residency one-to-ones Fri Oct 26 series of 150 gardens for House Video: A Conversation with Artist Fri and Sat & Garden magazine. From the Patricia Johanson, Dallas, Texas, Sep 21, 22, 2018 ’60s onward, Johanson’s work 9:00-4:30 November 1985—discussion of exhibition “Fair Park Lagoon” in Dallas with has focused on combining art, NAP Space Gallery, Kutztown Petaluma, Calif.; Salt Lake City; 7:00 pm free Fri Nov 9 Fri Sep 21 through Video: The Art and Ecology of and Scranton, Pa., incorporate Sun Dec 16 A different video plays each date and Water Purification(1986-2009) — municipal flood basins,sewers, NAP Space Gallery, Kutztown can be enjoyed independently of the Includes “Fair Park Lagoon,” water-treatment systems, flood gallery hours: fri/sat/sun 11:00-3:00 others. Running times vary, lasting “Endangered Garden,” San Francisco, control structures, and restored about 40 minutes. Please be prompt. “Ellis Creek Water Recycling Facility,” habitats into accessible land- opening Fri Sep 21 Join us at 7:00 on the following dates: Petaluma, Calif., and “Mary’s scapes that are framed by 6-9:00 pm reception with Johanson Garden,” Scranton, Pa. sculpture. From mine-scarred 7:30 pm gallery talk Fri Oct 5 land to typical highway struc- Video: From Painting to Projects, Fri Nov 30 tures, Johanson creates multi- closing day reception 1968-1972—Includes “Roxane,” Video: Designing for Floods: functional public places where Sun Dec 16 a 28-foot painting, “Stephen Long,” Urban Versus Natural (1992-2017)— life can flourish. 1-3:00 pm 1600-foot sculpture, “Ixion’s Wheel,” Includes “Park for the Amazon Johanson’s work has been reception with Johanson in tandem “Cyrus Field,” ecological landscape Rainforest,” Obidos, Brazil, and seen in over 150 exhibitions with Lindsay Fort’s Project Wall sculpture, and project for Yale “The Draw at Sugar House,” reception University 5 Salt Lake City —more, page 13 PHOTO: ANNIE LIEBOVITZ

Philip

GLASS solo piano SAT OCT2 01 13 8

An evening with General admission, Through his operas, sympho- Beach—for which he collabo- nies, compositions for his own rated with Robert Wilson. Philip Glass to benefit limited seating. ensemble, and wide-ranging Since Einstein, Glass’s repertoire New Arts Program Advance tickets $40; collaborations with artists from has grown to include music for w/student ID $30. Twyla Tharp and Allen Ginsberg opera, dance, theater, orchestra St. John’s UCC sancuary, By mail or in person at to Woody Allen and David and film. His scores have N Whiteoak and W Walnut Sts Bowie, Philip Glass has had an received Academy Award New Arts Program extraordinary and unprecedented nominations (Kundun, The Hours, Kutztown, Pa. 173 W Main St, impact upon the musical and Notes on a Scandal) and a intellectual life of his times. Golden Globe (The Truman Doors 7:00; recital 7:30; POB 0082, Kutztown PA Born in Baltimore, Glass is a Show). Recent works include artist reception follows 19530-0082 graduate of the University of The Perfect American—an opera Cash or check. Chicago and the Juilliard on Walt Disney, Piano Concerto School. By 1974, Glass had No. 3, String Quartet No. 8 and $45 at the door. created a large collection of Glass’s memoir—Words Without music for The Philip Glass Music by Liveright Books. since 1974 Information 610-683-6440 Ensemble. His Symphony No. 12 receives The period culminated in the its world premiere at the LA 6 landmark opera, Einstein on the Philharmonic in January 2019. One-to-one consultations Office / Galleries / Archives Welcome to our 44th season. Presentations/Forums William Zimmer Reference Library Most events are free to attend. since 1974 173 W. Main Street / P.O. Box 0082 There is never a charge for Performances Kutztown, PA 19530-0082 One-to-One conversational Exhibitions 610-683-6440 meetings with our guests. newartsprogram.org [email protected] For up-to-the-minute event details, Television programs call 610-683-6440. hours: fri/sat/sun 11:00-3:00 Reference library/Archives (other times call ahead or just Publications knock, we’re here most days) 2018-2019 season

sculptor (American, b. Washington, DC) winter residency one-to-ones Judith Modrak Fri and Sat Jan 18, 19, 2019 Recipient, NAP Juried Residency and Solo Exhibition 9:00-4:30 Individual hour-long conversational meetings by appt: 610-683-6440 exhibition issues of empathy, cognition, Fri Jan 18 through aging and mental illness. Sun Mar 3 Her work has been featured in NAP Space main gallery, Kutztown various art, science and news gallery hours: fri/sat/sun 11-3:00 publications, including the Science Channel, the Tribeca Trib, reception Fri Jan 18 Scientific American, the Seaside 6-9:00 pm artist reception Times, the Rochester Review, 7:30 pm gallery talk SciArt, Sculpture Magazine, Sino Vision, and the Pittsburgh The work of New York-based Tribune. sculptor Judith Modrak has been Modrak earned a BA in Studio exhibited in galleries and muse- Art, Cum Laude, from the ums throughout the United University of Rochester. By 2013 States including Los Angeles she had achieved artistic Contemporary Exhibitions, the recognition in New York City Trenton Art Museum, Point and has received a Chashama/ Park University, the Palm Beach National Endowment for the Art Armory, the Woodstock Arts grant and two gold medals Museum, Monmouth Museum, in sculpture from the National and the Hartnett Gallery. In Association of , New York City, Our Memories, a among other awards. public artwork of seven sculp- As part of her New Arts tures, has been installed on Program residency, Modrak is Governors Island, in Central unveiling, In the Garden of the Park, and is now on view in Mind—a site reflective installa- Thomas Paine Park through tion of totem-like, human-sized May 2019. The documentary sculptures delving into the Memories Recorded, Memories lifecycle of ideas and sensations. Stored, about Modrak’s project To see more of Modrak’s work, Our Memories won Best Science visit: www.judithmodrak.com and Education Documentary at and connect @judithmodrak on Dendrites Series—Family of Memories, 2016, plaster casts, pigment and oil on plaster the Madrid International Film Instagram and FB. base, 37" x 36" x 24" Festival in 2017. photo credit: metin oner Modrak’s sculpted biomor- Exhibition booklet available phic and anthropomorphic Exhibition funding in part through the 7 figures, address universal generosity of local businesses One-to-one consultations Office / Galleries / Archives Welcome to our 44th season. Presentations/Forums William Zimmer Reference Library Most events are free to attend. since 1974 173 W. Main Street / P.O. Box 0082 There is never a charge for Performances Kutztown, PA 19530-0082 One-to-One conversational Exhibitions 610-683-6440 meetings with our guests. newartsprogram.org [email protected] For up-to-the-minute event details, Television programs call 610-683-6440. hours: fri/sat/sun 11:00-3:00 Reference library/Archives (other times call ahead or just Publications knock, we’re here most days) 2018-2019 season

critic/curator (American, b. New Haven, Conn, 1967) York City—Robert Murray: Working Models and Works on Paper, an exhibition of sculptures, paintings and drawings which Jonathan D. ran February 15–March 23, 2018. Lippincott studied studio art and art history at Swarthmore College, graduating in 1989. Lippincott During the next few years, he worked at Haystack Mountain spring residency exhibition School of Crafts as a cook and and curator. He is the author of in Providence, RI. 9:00-4:30 Individual hour-long Fri Mar 15 through the monograph Robert Murray: Lippincott moved to New York conversational meetings by appt: Sun Apr 28 Sculpture (January 2019) and City in 1993 to begin work in 610-683-6440 Large Scale: Fabricating Sculpture publishing, and a year later curated by in the 1960s and 1970s. His most joined Farrar, Straus and Giroux Jonathan D. Lippincott recent curatorial stint was for NAP Space Gallery, Kutztown FXCollaborative Gallery in New —more, page 13 gallery hours: fri/sat/sun 11:00-3:00 reception Fri Mar 15 6-9:00 pm opening reception 7:30 pm gallery talk by Lippincott

Victoria Burge, Coastline, (detail) 2016, ink and acrylic on 15 oversized atlas pages, 8 Robert Murray, Field Patterns, 2008, Ink on rice paper, 131" x 57" (18" x 12" section shown) 20.5" x 28.5" One-to-one consultations Office / Galleries / Archives Welcome to our 44th season. Presentations/Forums William Zimmer Reference Library Most events are free to attend. since 1974 173 W. Main Street / P.O. Box 0082 There is never a charge for Performances Kutztown, PA 19530-0082 One-to-One conversational Exhibitions 610-683-6440 meetings with our guests. newartsprogram.org [email protected] For up-to-the-minute event details, Television programs call 610-683-6440. hours: fri/sat/sun 11:00-3:00 Reference library/Archives (other times call ahead or just Publications knock, we’re here most days) 2018-2019 season the Hamsa, 2017, acrylic and Pan Pastels on prAject wall stretched canvas, 12" x 9" ideas in progress visual artist Tamu(American, b. Chicago, 1970) Ngina

exhibition therapist and energy healer. In addition to visual arts, her Wed Apr 3 through passions include writing poetry, Sun Jul 14, 2019 drumming, playing flute and NAP Space, foyer, Kutztown crystal bowl sound healing, gallery hours: fri/sat/sun 11:00-3:00 photography, gardening, a love of the mountains, hiking, and reception Sun Jul 14 the beach. 1-3:00 pm Ngina hosts her own show on (closing day) Artist reception YouTube where she discusses In tandem with Annual Salon art, tarot, spirituality and closing day meditation. Find her online at www.TamuNgina.com The Project Wall is a dynamic visual dialogue presented on a 14-ft long home base: Kutztown, Pa. wall leading to the main gallery on artist comments: which an artist is invited to present or Everything in create an evolving body of work over our reality involves the building the course of 12 weeks for the public blocks of sacred geometry which to monitor and possibly collaborate. Self-taught artist Tamu Ngina Her work has been exhibited at create universal patterns. These Receptions are held on the closing has been a professional visual Open Space Gallery in Allentown universal patterns make up life day of each project to encourage an artist since 1998. Her work has and in many of NAP’s Annual as we know it and spirit as it artist/public dialog on the completed been purchased by clients all over Invitational Salons. In 2016 manifests. My Project Wall, project. A booklet documenting the the world and published in the Ngina curated her first art show titled “Sacred Geometry: An project in progress is available free at second edition of The First Book of featuring twelve artists for Exploration of Form,” will the closing day reception or any time the Black Goddess, first edition of Shumei Inc. in Kutztown. She explore the five Platonic solids thereafter. Empress of Zion: Voices of Rastafari was a member of Venue Arts in that make up the much revered Wombsmen, the University of Kutztown and Women Art Sacred Geometry. Florida Hillel Foundation; Recognition Movement Pennsyl- Bridges: A Journal for Jewish vania chapter. Exhibition booklet available Feminists; Generation J online Since 2007, Ngina has been a Exhibition funding in part through the zine, and other publications. 9 trained professional bodywork generosity of local businesses One-to-one consultations Office / Galleries / Archives Welcome to our 44th season. Presentations/Forums William Zimmer Reference Library Most events are free to attend. since 1974 173 W. Main Street / P.O. Box 0082 There is never a charge for Performances Kutztown, PA 19530-0082 One-to-One conversational Exhibitions 610-683-6440 meetings with our guests. newartsprogram.org [email protected] For up-to-the-minute event details, Television programs call 610-683-6440. hours: fri/sat/sun 11:00-3:00 Reference library/Archives (other times call ahead or just Publications knock, we’re here most days) 2018-2019 season

sNAPalon 30th annual international of invitational small works

above: The 2018 edition of the salon With a total of 166 artists tional work makes this show included double the number of works exhibition represented at last season’s that much more special. shown here on the main gallery’s west Fri May 24 through salon—113 from 15 states and Most works are for sale, wall. Some bending required. Sun Jul 14, 2019 53 from 20 foreign countries— reasonably priced, and many NAP Space Gallery, Kutztown this is the summer exhibition to already framed. It’s nearly gallery hours: fri/sat/sun 11:00-3:00 see. Our salon is a regional impossible to walk away without call for entries gallery goers’ favorite. Opening claiming at least one piece. Any artist who has exhibited in NAP’s opening reception night is a blast—it’s always Some visitors have made it an Annual Salon since 2014 will be sent Fri May 24 packed and many of the artists annual tradition to buy a piece. an invitation via email or post by 6-9:00 pm artists reception are there. Artists interested in exhibiting, 03/01/19 inviting them to participate Each artist is represented by see the Call for Entries page again. All others must apply. Entry closing day reception one recent work measuring up toward the end of this Preview. instructions are included on the Sun Jul 14 to 200 sq. inches. There is “Call for Entries” page toward the 1-3:00 pm In tandem with tremendous diversity of styles Exhibition booklet available end of this Preview. Tamu Ngina’s 10 and media, including video. Exhibition funding in part through Application deadline: April 1, 2019 Project Wall reception All the incredible interna- the generosity of local businesses Ance a year pledge thirty to NAP New Arts Program cannot survive on funds from only the PA Council on the Arts, foundations and businesses. NAP needs your support. Individual support is crucial to keeping small and unique organizations like the NAP afloat. By becoming a New Arts Program annual supporting member, you help make the following opportunities available free to the public: • Conversational one-to-one consultations with residency artists pledge • Exhibitions and exhibition booklets • In-house use of professional art reference library • This events calendar

Additionally, supporting members receive: • Free admission to performances (excludes benefit concerts) • Discount on prints and artwork (some exceptions) • Art reference library exclusive borrowing privileges • Satisfaction of keeping the New Arts Program vital

NAP is a unique nonprofit art resource organization dedicated to providing a forum for the public to interact one-to-one with today’s most provacative and insightful artists from the literary, visual and performing arts.

Check one: ▫ $30.—INDIVIDUAL one year (365 days) ▫ $50.—FAMILY one year (adult couple & their children) since 1974 ▫ This is a renewal (No lapse. Extends effective expiration date by 365 days.) I am pleased to include an additional tax-deductible gift to support NAP’s goals: supporting ▫ $200 ▫ $150 ▫ $100 ▫ $ member ▫ I wish this gift to be used exclusively for the NAP Endowment Fund. application ▫ I wish to remain anonymous.

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email phone ( ) Mail with check to: New Arts Program, POB 0082, Kutztown PA 19530-0082 11 new arts alive on demand The New Arts Program produces streaming live on-demand down to HTML and click. Go to the two live one-hour TV programs box that reads: “starting on” and every month that are televised to James Carroll hosts “Alive” and The BCTV archives are back! change 1 year ago to 8 years ago over 110,000 cable households in Ron Schira is NAP Connection’s It is now called On-Demand. and click enter and you will get all the Berks County area and reporter and host. No matter who That’s exciting news, especially the back programs with the most streamed live over www.bctv.org. James or Ron has on board as a if you did not have access to the recent on top. Rebroadcasts can be seen in guest—or what their topic—the NAP shows on cable in the past. These instructions are also along Philadelphia and New York City. conversation is guaranteed to be To access: the right side of the “On-Demand” Over 450 programs have been thought provoking. Viewers can Go to www.bctv.org. Under today’s page: “How to Search” from produced at Berks Community join the dialog by phone during date, on the BCTV home page, put previous seasons. TV in Reading since our first the live BCTV telecasts. the name of the program you want airing in 1988. Dial in live at 610-378-0426. and click on “GO.” Twelve months of Television program funding in part Our flagship series, New Arts Shows are streamed live on those programs will show up with by the Pennsylvania Council on the Alive, features a single guest— the Web at www.bctv.org. the most recent on top. Plus you can go to bctv.org’s To go back prior to 2009, you must Arts, Berks Community Television, a painter, sculptor, writer, poet, local businesses, and individuals critic, architect, choreographer, archive ANYTIME to watch then click on “options.” Aside of the dancer, musician, composer, recent broadcasts or shows from word “media” is a box that reads performance artist, curator, or earlier seasons. “all” with an arrow. Drop the arrow gallery dealer—in conversation about their passion of how and why they do what they do. In 1992, a second series was added, NAP Connection—Critic Ron Shira covers the regional arts scene; live interviews with regional artists. Both shows are from left: Betty Beaumont, rebroadcast as noted below. Blake Hurt and Frank Mann as they looked 10 years ago Available anywhere Streamed live on www.bctv.org: FIRST Wednesdays 6:00 pm (BA 1969). As an educator and FOURTH Wednesdays 7:00 pm advisor she has served on the 10 years back faculty of many of the most In Berks County, tune in BCTV twice Return with us to the ’08-’09 NAP environmental artist, sculptor prestigious schools in America, monthly for live broadcasts: season. Joining us then were: and photographer is known to including FIRST Wednesdays 6:00 pm explore cross-disciplinary and the University of California (Repeats that Fri 9:00 pm; Betty Beaumont media, interweaving the at Berkeley. Sat 5:00 pm; Sun 8:00 am) sculptor, environmentalist environmental, social, eco- Blake Hurt is a digital artist FOURTH Wednesdays 7:00 pm nomic, political, and the and painter (oils and watercol- (Repeats that Fri 10:00 pm; Blake Hurt architectural. One of her most ors) living in Charlottesville, digital portraiture, painter Sat 6:00 pm; Sun 9:00 am) notable works is the grandscale Virginia. Along with being an BCTV availability: Frank Mann painter environmental installation award-winning exhibitor, he • Comcast Reading/Hamburg Ocean Landmark (1978-1980), a writes and publishes papers on Channel 13 2008-2009 might have been jointly-funded $3 million the history of digital art and the • Comcast Oley Channel 4 viewed as a lean season for the underwater project. It consisted creative applications of comput- • Service Electric Cablevision program had it not been for of 17,000 neutralized coal ers, computer programming, Channel 19 (Birdsboro, these three heavy-hitters— fly-ash blocks strategically and commercially available Fleetwood, Kutztown) Betty Beaumont, Blake Hurt and submerged three miles off Fire software. Frank Mann. Their prescence Island National Seashore, From 1995-2000, Hurt studied In Philadelphia, on Drexel’s DUTV-54 and exhibitions made for some creating an artificial habitat for painting at the University of (Comcast Cable and Urban Cable visual feasting and mindbending marine life. Virginia under the great Works)—Pre-recorded broadcast encounters. Beaumont was born in Toronto plein-air painter Richard every Tuesday at 10:00 am. Season opener Betty Beaumont in 1946 and lives and works in Crozier. Then by 2004, Hurt was In NYC, on Manhattan Neighbor- leads off with an extended New York City. She graduated exhibiting his seminal digital hood Network, Channel 1— September-December resi- from the University of Califor- portraiture which is featured in Pre-recorded broadcast on dency/exhibition. The 12 nia at Berkeley (MA 1972) and alternate Sundays at 7:00 am. internationally recognized California State University —more, page 16 A selection of park along San Francisco Bay, landscape provides active and incorporates tidal sculpture, passive recreation, as well as Patricia Johanson’s butterfly meadow and habitat urban wildlife habitat. major works, 1968-2018 restorations into the image of 1999-2009—Petaluma, Calif. the endangered San Francisco Ellis Creek Water Recycling 1968 and 1070—Buskirk, N.Y. Garter Snake, which in turn Facility, a 272-acre wetlands park, Patricia Johanson’s earliest becomes a one-third mile transforms raw sewage into sculptures, Stephen Long (1968), baywalk that coincides with the Johanson extended for 1,600 feet, and drinkable water, while providing continued from page 5 roof of a sewer and is now part more than four miles of trails Cyrus Field (1970), interwove of the Bay Circuit Trail. aesthetic structures with forests and wildlife habitat that shelter several endangered species. worldwide, and her writings incorporating their ecological 1992—Obidos, Brazil have been translated into eleven systems intact. In 1992 Johanson was invited 2003-2018—Salt Lake City languages. She is author of to the Earth Summit in Brazil The Draw at Sugar House, 1972-1974—New Haven, Conn. Creative Solutions To Environ- and created Park for the Amazon a sculptural and experiential Functional Design. Beginning mental Problems (1992), Rainforest, whose canopy highway crossing, serves as a in 1972, Johanson turned to Preserving Biocultural Diversity walkway reveals the life of the diversion dam and spillway urban architecture and infra- in Public Parks (1996), and rainforest from ground level to for catastrophic floods while structure, creating site plans for The City as an Ecological Art above the treetops. recalling the Mormon journey Form (1998). Mitchell/Giurgola buildings at through Echo Canyon. Awards include two Guggen- Yale University, Columbus, 1995-1999 2009—Scranton, Pa. heim Fellowships, NEA Fellow- Indiana, and Con Edison’s Nairobi River Park in Kenya Mary’s Garden reclaims ship, and Gold Medal from the Indian Point Generating Facility. (1995) features sculpture that mine-scarred land where water Accademia Italia delle Arti. filters polluted river water. 1981-1986—Dallas, Texas drops through seven levels of Johanson’s project drawings Ulsan Dragon Park in Korea Johanson’s Fair Park Lagoon, underground mines, restoring and models are preserved in the (1996) and The Rocky Marciano is considered one of the earliest surface flow and providing permanent collections of the Trail (1997) in Brockton, Mass., ecological artworks. Here geothermal energy, storm water Metropolitan Museum of Art combine ecological and sculp- sculpture serves as causeways, purification, restored ecological and , tural playgrounds, gardens and bridges, seating and islands that communities, and sculptural bridges with flood control and New York, Storm King Art bring people into contact with outdoor classrooms within the watershed restoration. Center, National Museum of plants and animals living in context of a public park. Women in the Arts, Washington, natural communities. Millenium Park in Seoul (1999) D.C. and Dumbarton Oaks transforms the world’s largest Exhibition booklet available Contemporary Landscape 1987-1995—San Francisco landfill into a sculptural Exhibition funding in part through Design Collection. Endangered Garden, a linear guardian figure, whose terraced the generosity of local businesses

Statement on the to investigate the possibilities of This selection of Robert painting and drawing. Murray’s work includes paint- exhibition, Celestial Victoria Burge’s work often ings and prints inspired by the and Terrestrial, explores the celestial realm, landscape as seen from the air. by Jonathan D. Lippincott with intricate constellations of During his many decades of lines and shapes, marks and flying his own plane, Murray From the mid-nineteenth color. Sometimes using old, often photographed the earth century to the present day, found maps as the basis for her below. Using a selection of these Lippincott modern artists exploring painting and drawing, she continued from page 8 photos as reference, he simpli- abstraction have found inspira- works up layers of ink, gouache fied the landscape to reveal the tion in the natural world. and pencil to create new essential gestures and shapes in where he is now design manager. Through observing landscapes, universes of stars and planets. deft, spare drawings. He has Since 2000 he has also worked rivers and streams, and the sky, Her paintings have a lushness used these images in a series of independently as art director artists have re-imagined the and depth that recall the monochromatic paintings, and designer on a range of phenomena of nature in terms atmospheric skeins of paint and woodblock prints and low-relief illustrated books about architec- of line, gesture and hue. the far-reaching space of the metal sculptures that continue ture, landscape and fine art. His Looking at the work of Victoria color field painters. These the exploration of color and primary client has been Library Burge and Robert Murray, one paintings remind us that black, form that have been strong of American Landscape History, sees these artists as both white, and gray are indeed themes of his work in sculpture where he serves presently as grounded in and inspired by the colors, and have great emo- over the last six decades. assistant director. natural world, but they each tional resonance and evocative take this as a point of departure. power. Her delicate drawing Exhibition booklet available Their goal is not to create a technique invites close study Exhibition funding in part through postcard representation, but 13 and careful exploration. the generosity of local businesses fine art finds signed limited edition Molissa Fenley, choreographer/dancer prints from NAP Ellen Fisher, performance artist collection for sale Jon Gibson, musician/composer Jeremy Gilbert-Rolfe, painter/critic The last our of John Cage prints Malcolm Goldstein, musician/composer is sold, but New Arts holds many Peter Gordon, musician/composer other museum-quality art works that are intended for sale. Like Edgar Grana, musician/composer the Cage prints, most are from Denise Green, painter the NAP Limited Print Editions Marcia Hafif, painter collection which consists of over Keith Haring, painter 60 editions by cutting-edge Bill T. Jones, choreographer/dancer visual and performing artists Ralph Lemon, choreographer/dancer created between 1979 and 2007, Frank Lima, poet including an edition by famed Alvin Lucier, musician/composer choreographer Bill T. Jones. Joseph Masheck, art historian/critic These works by composers, Steven Paul Miller, poet John Yau/Max Gimblett, Leaves from a Chinese Album, 2003, handmade paper, copper, architects, choreographers, 21" diameter x 1" deep, edition of 12 albums. Each one includes 15 leaves. Michael Morin, printmaker sculptors, painters and critics Pictured, six of 15 leaves with their copper canister in a gallery setting. were created during residencies David Moss, musician/composer at the New Arts Program. Many Steve Poleskie, artist White Crow was established in were individually hand painted Lucio Pozzi, sculptor books out of bounds 1980 by papermakers/printers or otherwise altered by the David Shapiro, poet/critic Live on Paper: Book Forms— Doug and Helene Zucco in order artists and are remarkable for Irene Stein, artist Since 1995, NAP and White to provide quality pulp for their their ingenuity and idiosyncratic Barbara Strawser, painter Crow Paper Mill have collabo- own expressive use as artists. use of the medium. The small Valentine Tatransky, art historian/critic rated to invite internationally Book forms by these artists are print runs of etchings, lithos, recognized artists in the literary, for sale: Valery Taylor, sculptor monotypes, and silk-screen visual and performing arts to Clytie Alexander, painter prints number somewhere from Julius Tobias, sculptor created limited editions which Molissa Fenley, choreographer/dancer two to 25 per signed edition. Bernard Tschumi, architect stretch the boundaries of book We often have available for Maryann Unger, sculptor form. These unique exhibition AP Gorney, visual artist sale other fine works that are Peter Van Riper, musician/composer pieces, limited to editions of 10 Dan Hurlin, performance artist periodically donated to the Ursula Von Rydingsvard, sculptor to 12, can be purchased at NAP. John Jesurun, performance artist Program. Private collector, Lawrence Weiner, painter Collaborating with papermak- Ralph Lemon, choreographer/dancer corporate, gallery, and museum Arnie Zane, photographer/dancer/ ing professionals at White Crow’s Dan Welden, painter/printmaker inquiries are welcome. Call or choreographer rural facility in Fleetwood, Pa., Michael Winkler, painter email us and we’ll fax or email each artist controlled all aspects John Yau, poet, with Max Gimblett, you a complete list of works. of their book’s production. visual artist Discount pricing is available to collectible posters NAP members. Sales benefit the Along with our limited-edition NAP. Please call for an appoint- print collection, the Program ment (610-683-6440). You won’t currently offers someattractively Weiner untitled leave empty-handed! priced collectible posters, A year before the Whitney Signed prints or other works by including two Keith Haring Museum of American Art the following artists are for sale: editions and one by Robert mounted his 40-year retrospec- Roberta Allen, sculptor Stanley. We’re fond of Stanley’s tive in 2008, Lawrence Weiner striking 1985 edition, available Robert Ashley, musician/composer created this exquisite work (left) signed and unsigned. It’s a big Connie Beckley, sculptor to benefit the New Arts Program. one—looks great in any office Measuring 15” x 12,” it was offset Johanna Boyce, choreographer/dancer setting. printed in three colors by Hawk Glenn Branca, musican/composer View and purchase posters in Mountain Printing, Leesport, Pa., John Cage, composer (sold out) person at the NAP Gallery. Or in an edition of 40. POR. Ping Chong, multimedia mail order from the NAP Store, Efrain deJesus, painter See page 15. Lawrence Weiner, untitled, 2007, Tullio Desantis, artist 14 archival Epson print on handmade Peter Eisenman, architect cotton paper, 15" x 12" Robert Stanley signed poster Keith Haring appearances We love this striking 1985 edition, on 2-disc DVD set available signed and unsigned. Keith Haring DVD—In 4 segments. the Looks great in any office. nap Part 1: Kutztown native Haring in 1982 A See reproduction on page 14. working on five different drawings stanley poster (41"h x 26") (30 min). Part 2: 29-sec. Haring st re signed $600. item #1044 animation originally shown in Times We reserve the right to limit quantities. Square. Part 3: His 9/10/87 opening at All items also available for purchase in stanley poster (41"h x 26") unsigned $20. item #1045 NAP Exhibition Space—documented person at the NAP gallery. here—drew over 750 people. Keith + $20. S&H U.S. only, one or more spent nearly five hours hanging with “Crating, Packing and Shipping the crowd! Part 4: A 45-min public Out of print presentation by Haring captured in Art” DVD—our top seller 1982 completes this Haring collection. Glass, Gibson, Ashley, Reich, The most thorough, professional, Publications of the New Arts Program. Printed transcript included. 86-minutes. 6 others on music CD reliable documentation of its kind— Our inventory of these OOP gems is dvd (2-disc) set $33. item #1013 CD Connection is an exclusive NAP a must for any artist or curator. dwindling—when they’re gone, they’re vhs $15. closeout item #1014 compilation of instrumental and vocal Crating, Packing and Shipping details gone. works by some of new music’s most various crate types and includes an Dance on Paper—Color catalog for influential composers. Each work was invaluable segment on “markings for 2001 exhibition held at Lehigh University. personally selected by its composer for shipping.” Produced by the New Arts Visual works by over 50 choreographers. this disc. Features the first ten musician/ Program and directed by David 53 pages. composers who had residencies at the O’Connell of OCS Packing & Crating, softcover $9. item #1035 Haring posters sellout alert New Arts Program: Philip Glass, Steve the DVD is packed with trade secrets In 1989 Keith Haring created a graphic Reich, Jon Gibson, Meredith Monk, you can’t find anywhere else. Printed In and Out of Kutztown, 1974-1981 for a concert poster screen printed the Robert Ashley, Malcolm Goldstein, transcript included. 80-minutes. —An image-filled documentary of the next year. A few of these remain—flea Joan La Barbara, Connie Beckley, dvd $30. item #1011 first seven years of the New Arts market priced . . . ditto the oversized Peter Van Riper and Glenn Branca. vhs $20. closeout item #1012 Program. Over two inches thick! 1984 “Kutztown Connection” benefit Released 1996. A keeper. 426 pages. poster with Keith’s iconic heart graphic. limited-edition cd $20. item #1015 softcover $30. item #1033 Check them out on page 16 or in Kent Floeter monograph + $10. S&H U.S. only person at the NAP Gallery. Building Flatness, the Art of Kent NAP gift certificates In and Out of New York—Catalog for 1990 haring silkscreened poster Floeter—Painter Kent Floeter (1900- (22"h x 17") $15. item #1042 For the artist or art lover in your life. 2004) oversaw the creation of this 1980 NAP exhibit held at White Column Gift certificates can be applied to monograph that, in both beauty and in NYC with works by former Kutztown 1984 haring offset poster membership, artworks, NAP Thrift (33"h x 20") $20. item #1043 craft, is a benchmark of book publish- University students who lived and Shop items, and NAP Store items. ing. Text contributions by Chuck Close worked in NYC. 40 pages. + $20. S&H U.S. only; one or more $25. (no S&H fee) item #1050 and Raymond Ryan. Published in 2003 softcover $4. item #1034 by Stephen David Editions Ltd, NY. Prints of Non-Printmakers 12.5"w x 11"h x 1," 208 pages with —Catalog for 1988 exhibition held at 139 full-page color reproductions. Lehigh University—works by musicians, On Amazon® from $125 (used). choreographers, and architects created NAP store orders hardcover (new) $65. item #1016 through NAP Editions. 22 pages. item name size/ cost + $10. S&H U.S. only softcover $4. item #1036 item # or helpful description color qty per item total Julius Tobias: Work from 1965 to 1992 $ $ —Exhibition catalog. 48 pages. softcover $4. item #1037 $ $ $ $ n.a.p.text(s)—Literary journal loaded with stimulating writing, poetry, $ $ and visuals by literary, visual, and performing artists. #1-3 are $ $ exquisite 16-page booklets; $ $ #4-6 are in a stylin’ folded #1021 poster format. (#7 sold out) $ $ back side per issue $3. item #1031 merchandise total $ shipping and handling: Unless item is marked, apply the following fees: 1 item $3. | 2-3 items $4.50 | 4 or more items $6. $ #1023 Shipping is U.S. only. Out-of-country ordering, please call 610-683-6440. back side Always in style total amount due (add merchandise + shipping) $ Make check payable to: New Arts Program Choose from two classic Keith Haring designs or Lawrence Weiner’s “Bridge” name graphic silk-screened on back. All shirts, NAP logo on the front. address Heavyweight 100% pre-shrunk cotton. #1022 Specify white or black for Keith Ts. back side city/state/zip Specify s, m, l, xl, xxl bridge (white) $20. item #1021 phone ( ) email keith heart $20. item #1022 keith scarecrow $20. item #1023 15 Send with check to: New Arts Program, POB 0082, Kutztown, PA 19530-0082

Gold leaf metal frame with glass, 8⅞ x 13" with 2¼" matt—$20.00 Arches Aquaralle natural white, 400 lb rough, 22 x 30" (retail $20.00) —$14.00 ea A five or more sheets [only 23 left] —$11.00 ea nap thrift sh p Arches Cover, buff, 22 x 30"—$1.00 sheet [only 8 left] new and used artist Artists looking for good deals Cotton canvas, 9 oz: 72" wide—$5.00/yd on artist materials, books and Jerry’s cotton duck, 15 oz: 96" wide—$13.00/yd materials and other equipment can strike gold at the finds for sale— NAP Thrift Shop. An array of Utrecht cotton duck, 15 oz: 76" wide—$9.00/yd shop Sep-July items is available during gallery Utrecht cotton duck, 15 oz: 60" wide—$7.00/yd NAP Space, Kutztown season and the list is constantly Cotton canvas, 15 oz double weave: 76" wide (retail $19.00/yd)—$9.00/yd changing. Opening inventory is During gallery hours Cotton canvas, 15 oz double weave: 60" wide (retail $15.00/yd)—$8.00/yd fri/sat/sun 11:00-3:00 noted here. The latest list is posted at the gallery. Profits SoHo #133 linen, 10.1 oz: 82.67" wide—$24.00/yd No mail orders benefit New Arts Program. SoHo #38 linen, 14.1 oz: 66.9" wide—$15.00/yd Price drop good until 12/31/2018 Haring posters last chance SoHo #42 linen, 12.7 oz: 66.9" wide—$10.00/yd Streched cotton canvas, ⅝" profile, stapled on back (10 packs available each size; We’re letting the last of our 2 to a pack) 18 x 24"—$10.00 pack; 16 x 20"—$7.50 pack; 12 x 16"—$5.90 pack below, top: Silkscreened poster for 1990 Keith Haring concert posters go concert. Keith Haring graphic dated 1989. at thrift shop prices, so we Pan pastels—over 50% off retail Priced $15. below, bottom: Oversized New Radius toothbrushes (retail $10)—$5.00 ea Haring poster dated 1984 for NAP benefit thought why not include them event at Symphony Space in NYC. in our thrift shop. There are Grommets—$4.00/container (15 large containers available) Priced $20. Posters also available by two poster designs—1984 and 40½" Logan Simplex matt cutter #700SGM, never used (retail $299)—$95.00 mail. See The NAP Store, page 15. 1990, pictured at left. Signed ’84s sold out at $600, but you can Air gun and cup, never used (retail $150)—$95.00 still have the exact same poster, Used video cassette recorder/players: minus sig, for $20. Haring’s JVC HR-DV53U MiniTV  SVHS—$30.00 dated sigs are reproduced in the JVC HR-VP59U HiFi VHS 4-head, 19 u head—$25.00 EPIC HiFi VHS Go Video dual deck—30.00 graphics anyway. You might try striking a deal buying both. Ambico video speakers, set of 2—$2.00 Edit suite: Videonics-A/B-1 roll edit controller, never used (retail $200)—$40.00 Items wanted for resale Kodak slide trays—$3.00 ea (15) Do you have books, art supplies, materials, cameras, nice frames, Misc. cameras and equipment, electronic equipment, and more—make an offer or working electronics lying Books—$.50 ea around or in storage? Drop off Golden Artist Colors “Just Paint” publications—free items anytime during gallery 1990 Keith Haring silkscreened poster “Benefit Concert” (22"h x 17")—$15.00 hours or call 610-683-6440 to arrange for pickup. Donations 1984 Keith Haring offset poster “The Kutztown Connection” (33"h x 20")—$20.00 are tax-deductible. VHS closeout—Keith Haring Appearances (see The NAP Store for info)—$15.00

at three Lehigh Valley venues— works in New York City. NAP Gallery in Kutztown, He graduated from George Northampton Community College Washington University (BFA) in Bethlehem, and Reading Area and Pratt Institute (MFA), Community College. Mann has New York. He began exhibiting exhibited widely, with major in New York at Franklin Furnace 10 years back exhibitions in New York, London, and . View his work continued from page 12 Amsterdam, Paris, Barcelona at frankmann.com. and Berlin. He has received ’08-’09 was also the season this 2009 NAP residency awards for international that NAP celebrated the 20th exhibition. His digital technique, exhibitions and biennials. edition of its Annual International which he labels, “ink collage,” His work has been included in Invitational Salon of Small Works. utilizes a suite of original exhibitions on six continents With 201 artists from 31 states software programs. and acquired by public and and five counties represented, Hurt’s oils, watercolors and private collections in the U.S., this edition was a preview of the digital portraiture can be Asia and in Europe including “international” hit it has become viewed at blakehurt.com. the Guggenheim Museum and with artists from around the Frank Mann’s NAP residency the Museum of Modern Art. world. In fact, seeing a trend, we involved concurrent exhibi- Born in Washington DC, added “International” to its title tions between March and May 16 Mann currently lives and for #20. application fee: $30—Waived for but rather a working space in current NAP members (Payable flux. Up to three Wall Projects are in U.S. dollars by money order presented annually. Each artist is or check through a U.S. bank.) responsible for the following: call for entries 1. Wall installation—The artist entry deadline: In our hands by • Work must hang on a wall presents or creates an evolving visual artists October 20, 2018. Decision (except film/video) body of work over a 12-week notification in December 2018. NAP 30th annual • Video and film entries must duration ending with an artist reception on closing day. ınternational be on DVD, 14 minutes or less, to enter: Send fee and all of the ınvitational salon including credits (screening following: 2. TV conversation with artist— accommodations provided) • Cover letter: Include complete Each artist participates in a live of small works contact information incl. email NAP TV broadcast. The program • Artist pays postage/freight what: The culmination of the NAP address—One page typed. takes place during the same costs, both ways month their Project Wall begins. season, this exhibition had 166 • Artist statement (not resumé): • Work must be delivered and 3. Project documentation—Each works last time and has always Explain the thinking behind the artist is required to photograph been well-attended. Artists are removed in person or by work and describe what the work all significant project changes or invited to submit one recent carrier on dates to be specified process is about—One page typed. original work, measuring up to occurrences during the 12-weeks. submit to: 200 sq. inches. Sale of work is • 10 copies of your work—inkjet, These images are included in an NAP Exhibitions, P.O. Box 0082 x encouraged and no commission. laser, or 8 10 photo prints; artist booklet documenting the Kutztown PA 19530-0082 jpegs on DVD accepted; no project. exhibit date: May 24-July 14, 2019 more info: 610-683-6440 slides. DVD, for film/video. Examples should demonstrate a exhibit dates: Up to three location: 173 W. Main Street, [email protected] dedication to the continuance 12-week-long Projects annually, Kutztown, Pa. of a body of work. beginning in September, January, exhibitor fee: $5 (no fee to apply) visual artists Label back of each print with: and April. 1) artist’s name location: application and acceptance 173 W. Main Street, 2) title of work Kutztown, Pa. deadline: NAP residency and 3) dimensions: h×w (×d) In our hands by April 1, 2019 solo exhibition application fee: None. juried competition 4) arrow indicating top to be considered: Any artist who 5) number 1-10 corresponding entry deadline: None. The artist has exhibited in an NAP Salon what: Artists nationwide are to typed list selection process is ongoing. since 2013 need not reapply and again invited to compete for a • Typed list of works identified to apply: Interested artists will automatically be sent an residency/solo exhibition at the New Arts Program Gallery. 1-10 as above; include title; date; should chat with James Carroll entry form via email or post by medium; dimensions: h×w (×d) (610-683-6440) prior to making 03/01/19. All others must apply. One artist is chosen to receive the following: •SASE for return of materials their submission. Then, submit to apply: Submit the following: the following on a USB stick or •Two-day NAP residency with • Do not send additional items DVD. Include hardcopies: • Complete contact information one-to-one conversations with submit to: including email address public •One-page essay (approximately NAP Exhibitions, P.O. Box 0082 350 typed words) describing • Artist statement (not resumé): •Six-week exhibition Kutztown PA 19530-0082 how you intend to develop the Explain the thinking behind the • Opening/artist reception more info: 610-683-6440 Project Wall. It may be helpful work and describe what the work [email protected] to write in the third person to process is about—One page typed. • Gallery talk by artist on reception night emphasize how the work would • 10 copies of your work—inkjet, be speaking as opposed to •Press releases laser, or 8 x 10 photo prints; visual artists writing about oneself. jpegs on DVD accepted; no • Write-up/photos in NAP press • Brief biography and brief slides. DVD, for film/video. the project wall— • Appearance on New Arts Alive narrative vita Examples should demonstrate a cable TV program broadcast installation invitation dedication to the continuance live from Reading, Pa., taped what: The Project Wall is a • Headshot photo of yourself of a body of work. broadcasts on Philadelphia and dynamic visual dialogue (hi-res jpeg) • For return of photos, enclose a NYC cable presented in the foyer of the • 15-20 images (hi-res jpeg) of self-addressed stamped envelope. •Exhibition booklet with visuals New Arts Program Space. There, your most pertinent work from the invited artist is given an •$550 honorarium plus lodging the past 3-4 years with emphasis restrictions for invited artists: empty wall panel 8 feet high by on the current year. • Insurance coverage of exhib- 14 feet on which to present or •One work per artist submit to: ited work create an evolving body of work • Work completed within the that is given a 12-week duration NAP Exhibitions, P.O. Box 0082 past two years exhibit/residency date: Jan. 2020 in which to reach its culmina- Kutztown PA 19530-0082 • Size limit: 200 square inches, location: 173 W. Main Street, 17 tion. The Project Wall is more info: 610-683-6440 including frame Kutztown, Pa. unlike a regular exhibition, [email protected] business sponsors Cagefreedesign.com Global Libations Please patronize these local Fine art, digital restoration, 546 Noble St., Kutztown businesses who help fund photography 484-646-9683 NAP exhibitions and Emily Branch 610-413-9565 Roasting the finest fair-trade/ performances. Some offer organic coffee daily A 10% off order with NAP mem. card discounts to our members. Campus Inn supp rt Old Route 222, Kutztown 610-683-8721 Cheryl A. Haughney The New Arts Program would ® not be in operation without the Adam n’ Eve Boutique Realtor 309 W. Main Street, Kutztown Colorfin LLC LV and Berks residential specialist generous support of its sponsors Tu-F 10:00-6:00, Sa 10:00-5:00 PanPastel.com | SofftArt.com for Berkshire Hathaway/ and supporting members. 610-683-8117 Headquarters in Kutztown Fox & Roach, Realtors® 484-646-9900 484-225-9437 Audiology and Makers of PanPastel,TM ultra-soft sustaining sponsors TM Hearing Aid Service painting pastels and Sofft Tools, Main Street Inn fine art and craft tools 114 S. Laural Street, Kutztown Boutique Hotel Virginia Grim 610-683-6108 401 W. Main Street, Kutztown East Penn Manufacturing 610-683-0401 Lyon Station 19536-0147 Berkleigh Eye Care Mark’s Sandwich Shop Estate of Janet Goloub Marlon G. Burt, O.D. 93 Constitution Blvd., Kutztown First National Bank 123 W. Main Street, Kutztown 610-683-3888 in Fleetwood 7 days a week / 10:00-10:00 Foundation for Contemporary 610-683-3626 Performance, NYC Main & Franklin Sts, Fleetwood Betty’s 610-944-7676 A Kutztown tradition since 1966 Greenwich Collection Ltd. bettyswraps.com 129 W. Main Street, Kutztown Mr. Food Convenience Store Long, Barrell & Co. Ltd. 610-621-2642 342 W. Main Street, Kutztown Certified Public Accountants Wraps, smoothies, salads, soups 7 days a week / 6:30 am-11:00 pm 1150 Berkshire Blvd, Suite 240 610-683-7315 Reading, Pa. 610-779-6000 Pretty Dirty Ladies Inc. Meet the Composer, NYC prettydirtyladies.com Funding for Meet the Composer Inc. supporting members Toll-free 1-877-944-2211 is provided with the support of Garden design and maintenance the Pennsylvania Council on the Thumbs up to this special lot who have kept their support Arts, ASCAP, the Virgil Thompson coming in for the past five years straight: Radius Foundation, and the National  radiustoothbrush.com Endowment for the Arts Barry Assed Douglas Fowler and Elizabeth Miller 1-800 626-6223 Diane Ludwig McCue Phaedrus Foundation, NYC Joe Beddall SOS Business Machines Inc. Ray Beddall Jeff and Jo Horning Jan L. and Stephen St. John’s United Church of Christ Olinick 28 S. Center Avenue, Leesport N. Whiteoak and W. Walnut Sts. Gordon C. Boardman Peggy Light M-F 9:30-5:00 Ted Ormai 610-926-1299 Kutztown, Pa. James and Joanne John Lotte and Cheryl A. Haughney Ellen Slupe Canon copier/fax sales, Sorrelli Jewelry Carroll service, supplies 220 W. Main St, Kutztown, Pa. Cindy A. Strunk 610-894-9857 Silver Maple Veterinary White Crow Paper Mill And to everyone else here, a big thank you for demonstrating your Clinic silvermaplevet.com Custom Papermakers support of NAP by renewing or joining June 15, 2017 – June 14, 2018: Route 222, Kutztown Fleetwood, Pa. 610-944-9061 610-683-7988 Lynn Anderson Robert Pepper and Help us grow these Dogs, cats, ferrets, horses Bill Boksenbaum Kristen Orgera lists. Even if you don’t get to the events, if Uptown Espresso Bar Elizabeth A. Douglas Norman and Jett 466 W. Main Street, Kutztown Sarachek you appreciate what Lincoln Fajardo and M-F 7:00 am-9:00 pm Deborah and Barry NAP does, consider Sa 8:00 am-7:00 pm This project was supported by the Peggy Light an annual show of Pennsylvania Council on the Arts, Schouch 610-683-6401 Beulah B. Fehr support through a state agency, through its Harry L. Serio 10% off order with NAP mem. card regional arts funding partnership, Fred Heffner membership. Page 11 Pennsylvania Partners in the Arts Brian Washburn is your first stop. (PPA). State government funding Diane Hill If you are a local business that Michael Winkler for the arts depends upon annual Jody Matthews wants to be recognized as an appropriation by the Commonwealth of Penn- Luke Wynne NAP supporter, call now to be sylvania and support from the National Christine I. Oaklander Endowment for the Arts, a federal agency. included here. PPA is administered in this region by the 18 —610-683-6440— Berks Art Council.