Radiohead's Pre-Release Strategy for in Rainbows
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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Massive Attack Blue Lines
Blue Lines Massive Attack [Tricky] Can't be with the one you love then love the one you're with Spliff in the ashtray, red stripe I pull the lid Her touch tickles, especially when she's gentle But I don't hear her words 'cause I slide the instrumental Keep the girl in the distance, moves are very hazy No sunshine in my life the way I deal is shady [3D] Skip hip data to get the anti-matter Blue lines are the reason why the temple had to shatter To the sound of silence surrounded by the mass Her face is on the paper not the strangers that I pass The ones that looking back to see if they are looking back at me [Daddy G] Are you predator or do you fear me [3D] Yeah while I'm doing this I know The place I really wanna go The one I love but never gets near me [Tricky] It's a beautiful day, well it seems as such Beautiful thoughts means I dream too much Even if I told you, you still would not know me Tricky never does, adrian mostly gets lonely How we live in this existence, just being English upbringing, background carribean [3D] It's the way that we ?bility? Sharing a soliloquy We cut the broken thread from flexibility Mi chiamo 3D si sono Inglese No sunshine in my life 'cause the way I deal is hazy And everyday's a daisy 'cause I'm on my toes While contemporaries of mine remaining comatose [Tricky] There's a looking glass she's looking through She hated me, but then she loved me too I'd lie not try so I lost faith Then turn to her to keep the faith She told me take an occupation or you lose your mind And on a nine to five lemon, looking for -
P28 Layout 1
28 Established 1961 Lifestyle Gossip Wednesday, December 13, 2017 Lily Allen Cabello praises drops first song artists for in three years ‘breaking barriers’ he ‘Smile’ hitmaker hasn’t put out any tunes since her album ‘Sheezus’, but surprised fans on Monday night, by dropping amila Cabello thinks there is a lot of “breaking barriers” in the coming-of-age banger about her wild past. On the track, the music industry right now. The ‘Havana’ hitmaker is thrilled T to see Latin artists getting mainstream recognition now and she sings: “When I was young I was blameless/ Playing with rude C boys and trainers/ I had a foot in the rave ‘cause I was attracted to thinks there has been a big shift in the industry. She said: “I think danger/ I never got home for Neighbors, hey/ When I grew up, noth- that the good thing about social media and the internet is that I feel ing changed much/ Anything went, I was famous /I would wake up like it makes the world smaller and it just kind of breaks down barri- next to strangers/ Everyone knows what cocaine does/ Numbing the ers between languages, between people, between cultures, and I pain when the shame comes, hey (sic)” In October last year, Lily think that might have something to do with that. I’ve been listening debuted a new track at Mark Ronson’s show at The Savoy hotel in to Spanish music forever because that’s just not even Spanish music London. The ‘Alfie’ hitmaker took to the stage to perform three songs to me, it’s just music “But I feel like with everything that’s gone on at the MasterCard Priceless event, including a brand new electronic this year and also with groups like K-pop groups performing on dance track which she created with the superstar DJ. -
Kink1500 Woensdag 28 Oktober
DIT HOOR JE WOENSDAG 28 OKTOBER IN DE KINK 1500 334 Green Day Longview 333 Gossip Heavy Cross 332 Radiohead No Surprises 331 Sports Team Here's The Thing 330 Queens Of The Stone Age I Sat By The Ocean 329 Portishead Roads 328 Muse Hysteria 327 Nine Inch Nails Hurt 326 Pearl Jam State of Love and Trust 325 Mumford & Sons Little Lion Man 324 Metallica Whiskey in the Jar 323 Madrugada The Kids Are On High Street 322 Editors An End Has A Start 321 Smashing Pumpkins Mayonaise 320 Iggy Pop The Passenger 319 Tool The Pot 318 Red Hot Chili Peppers Californication 317 National Fake Empire 316 Who Baba O'Riley 315 Placebo Without You I'm Nothing 314 Bruce Springsteen The River 313 Rammstein Rammstein 312 Snow Patrol Chasing Cars 311 Guns N' Roses Paradise City 310 Counting Crows Round Here 309 Fontaines D.C. A Hero's Death 308 Black Keys Gold On The Ceiling 307 Iron Maiden Fear Of The Dark 306 Black Crowes Remedy 305 Interpol Evil 304 Prodigy Firestarter 303 Nada Surf Popular 302 Blaudzun Promises of No Man's Land 301 Soundgarden Fell On Black Days 300 Linkin' Park Breaking the Habit 299 Charlatans The Only One I Know 298 Skunk Anansie Charlie Big Potato 297 Hole Violet 296 Coldplay The Scientist 295 Rage Against The Machine Bombtrack 294 U2 Bad 293 Strokes Last Nite 292 Led Zeppelin Kashmir 291 Florence + The Machine Ship to Wreck 290 Slipknot Duality 289 Beatles Eleanor Rigby 288 Foo Fighters All My Life 287 Smiths Bigmouth Strikes Again 286 Pearl Jam Dance Of The Clairvoyants 285 Royal Blood Little Monster 284 Marilyn Manson Beautiful People 283 Rancid Time Bomb 282 Jeff Buckley Grace 281 Arctic Monkeys Brianstorm 280 Billie Eilish Bad Guy 279 Nothing But Thieves Impossible 278 Deep Purple Child In Time 277 Oasis Wonderwall 276 Inhaler My Honest Face 275 Bush Machinehead 274 MGMT Kids 273 Evanescence Bring Me To Life 272 David Bowie Space Oddity 271 Massive Attack Unfinished Sympathy 270 Korn Blind 269 R.E.M. -
Deftones' New Release, 'Gore', Has Been Called a Departure from The
Deftones’ new release, ‘Gore’, has been called a departure from the group’s recent albums— somber and a little less optimistic. Stephen Carpenter and Chino Moreno discuss filling different guitar frequencies with different numbers of strings, tone modeling, and keeping the inspiration alive for more than two decades. by TZVI GLUCKIN March 10, 2016 edit by: deftfan (DeftonesZone) Grammy-winning rock group deftones is a guitar- centric, the knowledge i had read up on, was told about, and riff-driven band. Since their 1995 debut, adrenaline, the alt absorbed from others.” Deftones new album—two years in legends have been revered as extremely passionate masters the making—builds on carpenter’s experience, of sonic layering. And gore, their eighth studio release, is experimentation, and vast tonal awareness. Moreno adds a a guitar tour de force, featuring low-tuned 8-strings, swirly different perspective to the mix. “if it sounds good in a delays, sonic soundscapes, and bone-crushing chunk. little room with all of us in a circle then there’s a good Stephen carpenter is the band’s primary guitarist, while chance it should sound good on tape or recorded,” he says. lead singer chino moreno started adding additional guitars Gore, produced by the band in tandem with Matt Hyde, is with their third release, 2000’S white pony. Together, they a guitarist's feast and is replete with swagger, low-end create a dense, colorful, musical wall. “it’s like the rumble, and ambient textures. It also features Alice in bulldozer effect,” carpenter says. “you just get in where Chains guitarist Jerry Cantrell on the song “Phantom you fit in.” Bride.” Carpenter is the consummate gearhead. -
Mio Chris Thile Playlist
MIO CHRIS THILE PLAYLIST Cazadero Chris Thile CD: How to Grow a Woman From the Ground Improvisation Chris Thile Live -- New Orleans Carolina Drama Jack White A Prairie Home Companion Gone for Good The Shins A Prairie Home Companion Youtube Older and Taller Regina Spektor A Prairie Home Companion Youtube Kashmir Chris Thile and the Prairie Home Companion Band Youtube My Oh My Chris Thile Live -- New Orleans Monologue Chris Thile A Prairie Home Companion Eureka! Chris Thile CD: Not All Who Wander Are Lost Girl From Ipanema Joao & Astrud Gilberto and Stan Getz Single Don’t Try This At Home Bluegrass, Etc. CD: Bluegrass Etc. Tarnation Edgar Meyer & Chris Thile CD: Bass & Mandolin Quarter Chicken Dark Stuart Duncan, Chris Thile, Edgar Meyer, Yo-Yo Ma CD: The Goat Rodeo Sessions Kid A Punch Brothers CD: Who’s Feeling Young Now? Reckoner Chris Thile LIVE -- New Orleans Reckoner Radiohead CD: In Rainbows Rite of Spring Part I The Adoration of the Earth: I. Introduction Igor Stravinsky and the Columbia Symphony Orchestra CD: Igor Stravinsky Conducts Le Sacre Du Printemps (The Rite of Spring) For Free (Interlude) Kendrick Lamar CD: To Pimp A Butterfly Toxic Brittany Spears CD: In the Zone Gut Bucket Blues Don Vappie and the Creole Serenaders CD: Blues Routes: Heroes and Tricksters — Blues and Jazz Work Songs and Street Music I Made This For You Chris Thile Live -- New Orleans Joy Ride in a Toy Car/Hey Ho Mike Marshall & Chris Thile CD: Live Duets . -
Upheaval Records Interview
Upheaval Records Interview This is the second interview in a series of Canadian record labels, and this is one of my all time favorite record labels! Everything released by this dude was amazing! And it definitely stands the test of time! Dan actually has copies left of the New Day Rising 7″, Lockjaw CD and Day of Mourning CD. You can email him to acquire some copies for your own. The complete Upheaval Records discography includes: UR-666 – New Day Rising double 7” (1996) – Less than 2000 copies UP002CD – Ignorance Never Settles“Cycles of Consumption” (1996) – 1000 copies UP003CD – Lockjaw “A Lesson in Hate” (1997) – Less than 1000 UP004CD – Day of Mourning “Reborn as the Enemy” (1998) – 1000 copies UR-666 – New Day Rising double 7” (1996) UP002CD – Ignorance Never Settles “Cycles of Consumption” (1996) UP003CD – Lockjaw “A Lesson in Hate” (1997) UP004CD – Day of Mourning “Reborn as the Enemy” (1998) Instead of using the label logo, Upheaval Records used this definition on the outside of the New Day Rising 7″ -When was the label formed and where was it located originally? The label was formed in 1996. I ran it out of Hamilton. At first, I would trade my releases with other labels from all over the world, so the whole room would be just packed with records. It was kind of neat where it was my fantasy equivalent to business people who dream of wanting to roll around in money. I didn’t actually want to roll around in records, but I loved having boxes of them everywhere. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Morning Phase", Il Nuovo Album Di BECK
MARTEDì 25 FEBBRAIO 2014 È disponibile da oggi nei negozi tradizionali e negli store digitali "Morning phase", il nuovo album di BECK. L'album, a poche ore dalla pubblicazione, è già presente nella TopTen di iTunes dei principali paesi Beck, è uscito oggi il nuovo album del mondo a cominciare dagli Stati Uniti e il Canada, passando per la "Morning phase" Gran Bretagna e i paesi del nord Europa fino ad arrivare all'Italia. Il disco già in TopTen su iTunes "Morning phase" è il dodicesimo lavoro di studio del cantautore americano ed è il primo disco contenente materiale inedito dall'uscita di "Modern Guilt" del 2008. ANDREA LECCARDI In scaletta 12 brani inediti: "Morning", "Heart Is A Drum", "Say Goodbye", "Waking Light", "Unforgiven", "Wave", "Don't Let It Go", "Blackbird Chain", "Evil Things", "Blue Moon", "Turn Away", "Country Down". Intervistato a proposito del nuovo album dal magazine inglese Q, Beck ha chiarito nel dettaglio quali sono state le ispirazioni e le fonti che hanno dato vita ai brani del nuovo album: "Sono tornato alla musica della [email protected] mia giovinezza e delle mie radici: parlo di Neil Young, Gram Parsons e SPETTACOLINEWS.IT Crosby, Stills, & Nash. Ricordo sempre il suono di quei dischi e di quelle registrazioni, erano parte di una cultura mentre crescevo. Fanno parte del mio imprinting di crescita, che mi piaccia o meno. Forse rifiutavo questa musica quando ho cominciato a suonare, perché cercavo di trovare la mia identità. Ma sia io sia tutti quelli che hanno suonato su questo disco, siamo cresciuti tutti in California e quindi questo tipo di musica è inevitabilmente parte del nostro DNA". -
Avid Congratulates Its Many Customers Nominated for the 57Th Annual GRAMMY(R) Awards
December 10, 2014 Avid Congratulates Its Many Customers Nominated for the 57th Annual GRAMMY(R) Awards Award Nominees Created With the Company's Industry-Leading Music Solutions Include Beyonce's Beyonce, Ed Sheeran's X, and Pharrell Williams' Girl BURLINGTON, Mass., Dec. 10, 2014 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulated its many customers recognized as award nominees for the 57th Annual GRAMMY® Awards for their outstanding achievements in the recording arts. The world's most prestigious ceremony for music excellence will honor numerous artists, producers and engineers who have embraced Avid EverywhereTM, using the Avid MediaCentral Platform and Avid Artist Suite creative tools for music production. The ceremony will take place on February 8, 2015 at the Staples Center in Los Angeles, California. Avid audio professionals created Record of the Year and Song of the Year nominees Stay With Me (Darkchild Version) by Sam Smith, Shake It Off by Taylor Swift, and All About That Bass by Meghan Trainor; and Album of the Year nominees Morning Phase by Beck, Beyoncé by Beyoncé, X by Ed Sheeran, In The Lonely Hour by Sam Smith, and Girl by Pharrell Williams. Producer Noah "40" Shebib scored three nominations: Album of the Year and Best Urban Contemporary Album for Beyoncé by Beyoncé, and Best Rap Song for 0 To 100 / The Catch Up by Drake. "This is my first nod for Album Of The Year, and I'm really proud to be among such elite company," he said. "I collaborated with Beyoncé at Jungle City Studios where we created her track Mine using their S5 Fusion. -
Marketing in the Music Industry
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Marketing in the Music Industry (Bakalářská práce) Autor: Jan Kašpír Studijní obor: Angličtina se zaměřením na aplikovanou ekonomii Vedoucí práce: Joseph James Ference Dr. Olomouc 2012 I declare that I elaborated this paper independently and that I mentioned the absolute list of works cited In Olomouc on the day I hereby express my deepest gratitude towards Dr. Joseph Ference for his constant guidance, advice and patience in the development of this bachelor thesis. List of Abbreviations Used in the Thesis A&R – artist and repertoire ARC – American Record Corporation BBC – British Broadcasting Company BMG – Bertelsmann Music Group CBS – Columbia Broadcasting System CD – compact disc CD-R – recordable compact disc CD-ROM – Compact Disc Read-only memory – preprinted CD containing data readable by a computer CEO – chief executive officer DAT – Digital Audio Tape DMCA – Digital Millennium Copyright Act DNS – Domain Name System DRM – Digital Rights Management EMI – Electrical and Musical Industries e-tailer – electronic (internet) retailer GE – General Electric IFPI – International Federation of the Phonographic Industry IP – internet protocol ISP – internet service provider LP – long play record M. C. – music cassette MCA – Music Corporation of America mp3 – MPEG2 Audio Layer III – audio compression format P2P – peer-to-peer: computer internet network allowing users to share files PIPA - PROTECT IP Act - Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act of 2011 R&B – Rhythm and Blues SME – Sony Music Entertainment SOPA – Stop Online Piracy Act UMG – Universal Music Group VCR – video cassette recorder WEA – Warner-Elektra-Atlantic WMG – Warner Music Group Table of Contents 1 Introduction ....................................................................................................