DOCSLIB.ORG

Silvia Prada: the New Modern Hair CONTRIBUTOR PICKS Vintage Coiffes Inspire the Artist’S Playful New Investigation Into Masculinity in LA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Silvia Prada: the New Modern Hair CONTRIBUTOR PICKS Vintage Coiffes Inspire the Artist’S Playful New Investigation Into Masculinity in LA Search Log In Or Register Language ART BEAUTY CULTURE DESIGN FASHION GASTRONOMY MUSIC SPORTS TRAVEL ARCHIVE CONTRIBUTORS VIDEOS Home / Art / Friday, January 18, 2013 EDITORS LIST PREVIOUSLY ON NOWNESS Danny Bowien: Mission Chinese Seu Jorge: The Model The Culinary Rogue Reveals the Secrets of Chinatown and the The Brazilian Music Star Music of Sichuan Cuisine Gives His New Album a... MOST SHARED ART BEAUTY CULTURE DESIGN FASHION GASTRONOMY MUSIC SPORTS Search ARCHIVELog In Or RegisterCONTRIBUTORSLanguage VIDEOS TRAVEL FOLLOW US TWITTER FACEBOOK YOUTUBE REPLAY SLIDESHOW Sooyeon Lee: Grand Slam The Table Tennis Credits Share: LOVE Champ Stars in Matthew Donaldson's... Silvia Prada: The New Modern Hair CONTRIBUTOR PICKS Vintage Coiffes Inspire the Artist’s Playful New Investigation Into Masculinity in LA From the side-swept “executive contour” to the manicured pin-curls of the “Alexander,” New York-based illustrator Silvia Prada’s renderings of men’s hairstyles remind us how a cut can communicate authority, sex appeal and identity—all with a proper dose of humor and glam. The Spanish-born artist has created a series of smooth graphite renderings of crops popular with gentlemen from the 1950s to the 70s, resulting in a taxonomy of silhouettes that emphasizes the thoughtfulness and care with which men have cultivated their image over the decades. “I really enjoy the idea of an alpha male who is secure, masculine and clean-cut—and who knows how to carry his hair,” says Prada, whose father was a well-known hairdresser in León and who grew up surrounded by barbershop imagery. “Hair within context of identity is something quite primal, Treehotel: Recline in especially with men,” she explains. “It provides cues to character traits—even when they’re naked.” The New Modern Hair debuts today at LA’s Pine Pacific Design Center, adding to an exhibition list that already includes shows at Deitch Projects in Manhattan and MoCA Shanghai. Paired with An Eco-Friendly Retreat backdrops of abstract patterns and shapes that recall the modernist-inflected style of the Bauhaus or the graphic punch of 1980s pop in Sweden's Enchanted abstraction, as well as some inspirational photographs and objects donated by creative friends such as the artist Robert Knoke and filmmaker Forest Bruce LaBruce, Prada’s images suggest a visual language of aspiration that goes beyond the salon. Silvia Prada’s The New Modern Hair will be on view at the Pacific Design Center in Los Angeles until February 26. CONVERSATIONS (0) ADD A COMMENT Tags: Art , Slideshow , Illustration , USA , Los Angeles , Silvia Prada , The New Modern Hair , Pacific Design Center ON REPLAY Battle Box Massive Attack’s Robert Del Naja Instigates a Dark Fusion of Music, Art and Discourse in His Newest Project Frozen roses collide with a dancing rooster in today’s kaleidoscopic premiere of “Battle Box 001” by Robert Del Naja, known to Massive Attack fans as the band's co-founder, 3D. Featuring haunting vocals from Elbow frontman Guy Garvey, the track ventures into the militant dub territory of the Bristol band’s 90s reign. “We used about 50 different types of roses,” says co-director Dusan Reljin, who created the video's shattering visuals with his wife Hilde. “After dipping each one into liquid nitrogen we blew them up with dynamite and makeup powder. Some of them exploded really nicely and some of them were a complete disaster.” Using a phantom camera to slow the footage down, the result is an otherworldly fantasia reminiscent of animated Rorschach ink blot tests. The (Readuntraditional More) collaboration grew organically out of shared interests between Del Naja and the Norway native Reljin duo. “[Robert] was starting to work on Battle Box, and at the same time we were experimenting with these images, trying to morph things," says Dusan. “We started talking to him about the project and he responded well. We wanted a MOSTslightly gritty, SHARED home-made feeling IN ARTto it. That’s the way 3D works with his music, too.” The Vinyl Factory releases “Battle Box 001” today. Thomas Demand: Paper Weight The German Artist Talks TMZ and Evil's Kitchen from his LA Studio Conceptual artist Thomas Demand discusses how an encounter with a picture on a celebrity gossip website instigated his latest work in today’s film from White Zinfandel magazine, which will celebrate the release of its “Food Fights”-themed issue during this week's NADA Miami Beach fair. Based between Los Angeles and Berlin, Demand is known for building life-sized, three-dimensional paper and cardboard models of spaces, inspired by found images, that he then photographs himself and almost always ultimately destroys. This singular technique is behind his recent “Junior Suite,” a work for which the Munich-born sculptor and photographer recreated Whitney Houston’s insalubrious half- eaten “last meal” in her Beverly Hilton Hotel room as it appeared in an image published (Readon TMZ. More) The film by Friend & Colleague, a studio founded by Alexei Tylevich with his sister Katya, sees Demand reveal how he visited the hotel and ordered the same food in an attempt to achieve a kind of accuracy within the murky world of trivia and generalization. Since his rise to prominence in the mid-1990s, the artist's innovative work has earned him a mid-career retrospective at MoMA in 2005, as well as major solo shows at London's Serpentine Gallery and the Neue Nationalgalerie in Berlin, and past inspirations for his scale copies include a soldier’s snapshot of the kitchen Saddam PREVIOUSLY IN ART Hussein used before his capture and the studio of an artist targetedVIEW FULL by the ART Baader- ARCHIVE Meinhof gang. “An underlying assumption in my work is that one way we come to understand who we are is through the images that we collect and remember,” he says. Seen through Demand's oeuvre, images as we remember them, much like those intended to sell the most newspapers or get the most clicks online, are in many ways fictional. Thomas Demand is among 30 contributors to the latest issue of White Zinfandel, which will host "De Nada", an amuse-bouche culinary collaboration taking place at Miami's Hotel Deauville this Thursday December 6, 2012. JANUARY 12, 2013 JANUARY 10, 2013 DECEMBER 30, 2012 DECEMBER 22, 2012 DECEMBER 21, 2012 Sergei Sviatchenko: For Maxwell Snow: The Lady Predictions Week 2013: Christmas Decorations of Christmas Decorations of Light and Memory of Shalott The Art World's Year the Future: Part 3 (of 3) the Future: Part 2 (of 3) The Maverick Image Maker and The Downtown Artist Takes Ahead Margot Bowman Concludes Her Extraterrestrial Christmas Style Connoisseur Is Inspiration from Victorian Poetry Surreal Vision of the Holiday Adornments Come to Life in Arts Arbiter Bettina Korek and Celebrated in Berlin for a Sultry New Series Season Margot Bowman's Fantastical Curator-Entrepreneur Maria Animations Baibakova On What's Coming to Museums and Galleries DECEMBER 20, 2012 DECEMBER 19, 2012 DECEMBER 14, 2012 DECEMBER 5, 2012 DECEMBER 5, 2012 Christmas Decorations of Alexander Calder: KAWS: Companion at the A Happy Man: Jonas Jonas Mekas: Guns of the the Future: Part 1 (of 3) American Legend Parade Mekas Trees Illustrator Margot Bowman A Snack-Filled Kinetic Tribute to The Artist Takes Manhattan The Godfather of Avant-Garde Reflections On Sixty Years Of Imagines the Ornaments of the Great Sculptor With His Inflatable Cartoon Cinema Celebrates His 90th Filmmaking Accompany Tomorrow in a Three-Part Creation With a Major Retrospective and Unseen Archival Footage of the Celebration of Christmas 2062 World Premiere Filmmaker at Work. LOAD MORE SIGN UP FOR EMAILS SUBSCRIBE ABOUT US PRESS AWARDS PRIVACY TAG INDEX SITEMAP SITE CREDITS TWITTER FACEBOOK YOUTUBE TUMBLR PINTEREST FOURSQUARE INSTAGRAM RSS FEEDS NOWNESS previews the latest in fashion, art, cinema, entertainment, culture, music, gastronomy, design, travel, and the world of luxury..
Load more

Recommended publications
  • Radiohead's Pre-Release Strategy for in Rainbows
    Making Money by Giving It for Free: Radiohead’s Pre-Release Strategy for In Rainbows Faculty Research Working Paper Series Marc Bourreau Telecom ParisTech and CREST Pinar Dogan Harvard Kennedy School Sounman Hong Yonsei University July 2014 RWP14-032 Visit the HKS Faculty Research Working Paper Series at: http://web.hks.harvard.edu/publications The views expressed in the HKS Faculty Research Working Paper Series are those of the author(s) and do not necessarily reflect those of the John F. Kennedy School of Government or of Harvard University. Faculty Research Working Papers have not undergone formal review and approval. Such papers are included in this series to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. www.hks.harvard.edu Makingmoneybygivingitforfree: Radiohead’s pre-release strategy for In Rainbows∗ Marc Bourreau†,Pınar Dogan˘ ‡, and Sounman Hong§ June 2014 Abstract In 2007 a prominent British alternative-rock band, Radiohead, pre-released its album In Rainbows online, and asked their fans to "pick-their-own-price" (PYOP) for the digital down- load. The offer was available for three months, after which the band released and commercialized the album, both digitally and in CD. In this paper, we use weekly music sales data in the US between 2004-2012 to examine the effect of Radiohead’s unorthodox strategy on the band’s al- bum sales. We find that Radiohead’s PYOP offer had no effect on the subsequent CD sales. Interestingly, it yielded higher digital album sales compared to a traditional release.
    [Show full text]
  • Massive Attack Blue Lines
    Blue Lines Massive Attack [Tricky] Can't be with the one you love then love the one you're with Spliff in the ashtray, red stripe I pull the lid Her touch tickles, especially when she's gentle But I don't hear her words 'cause I slide the instrumental Keep the girl in the distance, moves are very hazy No sunshine in my life the way I deal is shady [3D] Skip hip data to get the anti-matter Blue lines are the reason why the temple had to shatter To the sound of silence surrounded by the mass Her face is on the paper not the strangers that I pass The ones that looking back to see if they are looking back at me [Daddy G] Are you predator or do you fear me [3D] Yeah while I'm doing this I know The place I really wanna go The one I love but never gets near me [Tricky] It's a beautiful day, well it seems as such Beautiful thoughts means I dream too much Even if I told you, you still would not know me Tricky never does, adrian mostly gets lonely How we live in this existence, just being English upbringing, background carribean [3D] It's the way that we ?bility? Sharing a soliloquy We cut the broken thread from flexibility Mi chiamo 3D si sono Inglese No sunshine in my life 'cause the way I deal is hazy And everyday's a daisy 'cause I'm on my toes While contemporaries of mine remaining comatose [Tricky] There's a looking glass she's looking through She hated me, but then she loved me too I'd lie not try so I lost faith Then turn to her to keep the faith She told me take an occupation or you lose your mind And on a nine to five lemon, looking for
    [Show full text]
  • Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
    Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms.
    [Show full text]
  • Visualizing Networks of Music Artists with Rama
    VISUALIZING NETWORKS OF MUSIC ARTISTS WITH RAMA Lu´ıs Sarmento1, Fabien Gouyon2, Bruno G. Costa3 and Eug´enio Oliveira4 1LIACC/FEUP, Univ. do Porto, Rua Dr. Roberto Frias, s/n, Porto, Portugal 2INESC Porto, Rua Dr. Roberto Frias, 378, Porto, Portugal 3Univ. Cat´olica Portuguesa, Rua Diogo Botelho, 1327, Porto, Portugal 4LIACC/FEUP, Univ. do Porto, Rua Dr. Roberto Frias, s/n, Porto, Portugal Keywords: Information visualization, Search interfaces, Content ranking using social media, User interfaces for search interaction. Abstract: In this paper we present RAMA (Relational Artist MAps), a simple yet efficient interface to navigate through networks of music artists. RAMA is built upon a dataset of artist similarity and user-defined tags regarding 583.000 artists gathered from Last.fm. This third-party, publicly available, data about artists similarity and artists tags is used to produce a visualization of artists relations. RAMA provides two simultaneous layers of information: (i) a graph built from artist similarity data, and (ii) overlaid labels containing user-defined tags. Differing from existing artist network visualization tools, the proposed prototype emphasizes commonalities as well as main differences between artist categorizations derived from user-defined tags, hence providing enhanced browsing experiences to users. 1 INTRODUCTION works of music artists contain rich and multi- faceted information (music artist similarities, user tags, etc.) that can be useful for recommendations One of the fastest growing media on the web is that go beyond the creation of playlists. We present web-radio. There are now many web-radios avail- RAMA, Relational Artist MAps, available through able where millions of users spend a very signifi- http://pattie.fe.up.pt/RAMA/.
    [Show full text]
  • Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
    KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....
    [Show full text]
  • Two-Teardrops-Sample
    SONG ANALYSIS ESSAY by Andrew Kennedy Topic: Comparison of Teardrop by Massive Attack and Teardrop by Jose Gonzalez Word length total: 1900 words aprox World length excluding intro: 1300 words approx Two teardrops It’s always interesting when an artist chooses to reinterpret a song in their own way. Often it’s a train wreck but sometimes the cover has the potential to transcend the original. Such was the case with Jeff Buckley’s version of Hallelujah, Gary Jules version of Mad World or Matt Corby’s version of Lonely Boy. To cover a song like Teardrop by Massive attack, widely regarded as a 90’s trip hop classic, would be a daunting prospect, especially considering the number of covers that have already been done. However, in 2007, Jose Gonzalez gave it the indie folk treatment, squeezing it through the filter of his own unique sound. What emerged was both entirely recognizable and boldly distinct, as I will discuss shortly. Perhaps the most obvious difference from the original was the animated music video which accompanied the song. Featuring a visual retelling of the biblical Sodom and Gomorrah tale combined with unsettling pagan imagery, the video turns the tables on the traditional story by depicting God as the bad guy and the cities inhabitants as innocent victims. At first glance, this might seem to be completely unrelated to Massive Attack’s music video which features an animatronic baby singing inside the womb. But in fact, I think there’s a profound link. While the meaning behind Massive Attack’s lyrics and music video have never been made fully clear, fans have speculated that underlying theme relates to abortion.
    [Show full text]
  • Blood, Smoke, and Freedom
    NARRATIVE NONFICTION reads like fiction but it’s all true Blood, Smoke, and A TrueF Storyre of theedom American Revolution Join Lauren for a special virtual field trip to the Museum of the American Revolution in Philadelphia. GaryHanna Details online. 4 SCHOLASTIC SCOPE • MARCH 2018 Nonfiction Blood, Smoke, and A TrueF Storyre of theedom American Revolution Joseph Plumb Martin was still a boy when he became an American soldier. Could he survive his first battle? By Lauren Tarshis As You Read What was it like to be a soldier in the American Revolution? oom! Boom! Boom! Thundering cannon explosions shook the ground and thick smoke filled the air as 15-year-old Joseph Plumb Martin lay in the dirt, struggling to stay alive. It was August 27, 1776, in Brooklyn, New York, and America and England were fighting the first major battle of the Revolutionary War. Only three months earlier, Joseph had begged his family to let him join the BAmerican army. Being a soldier would be a thrilling adventure, he was sure. Of course America would win! But now Joseph realized that the Americans were doomed. A terrible cacophony of cries and moans from wounded soldiers rose up into the summer sky; hundreds of soldiers were dead. It seemed Joseph had two choices: Surrender—or die. SCOPE.SCHOLASTIC.COM • MARCH 2018 5 A New World arrived, hundreds of thousands “Seeds of Courage” Joseph was born in 1760, when of Native American people were At first, the thought of fighting the United States was not yet a dying. They died of diseases terrified Joseph.
    [Show full text]
  • Thesis Writing Deliverables (Pdf)
    DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded.
    [Show full text]
  • Old-School Techno Adds a Touch of Vulnerability to His Latest Project
    ISSUE #29 MMUSICMAG.COM up listening to the same records,” says Moby. “His background is with bands like Throbbing Gristle and a lot of weird electronic music in the 1980s, and then Massive Attack and Björk.” Moby’s trajectory similarly went from ’80s punk rocker to international techno auteur to highly licensed hit-maker whose song “Extreme Ways” runs over the closing credits of all four of the Bourne films. Another new turn on the moody, soulful Innocents is its abundance of guest vocalists—the Flaming Lips’ Wayne Coyne, Skylar Grey, Cold Specks, Damien Jurado and Screaming Trees’ Mark Lanegan. “It wasn’t deliberate,” Moby says of the star-power recruiting. “The vocalists we used were the ones who could add to the emotion of the song.” The last thing Moby and Stent wanted tills S to create was a polished pop record. To that end they brought in old analog gear, leanor E hissing tape machines, wobbly reverb units and offbeat drum machines. “When Spike and I started, he was clear that it had to have a strong quality of vulnerability,” says Moby. “Which seems contrary to the way most electronic music is made these days, which is big and bombastic—and I’m not saying that in a negative way. But I wanted MOBY to make a record that was vulnerable and humble. If I was a 22-year-old pop star, I Old-school techno adds a touch of vulnerability might have felt differently. But I’m 47 and to his latest project making a record that likely won’t be played on the radio.” “I’m an oNLY CHILD WHO LIVES ALONE “I like to work by myself,” he says, “but I lose For Moby, the dodgy equipment was and usually works alone,” declares Moby objectivity.
    [Show full text]
  • STEVE HARNELL Catches up with Massive Attack's Robert Del Naja at the Band's Bristol Studios to Get the Lowdown on Their
    4 www.thisisbristol.co.uk Thursday, February 4, 2010 Thursday, February 4, 2010 www.thisisbristol.co.uk 5 Music Food www.crackerjack.co.uk Warm chocolate STEVE HARNELL brownie at Review Hermanos catches up with Keeping Massive Attack’s Back on the Attack Hermanos Robert Del Naja at 55 Queens Road, Clifton, Bristol, Asia, Australia and New Zealand, the BS8 1QQ. Tel: 0117 9294323 States and Canada. South America, Massive Attack’s the band’s Bristol too. We’re even talking about going Grant “Daddy G” t was the soup that studios to get the back to the Middle East and Africa.” Marshall and Robert first caught my eye The new album sees Massive “3D” Del Naja I working with more collaborators when I walked past lowdown on their than ever before. It’s something of a it in the dream team of acclaimed vocalists Hermanos, a café bar on Clifton Triangle. which takes in Damon Albarn, much-anticipated Elbow’s Guy Garvey, former Mazzy The small menu in the window Star frontwoman Hope Sandoval, TV started with the words ‘Moro’s On The Radio’s Tunde Adebimpe, beetroot soup with black cumin’, new album a reference to a dish that appears former Tricky muse Martina at one of London’s best Heligoland Topley-Bird and the ever-present restaurants. reggae veteran Horace Andy. Great offer to And then, a few lines below it, “I’ve been banging on about I spotted ‘Homage to Stephen family making a Gothic soul album for years assive Attack have now but it just hasn’t happened.
    [Show full text]
  • Augsome Karaoke Song List Page 1
    AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co.
    [Show full text]
  • Neil Davidge
    Neil Davidge COMPOSER As co-writer and key sonic facilitator on the lauded Massive Attack albums Mezzanine, 100th Window and Heligoland, Bristol, England's Neil Davidge has been integral in birthing some of the most arresting and innovative sounds of the Nineties and Noughties. He has also enjoyed a parallel career composing for Film and Television. His early venture into the world of film scoring included The Storm That Brought You To Me, from Louis Leterrier's 2010 fantasy film Clash Of the Titans, and his co-write score for Trouble The Water, a moving study of Hurricane Katrina victims that won the ‘Best Documentary’ gong at the 2008 Sundance Film Festival. Following that, Neil won over an entirely new audience in 2012 with Microsoft / 343 Industries - the company behind famed multi-million-selling franchise Halo - who commissioned him to write the score for the quantum leap in fun-filled alien slaughter that is Halo 4. The soundtrack went on to sell over 90,000 albums, 120,000 downloads and was the highest charting game soundtrack ever in the US billboard charts. The stellar success of Halo 4 resulted in further movie score work including the 2014 Henrik Ruben Genz movie Good People starring Kate Hudson and James Franco, the Tom Green directed Monsters: Dark Continent, and the 2015 Canal Plus 10-part thriller TV series Spotless starring Mark Ruffalo, Michael Keaton and Rachel McAdams. In 2017 Neil scored several highly coveted BBC1 dramas including the Anthony Horowitz TV series New Blood, the BBC four-part drama In The Dark, and new 2018 Jim Sturgess/ Agyness Deyne pre-apocalyptic thrilled Hard Sun.
    [Show full text]