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Fall / Winter 2016 Volume 37, Number 2 $15.00 Fall / Winter 2016 Volume 37, Number 2 FALL / WINTER 2016 VOLUME 37, NUMBER 2 $15.00 FALL / WINTER 2016 VOLUME 37, NUMBER 2 2 PARALLEL PERSPECTIVES By Joan Marter and Margaret Barlow PORTRAITS, ISSUES AND INSIGHTS (Front cover) Patricia Johanson, Fair Park Lagoon, Dallas, Texas (1981–85), detail, gunite sculptures. © Patricia Johanson. 3Patricia Johanson : the Layered LandscaPe , d iscovered and recovered E DITORS By Elaine Slater Joan Marter and Margaret BarLoW 12 May sun : s ite , M etaPhor and excavated histories By Donna Stein BOOK EDITOR : ute teLLini 20 ZiLia sáncheZ , M aría MagdaLena caMPos -P ons , FOUNDING EDITOR : Lsa onig ine e h F and gLenda León —t hree cuBan artists , t hree generations , EDITORIAL BOARD three PersPectives By Joyce Beckenstein norMa Broude eLLen g. L andau therese doLan nancy MoWLL MatheWs 29 sandra Lerner —t he ParticLe and the Wave : MetaPhysicaL LandscaPes , t aoisM , and the caLLigraPhic iMPuLse Betsy FahLMan Martin rosenBerg By Aliza Edelman Mary d. g arrard roBerta tarBeLL saLoMon griMBerg Judith ZiLcZer 38 teresa ŻarnoWer : B odies and BuiLdings By Adrian Anagnost ann sutherLand harris REVIEWS PRODUCTION , AND DESIGN SERVICES 50 Vigée Le Brun By Joseph Baillio, Katherine Baetjer, and Paul Lang Old City Publishing , i nC . Reviewed by Kimberly Chrisman-Campbell Editorial Offices: Advertising and Subscriptions: 52 Picturing Marie Leszczinska 1703-1768: Representing Queenship in Woman's art Journal ian Mellanby 18th-Century France By Jennifer germann rutgers university old city Publishing, inc. dept. of art history, voorhees hall 628 north second st. Reviewed by Tara Zanardi 71 hamilton street Philadelphia, Pa 19123, usa new Brunswick, nJ 08901, usa Phone: +1.215.925.4390 54 Valadon, Utrillo & Utter: in the Rue Cortot Studio, 1912–1926 [email protected] Fax: +1.215.925.4371 edited by saskia ooms, et al. womansartjournal.org [email protected] Reviewed by Lauren Jimerson www.oldcitypublishing.com 55 Germaine Krull By Michel Frizot © 2016 rutgers university, department of art history and Reviewed by Ann Albritton old city Publishing, inc., Woman’s art Journal (issn 0270-7993) is published semiannually, 56 Women, Workers, and Race in LIFE Magazine: spring/summer and Fall/Winter by old city Publishing, inc., a Hansel Mieth’s Reform Photojournalism, 1934–1955 member of the old city Publishing group. all rights reserved. By dolores Flamiano subscription rates $41.00 per year for individuals and $103.00 per year Reviewed by Helen Langa for institutions. issues are shipped in May and november. Missed issues must be reported no later than three months after shipping date 58 The Ukranian Diaspora Women Artists, 1908–2015 or we cannot be responsible for replacements. all rights reserved. essay by adrienne Kochman indexed in Bibliography of the history of art (Bha), art Bibliogra- Reviewed by Bojana Videkanic phies Modern, arts and humanities citation index (isi) and Wilson Full text. the full text is also available through Jstor’s arts & 60 American Women Artists, 1955–1970 sciences iii collection, www.jstor.org. edited by helen Langa and Paula Wisotzki except as permitted under national laws or under the photocopy license Reviewed by Betsy Fahlman described below, no part of this publication may be reproduced or transmitted in any form or by any means, electronic, mechanical, pho - 62 The Drawings of Barbara Hepworth By alan Wilkinson tocopying or otherwise, or stored in a retrieval system of any nature, without the advance written permission of the publisher. Reviewed by Jennifer Griffiths Rights and Permissions /Reprints of Individual Articles 63 Niki de Saint Phalle, 1930–2002 edited by camille Morineau this publication and each of the articles contained herein are protected Reviewed by Cécile Whiting by copyright. Permission to reproduce an d/or translate material con - tained in this journal must be obtained in writing from the publisher. 65 “The heroine Paint” After Frankenthaler edited by Katy siegel For permission to photocopy for internal use within your organization, Reviewed by Ellen G. Landau or to make copies for external or academic use please contact the copyright clearance center at 222 rosewood drive, danvers, Ma 67 Simone Forti: Thinking with the Body By sabine Breitwieser et al. 01923, usa; telephone: +1 978-750-8400 or online at http://www.copy Reviewed by Jayne Wark right.com/. any unauthorized reproduction, transmission, or storage may result in civil or criminal liability. PARALL EL PERSPECTIVES oman’s Art Journal proudly features the work of photomontage … [her] interwar career thus seems to exemplify pioneering women, and we continue this tradition by constructivism fulfilling itself as an aesthetic pursuit and Wcelebrating the singular works of environmentalist moving into the social realm.” Patricia Johanson and multimedia installation artist May sun. While the articles in this issue reach back just a century, the Both deserve far more recognition than they have received. u.s.- reviews cover a broader time span. as women artists, both based Johanson has designed and implemented reclamation individuals and groups, garner well-deserved recognition, we projects around the world. For four decades she has initiated receive more books and exhibition catalogues to review than remediation efforts on ravaged lands and provided new sources space allows. in this issue, Kimberly chrisman-campbell of access and enjoyment for visitors to these sites. From dallas’s reviews a catalogue of Élisabeth vigée Le Brun (1755–1842) Fair Park Lagoon , featured on our front cover, to recent works in celebrating a major international exhibition, with essays on her california and salt Lake city, utah, Johanson’s transformations life, as the painter to Queen Marie-antoinette, and her pursuit of troubled lands and solutions for wastewater management of success outside of France, having fled the revolution. bring a renewed engagement with natural history and local reviewing the catalogue from a Paris exhibition of paintings by traditions. elaine slater writes, “her need to understand how all suzanne valadon (1865–1938), her son Maurice utrillo, and her living things—from humans to ants to the plants and grasses lover andré utter, held in the studio they often shared, Lauren they feed on—having a symbiotic relationship that must remain Jimerson writes that “this time valadon received the spotlight,” intact is the very foundation of her aesthetic vision for our including seldom-seen works from private collections and planetary survival.” museum reserves. May sun, a chinese-american artist working in the environs regarding a major exhibition catalogue of the work of French- of Los angeles, integrates the history of the chinese american artist niki de saint Phalle (1930–2002), cécile Whiting immigrants who built railroads and local infrastructure into her notes that one of its particular strengths is “that it counters an renewal projects for today’s urbanscape, including her understanding of saint Phalle based entirely on her joyous innovative designs for subway stations and public art. donna Nanas , bringing attention to the early assemblages in which guns, stein tells us, “the themes that traverse her work involve knives, and cleavers abound.” ellen g. Landau reviews an excavating cultural memories, unearthing untold stories of unusual volume titled “The heroine Paint,” After Frankenthaler , marginalized people, revealing environmental destruction of featuring critical writing and a range of biographical materials as natural resources, including the safeguarding of animals, and well as artists’ appreciations of helen Frankenthaler. other recognizing the importance of social justice.” catalogues under review bring attention to the life and avant- a remarkable aspect of this issue is the focus on six garde photographic work in interwar Paris by german-born contemporary artists who were directly interviewed by our photographer germaine Krull (1897–1985), and include a volume authors. Four articles are based on such primary research of drawings by the important British modernist sculptor Barbara combined with art historical references. elaine slater, for hepworth (1903–75), a retrospective of the multidisciplinary example, has followed the career of Patricia Johanson through performances of simone Forti, and “a survey of works by many years of association with the artist, while donna stein has ukranian diaspora women artists spanning a century worked closely with May sun and other artists in the Los [1908–2015] rife with political and cultural disruptions.” angeles area. helen Langa, who reviews a biographical study of social- Joyce Beckenstein, after traveling in cuba and meeting with activist photojournalist hansel Mieth, also has her own latest artists there, contacted several cuban women artists living in book reviewed in this issue. her anthology, American Women the u.s. she writes here on Zilia sánchez, María Magdalena Artists, 1935–1970 , co-edited with Paula Wisotzki, “is cause for campos-Pons, and glenda León as representing three celebration,” writes reviewer Betsy Fahlman. “their exemplary generations, describing how their “collective voice, strong and revisionist volume expands our understanding of the art and assertive in its cuban identity, resonates through the din of careers of a fascinating group of women working in the long [cuba’s] rough history,” and how ”its feminist refrains find middle of the twentieth century, a seminal period that embraces visual expression in the works.” the great depression, World War
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