The Echo: April 15, 2005
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Radiohead's Pre-Release Strategy for in Rainbows
Making Money by Giving It for Free: Radiohead’s Pre-Release Strategy for In Rainbows Faculty Research Working Paper Series Marc Bourreau Telecom ParisTech and CREST Pinar Dogan Harvard Kennedy School Sounman Hong Yonsei University July 2014 RWP14-032 Visit the HKS Faculty Research Working Paper Series at: http://web.hks.harvard.edu/publications The views expressed in the HKS Faculty Research Working Paper Series are those of the author(s) and do not necessarily reflect those of the John F. Kennedy School of Government or of Harvard University. Faculty Research Working Papers have not undergone formal review and approval. Such papers are included in this series to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. www.hks.harvard.edu Makingmoneybygivingitforfree: Radiohead’s pre-release strategy for In Rainbows∗ Marc Bourreau†,Pınar Dogan˘ ‡, and Sounman Hong§ June 2014 Abstract In 2007 a prominent British alternative-rock band, Radiohead, pre-released its album In Rainbows online, and asked their fans to "pick-their-own-price" (PYOP) for the digital down- load. The offer was available for three months, after which the band released and commercialized the album, both digitally and in CD. In this paper, we use weekly music sales data in the US between 2004-2012 to examine the effect of Radiohead’s unorthodox strategy on the band’s al- bum sales. We find that Radiohead’s PYOP offer had no effect on the subsequent CD sales. Interestingly, it yielded higher digital album sales compared to a traditional release. -
RIAA/Defreese/Proposed Default Judgment and Permanent Injunction
Case 6:04-cv-01362-WEB -DWB Document 10 Filed 08/18/05 Page 1 of 2 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF KANSAS PRIORITY RECORDS LLC, ET AL., ) ) ) Plaintiffs, ) ) ) v. ) Case No. 04-1362-WEB-DWB ) ) KELLI DEFREESE, Defendant. DEFAULT JUDGMENT AND PERMANENT INJUNCTION Based upon Plaintiffs' Application For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Six Thousand Seven Hundred and Fifty Dollars ($6,750.00). 2. Defendant shall pay Plaintiffs' costs of suit herein in the amount of Two Hundred and Thirty Dollars ($230.00). 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: C "Freak On a Leash," on album "Follow the Leader," by artist "Korn" (SR# 263-749); C "The New Pollution," on album "Odelay," by artist "Beck" (SR# 222-917); C "Here With Me," on album "No Angel," by artist "Dido" (SR# 289-904); C "Best Friends," on album "Supa Dupa Fly," by artist "Missy Elliot" (SR# 245-232); C "What's Your Fantasy (Remix)," on album "Back For the First Time," by artist "Ludacris" (SR# 289-433); C "Daddy," on album "Pieces of You," by artist "Jewel" (SR# 198-481); C "Father Figure," on album "Faith," by artist "George Michael" (SR# 92-432); 1 Case 6:04-cv-01362-WEB -DWB Document -
Copeland Bio 2014
Copeland - IXORA Aaron Marsh Bryan Laurenson Jonathan Bucklew Stephen Laurenson Copeland has reunited to release their sixth album after calling it quits in 2009. Here’s what you need to know: • Copeland formed in Lakeland, Florida in 2001. The band’s first album, Beneath Medicine Tree, came out in 2003 on indie label The Militia Group. The album’s layered melodies, combined with Marsh’s thoughtful, emotive croon, immediately engaged music fans, offering a nuanced take on the emo music of the early ‘00s. The group unveiled four subsequent albums between 2005 and 2008, including Eat, Sleep, Repeat on Columbia Records in 2006. Copeland signed with Tooth & Nail in 2008 and have partnered with the label to release their long awaited sixth album, Ixora. • In their heyday, the band played over 200 shows a year. They’ve toured with Brand New, Sparta, Goo Goo Dolls, The Rentals, Bob Mould, Switchfoot, Motion City Soundtrack and Guster. Copeland has also historically supported new artists and Paramore’s first ever show was opening for Copeland in Nashville in 2004. • Copeland officially broke up in October of 2009 after nine years as a band. They wrote on their website, “We have come to an extremely difficult decision. It has come time for us to move on from Copeland and follow other paths in our lives. To put your minds at ease, we assure you this is not a bitter break up. We all individually feel Copeland has run its course in our lives and it’s time for us to pursue what is next.” The band members added, “It has been discussed and we are not ruling out the possibility of recording one more album sometime in the future.” • The band members have pursued other musical endeavors over the past few years. -
Acervo-Circovoador 2004-2009.Pdf
2004/2009 Primeira Edição Rio de Janeiro 2017 Roberta Sá 19/01/2009 Foto Lucíola Villela EXTRA / Agência O Globo Sumário 6 Circo Voador 8.Apresentação 21.Linha do Tempo/ Coleção de MiniDV 2004/2009 7 Apresentação Depois de mais de sete anos fechado, o Circo 13/07/2004 Voador foi reinaugurado no dia 22 de julho de Foto Michel Filho 2004. Os anos entre o fechamento e a reabertura Agência O Globo foram de muita militância cultural, política e judicial, num movimento que reuniu pessoas da classe artística e políticos comprometidos com as causas culturais. Vencedor de uma ação popular, o Circo Voador ganhou o direito de voltar ao funcionamento, e a prefeitura do Rio de Janeiro ‒ que havia demolido o arcabouço anterior ‒ foi obrigada a construir uma nova estrutura para a casa. Com uma nova arquitetura, futurista e mais atenta às questões acústicas inerentes a uma casa de shows, o Circo retomou as atividades no segundo semestre de 2004 e segue ininterruptamente oferecendo opções de diversão, alegria e formação artística ao público do Rio e a todos os amantes de música e arte em geral. 8 Circo Voador Apresentação Uma característica do Acervo Circo Voador pós-reabertura é que a grande maioria dos eventos tem registro filmado. Ao contrário do período 1982-1996, que conta com uma cobertura significativa mas relativamente pequena (menos de 15% dos shows filmados), após 2004 temos mais de 95% dos eventos registrados em vídeo. O formato do período que este catálogo abrange, que vai de 2004 a 2009, é a fita MiniDV, extremamente popular à época por sua relação custo-benefício e pela resolução de imagem sensivelmente melhor do que outros formatos profissionais e semiprofissionais. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
On the Beat Calderone School of Music
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, October 10, 2002 Page 21 Peter Gabriel’s ‘Up’ Is Downer; But Indies Don’t Disappoint Arts & Entertainment By ANDY GOLDENBERG happening. Specially Written for The Westfield Leader and The Times Universal Music sent some good As fall arrives, the quantity of CD reissue material beginning with a two- Pen & Ink releases continues unabated. disc Deluxe Edition of The Who’s CONTINUED FROM PAGE 22 Beginning with his first album in “My Generation” album complete and make trouble,” encouraged about 30 (well, 10) years by Peter with bonus material and the sound Sarandon, who coincidentally has Gabriel, “Up” on Geffen Records is quality is extraordinary. Also from not as much a return to Universal come great a movie coming out this month. form as it is a continua- compilations of “Kiss” As inappropriate as the enter- tion of form from his last and “T-Rex.” tainment industry’s desperate album “Us.” Some smaller labels The moody keyboard have put out some great scramble to stage a 9/11 sounds abound, there is a reissue and new material fundraiser (which I’m still con- lot of dark lyrical imag- beginning with Cunei- vinced was done to keep the peace ery. While the themes of form Records out of the last album dealt with Maryland. Known for the between their pocketbooks and relationships, “Up” deals devotion to Progressive their adoring fans), it is equally more with the finality and Rock, Cuneiform has just improper for celebrities to get fragility of life. -
Property Developers Leave Students in the Lurch
Issue1005.02.16 thegryphon.co.uk News p.5 TheGryphon speaks to University SecretaryRoger Gairabout PREVENTand tuitionfees Features p.10 Hannah Macaulayexplores the possible growth of veganism in 2016 [Image: 20th Century Fox] S [Image: AndyWhitton] Sport TheGryphon explores theincreasing In TheMiddle catchupwith p.19 Allthe lastestnewsand resultsfrom •similaritiesbetween sciencefiction •MysteryJetsbefore theirrecentgig thereturnofBUCSfixtures and reality p.17 at HeadrowHouse ITMp.4 [Image: Jack Roberts] Property Developers Leave Students In TheLurch accommodation until December 2015, parents were refusing to paythe fees for Jessica Murray and were informed that the halls would the first term of residence, or were only News Editor have abuilding certificate at this point. paying apercentage of the full rent owed. Property development companyPinna- According to the parent, whowishes to Agroup of Leeds University students cle Alliance have faced critcism for fail- remain anonymous, the ground floor of have also contacted TheGryphon after ing to complete building work on time, the accommodation wasstill completely they were forced in to finding new accom- leaving manystudents without accommo- unfinished and open to the elements, with modation in September due to their flat on dation or living in half finished develop- security guards patrolling the develop- 75 Hyde Park Road still being under de- ments. ment at all times to prevent break ins. velopment by Pinnacle. Pinnacle began development of Asquith Theparent also stated that the building Thethree students, whodonot wish to House and Austin Hall, twopurpose built had afire safety certificate for habitation be named, signed for the three-bedroom private halls of residence situated next to on the floors above the ground floor,but flat in March 2015, and they state that at Leodis, in January 2015, and students who afull building certificate had not been the end of July they were informed that the signed contracts were to move in Septem- signed off. -
Diplo and Beck Confirmed for Northside
Diplo 2017-12-01 09:59 CET Diplo and Beck confirmed for NorthSide Thundercat, Rhye, and Jimmy Eat World will also appear at next year's festival This year’s last round of announcements for NorthSide 2018 will significantly expand the festival’s musical spectrum and offer everything from baile funk and sophisticated electronica to fusion jazz and postmodern disco-funk. Over the last three years, Diplo has been unavoidable because of global megahits like “Lean On”, "Where Are Ü Now", and “Cold Water”. He has found chart success as a producer for M.I.A., Sia, and Beyoncé, as a member of Major Lazer and Jack Ü and as solo artist, and he is always highly ranked on DJ Mag's list of the world’s best dj’s. The productive producer’s unique take on baile funk has made its mark on charts throughout the world since the breakthrough with "Paper Planes", and as he himself put it a few years ago; Random White Dude Be Everywhere. This summer that will for the first time also include NorthSide. Diplo will play Saturday June 9th at NorthSide 2018 Earlier this year, the always unpredictable Beck released the album "Colors", which picked up the thread from the dance-friendly and fun album from 1999, “Midnite Vultures”. Through a long and ever changing career, he has sold millions of records, won Grammys, and impressed with masterpieces such as "Odelay" and most recently the understated "Morning Phase". But the acoustic guitar has taken the backseat on new songs like "Dreams" and "Wow" and the focus is now instead on getting people back on the dance floor. -
Announcement
Announcement Total 100 articles, created at 2016-04-29 12:12 1 Australian believed to have been kidnapped in Afghanistan SYDNEY (AP) — An Australian aid worker is believed to have been kidnapped in Afghanistan, Australian officials said on Friday, as her father issued a plea for her safe 2016-04-29 12:11 2KB wtop.com (1.00/2) return. Australia’s government was working with… 2 California Seeks $90 Million From Utility Over Wildfire California officials say they will seek more than $90 million in firefighting costs from Pacific Gas & Electric Co. after finding that a deadly 2015 fire was sparked by a tree that (1.00/2) came into contact with a power line. The utility said it accepts the cause... 2016-04-29 12:11 4KB abcnews.go.com 3 Chargers take Ohio State’s Joey Bosa with 3rd pick in draft SAN DIEGO (AP) — Joey Bosa says he’s “a chill guy,” so it’s perfect that he was drafted by the San Diego Chargers with the third pick overall in the NFL draft Thursday night. (1.00/2) At… 2016-04-29 12:11 3KB wtop.com 4 QBs Goff and Wentz soar, OT Tunsil takes bizarre tumble CHICAGO (AP) — California love for Jared Goff, and Philadelphia pride for Carson Wentz. It was all about the quarterbacks before Laremy Tunsil’s bizarre tumble down the 2016-04-29 12:11 5KB wtop.com (1.00/2) board at the NFL draft. Goff went No.… 5 Laguna, Batangas judges mourn Corona’s death SAN PEDRO CITY, Philippines—Court judges in the provinces of Laguna and Batangas on Friday expressed grief over the death of former Chief Justice Renato Corona, who, to some, had fought for 2016-04-29 12:11 2KB newsinfo.inquirer.net 6 Prince diagnosed with AIDS before sudden death—reports Medical examiners have yet to determine the actual cause of Prince’s untimely death last week, but multiple reports have surfaced that the ‘Purple Rain’ singer was already suffering from 2016-04-29 12:11 2KB entertainment.inquirer.net 7 North Korea Sends Another US Citizen to Prison North Korea on Friday sentenced an ethnic Korean citizen of the United States to 10 years in prison. -
Mto.04.10.4.W Everet
Volume 10, Number 4, December 2004 Copyright © 2004 Society for Music Theory Walter Everett KEYWORDS: rock music, tonality, harmony, voice leading, Schenkerian analysis, modal theory, blues, popular music, Beck ABSTRACT: Despite frequently voiced assertions and their underlying presumptions, there is no single sort of tonal behavior common to all rock music, but rather a spectrum of approaches to scales, harmonic function and voice leading. This essay addresses the issue from two perspectives. The first suggests an array of six tonal systems ranging from the traditional major mode through modal (including minor-pentatonic) practices having increasing structural value, to chromatic relations with little basis in any deeper diatony. The second perspective studies the varied degrees of interaction between harmony and voice leading evidenced in samples of rock music from two historically opposed timeframes, the more homogeneous span of 1957–58 and the more radically experimental period of 1999–2000. Finally, Beck’s “Lonesome Tears” (2003) serves as a model for an analytical approach to one iconoclastic combination of voice leading and harmony. Received October 2004 [1] In its history now spanning half a century, rock music has found expression in dozens of styles and sub-styles, each characterized in part—sometimes in large part—by its own approach to a preexisting tonal system, or sometimes by its unveiling of a seemingly novel tonal system.(1) Of course there are many other musical and poetic traits of importance in marking style distinctions (including rhythm at surface, phrase, and sectional levels, tone color, performance practices such as phrasing, articulation, and dynamics, and recording techniques), but in this essay we will focus solely on matters of tonal structure, in hopes of addressing in a brief space an underlying context for the wide variety of systems that exist. -
Look Alikes Gadfly Mail Ox in Defense of J.T\.Mericau
THE FLY The St. John's College Student Week{y Annapolis, Maryland Volume XXIV, Issue 5 October 1, 2002 Look Alikes Gadfly Mail ox In Defense of J.t\.mericau. In a quite sophomoric letter to the editor, slaves. But he fails to mention that in the origi Editor-in-Chief Response to the Best Government Money Can Buy: . .lVIr. Nick Colten, of tl1e class of 2005, asked My saying tllat the inlmigrants who come nal draft of the docU111ent, Jefferson harshly Cooper N. Gallimore In hi . 1 'Th Best Government Money the state coffers in any way, the re_sult is es sen me to clarify some alleged contradictions in a to this country do so because t11ey seek refuge s art1c e, e . th b · s ent 1n these pro condemned King George III for promoting Can Buy,' l\1ichael Bridge supported a position ually that" e money ,,emg P column that I published two weeks ago. Being slave trade: from places ruled by mobs also seemed to con Production Managers f: ul tion and mislead- grams ts ta,"X money. a freshman, and following Mr. Cohen's ex fuse Mr. Colten, so I'll try to briefly clear that Ervin Romero . that rests on a a ty assump tl in Indeed if this money zj ta,"X money, it opens "He has waged cruel war against hU111an . ing information. He cons1sten y _assumes ' . Wh should some- ample, I may be expected to respond by writ up. By "mobs" I mean groups of privileged Cathy Keene nature itself, violating its most sacred rights of . -
Copyright by Gordon Moakes 2019 the Report Committee for Gordon Moakes Certifies That This Is the Approved Version of the Following Report
Copyright by Gordon Moakes 2019 The Report Committee for Gordon Moakes Certifies that this is the approved version of the following report: No Future: Punk, Design and Resistance to Dystopian Technologies APPROVED BY SUPERVISING COMMITTEE: Kate Catterall, Supervisor Jiwon Park, Co-supervisor No Future: Punk, Design and Resistance to Dystopian Technologies by Gordon Moakes Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts The University of Texas at Austin May, 2019 Dedication For Scarlet and Nico, who inherit a future more uncertain—but perhaps more full of possibility—than I did. Acknowledgements I would firstly like to thank my supervisor Kate Catterall, whose generosity and encouraging spirit made my application to, and place within, the MFA program a possibility in the first place. Thank you to all the professors in the Design faculty who’ve offered insights, advice, pushback, provocation and encouragement: Jiwon Park, for her calm, affirmatory enthusiasm and ideas; Jim Walker, for his practical insights, gentle humor and invaluable coding assistance; and Carma Gorman, for her rigorous eye for detail. Thanks also to Alyson, Monica, Kate and Jon. My cohort have been able shipmates on my journey, always guiding, responding and suggesting—thank you Jacob Degeal, Bhargavi Jogkelar, Lauren Smedley and Mukhtara Yussuf: without you I’d be sunk. The MFA cohort of 2018 gave further support—in particular Ekin Levent and Juliana Castro-Varón. I’d like to thank a number of professors from the wider University of Texas community who’ve accommodated my scattered approach to my topic and given theoretical and historical framework for my ideas, including Craig Campbell, Kirkland Fulk, Snehal Shingavi, Neil Nehring, Lynne Wilkinson and Petre Petrov.